Bukowskis | Contemporary Art & Design 2017

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Contemporary Art & Design Viewing 19 – 24 October. Auction 25 October, 2017 Berzelii Park 1, Stockholm

For inquiries please contact

Deputy Managing Director, Head Specialist, Art Andreas RydĂŠn +46 728 58 71 39 andreas.ryden@bukowskis.com

Head Specialist Carl Barkman +46 708 92 19 71 carl.barkman@bukowskis.com

Specialist Contemporary Art Louise Wrede +46 739 40 08 19 louise.wrede@bukowskis.com

Specialist Design & 20th Century Works of Art Eva Seeman +46 708 92 19 69 eva.seeman@bukowskis.com

Specialist Photographs, Contemporary Art Karin Aringer +46 702 63 70 57 karin.aringer@bukowskis.com

Specialist Design & 20th Century Works of Art Camilla Behrer +46 708 92 19 77 camilla.behrer@bukowskis.com

Specialist Modern & Contemporary Art Amanda Wahrgren +46 702 53 14 89 amanda.wahrgren@bukowskis.com

Specialist Prints & 19th/20th Century Cecilia Berggren +46 739 96 74 02 cecilia.berggren@bukowskis.com

Cover: Richard H. Pettibone, Roy Lichtenstein Hopeless 1963, detail.


Bukowskis Autumn 2017

Contemporary Art & Design + Important Timepieces

How to participate in our auctions There are four ways to bid at Bukowskis.

Stockholm Viewing 19 – 24 October Auction 25 October

1

Modern Art & Design Stockholm Viewing 16 – 20 November Auction 21 November

Important Winter Sale

2

Stockholm Viewing 30 November – 4 December Auction 5 – 6 December

Art & Antiques Helsinki

Stockholm 4 – 6 September 9 – 11 October 13 – 15 November 11 – 13 December All auctions are online

Once registred for a paddle you are welcome to bid in the salesroom. The auctioneer will announce the bids. If the object and price is right, raise the paddle. Continue until you are the only bidder remaining.

Absentee bidding If your are unable to attend the auction, simply place an absentee bid at least 1 hour before the sale and we will bid on the item for you. It is easy. Just submit your maximum bid online.

3

By phone

4

Live bidding

Viewing 6 –11 December Auction online from 30 November

Systembolaget Auction with selected Wine & Spirits

In the auction room

If you prefer to bid by phone, we will call you from the salesroom and bid on your behalf.

To bid in real-time online is not only easy and convenient, it has become very popular among our clients. Bid from wherever you are, but make sure to register for an account in advance. www.bukowskis.com

Bukowskis Stockholm Arsenalsgatan 2 Box 1754 111 87 Stockholm, Sweden A Hans T +46 838.614 08 00J Wegner. A Hammock Chair by Getama, F +46 8 611 46 74 Denmark, post 1967. www.bukowskis.com 30 000 - 40 000 SEK/3 147 - 4 197 EUR

The catalogue prices are given in Swedish kronor (SEK). Bukowskis’ general terms for buyers and sellers and forms for bidding instructions and telephone bidding can be found at www.bukowskis.com.


Contemporary Art & Design Viewing 19 – 24 October. Auction 25 October, 2017 Berzelii Park 1, Stockholm Wednesday 25 October From 5 pm Design Contemporary Art

Number 1 − 49 50 − 125

Photography

126 − 198

Prints

199 – 214

From 3 pm

Number

Important Timepieces

1 − 125


New season and new energy at Bukowskis! We have the pleasure in launching the Swedish auction season with Contemporary Art & Design. We have strengthened our department for contemporary art with the addition of Louise Wrede, who joins us from the gallery sector and has extensive experience in the Art World. Bukowskis is the only auction house in Scandinavia with a separate auction for contemporary art, photography and post-war design. Our autumn auction maintains a high standard, with real treasures dating from the 1960s right through to the present day. Richard Pettibone’s version of Roy Lichtenstein’s characteristic motif is one such treasure. Andy Warhol’s rare “Mick Jagger” colour serigraph symbolises the 1970s, while two unique works by Fernandez Arman represent the 1980s, together with Jonas Bohlin’s classic “Concrete” chair. Dan Wolgers’ well-known photograph “Här slutar allmän väg III” is an excellent example of 1990s postmodernism. Karin Mamma Andersson’s painting “Childhood” illustrates in turn one of Sweden’s most popular twenty-first century artists. In 2017, we are celebrating Irving Penn! This year marks 100 years since the birth of this well-known photographer in New Jersey. The anniversary is being observed at institutions and galleries around the world. Here at Bukowskis we are celebrating with our biggest ever section featuring his photographs. In addition to these magnificent images, this impressive section of the auction also features photographs that truly demonstrate the breadth of this field. From Albert Watson’s neon sign in Las Vegas and Terry O’Neill’s Hollywood glamour to a large section of high-quality classic black and white images, produced by hand in the darkroom by photographers such as Lennart Olson, Antanas Sutkus and Hans Hammarskiöld. Let art and design bring light to the autumn darkness! A warm welcome to our Contemporary Art & Design Sale! Karin Aringer, Louise Wrede, Eva Seeman and Camilla Behrer



16. Eva Hild, A unique Breaking up-series sculpture in stoneware clay with kaolin-engobe surface, Sweden 2002. (d) Estimate: 300 000 - 350 000 SEK / 31 479 - 36 726 EUR


Contemporary No 602

Bukowskis October 2017

1. A Stig Lindberg iron wall relief, lacquered in goldpaint, Sweden 1964. A part of the "The journey through Life" that was executed for the hotel S:t Jörgen in Malmö, Sweden in 1964. 58 x 68 cm. Provenance: The hotel S t Jörgen, Malmö, Sweden. (d)

Estimate: SEK 20 000 – 25 000 / EUR 2 098 – 2 623

2. A Stig Lindberg iron wall relief lacquered in gold paint, Sweden 1960's. A part of the "The journey through Life" that was executed for the hotel S:t Jörgen in Malmö, Sweden in 1964. 52 x 79 cm. Provenance: The hotel S t Jörgen, Malmö, Sweden. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 573 – 2 098

3. A Greta Magnusson Grossman 'Grasshopper' floor lamp by Bergboms, Sweden 1950's. Lacquered in red and ivory beige, maker's mark within the shade. Height ca 123 cm. Estimate: SEK 35 000 – 40 000 / EUR 3 672 – 4 197

3 A. Greta Magnusson Grossman a ’G-33’ (Grasshopper) black lacquered floor lamp, Bergbom’s, Sweden 1950’s. Marked G-33 BERGBOM MAX 25 W. Height ca 123 cm. Estimate: 20 000 - 25 000 SEK / 2 098 - 2 623 EUR


Bukowskis October 2017

4. A John Kandel red beech and black formica 'Parallell' table by Haglund & Söner, Sweden ca 1968. Diameter 80 cm, height 57 cm. Estimate: SEK 8 000 – 10 000 / EUR 839 – 1 049

5. A pair of Hans-Agne Jakobsson brass floor lamps, Markaryd, Sweden 1960-70's. Marked HANS-AGNE JAKOBSSON AB underneith, height 125 cm. Estimate: SEK 15 000 – 20 000 / EUR 1 573 – 2 098

6. An Arne Norell 'Ari' easy chair by Norell Möbel AB, Sweden, probably 1960's-70's. Steel, brown leather upholstery. Seat height ca 25 – 35 cm. Estimate: SEK 15 000 – 20 000 / EUR 1 573 – 2 098

Contemporary No 602


8. Jonas Bohlin. A Concrete armchair, Källemo, Värnamo, Sweden 1981. (d) Estimate: 125 000 – 150 000 SEK / 13 116 - 15 739 EUR


13. Mats Theselius. A lounge chair El Dorado by Källemo post 2002. (d) Estimate: 60 000 – 80 000 SEK / 6 295 - 8 394 EUR


Contemporary No 602

Bukowskis October 2017

8. A Jonas Bohlin 'Concrete' armchair, Källemo, Värnamo, Sweden 1981. Signed HC II/X jONAS BOHLIN. Height 89,5 cm. (d)

Estimate: SEK 125 000 – 150 000 / EUR 13 116 – 15 739

9. A Jonas Bohlin 'Sto' oak and iron chair, Stockholm 1990. Signed STO 66/70 jONAS BOHLIN 1990, height 94,5 cm, width 31,5 cm, depth 53 cm. (d)

Estimate: SEK 10 000 – 15 000 / EUR 1 049 – 1 573

10. A Jonas Bohlin ash and patinated steel cabinet 'Slottsbacken', Källemo, Sweden circa 1987. Interior with five glass shelves, signed on metal plaque: SLOTTSBACKEN av JONAS BOHLIN 1987 för KÄLLEMO-VÄRNAMO-SWEDEN. Produced in 200 ex 1/200 – 200/200 and 10 ex signed 1/X – X/X. Number V/X JONAS BOHLIN. Height 210 cm, width 70 cm, depth 37 cm. (d)

Estimate: SEK 80 000 – 100 000 / EUR 8 394 – 10 493


Bukowskis October 2017

11. A Mats Theselius 'Aluminiumfåtölj' easy chair upholstered with plaited birch bark, Källemo 1990. Label marked, engraved mark to the lower back. Height 74 cm. Provenance: Bought at Nordiska Galleriet, Stockholm, in 1990. (d)

Estimate: SEK 40 000 – 50 000 / EUR 4 197 – 5 246

12. A Mats Theselius 'Älgskinnsfåtöljen' armchair, Källemo, Sweden ca 1991. Steel frame, upholstered with elk's hyde. Maker's label, marked with number 345/360. (d)

Estimate: SEK 60 000 – 80 000 / EUR 6 295 – 8 394

13. A Mats Theselius lounge chair 'El Dorado' by Källemo post 2002. Birch, brass and beige leather. Marked with metal lable: EL DORADO by Mats Theselius 2002 No 140/360 KÄLLEMO AB SWEDEN. Height 78 cm, width 56 cm. (d)

Estimate: SEK 60 000 – 80 000 / EUR 6 295 – 8 394

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

14. A unique Mats Theselius armchair 'Roland's Hörna', Theselius.com, Sweden 2009-2011. Black lacquered legs, black leather back and seat, the sides covered in leather with inlays in black, white, red, yellow and beige, a decor inspired by Mickey Mouse. The back with engraved silver plaque: 'Rolands Hörna', unique custom made armchair, Mats Theselius, Design and production (...) Read more at bukowskis.com. (d)

Estimate: SEK 75 000 – 100 000 / EUR 7 869 – 10 493

15. A Mats Theselius 'Inox' polished steel, white soaped oak and white leather, nubuck armchair, Källemo, Sweden post 2015. Maker's mark, no 33/199. Measurements 60 x 69 cm, height 72,5 cm. (d)

Estimate: SEK 35 000 – 40 000 / EUR 3 672 – 4 197

16. A unique Eva Hild 'Breaking up-series' sculpture in stoneware clay with kaolin-engobe surface, Sweden 2002. Signed EVA HILD 2002, measurements ca 65 x 68 cm, height ca 54 cm. (d)

Estimate: SEK 300 000 – 350 000 / EUR 31 479 – 36 726


Bukowskis October 2017

17. An Alvar Aalto 'A 334' white lacquered metal and brass ceiling lamp by Valaistustyö, Finland 1950's. Stamped maker's mark: Valaistustyö A 334, height 41 cm. Estimate: SEK 12 000 – 15 000 / EUR 1 259 – 1 573

18. A Paavo Tynell "9224" brass table lamp, Taito Oy, Finland, mid 20th century. Polished brass and leather, stamped TAITO, height circa 52 cm. Estimate: SEK 35 000 – 40 000 / EUR 3 672 – 4 197

19. A pair of Adolf Relling & Sigurd Resell teak and leather "56/2 Bambi-series armchairs, Norway 1950's-60's. Executed by Gustav Bahus Eftf, Bergen. Estimate: SEK 20 000 – 25 000 / EUR 2 098 – 2 623

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

20. An Aldo Tura serving trolley, Italy 1950-60's. Malachite coloured goatskin, metal base. Total length 84 cm, width 40 cm, height 81 cm. Estimate: SEK 10 000 – 15 000 / EUR 1 049 – 1 573

21. An Italian wall mirror, 1950-60's. Emerald green tinted glass and brass frame. Glass shelf, supporting legs of brass. Height 230, width 109 cm. Estimate: SEK 15 000 – 20 000 / EUR 1 573 – 2 098

22. An Alessanro Mendini 'Proust geometrica' armchair, edition Cappellini. Multi-colured wooden frame, upholstered with a geometrical polychrome fabric. Estimate: SEK 30 000 – 40 000 / EUR 3 147 – 4 197


18. Paavo Tynell, A model 9224 brass table lamp, Taito Oy, Finland, mid 20th century. Estimate: 35 000 – 40 000 SEK / 3 672 - 4 197 EUR


Contemporary No 602

Bukowskis October 2017

23. A Nanna & Jørgen Ditzel upholstered teak settee and lounge chair, Søren Willadsen, Denmark 1950's. Settee length ca 134 cm, height ca 70 cm. Estimate: SEK 30 000 – 40 000 / EUR 3 147 – 4 197

24. A Hans J Wegner teak and beech dinner table by Andreas Tuck, Denmark 1950-60's. Marked: FABRIKAT: ANDR. TUCK ARKITEKT: HANS J WEGNER DENMARK. Length 128 + 2 x 55 cm (total length 238 cm), width 85 cm, height 72 cm. Estimate: SEK 35 000 – 40 000 / EUR 3 672 – 4 197

25. A set of four Hans J Wegner 'JH 701' dining chairs, executed by Johannes Hansen, Denmark. Steel base, curved wooden back with inlays of wengé, seats reupholstered in red leather, label marked. Estimate: SEK 25 000 – 30 000 / EUR 2 623 – 3 147


Bukowskis October 2017

26. A Hans J Wegner 'Papa Bear' armchair, AP-stolen, Denmark 1950-60's. Reupholstered in blue wool fabric, oak armrests and legs. Maker's stamp: Made in Denmark Designer: Hans J. Wegner A.P. STOLEN Copenhagen. Estimate: SEK 40 000 – 50 000 / EUR 4 197 – 5 246

27. A Hans J Wegner 'Papa Bear' armchair, AP-stolen, Denmark 1950-60's. Reupholstered in blue wool fabric, oak armrests and legs. Maker's stamp: Made in Denmark Designer: Hans J. Wegner A.P. STOLEN Copenhagen. Estimate: SEK 40 000 – 50 000 / EUR 4 197 – 5 246

28. Hans J. Wegner, "AT-305" teak table, Andreas Tuck, Denmark 1950-60's. Length 136 (total length with leaves 231 cm), width 76 cm, height 73 cm. Estimate: SEK 25 000 – 30 000 / EUR 2 623 – 3 147

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

29. An Arne Jacobsen black leather '3113' swivel chair, Fritz Hansen, Denmark 1950's. Maker's mark FH DANMARK and label Danish furnituremakers control. Estimate: SEK 8 000 – 10 000 / EUR 839 – 1 049

30. An Arne Jacobsen 'The Giraffe' armchair by Fritz Hansen, Denmark 1958. Birch, reupholstered in green wool. Estimate: SEK 20 000 – 25 000 / EUR 2 098 – 2 623

31. A Børge Mogensen oak and rattan 'model 5272' bench, Denmark 1950-60's. length 115 cm, width 50 cm, height 35 cm. Estimate: SEK 10 000 – 12 000 / EUR 1 049 – 1 259

32. A Børge Mogensen oak and rattan 'model 5272' bench, Fredericia, Denmark 1950-60's. Length 115 cm, width 50 cm, height 35 cm. Estimate: SEK 10 000 – 12 000 / EUR 1 049 – 1 259


Bukowskis October 2017

33. A pair of Hans J Wegner model 512 oak 'Folding Chairs' executed by Johannes Hansen, Denmark 1950's. Fretted rattan, maker's mark JOHANNES HANSEN COPENHAGEN DENMARK, comes with wallmounts. Estimate: SEK 60 000 – 80 000 / EUR 6 295 – 8 394

33 A. A Hans J Wegner ’CH-27’ oak and rattan easy chair, Carl Hansen & Son, Denmark. Ek, sits av flätad rotting. Stämpelmärkt och med etikett Danish Furnituremakers’ control. Estimate: 15 000 - 20 000 SEK / 1 573 - 2 098 EUR

34. A Hans J Wegner ”Jakkens Hvile”/”Bachelor’s chair”, Johannes Hansen, Danmark ca 1959. Maker's mark JH JOHANNES HANSEN COPENHAGEN DENMARK. Estimate: SEK 60 000 – 80 000 / EUR 6 295 – 8 394

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

35. A Hans J Wegner 'Papa Bear' armchair, AP-stolen, Denmark 1960's. Reupholstered in beige wool fabric, oak armrests and legs. Maker's stamp: Made in Denmark Designer: Hans J. Wegner A.P. STOLEN Copenhagen. Estimate: SEK 40 000 – 50 000 / EUR 4 197 – 5 246

36. A pair of Hans J Wegner oak and rattan 'Folding chairs', model 512, Johannes Hansen, Denmark 1950's. Maker's mark JOHANNES HANSEN COPENHAGEN DENMARK. Estimate: SEK 60 000 – 80 000 / EUR 6 295 – 8 394

37. A pair of Bernt Petersen palisander and rattan stools, Wørts Møbelsnedkeri, Denmark ca 1960. 45 x 45 cm, height 41 cm. Estimate: SEK 25 000 – 30 000 / EUR 2 623 – 3 147


Bukowskis October 2017

38. A Hans J Wegner ’Hammock Chair’ by Getama, Denmark, post 1967. Oak, flagline, retailer's label BLIDNERS Göteborg. Längd 183 cm,width 72,5 cm. Estimate: SEK 30 000 – 40 000 / EUR 3 147 – 4 197

39. A Poul Kjaerholm 'PK-54' steel and marble dining table by E Kold Christensen, Denmark. Diameter 140 cm, height 65 cm, maker's mark in the steel. Estimate: SEK 25 000 – 30 000 / EUR 2 623 – 3 147

40. A set of four Poul Kjaerholm 'PK-9' brown leather and steel chairs, E Kold Christensen, Denmark 1960's. Seat height ca 42-45 cm. Provenance: Reportedly these chairs was bought together with the 'PK-54' dinner table included in this sale. The furniture was bought at Blidner's in Gothenburg for a private estate, built and decorated in the mid 1960's.

Estimate: SEK 50 000 – 60 000 / EUR 5 246 – 6 295

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

41. A Poul Kjaerholm steel and ash 'PK-51' table, E Kold Christensen, Denmark. Measurements 204 x 102 cm, height 68,5 cm. Estimate: SEK 20 000 – 25 000 / EUR 2 098 – 2 623

42. A Hans J Wegner 'Flag Halyard' easy chair, Getama, Denmark. Steel frame, partly green lacquered. Neck cushion in green fabric. Estimate: SEK 100 000 – 125 000 / EUR 10 493 – 13 116

43. A Poul Kjaerholm 'PK-31-3' three seated steel and brown leather sofa, E Kold Christensen, Denmark 1960's. Maker's mark in the steel, length 200 cm. Estimate: SEK 60 000 – 80 000 / EUR 6 295 – 8 394


42. Hans J Wegner, A Flag Halyard easy chair, Getama, Denmark. Estimate: 100 000 – 125 000 SEK / 10 493 - 13 116 EUR


Contemporary No 602

Bukowskis October 2017

44. A Poul Kjaerholm 'PK-31-3' three seated steel and brown leather sofa, E Kold Christensen, Denmark 1960's. Maker's mark in the steel, length 200 cm. Estimate: SEK 60 000 – 80 000 / EUR 6 295 – 8 394

45. Poul Kjaerholm A pair of Poul Kjaerholm 'PK-22' steel and rattan easy chairs by E Kold Christensen, Denmark. Maker's mark in the steel. Estimate: SEK 20 000 – 25 000 / EUR 2 098 – 2 623

46. A pair of Ib Kofod Larsen Olof Persson ’Seal’ easy chairs by OPE Fåtöljindustri Sweden 1950-60's. Teak, upholstered in black leather, both with label OPE. Estimate: SEK 40 000 – 50 000 / EUR 4 197 – 5 246


Bukowskis October 2017

47. A Poul Kjaerholm 'PK-61' steel and black stone top table, E Kold Christensen, Denmark 1960's. Maker's mark in the steel, 80 x 80 cm, height 32 cm. Estimate: SEK 12 000 – 15 000 / EUR 1 259 – 1 573

48. An Ib Kofod Larsen 'Seal' teak and black leather armchair, Olof Persson Möbler, Jönköping, Sweden 1950's-60's. label marked OPE, seat height ca 38 cm. Estimate: SEK 15 000 – 20 000 / EUR 1 573 – 2 098

49. A set of six Mogens Koch beech and canvas 'MK16' folding chairs, comes with a stand for storage, Rud Rasmussen, Denmark. The stand 56 x 59 cm, height 88 cm, seat height 41 cm. Estimate: SEK 20 000 – 25 000 / EUR 2 098 – 2 623

Contemporary No 602


Dan Wolgers – Här slutar allmän väg III Dan Wolgers has a fantastic ability to read the age in which he lives. With works apparently ahead of his time, everything he has undertaken has subsequently become a well-known marker of its era, classics in fact. For a couple of years in the early 1990s, Dan Wolgers was easy prey for the critics and the thinking public. The first great art scandal came in 1991 with Wolgers’ ground-breaking exhibition at Galleri Lars Bohman, where he gave an advertising agency free rein to create an exhibition in his name. The following year it was repeated with the release of the well-known yellow pages

phone directory with Wolgers’ own name and phone number printed on the front. One of these directories is now in the collection of MoMa in New York. In 1992 Dan Wolgers was part of the group exhibition “Se människan” at the Liljevalchs Konsthall. As a political artistic act, he had two of the art gallery’s benches sold and taken away. The “bench robbery” received a great deal of media attention and aroused heated debate, particularly when he then sold the envelope containing the judgment from Stockholm District Court to his Norwegian gallery. “Här slutar allmän väg”, the photographic


suite of the Swedish Roads Administration’s blue and white road signs, completed in 1995–1998 became Dan Wolgers’ personal stop sign. The title means “Public road ends here” and the message could not have been clearer. Only this photographic suite was presented at Galleri Lars Bohman when Wolgers exhibited there in 1995. “We never thought it would sell. It wasn’t photography or art in a traditional sense, not lit or postedited. Everything sold. Including to the Swedish Public Art Agency.” The pictures are in high demand among collectors and institutions. Moderna Museet has the whole

suite in its collections. The suite comprises five different motifs, all with the blue and white road sign. What distinguishes them is the surrounding nature, as they are all photographed in different locations, most of them on main roads south of Stockholm. 155. Dan Wolgers, Här slutar allmän väg III. Signed Dan Wolgers and dated 1995 on verso. Edition 2/3. Cibachrome mounted on kapa board 120 x 232 x 4 cm. (d) Estimate: 500 000 - 600 000 SEK / 52 465 - 62 959 EUR


Contemporary No 602

Bukowskis October 2017

50. Marie-Louise Ekman "En skuggdam som ritar en dam och en herre" Signed M.L De Geer Bergenstråhle and dated 1975. Oil and assemblage on canvas 29 x 35.5 cm. Mounted in box of acrylic glass 29 x 36.2 x 5.5 cm Exhibitions: Moderna Museet, Stockholm, Sweden, "Marie-Louise Ekman", 17 June – 17 September 2017. (d)

Estimate: SEK 35 000 – 40 000 / EUR 3 672 – 4 197

51. Donald Baechler "Boy Painting" Signed DB and dated 2008 on verso. Acrylic and fabric collage on canvas 101.5 x 101.5 cm. Provenance: Lars Bohman Gallery, Stockholm, Sweden. Exhibitions: Lars Bohman Gallery, Stockholm, Sweden, 5 April- 11 May, 2008.

Estimate: SEK 80 000 – 100 000 / EUR 8 394 – 10 493

52. Martin Wickström "Blue Moon" Signed Martin Wickström and dated -12 on verso. Canvas 55 x 55.5 cm. Provenance: Galleri Aveny, Gothenburg, Sweden. Exhibitions: "Martin Wickström", Galleri Aveny, Gothenburg, Sweden, 20 October – 18 November 2012. (d)

Estimate: SEK 60 000 – 80 000 / EUR 6 295 – 8 394


Bukowskis October 2017

53. Peter Frie Untitled Signed P Frie on verso. Canvas 90 x 70 cm Provenance: Galleri Ferm, Malmö, Sweden. (d)

Estimate: SEK 100 000 – 120 000 / EUR 10 493 – 12 591

54. Carl Fredrik Reuterswärd "Non-Violence" Signed Carl Fredrik Reuterswärd and numbered HC on label. Green patinated bronze. Height 18 cm and length 29.5 cm i ncluding stone base. Foundry mark "Fonderia M Italy". (d)

Estimate: SEK 50 000 – 60 000 / EUR 5 246 – 6 295

55. Jacob Dahlgren "Peinture abstraite (medium) numéro soixante-sept" Signed Jacob Dahlgren and dated 2002 on verso. Acrylic on MDF 47 x 37 cm. Provenance: Galleri Charlotte Lund, Stockholm, Sweden. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 573 – 2 098

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

56. Patrik Andiné "Upplösning" Signed Patrik Andiné and dated 2009 on verso. Canvas 38 x 46 cm. Provenance: Angelika Knäpper Gallery, Stockholm, Sweden. (d)

Estimate: SEK 30 000 – 35 000 / EUR 3 147 – 3 672

57. Lars Lerin "Sol och småflugor" Signed Lars Lerin. Motif from Alvor, Algarve May 1992. Watercolor on paper 50 x 58 cm. Provenance: Acquired directly from the artist by the present owner. (d)

Estimate: SEK 60 000 – 80 000 / EUR 6 295 – 8 394

58. Amy Bennett "On All Fours" Signed Amy Bennett and numbered 1/1. Executed in 2009. Monotype on paper 17 x 12 cm. Unique. Provenance: Galleri Magnus Karlsson, Stockholm, Sweden. Exhibitions: Galleri Magnus Karlsson, Stockholm, Sweden, "Out In the Open", 26 August – 26 September 2009.

Estimate: SEK 18 000 – 20 000 / EUR 1 888 – 2 098


Bukowskis October 2017

59. Peter Frie Untitled Signed P Frie on verso. Executed in 2007. Oil on canvas 190 x 140 cm. Provenance: Galleri Ferm, Gothenburg, Sweden. (d)

Estimate: SEK 175 000 – 200 000 / EUR 18 363 – 20 986

60. Ernst Billgren "Vittnet" Signed EB. Executed in 2006. Mixed media with mosaic on panel, image 91 x 121 cm, 105.5 x 136.5 cm including frame. Provenance: Lars Bohman Gallery, Stockholm, Sweden. Exhibitions: Lars Bohman Gallery, Stockholm, Sweden, "Tjyvar", 2006. (d)

Estimate: SEK 150 000 – 200 000 / EUR 15 739 – 20 986

61. Marie-Louise Ekman "Uccello malato con becco verde" Signed ML.E and numbered 1/8. Glass. Length 36, height 10 cm. Cumbent. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 623 – 3 147

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

62. Linn Fernström "Eternity – Evigheten" Signed Linn Fernström and dated 2011 on verso. Canvas 155 x 130 cm. Provenance: Galerie Forsblom, Helsinki, Finland. Exhibitions: Galerie Forsblom, Helsinki, Finland, "Viewers", 13 January – 5 February 2012, illustrated on the invitation card. (d)

Estimate: SEK 350 000 – 400 000 / EUR 36 726 – 41 972

63. Ulf Rollof "RGB" Triptyche. Signed Rollof and dated 2010. Acrylic, float glass and metal holders, with 9 mm revolver shots, each 99 x 69 cm. Provenance: Acquired directly from the artist by the present owner. (d)

Estimate: SEK 100 000 – 125 000 / EUR 10 493 – 13 116

64. Håkan Rehnberg "Untitled" Signed Håkan Rehnberg and dated 2008 on verso. Oil on acrylic glass 150 x 135 cm. Provenance: Galerie Nordenhake, Stockholm, Sweden. (d)

Estimate: SEK 80 000 – 100 000 / EUR 8 394 – 10 493


Linn Fernström, Eternity - Evigheten Linn Fernström is an artist of contrasts. Extremes are an element in her often large canvases; the beautiful meets the grotesque, the idyllic clashes with the frightening, the ethereal combines with the powerful, and the large interacts with the small. Linn Fernström occupies a unique position in the Swedish contemporary art world. Wilful and persistent and entirely uninterested in trends, she has created a platform all of her own. As such, Linn Fernström’s

”Eternity” carries all the significant components of her artistry, such as the self-portrait, the child, the birds and the exotic animals. This painting is indeed an important work in the artist’s portfolio. 62. Linn Fernström, Eternity - Evigheten (detail). Signed Linn Fernström and dated 2011 on verso. Canvas 155 x 130 cm. (d) Estimate: 350 000 - 400 000 SEK / 36 726 - 41 972 EUR


Contemporary No 602

Bukowskis October 2017

65. Jonathan Lasker Unitled Signed J. Lasker and dated 2008 on verso. Mixed media 15 x 20 cm. Provenance: Lars Bohman Gallery, Stockholm, Sweden. Exhibitions: Lars Bohman Gallery, Stockholm, Sweden, "Recent works", 17 January – 8 March 2009.

Estimate: SEK 25 000 – 30 000 / EUR 2 623 – 3 147

66. Doug Ashford "Red Day 1966 #5" Tempera and collage on wood 30.5 x 40.6 x 2.5 cm. Signed, numbered 5 of 6 on verso. Unique. Provenance: Bukowskis Auktioner, "Abstract Possible H037", February 2012. Exhibitions: Bukowskis Auktioner, Stockholm, Sweden, "Abstract Possible H037", February 2012.

Estimate: SEK 30 000 – 35 000 / EUR 31 47 – 3 672

67. Alfred Boman Untitled Signed Alfred Boman and dated 2015 on verso. Canvas 190 x 145 cm. Provenance: Johan Berggren Gallery, Malmö, Sweden. (d)

Estimate: SEK 50 000 – 60 000 / EUR 5 246 – 6 295


Carl Hammoud, Land “Carl Hammoud’s source of inspiration is contemporary art but there is a clear historical aspect to his works. He shifts his creations from the physical office space to an undated and very carefully designed present setting. This is a process that takes time and energy. ‘It feels as though it has to be difficult in order to be good. I hope it gets easier over time but so far it’s been the opposite.’ Hammoud’s paintings are built of layers of doubt. He says that he repaints and over-paints frequently because he “has to put up with the works for such a long time”. Each series takes months to complete and over that period he manages to throw away paintings

and start again several times. “Satisfied” is a word Carl Hammoud often returns to and it is associated with extreme precision. ‘I like pushing myself to progress further and explore what I can do.” Svenska Dagbladet, 16 December 2007

70. Carl Hammoud, Land. Signed Carl Hammoud and dated 2007 on verso. Canvas 121 x 121 cm. (d) Estimate: 125 000 - 150 000 SEK


Contemporary No 602

Bukowskis October 2017

68. Lena Cronqvist "Självporträtt i rosa" Signed Lena Cronqvist on verso. Canvas 157 x 117 cm. Provenance: Lars Bohman Gallery, Stockholm, Sweden. Exhibitions: Liljevalchs konsthall, Stockholm, Sweden, "Lena Cronqvist", 12 October 2013 – 6 January 2014. Lars Bohman Gallery, Stockholm, Sweden, 14 januari – 19 februari 2006. (d)

Estimate: SEK 250 000 – 300 000 / EUR 26 232 – 31 479

69. Klara Kristalova "Stiff" Signed K. Kristalova and dated 2007. Glaced ceramic sculpture. Height 39 cm. Unique. Provenance: Galerie Perrotin, Paris, France. Exhibitions: Norton Museum of Art, Palm Beach, USA "Turning into stone”, 2 December 2014 – 29 March 2015. (d)

Estimate: SEK 80 000 – 100 000 / EUR 8 394 – 10 493

70. Carl Hammoud "Land" Signed Carl Hammoud and dated 2007 on verso. Canvas 121 x 121 cm. Provenance: Galleri Magnus Karlsson, Stockholm, Sweden. Exhibitions: Borås konstmuseum, ”Samtidigt. Svenskt måleri på 2000-talet", Borås, Sweden, 21 March – 17 May 2009. (d)

Estimate: SEK 125 000 – 150 000 / EUR 13 116 – 15 739


Bukowskis October 2017

71. Lotta Hannerz "Sentence" Signed Lotta Hannerz and dated 2013 on verso. Mixed media 78 x 60 cm. Provenance: Lars Bohman Gallery, Stockholm, Sweden. Exhibitions: Lars Bohman Gallery, Stockholm, Sweden, "oblikt", 5 April – 11 May, 2014. (d)

Estimate: SEK 40 000 – 60 000 / EUR 4 197 – 6 295

72. Karin Broos "Inför festen" Signed Karin Broos and dated 2011 on verso. Canvas 73 x 105 cm. Provenance: Galleri Christian Larsen, Stockholm, Sweden. Exhibitions: Borås Konstmuseum, Borås, Sweden, "Speglingar", 16 April – 12 June. Sven-Harrys konstmuseum, Stockholm, Sweden "Karin Broos", 10 September – 20 November 2011. Värmlands Museum, Karlstad, Sweden, "Speglingar", 2011-2012. (d)

Estimate: SEK 200 000 – 250 000 / EUR 20 986 – 26 232

73. Cecilia Edefalk "Näsa" Signed verso Cecilia Edefalk and dated 1996. Canvas 60 x 40 cm. (d)

Estimate: SEK 40 000 – 50 000 / EUR 4 197 – 5 246

Contemporary No 602


52. Martin Wickström, Blue Moon. Signed Martin Wickström and dated -12 on verso. Canvas 55 x 55.5 cm. Estimate: 60 000 - 80 000 SEK / 6 295 - 8 394 EUR

Lena Cronqvist, Självporträtt i rosa Ever since her debut in 1965 at Galerie Pierre in Stockholm, Lena Cronqvist has fascinated and moved people with her strong depictions of what it means to be human. Her paintings leave nobody unmoved. The pictures gnaw and chafe at you, and maybe it’s because we do not instinctively know how to relate to them that they stay with us long after we have viewed them. Her work incorporates both the tragic and the comic, and few artists manage to balance these opposite poles as well as Lena Cronqvist. Nor is the fact that the woman in the painting bears a resemblance to the artist herself so remarkable; using yourself as a model is simple, because the model is always available. Individual experience and

the private sphere provide Lena Cronqvist with her inexhaustible source of inspiration. As an artist, she has painted her way through life’s ups and downs, arriving at something deeply human thanks to her own experiences. We encounter our own dreams and apprehensions in her work; we encounter memories, hopes and fears. But above all we encounter the lust for life. 68. Lena Cronqvist, Självporträtt i rosa. Signed Lena Cronqvist on verso. Canvas 157 x 117 cm. (d) Estimate: 250 000 - 300 000 SEK / 26 232 - 31 479 EUR



Contemporary No 602

Bukowskis October 2017

74. Ernst Billgren "Tre rävar" Signed EB. Executed in 2007. Oil on panel 137.5 x 107.5 cm including original frame. Provenance: Galleri Ferm, Gothenburg, Sweden. (d)

Estimate: SEK 140 000 – 160 000 / EUR 14 690 – 16 789

75. Lars Lerin "Lofoten" Signed Lars Lerin and dated -93. Watercolour on paper 103 x 151.5 cm. Provenance: Acquired directly from the artist by the present owner. (d)

Estimate: SEK 250 000 – 300 000 / EUR 26 232 – 31 479

76. Jan Håfström ’’Den Övre Stationen/The Inner Station’’ Signed Jan Håfström and dated 2001. Mixed media on panel 100 x 100 cm. Provenance: Färgfabriken, Stockholm, Sweden. Exhibitions: Färgfabriken, Stockholm, Sweden, "Walker", 28 April – 23 September 2001. (d)

Estimate: SEK 100 000 – 150 000 / EUR 10 493 – 15 739


Bukowskis October 2017

77. Meta Isæus-Berlin "Släktmöte" Signed Meta Isæus-Berlin and dated 2007 on verso. Canvas 72 x 110 cm. Provenance: Andréhn-Schiptjenko, Stockholm, Sweden. (d)

Estimate: SEK 50 000 – 70 000 / EUR 5 246 – 7 345

78. Håkan Rehnberg Untitled Signed Håkan Rehnberg and dated 2001 on verso. Oil on acrylic glass 115 x 100 cm. Provenance: Galerie Nordenhake, Stockholm, Sweden. (d)

Estimate: SEK 40 000 – 50 000 / EUR 4 197 – 5 246

79. Truls Melin "Skepp" Signed Truls Melin and dated 2007. Edition 5. Painted wood and fiberglass. Height 76.5, length 79, width 53 cm. Provenance: Galleri Magnus Åklundh, Malmö, Sweden. Fredrik Roos Collection, Malmö, Sweden. (d)

Estimate: SEK 20 000 – 25 000 / EUR 2 098 – 2 623

Contemporary No 602


Karin Mamma Andersson, Childhood The typical empty rooms in Karin Mamma Andersson’s art works, here a depiction of an apparently entirely ordinary nursery, turn out to be places infested with loneliness and destruction. Her world is constantly expanding, the pictures open out and we understand that the room is the way in to something much bigger. Elfriede Jelinek wrote the following in “Karin Mamma Andersson: Dog Days”, 2012: “An ordinary nursery, there are toys on the chest of drawers, building blocks spread across the floor. In the middle of them there is a tower of four large cylinders, we see a counterpart to this in the basket chair with two round cushions on top of each other – the remains of a children’s game. At first glance, the subject seems to be filled with the weariness that Mamma Andersson so appreciates – if it weren’t for the unique coloration that makes the whole thing look gloomy while yet deriving from a secretive charge. The floor is painted completely black, a grisly black without any limits, almost bottomless”. Even the tops of some of the building blocks are coloured like this. Another detail that attracts attention is that the upper edge of the second of the cylindrical building blocks, stacked in a tower, creates an exact line with the edge of the floor. What is actually anathema in depicting spaces here becomes an indication of captivity. This insignificant detail takes the sense of space back to the surface of the picture.” Karin Mamma Andersson is one of

Sweden’s most appreciated contemporary artists. She made her international breakthrough at the Venice Biennale in 2003 and today is represented by a number of galleries. In 2006 she won first prize in the Carnegie Art Award and the following year saw her first separate exhibition at Stockholm’s Moderna Museet, which then toured to Helsinki and London. This laid a solid foundation for Andersson’s continued career. Karin Mamma Andersson once said that she likes theatre but she prefers it without actors. And in her paintings we often see empty rooms, or deserted landscapes. We gain a sense of something having already happened, or being about to happen. Andersson does not beautify her interiors; these are places for living in. Creative disorder. The drawers of the chest of drawers are open, there are wooden blocks on the floor, the rug is rumpled on the linoleum floor. “Childhood” was exhibited at the Aspen Art Museum, 2010, in Karin Mamma Andersson’s first individual exhibition at a museum in the USA. In the following year it was part of Sven-Harrys Art Museum’s exhibition “(7) Grant recipients”, before then touring Germany with the separate exhibition “Dog Days” at Kunstmuseen Krefeld. 80. Karin Mamma Andersson, Childhood. Executed 2010, later signed Mamma Andersson and dated 2011 on verso. Acrylic and oil on panel 81 x 123 cm. (d) Estimate: 800 000 - 1 000 000 SEK / EUR 83 945 – 104 931


Bukowskis October 2017

80. Karin Mamma Andersson "Childhood" Executed 2010, later signed Mamma Andersson and dated 2011 on verso. Acrylic and oil on panel 81 x 123 cm. Provenance: Acquired directly from the artist by the present owner. Exhibitions: Aspen Art Museum, Aspen, USA, "Mamma Andersson", 10 December 2010 – 6 February 2011. Sven-Harrys Konstmuseum, Stockholm, Sweden, "(7) Grant recipients", 18 June – 28 August 2011. Kunstmuseen Krefeld, Germany, "Dog Days", 23 October 2011 – 5 February 2012. (d)

Estimate: SEK 800 000 – 1 000 000 / EUR 83 945 – 104 931

81. Ola Billgren "Statyett och blommor" Signed Ola Billgren and dated 2000 on verso. Canvas 138 x 125 cm. Provenance: Galleri Engström, Stockholm, Sweden. Exhibitions: Galleri Engström, Stockholm, Sweden, "Ola Billgren", 11 March – 12 April 2000. (d)

Estimate: SEK 200 000 – 300 000 / EUR 20 986 – 31 479

82. Matthias van Arkel Untitled Signed MVA. Platinum silicone rubber, four parts joint together, total measurements ca 110 x 115 cm. Provenance: A gift from the artist to the present owner. Exhibitions: Galleri Andersson/Sandström, Umeå, Sweden, "Matthias van Arkel", 28 April – 20 May 2011. (d)

Estimate: SEK 100 000 – 120 000 / EUR 10 493 – 12 591

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

83. Ulf Rollof "Rött Troll" Executed in 2009. Oil on linen canvas, lightbox in plywood with LED light, 110 x 159 x 12,5 cm. Provenance: Acquired directly from the artist by the current owner. (d)

Estimate: SEK 100 000 – 120 000 / EUR 10 493 – 12 591

84. Ulf Rollof "Multipel konflikt" Signed Rollof and dated 2008, numbered 1/3. Iron rebar and plaster. Height ca 62, width ca 60, depth ca 63 cm. Provenance: A gift from the artist to the current owner. Exhibitions: Millesgården, Stockholm, Sweden, ”Under”, 5 April – 27 August 2008. (d)

Estimate: SEK 40 000 – 60 000 / EUR 4 197 – 6 295

85. Martin Wickström "Fairyland IV" Signed Martin Wickström and dated -89 on verso. Oil on masonite, MDF box, glass, plastic, metal 77.5 x 73 x 33.5 cm. Including screws and mountings. (d)

Estimate: SEK 20 000 – 25 000 / EUR 2 098 – 2 623


Ulf Rollof, Rött Troll “Rött Troll” is one of a series of lightbox paintings created by Ulf Rollof on linen cloth spread across a lightbox. Unlike traditional painting, the subject is turned away from the viewer. When the lightbox is switched off, only the raw linen cloth is visible. But when the lightbox is switched on, the painting becomes more powerful and the colours are forced through the cloth. As is so often the case in Rollof’s art work, relationships between two diametric opposites are a key component.

Moderna Museet’s collection includes one of Rollof’s lightbox paintings, which can be seen in his current retrospective exhibition “Urgent” at Moderna Museet in Malmö. 83. Ulf Rollof, Rött Troll (detail). Executed in 2009. Oil on linen canvas, lightbox in plywood with LED light, 110 x 159 x 12,5 cm. (d) Estimate: 100 000 - 120 000 SEK / EUR 10 493 – 12 591


Contemporary No 602

Bukowskis October 2017

86. Ernst Billgren "Hållbart hem" Signed EB with monogram and signed Ernst Billgren and dated -02 on verso. Panel 70 x 82 cm, 79 x 91.5 cm including frame. Provenance: Galleri Lars Bohman, Stockholm, Sweden. (d)

Estimate: SEK 80 000 – 100 000 / EUR 8 394 – 10 493

87. Martin Wickström "Goodbye" Signed Martin Wickström and dated 2005 on verso. Assemblage and oil on canvas 70 x 70 cm. Provenance: Galleri Leger, Malmö, Sweden. Exhibitions: Galleri Leger, Malmö, Sweden, "One from the heart", 3 – 28 September 2005. (d)

Estimate: SEK 70 000 – 80 000 / EUR 7 345 – 8 394

88. Clay Ketter "Carlo Rossi" Diptyche. Signed Clay Ketter and dated 2010 on verso. Mixed media with assemblage behind resin, each 67 x 69.5 cm. Provenance: Galleri Mårtensson & Persson, Stockholm, Sweden. (d)

Estimate: SEK 60 000 – 80 000 / EUR 6 295 – 8 394


Bukowskis October 2017

89. Peter Frie "Landskap" Signed Peter Frie and dated -94 on verso. Canvas 200.5 x 120.5 cm. Provenance: Galleri Leger, Malmö, Sweden. (d)

Estimate: SEK 120 000 – 150 000 / EUR 12 591 – 15 739

90. Patrik Andiné "Han blev lite sen" Signed Patrik Andiné and dated 2008 on verso. Canvas 61 x 46 cm. Provenance: Angelika Knäpper Gallery, Stockholm, Sweden. (d)

Estimate: SEK 40 000 – 50 000 / EUR 4 197 – 5 246

91. Ernst Billgren "Bjärv" Signed Ernst Billgren and dated -91. Concrete and mosaic. Height 25, length 95 cm. Provenance: Acquired directly from the artist by the current owner. (d)

Estimate: SEK 60 000 – 80 000 / EUR 6 295 – 8 394

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

92. Bjarne Melgaard "Untitled" Signed Bjarne Melgaard and dated 2015 on verso. Acrylic on canvas 180 x 180 cm. Provenance: Galerie Forsblom, Helsinki, Finland. Exhibitions: Galerie Forsblom, Helsinki, Finland, "Puppy Orgy Acid Party", 10 March – 3 April 2015. (d)

Estimate: SEK 200 000 – 250 000 / EUR 20 986 – 26 232

93. Bjarne Melgaard "Untitled" Signed Bjarne Melgaard and dated 2015 on verso. Acrylic on canvas 180 x 180 cm. Provenance: Galerie Forsblom, Helsinki, Finland. Exhibitions: Galerie Forsblom, Helsinki, Finland, "Puppy Orgy Acid Party", 10 March – 3 April 2015. (d)

Estimate: SEK 200 000 – 250 000 / EUR 20 986 – 26 232

94. Nathalie Djurberg "Camels Drink Water" Signed Nathalie Djurberg. Executed in 2007. Animated film, DVD, 3:45 minutes. Edition 3/4 +2 AP. Provenance: Zach Feuer Gallery, New York, USA. Exhibitions: Frye Art Museum, Washington, "Nathalie Djurberg", 24 January – 26 April 2009. Four of the artist's videos was shown during the exhibition, "Camels Drink Water" was shown 24 January – 13 February. Another example from the edition was shown at Statens Museum for Kunst, Copenhagen, Film festival ”CPH;DOX – Artist in Focus; Nathalie Djurberg”, 7 November - 15 November 2009. ”Camels Drink Water” was shown toghether with seven other videos by Nathalie Djurberg. Zach Feuer Gallery at Art Basel Miami Beach, “Nathalie Djurberg with Music by Hans Berg & Dasha Shishkin”, 2 - 6 December 2010. (d)

Estimate: SEK 120 000 – 150 000 / EUR 12 591 – 15 739


Bukowskis October 2017

95. Mats Gustafson "Jacobs stege" Not signed. Mixed media with collage 27.5 x 36.5 cm. (d)

Estimate: SEK 10 000 – 15 000 / EUR 1 049 – 1 573

96. Ulrik Samuelson Untitled Signed US. Canvas 98 x 100 cm. (d)

Estimate: SEK 60 000 – 80 000 / EUR 6 295 – 8 394

97. Barbro Bäckström Untitled Metal net. Height 100, width 250 cm. Provenance: Private collection, Stockholm, Sweden. (d)

Estimate: SEK 100 000 – 150 000 / EUR 10 493 – 15 739

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

98. Gittan Jönsson "Ska man ta P-piller eller bli med barn" Signed Gittan Jönsson and dated -75. Canvas 46.5 x 55 cm. Provenance: Acquired directly from the artist by the current owner. (d)

Estimate: SEK 20 000 – 25 000 / EUR 2 098 – 2 623

99. Marie-Louise Ekman "Picture on a wall with light" Signed M.L De Geer Bergenstråhle and dated 1974. Assemblage and oil on canvas 26 x 21 cm. (d)

Estimate: SEK 16 000 – 20 000 / EUR 1 678 – 2 098

100. Dick Bengtsson "Tapet" Executed in 1965. Mixed media on canvas 231 x 133 cm. Provenance: Galleri Karlsson, Stockholm, Sweden. Galleri Holm, Malmö, Sweden. Acquired by the present owner around 1970. Exhibitions: Galleri Karlsson, Stockholm, Sweden, 1965. (d)

Estimate: SEK 200 000 – 250 000 / EUR 20 986 – 26 232


Bukowskis October 2017

101. Gerhard Nordström "Caltex" Signed G. Nordström. Canvas 47.5 x 75.5 cm. Exhibitions: Galleri Doktor Glas, Stockholm, Sweden, "Landskap i tio bilder”, 1974. (d)

Estimate: SEK 100 000 – 125 000 / EUR 10 493 – 13 116

102. Gerhard Nordström "Rekognosering" Signed G. Nordström. Panel 29.5 x 42.5 cm. (d)

Estimate: SEK 60 000 – 80 000 / EUR 6 295 – 8 394

103. LG Lundberg "Afrika" Signed and dated 1970. Canvas 110 x 130 cm. Exhibitions: Norrköpings Konstforum and Galleri Prisma, Stockholm, Sweden, 1970. Riksutställningar, curated by Ragnar von Holten, "Tidsbilder", with LG Lundberg and Ulf Wahlberg, Sweden and Finland 1971-72 Kunsthalle Helsinki, Tammerfors(...) Read more at bukowskis.com. (d)

Estimate: SEK 40 000 – 60 000 / EUR 4 197 – 6 295

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

104. Lena Svedberg "Aseaten känner vi som vår potentiella styrka" Signed Lena Svedberg. Mixed media and collage on cardboard 36.5 x 51 cm. Provenance: A gift from the artist to the current owner. Exhibitions: Göteborgs Konstmuseum, Gothenburg, Sweden, "Hjärtat sitter till vänster", 7 March – 1 June 1998. The exhibition traveled to Kulturens Hus in Luleå, Uppsala Konstmuseum and Södertälje Konsthall, Sweden, 1999. (d)

Estimate: SEK 20 000 – 25 000 / EUR 2 098 – 2 623

105. Anders Knutsson "Starry Messenger #17" Signed Anders Knutsson and dated 1975 on verso. Oil and wax on canvas 152 x 141 cm. Provenance: Bukowskis Primary Sale, "Anders Knutsson H034", 3 April 2011. (d)

Estimate: SEK 30 000 – 40 000 / EUR 3 147 – 4 197

106. Fernandez Arman "Venus with spoons" Signed Arman and numbered 17/100. Executed 1998. Mixed media height 46 cm, inlcuding base 54 cm. (d)

Estimate: SEK 30 000 – 40 000 / EUR 3 147 – 4 197


Fernandez Arman Armand Pierre Fernandez, better known as Arman, was born in Nice in 1928. His father owned an antique shop, which is where Arman discovered his passion and fascination for soulful things at an early age. He entered the art school in Nice to study traditional art, but left after just three years, having found the course too conservative. His early influences included contemporary artists such as Marcel Duchamp, Jackson Pollock and Kurt Schwitters, in whose footsteps Arman followed by painting abstract motifs. However, it was not until around 1960, when he became involved in and formed the artist group “Nouveaux Réalistes” with, among others, César, Niki de Saint Phalle, Jean Tinguely and Yves Klein, that he found his niche and the expression which we have come to associate with him. He began experimenting with early versions of a recurring theme for him – “accumulations”, in which he explores his reality and gives new dimensions to what are already complete objects. An accumulation always features a number of repeated

everyday objects, arranged together and covered with plexiglas. These works use repetition as a means of achieving abstraction; in much the same way as repeating the same words over and over gradually causes them to lose their meaning. Arman’s works do the same thing using identical coloured pencils or brushes, with the objects becoming abstract forms and losing their actual shape. This work comprises a quantity of grey and white Berol Verithin coloured pencils mounted in a plexiglas box. As this work was commissioned direct from the artist, the current owner was able to choose the colours of the pencils used.

107. Fernandez Arman, Untitled. Signed Arman. Executed in 1979. Accumulation of grey and white pencils in plexi glass ca 91.5 x 122 cm. Estimate: 300 000 - 400 000 SEK / EUR 31 479 – 41 972


Contemporary No 602

Bukowskis October 2017

107. Fernandez Arman "Untitled" Signed Arman. Executed in 1979. Accumulation of grey and white pencils in plexi glass 91.5 x 122 cm. Provenance: Acquired directly from the artist by the current owner. APA# 8003.79.607 (d)

Estimate: SEK 300 000 – 400 000 / EUR 31 479 – 41 972

108. Fernandez Arman Untitled Signed Arman and numbered 6/8. Executed 1989. Lacquered wood and goldpatinated bronze. Height 74, width 28 and depth 25 cm. APA# 8310.89.020. (d)

Estimate: SEK 100 000 – 120 000 / EUR 10 493 – 12 591

109. Fernandez Arman ”Monochrome accumulation no 2505 (Ultramarin blue)” Signed Arman on verso. Executed in 1986-89. Acrylic paint and paint tubes on canvas 80 x 64 cm. Provenance: Vrej Baghoomian Gallery, New York, USA. (d)

Estimate: SEK 250 000 – 275 000 / EUR 26 232 – 28 856


Rémy Zaugg, SCHAU, ICH BIN BLIND, SCHAU The painting “SCHAU, ICH BIN BLIND, SCHAU”, is a typical example of the late conceptual artist Rémy Zaugg’s art. In English the text means LOOK, I AM BLIND, LOOK. In his paintings the same text is repeated over and over again in different languages and colours. Zaugg’s art is both conceptual and minimalist. During his career he investigated and explored language and vision, and enjoyed challenging the viewer’s perception. Zaugg was also interested in the opposite of vision – blindness.

include Centre Georges Pompidou, Kunstmuseum Basel, Stedelijk Van Abbemuseum in Eindhoven, Musée d’art contemporain de Lyon, Musée d’Art Moderne de la Ville de Paris, and Berlin’s Nationalgalerie. In 2016 Zaugg had a large solo exhibition at Museo Reina Sofia, Madrid. He has also exhibited at Magasin III in Stockholm.

Zaugg was not only a painter; he was also a philosopher, writer and curator. For many years, he collaborated with the architects Herzog & Meuron. Together they realised several architectural projects, the best known being the design for London’s Tate Modern. Museums that have hosted Zaugg’s solo exhibitions

110. Rémy Zaugg, SCHAU, ICH BIN BLIND, SCHAU. Signed R. Zaugg and dated 1997/1998 and marked No.19, rouge/bleu 207/3.10 on verso. Lacquer and silk-screen on aluminum 69.7 x 77.7 cm. Estimate: 280 000 – 300 000 / EUR 29 380 – 31 479


Richard H. Pettibone, Roy Lichtenstein Hopeless 1963 Richard Pettibone’s version of Roy Lichtenstein’s “Hopeless” is an excellent example of American appropriation art. Pettibone is one of the pioneers ot this genre. For more than 40 years, he has produced precise postcard-sized paintings, copies of familiar masterworks by contemporary artists. Pettibone’s works include tiny versions of Warhol’s soup tins, Lichtenstein’s cartoon panels and Mondrian’s right angles. In his art that represents art, Pettibone seeks to ask questions such as: Who owns an artistic idea? What is originality? Pettibone´s art has played a major role in the mix of inspiration, borrowing and recycling that makes up postmodernist art. Artists who work with appropriation art deliberately copy existing images and works of art to transform them into their own art. This is not theft or plagiarism as they do not claim to be the originators of these pictures. Instead appropriation artists want the audience to recognise the pictures they have recreated and

transfer the context and their associations from this subject to the new work, whether this is a painting, a sculpture, a collage, an object or an entire installation. Pettibone started producing exact copies of existing works of art in miniature format in 1964. He based the size of the work on pictures he had seen in magazines and then reproduced them with pedantic accuracy, recreating the process of the original artist. “Roy Lichtenstein Hopeless 1963” replicates one of Roy Lichtenstein’s best-known pictures, including the tiny dots that comprise the field of colour in Lichtenstein’s earliest work. 111. Richard Pettibone, Roy Lichtenstein Hopeless 1963. Signed Richard Pettibone and dated 1974 on verso. Acrylic and silkscreen on canvas in artist’s frame 19.3 x 19.8 cm. Estimate: 300 000 - 400 000 SEK / 31 479 - 41 972 EUR


Bukowskis October 2017

110. Rémy Zaugg "SCHAU, ICH BIN BLIND, SCHAU" Signed R. Zaugg and dated 1997/1998 and marked No.19, rouge/bleu 207/3.10 on verso. Lacquer and silk-screen on aluminum 69.7 x 77.7 cm. Provenance: Galerie Nordenhake, Stockholm, Sweden. Exhibitions: Liljevalchs, Stockholm, Sweden, "Drömrummet", 6 June – 4 September 2011.

Estimate: SEK 280 000 – 300 000 / EUR 29 380 – 31 479

111. Richard H. Pettibone "Roy Lichtenstein Hopeless 1963" Signed Richard Pettibone and dated 1974 on verso. Acrylic and silkscreen on canvas in artist's frame 19.3 x 19.8 cm. Provenance: Presumably acquired directly from the late art dealer Jan Eric Löwenadler by the current owner.

Estimate: SEK 300 000 – 400 000 / EUR 31 479 – 41 972

112. Carl Fredrik Reuterswärd "Non-Violence" Signed CFR and numbered 5/8. Steel. Height 55 cm. Length 89 cm. Height including base 75 cm. Lenth including base 115 cm. (d)

Estimate: SEK 120 000 – 150 000 / EUR 12 591 – 15 739

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

113. Hughie O´Donoghue Untitled Canvas 244 x 183 cm. Certificate included. (d)

Estimate: SEK 120 000 – 150 000 / EUR 12 591 – 15 739

114. Marie-Louise Ekman "Donna dalla faccia nera" Signed ML.E and numbered 3/8. Glass. Length 29, width 30 cm. (d)

Estimate: SEK 20 000 – 25 000 / EUR 2 098 – 2 623

115. Rolf Hanson "Runtom trappa" Signed Rolf Hanson. Panel 73 x 104 cm. (d)

Estimate: SEK 100 000 – 125 000 / EUR 10 493 – 13 116


Bukowskis October 2017

116. Linn Fernström "Vandrande kropp-ihop-hållare" Signed and dated Linn Fernström 2014 on verso. Canvas 211 x 300 cm. Provenance: Lars Bohman Gallery, Stockholm, Sweden. Exhibitions: Lars Bohman Gallery, Stockholm, Sweden, "Linn Fernström", 21 August – 21 September 2014. (d)

Estimate: SEK 400 000 – 450 000 / EUR 41 972 – 47 219

117. Ulf Rollof "Polis" Executed in 2007. Copper, flourescent lightning, rubber, nylon, tin and porcelain height 69, width 56, depth 38 cm. Provenance: A gift from the artist to the current owner. Exhibitions: Brändström & Stene, Stockholm, Sweden, "Nu", September 2007. (d)

Estimate: SEK 60 000 – 80 000 / EUR 6 295 – 8 394

118. Alfred Boman Untitled Signed Alfred Boman on verso. Mixed media on panel 79 x 62 cm including original frame. (d)

Estimate: SEK 20 000 – 25 000 / EUR 2 098 – 2 623

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

119. Kristina Jansson "Site" Signed Kristina Jansson and dated -09 on verso. Canvas 137 x 170 cm. Provenance: Milliken Gallery, Stockholm, Sweden. Exhibitions: Milliken Gallery, Stockholm, Sweden, ”Garden of Turbulence”, 2009. Gotlands Konstmuseum, Visby, Sweden, "The Oblique Gaze/Den skeva blicken", 2011. (d)

Estimate: SEK 80 000 – 100 000 / EUR 8 394 – 10 493

120. Helene Billgren "Träning" Signed Helene Billgren on verso. Executed 1992. Charcoal on paper 42 x 30 cm. Provenance: Andréhn-Schiptjenko, Stockholm, Sweden. (d)

Estimate: SEK 10 000 – 12 000 / EUR 1 049 – 1 259

121. Meta Isæus-Berlin "Breakfast" Signed M. I-B and dated -08 on verso. Oil on linen canvas 115 x 132 cm. Provenance: Andréhn-Schiptjenko, Stockholm, Sweden. (d)

Estimate: SEK 60 000 – 80 000 / EUR 6 295 – 8 394


Bukowskis October 2017

122. Patrik Andiné "Snöpojken 1" Signed Patrik Andiné and dated -97. Oil on panel 80.5 x 101 cm. Provenance: Galleri Krister Fahl, Stockholm, Sweden. Exhibitions: Galleri Krister Fahl, Stockholm, November – December 1997. (d)

Estimate: SEK 40 000 – 60 000 / EUR 4 197 – 6 295

123. Marianne Lindberg De Geer "Jag tänker på mig själv" Signed MLDG and dated 2006 on verso. Collage in three parts, measurements of the frame 35.5 x 72 cm. Provenance: Galerie Bel' Art, Stockholm, Sweden. (d)

Estimate: SEK 12 000 – 15 000 / EUR 1 259 – 1 573

124. Kristina Bength "Transpositions in the Image of a Name #7" Watercolor on paper ca 116 x 170 cm. Provenance: Galleri Flach+Thulin, Stockholm, Sweden. Exhibitions: Galleri Flach+Thulin, Stockholm, Sweden, "Skiftningar inuti bilden av ett namn", 2 April – 10 May 2009. Galleri Pictura, Lund, Sweden, "Skiftningar inuti bilden av ett namn", 2009. (d)

Estimate: SEK 30 000 – 35 000 / EUR 3 147 – 3 672

125. Lisa D Manner "Rewind" Signed Lisa D Manner on verso. Executed in 2008. Oil on plexi glass 53.5 x 40 cm. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 623 – 3 147

Contemporary No 602


Contemporary No 602

Bukowskis October 2017


126. Cecilia Edefalk "Självporträtt med Pistol", 1993.

127. Terry O'Neill "Faye Dunaway, Hollywood, 1977"

Signed Cecilia Edefalk and numbered 2/3 on verso. Printed in 2004. Gelatin silver print, image 41 x 27.5 cm.

Signed Terry O'Neill and numbered 5/50. C-print, image 111 x 111 cm.

Provenance: Stene Projects, Stockholm, Sweden.

Estimate: SEK 120 000 – 140 000 / EUR 12 591 – 14 690

(d)

Estimate: SEK 60 000 – 80 000 / EUR 6 295 – 8 394

(d)


Contemporary No 602

Bukowskis October 2017

128. Christian Coigny "Vase Noir", 1988 Signed Christian Coigny and numbered 3/15 on verso. Gelatin silver print, image 54 x 44 cm. Printed by the photographer. Provenance: The Photo Gallery, Halmstad, Sweden.

Estimate: SEK 25 000 – 30 000 / EUR 2 623 – 3 147

129. Michael Dweck "Mermaid 10, Weeki Wachee, FL," 2007. Signed Michael Dweck and numbered 1/5 on label verso. Gelatin silver print mounted on aluminum and framed, image 107 x 134 cm. Estimate: SEK 80 000 – 100 000 / EUR 8 394 – 10 493

130. Brian Duffy "David Bowie, Scary Monsters (and Super Creeps)", 1980 Signed Duffy. Also signed C Duffy and numbered 6/100 on the certificate. According to the Duffy Archives only 16 prints from the edition of 100 are signed by the photographer. Printed later. Archival pigment print, image 38 x 38 cm. Provenance: The Photo Gallery, Halmstad, Sweden. (d)

Estimate: SEK 40 000 – 50 000 / EUR 4 197 – 5 246


Bukowskis October 2017

178. Hans Hammarskiöld, Spanska ridskolan. Signed Hans Hammarskiöld. Dated 1975 and numbered 90/100. Gelatin silver print 26 x 37. Sheet 30 x 40.5 cm. (d) Estimate: 25 000 - 30 000 SEK

180. Hans Hammarskiöld, Battersea Bridge, London 1955. Signed Hans Hammarskiöld and numbered 24/100 on verso. Presumably printed in the 1960’s. Gelatin silver print, image 36 x 26 cm. Sheet 39.7 x 29.7 cm. (d) Estimate: 120 000 - 150 000 SEK

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

131. Adam Fuss From The Series "My Ghost", 1997 Signed on verso. Gelatin silver photogram, 60.3 x 50.8 cm. Unique. Provenance: Cheim & Read, New York. Galleri Charlotte Lund, Stockholm. Vinge Advokatbyrå, Stockholm Private Collection, Stockholm. Exhibitions: The motif was exhibited at Cheim & Read, New York, "My Ghost. New Photograms and Daguerreotypes", 9 September – 16 October 1999. (d)

Estimate: SEK 60 000 – 80 000 / EUR 6 295 – 8 394

132. Denise Grünstein "21 maj", 2012 Signed Denise Grünstein and dated 2012 and numbered 25/25 on verso. C-print, image 119 x 95 cm. (d)

Estimate: SEK 30 000 – 35 000 / EUR 3 147 – 3 672

133. Tuija Lindström "Strykjärn", 1991 Signed Tuija Lindström at the back of the frame. Vintage. Gelatin silver print, image 104.5 x 81.5 cm. Including original iron frame 110 x 87 cm. Exhibitions: Liljevalchs Konsthall, Stockholm, "Tuija Lindström. Look at us", 5 June – 22 August 2004. (d)

Estimate: SEK 40 000 – 45 000 / EUR 4 197 – 4 721


Luis Gispert, LV Escaldes Luis Gispert lets the viewer sit in the backseat of truly luxurious vehicles. The expensive interiors bear witness to the owner’s love for the vehicle and desire to extend their personality and mark their allegiance to a subculture with the help of luxury brands such as Luis Vuitton. Gispert’s pictures thus create a discussion around culture and values. His photographic series weld his conceptual ideas together with classic, inoffensive landscapes, and create new works with exciting contrasts as a way of describing the transition between nature and culture, rural and urban. The transitions are unpolished and sometimes brutal, as Gispert intends them to be. His aim is not soft, subtle transitions and pictures faithful to reality. It is the sharp edges, the roughness, that creates the dynamism in his pictures.

Luis Gispert lives and works in New York. He is represented in the permanent collections of the New Museum of Contemporary Art, New York, the San Francisco Museum of Modern Art, the Solomon R. Guggenheim Museum, New York and the Whitney Museum of American Art, New York.

156. Luis Gispert, LV Escaldes (detail). Signed L Gispert and dated 09 and numbered 4/6 on verso. C-print 121 x 179 cm. Certificate included Estimate: 120 000 - 150 000 SEK / 12 591 - 15 739 EUR


Contemporary No 602

Bukowskis October 2017

134. Tom Sandberg "Uten tittel (AF#16)", 1997 Gelatin silver print mounted on aluminum and framed, image 80 x 120 cm. Provenance: Galleri Riis, Oslo. (d)

Estimate: SEK 30 000 – 40 000 / EUR 3 147 – 4 197

135. Mikael Jansson "Nick Cave, London studio #1", 2010 Signed Mikael Jansson and dated 2001 and numbered 1/3 on label verso. Gelatin silver print mounted on aluminum and framed 142 x 112 cm. Total edition of 3 + 2 AP. Provenance: GUN Gallery, Stockholm. Exhibitions: GUN Gallery, Stockholm, "Dum Dum Boys photographs by Mikael Jansson", 19 May – 19 June 2011. (d)

Estimate: SEK 100 000 – 120 000 / EUR 10 493 – 12 591

136. Albert Watson "Adult Movies, Las Vegas", 2001 Signed Albert Watson and numbrered 7/10 on label verso. Archival pigment print, image 93.5 x 117.5 cm. Provenance: Acquired directly from the artist by the present owner. (d)

Estimate: SEK 90 000 – 100 000 / EUR 9 443 – 10 493


Bukowskis October 2017

137. Anton Corbijn "Patti Smith, New York 1999" Signed Anton Corbijn and numbered 5/20 on the mount. Lithprint, image 45.5 x 45.5 cm. Provenance: The Photo Gallery, Halmstad, Sweden. (d)

Estimate: SEK 35 000 – 40 000 / EUR 3 672 – 4 197

138. Jacob Felländer "The 57th street Plan", 2013 Signed Jacob Felländer and dated 2013 and numbered 1/5 on verso. C-print facemounted to glass 80 x 180 cm. Total edition of 5 + 2 AP. Provenance: Acquired directly from the artist by the present owner. (d)

Estimate: SEK 80 000 – 100 000 / EUR 8 394 – 10 493

139. Anton Corbijn "Billy Idol, Beverly Hills, 1990" Signed A Corbijn and numbered 1/20 on the mount. Lithprint, image 46 x 45.5 cm. Provenance: Torch Gallery, Amsterdam. (d)

Estimate: SEK 30 000 – 40 000 / EUR 3 147 – 4 197

Contemporary No 602



158. Olafur Eliasson, The Inner Cave Series, 1998, 36 parts. C-print, each part 35 x 51.5 cm including frame. Total measurements 253.5 x 357 cm. Estimate: 600 000 - 800 000 SEK / 62 959 - 83 945 EUR

Olafur Eliasson, The Inner Cave Series Join Olafur Eliasson on his journey into the depths of the Icelandic bedrock. Like an endoscopic examination, Eliasson’s pictures explore the winding veins of the rock, its minerals, stalactites and stalagmites, and caves. Exploring the shifting boundaries between nature and culture is what Olafur Eliasson is all about. He is often inspired by nature and natural phenomena from the Icelandic landscape. The cave as a location features as an element throughout the entire history of art, from the cave paintings of southern France to Leonardo da Vinci’s “Virgin of the Rocks”, and on to the numerous depictions of Italian cave settings in the eighteenth and nineteenth centuries. In the early 1990s, Eliasson started to take photographs of the natural world on his annual holidays to his childhood home of Iceland. The photographs were taken while walking, sailing, climbing or flying and span everything from traditional landscapes to close-ups of moss and glacial ice, usually shown together in large

series. One of his most extensive projects, “The Inner Cave Series” is a single work formed of 36 pictures. Thus Eliasson takes the subject from merely being documentation of a landscape into becoming a contemporary, conceptual work of art which discusses environmental change and people’s attitude to nature. Eliasson’s fascination with mountains is clear in many of his photographic works. Several of his works depict the exterior of the mountain but his photographs also delve into its interior with waterfalls, geysers and volcanoes. In “The Inner Cave Series” he reveals the secrets of the rock, an inaccessible interior that is mysterious but also surprisingly beautiful. Olafur Eliasson is one of the best-known contemporary artists in the world. His works have been shown in virtually all the major art institutions worldwide, including Stockholm’s Moderna Museet, and he has created site-specific works in New York and at Versailles.




Contemporary No 602

Bukowskis October 2017

140. Luis Gispert "Huey", 2009 Signed L Gispert and dated -09 and numbered 6/6 on verso. C-print, image 120.5 x 204.5 cm. Provenance: Stefan Lundgren Gallery/Mallorca Landings Residency, Palma de Mallorca.

Estimate: SEK 120 000 – 150 000 / EUR 12 591 – 15 739

141. Helena Blomqvist "Dead Dog", 2004 Signed Helena Blomqvist and numbered 3/5 on verso. C-print mounted on acrylic glass 79 x 100 cm. Provenance: Angelika Knäpper Gallery, Stockholm. (d)

Estimate: SEK 30 000 – 40 000 / EUR 3 147 – 4 197

142. Helena Blomqvist "Dog in Space", 2004 Signed Helena Blomqvist and numbered 1/5 on verso. C-print mounted on acrylic glass 77 x 99 cm. Provenance: Angelika Knäpper Gallery, Stockholm, Sweden. (d)

Estimate: SEK 30 000 – 40 000 / EUR 3 147 – 4 197


Bukowskis October 2017

143. Tova Mozard "How's the World Treating You?", 2010. Signed Tova Mozard on label verso. Edition 1/5 + 2 AP. Pigment print 68 x 84.5. Provenance: Milliken Gallery, Stockholm. Exhibitions: Angelika Knäpper Gallery, Stockholm, Sweden. "How’s the world treating you?", 8 October – 13 November 2010. (d)

Estimate: SEK 40 000 – 50 000 / EUR 4 197 – 5 246

144. Malick Sidibé "Vue de dos", 1990 Signed Malick Sidibé and dated 2014. Gelatin silver print, image 28.5 x 18.5 cm. Sheet 30.5 x 23.7 cm. Provenance: Acquired from the photographer's studio in Bamako by the current owner. (d)

Estimate: SEK 20 000 – 25 000 / EUR 2 098 – 2 623

145. Malick Sidibé "Vue de dos", 1970 Signed Malick Sidibé and dated 2014. Gelatin silver print, image 21.6 x 21.5 cm. Sheet 30.5 x 23.7 cm. Provenance: Acquired from the photographer's studio in Bamako by the current owner. (d)

Estimate: SEK 20 000 – 25 000 / EUR 2 098 – 2 623

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

146. Malick Sidibé "Vue de dos", 1990 Signed Malick Sidibé and dated 2014. Gelatin silver print, image 28.5 x 18.7 cm. Sheet 30.5 x 23.6 cm. Provenance: Acquired from the photographer's studio in Bamako by the current owner. (d)

Estimate: SEK 20 000 – 25 000 / EUR 2 098 – 2 623

147. Malick Sidibé "Vue de dos", 1970 Signed Malick Sidibé and dated 2014. Gelatin silver print, image 21.5 x 21.5 cm. Sheet 30.5 x 23.7 cm. Provenance: Acquired from the photographer's studio in Bamako by the current owner. (d)

Estimate: SEK 20 000 – 25 000 / EUR 2 098 – 2 623

148. Malick Sidibé "Vue de dos", 1990 Signed Malick Sidibé and dated 2014. Gelatin silver print, image 28.4 x 18.7 cm. Sheet 30.5 x 23.7 cm. Provenance: Acquired from the photographer's studio in Bamako by the current owner. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 573 – 2 098


Bukowskis October 2017

149. Malick Sidibé "Vue de dos", 1990 Signed Malick Sidibé and dated 2014. Gelatin silver print, image 28.4 x 18.9 cm. Sheet 30.5 x 23.6 cm. Provenance: Acquired from the photographer's studio in Bamako by the current owner. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 573 – 2 098

150. Candida Höfer Untitled Signed Candida Höfer and dated 1995 on verso. C-print, i mage 22 x 22 cm. Provenance: Galleri Tommy Lund, Odense, Denmark. (d)

Estimate: SEK 50 000 – 60 000 / EUR 5 246 – 6 295

151. Esko Männikkö "Untitled, San Antonio", 1996 Signed Esko Männikkö and numbered 7/20 on verso. Printed in 1998. C-print 51 x 62 cm including original frame. Framed by the photographer. Provenance: Galerie Nordenhake, Stockholm. Collection Karin & Lars Hall. (d)

Estimate: SEK 20 000 – 25 000 / EUR 2 098 – 2 623

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

152. Herb Ritts "Richard Gere, San Bernardino, 1979" Signed Herb Ritts and numbered 22/25. Also with embossed Copyright mark. Gelatin silver print, image 43 x 33.5 cm. Provenance: Tres Hombres Art, Halmstad, Sweden. Exhibitions: Another example was exhibited at: The J. Paul Getty Museum at the Getty Center, Los Angeles, “Herb Ritts: L.A. Style”, 3 April – 2 September 2012. Cincinnati Art Museum, “Herb Ritts: L.A. Style”, 6 October 2012 – 1 January 2013. The (...) Read more at bukowskis.com.

Estimate: SEK 40 000 – 50 000 / EUR 4 197 – 5 246

153. Maria Friberg "Still lives #3", 2004 Signed Maria Friberg and numbered 6/6 on verso. C-print on Fujiflex paper mounted on wooden panel 170 x 248 cm. The image is in two j ointed parts. Total edition of 6 + 2 AP. Provenance: A gift from the artist to the current owner. (d)

Estimate: SEK 250 000 – 300 000 / EUR 26 232 – 31 479

154. Jacob Felländer "Los Angeles – Hong Kong – Bombay", 2011 Signed Jacob Felländer and dated 2011 and numbered 5/5 on verso. C-print facemounted to glass 80 x 190 cm. Total edition of 5 + 2 AP. Provenance: Acquired directly from the artist by the present owner. (d)

Estimate: SEK 80 000 – 100 000 / EUR 8 394 – 10 493


Bukowskis October 2017

155. Dan Wolgers "Här slutar allmän väg III", 1995 Signed Dan Wolgers and dated 1995 on verso. Edition 2/3. Cibachrome mounted on kapa board 120 x 232 x 4 cm. Provenance: Galleri Lars Bohman, Stockholm. Galerie Aronowitsch, Stockholm. The Saltarvet collection, Fiskebäckskil, Sweden. Private Collection, Sweden. Exhibitions: Galerie Aronowitsch, Stockholm. (d)

Estimate: SEK 500 000 – 600 000 / EUR 52 465 – 62 959

156. Luis Gispert "LV Escaldes", 2009. Signed L Gispert and dated 09 and numbered 4/6 on verso. C-print 121 x 179 cm. Certificate included in lot. Provenance: Stefan Lundgren Gallery/Mallorca Landings Residency, Palma de Mallorca.

Estimate: SEK 120 000 – 150 000 / EUR 12 591 – 15 739

157. Katrin Korfmann "Kolorit (Yellow)", 2012 Signed Katrin Korfmann and numbered 3/5 on label verso. Ultrachrome print, 171.5 x 118.5 cm. Provenance: Galleri Andersson/Sandström, Stockholm, Sweden. Exhibitions: Kai Hilgemann Gallery, Berlin, "Kolorit", 23 November 2012 – 12 January 2013. Galleri Andersson/Sandström, Stockholm, 2 May – 16 June 2013. Francis Boeske Projects, Amsterdam, "Ensembles Assembled", 25 October – 21 November 2015. (d)

Estimate: SEK 50 000 – 60 000 / EUR 5 246 – 6 295

Contemporary No 602


163. Irving Penn, Crossing The River Styx (B), New York, 1996. Estimate: 160 000 - 180 000 SEK

Irving Penn In 2017 we are celebrating Irving Penn! It’s 100 years since the well-known photographer’s birth in New Jersey and his centenary is being celebrated in institutions and galleries around the world. The most wide-ranging retrospective exhibition ever, held this spring at The Metropolitan Museum of Art in his home town of New York is one example. The touring exhibition is now shown at the Grand Palais in Paris and will be seen in Berlin and São Paulo next year. Fotografiska in Stockholm has also exhibited a selection of Irving Penn’s photographs this year. One of the world’s most celebrated photographers, Irving Penn started his career in fashion photography where he was revolutionary and broke new ground with his simple, clean images and compositions. The results were published in Vogue magazine, which he worked for for 65 years. Penn’s photographs aren’t snapshots but a deliberate, skilful choice of motifs and execution. Instead of going out on the streets and taking pictures of our world, he brought the world into his studio. It is significant that he titled one of his books “Worlds In A Small Room”. Even on his journeys to Peru, Crete, Nepal, New Guinea and Morocco, he set up the same studio. Between 1964 and 1971, Penn completed various projects, which are called his ethnographic studies. He travelled with a portable

studio, photographing ethnic and cultural groups. These ethnographic suites of photographs of anonymous people are a striking contrast to the glamorous portraits of celebrities and fashion shoots. The same can be said of his gigantic series “The Small Trades”, 252 portraits of workers that Penn started taking in Paris 1950 when he was there on behalf of Vogue. He continued the project in London and New York the following year. Penn invited policemen, street sweepers, shoe shiners and other groups of workers to his temporary studio and asked them to pose in their workwear, with their equipment. Penn felt that some of these occupations were on the brink of dying out and wanted to immortalise them. Besides Penn’s huge influence on the purely aesthetic development of photography, he understood and developed the Platinum/Palladium technique more than any other photographer. Irving Penn was one of the first modern photographers to revitalise this historic method from the nineteenth century. It resulted in fantastic prints with a velvety matte surface and outstanding gradations. For more datailed information on all lots by Irving Penn please see lot no 159 – 166.


164. Irving Penn, Two New Guinea Young Women With Feathers, 1970. Estimate: 180 000 - 200 000 SEK

160. Irving Penn, Train Coach Waiter... Estimate: 225 000 - 250 000 SEK

160. Irving Penn, Street Photographer... Estimate: 260 000 - 280 000 SEK

165. Irving Penn, Young Berber Shepherdess... Estimate: 200 000 - 250 000 SEK


159. Irving Penn, Coalman, London, 1950. Estimate: 225 000 - 250 000 SEK


162. Irving Penn, Ingmar Bergman, Stockholm, 1964. Estimate: 200 000 - 250 000 SEK

166. Irving Penn, Collapse, 1980. Estimate: 180 000 - 200 000 SEK


Contemporary No 602

Bukowskis October 2017

158. Olafur Eliasson "The Inner Cave Series", 1998, 36 parts C-print, each part 35 x 51.5 cm including frame. Total measurements 253.5 x 357 cm. Provenance: Galleri Andreas Brändström, Stockholm. Acquired by the current owner in January 1999. Exhibitions: Museum of Modern Art, New York, "New Photography 14: Jeanne Dunning, Olafur Eliasson, Rachel Harrison, Sam Taylor-Wood", 15 October 1998 – 12 January, 1999 (another example exhibited). Tanya Bonakdar Gallery, New York, "Your Now is M(...) Read more at bukowskis.com. (d)

Estimate: SEK 600 000 – 800 000 / EUR 62 959 – 83 945

159. Irving Penn "Coalman, London, 1950" Signed Irving Penn and dated July 1976 and numbered 12/31 on verso. Also stamped "Handcoated by the photographer" and "Photograph by Irving Penn copyright 1951 by the Condé Nast Publications Inc." on verso. Platinum palladium print, image 49.5 x 34.3 cm. Sheet 57 x 35.3 cm. Provenance: Camera Obscura, Stockholm. Exhibitions: Camera Obscura, Stockholm, "Irving Penn", 9 August – 27 September 1980.

Estimate: SEK 225 000 – 250 000 / EUR 23 609 – 26 232

160. Irving Penn "Train Coach Waiter, New York 1951” Signed Irving Penn and dated November 1976 and numbered 12/20 on verso. Also with stamp "Handcoated by the photographer" and "Photograph by Irving Penn copyright 1951 by the Conde Nast Publications Inc." on verso. Platinum palladium, image 48.7 x 38 cm. Sheet 59.6 x 56.7 cm. Provenance: Galleri Camera Obscura, Stockholm.

Estimate: SEK 225 000 – 250 000 / EUR 23 609 – 26 232


Bukowskis October 2017

161. Irving Penn "Street Photographer, New York, 1951" Signed Irving Penn and dated November 1976 and numbered 25/30 on verso. Also stamped "Handcoated by the photographer" and "Photograph by Irving Penn copyright 1951 by the Condé Nast Publications Inc." on verso. Platinum palladium print, image 49.5 x 38.5 cm. Sheet 57 x 46.3 cm. Provenance: Camera Obscura, Stockholm. Exhibitions: Camera Obscura, Stockholm, "Irving Penn", 9 August – 27 September 1980. Another example from the same edition was exhibited at: Barbican Art Gallery, London, “American Images: Photography 1948-1980”, 10 May – 30 June 1985. The Forbe(...) Read more at bukowskis.com.

Estimate: SEK 260 000 – 280 000 / 27 282 - 29 380 EUR

162. Irving Penn "Ingmar Bergman, Stockholm, 1964" Signed Irving Penn and dated 1965 on verso. Vintage. Edition of 7. Also stamped "Photograph by Irving Penn copyright 1965 by Irving Penn" and "Irving Penn Studio 80 W. 40, N.Y." on verso. Gelatin silver print, image 34.5 x 34.3 cm. Provenance: The Irving Penn Foundation, New York.

Estimate: SEK 200 000 – 250 000 / EUR 20 986 – 26 232

163. Irving Penn "Crossing The River Styx (B), New York, 1996" Signed Irving Penn and dated 31 March 1999 on verso. Vintage. Edition of 22. Also stamped "Photograph by Irving Penn copyright 1996 by Irving Penn" on verso. Selenium toned gelatin silver print, image 39 x 66 cm. Sheet 41 x 68 cm. Provenance: The Irving Penn Foundation, New York. Åmells Konsthandel, Stockholm. Private Collection, Stockholm.

Estimate: SEK 160 000 – 180 000 / EUR 16 789 – 18 887

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

164. Irving Penn "Two New Guinea Young Women With Feathers, 1970" Signed Irving Penn and dated 1990 on verso. Also stamped "Photograph by Irving Penn copyright 1970 by Irving Penn, Courtesy of Vogue" on verso. Edition of 20. Dye transfer print, image 48.5 x 47.5 cm. Sheet 57.4 x 49.4 cm. Provenance: The Irving Penn Foundation, New York. Exhibitions: Another example exhibited at: Fotografiska, Stockholm, "Irving Penn Resonance – Photographs from the Pinault Collection", 16 June – 1 October 2017.

Estimate: SEK 180 000 – 200 000 / EUR 18 887 – 20 986

165. Irving Penn "Young Berber Shepherdess, Morocco 1971". Signed Irving Penn and dated 1983 on verso. Edition of 32. Also stamped "Photograph by Irving Penn copyright 1974 by Irving Penn Courtesy of Vogue" on verso. Selenium toned gelatin silver print, image 39.5 x 38.2 cm. Sheet 40.5 x 50.5 cm. Provenance: Pace/MacGill Gallery, New York.

Estimate: SEK 200 000 – 250 000 / EUR 20 986 – 26 232

166. Irving Penn “Collapse, 1980” Signed Irving Penn and dated December 1981 and numrerad 8/23 on verso. Also stamped "Handcoated by the photographer" and "Photograph by Irving Penn copyright 1981 by Irving Penn" on verso. Platina palladium flush mounted on aluminum, image 29 x 49 cm. Sheet 40.6 x 60.8 cm. Provenance: Camera Obscura, Stockholm.

Estimate: SEK 180 000 – 200 000 / EUR 18 887 – 20 986


Bukowskis October 2017

167. László Moholy-Nagy Untitled (FGM206), 1925-28 Signed Moholy-Nagy and numbered 1/20 in pencil on verso. Printed ca. 1929. Studio stamp "moholy-nagy, berlin-chbg. 9, fredericiastr. 27" on verso. Gelatin silver print, 40 x 30 cm. This print is an enlargement from the original photogram "Untitled (FGM206), Dessau 1925-28. Provenance: Galerie Aronowitsch, Stockholm. Private Collection, Stockholm. (d)

Estimate: SEK 700 000 – 800 000 / EUR 73 452 – 83 945

168. Helena Blomqvist "Orchard Ground", 2011 Signed Helena Blomqvist and dated 2011 and numbered 2/6 on label verso. Pigment print 87 x 109 cm. Total edition of 6 + 2 AP. Provenance: Angelika Knäpper Gallery, Stockholm, Sweden. (d)

Estimate: SEK 50 000 – 60 000 / EUR 5 246 – 6 295

169. Denise Grünstein "WunderMarta", 2013 Signed Denise Grünstein, dated 2013 and numbered 1/5 on verso. C-print, aluminum, non reflection glass, wooden frame 79.5 x 99 cm. Total edition of 5 + 2 AP. Provenance: Galleri Charlotte Lund, Stockholm, Sweden. Exhibitions: Galleri Charlotte Lund, Stockholm, "WunderWinter", 22 October – 11 November 2013. Kulturen i Lund, "Denise Grünstein – fotografier", 19 January – 13 March 2014. Konsthallen Kulturens Hus, Luleå, "Figure Out/Figure In", 4 June – 30 Au(...) Read more at bukowskis.com. (d)

Estimate: SEK 40 000 – 60 000 / EUR 4 197 – 6 295

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

170. Helena Blomqvist "Robbers", 2001 Signed Helena Blomqvist and dated 2011 and numbered 1/5 on label verso. Lithprint, image 65 x 54 cm. Provenance: Angelika Knäpper Gallery, Stockholm, Sweden. (d)

Estimate: SEK 20 000 – 25 000 / EUR 2 098 – 2 623

171. Annika von Hausswolff "Okänd plats", 2002 Signed Annika von Hausswolff and dated -02 and numbered 2/4+1AP on verso. C-print silicone mounted to plexi glass 120 x 152 cm. Provenance: Angelika Knäpper Gallery, Stockholm, Sweden. (d)

Estimate: SEK 50 000 – 60 000 / EUR 5 246 – 6 295

172. Helena Blomqvist ”Le Petit Soldat”, 2007 Signed Helena Blomqvist and numbered AP 1 on verso. Digital C-print, silicone, glass 125 x 100 cm. Total edition of 6 + 2 AP. Exhibitions: Mjellby konstmuseum, Halmstad, Sweden, 2010. Konstmässan Market, Knäpper Gallery, 2008. (d)

Estimate: SEK 50 000 – 70 000 / EUR 5 246 – 7 345


Bukowskis October 2017

173. Leif-Erik Nygårds "Marilyn Monroe photographed in Los Angeles at Bel Air Hotel, June 27th 1962" Signed Leif-Erik Nygårds and numbered 9/20 on verso. Pigment print, image 70 x 185 cm. Copy of the certificate included in lot. Provenance: Acquired directly from the photographer by the current owner. (d)

Estimate: SEK 60 000 – 80 000 / EUR 6 295 – 8 394

174. Antanas Sutkus "Pioneer, Ignalina, 1964" Signed A. Sutkus on verso. Gelatin silver print, image 57 x 49.7 cm. Sheet 59.3 x 49.7 cm. Provenance: A gift from the photographer to the current owner. Exhibitions: Another example was exhibited at Moderna Museet, Stockholm, "Åter till verkligheten", 9 May – 20 September 2009. (d)

Estimate: SEK 10 000 – 12 000 / EUR 1 049 – 1 259

175. Antanas Sutkus "Oranges from Morocco, Vilnius, 1975" Signed A. Sutkus on verso. Gelatin silver print, image 48 x 47 cm. Sheet 51 x 49.2 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 839 – 1 049

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

176. Antanas Sutkus "J.P Sartre and Simone de Beauvoir in Nida", 1965 Signerad A. Sutkus a tergo. Printed later. Gelatin silver print 30.6 x 40.3 cm. Provenance: A gift from the photographer to the current owner. (d)

Estimate: SEK 10 000 – 12 000 / EUR 1 049 – 1 259

177. Lennart Olson "S:t Agnés I, Provence, 1955" Signed Lennart Olson on verso. Printed in 1978. Gelatin silver print, image 69 x 88.5 cm. Provenance: A gift from the photographer to the current owner. Exhibitions: Presumably exhibited at Camera Obscura, Stockholm, 1 March – 5 April 1980. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 573 – 2 098

178. Hans Hammarskiöld "Spanska ridskolan", 1952 Signed Hans Hammarskiöld and dated 1975 and numbered 90/100 on verso. Gelatin silver print, image 26 x 37. Sheet 30 x 40.5 cm. Provenance: Acquired directly from the photographer by the current owner. (d)

Estimate: SEK 25 000 – 30 000 / EUR 2 623 – 3 147


Bukowskis October 2017

179. Gisèle Freund "Steinbeck, Paris, 1961" Signed Gisèle Freund and copyright mark on verso. Gelatin silver print, image 30 x 20 cm. Sheet 31.2 x 21.4 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 839 – 1 049

180. Hans Hammarskiöld "Battersea Bridge, London 1955" Signed Hans Hammarskiöld and numbered 24/100 on verso. Presumably printed in the 1960's. Gelatin silver print, image 36 x 26 cm. Sheet 39.7 x 29.7 cm. Provenance: Acquired directly from the photographer by the current owner. (d)

Estimate: SEK 15 000 – 20 000 / EUR 1 573 – 2 098

181. Gunnar Smoliansky "Södermannagatan 1959" Signed Gunnar Smoliansky on verso. Gelatin silver print, image 35 x 23 cm. Provenance: Acquired directly from the artist by the present owner. (d)

Estimate: SEK 30 000 – 35 000 / EUR 3 147 – 3 672

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

182. Antanas Sutkus "Pupils Song Festival, Kulautuva, 1964" Signed Antanas Sutkus on verso. Printed later. Gelatin silver print, image 46 x 46 cm. Sheet 49.5 x 49.5 cm. (d)

Estimate: SEK 6 000 – 8 000 / EUR 629 – 839

183. Antanas Sutkus "A Morning Bus, Vilnius, 1972" Signed Antanas Sutkus on verso. Printed later. Gelatin silver print, image 55 x 45,5 cm. Sheet 59 x 49.5 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 839 – 1 049

184. Antanas Sutkus "Daughters with Aunt Elena, Salakas, 1978" Signed A. Sutkus on verso. Printed later. Gelatin silver print, image 37.5 x 37 cm. Sheet 50 x 39.8 cm. Provenance: Acquired directly from the photographer by the current owner. (d)

Estimate: SEK 5 000 – 7 000 / EUR 524 – 734


Bukowskis October 2017

185. Antanas Sutkus "Ice Hockey, Vilnius, 1962" Signed A. Sutkus on verso. Printed later. Gelatin silver print, image 34 x 50.6 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 839 – 1 049

186. Christer Strömholm "André Breton, Paris, 1951" Signed CHR and with fingerprint on verso. Printed later by Örjan Christensson. Gelatin silver print, image 35 x 45.3 cm. Sheet 40.5 x 50.5 cm. (d)

Estimate: SEK 10 000 – 12 000 / EUR 1 049 – 1 259

187. Jan Bengtsson Utan titel, 1978 Signed Jan Åke Bengtsson and dated 78. Also signed and dated on verso. Gelatin silver print, image 37.2 x 37.3 cm. Sheet 52 x 42 cm. Provenance: Camera Obscura, Stockholm, Sweden. (d)

Estimate: SEK 8 000 – 10 000 / EUR 839 – 1 049

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

188. Gisèle Freund "Jean Cocteau, Paris, 1939" Signed Gisèle Freund and with stamped copyright on verso. C-print, image 40 x 27 cm. Sheet 44.5 x 33.6 cm. (d)

Estimate: SEK 8 000 – 10 000 / EUR 839 – 1 049

189. Christer Strömholm "Hiroshima", 1963 Signed CHR Strömholm and with fingerprint on verso. Gelatin silver print, image 29.2 x 22.5 cm. Provenance: Galleri Camera Obscura, Stockholm. Collection Karin och Lars Hall. Private Collection, Sweden. Exhibitions: Liljevalchs Konsthall, Stockholm, "396 Fotografiska förälskelser", 2001. (d)

Estimate: SEK 10 000 – 12 000 / EUR 1 049 – 1 259

190. Hans Gedda "Justine Frischmann", 1997 Signed Hans Gedda and dated 1997 on verso. Unique. Gelatin silver print, image 140 x 140 cm. Provenance: A gift from the photographer to the current owner. Exhibitions: Kulturhuset, Stockholm, "Rock/Popstars", 1998. (d)

Estimate: SEK 40 000 – 50 000 / EUR 4 197 – 5 246


Bukowskis October 2017

191. Helena Blomqvist "Darkness on the edge of town", 2003 Signed Helena Blomqvist and numbered 1/5 on verso. Lambda print mounted on acrylic glass 69.5 x 55.5 cm. Total edition of 5 + 2 AP. Provenance: Angelika Knäpper Gallery, Stockholm, Sweden. (d)

Estimate: SEK 35 000 – 40 000 / EUR 3 672 – 4 197

192. Bert Stern "Marilyn New Baby On Bed", 1962 Signed Bert Stern. Signed certificate included. Edition 12/50. Printed in 2012. Pigment print, image 31.5 x 46.5 cm. Provenance: Bert Stern Studios, New York.

Estimate: SEK 30 000 – 35 000 / EUR 3 147 – 3 672

193. Denise Grünstein "Winterblut", 2013 Signed Denise Grünstein and dated 2014 and numbered 2/5 on verso. C-print, silicone, glass 79.5 x 99.5 cm. Total edition of 5 + 2 AP. Provenance: Galleri Charlotte Lund, Stockholm, Sweden. (d)

Estimate: SEK 40 000 – 50 000 / EUR 4 197 – 5 246

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

194. Jenny Källman "Master", 2011 Signed Jenny Källman and dated 2011 and numbered 2/3 on label verso. Pigment print, image 88 x 70 cm. Provenance: Roger Björkholmen Gallery, Stockholm, Sweden. (d)

Estimate: SEK 30 000 – 35 000 / EUR 3 147 – 3 672

195. Jan Svenungsson "Reflektion, självporträtt, 1989" Signed Svenungsson and dated January 1989 on verso. Gelatin silver print 111 x 78 cm including original frame by the artist. Provenance: Galleri Engström, Stockholm, Sweden. Exhibitions: Moderna museet, Stockholm, "Rum mellan rum", 12 September – 1 November 1992. Nordiskt konstcentrum, Helsingfors, 1992. (d)

Estimate: SEK 16 000 – 20 000 / EUR 1 678 – 2 098

196. Walter Hirsch "En kärlekshistoria", 1969 Signed Walter Hirsch and dated 1981 and numbered 2/15 on verso. Gelatin silver print, image 32.5 x 48.5 cm. Provenance: Link Image Art Edition, Stockholm. (d)

Estimate: SEK 30 000 – 35 000 / EUR 3 147 – 3 672


Bukowskis October 2017

197. Richard Kern "Anna Spider", 1993 Signed Richard Kern and numbered 1/10 on label verso. Unique in this size. C-print 115 x 76 cm. Provenance: Galleri Roger Björkholmen, Stockholm, Sweden.

Estimate: SEK 16 000 – 20 000 / EUR 1 678 – 2 098

198. Dan Wolgers "Stor och liten glob", 2011 Signed Dan Wolgers and numbered 3/7. Photo engraving, plate 18 x 18 cm. Sheet 31.5 x 26.5 cm. Total edition of 7 + 2 AP. Provenance: Galleri Riis, Stockholm, Sweden. (d)

Estimate: SEK 15 000 – 18 000 / EUR 1 573 – 1 888

199. "The New York Collection for Stockholm" Portfolio with 30 prints in various techniques, 1973, published by Experiments in Art and Technology . All signed by the artists and numbered 192/300. Sheet size various ca 30 x 22. Contains works by Lee Brontecou, Robert Breer, John Chamberlain, Walter de Maria, Jim Dine, Mark di Suerv(...) Read more at bukowskis.com. Estimate: SEK 50 000 – 60 000 / EUR 5 246 – 6 295

Contemporary No 602


200. Andy Warhol, Mick Jagger.


Bukowskis October 2017

200. Andy Warhol "Mick Jagger" Silkscreen in colours, 1975, signed in pencil by Andy Warhol and also signed in black felt tip pen by Mick Jagger, numbered in pencil 105/250, printed by Alexander Henrici, New York, published by Seabirds Editions, London. S. 110,5 x 73,2 cm. Estimate: SEK 250 000 – 300 000 / EUR 26 232 – 31 479

201. Andy Warhol "With Hat"; from: "Ingrid Bergman" Silkscreen in colours, 1983, signed in pencil and numbered 168/250, printed by Rupert Jasen Smith, New York, published by Galerie Börjeson, Malmö, Sweden. I./S. 96,5 x 96,5 cm. Estimate: SEK 250 000 – 275 000 / EUR 26 232 – 28 856

202. Andy Warhol "Venus", from: "Details of renaissance paintings (Sandro Botticelli, Birth of Venus, 1482)" Silkscreen in colours, 1984, signed in pencil and numbered 21/70, printed by Rupert Jasen Smith, New York, published by Editions Schellmann & Klüser, Munich/New York. L. 63,5 x 94 cm. S. 81,2 x 111,8 cm. Estimate: SEK 500 000 – 700 000 / EUR 52 465 – 73 452

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

203. Andy Warhol "Flowers" Silkscreen in colours, 1970, signed in ball point pen on verso, and numbered 24/250 with rubber stamp on verso, printed by Aetna Silkscreen Productions, New York and published by Factory Additions, New York. 91.5 x 91.5 cm. Estimate: SEK 250 000 – 300 000 / EUR 26 232 – 31 479

204. Andy Warhol "Electric chair" Screeprint, 1971, signed and dated in ballpoint pen on verso and stampsigned 86/250. Printed by Silkprint Kettner, Zürich, published by Bruno Bischofberger, Zürich. S: 90 x 121.4 cm. Estimate: SEK 100 000 – 125 000 / EUR 10 493 – 13 116

205. Andy Warhol "The Star" (Greta Garbo), ur: "Myths" Silkscreen in colours and with diamond dust, 1981, signed in pencil and numbered 28/200 on verso, printed by Rupert Jasen Smith, New York, published by Ronald Feldman Fine Arts, Inc., New York. 96 x 96 cm. Provenance: Gallerie Coskun, London

Estimate: SEK 500 000 – 600 000 / EUR 52 465 – 62 959


Bukowskis October 2017

206. Andy Warhol "Paolo Uccello, St George and the Dragon", from: "Details of renaissance paintings" Silkscreen i colours, 1984, signed in pencil and numbered 35/50, printed by Rupert Jasen Smith, New York, published by Editions Schellmann & Klüser, Munich/New York. I. 63,5 x 94 cm. Estimate: SEK 100 000 – 140 000 / EUR 10 493 – 14 690

207. Andy Warhol "Rebel without a cause (James Dean)" from: "Ads" Screenprint in colors, 1985, signed in pencil, numbered TP 25/30, printed by Rupert Jasen Smith, New York, published by Ronald Feldman Fine Arts, Inc., New York, with the artist's copyright inkstamp on the reverse. 96.5 x 96.5 cm. Estimate: SEK 175 000 – 200 000 / EUR 18 363 – 20 986

208. Andy Warhol "Campbell's Soup II Old Fashioned Vegetable". Silkscreen in colours, 1969, signed in ball point pen on verso, and numbered 197/250 with rubber stamp on verso, printed by Salvatore Silkscreen Co., Inc., New York, published by Factory Additions, New York. S. 89 x 58.5 cm. Estimate: SEK 150 000 – 180 000 / EUR 15 739 – 18 887

Contemporary No 602


Contemporary No 602

Bukowskis October 2017

209. Andy Warhol "Joseph Beuys" Unique silkscreen in colours and with flocking, 1980-83, signed in pencil and numbered TP 7/45. 101,6 x 81,2 cm. Printed by Rupert Jasen Smith, New York, published by Editions Schellmann & Klüser, München/New York. Provenance: A Gallery, Gothenburg, Sweden.

Estimate: SEK 200 000 – 250 000 / EUR 20 986 – 26 232

210. Roy Lichtenstein "Cow Going Abstract – Triptych" Screenprint, the complete set of three, 1982, one sheet signed in pencil and all numbered 16/150. P: 60.4 x 72.5 cm, S: 65.7 x 77.5 cm. (d)

Estimate: SEK 30 000 – 35 000 / EUR 3 147 – 3 672

211. Gerhard Richter "Ifrit" (P8) Multiple, diasec-mounted chromogenic print on aluminum, 2014, numbered 343/500 on verso, published by Heni Productions, London. I./S. 33 x 44 cm. (d)

Estimate: SEK 40 000 – 50 000 / EUR 4 197 – 5 246


Bukowskis October 2017

212. Christo & Jeanne-Claude "The Gates, Central Park, New York". Signed Christo and dated 2013. Offset in colours with collage of fabric 168 x 99 cm. Estimate: SEK 20 000 – 25 000 / EUR 2 098 – 2 623

213. Jim Dine "Düsseldorff" Inkjet with photo etching and hand painting, 2009, signed in pencil and numbered 11/17. P. 80 x 110 cm. Provenance: Wetterling Gallery, Stockholm, Sweden.

Estimate: SEK 60 000 – 80 000 / EUR 6 295 – 8 394

214. Jim Dine "The Astra set" (five sets, 25 lithographs) Five sets each comprising five lithographs in colours: ”The Mighty Robe I”, ”The Confetti Heart”, ”The New Year’s Tree I”, The Colorful Venus I”, ”The Astra Tool”, 1985, each signed in pencil and numbered in an edition of 400., printed by Staib+Mayer, Stuttgart, published by AB Astra and Jim Dine in association with Waddington Graphics, London and Pace Editions, Inc., New York. I. 60,5 x 50 cm. S. 89,5 x 63,5 cm. Estimate: SEK 100 000 – 125 000 / EUR 10 493 – 13 116

Contemporary No 602


Bukowskis Real Estate Important Timepieces Viewing 19 – 24 October. Auction 25 October, 2017 Private sales – wePark have a number of homes for sale throughout Sweden Berzelii 1, Stockholm

Would you like more information or do you have a property you want to sell discreetly?

Catharina Bernstein, CEO/Founding Director, +46 (0)707 88 84 70, catharina.bernstein@bukowskis.com

What does Private Sales mean – a flexible solution with a higher level of service. Buy and sell in complete confidentiality within Bukowskis’ For inquiries please contact extensive network. Bukowskis offers a unique service, Private Sales. We can provide the perfect buyer for your home from our extensive client

base. All our home sales are discreet and exclusive. We currently have a number of Private Sales homes for sale throughout Sweden and are always looking for new homes for our clients. Perhaps you have a home that you are looking to sell discreetly? www.bukowskisrealestate.com

A selection of luxury homes sold during 2017

Head Specialist Watches & Jewellery Nina Westerlund +46 737 76 28 54 nina.westerlund@bukowskis.com

Associate Specialist Watches Carl Palmegren +46 739 40 08 23 carl.palmegren@bukowskis.com

We work throughout Sweden and have offices in the following locations: Cover: Omega, Speedmaster, 2915-1, 1958.

Stockholm Arsenalsgatan 2. +46 (0) 8 120 487 00

Båstad Köpmansgatan 7. +46 (0) 431 705 50

Malmö Carlsgatan 54. +46 (0) 40 655 63 10

Göteborg Frihamnen 16 A. +46 (0) 70 788 84 70


Bukowskis Autumn 2017

Contemporary Art & Design + Important Timepieces

How to participate in our auctions There are four ways to bid at Bukowskis.

Stockholm Viewing 19 – 24 October Auction 25 October

1

In the auction room

2

Absentee bidding

Modern Art & Design Stockholm Viewing 16 – 20 November Auction 21 November

Important Winter Sale Stockholm Viewing 30 November – 4 December Auction 5 – 6 December

Art & Antiques Helsinki

Stockholm 4 – 6 September 9 – 11 October 13 – 15 November 11 – 13 December All auctions are online

If your are unable to attend the auction, simply place an absentee bid at least 1 hour before the sale and we will bid on the item for you. It is easy. Just submit your maximum bid online.

3

By phone

4

Live bidding

Viewing 6 –11 December Auction online from 30 November

Systembolaget Auction with selected Wine & Spirits

Once registred for a paddle you are welcome to bid in the salesroom. The auctioneer will announce the bids. If the object and price is right, raise the paddle. Continue until you are the only bidder remaining.

If you prefer to bid by phone, we will call you from the salesroom and bid on your behalf.

To bid in real-time online is not only easy and convenient, it has become very popular among our clients. Bid from wherever you are, but make sure to register for an account in advance. www.bukowskis.com

Bukowskis Stockholm Arsenalsgatan 2 Box 1754 111 87 Stockholm, Sweden T +46 8 614 08 00 F +46 8 611 46 74 www.bukowskis.com

The catalogue prices are given in Swedish kronor (SEK). Bukowskis’ general terms for buyers and sellers and forms for bidding instructions and telephone bidding can be found at www.bukowskis.com.



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