Sensory Sensitivities - Savannah Carrick

M y b ro t h e r h a s b e e n m y b i g g es t p e rs o n a l m o t i va t i o n t h ro u g h o u t t h i s p ro j e c t .

H e i s a u t i s t i c . G row i n g u p w i t h h i m , I wa s ex p os e d to h i s c h a l l e n g es a n d u n i q u e p e rce p t i o n o f t h e wo r l d fro m d a y 0 1 . H e ra re l y eve r fe e l s co m fo r ta b l e i n m o s t s p a ce s , a n d s t r u g g l e s to i n te g ra te i n to a wo r l d t h a t i s n o t d e s i g n e d fo r h i s n e e d s . T h i s ca u s es h i m , a n d s o m a n y o t h e rs l i ke h i m , to b e co m e eve n m o re ‘o t h e re d ’ b y s o c i e t y a s a res u l t . I t i s t i m e to c h a n g e t h a t .

savannah carrick_capstone_INTD5002

sensory sensitivities a m e n d i n g A DA d e s i g n s ta n d a rd s fo r i n te r n a l i m p a i r m e n t s & i m p l e m e n t i n g s e n s o r y co m fo r t i n to a s o c i a l s p a ce

the problem : most interior spaces do not take into account the sensory needs of many individuals with internal disabilities.

01_the problem

While American Disability Act and its design standards have revolutionized the building experience for so many people, the ADA design standards only cover physical disabilities. Thus, exposing just how exclusive and lacking the very standards for inclusivity are.

Within all 10 chapters of the ADA design standards, there is little to no mention of internal issues - such as, Autism Spectrum, Anxiety disorders, PTSD, ADHD, and many more internal impairments that greatly affect individuals’ quality of life and experiences in interior spaces.

Many who do have these internal impairments often feel ‘othered’ in society due to their differences, a lack of awareness, and the inequitable design of so many spaces.

Our world is busy, and often chaotic, thus furthering this need for more sesnory / comfortable spaces to benefit all people and act as an escape from the world’s noise and daily clutter.

02_intro to the problem

mapping

timeline of ADA design standards: U.S. Department of Justice (DOJ) 1991 Fair Housing ADA Standards Amendments Act for Accessible (FHAA)—Requires Design / DOJ adaptable features in certain adopted ADAAG as its standard for covered multiADA Title III new family dwellings construction and with 4 or more alterations. units

Architectural Barriers Act (ABA)—Requires that facilities designed, constructed, altered, or leased with certain federal funds be accessible to persons with disabilities 1968

ADA Accessibility Guidelines— Amended to include play areas

Update to ADA and ABA Accessibility Guidelines for Buildings and Facilities

U.S. Department of Justice (DOJ) updates 2010 ADA Standards for Accessible Design—Contains accessibility scoping and technical requirements (most recent - used today)

2000

2004

2010

1991

1988

Present

1960

1961 American National Standard Institute (ANSI) A117.1 Accessible and Usable Buildings and Facilities—Became the private sector model for a technical standard for accessible features

03_history of ADA design laws

1984 Uniform Federal Accessibility Standards (UFAS)— Contains accessibility scoping and technical requirements implementing the Architectural Barriers Act of 1968

1990

1998

2002

2005

2014

Americans with Disabilities Act (ADA)—establishes design requirements for the new + existing facilities required to be accessible. It covers facilities in the private sector (places of public accommodation and commercial facilities).

ADA Accessibility Guidelines— Amended to include state and local government facilities (federal part of ABA)

ADA Accessibility Guidelines— Amended to include recreation facilities

U.S. Postal Service (USPS) Standards for Facility Accessibility— Contains accessibility and technical requirements in ABA

U.S. Access Board ABA Accessibility Guidelines and U.S. General Services Administration (GSA) ABA Standard amended to include Outdoor Developed Areas on Federal land

current ADA design coverage : In sect io n A.1 o f the 2 01 0 A DA standards , it says : (a) Des ig n and co n s tr u c t i o n.

(1) E a ch fa ci l i ty o r p a r t o f a fa c ilit y const r uc te d by, on be ha lf of, or for the u s e o f a p ub l i c e n t i ty s h a ll be designed and constructed in such

manner that the facility or part of the facility is readily accessible to and usable by individuals with disabilities , if t he cons t r u cti on was co m m en ce d af te r J anua r y 26 , 19 9 2.

The D ep a rt m e n t o f J u s ti ce s tates t hat :

“disability is defined by th e ADA as a person who has a physical or mental impairment tha t substantially limits one or more major life activities , a p e rs o n w ho ha s a histor y or re cord of suc h an imp a irm en t , o r a p e rs o n w ho is pe rce ive d by ot he rs a s ha v ing su ch an imp a irm en t .”

It is time for an update.

W i t h i n t h e h i s to r y o f A DA d e s i g n s ta n d a rd s , t h e re h a ve b e e n n u m e ro u s u p d a te s a n d a m e n d m e n t s m a d e . T h e s e u p d a te s s e t p re ce d e n t a n d s h ow t h a t t h i s co d e i s n o t p e r fe c t , n o r i s i t i m p e r m e a b l e to c h a n g e. A s h u m a n s , we te n d to b e l i eve a n d c re a te s o l u t i o n s fo r t h e t h i n g s t h a t we ca n s e e, m a k i n g i t eve n m o re d i f f i c u l t fo r i n d i v i d u a l s w i t h c h a l l e n g e s t h a t ca n n o t b e s e e n fro m t h e o u t s i d e . T h u s , i t i s p e r t i n e n t t h a t we d eve l o p A DA , b e i n g t h a t i t i s t h e co d e fo r s p a t i a l d e s i g n e q u i t y, to b e u p d a te d fo r a l l p e o p l e a f fe c te d b y s p a ce w i t h a n d w i t h o u t d i s a b i l i t i e s .

04_current ADA design laws

CC

the solution : amend ADA to fit the needs of internal impairments for sensory-friendly design

05_solution

ways to combat overstimulate in an interior space : *** acousti cs ** insulated spaces, manipulation of sound pressure / levels, white noise / rhythmic

spati al conf i gurati on orderly, defined, sequential circulation, flexible / malleable configuration, enclosure/edges, compartmental, scale

re gul ati on / re tre at spaces separate zones for expression, decompression, and physical / emotional regulation

transi ti on zones smooth / slow threshold and transition spaces for sensory and stimulation reset

l i ghti ng / col or small areas of bright color, steady lighting, soft tones, low intensity

* Image courtesy of Dezeen

06_hierarchy of sensory needs

m ate r i al i ty soft, comforting, clean, plush, not itchy, sound and light absorbing

the update.

T h e p ro p o s e d s e t o f s ta n d a rd s w i l l a c t a s a n t h e a m e n d m e n t to A DA t h a t i s s o d e s p e ra te l y n e e d e d . T h i s s e c t i o n w i l l b e co m p o s e d o f s eve n s e c t i o n s t h a t a d d re s s t h e m a i n m o d e s o f co m b a t i n g ove rs t i m u l a t i o n , a n d w i l l a d d re s s t h e n e e d s o f i n d i v i d u a l s w h o a re m o s t a f fe c te d b y t h e s e s t i m u l a to r y i n te r i o r co m p o n e n t s . T h e A DA d e s i g n s ta n d a rd s h a ve co m p l e te l y revo l u t i o n i ze d a n d o p e n e d u p t h e wo r l d fo r s o m a n y p e o p l e w h o we re o n ce exc l u d e d fro m e n j oy i n g m a n y s p a ces . T h e s ta n d a rd s h a ve a l s o b e n e f i te d m a n y p e o p l e w h o m t h ey m a y n o t h a ve b e e n o r i g i n a l l y i n te n d e d . Fo r exa m p l e , t h e u s e o f e l eva to rs i n te n d e d fo r t h o s e i n w h e e l c h a i rs h a ve b e n e f i te d m a n y w h o a re e l d e r l y, i n j u re d , o r eve n p re g n a n t .

I n te r n a l d i s a b i l i t i e s i m p a c t h ow p e o p l e p e rce i ve a n d i n te ra c t i n s p a ce , a n d ca n b e j u s t a s d e b i l i ta t i n g a s a p h y s i ca l d i s a b i l i t y i s . T h i s n ew s e t o f s ta n d a rd s w i l l c h a l l e n g e w h a t we k n ow n ow, h ow we d e s i g n , a n d t h e l a c k o f a wa re n e s s o r n e u ro d i ve rs e n e e d s a n d re p re s e n ta t i o n i n t h e d e s i g n wo r l d a n d b u i l t e n v i ro n m e n t a s i t s ta n d s to d a y.

Image courtesy of Anthony Tusler

07_the need

New proposed sensory standards : sections a - c s ection a ) ge n e ral 1. sen s o ry zo ni n g o f s p a ces must account for :

- 1 % o f s p a ces 5 0 0 - 1 0 0 0 s q. f t

- 3% of s paces 10 0 0 -550 0 sq . ft

- 5% of spaces > 550 0 sq . ft

s ection b ) acous t ics 1. acoustical panels in sensory zones must be both present and on 25% of surfaces 2. acoustical panels must be a minimum of 3” thick

3. speakers in sensory zones must be controllable separate of those throughout the rest of the space and remain in the range of 0-50 dB in volume

3” thick

0

50

130

s ection c) s pat ial conf i g u ra t i o n 1. sensory spaces must include spatial configurations of privacy

3. spatial configurations must feature compartmental spaces of small scale and

2. sensory spatial configurations should not face > 2 areas seen by others

enclosure for comfort

08_new proposed standards

New proposed sensory standards : sections d - e s ection d ) re gulat io n / ret rea t sp a ces 1. every space must provide separate rooms for expression, decompression, and physical / emotional regulation as follows :

1 room fo r s p a ces 5 00-3000 sq. f t

2 ro o m s for spaces 30 0 0 -750 0 sq . ft

3 -5 ro o m s for spaces > 750 0 sq . ft

2. regulation rooms must be low light and sound insulated from the remainder of the space

s ection e) t rans it io n zo n es 1. thresholds to sensory zones must have transitions from non-sensory zones that feature: - steady increase in acoustic levels - slow transitional lighting from main space to sensory space lighting levels - a steady decrease in scale (if applicable)

09_new proposed standards

2. transitional spaces to sensory zones account for 5% of the sq. footage of the sensory zone

New proposed sensory standards : sections f - g se ction f ) ligh t ing / co l o r 1. sensory zones must feature LED lighting for constant and steady lighting

4. colors used in sensory zones must be dark to moderate in saturation/ brightness

2. sensory zones must use lighting that closely resembles the color of natural light - color rendering index (CRI) as close to 75

100

75

0

5. lighting in sensory zones must be controlled & dimmable separate from the rest of the space

excellent

good

poor

3. lighting must be dim to moderate in brightness ( < 1000 lumen)

s ection g ) mate r ialit y 1. materiality in the sensory zones must be smooth and soft to the touch

1. materials with low to no reflectivity must be used in sensory zones

2. materiality in the sensory zones may not feature a majority of hession, polyester, wool, and spandex, in the construction due to the abrasiveness of these fabrics 0% wool 0% spandex 0% hession 0% polyester

10_new proposed standards

2. materials that absorb sound and light are preferred in sensory zones

w h o + how m a ny d o s en s ory i ssu es a ffec t ?

1 in 68 people diagnosed with Autism Spectrum Disorder * 1 in 11 people diagnosed with ADHD as children 1 in 50 people diagnosed with Fibromyalgia 1 in 330 people diagnosed with Multiple Sclerosis * 1 in 20 people diagnosed with Sensory Processing Disorder 1 in 131 people diagnosed with Chronic Fatigue Syndrome * 1 in 162 people are diagnosed with Tourettes syndrome 1 in 5 people diagnosed with Anxiety 1 in 11 people diagnosed with PTSD 1 in 4 people are introverts * = (in USA)

11_sensory overload - related conditions

h ow sen so ry ove rload h a p p en s :

brain perceives stimuli

body receives message and wants to retreat

body panics and feels stuck

brain feels overwhelmed + trapped by amount of input

comm o n sy mp to m s o f exp erien c in g sen so ry overload :

...

!

panic attacks

difficulty focusing

extreme

restlessness and

due to competing

irritability, anger,

discomfort

sensory input

or tantrums

!!!

feeling overly excited /

stress, fear,

higher levels of

urge to cover

wound up

anxiety, about

material sensitivity

ears or eyes

surroundings

( tags, fabric,

from sensory

clothing, etc.)

input

12_sensory overload - symptoms

application : breakdown of typologies + spatial needs of a sensory-friendly restaurant / bar

why a restaurant / bar? the restaurant and bar scene is at the epicenter of social life in our culture today. however, these spaces can be very overwhelming with the amount of open space and stimulation. for many who deal with sensory sensitivity, it is already very hard to be social. so how then do we expect people to go out of their comfort zone in a space where they are not comfortable?

13_application + reasoning

is ol a ti o n a s a res u l t o f sens o r y- u n fr i e n d l y s p a ce :

increased depression

lack of selfesteem

increased risk of suicide

Z

?

Z

Isolation and self-seclusion is a common theme amongst ma ny pe o ple wit h intern a l d i sa b i l i t i es w h o ex pe r i e nce

increased risk of physical inactivity

s ensory s e n s it iv it y. T h i s sel f- sec l u si o n i s o f ten a d ire ct resu lt of u n co m fo rta b l e s p a ce s a nd l a c k o f s e n s or ythis is olat io n can gre a t l y a f fec t t h e p h ysi ca l , me nta l , ne e d for s oc ializat io n a s h u m a n s, a n d a l a c k o f a b i l i ty to

insomnia / poorer sleep quality

26 %

friend ly spati al des i g n t h a t f i t s t h ei r n eed s. O ve r ti me, a nd be hav io ral h e alt h o f i n d i v i d u a l s d u e to a b i o l ogi ca l

decreased cognitive function / increased dementia risk

Z

increased risk for high blood pressure

increased likelihood of mortality

increased risk of obesity

d o s o in a comfor table a n d m o re sen so ry- fri en d l y sp a ce.

increased fragility

14_effects of isolation

increased risk of heart disease + stroke

increased risk of smoking addiction / habit forming

qualitative program : - entry threshold - hostess space - digital check-in

- main dining space - private dining rooms

- kitchen - loading / unloading zone - staff area - mechanical / storage

operate arrive

dine integrate

decompress

navigate

- prefunction space : bar + pods + lounge

- regulation rooms - restrooms

- transition sequences - thresholds

decompress

integrate BOH dine

Image courtesy of frenchyfancy.

15_programming

arrive navigate

quantitative needs : arrive

integrate

dine

decompress

navigate

operate 16_programming

- hostess space

400 ft 2

- digital check-in

50 ft 2

- pre-function space -prefunction lounge -bar area -waiting pods

2000 ft 2

- main space - semi-private booths - sunken space - fin walls

2350 ft 2

- private dining room

475 ft 2

8,175

- regulation rooms

375 ft 2

- single stall restrooms

650 ft 2

total sq. footage needed*

- transitional corridor - thresholds / circulation

450 ft 2 175 ft 2

- kitchen

900 ft 2

-BOH space -loading zones - staff area - mechanical / storage

350 ft 2

ft 2

site needs :

minimum of 8,000 ft 2

proximity to nature

accessible roads for deliveries

public transit access

urban / suburban area

P parking area

17_site requirements

135 plymouth street brooklyn, ny 11201

Image courtesy of Google Earth

7000 ft2

Image courtesy of Spectrum News NY1

main street park -- 472 ft

on corner of adams & plymouth st. john & pearl st. adjacent

P

street parking F train-- 0.2 mi A, C train -- 0.4 mi 2 , 3 train -- 0.6 mi DUMBO brooklyn Manhattan adjacent

Image courtesy of Brooklyn Eagle

18_site

Original Photo

the site.

Located in DUMBO, Brooklyn, New York, this site is situated perfectly in a small pocket within a large urban area. With ample public transportation access (which many people rely on, especially those who are disabled) nature adjacency, and a large restaurant scene, this space is contextually appropriate for this program.

Additionally, the site sits within a quieter pocket of the busy metropolitan area, and is currently being used a library, showing how it can simultaneously accomplish the goals of the program and sensory component.

19_site context

20_site context

site traffic patterns

site views

site noise

site adjacencies

concept : a e s t h e t i c s

Image courtesy of Santa Monica Proper Hotel

e n c l o s u re

Image courtesy of ArchiExpo

s oft a rchitect ure

t e c h n i c a l

Image courtesy of willmoneymaker.com

des ert fo rms + co lo rs

Image courtesy of rT avel + e L isure

comfort code

Image courtesy of BrownGurl.Tumblr.com

sensory design

t h e co n ce p t fo r t h i s p ro j e c t i s t wo - fo l d . F i rs t i s t h e te c h n i ca l co n ce p t , b e i n g s e n s o r y d e s i g n a n d t h e a p p l i ca t i o n o f t h e n ew A DA co d e s ta n d a rd s . S e co n d i s t h e a e s t h e t i c co n ce p t a n d i n te r i o r d e s i g n fo r m s . A m o n g s t i n d i v i d u a l s o n t h e a u t i s m s p e c t r u m , a s t u d y s h owe d t h a t t h e m o s t fa vo re d co l o r i s t h a t o f a s o f t p i n k a n d wa r m to n e s , w h i c h i n s p i re s ca l m n e s s . Fu r t h e r, o rg a n i c fo r m s a n d p o c ke te d s p a ce s w i t h i n s p a ce s a re i n te r i o r a rc h i tce t u ra l m ove s t h a t a re o f te n b o t h p re fe r re d a n d p o s i t i ve l y s t i m u l a t i n g fo r m a n y i n d i v i d u a l s . T h e re fo re, t h e co n ce p t o f t h e d e s e r t a n d i t s ca n yo n fo r m s h e l p to t ra n s l a te t h e co l o r a n d fo m a l n e e d s to a c h i eve a d e s i g n e r s e n s o r y s p a ce a n d i n te r i o r d e s i g n l a n g u a g e.

21_concept introduction

Image courtesy of DEOURST American e W st

Image courtesy of Grace .J Silla Image courtesy of e K lly e W arstler

Image courtesy of Etsy

Image courtesy of e R sidence Magazine

Image courtesy of KSh Design Bureau Image courtesy of a W llpaper*

Image courtesy of DPages

Image courtesy of vtgohokies

22_mood imagery

Image courtesy of Italian Bark

Image courtesy of CheWei Chang

Image courtesy of UniqueTravelPhoto.com

the plan.

i s ra d i a l l y o rg a n i ze d s o t h a t t h e p e r i m e te r o f t h e p s a ce h o u s e s t h e m o s t e n c l o s e d o r p r i va te s p a ce s w i t h i n t h e re s ta u ra n t . i t t h e n g ra d i e n t s i n wa rd s o t h a t t h e s p a ce s g ra d u a l l y g e t m o re p u b l i c a n d o p e n towa rd s t h e ce n te r o f t h e p l a n . t h e m a i n d i n i n g s p a ce , h oweve r, i s o rg a n i ze d i n ve rs e l y, h a v i n g t h e m o s t e n c l o s e d s p a ce a t t h e ce n te r s u n ke n a re a , g ra d u a l l y g e t t i n g l e s s e n c l o s e d a t e a c h s e a t i n g t y p o l o g y t h a t ra d i a te s o u t to t h e o u te r e d g e s o f t h e m a i n d i n i n g a re a .

Secondary Exit

Regulation Rooms

Restrooms Server Station

Screens

Window Tables

Ramp

Transition Hallway

Fin walls

Rock Forms

Restrooms

Dishwashing zone

Pre-function Pods Range + Ovens

Sunken Dining Space

Prep counter Refrigerators

Kitchen Bar

Sink

Pre-function / Bar Space

Dry Storage Semi-private booths

Main Dining Space

Pre-function Pods

Curtain Dividers

Hostess Server Station

Private Dining Rooms

23_ floor plan

scale : 3/32” = 1’-0”

Digital Check-in

In-person check-in

Main Entry + Exit

Open Waiting Lounge

main dining : seating typologies

24_main dining : privacy scale + typologies

window tabletop

high back booths

fin wall booths

sunken area

section A

s ca l e : 1 /8 ” = 1 ’ - 0 ”

section B

s ca l e : 1 /8 ” = 1 ’ - 0 ”

the section.

A B

25_sections

a l s o r e i n f o r c e s t h i s i d e a o f v a r y i n g e n c l o s u r e a n d c o m p re s s i o n l e v e l s within the space. The ceiling dips the lowest at the center of the main dining space, over t h e s u n ke n d i n i n g a re a , f u r t h e r i n g t h e e f fe c t o f e n c l o s u re. A l s o - t h e ce i l i n g ’s u n d u l a t i n g fo r m t h ro u g h o u t t h e e n t i re t y o f t h e re s t a u ra n t a l s o c o i n c i d e s w i t h t h e d e s e r t fo r m c o n c e p t a n d r e s e m b l e s t h e o r g a n i c a n d s o f t a r c h i t e c t u r a l f o r m s o f c a n y o n s a n d ro c k f o r m a t i o n s , w h i l e a l s o a c t i n g a s v i s u a l a n d a co u s t i c t re a t m e n t fo r t h e s p a ce s ’ s e n s o r y f u n c t i o n .

26_exploded axon

the material strategy.

E a c h zo n e i s t i t l e d a f te r a d e s e r t e l e m e n t o r l a n d fo r m o f w h i c h t h e m a te r i a l p a l e t te s o f t h e s p a ce i s d e r i ve d . D i v i d i n g t h e p l a n i n to zo n e s h e l p s to c re a te a s p a t i a l p ro g re s s i o n t h ro u g h t h e d e s e r t b y t h e t i m e o n e m ove d t h ro u g h t h e s p a ce , a n d a l s o a i d s i n s p a t i a l zo n i n g a n d m a te r i a l co n n e c t i v i t y t h ro u g h o u t .

T h e b l o o m s zo n e i s t h e e n t r y a n d h o s te s s a re a . T h i s s y m b o l i ze s t h e s h o r t s e a s o n i n t h e d e s e r t w h e re n ew l i fe a n d o p e n i n g o cc u rs , s y m b o l i c o f h ow w h e n o n e e n te rs t h e re s ta u ra n t t h ey a re e n te r i n g t h e ex p e r i e n ce a n d o n l y l i n g e r i n g i n t h e e n t r y s p a ce fo r a s h o r t p e r i o d o f t i m e . T h e v i s i to r t h e n m ove s o n to t h e r i ve r s p a ce , w h i c h i s t h e b a r a n d p re f u n c t i o n l o u n g e a re a . T h i s zo n e i s b o t h e m b l e m a t i c o f t h e r i ve r i n b o t h fo r m s a n d co l o rs , w i t h l o t s o f re d to n e s a n d s to n e . T h e s u n r i s e zo n e a re t h e p re f u n c t i o n p o d s , w h i c h a re l i g h te r i n to n e, a n d s y m b o l i ze a n a wa ke n i n g fo r t h e s ta r t o f o n e’s d i n i n g ex p e r i e n ce. T h e u s e r t h e n m ove s t h ro u g h t h e ca n yo n t ra n s i t i o n co r r i d o r, w h i c h i s m e a n t to fe e l a s i f t h ey a re n a v i g a t i n g t h ro u g h t h e ca n yo n s o f A r i zo n a , w i t h ro c k fo r m a t i o n s g u i d i n g c i rc u l a t i o n a n d a f fe c t i n g ove ra l l s ca l e a n d l i g h t a s o n e m ove s fro m p re f u n c t i o n to d i n i n g s p a ce . T h e m a i n d i n i n g i s t h e d e s e r t , b e i n g t h e m o s t p e r va s i ve o f t h e s p a ce s , a n d h a v i n g a n e u t ra l p a l e t te w i t h va r y i n g s e a t i n g t y p o l o g i e s , s i m i l a r to h ow a d e s e r t h a s va r i o u s e l e m e n t s w i t h i n g a l a rg e r, o p e n s p a ce. T h e p r i va te d i n i n g ro o m i s t h e d u s k , b e i n g a m o re i n t i m a te , m o o d y d e s t i n a t i o n a n d u n i q u e fro m t h e p a l e t te o f t h e re s t o f t h e s p a ce , ye t s t i l l co n n e c te d . T h e re s t ro o m s a re t h e n a r rows , b e i n g t h a t t h ey a re c u r ve d , f u l l y e n c l o s e d a n d te r ra co t ta co l o re d l i ke t h e fo r m s i n t h e n a r row s o f Z i o n . F i n a l l y, t h e re g u l a t i o n ro o m s a re t h e m e s a , w h i c h a re fo r m e d d e s e r t m o u n ta i n s w i t h a f l a t to p, m a k i n g t h e to p l i ke a s a n c t u a r y a n d s a fe s p a ce s u r ro u n d i n g b y m o u n ta i n g ra d e c h a n g e o n a l l s i d e s .

Image courtesy of vtgohokies fiickr

27_sequential experience

MESA N A R ROWS C A N YO N DESERT

N A R ROWS

RIVER SUNRISE DUSK B LO O M S

28_material strategy

i m a g e r y.

ff&e items.

Image courtesy of o F rrest Mankins

materials.

Image courtesy of Marie Claire

B LO O M S

29_hostess / entry space

BLOOMS

i m a g e r y.

ff&e items.

Image courtesy of Moab Adventure e C nter

materials.

Image courtesy of a Z cariah Schnepf Photography

RIVER

30_prefunction : bar / lounge space

RIVER

i m a g e r y.

ff&e items.

Image courtesy of vollerfernweh

materials.

Image courtesy of Artifact Uprising

SUNRISE

31_prefunction : pods

SUNRISE

i m a g e r y.

ff&e items.

Image courtesy of Divisare Image courtesy of Society6

materials.

Image courtesy of Etsy

C A N YO N

32_transitional corridor

CANYON

i m a g e r y.

ff&e items.

Image courtesy of Nelson a Z miah

materials.

Image courtesy of a K leela

DESERT

33_main dining space

DESERT

i m a g e r y.

ff&e items.

Image courtesy of Shutterstock

materials.

Image courtesy of a W llpaper Flare

DUSK

34_private dining rooms

DUSK

i m a g e r y.

ff&e items.

Image courtesy of o T m Mark Henry Image courtesy of Y rT avel Blog

materials.

Image courtesy of Christa Brady

N A R ROWS

35_restrooms

NARROWS

i m a g e r y.

ff&e items.

Image courtesy of e K rry Mark e L ibowitz

materials.

Image courtesy of Hand u L ggage Only

MESA

36_regulation rooms

MESA

thank you. capstone _ savannah carrick _ interior design _class of 2022