Historic Iris Court Sale | May 28, 2025 by Brunk Auctions

The Height of Classical Connoisseurship Iris Court

The name Edward Vason Jones is synonymous with classical connoisseurship, and Iris Court is among his most legendary accomplishments. Every elegant room in the 5,200 square foot Greek Revival home in Moultrie, Georgia, was exquisitely furnished with important American nineteenth century paintings, museum quality New York, Boston, Philadelphia, and Baltimore furniture, and the finest examples of complementary decorative arts. Jones was at the center of the illustrious group of players responsible for the New Federalism that began in the early 1970s, and left a lasting mark on our nation. In the words of White House Curator Clement E. Conger, Edward Vason Jones was a “National Treasure.” His life began in Albany, Georgia, and he ended up “in the White House.”

In many ways, Edward Jones and Iris Court were destined for each other. Growing up surrounded by pillars of Georgia Classicism, he was exposed from a young age to the simplicity, clean lines, balance, and architectural harmony that would come to define his own work, and to influence the 20th century. Iris Court also began life in Albany, and when it was slated for demolition in 1965, Jones contacted his friend and client Charles Smith to save the mansion. Smith did indeed come to the rescue, and Iris Court was carefully dismantled, and reconstructed in Moultrie, Georgia. In many ways the reconstruction brought the building itself into greater glory, by doing away with some unfortunate earlier renovations, adding some modern conveniences for the Smith Family, simplifying layout, and finally adding the appropriate classical detailing throughout. Once finished, Iris Court was ready for furnishing.

The interiors of Iris Court were majestic. It was only fitting that they contain the very best. In photographs, one can see extraordinary masterworks at home in extraordinary surroundings. A glimpse into the dining room would reveal a rare New York eagle topped looking glass over the fireplace, and Severin Roesen’s still life Nature’s Bounty, over a Seymour attributed Federal sideboard. A dinner service could have been laid on the circa 1815 Duncan Phyfe attributed mahogany dining table. The Phyfe and Seymour names could be found in many rooms throughout the house. Important Hudson River School paintings by Jasper Francis Cropsey, Albert Bierstadt, Thomas Moran, and others adorned the walls in every room. Rare breakfronts, work tables, side chairs, games tables, looking glasses, lighting, and carpets complete the picture of classical refinement.

Jones and the Smith’s inner circle of advisors and confidants included such luminaries as Berry Tracy, the pre-eminent museum curator in American 19th century decorative arts, and Clement E. Conger. Mr. Tracy was curator of decorative arts at the Newark Museum from 1960 to 1964 and responsible for the landmark exhibition Classical America, 1815- 1845, the catalogue of which is still considered the standard reference for American furniture styles of the period. The Atlanta-based decorator Virginia White played a large part in the acquisition of the furniture, decorations, and fine art, working with Deen Day Smith and sourcing it from the most important dealers in the world. With all the brightest lights in the mix, the finished, furnished, product was destined to be extraordinary.

Edward Jones met Clement E. Conger at the same time he began work on Iris Court. At the time, Conger was the Chairman of the Fine Arts Committee for the U.S. Department of State, and Curator of the Diplomatic Reception Rooms. He visited the project in Moultrie, met Jones, and the rest is history. Their work together changed taste and style in our nation’s capital and therefore the world. Jones’s designs for the seven major Diplomatic Reception Rooms at the State Department, and expertise on over twenty-five period rooms at the White House inspired Conger to refer to him as a “National Treasure.” The Edward Vason Jones Memorial Hall is what ushers heads of state into the Diplomatic Receptions to this day. It is grand, historic, refined, and inspirational. Brunk Auctions is honored to be offering this unique collection–the furnishings of Jones’s historic masterwork, Iris Court. The style, importance, taste, and timelessness of the accumulated treasures is priceless.

The quotations and photographs used on this page are from Mitchell, William R., and Van Jones Martin. 1995. Edward Vason Jones, 1909-1980 : Architect, Connoisseur, and Collector. [Savannah, GA.], Athens, GA: Martin-St. Martin Pub. Co. ; Distributed by the University of Georgia Press.

17 Piece English Finely Painted Green and Gilt Porcelain Partial Service with Bird Decoration, possibly Coalport, 19th century, green and gilt borders, openwork lattices, floral and bird scenes, includes compote, dishes, 12 plates, largest 5-1/4 x 8-1/2 x 8-1/2 in.

Estimate: $600 - $900

Copeland and Garrett Finely Enameled Porcelain Vessel English, 19th century, drum form, gilt borders, floral garlands, landscape cartouches, inscribed titles, 12-1/2 x 7 x 7 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, December 1986 (accompanied by copy of receipt)

Estimate: $800 - $1,200

Large Chamberlain Worcester Porcelain Lidded Fruit Cooler on Stand English, 19th century, light green ground, floral and bull cartouches, scrolled handles, flame finial, gilt highlights, 21-1/4 x 10-3/8 x 9 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, July 1987 (accompanied by copy of receipt)

Estimate: $1,000 - $2,000

4 Flight, Barr & Barr Green and Gilt Porcelain Teacup and Saucer English, early 19th century, mint green with gilt highlights, cup 2-1/2 x 4-1/2 x 3-3/4 in., saucer 1 x 5-7/8 x 5-7/8 in.

Estimate: $500 - $700

5 Fine Pair of Flight, Barr & Barr Worcester Porcelain Lidded Urns, with Wall Brackets, English, 19th century, apple green grounds, phoenix head handles, crowned “FBB” impressed to bases, approx. 11-3/4 x 6-1/4 x 6-1/4 in.; with pair of carved wood wall brackets, brass drop finials, 9-1/4 x 13-1/4 x 5-5/8 in.

Provenance: (urns) Earle D. Vandekar, New York, New York, July 1987 (accompanied by copy of receipt), Virginia F. White Interiors, Atlanta, Georgia, November 1987 (accompanied by copy of receipt)

Estimate: $800 - $1,200

Three Piece Finely Enameled Green and Gilt Porcelain Garniture Set English, 19th century, possibly Minton, unmarked, each of tall urn form with ram’s head side handles, on cylindrical plinth and square base, green ground with gilt scrollwork highlights, central cartouche with hand painted floral still life, largest 14 x 6-1/2 x 6-1/2 in.

Estimate: $1,000 - $2,000

7 Classical Carved and Figured Mahogany ‘Trick-Leg’ Games Table with Carved Rosettes New York, circa 1815, attributed to Michael Allison (1773-1855), brass paw form casters, retains remnant of repair label of Ernest Hagen, 30-1/4 x 33-3/4 x 17-3/4 in., opens to 35-1/2 in.

Provenance: Bernard & S. Dean Levy, Inc., New York, March 14, 1986, (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, March 27, 1986

Estimate: $5,000 - $8,000

This table was illustrated in Bernard & S. Dean Levy, Inc., untitled, vol. V, (New York: 1986), p. 136. A nearly identical table is in the collection of the Metropolitan Museum of Art (acc. no.1970.212.1).

35 Piece Chamberlain Worcester Green and Gilt Botanical Dessert Service English, circa 1815, apple green ground, gilt foliate bands, and floral decoration, includes fruit coolers, tazza, tureens, dishes, and plates, largest 13-1/2 x 9-3/4 x 9-1/4 in.

Provenance: Earle D. Vandekar, New York, July 1987 (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, November 1987 (accompanied by copy of receipt)

Estimate: $5,000 - $7,000

Classical Carved and Figured Mahogany ‘Trick-Leg’ Games Table New York, circa 1815, attributed to Michael Allison (1773-1855), brass paw form casters, retains remnant of repair label of Ernest Hagen, 30-1/4 x 36-1/4 x 18 in., opens to 36 in.

Provenance: Christie’s, New York, Highly Important American Furniture from The Collection of Dr. C. Ray Franklin, October 13, 1984, sale 5736, lot 423 (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, October 25, 1984

Estimate: $3,000 - $5,000

A related table is in the collection of the Metropolitan Museum of Art (acc. no. 1970.212.1).

Two French Porcelain Vases and Old Paris Porcelain Plate 19th century, burgundy, green, and gilt vases; floral cabinet plate attributed to Feuillet, largest 11 x 7-5/8 x 3-1/2 in.

Provenance: (plate) Hart-Adams Antiques, Nashville, Tennessee (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, December 1987 (accompanied by copy of receipt)

Estimate: $300 - $500

Chamberlain Worcester Green and Gilt Porcelain Vase 19th century, urn form, griffin handles, wide central floral band, 13-7/8 x 6-1/2 x 6 in.

Provenance: Earle D. Vandekar, New York, August 1987 (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, November 1987 (accompanied by copy of receipt)

Estimate: $400 - $600

An Important Classical Mahogany Work Table New York, circa 1806-11, labeled by Duncan Phyfe (1768-1854), with original ivory pulls, yellow poplar and white pine secondary, brass casters, fitted desk interior, with key, label at rear of cupboard section inscribed “D. Phyfe’s Cabinet Warehouse No. 35 Partition street. New-York,” 30-1/2 x 23-1/4 x 12-3/4 in.

Provenance: Henry MacFarlan (1772-1830), New York; his son Francis Blanchard MacFarlan; his son Francis MacFarlan; his daughter Caroline Nichols MacFarlan Bunker; Christie’s, New York, Highly Important American Furniture from the Collection of Mr. C. Ray Franklin, October 13, 1984, sale 5736, lot 457 (accompanied by a copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, October 25, 1984

Estimate: $10,000 - $15,000

This table is illustrated in American Collector, vol. 8, no. 4, May 1939, p. 4, Nancy McClelland, Duncan Phyfe and the English Regency, (New York, 1939), pp. 142-3, 165, plates 121 and 122, and Peter M. Kenny, Michael K. Brown, Frances F. Bretter, and Matthew A. Thurlow, Duncan Phyfe: Master Cabinetmaker in New York, (New York: Metropolitan Museum of Art, 2011) pp. 31, 168-9, fig. 23 pl. 7. Exhibited at the Metropolitan Museum of Art, New York, Duncan Phyfe: Master Cabinetmaker in New York, December 2011-May 2012 and Museum of Fine Arts, Houston, June to September 2012.

13◉

Very Fine and Rare Classical Carved, Inlaid, Parcel Gilt, and Vert Antique Mahogany Pembroke Table New York, circa 1815, attributed to Duncan Phyfe (1768-1854), poplar, maple, and chestnut secondary, paw form feet on casters, 28-1/2 x 25 x 39-3/4 in., opens to 48-1/2 in.

Provenance: probalby Miss Louisa Throop (daughter of Governor Enos Throop) of New York; Virginia F. White Interiors, Atlanta, Georgia, March 1987 (accompanied by copy of receipt)

Estimate: $15,000 - $25,000

This table appears to be illustrated in Nancy McClelland, Duncan Phyfe and The English Regency: 1795-1830, (New York: William R. Scott Inc., 1939), p. 296, pl. 287. Another nearly identical table is illustrated in Peter M. Kenny, Michael K. Brown, Frances F. Bretter and Matthew A. Thurlow, Duncan Phyfe: Master Cabinetmaker in New York, (New York: The Metropolitan Museum of Art, 2011), pp. 186-7, pl. 19.

14 Russian Imperial Porcelain Leaf Plate, Catherine the Great late 18th century, Catherine II monogram, floral, gilt rim, twig handle, 2-1/4 x 7-5/8 x 9-1/4 in.

Provenance: Leo Kaplan Ltd., New York, August 1987 (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, November 1987 (accompanied by copy of receipt)

Estimate: $400 - $600

Pair of Imperial Russian Porcelain Korbievsky Service Plates 19th century, marked HII for Nicholas II, burgundy leaves, gilt vines, floral sprays, larger 1-3/4 x 13 x 13 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, October 1990 (accompanied by copy of receipt)

Estimate: $1,000 - $1,500

A similar plate from the service can be seen in the collection of the Cleveland Museum of Art, object number 1919.209.

Three Rare Chinese Export Botanical Porcelain Plates, after Maria Sibylla Merian circa 1735, underglaze blue, rouge-de-fer, gilt highlights, floral ribbons, central botanical scene with caterpillars and butterfly, 1 x 9-1/4 x 9-1/4 in.

Provenance: (two) Earle D. Vandekar, New York, April 1985 (accompanied by copy of invoice); Virginia F. White Interiors, Atlanta, Georgia, April 1985 (accompanied by copy of receipt)

Estimate: $2,000 - $4,000

A similar example is illustrated in David Howard, China for the West, Volume I, p. 304, no. 298. “The central picture is in the style of the Swiss-Dutch botanist Maria Sybille [sic] Merian (1646-1717) who in 1698 travelled from Holland to the Dutch West Indies where she collected specimens and made drawings for a book, first published in 1705 as Metamorphosis Insectorum Surinamensium...” (Howard).

Chinese Export Porcelain Libation Cup and Saucer, ex. Mottahedeh Collection, circa 1775, rhinoceros horn form cup, saucer, floral and squirrel decoration, cup 2-3/4 x 5-1/8 x 3-1/2 in., saucer 1 x 6-7/8 x 5-3/8 in.

Provenance: Sotheby’s, New York, Important Chinese Export Porcelain from the Mottahedeh Collection, January 30, 1985, Lot 108 (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia

Estimate: $1,000 - $2,000

A similar example is illustrated in David Howard, China for the West, Volume I, p. 186, no. 184.

Exhibition: The Virginia Museum, 1981-82

Chinese Export Pseudo-Armorial Porcelain Plate 18th century, possibly Jesuit, bianco-sopra-bianco, gilt rims, grisaille scene, putti, banner “Amoris Domitrix Invidia”, 1-1/8 x 10 x 10 in.

Estimate: $800 - $1,200

This plate appears to be from a service which sold at Christies, New York, Collections: Including the Property of the Earl of Harewood and from a Private Roman Apartment Overlooking the Tiber, October 9-23, 2024, Lot 154. In their cataloging they note, “...Their meanings are unknown, though it is possible they may have Jesuit significance (see D. S. Howard, The Choice of the Private Trader, London, 1994, no. 139, pp. 132 and 133 where a strainer and dish from this service, in the Hodroff Collection, is illustrated).”

Rare Classical Carved and Figured Mahogany Tilt Top Candle Stand New York, circa 1815, attributed to Duncan Phyfe, paw form feet with casters, carved hair and acanthus legs, 28-3/4 x 19 x 27-3/4 in.

Provenance: Harry Arons, Connecticut; Sotheby’s January 29, 1983 lot 387

Estimate: $7,000 - $9,000

Pair of Large Fine Glass Hurricane Shades American or English, 19th century, cut with Classical columns and floral swags, approx. 21 x 9 x 9 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, March 1990 (accompanied by copy of receipt)

Estimate: $3,000 - $5,000

21 A Large and Impressive Gilt Decorated Cornelius & Co. Six Light Rococo Revival Chandelier American, dated 1843, brass, etched glass globes, reservoirs marked and patented “Cornelius & Co. ... 1843”, approx. 39 x 39 x 48-1/4 in.

Estimate: $4,000 - $6,000

22 Classical Carved and Figured Mahogany Pembroke Table New York, attributed to the school of Duncan Phyfe, circa 1815, poplar secondary, triple lobed table top, brass wheeled paw feet, 29-1/2 x 24 x 38-3/4 in., opens to 50 in.

Provenance: Joe Kindig, Jr.; Sotheby’s January 29, 1983 lot 380

Estimate: $10,000 - $15,000

Classical Carved Mahogany Sofa Table

New York, circa 1815, attributed to the school of Duncan Phyfe, lyre form supports, brass paw form casters, with key and detachable mahogany bookstay, 28-3/4 x 37-1/4 x 21 in., opens to 56-1/2 in.

Provenance: Edward V. Jones, Albany, Georgia; Mr. Charles O. Smith, Jr., Moultrie, Georgia, Sotheby’s, New York, Important American Furniture and Related Decorative Arts, January 27, 1983, sale 5001, lot 403; Virginia F. White Interiors, Atlanta, Georgia, March 1983 (accompanied by copy of receipt)

Estimate: $3,000 - $5,000

24 Classical Giltwood and Eglomise Paneled Looking Glass with Sunflower Motif, New York, circa 1815, white pine secondary, 50-1/2 x 27-3/4 in.

Provenance: Deanne Levison American Antiques, August 1987 (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, August 1987

Estimate: $1,500 - $2,500

Unusual Pair of Derby Topographical Covered Porcelain Fruit Coolers late 18th/early 19th century, urn form with loop handles, painted landscapes by Thomas ‘Jockey’ Hill, Royal Crown Derby marks, 13 x 10-3/4 x 9 in.

Provenance: Sotheby’s (tag)

Estimate: $1,500 - $2,500

Accompanied by a write up containing a description of Pattern 262 and information on Thomas ‘Jockey’ Hill, referencing the book Derby Porcelain by John Twitchett, pg. 136 and 245.

Pair of Early Classical Carved and Painted Giltwood Wall Brackets New York, probably early 19th century, demilune platform, acanthus leaves, carved bows, later hardware, approx. 17-5/8 x 14 x 7-1/4 in.

Provenance: Israel Sack, Inc., New York, New York, August 1985 (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, August 1985 (accompanied by copy of receipt)

Estimate: $3,000 - $4,000

x 77 x 32 in.

Provenance: Collection of Edward Vason Jones; Virginia F. White Interiors, Atlanta, Georgia, February 1985 (accompanied by copy of receipt)

Estimate: $5,000 - $10,000

This sofa is illustrated in Edward V. Jones, “Charles-Honoré Lannuier and Duncan Phyfe, Two Creative Geniuses of Federal New York,” American Art Journal, vol. 9, no. 1, May 1977, fig. 10.

Fine Classical Carved Mahogany Compass Seat Sofa New York, circa 1815, attributed to the school of Duncan Phyfe, brass paw front feet, yellow upholstery, 37-1/2

Important Classical Carved, Figured, and Parcel Gilt Mahogany Breakfront New York, circa 1815, attributed to Duncan Phyfe (1768-1854), composed of six separate sections, appears to retain its original cast brass lion’s head pulls, poplar and white pine secondary, paw feet, electrified, 108 x 71 x 21-1/2 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, July 1984 (accompanied by copy of receipt)

Estimate: $60,000 - $90,000

One other related secretary bookcase (that descended in the Telfair family of Savannah, Georgia) has a related open arched pediment and is illustrated in Peter M. Kenny, Michael K. Brown, Frances F. Bretter, and Matthew A. Thurlow, Duncan Phyfe: Master Cabinetmaker in New York, (New York: Metropolitan Museum of Art, 2011) pp. 124-5, fig. 155.

Large Paris Porcelain Green and Gilt Vase 19th century, green ground, lion’s head handles, approx. 18-3/4 x 13-1/4 x 11 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, December 1988 (accompanied by copy of receipt)

Estimate: $800 - $1,200

Pair of Derby Porcelain Ewers and Spode Vase English, 19th century, apple green ground, gilt highlights; Derby ewers, 5-3/4 x 5-3/4 x 5-1/2 in.; Spode vase, riverscape with ducks, 6-1/2 x 4-3/4 x 4-3/4 in.

Provenance: (ewers) Virginia F. White Interiors, Atlanta, Georgia, June 1987 (accompanied by copy of receipt); (vase) Hart Adams Antiques, London, England (accompanied by copy of receipt)

Estimate: $600 - $900

31 Flight Barr & Barr Small Lidded Gilt Porcelain Urn with Hand Painted Flowers, English, early 19th century, gilt dolphin supports, pale green ground, floral band, flame finial, 7-3/4 x 4-1/2 in.

Provenance: Sotheby’s (label)

Estimate: $800 - $1,200

32◉

Very Fine Classical Figured and Inlaid Mahogany Work Table New York, circa 1815, attributed to Duncan Phyfe (1768-1854), appears to retain its original ivory drawer pulls, poplar and mahogany secondary, with fitted desk interior, brass paw form casters, with key, 301/2 x 26-1/4 x 14 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, June 1984 (accompanied by copy of receipt)

Estimate: $8,000 - $12,000

Rare and Exceptional Pair of Classical Giltwood Looking Glasses with Eagle Finials Boston, circa 1820, retaining their original gilding and mirror plates, 72 x 40-1/2 in.

Provenance: Ginsburg & Levy, Inc., New York; Mr. Charles O. Smith, Jr., Moultrie, Georgia; Sotheby’s, New York, Important American Furniture and Related Decorative Arts, January 27, 1983, sale 5001, lot 359 (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia

Estimate: $40,000 - $60,000

Exhibited: According to William R. Mitchell, Jr.’s book on Edward Vason Jones, these mirrors were exhibited at the Metropolitan Museum of Art, ( n.d.) Mitchell, William R., and Van Jones Martin. 1995. Edward Vason Jones, 1909-1980 : Architect, Connoisseur, and Collector. [Savannah, Ga.], Athens, GA: Martin-St. Martin Pub. Co. ; Distributed by the University of Georgia Press, page 125.

Fine Classical Carved Mahogany Bedstead

New York, circa 1815, attributed to the school of Duncan Phyfe, with original maple rails and headboard, 89-3/4 x 60-3/4 x 78-1/4 in., bed interior 73 x 54-1/4 in.

Provenance: By descent in the McCoy family of Philadelphia, Pennsylvania; Francis Bealey American Arts, Essex, Connecticut, March 1985; Virginia F. White Interiors, Atlanta, Georgia, March 1985 (accompanied by copy of receipt)

Estimate: $6,000 - $8,000

Classical Figured Mahogany Ladies’ Writing Firescreen, New York, circa 1815, attributed to Duncan Phyfe (1768-1854), white pine, ash, and cherrywood secondary, brass casters, with key, 49-3/8 x 25-1/2 x 19-1/2 in.

Provenance: By descent in the Iselin family, New York; Francis Bealey American Arts, Essex, Connecticut; Virginia F. White Interiors, Atlanta, Georgia, September 1986 (accompanied by copy of receipt)

Estimate: $4,000 - $6,000

For a very closely related example, see Peter M. Kenny, Michael K. Brown, Frances F. Bretter, and Matthew A. Thurlow, Duncan Phyfe: Master Cabinetmaker in New York, (New York: Metropolitan Museum of Art, 2011)

Three Yellow Two Light Toleware Sconces possibly French, probably 19th century, yellow ground, black transfer military and architecture scenes, with shades, approx. 11-3/4 x 14 x 7 in.

Estimate: $200 - $400

Pair of George III Period Cachepots, with Coalport Church Gresley Teacup and Saucer, English, pair of porcelain cachepots, yellow ground, floral decoration, 4-3/4 x 5-1/4 x 4-3/4 in.; similarly decorated large porcelain teacup and saucer, cup 2-3/4 x 5 x 4-1/2 in., saucer 1-1/2 x 6-3/8 x 6-3/8 in.

Provenance: (cachepots) Virginia F. White Interiors, Atlanta, Georgia, December 1987 (accompanied by copy of receipt)

Estimate: $600 - $900

Four English Green and Gilt Porcelain Table Objects 19th century, emerald ground vases with gilt, floral cartouches; Derby dish with apple green ground, gilt rim, largest 5-1/4 x 2-3/4 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, June/November 1987 (accompanied by copy of receipts)

Estimate: $200 - $400

39 Rare

York

Highly Figured

and Brass

Press with large paper label for Michael Allison, May 1817, fitted interior with drawers and linen slides, poplar, pine and oak secondary, 79-1/4 x 53 x 27-1/4 in.

Provenance: Berry B. Tracy; Sotheby’s, February 1, 1985 lot 776

Estimate: $20,000 - $30,000

New

Classical

Mahogany

Mounted French

40 Severin Roesen

(German/America, c. 1815-1871)

Nature’s Bounty, signed lower right “Roesen”, originally stamped verso “Nature’s Bounty”, oil on canvas, 30-1/2 x 41 in.; fine reproduction gilt wood frame, 37-3/4 x 47 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, July 7, 1984, (lot is accompanied by a receipt)

Estimate: $28,000 - $48,000

According to Judith O’Toole, the renowned expert on Severin Roesen, “This painting is a prime example of Roesen’s work showing a bountiful selection of fruits arranged on two marble tiers and including his signature in the form of a grape tendril.”

41 Jasper Francis Cropsey (American 1823-1900)

View of Stoke Poges, signed lower right “J.F. Cropsey 1886”, oil on canvas, 14 x 26 in.; fine period carved gilt wood frame, 25-1/4 x 36-1/4 x 3-1/4 in.

Provenance: Ortgies & Co., New York, March 31, 1887, lot 62, as The Curfew Hour, Stoke Poges, 14 x 26 in.; Kennedy Galleries, New York, by 1966, as Stoke Poges Church; Parke-Bernet Galleries, Inc., New York, January 28-29, 1970, lot, 89, as The Church at Stoke Pogis [sic], and dated 1863; Richard and Gloria Manney, Irvington, NY, 1970; Alexander Gallery, New York, 1978; Don Purdy, Wilton, CT, 1978; M.Knoedler & Company, New York, 1978-79, as Stoke Poges; Hammer Galleries, New York; Spanierman Gallery, New York, as Stoke Poges; Sotheby’s, New York, November 30, 1989, lot 30, as View of Stoke Poges; Virginia F. White Interiors, Atlanta, Georgia, January 3, 1989, (accompanied by a copy of the receipt)

Estimate: $30,000 - $50,000

Literature: Cropsey, Jasper Francis, Kenneth W. Maddox, and Newington-Cropsey Foundation. 2013. Jasper Francis Cropsey : Catalogue Raisonné: Works in Oil. Edited by Anthony M. Speiser. Hastings-on-Hudson, NY: Newington-Cropsey Foundation, Volume III, NCF 253, as unlocated.; “Mr. Cropsey’s Pictures,” New York Times, March 31, 1887, p. 4; “In Search of the Picturesque,” The Kennedy Quarterly 6 (April 1966): 27, illus., as Stoke Poges Church.

The New York Times, in its description of the Ortgies sale, noted that “there are two views of Stoke Pogis [sic] Church, near which Gray of the Elegy lies buried, both from the same side and both dated 1886. Yet one [this painting’s] has the old gray square tower by the church, while the other [Stoke Poges Churchyard, 1886 (NCF 209)] shows a steeple on the tower. No explanation of this change in the chief object of the landscape is vouchsafed by the catalogue.”

42 Fine Assembled Set of 12 Carved and Figured Mahogany Klismos Side Chairs New York, circa 1815, ash secondary, saber legs, cornucopia backs, fine green silk upholstery with embroidered bees, 31-3/4 x 18-1/2 x 19 in.

Estimate: $6,000 - $8,000

Federal Figured Mahogany Two Part Dining Table

New York, circa 1815, attributed to Duncan Phyfe (1768-1854), white pine and maple secondary, brass casters, 28-1/2 x 56-1/2 x 87-5/8 in., together with a reproduction six leg drop leaf table, opens to 153-3/8 in.

Provenance: Purportedly purchased from the family of the original owner; Collection of Walter Vogel, Rochester, New York; Collection of Berry Tracy (1976); Israel Sack, Inc., New York (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, May 1983

Estimate: $3,000 - $5,000

This table is illustrated in American Antiques from Israel Sack Collection, vol. 7, (Washington, DC: Highland House Publishers), p. 1887, pl. P5118. A very closely related three part table is in the collection of Boscobel and is illustrated in Berry B. Tracy, The Federal Furniture and Decorative Arts at Boscobel, (New York: Boscobel Restoration: Abrams, 1981), p. 68-9, no. 43.

Classical Carved and Figured Mahogany Pembroke Table

New York, circa 1815, in the manner of Charles Honore Lannuier, poplar, white pine, and chestnut secondary, scrolled feet, brass casters, 29-1/4 x 25-1/2 x 38-1/2 in., opens to 50-1/2 in.

Provenance: R.T. Trump and Co., Flourtown, Pennsylvania; Sotheby’s, New York, Important Americana, January 24-27, 1990, sale 5968, lot 1158; Virginia F. White Interiors, Atlanta, Georgia, Februrary 1990 (accompanied by copy of receipt)

Estimate: $5,000 - $8,000

Three English Porcelain Cornucopia Vases, Chamberlain and Coalport, 19th century, Coalport vases with bird heads and flowers; Chamberlain Worcester with shell base, largest 7-1/4 x 4 x 8 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, July 1987 (accompanied by copies of receipts)

Estimate: $500 - $700

Pair of Green Enamel and Gilt English Porcelain Vases, and Two Plates, 19th century, Minton attributed vases, shaped rims, acanthus handles, 10-1/4 x 6 x 5-1/2 in.; 19th century, Minton attributed plates, floral motifs, 1-1/2 x 10 x 9 in.

Provenance: (vases) Virginia F. White Interiors, Atlanta, Georgia, July 1987 (accompanied by copy of receipt)

Estimate: $400 - $600

13 Piece Green and Gilt Porcelain Coffee Service possibly Russian, 19th century, jade green ground, embossed gilt, insect mark, coffee service set, largest 7-1/4 x 7 x 3-1/2 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, December 1987 (accompanied by copy of receipt)

Estimate: $400 - $600

Classical Figured Mahogany Tambour Work Table New York, circa 1815, attributed to Duncan Phyfe (17681854), poplar secondary, brass paw form casters, 28 x 35-1/4 x 18 in.

Provenance: R.T. Trump, Philadelphia, Pennsylvania; Mr. Charles O. Smith, Jr., Moultrie, Georgia; Sotheby’s, New York, Important American Furniture and Related Decorative Arts, January 27, 1983, sale 5001, lot 402; Virginia F. White Interiors, Atlanta, Georgia, March 1983

(accompanied by copy of receipt)

Estimate: $2,000 - $3,000

Four Green Enamel and Gilt Porcelain Table Objects English, 19th century, Mintons trophy cups on plinths, floral motifs, marks to bases, 4-3/4 x 5-5/8 x 3-7/8 in.; probably French, 19th century, pair of footed candlesticks, butterfly motifs, 10-1/4 x 5-1/2 x 5-1/2 in.

Provenance: (trophy cups) Hart-Adams Antiques Inc., Nashville, Tennessee, November 1983 (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, December 1987 (accompanied by copy of receipt); (candlesticks) Virginia F. White Interiors, Atlanta, Georgia, November 1987 (accompanied by copy of receipt)

Estimate: $600 - $900

Sevres Napoleon I ‘Marly Rouge’ Porcelain Plate circa 1808, hand painted enamel and gilt, Acraea violarum butterfly on light blue ground, floral wreath bands, gilt rim, the base marked “M.Imp.le de Sevres 8”, 1-1/4 x 9-1/4 x 9-1/4 in.

Estimate: $10,000 - $15,000

These plates belong to an over 270 piece dessert service ordered for Napoleon I at the chateau de Compiegne but delivered to Fontainebleau, on October 11, 1809. A portion of this service was sold at Christies, New York, The Collection of Peggy and David Rockefeller: English & European Furniture, Ceramics and Decorations, Part I, May 9, 2018, Lot 118 for $1,812,500.

Provenance: Sotheby’s, New York, January 1988, sale 2130, lot 494; Virginia F. White Interiors, Atlanta, Georgia, January 1988

(accompanied by copy of receipt)

Estimate: $5,000 - $10,000

and

9-1/4 in.

Estimate: $10,000 - $15,000

51 Sevres Napoleon I ‘Marly Rouge’ Porcelain Plate dated 1809, hand painted enamel

gilt, garden tiger moth on blue ground, floral wreath bands, gilt rim, the base marked “M.Imp.le de Sevres 1809”, 1-1/4 x 9-1/4 x

Classical Carved and Figured Mahogany and Brass Inlaid Games Table, New York, circa 1815, attributed to Duncan Phyfe (1768-1854), poplar secondary, brass paw form casters, 28 x 35-1/4 x 18 in.

53 Albert Bierstadt (American, 1830-1902)

Sunset on the Coast, 1866, signed and dated lower right “ABierstadt 1866”, oil on canvas, 22 x 30 in.; fine period carved gilt wood frame, 30-1/4 x 38-1/4 x 3 in.

Provenance: Mr. and Mrs. Ralph Meyer, Fort Wayne, Indiana; Vose Galleries, Boston, MA (label verso); Sotheby’s, New York, NY, December 6, 1984, lot #77; Virginia F. White Interiors, Atlanta, Georgia, January 1985

Estimate: $100,000 - $200,000

This work is included in the database for the Albert Bierstadt Catalogue Raisonné Project.

54 Albert Bierstadt (American, 1830-1902)

Lake Tahoe, signed lower left “ABierstadt”, also inscribed with title and other partially legible information on stretcher verso (see note), oil on paper mounted on canvas, 13-1/4 x 19 in.; period carved gilt wood frame, 23 x 28-1/2 in.

Provenance: Sotheby’s, New York, October 26, 1984, lot 85; Virginia F. White Interiors, Atlanta, Georgia, (lot is accompanied by receipt)

Estimate: $70,000 - $90,000

This work is included in the database for the Albert Bierstadt Catalogue Raisonné Project.

55 Albert Bierstadt (American, 1830-1902)

Lake Mary, California, signed lower right “ABierstadt”, oil on paper mounted on canvas, 19 x 26-3/4 in.; fine period carved gilt wood frame, 31-3/4 x 40 in.

Provenance: Sotheby’s, New York, NY, October 26, 1984, lot #40; Virginia F. White Interiors, Atlanta, Georgia

Estimate: $60,000 - $80,000

This work is included in the database for the Albert Bierstadt Catalogue Raisonné Project. Prior to conservation in the 1980s, there had been an inscription on the stretcher that read “Lake Mary.” Lake Mary is east of Yosemite National Park, near Mammoth Lakes and Devils Post National Monument.

56 Albert Bierstadt (American, 1830-1902)

Cala, Bay of Monterey, signed lower left “ABierstadt”, oil on paper mounted on Masonite, 13-3/4 x 18-3/4 in.; fine reproduction gilt wood frame, 20-3/4 x 25-3/4 x 2-1/4 in.

Provenance: Kennedy Galleries, New York, NY, 1960; Maxwell Galleries, San Francisco, California, n.d. (label verso); Carmel Museum of Art, Carmel, California; Private Collection; Hirschl & Adler, New York, NY, 1982; Virginia F. White Interiors, Atlanta, Georgia, (lot is accompanied by receipt)

Estimate: $30,000 - $50,000

This work is included in the database for the Albert Bierstadt Catalogue Raisonné Project.

Exhibited: Kennedy Galleries, New York, NY, 1961

Diminutive Classical Carved and Figured

New York, circa 1815, cherry wood top, poplar secondary, paw feet, lion’s head brass pulls, with key, 44-1/2 x 45-1/2 x 19 in.

Provenance: Francis Bealey American Arts, Essex, Connecticut; Virginia F. White Interiors, Atlanta, Georgia, October 1990 (accompanied by copy of receipt)

Estimate: $3,000 - $5,000

Provenance: Chew Family Collection, Philadelphia; Virginia F. White Interiors, Atlanta, Georgia, November 1983 (accompanied by copy of receipt)

Estimate: $2,000 - $4,000

Mahogany Sideboard

58 Fine Pair of American Inlaid Birch Knife Boxes, The Chew Family circa 1810, serpentine front, hinged lid with conch shell inlay, silver mounts, divided interior, 14-1/2 x 9-1/2 x 11-3/4 in.

Pair of French Empire Style Gilt Bronze and Granite Urns mottled gray bodies with ormolu scroll and foliate mounts, artichoke finials, 15 x 6-1/2 x 5 in.

Estimate: $500 - $700

60 Rare Pair of Classical Giltwood and Eglomise Paneled Girandole Mirrors New York or England, 51-1/2 x 16-1/2 in.

Provenance: From descent in a Princeton, New Jersey Family; Virginia F. White Interiors, Atlanta, Georgia, May 4, 1989 (accompanied by copy of receipt)

Estimate: $5,000 - $8,000

61 Rare Classical Carved and Figured Mahogany and Ormolu Mounted Sofa Table New York, circa 1815, possibly by Michael Allison, poplar and white pine secondary, brass paw form casters and lion’s head pulls, lyre form supports, with associated key, 29-1/2 x 37-3/4 x 27 in., opens to 61-1/2 in.

Provenance: Sotheby’s, New York, Important American Furniture, Folk Art, Folk Paintings and Chinese Export Porcelain, October 24-25, 1986, sale 5500, lot 227; Virginia F. White Interiors, Atlanta, Georgia, December 1986 (accompanied by copy of receipt)

Estimate: $5,000 - $8,000

Classical Giltwood and Eglomise Paneled Looking Glass, New York, circa 1815, 56 x 22 in.

Provenance: Francis Bealey American Arts, Essex, Connecticut, March 1987 (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, April 1987

Estimate: $3,000 - $5,000

Nine English Burgundy and Gilt Porcelain Cabinet Plates, 19th century, gilt scrollwork, floral, butterfly, and landscape designs, largest 2 x 10-1/4 x 8-3/4 in.

Provenance: Atlanta Antiques Exchange (labels)

Estimate: $200 - $400

Large Flight, Barr & Barr Worcester Porcelain Urn 19th century, “Flight Barr & Barr/Royal Porcelain Worcester[?]/ London House/Coventry Street” inscribed to base, burgundy ground, pheasant scene, floral arrangement, forked handles, approx. 17-1/2 x 16-1/2 x 11-1/2 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, December 1984 (accompanied by copy of receipt)

Estimate: $1,000 - $2,000

Pair of Royal Bonn Cranberry and Gilt Porcelain Urn Form Vases German, late 19th/early 20th century, Franz Ant. Mehlem marks, floral cartouches signed “J. Muller”, 10-1/4 x 7-1/4 x 5-7/8 in.

Estimate: $200 - $400

Pair of Hand Painted Royal Vienna Covered Urns Austrian, 19th century, underglaze blue bindenschild, sky blue and burgundy, gilt trim, classical figures, 135/8 x 6-1/4 x 4-5/8 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, May 1991 (accompanied by copy of receipt)

Estimate: $400 - $600

Ten Assorted Burgundy and Gilt Porcelain Dishes 19th/20th century, French Empire plate; eight Wedgwood dinner plates; Monticello plate; largest 7/8 x 11-1/4 x 11-1/4 in.

Estimate: $100 - $300

Group of Three Floral Porcelain Plates probably 19th century, enamel and gilt; Wilson attributed dessert plate; Rosenthal China plate with poppy motif; Derby plate with centered Iris, Derby mark, largest 1-1/8 x 9-3/8 x 9-3/8 in.

Provenance: (Derby example) Brian Haughton Antiques, London (label)

Estimate: $100 - $300

Estimate:

Provenance: By descent in the Iselin family, New York; Francis Bealey American Arts, Essex, Connecticut, May 1984 (accompanied by copy of receipt)

Estimate: $3,000 - $5,000

70 Classical Carved and Figured Mahogany Dressing Table New York, circa 1815, white pine and mahogany secondary, appears to retain original brass hardware and turned urn form finials, brass ball feet, 72 x 36 x 18 in.

69 Large Classical Giltwood and Eglomise Paneled Over Mantel Looking Glass, America or England, 46 x 56-3/8 in.

$4,000 - $6,000

Very Rare Set of Four Carved and Figured Maple Klismos Side Chairs

Philadelphia, circa 1815, front legs with ball and paw feet, rear saber legs, 33-1/2 x 19 x 18 in.

Provenance: Israel Sack, Inc., New York, August 1987; Virginia F. White Interiors, Atlanta, Georgia, December 1987 (accompanied by copy of receipt)

Estimate: $10,000 - $15,000

These chairs are illustrated in American Antiques from Israel Sack Collection, vol. 7, (Washington, DC: Highland House Publishers Inc., 1983), p. 1972, no. P5236 and American Antiques from Israel Sack Collection, vol. 8, (Washington, DC: Highland House Publishers Inc., 1986), p. 2300, no. P5236. Another from the same set was exhibited and illustrated in James Biddle, American Art from American Collections, (New York: Metropolitan Museum of Art, 1963), no. 30. Related chairs are illustrated in Allison Boor, Philadelphia Empire Furniture, (West Chester, PA: Boor Management; Hanover, NH: Distributed by University Press of New England, 2006), p. 295, 303, figs. 152 and 159. A unique Philadelphia sideboard in the collection of Winterthur Museum has related legs and feet (see Charles Montgomery, American Furniture: The Federal Period in the Henry Francis du Pont Winterthur Museum, (New York: Bonanza Books, 1978), p. 366, no. 349).

Fine Classical Carved and Figured Mahogany Work Table

New York, circa 1815, attributed to the school of Duncan Phyfe, poplar secondary, with fitted writing desk interior, carved paw form feet on casters, legs and columns with acanthus motif, 31-1/4 x 25-1/4 x 15 in.

Provenance: From descent in the Cooley Family, Hartford, Connecticut; Virginia F. White Interiors, Atlanta, Georgia, February 1986 (accompanied by copy of receipt)

Estimate: $3,000 - $5,000

73 Federal Carved, Inlaid, and Figured Mahogany and Maple Two Piece Breakfront New York, circa 1815, possibly by Joel Curtis, white pine, poplar, and cherry wood secondary, brass finials, two globes and one eagle, together with five keys, appears to retain original stamped brass hardware, 96 x 49-1/4 x 21-1/2 in.

Provenance: Francis Bealey American Arts, Essex, Connecticut; Virginia F. White Interiors, Atlanta, Georgia, June 1986 (accompanied by copy of receipt)

Estimate: $7,000 - $10,000

74 Classical Gilt Wood Girandole Mirror, Israel Sack Provenance New York or England, circa 1815, electrified, 38 x 22 in.

Provenance: Israel Sack, Inc., New York, August 1987 (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, December 1987

Estimate: $3,000 - $5,000

Provenance:

Estimate:

75 Rare Set of Ten Classical Carved and Figured Tiger Maple Rushed Compass Seat Side Chairs New York, circa 1815, 33-1/2 x 17-1/2 x 18-1/4 in.

Sotheby’s, New York, Important American Furniture from the Collection of Berry B. Tracy, February 1, 1985, sale 5285, lot 753 (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, February 1985

$2,000 - $4,000

Fine Pair of Early Carved Giltwood Eagle Wall Brackets American, probably late 18th/early 19th century, probably cherry and white pine, eagles posed dexter and sinister en rocaille surmounted by oval platforms, approx. 14-3/4 x 10-1/2 x 8 in.

Provenance: Francis Bealey, Essex, Conznecticut, June 1987 (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, June 1987 (accompanied by copy of receipt)

Estimate: $6,000 - $9,000

Figured and Inlaid Mahogany Veneered Jewelry Case with Lithographic Scenes English, 19th century, nacre escutcheons, cast brass eagle, hidden compartment at top, with key, 19-3/4 x 17-3/8 x 12-1/8 in.

Estimate: $600 - $900

78 Classical Mahogany and Parcel Gilt Looking Glass probably New York, 34-1/4 x 17-3/5 in.

Provenance: Christie’s, New York, lot 75 (label)

Estimate: $300 - $500

79 Pair of Fine Regency Gilt Bronze and Glass Candelabra, English, early 19th century, eagles supporting scrolled candle branches, glass pendants, gilt base, flame finials, 14-1/2 x 13-1/2 x 3-5/8 in.

Provenance: Sotheby’s, New York, Important English Furniture, Decorations, Ceramics and Carpets, sale 5426, January 1986; Virginia F. White Interiors, Atlanta, Georgia, March 1986 (accompanied by copy of receipt)

Estimate: $600 - $900

Pair of Classical Rush Seat ‘Fancy’ Paint Decorated Eagle Splat Side Chairs, Massachusetts, circa 1825, 33-1/2 x 16-1/2 x 15 in.

Estimate: $300 - $500

81 Thomas Moran (American, 1837-1926)

Pacific Sunset, 1907, signed and dated lower left “TMoran 1907”, oil on canvas, 30 x 40-1/4 in.; fine ornate (vintage not period) carved gilt wood frame, 40 x 50 in.

Provenance: Christie’s, New York, NY, May 31, 1985, lot #43; Virginia F. White Interiors, Atlanta, Georgia, June, 1985, (accompanied by receipt)

Estimate: $80,000 - $120,000

This painting will be included in Stephen L. Good, Phyllis Braff and Melissa Webster Speidel’s forthcoming catalogue raisonné of the artist’s work.

82 Thomas Moran (American, 1837-1926)

Caledonia, Stern and Wild, 1919, signed and dated lower right “TMoran 1919”, oil on canvas, 16-1/4 x 20-1/4 in.; fine reproduction gilt wood frame, 24 x 28 in.

Provenance: Christie’s, New York, NY, May 31, 1985, lot #103A; Rainone Galleries, Arlington, Texas (n.d., label verso); Kennedy Galleries, New York, NY, (presumably, label verso)

Estimate: $30,000 - $50,000

This painting will be included in Stephen L. Good, Phyllis Braff and Melissa Webster Speidel’s forthcoming catalogue raisonné of the artist’s work.

John William Casilear (American, 1811-1893)

Mountain Lake, 1861, signed and dated lower right “JWC ‘61”, oil on canvas, 19 x 30 in.; period carved gilt wood frame, 271/2 x 38-1/4 in.

Provenance: Sotheby’s, New York, NY, October 26, 1984; Virginia F. White Interiors, Atlanta, Georgia, November 8, 1984

Estimate: $8,000 - $12,000

Very Rare Set of Six Classical Carved and Brass Inlaid Mahogany and Rosewood Klismos Side Chairs Philadelphia, circa 1815, ash secondary, ball and paw feet, gold upholstery with floral motif, 34 x 15-1/2 x 22 in.

Provenance: Estate of Francis P. Garvan; Property of The Johns Hopkins University proceeds to be used for the restoration of the house of Charles Carroll, Jr. “Homewood,” Baltimore, Maryland; Christie’s, New York, Important American Furniture, Silver and Decorative Arts, June 2, 1983, sale 5370, lot 344; Virginia F. White Interiors, Atlanta, Georgia, June 9, 1983 (accompanied by a copy of receipt)

Estimate: $12,000 - $18,000

These chairs are illustrated in Nancy McClelland, Duncan Phyfe and the English Regency, 1795-1830, (New York, 1939), p. 243, pl. 231.

85 Rare Classical Figured Mahogany Canterbury New York, circa 1815, white pine and poplar secondary, brass casters, original glass pulls, 18-1/2 x 21 x 14 in.

Provenance: Israel Sack, Inc., New York, February 10, 1983 (accompanied by copy of receipt)

Estimate: $2,500 - $3,500

Substantial Pair of Neoclassical Gilt Bronze Six Light Candelabra Lamps, French, 19th century, after PierrePhilippe Thomire, bases stamped “Thomire”, 36 x 8 x 8 in., wired for electricity

Estimate: $800 - $1,200

Classical Carved, Inlaid, and Figured Mahogany Chest of Drawers, Massachusetts, circa 1815, 38-3/4 x 43 x 19 in.

Provenance: Gerard R. Brown Antiques & Interior Design, Atlanta, Georgia, August 1983 (accompanied by a copy of receipt)

Estimate: $600 - $900

89 Classical Figured Maple and Mahogany Work Table New York, circa 1815, white pine secondary, brass ball feet and pulls, 28-1/4 x 16-1/4 x 19 in., opens to 35 in.

Provenance: Side of drawer with label inscribed R.L. Mitchell Antiques

Estimate: $500 - $700

87 Classical Gilt Wood Girandole Mirror with Timepiece English, circa 1815, dial inscribed “K AGNEW, MANCHESTER”, 48 x 39 in.

Provenance: Joe Kindig, Jr., York, Pennsylvania; Mr. Charles O. Smith, Jr., Moultrie, Georgia, Sotheby’s, New York, Important Americana: Furniture and Decorative Arts, January 27, 1983, sale 5001, lot 392 (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, March 1983

Estimate: $4,000 - $6,000

Rare Classical Mahogany Drum Table Maryland, circa 1815, yellow pine and poplar secondary, brass casters, 30 x 24 x 24-3/8 in.

Provenance: Israel Sack, Inc., New York, September, 1987 (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, December 1987

Estimate: $3,000 - $5,000

This table is illustrated in American Antiques from Israel Sack Collection, vol. 8, (Washington, DC: 1986), p. 2382, no. P5835.

Very Fine and Rare Pair of Classical Brass Inlaid and Ormolu Mounted Rosewood Games Tables Boston, circa 1815, attributed to John Seymour (1738-1818) and/or Thomas Seymour (1771-1848), white pine secondary, brass paw form casters, lyre form supports, appear to retain original baise lining on top of rails, 30-3/4 x 36 x 17-5/8 in., opens to 35-3/8 in.

Provenance: Gary Carlisle, New York; Bernard & S. Dean Levy, Inc., New York, August 1987; Virginia F. White Interiors, Atlanta, Georgia, January 1988 (accompanied by copy of receipt)

Estimate: $30,000 - $50,000

A nearly identical table is illustrated in Boston on the Age of Neoclassicism, Hirschl & Adler Galleries, 1999, catalog no. 9.

Classical Carved, Inlaid and Figured Mahogany and Birchwood Bedstead, Boston, circa 1815, attributed to John Seymour (1738-1818) and/or Thomas Seymour (1771-1848), with original maple rails, 84 x 58 x 78 in.

Provenance: Bernard & S. Dean Levy, Inc., New York, August 1987; Virginia F. White Interiors, Atlanta, Georgia, January 1988 (accompanied by copy of receipt)

Estimate: $5,000 - $7,000

This bed is illustrated in Bernard & S. Dean Levy, Inc., untitled, vol. IV, (New York: 1988), p. 198.

Classical Mahogany Parcel Gilt and Eglomise Paneled Looking Glass, probably Salem, Massachusetts, attributed to the school of Samuel McIntire, white pine secondary, 51-1/2 x 23-1/2 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, June 1983 (accompanied by copy of receipt)

Estimate: $2,500 - $3,500

Federal Inlaid and Figured Mahogany, Rosewood, and Birchwood Games Table Boston or Essex County, Massachusetts, circa 1805, white pine secondary, 29-1/2 x 36 x 17-3/4 in., opens to 35-1/2 in.

Provenance: Gerard R. Brown Antiques & Interior Design, Atlanta, Georgia, August 1983 (accompanied by a copy of receipt)

Estimate: $1,000 - $2,000

◉

Federal Inlaid and Figured Mahogany and Flame Birch Work Table

Boston, circa 1810, appears to retain its original ivory pulls, white pine secondary, green and gold tasseled bag, 26-3/4 x 18-1/2 x 15-1/2 in.

Provenance: Bernard & S. Dean Levy, Inc., New York, August 1987; Virginia F. White Interiors, Atlanta, Georgia, January 1988 (accompanied by copy of receipt)

Estimate: $3,000 - $5,000

This table is illustrated in Bernard & S. Dean Levy Gallery, Inc., untitled, vol IV, (New York, 1988) p. 199.

Classical Figured Mahogany and Brass Mounted Work Table

Boston, circa 1815, attributed to John Seymour (1738-1818) and/or Thomas Seymour (1771-1848), chestnut secondary, lyre form supports, brass paw form casters, 31-1/2 x 28-1/2 x 18 in., opens to 36 in.

Provenance: Christie’s, New York, January 20, 1989; Virginia F. White Interiors, Atlanta, Georgia, January 26, 1989 (accompanied by copy of receipt)

Estimate: $6,000 - $9,000

A closely related sewing table attributed to Seymour is illustrated in American Antiques from Israel Sack Collection, vol. IV, (Washington, DC: Highland House Publishers), p. 1041, no. P3894. Another similar sewing table was sold on November 28, 1976 at Carl Stinson, Auctioneer, Andover, Massachusetts.

Rare Federal Inlaid and Figured Mahogany and Maple Marble Top Tambour Basin Stand, Boston, circa 1805, attributed to John Seymour (1738-1818) and/or Thomas Seymour (1771-1848), white pine secondary, gray and white veined marble top, robin’s egg blue painted interior, brass carrying handles, 32-1/2 x 19-1/4 x 18-1/4 in.

Provenance: Noah Worcester (1758-1837), Salisbury, Hillsborough Co., New Hampshire; Sotheby’s, New York, Important Americana including Furniture, Folk Art and Folk Paintings, Prints, Silver and Carpets, January 28-31, 1987, sale 5551, lot 1365A; Virginia F. White Interiors, Atlanta, Georgia, February 1987 (accompanied by copy of receipt)

Estimate: $8,000 - $12,000

Federal Inlaid and Figured Mahogany and Maple Writing Table

Boston, Massachusetts, circa 1805, attributed to the school of John and/or Thomas Seymour (1771-1848), appears to retain its original lion’s head brass pulls, white pine and chestnut secondary, 28 x 17-1/2 x 22-1/2 in.

Provenance: Ginsburg & Levy, New York; Sotheby’s, January 29, 1983 lot 400

Estimate: $2,500 - $3,500

100

99◉

Federal Inlaid and Figured Mahogany and Birchwood Tambour Desk, probably Portsmouth, circa 1805, white pine secondary, brass drawer pulls stamped HJ, with three keys, 59-1/2 x 44-1/4 x 24 in.

Provenance: Israel Sack, Inc. American Antiques, New York, February 1982; Virginia F. White Interiors, Atlanta, Georgia, 1982 (accompanied by copy of receipt)

Estimate: $5,000 - $8,000

Federal Inlaid and Figured Mahogany and Maple Games Table possibly Beverly, Massachusetts, possibly by Ebenezer Smith (w. 1804-5), circa 1805, pine secondary, inscribed in chalk on underside of top E. Smith, 29-1/4 x 35-3/8 x 17-1/4 in., opens to 34-1/2 in.

Provenance: Francis Bealey American Arts, Essex, Connecticut, June 1985, (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, June 1985

Estimate: $2,000 - $3,000

Federal Inlaid and Figured Mahogany and Maple Sideboard Boston, circa 1805, attributed to the school of John and/or Thomas Seymour (1771-1848), 43-1/4 x 56-3/4 x 25-1/2 in.

Provenance: John Chickering (1744-1807) of Charlestown, Massachusetts; his son John Chickering (1784-1840); his nephew Arthur Webster Tufts (1828-1892); his wife Anne Hooker Tufts; their niece Laura Capron Keith (1862-1946); her daughter Annie Hooker Keith (1895-1969); Laura Capon Beckvold; Virginia F. White Interiors, Atlanta, Georgia, January 1985 (accompanied by copy of receipt)

Estimate: $8,000 - $12,000

102

Rare Federal Mahogany Easy Chair New York, circa 1810, signed twice by the maker Isaac Goold, brass casters, with two cushions in fine silk matching upholstery, 46 x 33 x 26 in.

Provenance: The Abraham Van Wyck Family of Poughkeepsie, New York; Bernard & S. Dean Levy, Inc., New York (accompanied by a copy of receipt)

Estimate: $2,500 - $3,500

103

Pair of French Gilt Bronze and Marble Cassolettes 19th century, variegated bodies, ormolu ram’s heads, wreaths, and foliate mounts, artichoke finials, 17 x 6-1/4 x 4-3/4 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, November 1984 (accompanied by copy of receipt)

Estimate: $800 - $1,200

104

Pair of Gilt Adam or Style Wall Brackets English, 18th/19th century, carved wood with gesso gilt, foliate motif, 9-7/8 x 7-1/4 x 4-5/8 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, November 1987 (accompanied by copy of receipt)

Estimate: $800 - $1,200

106

Federal Inlaid and Figured Mahogany and Birchwood Serpentine Chest of Drawers, Massachusetts, circa 1810, white pine secondary, 38-1/2 x 43 x 22 in.

Estimate: $1,200 - $1,800

105

Classical Giltwood and Eglomise Paneled Looking Glass, New York, circa 1815, pine secondary, 45 x 181/2 in.

Estimate: $3,000 - $5,000

107

Federal Inlaid and Figured Mahogany, Rosewood, and Birchwood Games Table Boston or Essex County, Massachusetts, circa 1805, flame birch veneers, white pine secondary, turned feet, 29-3/4 x 36 x 17-1/2 in., opens to 35-1/4 in.

Provenance: Sotheby’s January 29, 1983 lot 366

Estimate: $1,500 - $2,500

◉

108

Very Fine and Rare Federal Inlaid and Figured Mahogany and Rosewood Sideboard Boston, circa 1810, attributed to John Seymour (1738-1818) and/or Thomas Seymour (1771-1848), with ivory key hole escutcheons, white pine and mahogany secondary, appears to retain its original cast brass stamped “HJ” for Hands and Jenkins, together with four early 19th century hand blown rectangular engraved glass bottles, 42-1/2 x 71-1/4 x 27-1/4 in.

Provenance: Descended in the Pratt Family of Roxbury and Dedham, Massachusetts; Bernard & S. Dean Levy, Inc., New York; Virginia F. White Interiors, Atlanta, Georgia, October 1984, (accompanied by copy of receipt)

Estimate: $20,000 - $30,000

This sideboard was illustrated in Bernard & S. Dean Levy, Inc., Distinguished American and English Antiques, vol. 3, p. 49. A related sideboard owned by Richard Crowninshield Derby of Salem, Massachusetts, is illustrated in Robert Mussey, The Furniture Masterworks of John & Thomas Seymour, catalog no. 40.

109

Near Pair of Federal Inlaid Mahogany Pembroke Tables, New York, circa 1805, attributed to Michael Allison (1773-1855), poplar secondary, one 29 x 20-1/2 x 31 in., opens to 38-1/2 in. and 28-1/2 x 20-1/2 x 30-3/4 in., 37-1/4 in.

Provenance: Israel Sack, New York; A New Jersey Collection; Milly McGehee Americana; Virginia F. White Interiors, Atlanta, Georgia, April 1983 (accompanied by copy of receipt)

Estimate: $3,000 - $5,000

This near pair of tables is illustrated in Magazine Antiques, August 1947, p. 85.

110

Classical Carved Mahogany Swan Figural Easel circa 1830, 78 x 26-1/2 in.

Estimate: $1,500 - $2,500

A related easel is in the collection of the Museum of Fine Arts, Boston (acc. no. 64.19) and illustrated in Richard H. Randall, Jr., American Furniture in the Museum of the Fine Arts, Boston, (Boston: Museum of Fine Arts, Boston, MA, 1965), no. 216.

111

Federal Mahogany Easy Chair

New York, circa 1810, fine Brunschwig & Fils green silk upholstery with cream snowflakes, 46-1/2 x 36 x 29 in.

Provenance: Bernard & S. Dean Levy, Inc., New York, May 1986; Virginia F. White Interiors, Atlanta, Georgia, June 1986 (accompanied by copy of receipt)

Estimate: $2,000 - $3,000

112

Federal Inlaid and Figured Mahogany and Maple Server Essex County, Massachusetts, circa 1805, white pine secondary, appears to retain original brass hardware, 31 x 41 x 21-1/4 in.

Provenance: Property of a Louisiana Family; Christie’s, New York, Fine American Furniture, Silver, Folk Art and Decorative Arts, January 23, 1988, sale 6536, lot 406; Virginia F. White Interiors, Atlanta, Georgia, February 1988 (accompanied by copy of receipt)

Estimate: $2,500 - $3,500

114

Attributed to Mary Josephine Walters (New York, 1837-1883)

Lake Scene with Artist Sketching, after Asher Brown Durand (American, 1796-1886), apparently unsigned, oil on canvas, 21-1/4 x 28-3/4 in.; reproduction gilt wood frame, 25-3/4 x 33 in.

Provenance: Hirschl & Adler Galleries, New York, NY; Sotheby’s, New York, NY, January 28, 1983

Estimate: $1,000 - $2,000

116

Federal Mahogany Barrel Back Easy Chair Philadelphia, circa 1810, with two associated pillows, 45-1/2 x 30 x 20 in.

Estimate: 2,500 - $3,500

113

American School Landscape (American, 19th century)

The Path to the River, indistinctly signed lower right “Bloomfield(?)”, oil on canvas, 26 x 36 in.; fine reproduction carved gilt wood frame, 32 x 42-1/2 in.

Provenance: H. and R. Sandor, New Hope, Pennsylvania; Sotheby’s, New York, January 1983; Virginia F. White Interiors, Atlanta, Georgia, March 28, 1983

Estimate: $2,000 - $3,000

115

American School Landscape (19th century)

Landscape with Waterfall, remnants of illegible signature visible under black light lower left, oil on canvas, 24 x 32 in.; period carved gilt wood and composition frame, 31 x 39 in.

Provenance: Israel Sack, Inc., New York, NY; Sotheby’s, New York, NY, January 28, 1983; Virginia F. White Interiors, Atlanta, Georgia

Estimate: $800 - $1,200

117

Federal Mahogany Lolling Chair

Massachusetts, circa 1805, red and white diamond pattern upholstery, brass casters, 43-1/2 x 27 x 25 in.

Estimate: $1,500 - $2,500

118

Pair of Meissen “Schneeballen” Porcelain Lidded Vases, German, 19th century, molded branches, birds, and fruit, conical lids, blue crossed swords mark, 18-1/2 x 9-1/2 x 9-1/2 in.

Estimate: $1,000 - $1,500

119

Pair of Meissen “Schneeballen” Mayflower Porcelain Vases German, 19th century, floral, vine, and bird decoration, flared neck, blue crossed swords mark, 20 x 7-3/4 x 7-3/4 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, December 1987 (accompanied by copy of receipt)

Estimate: $3,000 - $5,000

120

Pair of Yellow Ground Porcelain Lidded Urns and Pair of Mahogany Wall Brackets English, 19th century, possibly Coalport, ovoid vases, hand painted landscapes and birds by Randall & Palmer, 18 x 9-1/4 x 7-1/4 in.; pair of modern mahogany wall brackets, 16-1/2 x 16-1/8 x 9-1/8 in.

Provenance: (urns) Hart-Adams Antiques, Nashville, Tennessee (accompanied by receipt); Virginia F. White Interiors, Atlanta, Georgia, December 1987 (accompanied by copy of receipt)

Estimate: $1,000 - $2,000

122

Federal Inlaid and Figured Mahogany, Maple, and Birchwood Bow Front Chest of Drawers Massachusetts, circa 1805, white pine secondary, appears to retain original brass hardware, 38 x 42-1/2 x 33-1/4 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, November 1983 (accompanied by copy of receipt)

Estimate: $600 - $800

121

Federal Inlaid and Figured Mahogany Parcel Gilt and Eglomise Paneled Looking Glass New York, circa 1800, pine secondary, mirror plate appears to be original, 59 x 22 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, July 1983 (accompanied by copy of receipt)

Estimate: $2,500 - $3,500

123

Federal Carved and Figured Mahogany Work Table Salem, Massachusetts, circa 1810, white pine and mahogany secondary, appears to retain original brass pulls, top drawer fitted with dividers, 28-1/2 x 20-3/4 x 16-1/2 in.

Provenance: Christie’s, New York, Highly Important American Furniture from The Collection of Dr. C. Ray Franklin, October 13, 1984, sale 5736, lot 438 (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, October 1984

Estimate: $2,500 - $3,500

124

Federal Mahogany Bow Front Sofa Massachusetts, circa 1805, 37-1/2 x 74-1/2 x 24 in.

Estimate: $1,000 - $3,000

125

Federal Inlaid and Figured Mahogany Games Table Essex County, Massachusetts, circa 1805, maple and white pine secondary, 29-3/4 x 37-3/4 x 18-1/4 in., opens to 36-1/2 in.

Provenance: Gerard R. Brown Antiques & Interior Design, Atlanta, Georgia (accompanied by copy of receipt)

Estimate: $600 - $800

126◉

Regency Figured Maple, Rosewood, and Mahogany Paint Decorated Tilt-Top Tea Table, circa 1810, patinated bronze tilt mechanism and lion’s head decorative pulls, 25 x 20-3/4 x 23-1/4 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, July 1980 (accompanied by copy of receipt)

Estimate: $300 - $500

128

Lacey Champion Wool Carpet

20th century, wool, light green with four round central medallions, lattice form border, label “Lacey-Champion, Fairmount Georgia”, 16 ft. 6 in. x 14 ft. 2 in.

Estimate: $800 - $1,200

127

Lacey Champion Wool Runner, 20th century, gray field, green flowers, yellow border, label reads “LaceyChampion, Fairmount, Georgia, 100% Virgin Wool”, 7 ft. 6 in. x 2 ft. 6 in.

Estimate: $400 - $600

Champion Wool Carpet

20th century, wool, gray field with repeating rows of green flowers, yellow and blue border with bows and trailing vines, 12 ft. 11 in. x 11 ft.

Estimate: $800 - $1,200

129

Lacey

130

James Francis Day (American, 1863-1942)

A Little Prayer, signed lower left “Francis Day”, oil on canvas, 30 x 36 in.; fine reproduction carved gilt wood frame, 40-1/2 x 46-1/2 in.

Estimate: $2,000 - $3,000

Inscribed in pencil stretcher verso; “Awarded Public Vote Pittsfield Art League 1930”.

131

British School Genre Scene (19th century)

Puppet Show, children playing with Punch and Judy, unsigned, oil on canvas, 33-5/8 x 51-3/8 in.; carved gilt wood and composition frame, 41-1/2 x 59-1/4 x 3 in.

Estimate: $800 - $1,200

133 Pair of Parcel Gilt and Faux Stone Painted Pedestals 20th century, wood and gesso construction, 10 in.

diameter tops, 29-1/4 x 12 x 12 in.

Estimate: $200 - $400

132

British School Genre Scene (19th century)

Young Woman with Dog Reclining against a Rocky Outcropping, unsigned, oil on canvas, 25 x 30 in.; gilt wood and composition frame, 31 x 36-1/8 x 3 in.

Estimate: $300 - $500

134

A Large Pair Carved Mahogany Neoclassical Figures 19th century, mahogany or possibly walnut, faux gilt detail to garments, approx. 28-1/2 x 10-3/4 x 7-1/4 in.

Estimate: $500 - $700

135

Four French Portraits (French/18th century and in style of)

Two French school paintings: lady wearing pink bows, 13-1/4 x 10-1/4 in.; lady wearing a blue bow, 13-1/4 x 10-1/4 in., both oil on board; matching gilt wood frames; two 18th century colored engravings: one of Carlin Bertinazzi, 1741, inscribed indistinctly, 5-3/4 x 4-3/4 in.; one of Marie Antoinette, 1776, inscribed indistinctly, 5-3/4 x 4-3/4 in.; matching frames

Estimate: $400 - $600

136

English Porcelain Basket and Undertray, with Porcelain Boughpot, probably early 19th century, Charles Bourne atributed basket and undertray, gilt, cobalt, floral; 19th century, boughpot with rose handles; largest 9-1/2 x 9-1/4 x 4 in.

Provenance: (basket and undertray) Virginia F. White Interiors, Atlanta, Georgia, July 1987 (accompanied by copy of receipt); (boughpot) Gerald R. Brown Antiques (label); Virginia F. White Interiors, Atlanta, Georgia, November 1983 (accompanied by copy of receipt)

Estimate: $300 - $500

137

English Reticulated Porcelain Teacup and Saucer, with Similar Pitcher, 19th century, Worcester attributed double walled reticulated teacup, 2-1/2 x 4-1/2 x 3-3/4 in., matching saucer, 1 x 6-1/4 x 6-1/4 in.; 19th century, Chamberlain’s Worcester double walled reticulated small jug, maker’s mark to base, 4-1/2 x 4-1/4 x 3-1/2 in.

Provenance: (cup and saucer) ex. Patricia Hart Collection; Virginia F. White Interiors, Atlanta, Georgia, June 1987 (accompanied by copy of receipt); (jug) Virginia F. White Interiors, Atlanta, Georgia, July 1987 (accompanied by copy of receipt)

Estimate: $500 - $700

138 Six Piece Porcelain Partial Dessert Service and Two Derby Plates, English, 19th century, gilt borders, floral cartouches, includes possibly Rockingham compote, shell and oval plates; Royal Crown Derby dishes, largest 8-1/4 x 12-1/8 x 10-1/2 in.

Provenance: (Rockingham) Virginia F. White Interiors, Atlanta, Georgia, November 1987 (accompanied by copy of receipt)

Estimate: $300 - $500

139 Two Pairs of 18th Century Needlework Cushions English, wool and velvet, larger 12 x 26 x 5-1/2 in.

Estimate: $300 - $500

140

12 Framed Silk Embroidered Floral Fragments possibly French, 19th century, later eglomise glass, later gilt frames, approx. 10-5/8 x 7-1/8 x 1 in.

Estimate: $300 - $500

141

Three Barr, Flight & Barr Chinoiserie Enameled Porcelain Platters early 19th century, BFB crown marks, gilt spearhead bands, hand painted florals, largest 1-3/8 x 20-3/8 x 15-5/8 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, October 1990 (accompanied by copy of receipt)

Estimate: $800 - $1,200

143

Three Footed Rusticated Bronze Pot possibly American, possibly late 17th/early 18th century, brass and bronze alloy, scored decoration, rusticated exterior, 10-3/4 x 12-1/8 x 12 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, December 1987 (accompanied by copy of receipt)

Estimate: $500 - $700

According to consignor notes, this cauldron was found at Plattwood Farm, a 17th century farmhouse in Deep River Connecticut. Similar examples were featured in the catalog of the Boston Museum of Fine Arts 1983 exhibition America Begins.

146

Regency Style Mahogany Mirror Back Book Cabinet 20th century, 50 x 26 x 10-1/2 in.

Estimate: $300 - $500

142

Federal Inlaid and Figured Mahogany, Birchwood, and Maple Bow Front Chest of Drawers, New England, circa 1805, white pine secondary, appears to retain original stamped brass hardware, 40-1/2 x 43 x 21-1/2 in.

Provenance: Mr. Charles O. Smith, Jr., Moultrie, Georgia, Sotheby’s, New York, Important American Furniture and Related Decorative Arts, January 27, 1983, sale 5001, lot 394; Virginia F. White Interiors, Atlanta, Georgia, March 1983 (accompanied by copy of receipt)

Estimate: $800 - $1,200

144

Pair of American Federal Brass and Iron Andirons and Tools, 19th century, andirons, 18-1/4 x 12 x 18-3/8 in.; shovel and tongs, largest 30-3/4 x 7 x 1-1/2 in.

Estimate: $300 - $500

147

George III Style Mahogany China Table 20th century, Baker Furniture Company, 26-3/4 x 29-3/4 x 19-3/4 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, March 1983 (accompanied by copy of receipt)

Estimate: $300 - $500

145

Federal Cast Brass and Wrought Wire Serpentine Fireplace Fender, New York, circa 1800, 10-3/4 x 44-1/2 x 9 in.

Provenance: Francis Bealey American Arts, Essex, Connecticut, December 1987 (accompanied by copy of receipt)

Estimate: $600 - $800

148

Federal Inlaid Mahogany Basin Stand New England, circa 1800, white pine secondary, 35-1/2 x 15-1/2 x 15-1/2 in.

Provenance: Francis Bealey American Arts, Essex, Connecticut, August 1987; Virginia F. White Interiors, Atlanta, Georgia, December 1987 (accompanied by copy of receipt)

Estimate: $400 - $600

151

Federal Style Carved and Inlaid Mahogany Lolling Chair, 20th century, 47-1/2 x 25-1/4 x 24 in.

Estimate: $200 - $300

149

Pennsylvania Chippendale Walnut Tall Chest circa 1785, poplar secondary, 74-1/4 x 46-1/2 x 24 in.

Provenance: Bernard & S. Dean Levy, Inc., New York; Virginia F. White Interiors, Atlanta, Georgia, August 1985 (accompanied by copy of receipt)

Estimate: $800 - $1,200

152

Victorian Carved Mahogany and Glass Standing Firescreen, New York, circa 1855, paw feet, brass casters, 42 x 24-1/2 x 17 in.

Estimate: $600 - $800

154

George III Style Carved Mahogany King Size Bedstead, 20th century, Baker Furniture Company, accompanied by bedhanging, upholstered tester, and central box spring support, 96 x 70 x 90 in.

Estimate: $500 - $700

150

Federal Cast Brass and Wrought Wire D Shaped Fireplace Fender, New York, circa 1800, 16 x 45 x 221/2 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, January 1986 and 1988 (accompanied by a copy of receipt)

Estimate: $600 - $800

153

Chippendale Style Reclining Mahogany Upholstered Open Armchair, 43-1/2 x 28-1/2 x 25 in. unreclined

Estimate: $200 - $400

155

American Chippendale Figured Mahogany Serpentine Chest, Massachusetts, circa 1800, 34-1/4 x 40 x 22-1/2 in.

Provenance: Gerard R. Brown Antiques & Interior Design, Atlanta, Georgia, August 1983 (accompanied by a copy of receipt)

Estimate: $600 - $900

156

Richard Klemm Hand Painted Porcelain Vase Dresden, 20th century, baluster form, Richard Klemm mark to base, 10-5/8 x 3 x 3 in.

Estimate: $200 - $400

157

Derby Bowl and Pair of English Shell Tulipieres 18th/19th century, Derby bowl with raised decoration; pair of shell form tulipieres, possibly Coalport, largest 6-1/2 x 4-3/4 x 3-1/8 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, November 1987 (accompanied copy of receipt)

Estimate: $200 - $400

159

Pair of Old Paris Porcelain Swan Cornucopia Vases French, 19th century, scrolled bases with swans, puce red enamel, gilt highlights, floral sprays, 12-1/4 x 5-7/8 x 8-3/4 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, December 1987 (accompanied by copy of receipt)

Estimate: $400 - $600

162

Two Pairs of Neoclassical Style Gilt Wall Brackets 19th/20th century, gilt foliate motif, one pair with ram’s heads, larger pair 11-3/4 x 13 x 9-1/8 in.

Estimate: $400 - $600

160

Three Enamel Decorated Porcelain Plates and Lidded Pitcher, probably English, 19th century, Chelsea plate; plate with birds; ovoid dish with Greek key; possibly Mason’s ironstone coffee pot/pitcher; largest 9-1/2 x 6 x 4-5/8 in.

Estimate: $200 - $400

163

Pair of Porcelain Cups and Saucers, with Ridgway Porcelain Plate, English, 19th century, Minton attributed, saucers centering landscape vignettes, 1-1/4 x 6 x 6 in., teacups with bucolic scene, 2-1/4 x 5 x 4-1/8 in.; Ridgway George IV period plate, four landscape vignettes, 1-3/8 x 9-1/2 x 9-1/2 in.

Provenance: (cups and saucers) ex. Patricia Hart Collection, Virginia F. White Interiors, Atlanta, Georgia, June 1987 (accompanied by copies of receipts); (plate) Virginia F. White Interiors, Atlanta, Georgia, December 1987 (accompanied by copy of receipt)

Estimate: $300 - $500

158

Two Finely Enameled French Porcelain Plates Continental, 19th century, Paris porcelain plate, riverscape, gilt borders; Limoges plate, painted Iris, signed “Albert”; larger 1 x 9-1/2 in. diameter.

Provenance: (duck plate) Virginia F. White Interiors, Atlanta, Georgia, July 1987 (accompanied by copy of receipt)

Estimate: $300 - $500

161

Three Continental Porcelain Table Objects late 19th/20th century, Herend lidded box, floral enamel; Meissen leaf dish; swan figure; largest 9 x 7 x 4-3/4 in.

Estimate: $200 - $400

164

Pair of Porcelain Sauce Tureens and Cabinet Plate English, 19th century, possibly Coalport, tureens with saucers and floral plate with birds and mint green border, largest 5-7/8 x 7-1/2 x 7-1/2 in.

Provenance: (tureens) Hart-Adams Antiques, Nashville, Tennessee (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, September 1986 (accompanied by copy of receipt)

Estimate: $300 - $500

165

Regency Figured Mahogany Two-Tiered Dish Top Dumb Waiter circa 1810, oak secondary, drop leaves, brass casters, 36 x 22 x 21 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, October 1989 (accompanied by copy of receipt)

Estimate: $800 - $1,200

167

Two British Mahogany and Brass Peat Buckets 18th/19th century, each with brass staves, comprising: ovoid form, 13-3/4 x 14-1/2 x 10-3/4 without handle; reeded, 14-1/4 x 14 x 12-1/2 in.

Estimate: $1,000 - $1,500

170

Pair of Regency Carved Mahogany Klismos Side Chairs, circa 1815, saber legs, rosette backs, 33 x 18 x 18-1/2 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, April 1983 (accompanied by a copy of receipt)

Estimate: $300 - $500

166

Dark Blue Painted Reproduction Windsor Sack Back Settee, 20th century, Warren Chair Works, Warren, Rhode Island, inscribed “WCW” at base, 38 x 47 x 20 in.

Estimate: $300 - $500

168

Continental Bronze Four Light Hanging Fixture late 19th/early 20th century, four scrolled arms with candle cups, wired for electricity, approx. 27 x 11-1/2 x 11-1/2 in., with 15 in. chain and 5 in. mount

Estimate: $400 - $600

171

Regency Black and Gold Paint Decorated Mahogany Candle Stand, 19th century, 27-1/2 x 13-1/4 x 17-1/2 in.

Estimate: $300 - $500

169

Regency Brass D Shaped Fireplace Fender circa 1830, paw feet, 11 x 48-1/2 x 13 in.

Estimate: $300 - $500

172

Regency Style Carved Mahogany Open Armchair 34-1/4 x 23 x 19-1/2 in.

Provenance: C.O. Smith Collection

Estimate: $200 - $300

173

Group of Three Enamel Decorated Porcelain Dishes probably 19th century, English, transferware Chinoiserie dish; Mottahedeh reproduction dish in historical Natchez Shell pattern; Paris porcelain grape leaf dish; largest 1-1/2 x 5-7/8 x 5-7/8 in.

Estimate: $100 - $300

176

Ruby Flashed Bohemian Glass Cruet Set in Silver Plate Stand, English/Continental, 19th century, silver plate stand, 18-1/4 x 8 x 7-1/2 in.; three glass bottles with stoppers, 13-5/8 x 3 x 3 in.

Estimate: $100 - $200

174

Set of Four Aesthetic Movement English Porcelain Cabinet Plates, 19th century, Bates, Brown-Westhead & Moore attributed, yellow ground, gilt foliage, and painted enamel bird, 1-1/4 x 9-1/8 x 9-1/8 in.

Provenance: Hart-Adams Antiques Inc., Nashville, Tennessee (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, December 1987 (accompanied by copy of receipt)

Estimate: $200 - $400

175

Robert Cairns Dobson (Scottish/America, 1881-1916)

The Forest and the Trees, signed lower right “R.C. Dobson”, inscribed canvas verso “For Alan”, oil on canvas, 14 x 18 in.; possibly original Whistler style reeded gilt wood frame, 24-3/4 x 28-3/4 in.

Estimate: $600 - $900

179

Two English Porcelain Teapot Stands, One Chamberlain Worcester, 19th century, Chamberlain Worcester oval stand, butterfly motif, 1 x 7-1/8 x 6-1/4 in.; unattributed oval stand, oak leaf motif, 1/2 x 8-1/4 x 7 in.

Provenance: both Virginia F. White Interiors, Atlanta, Georgia, November 1987 (accompanied by copy of receipt)

Estimate: $100 - $300

177

14 Pieces of Ruby Flashed Bohemian Glass Tableware, English/Continental, 19th century, eight decanters and six goblets, varying sizes, largest decanter 16-1/2 x 5 x 5 in.

Estimate: $600 - $900

178

13 Pieces of Ruby Bohemian Glass Tableware English/Continental, 19th century, ruby glass chamberstick and shaker; ruby flashed baskets, lidded jars, decanters, candlesticks; largest 5-1/2 x 9-3/4 in. Provenance: (chamberstick) Virginia F. White Interiors, Atlanta, Georgia, November 1983 (accompanied by copy of receipt)

Estimate: $600 - $900

180

Three English Porcelain Table Objects, Chamberlain, Bow, and Daniel, 19th century, possibly Chamberlain Worcester attributed tray, 2-3/8 x 12 x 3-3/4 in.; probably 19th century, Bow bowl, mark to base, 2-3/8 x 7-1/2 x 5-1/4 in.; 19th century, possibly Daniel attributed footed basket, 5 x 9 x 5-1/4 in.

Provenance: (tray) Bardith, Ltd., New York, New York, February 1991 (accompanied by copy of receipt); all Virginia F. White Interiors, Atlanta, Georgia, (accompanied by copy of receipt)

Estimate: $200 - $400

181

Pair of Chamberlain Worcester Porcelain Serving Dishes, English, 19th century, botanical dishes, formed rims, maker’s marks to bases, 2-1/2 x 13-1/4 x 9-3/4 in.

Estimate: $200 - $400

182

Pair of Copeland and Garrett Yellow and Gilt Porcelain Vases, with Dish, English, 19th century, pair of Copeland and Garrett vases, maker’s marks stamped under glaze to bases, 5-3/4 x 5-1/8 x 5-1/8 in.; probably English, 19th century, square floral serving dish, 1-5/8 x 10 x 8-3/8 in.

Provenance: (vases) Hart-Adams Antiques Inc., Nashville, Tennessee (accompanied by copy of receipt); Virginia F. White Interiors, Atlanta, Georgia, December 1987 (accompanied by copy of receipt)

Estimate: $300 - $500

185

Herend Rothschild Bird Charger, with Pair of Campagna Vases, Hungarian, porcelain, reticulated rim, mark to base, 2-3/4 x 15-3/4 x 15-3/4; probably French, 19th century, parcel gilt urn vases, floral decoration, mask handles, 8-3/4 x 6-3/4 x 6-3/4 in.

Provenance: (vases) Virginia F. White Interiors, Atlanta, Georgia, December 1987 (accompanied by copy of receipt)

Estimate: $400 - $600

188

Pair of German Porcelain Lidded Urns Mounted as Lamps, 19th century, gilt and floral decoration, mounted on wood bases, Hochst marks, 33-1/4 x 7-1/2 x 10 in. with harp; two silk shades

Provenance: (urns) Virginia F. White Interiors, Atlanta, Georgia, December 1987 (accompanied by copy of receipt

Estimate: $500 - $700

183

Six Piece Iris Glass Vanity Set

French, 20th century, possibly Baccarat, gilt trim, enamel Iris decor, includes tray, goblets, lidded bowl, pitchers with stoppers, largest 9 x 4-3/4 x 4-1/2 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, January 1990 (accompanied by copy of receipt)

Estimate: $400 - $600

184

Nine Floral Decorated Porcelain Cabinet Plates English, mid 19th century, Mintons attributed, scalloped edges, scrolling gilt, floral enamels, 1-1/8 x 9-1/8 x 9-1/8 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, June 1987 (accompanied by copy of receipt)

Estimate: $400 - $600

186

Two Flight, Barr and Barr Porcelain Table Objects 19th century, bird scene, insect motif, maker’s mark to base, approx. 1 x 9 x 9 in.; possibly early 19th century, lilac arrangement, mask handle, maker’s mark to base, approx. 4-1/2 x 9-1/2 x 11-1/8 in.

Provenance: (card tray) Virginia F. White Interiors, Atlanta, Georgia, July 1987 (accompanied by copy of receipt)

Estimate: $300 - $500

189

Three Continental Enamel and Gilt Decorated Porcelain Vases Mounted as Lamps, with Two Shades, 19th/20th century, each wired for electricity and with wood base, largest 29 x 6 x 6 in.; two fabric shades, larger 12 x 15-1/8 x 15-1/8 in.

Estimate: $200 - $400

187

Three English Porcelain Footed Bowls, Two Royal Crown Derby, 19th century, Derby compote, Imari inspired, mark to base; Derby dish, Imari inspired, mark to base; possibly Coalport ovoid dish, floral and gilt; largest 4-1/4 x 11-1/2 x 8-3/4 in.

Provenance: (Derby compote) Virginia F. White Interiors, Atlanta, Georgia, April 1987 (accompanied by copy of receipt); (Coalport dish) Virginia F. White Interiors, Atlanta, Georgia, July 1987 (accompanied by copy of receipt)

Estimate: $200 - $400

190

Pair of Austrian Porcelain Iris Vases Converted to Lamps, 20th century, brass fittings, faux painted wood bases, “Augarten Wien” tag, 29 x 7-3/8 x 7-3/8 in., wired for electricity; two cloth and velvet shades, 14 x 18-1/2 x 18-1/2 in.

Estimate: $100 - $300

191

Paris Porcelain Potpourri Vase French, 19th century, campagna form body, double handles, floral and gilt decoration, approx. 13-1/4 x 8 x 7-3/4 in.

Provenance: ex. Patricia Hart Collection; Virginia F. White Interiors, Atlanta, Georgia, June 1987 (accompanied by copy of receipt)

Estimate: $100 - $300

194

Pair of Masonic Bronze Mounted Onyx Vases late 19th century, Rococo style, masonic seal reading “CARPE DIEM” to bases, one with “Nitel France” etched to base, 8-3/8 x 7-3/4 x 4-1/2 in.

Estimate: $400 - $600

197

Pair of Derby Ranelagh Dancer Figures English, possibly early 19th century, pink and teal enamel, gilt highlights, scrolled bases, approx. 10-3/4 x 6-1/4 x 4-1/2 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, December 1987 (accompanied by copy of receipt)

Estimate: $100 - $300

192

Two English Porcelain Gilt Serving Dishes 19th century, Coalport attributed platter, central decoration of flowers, 1-3/8 x 10-1/8 x 8-1/4 in.; circa 1810, Derby kidney shaped dish, butterfly motif, maker’s mark to base, 2 x 16-7/8 x 13-1/8 in.

Estimate: $100 - $300

193

Pair of Paris Porcelain Double Handled Campagna Urns, 19th century, parcel gilt, Italianate scenes, handles terminating in masks, approx. 13-1/4 x 9-3/4 x 9-3/4 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, January 1987 (accompanied by copy of receipt); Francis Bealey American Arts, Essex, Connecticut (accompanied by copy of receipt)

Estimate: $400 - $600

195

Two Pairs of Adam Style Mahogany Wall Brackets 20th century, carved anthemion supports, pineapple drop finials, D-form shelves, 10 x 7-5/8 x 6-7/8 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, April 1988 (accompanied by copy of receipt)

Estimate: $300 - $500

198

Pair of Bow Porcelain Flower Merchant Figures English, 18th century, each with cross/dagger mark to base, one female and one male, larger 9-1/4 x 5 x 5 in.

Provenance: Virginia F. White Interiors, Atlanta, Georgia, December 1987 (accompanied by copy of receipt)

Estimate: $400 - $600

196

Three Gilt Ground Hand Painted Paris Porcelain Urns Converted to Lamps, French, 19th century, campagna urns, mask handles, approx. 31-1/4 x 11-1/2 x 11-1/2 in. to top of finial, with two silk shades; swan handled urn, on later brass plinth, 34-1/4 x 10 x 8 in. top of rod

Provenance: (swan handled example) Gerald Brown Antiques, Atlanta, Georgia (label)

Estimate: $500 - $700

199

Four Derby Porcelain Sweetmeat Dishes early 19th century, four dishes in three forms, blue ground with bird scenes, maker’s marks to bases, largest 1-3/4 x 12 x 9-3/4 in.

Provenance: H. Moog, Atlanta (label)

Estimate: $400 - $600

Fine Art Index

American School 113, 115

Bierstadt, Albert 53-56

British School 132

Casilear, John William 83

Cropsey, Jasper Francis 41 Day, James Francis 130

Dutch School 131

French Portraits 135

Moran, Thomas 81, 82

Roesen, Severin 40

Walters, Mary, attributed 114

Terms of Sale

۰ All items are sold as is, where is, with all faults.

۰ A buyer’s premium will be applied to the purchase price of all items:

23%….Cash, check or wire transfer

26%….Bidsquare with cash, check or wire transfer

28%….LiveAuctioneers with cash, check or wire transfer

3% will be added to all MasterCard, Visa, Discover and American Express credit and debit cards charges

۰ All purchases are subject to applicable state sales tax (state where purchased) unless the state Certificate of Resale tax form is fully and completely filled out and received prior to time of purchase.

۰ Items purchased from our Asheville auction facility not picked up within ten business days of the auction will be assessed a storage fee of $5.00 per day, per item.

1. Brunk Auctions makes every effort to provide accurate and thorough information; however, all property is offered and sold “as is, where is,” with all faults. There are no warranties or representations of merchantability, fitness for a particular purpose, or of any other kind—express or implied. Written and oral descriptions are our opinions and should not be construed as guarantees of age, condition, materials,

authenticity, or any other characteristic. All items are available for your examination prior to bidding, and we strongly encourage in-person inspection. Your bidding will signify that you have either examined the items to your satisfaction or have chosen not to do so. Condition statements are offered as a courtesy and intended for general guidance only. They should not be considered complete, and not all condition issues may be noted in the report. Photographs are part of the condition report, and bidders should review them carefully. Our goal is to pro`vide prospective bidders with accurate and detailed information, but no statement—written or oral—made by the auctioneer or staff shall be deemed a warranty or assumption of liability by Brunk Auctions or any seller represented by Brunk Auctions. All sales are final, and no refunds will be issued. We are always available to answer questions and discuss an item prior to auction, and encourage you to contact us. If you require absolute certainty in any area of authenticity or condition, and the available information leaves you in doubt, we recommend you refrain from bidding.

2. Bidding will begin at a price appropriate in the auctioneer’s discretion. The auctioneer always reserves the right to withdraw a lot for any reason they deems appropriate. At the auctioneer’s discretion, no bid of less than one half the low estimate will be accepted from any source: phone bidding, absentee

bidding, internet bidding, or bidding in the gallery. All lots in this catalog are offered subject to a reserve, which is the confidential minimum hammer price at which a lot will be sold. In executing a reserve, the auctioneer has the right to bid on behalf of the Consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the reserve. If the reserve is not met, the Auctioneer has the right to withdraw the item from the sale.

3. Once we declare that an item is sold, we cannot reopen the bidding. It is the bidder’s responsibility to get our attention prior to our saying “sold”. We reserve the right to reject any bids deemed inappropriate or to withdraw any item(s) for lack of appropriate bids. If an item is withdrawn from the auction it will be offered again only at the auctioneer’s discretion.

4. Payment must be made by cash, approved check, wire transfer, or MasterCard, Visa, Discover and American Express credit cards. We reserve the right to require bank checks for large purchases. Buyers not known to us who wish to write a check must provide a current letter of credit from their bank guaranteeing funds for that account. Credit arrangements must be made by the Friday prior to the day of auction so bank statements can be verified. We reserve the right to not issue a buyer’s number or to withhold merchandise if appropriate credit has not been es-

tablished. We require wire transfers form international buyers. First time buyers will be required to pay by wire transfer or cashiers check.

5. Payment is expected at time of purchase. Payment for successful absentee, phone bids and online bids are required within five business days of the auction. Bidding on an item indicates the client’s acceptance of our Terms of Sale. Your signature on our Bid Form or acceptance of these terms through any online bidding platform constitutes permission to charge successful bids to credit cards if payment is not received within five days of the auction.

6. We are pleased to offer absentee and phone bidding at no additional charge for prospective bidders who cannot be present at the auction. Please complete the Absentee Bid and/or Phone Reservation form. Absentee bids are executed competitively and confidentially. All reservations for phone bidding are held in the strictest confidence and must be received by 5 pm the day before the auction. No additional phone bids can be accepted on the day of the auction including additions when speaking with a staff person on the phone. We can accept written absentee bids submitted on the Absentee Bid Form up to 30 lots before the item comes up for auction. Leaving an absentee or phone bid on a lot indicates your willingness to open the bidding at one half the printed low estimate, and gives the auctioneer the authority to open the bidding at that level. Brunk Auctions shall have the right to withdraw any item at any time for any reason and to default any sale in the event of an error or dispute.

7. In the case of identical absentee bids, the bid received first will prevail. Bids left on liveauctioneers. com are not executed until the item is offered in the live auction and the order in which they are received is not a factor. We sell 70-100 lots per hour. Following are general guidelines for bidding increments:

$0-$100 …………………..$25 increments

$100-1,000……………….$50 increments

$1,000-2,000…………….$100 increments

$2,000-3,000…………….$200 increments

$3,000-5,000…………….$250 increments

$5,000-10,000…………..$500 increments

$10,000-$20,000………$1,000 increments

$20,000-$50,000………$2,000 increments

$50,000-$100,000…….$5,000 increments above $100,000………auctioneers discretion

8. In our experience, cellular phones are not always dependable, and we recommend phone bidding reservations be made on land lines. We make every effort to honor all absentee and phone bid reservations, but we are not liable for any losses incurred as a result of failure to execute absentee bids or failed phone reservations. Submitting absentee bids or bidding by phone does not imply an extension of credit. Please see numbers 4 and 5 above.

9. Purchaser agrees that packing and shipping is done at the purchaser’s risk and that the purchaser will pay in advance all packing expenses, materials, carrier fees and insurance charges. At our discretion, items will either be quoted by our local UPS Store or Brunk Auctions. Please allow two weeks for shipping after payment for shipping is received. Transport of large items is the responsibility of the purchaser. We will provide a list of transport companies if we are unable to ship via UPS/FedEx/USPS. Brunk Auctions will have no liability for any loss or damage to shipped items.

10. Note to internet absentee bidders. We do not accept cut bids, (bids less than the last interval) from the floor or from phone bidders, and we do not accept them from internet bidders. Thus it is possible that a lot could go to another bidder for less than your absentee bid. For example, if the bids are progressing in ten dollar increments, $50, $60, $70 and your absentee falls at $75, we will not take the bid since it is less than the $10 interval. We always encourage bidders to bid by phone or to leave absentee bids through our to avoid such a situation.

11. All purchases are subject to applicable state sales tax (state where purchased) unless the state Certificate

of Resale tax form is fully and completely filled out and received prior to time of purchase. Resale tax numbers from other states are accepted. International buyers are responsible for tariffs, taxes, or assessments of shipped items to the buyer’s country.

12. Bidding on an item indicates your understanding and acceptance of these Terms of Sale. If a purchaser breaches any of these Terms of Sale, including the obligation to pay for purchased items, Brunk Auctions may seek all remedies under the law including canceling the sale and reoffering the property without reserve.

13. A buyer’s premium will be applied to the purchase price of all items:

23%….Cash, check or wire transfer

26%….Bidsquare with cash, check or wire transfer

28%….LiveAuctioneers with cash, check or wire transfer

3% will be added to all MasterCard, Visa, Discover and American Express credit and debit cards charges

14. Purchased items not picked up within ten business days of the auction will be assessed a storage fee of $5.00 per day, per item. You authorize us to re-sell on your behalf any item not picked up within sixty calendar days. The costs of storage, plus any other costs directly related to the item, and an auctioneer’s commission of 20%, will be subtracted from the proceeds unless other arrangements have been made with Brunk Auctions. The minimum charge will be $50. The net proceeds will be mailed to your address as stated herein in full and final settlement of our obligations to you.

15. Export and Permits – It is the purchaser’s sole responsibility to identify and obtain any necessary export, import, firearm, endangered species or other permit for the lot. Any symbols or notices in the sale catalogue reflect Brunk Auctions’ reasonable opinion at the time of cataloguing and are for bidders’ general guidance only; Brunk Auctions and the Consignor make no representations or warranties as to whether any lot is or is not subject to export or import restrictions or any embargoes.

16. ◉Endangered Species – Certain property sold at auction, for example, items made of or incorporating plant or animal materials, irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Brunk Auctions suggests that international buyers check on foreign governments’ wildlife import requirements prior to placing a bid. All buyers agree to comply with any and `all domestic and international restrictions on the trade of endangered species as a condition of the sale. Please note that the ability to obtain an export license or certificate does not ensure the ability to obtain an import license or certificate in another country, and vice versa. It is the purchaser’s responsibility to obtain any export or import licenses and/or certificates as well as any other required documentation. In the case of denial of any export or import license or of delay in the obtaining of such licenses, the purchaser is still responsible for making on-time payment of the total purchase price for the lot. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States. Brunk Auctions is not able to assist the purchaser in attempting to obtain the appropriate licenses and/or certificates, and there is no assurance that an export license or certificate can be obtained. Please check with our specialists if you are uncertain as to whether a lot is subject to these export/import license and certificate requirements, or any other restrictions on exportation. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.

17. Due to the embargo on Persian carpets, international shipping is not available.

18. Brunk Auctions makes no warranty or guarantee whatsoever regarding the jewelry, its colored

stones, diamonds, other gem materials, or metals, or as to their status as natural, treated, “earth mined”, manmade or other. Appraisals, descriptions, and photographs, are offered as a service and are not intended to be a complete analysis of the qualities and conditions of the jewelry. All identifications, information, weights, quality, cut, value, and other estimates are opinions, and are limited by the ability to examine and grade the items as mounted, as well as by their condition and cleanliness. All gems, colored stones, diamonds, “cultured or natural pearls, fresh water, south sea, Tahitian pearls”, and other materials used in jewelry, may be enhanced by a variety of treatments. Brunk Auctions makes no warranties or guaranties that any clock or watch is in working order.

19. Condition of Firearms: Brunk Auctions or its employees or consultants make no warranties or representations whatsoever concerning the operation of firing condition, safety to store or reliability of any firearm. Any firearm purchased is at the user’s risk. Brunk Auctions expressly disclaims any liability whatsoever for accident, injury or damage resulting to any person or property from the storage or use of any such lot. Brunk Auctions strictly complies with all state and federal regulations pertaining to the sale, transfer, and transportation of firearms. It is the sole responsibility of the buyer to know and comply with all state firearms regulations prior to bidding. No persons associated with Brunk Auctions or their consignors warrant the safety or shootability of any firearm we sell. Buyers wishing to fire any weapon purchased from Brunk Auctions are strongly advised to have the weapon(s) examined by a competent gunsmith prior to use.

20. Online registration and bidding approval is done at the sole discretion of the auction house. We recommend that online bidders sign up at least 24 hours in advance of the auction to allow for time to complete the approval process. We make no guarantees that new online bidders who register within 24 hours of the sale will be approved for bidding. After signing up to bid, new online bidders may receive a message requesting additional information; we cannot approve any client without the requested information. First time participants bidding through any online platform will be limited to a maximum of $25,000 total in cumulative bids. Partievs who wish to bid on premium lots may be asked to submit a deposit by wire transfer. Correspondence between prospective clients and the Auction House must be established directly with Brunk Auctions through phone, fax, or one of the relevant email addresses. We make no guarantee that we can respond to requests submitted through third party messaging systems. Due to the high volume of inquiries made within 24 hours of the sale, we make no guarantee that clients who contact us during this period will receive a response. Bids left on LiveAuctioneers & Bidsquare are not executed until the item is offered in the live auction therefore the order in which those bids are received is not a factor. We will make every effort within reason to accept and process bids from online participants. Brunk Auctions will not accept liability for any bids missed due to clerking issues, operator error, equipment failure, connection delays, communication lapses, or technical malfunctions of any nature.

21. Coin grading is subjective and more ‘art’ than ‘science.’ As such, any descriptive or numeric grades given are supplied as a guide to our bidders and should not be seen as a guarantee to any grade that might be received from a third-party grader or grading company. Our best effort has been put forth to give condition reports that are as accurate as can reasonably be expected, however, first-hand inspection to formulate one’s own opinion is always recommended. Attributions such as Sheldon, Overton, and Friedberg numbers have been assigned on many lots and every measure has been taken to ensure accuracy. However, bidders should use our highly detailed photographs to assess and attribute as errors in cataloging do sometimes occur.

Representing collectors, institutions and estates, our expert team specializes in Americana treasures and curated collections. From appraisal to sale, we deliver exceptional results to satisfied clients. Join our community of collectors who appreciate history and craftsmanship and trust us to unlock the value of your collection.

All ways seeking quality consignments, for more information contact us at info@brunkaucitons.com

The Collection of Jean and Jim Barrow, May 2023

The Estate of Peter H. Tillou, September 2022

The Collection of Dudley and Constance Godfrey, October 2024

The Estate of William N. Banks, Jr., September 2020