American & Southern | March 26, 2026 by Brunk Auctions

American & Southern | March 26, 2026

Pair of Chinese Export Armorial Porcelain Plates, Dana circa 1815, Greek key and enamel bird scenes centering arms of Dana, motto reads “Cavendo tutus”, 7/8 x 7-3/4 x 7-3/4 in., anomalies, pinholes, kiln debris, and some loss to gilt/enamel

Provenance: Polly Latham Asian Art, Boston, Massachusetts (labels); Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $500 - $700

Similar example pictured in David Howard, Chinese Armorial Porcelain, Volume II, p. 695.

Pair of Large Chinese Export Armorial Porcelain Platters, Howell circa 1760, spearhead banding centering floral decoration, the arms of Howell in the border, 1-3/4 x 18-1/4 x 14-7/8 in., anomalies, pinholes, kiln debris, firing cracks, and some loss to gilt/enamel, slight chipping to rims

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $400 - $600

Similar example pictured in David Howard, Chinese Armorial Porcelain, Volume I, p. 475.

Two Chinese Export Floral Decorated Porcelain Cachepots 19th century, 7 x 10-1/2 x 10-1/2 in., anomalies, pinholes, and some loss to enamel, wear to bases and interiors, some minor chipping at rims

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $400 - $600

Pair of Chinese Export Armorial Porcelain Plates, Machell impaling Holloway circa 1760, birds, floral sprays, and chain bands centering arms of Machell impaling Holloway, 1 x 8-3/4 x 8-3/4 in., anomalies, pinholes, kiln debris, and some loss to gilt/enamel, some chipping to rims; one plate with repair and retouch to lower rim (see blacklight)

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $300 - $500

Similar example pictured in David Howard, Chinese Armorial Porcelain, Volume II, p. 403.

Two Chinese Export Armorial Teacups, Cameron and Macleay circa 1790, enamel bands and gilt, comprising: teacup with arms of Cameron and mottos “Unite” and “Pro Rege et Patria”, 1-7/8 x 3-1/2 x 3-1/2 in.; teacup and saucer with arms of Macleay and “Spes Anchora Vitae”, larger 1-1/4 x 5-1/2 x 5-1/2 in., good overall condition some minor wear to gilt and enamel; Macleay examples with breaks and associated repairs (see blacklight photos)

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $300 - $500

For similar examples, please see Chinese Armorial Porcelain, Volume I by David Sanctuary Howard, p. 757 and 978.

Large Chinese Export Armorial Porcelain Tureen and Underplate circa 1760, floral sprays and gilt spearhead with arms of Edwardes, tureen with pomegranate finial and rabbit head handles, 8-1/2 x 9 x 13-3/4 in.; underplate 2-5/8 x 12-1/2 x 16-1/2 in., good overall condition, wear to gilt and enamel, anomalies as made, areas of fluorescence to lip of tureen and lid and face of underplate (see blacklight photos)

Provenance: Estate of Pia Stratton, Nashville, Tennessee, sold Case Auctions, Two-Day Winter Fine Art, Antique, and Jewelry Auction, January 28, 2023, lot 16Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $1,000 - $2,000

For a similar example, please see Chinese Armorial Porcelain, Volume I by David Sanctuary Howard, p. 507.

Six Chinese Export Armorial Plates and Pair of Serving Dishes, Hay, circa 1815, plates with dragons chasing flaming pearls and gilt spearhead, dishes with bamboo and flowering vines and gilt spearhead, both centering arms of Hay with motto “Spare Nought”, largest 1-1/8 x 9-3/4 x 9-3/4 in., anomalies as made, some scratching and loss to gilt and enamel; plates with restoration and retouch mostly to rims (see blacklight photos); one dish with chip to rim

Provenance: (dishes) Antoine Lebel, Paris, France (label): Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $600 - $800

For a similar example, please see Chinese Armorial Porcelain, Volume I by David Sanctuary Howard, p. 788.

Chinese Export Armorial Porcelain Octagonal Platter with a Reproduction Platter, circa 1765, spearhead banding centering arms of Knott, 1-1/4 x 11-1/2 x 8-1/4 in.; reproduction Instituto dos Museus e da Conservacao platter centered with arms of Francisco Antonio da Veiga Cabral da Camara Pimentel, 1-1/4 x 14-1/2 x 11 in., anomalies, pinholes, and some loss to enamel/gilt; Knott platter with small repaired chip to rim

Provenance: (Knott platter) David Overall Chinese Export Porcelain, Elizabethtown, Kentucky (label); Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $400 - $600

A similar example to the Knott platter is pictured in David Howard, Chinese Armorial Porcelain, Volume I, p. 607.

Large Chinese Export Armorial Porcelain Oval Platter, Rolland du Roscoat, circa 1788, vines centering accolée arms of Rolland du Roscoat, Knight of the Saint Louis, motto reads “Artes Et Bellum”, 2 x 15 x 12-1/2 in., anomalies, pinholes, kiln debris, and some loss to gilt/enamel, some chipping to rim

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $1,000 - $2,000

A similar platter sold at Christies, New York, Chinese Export Art, January 25, 2011, Lot 52.

Two Chinese Export Armorial Porcelain Plates, Annesley and Cure, circa 1795, vine banding centering arms of Annesley, Earl Annesley atop motto reading “Virtutis amore”, 1-1/4 x 9-3/4 x 9-3/4 in.; circa 1790, underglaze blue diapering centering arms of Cure, 1-1/8 x 9-1/2 x 9-1/2 in., anomalies, pinholes, kiln debris, and some loss to gilt/enamel, both plates with repair and retouch (see blacklight)

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $300 - $500

Similar examples pictured in David Howard, Chinese Armorial Porcelain, Volume I, p. 280 & 564.

Rare Chinese Export Porcelain Lidded Tureen Depicting The City of Guangzhou late 18th century, underglaze blue decoration depicting a walled city with pagoda style buildings, seaside warehouses and boats, diaper borders with foliage and butterflies, double strap twisted handles, strawberry form finial on lid, 8-1/4 x 13-1/4 x 8-1/2 in., firing flaws and anomalies including glaze voids, pinholes throughout, and firing cracks at handles, some small losses to glaze at one handle, retouch along interior rims and a few scattered areas throughout

Provenance: Private Collection, New York City

Estimate: $4,000 - $6,000

A similar example is pictured in Treasures of Chinese Export Ceramics from the Peabody Essex Museum by William R. Sargent, 2012, page 144. “A view of the city of Guangzhou (Canton) and, in the far distance, the White Cloud Mountains (Baiyunshan) decorate these examples from a possibly unique dinner service, which also includes two plates in the PEM collection. Beyond the crenelated wall surrounding the city at the Pearl River’s edge can be seen the three landmarks that would have been familiar to all traders and remain there today: from left to right, the Flowery Pagoda, the tenth-century Mohammedan or Plain Tower (Guangta), and the Watchtower, or Pavilion Overlooking the Sea (Zhenhai Lou). Small boats on the river are shown in front of a few buildings on stilts that remain outside the city walls, and just left of center one of these buildings displays the Chinese characters that translate as acme or zenith... Other related works: Christie’s South Kensington, May 11, 2000, (lot 292)... tureen, S. Marchant and Sons, London, July 1993...”

13 Piece Assembled Partial Service of Chinese Export Famille Rose Porcelain 19th century, comprising: four plates; two small dishes; one medium dish; three large dishes; two bowls; twist-handle cann; largest , wear commensurate with age and use, anomalies as made, wear and loss to enamel, areas of repair and restoration throughout; one large dish and one plate with breaks and associated repairs (see blacklight photos)

Provenance: (nine pieces) sold Sloan & Kenyon, Sale 27 February Estate Catalog, February 11, 2007, lot 332 (label); Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $300 - $500

Three Chinese Export Armorial Platters, Aberdeen, circa 1760, floral sprays and gilt spearhead centering arms of Aberdeen with motto “Intemerata Fides”, largest 1-3/4 x 11-3/8 x 14-5/8 in., good overall condition, some wear and loss to gilt and enamel; smaller examples with small chips to rims

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $600 - $900

For a reference to this service, please see Chinese Armorial Porcelain, Volume I by David Sanctuary Howard, p. 802.

Chinese Export Armorial Porcelain Octagonal Platter, Louthain circa 1768, floral sprays, symbols, and chain banding centering arms of Louthain atop motto reading “Non dormit qui custodit”, 1-1/2 x 14-5/8 x 11-3/8 in., anomalies, pinholes, and some loss to gilt/enamel, slight chipping to rim, likely professionally restored with overspray (see blacklight)

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $200 - $400

Similar example pictured in David Howard, Chinese Armorial Porcelain, Volume I, p. 561.

22 Piece Partial Chinese Export Armorial Porcelain Service, Peters impaling Joskyn, circa 1790, blue diapering and gilt spearhead centering arms of Peters impaling Joskyn, comprising: reticulated chestnut basket; two small underplates; two leaf form dishes; five deep plates; twelve dishes with reticulated rims; largest 4-5/8 x 8-1/2 x 10-1/2 in., good overall condition, anomalies as made, wear and loss to gilt and enamel, scattered hairlines; one deep plate with extensive restoration (see blacklight photos); six reticulated dishes with crazing

Provenance: H. Moog, Atlanta (labels); Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $800 - $1,200

For a similar example, please see Chinese Armorial Porcelain, Volume II by David Sanctuary Howard, p. 577.

Two Chinese Export Armorial Porcelain Dishes circa 1810, wide floral band centering arms of Smyth impaling Denison, 1-1/2 x 9 x 7-7/8 in.; circa 1775, flower festoons centering floral decoration, the arms of Stevenson with Cockayne (or Cockburn) in pretence in the border, 1-1/4 x 9 x 9 in., anomalies, pinholes, glaze voids, and some loss to gilt/enamel; Stevenson plate with area of repair/retouch to rim

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $300 - $500

Similar examples pictured in David Howard, Chinese Armorial Porcelain, Volume II, p. 459 & 669.

Five Pieces of Cobalt Blue and Gilt Porcelain comprising: three pieces of Chinese export monogrammed porcelain, one with arms of Ball; Copeland Spode “Independence” pattern bowl; Mottahedeh “Cincinnati” pattern leaf form dish; largest 4-3/4 x 9-7/8 x 9-7/8 in., good overall condition, wear commensurate with age and use; footed dish with hairlines; Ball example with large area of restoration (see blacklight photos)

Provenance: (pitcher) Polly Latham Asian Art (label); Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $200 - $400

For a similar example to the Ball piece, please see Chinese Armorial Porcelain, Volume II by David Sanctuary Howard, p. 528.

Four Chinese Export Armorial Porcelain Dishes, Simpson impaling Brydges, circa 1760, floral sprays, shell and bird motifs, and gilt chain centering arms of Simpson impaling Brydges, largest 1-5/8 x 17-5/8 x 17-5/8 in., anomalies as made, some wear and loss to gilt and enamel; one platter with some fading to colors and hairline from rim; one platter with old chips to some corners; smallest with break and repair to rim (see blacklight photos)

Provenance: (smallest) Antoine Lebel, Paris, France (label); (one dish) The Collection of J. Louis Binder (label), sold Charlton Hall, From Museum Vaults (III), December 6, 2009, lot 931; Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $1,000 - $2,000

For a similar example, please see Chinese Armorial Porcelain, Volume I by David Sanctuary Howard, p. 565.

Pair of Chinese Export Armorial Oval Dishes, Stratton or Slaughter circa 1795, cobalt and gilt bands centering arms of Stratton or Slaughter, 1-5/8 x 11-3/4 x 9-3/8 in., anomalies, pinholes, glaze voids, and some loss to gilt/enamel, slight chipping to rims

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $200 - $400

Similar example pictured in David Howard, Chinese Armorial Porcelain, Volume II, p. 628.

Two Chinese Export Monogrammed Tea Bowls and Waste Bowl late 18th century, enamel bands and gilt decoration, comprising: two teacups with floral sprays, likely crest of Justice and motto “Non Sene Causa” over initials “GKJ”(?); waste bowl with crest of MacNaghten and motto “I Hope in God” over initials “DM”; largest 2-1/2 x 5-1/2 x 5-1/2 in., some wear and loss to gilt and enamel; teacups with small chips to rims; bowl with area of restoration and retouch (see blacklight photo)

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $200 - $400

For a similar example to the MacNaghten piece, please see Chinese Armorial Porcelain, Volume II by David Sanctuary Howard, p. 639.

Set of 22 Chinese Export Monogrammed Porcelain Dishes 18th/19th century, each with enamel and gilt scroll bands centering shield with monogram “JPC (?)”, comprising: eight soup bowls, 1-5/8 x 9-3/4 x 9-3/4 in.; 14 dinner plates, each approximately 3/4 x 10 x 10 in., anomalies, pinholes, and some loss to gilt/enamel, some chips and hairlines to rims; two plates with chips and repairs to rims

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $600 - $900

Two Chinese Export Armorial Porcelain Serving Dishes circa 1755, floral sprays and spearhead centering arms of Lovelace, 1 x 10-3/4 x 7-1/4 in.; circa 1775, underglaze blue and enamel bands centering arms of Watts impaling Carter atop motto reading “Pour la foy”, 2-1/2 x 14-1/4 x 10-5/8 in., anomalies, pinholes, and some loss to gilt/enamel; Lovelace with small chip to left rim; Watts with large hairline and staple repairs to base

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $200 - $400

Similar example pictured in David Howard, Chinese Armorial Porcelain, Volume I, p. 480 & 595.

Chinese Export Armorial Octagonal Serving Dish, Clerke circa 1765, flower festoons and chain banding centering arms of Clerke, motto reads “Ose Et Espere”, 2 x 12 x 9-1/4 in., anomalies, pinholes, kiln debris, firing cracks, and some loss to gilt/enamel

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $200 - $400

Similar example pictured in David Howard, Chinese Armorial Porcelain, Volume I, p. 612.

Two Chinese Export Armorial Octagonal Serving Dishes and a Punch Bowl circa 1765, octagonal dish centered with arms of Stuckey quartering Bartlett; circa 1760, octagonal dish centered with arms of Justice impaling Barbour; circa 1755, punch bowl with arms of Norris separated by floral panels; largest 5-1/4 x 12-3/8 x 12-3/8 in., anomalies, pinholes, kiln debris, and some loss to gilt/enamel; Stuckey dish with spider crack to base; Justice dish and Norris bowl with scattered repair and retouch (see blacklight), associated flaking

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $300 - $500

For similar examples, please see David Howard, Chinese Armorial Porcelain, Volume I, p. 503 & 571 and Volume II, p. 295.

Pair of Chinese Export Armorial Octagonal Plates, Richter alias Rider circa 1785, green enamel and gilt bands centering arms of Richter alias Rider, 7/8 x 9-1/4 x 9-1/4 in., anomalies, pinholes, and some loss to gilt/enamel, some minor chips to rims

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $300 - $500

Similar example pictured in David Howard, Chinese Armorial Porcelain, Volume II, p. 487.

Three Pieces of Chinese Armorial Export Porcelain, Harrington impaling Rockley circa 1755, floral sprays and gilt spearhead and chain centering a floral spray, the arms of Harrington impaling Rockley and motto “Nodo Firmo” in the border, largest 1 x 9-7/8 x 13 in., anomalies as made, some loss to gilt and enamel; plates with multiple chips to rims; platter with glaze void or old chip to rim

Provenance: (platter) Guest & Gray (label); Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $500 - $700

For a similar example, please see Chinese Armorial Porcelain, Volume I by David Sanctuary Howard, p. 422.

Two Chinese Export Armorial Porcelain Dishes, Hare circa 1755, floral sprays and gilt spearhead centering arms of Hare with motto “Snug”, 1-1/8 x 7-1/4 x 10-1/8 in., good overall condition, anomalies as made, some wear and loss to gilt and enamel; one with break and associated repair and restoration (see blacklight photos)

Provenance: (one) Earle Vandekar of Knightsbridge Antiques (label); Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $500 - $700

For a similar example, please see Chinese Armorial Porcelain, Volume I by David Sanctuary Howard, p. 450.

Pair of Chinese Export Armorial Porcelain Oval Dishes, Cutler, circa 1790, underglaze blue diapering centering arms of Cutler, 1-3/4 x 11-5/8 x 9-1/4 in., anomalies, pinholes, and slight loss to gilt/enamel, glaze voids, notably at rim

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $200 - $400

Similar example pictured in David Howard, Chinese Armorial Porcelain, Volume I, p. 717.

Pair of Chinese Export Armorial Porcelain Plates, Barrow impaling Dighton circa 1755, floral sprays, shells, and birds centering arms of Barrow impaling Dighton, 1 x 8-3/4 x 8-3/4 in., anomalies, pinholes, kiln debris, and some loss to gilt/ enamel, some chipping to rims

Provenance: Galerie Bertrand De Lavergne, Paris, France (labels); Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $300 - $500

Similar example pictured in David Howard, Chinese Armorial Porcelain, Volume I, p. 474.

Pair of Chinese Export Armorial Platters, Hilton circa 1755, en grisaille border panels and gilt spearhead centering arms of Hilton, 1-1/4 x 8-1/8 x 11-3/8 in., anomalies as made, some minor wear and loss to gilt and enamel some spots of retouch or restoration to rims (see blacklight photos); one with small hairline from rim

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $500 - $700

For a similar example, please see Chinese Armorial Porcelain, Volume I by David Sanctuary Howard, p. 313.

Two Chinese Export Armorial Octagonal Porcelain Platters, Wilson and Manning, circa 1770, floral sprays and spearhead banding centering arms of Wilson atop motto reading “Sincerity”, 1-1/4 x 12-3/4 x 9-3/4 in.; circa 1785, foliate bands centering arms of Manning, 1-1/2 x 15-1/4 x 12 in., anomalies, pinholes, kiln debris, and some loss to gilt/enamel; Wilson platter with chips to rim and hairline to base

Provenance: (Wilson) Stair Galleries, Hudson, New York, June 27, 2015, Lot 526 (tag); Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $400 - $600

Similar examples pictured in David Howard, Chinese Armorial Porcelain, Volume I, p. 516 & 662.

Two Chinese Export Armorial Serving Dishes, Walker and Hickes 18th century, comprising: lobed dish with gilt chain and floral sprays centering arms of Hickes; oval dish with scrolling and gilt spearhead centering arms of Walker; larger 2 x 11 x 13-1/2 in., good overall condition, some wear to gilt and enamel; oval platter with small chip to rim

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $200 - $400

For similar examples, please see Chinese Armorial Porcelain, Volume I by David Sanctuary Howard, p. 422, and Chinese Armorial Porcelain, Volume II, p. 613.

Five Chinese Export Armorial Porcelain Serving Dishes, Wood circa 1760, of varying size, floral sprays and gilt chain centering arms of Wood, largest 1-1/2 x 11-1/4 x 14-5/8 in., anomalies as made, some wear and loss to gilt and enamel; largest platter with areas of restoration or repair (see blacklight photos)

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $1,000 - $2,000

For a similar example, please see Chinese Armorial Porcelain, Volume I by David Sanctuary Howard, p. 552.

Two Chinese Export Armorial Octagonal Porcelain Plates circa 1755, shells, birds, and floral sprays centering arms of Watson quartering Wentworth atop motto reading “En dieu est tout”, 1 x 8-3/4 x 8-3/4 in.; circa 1755, spearhead banding centering arms of Fisher impaling Pigot, 1 x 8-5/8 x 8-5/8 in., anomalies, pinholes, kiln debris, and some loss to gilt/enamel, some chipping to rims; Fisher with likely repair, retouch, and overspray (does not fluoresce)

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $300 - $500

Similar examples pictured in David Howard, Chinese Armorial Porcelain, Volume I, p. 384 & 536.

17 Piece Worcester Barr, Flight & Barr Porcelain Armorial Imari Partial Service, Blake impaling French early 19th century, each marked to base “Barr Flight & Barr Royal Porcelain Works...”, centered with the arms of Blake impaling French atop motto reading “Virtus sola nobilitat”, comprising: pair of lidded tureens; nine dinner plates; three soup bowls; three side plates; largest 6-1/4 x 9-1/4 x 8-1/4 in., anomalies, pinholes, wear, and some loss to gilt/enamel; one tureen with large hairline to base; one dinner plate and one side plate with spider crack to base; one soup bowl with chip to rim; one side plate with spider crack to base and cracks/repair to rim

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $2,000 - $4,000

Five Chinese Export Monogrammed Soup Plates 18th century, flower festoons and gilt spearhead centering cartouche flanked by trumpeting angels with monogram “JJCC”, 1-3/4 x 9-1/8 x 9-1/8 in., good overall condition, some wear to gilt and enamel; one with minor chipping to rim; one with break and associated repair and restoration (see blacklight photos), chip to rim

Provenance: Polly Latham Asian Art (label); Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $400 - $600

Two Chinese Export Armorial Octagonal Serving Dishes circa 1775, spearhead banding centering floral decoration, the arms of Grant in the border, motto reads “Radicem Firmant Frondes”, 1 x 11-1/2 x 8-1/4 in.; circa 1760, floral sprays and chain banding centering arms of Herne impaling Ruggles, 1-1/8 x 10-3/8 x 7 in., anomalies, pinholes, kiln debris, and some loss to gilt/enamel

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $500 - $700

Similar examples pictured in David Howard, Chinese Armorial Porcelain, Volume I, p. 523 & 565.

Two Chinese Export Armorial Octagonal Porcelain Plates circa 1755, scrollwork and spearhead banding centering arms of Taswell, 1-1/8 x 8-7/8 x 8-7/8 in.; circa 1765, green enamel and spearhead banding centering arms of Wathen impaling Waller atop motto reading “Qui eait bien ne craintrien”, 1 x 9 x 9 in., anomalies, pinholes, and some loss to gilt/enamel, slight chipping to rims and bases; Wathen plate with repair and retouch (see blacklight)

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $200 - $400

Similar examples pictured in David Howard, Chinese Armorial Porcelain, Volume I, p. 362 & 418.

Pair of Chinese Export Armorial Monogrammed Plates circa 1795, sepia and gilt vines and bands centering a falcon’s head crest and shield with initials “T.H.A.B.”, 3/4 x 7-3/4 x 7-3/4 in., wear and loss to gilt and enamel, anomalies as made, areas of repair or restoration (see blacklight photos)

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $300 - $500

For a similar example, please see Chinese Armorial Porcelain, Volume I by David Sanctuary Howard, p. 281. He notes that the family is likely one of the following ten: Baird, Banks, Baxter, Bishop, Blackett, Blair, Brown, Bruce, Bruneck, or Bund.

Pair of Chinese Export Armorial Porcelain Plates, Sayer circa 1765, spearhead banding and floral sprays centering arms of Sayer (?), 1 x 8-3/4 x 8-3/4 in., anomalies, pinholes, and some loss to gilt/enamel, some chipping and gilt retouch to rims

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $400 - $600

Similar example pictured in David Howard, Chinese Armorial Porcelain, Volume I, p. 515.

Pair of Chinese Export Armorial Octagonal Plates, Lee circa 1775, flower festoons centering arms of Lee of Kent, motto reads “Soli deo gloria”, 1 x 9-1/8 x 9-1/8 in., anomalies, pinholes, firing cracks, and some loss to enamel/gilt, each with small area of retouch/repair to rims, miniscule chips to rims

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $500 - $700

Similar example pictured in David Howard, Chinese Armorial Porcelain, Volume I, p. 624.

Pair of Chinese Export Armorial Porcelain Soup Plates, Eden circa 1765, sepia enamel scenes and spearhead banding centering arms of Eden, motto reads “Si sit prudentia”, 1-1/2 x 8-5/8 x 8-5/8 in., anomalies, pinholes, kiln debris, and some loss to gilt/enamel, each with hairline to base (one with associated chip), some chipping to rims

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $200 - $400

Similar example pictured in David Howard, Chinese Armorial Porcelain, Volume I, p. 420.

Two Chinese Export Armorial Porcelain Plates circa 1723, imari palette enamel and gilt centering arms of Pinell impaling Hamlin, 1-1/2 x 9-5/8 x 9-5/8 in.; circa 1785, enamel and gilt bands centering arms of Blunt, 1-5/8 x 9-1/2 x 9-1/2 in., anomalies, pinholes, and some loss to enamel/gilt, some minor chips to rims and bases; pinell and hamlin example with restoration and overspray

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $400 - $600

Similar examples pictured in David Howard, Chinese Armorial Porcelain, Volume I, p. 183 & 667.

Set of Ten Chinese Export Porcelain Plates with Floral Motif 18th century, 1-1/4 x 9 x 9 in., anomalies, pinholes, firing cracks, and glaze voids, some loss to enamel, some small chips to rims; two with hairlines to rims; one with hairline to base

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $500 - $700

Pair of Chinese Export Armorial Porcelain Plates, Erskine impaling Elphinstone, circa 1795, wide cobalt enamel and gilt bands centering arms of Erskine of Cardoss impaling Elphinstone, motto reads “Fortitudine”, 7/8 x 9-7/8 x 9-7/8 in., anomalies, pinholes, minor chips to bases, and some loss to enamel/gilt; one with two repaired chips to rim

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $200 - $400

Similar example pictured in David Howard, Chinese Armorial Porcelain, Volume II, p. 651.

Two Large Chinese Export Floral Decorated Porcelain Platters 18th century, each centered with flower bouquet, octagonal, 1-1/4 x 16 x 13 in.; scrolled, 1-1/2 x 16-1/2 x 13 in., anomalies, pinholes, kiln debris, and some loss to gilt/enamel; octagonal example with chip to bottom rim

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $200 - $400

Pair of Chinese Export Armorial Porcelain Plates, Howard and Blount circa 1730, spearhead banding centering floral decoration, arms of Howard, Duke of Norfolk impaling Blount, motto reads “Sola virtus invicta”, 7/8 x 8-1/2 x 8-1/2 in., anomalies, pinholes, kiln debris, and some loss to gilt/enamel, some chipping to rims

Provenance: The Collection of J. Louis Binder (label), sold Charlton Hall, From Museum Vaults (III), December 6, 2009, lot 940; Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $600 - $900

Similar example pictured in David Howard, Chinese Armorial Porcelain, Volume II, p. 246.

Pair of Chinese Export Armorial Porcelain Octagonal Platters, Jackson, circa 1775, bamboo and floral bands centering arms of Jackson surmounted by motto reading “Non sidised [sic] toti”, 1-1/8 x 12-7/8 x 9-3/4 in., anomalies, pinholes, kiln debris, and some loss to gilt/ enamel; one with hairlines/crazing to right edge

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $400 - $600

Similar example pictured in David Howard, Chinese Armorial Porcelain, Volume II, p. 263.

Pair of Chinese Export Armorial Platters, Ryder circa 1760, floral sprays and gilt chain centering arms of Ryder, 1-1/4 x 8-1/2 x 11-5/8 in., good overall condition, anomalies as made, some minor scratching and loss to gilt and enamel, small areas of fluorescence under blacklight (see blacklight photos)

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $500 - $700

For a similar example, please see Chinese Armorial Porcelain, Volume I by David Sanctuary Howard, p. 561.

Pair of Chinese Export Armorial Porcelain Octagonal Serving Dishes, Hardwicke, circa 1760, floral sprays and chain centering arms of Hardwicke, 1-1/4 x 7 x 10 in., anomalies, pinholes, kiln debris, and some loss to gilt/enamel; one with small repair to top edge

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $300 - $500

Similar example pictured in David Howard, Chinese Armorial Porcelain, Volume I, p. 555.

Chinese Armorial Porcelain Vols. I & II by David Sanctuary Howard, Signed Chinese Armorial Porcelain, London: Faber and Faber Limited, 1974, author’s inscription to previous owner adhered to front free fly; Chinese Armorial Porcelain Volume II, Somerset: Heirloom & Howard Limited, 2003, author’s inscription inked to front free fly; with Chinese Export Porcelain and French and Swiss Armorials on Chinese Export Porcelain of the 18th Century, overall, overall wear to extremities, soiling and creasing to dust jackets, bindings shaken, discoloration and foxing along edges, text blocks clean; vol. I with tears and losses to dust jacket, fading and discoloration to cloth boards; vol. II lacking slipcase, fraying to bookmark; front hinge of Chinese Export Porcelain beginning

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $1,000 - $2,000

Set of 12 Royal Crown Derby Armorial Porcelain Dishes

English, early 19th century, derby marks to bases, enamel and gilt scrollwork centering red eagle holding a shield, 1-1/2 x 9-1/4 x 9-1/4 in., anomalies, pinholes, wear, and some loss to enamel/gilt; two with hairline to rim; two with spider crack to base; two lightly fluoresce at rim under blacklight, possible restoration

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $500 - $700

Set of 10 Chamberlain Worcester Armorial Porcelain Plates early 19th century, each stamped “Chamberlains” to base, wide ruby enamel bands centering floral decoration, rampant lion with sword in the border, 1-1/8 x 8-7/8 x 9 in., anomalies, pinholes, crazing, and some loss to enamel/gilt, some chipping to rims (one with retouch)

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $400 - $600

Three Dr. Wall Worcester Blue and White Pitchers 18th century, each with Bacchus mask spout and underglaze blue crescent mark to underside of base, larger approx. 11-3/4 x 9-1/2 x 7-1/2 in., firing flaws and anomalies including pinholes and firing cracks

Provenance: (smaller example) Rowland’s Antiques of Quality, Buckingham, Bucks County, Penna. (label); (larger example) Marshall Field & Company (label); Private Eastern North Carolina Collection

Estimate: $600 - $900

Four Staffordshire Cauliflower Tea Vessels

English, each with cream colored florets over green glazed leaves, comprising: three 18th century examples (two teapots, tea caddy); one later teapot; largest 7-1/2 x 10 x 5-1/2 in., all with some surface dirt and glaze crazing; tea caddy with small chips and hairline to rim, small chip to foot, lacking lid; one smaller teapot with breaks and repairs/restorations to handle and spout, hairlines and chips to lid, break and repair to lid finial, firing cracks to base; one smaller teapot with kiln debris to foot; largest teapot with wax accretion(?) to exterior

Provenance: Collection of John B. and Marie-Teresa Vander Sande, Newbury, Massachusetts

Estimate: $500 - $700

Alfred Thompson Bricher (New York/New Hampshire, 1837-1908)

Coastal Scene, unsigned, inscribed on stretcher verso “Property of Doris N. Mckee”, illegible pencil inscription on stretcher verso, oil on canvas, 10 x 18 in. gilt wood and composition frame, 14-1/4 x 22 x 2-3/4 in., linen lined, yellowed varnish, scattered retouch, areas of crackle; frame with wear and abrasions, cracks and chips to composition

Provenance: Doris N. Mckee

Estimate: $1,800 - $2,800

57 American School Pair of Portraits (American, 19th century)

A Fancy Couple, unsigned, (him) dated “March, 1826”, each 30-1/8 x 25 in.; matching period carved gilt wood frames, 38-1/2 x 33-1/4 x 3 in., both lined, stabilized crackle, retouch throughout; both frames with wear commensurate with age

Provenance: Private Eastern North Carolina Collection

Estimate: $1,800 - $2,800

58 Hudson River School Study (American, 19th century)

Summer Scene, unsigned, illegible New York stencil verso, oil on paper, 3-1/4 x 6-1/2 in.; fine period carved gilt wood frame 12 x 15-1/2 x 3 in., laid on stretched canvas, areas of retouch scattered throughout; frame with wear

Provenance: Private Collection

Estimate: $800 - $1,200

John Beaufain Irving (New York/South Carolina, 1825-1877)

Distinguished Gentleman of the Guard, signed lower right “J....Irving N.A.”, London colourman label verso, oil on panel, 12 x 9 in.; fine reproduction gilt wood frame, 18-1/2 x 15-1/2 x 1-1/4 in., uneven varnish; frame with wear and abrasions

Provenance: William Schaus, New York, New York, (presumably, old label verso)

Estimate: $600 - $900

Folk Art Portrait of Red Haired Gentleman (American, 19th century)

Wearing a Heart Shaped Pin, unsigned, oil on canvas, 26-1/2 x 23 in.; period parcel gilt and painted wood frame, 31-1/4 x 27-1/2 x 2-1/2 in., lined, retouch and old repairs, crackle, surface dirtï¼› frame with wear and abrasions, losses

Provenance: Private Collection

Estimate: $500 - $700

Alexander John Drysdale (American, 1870-1934)

Pastoral Landscape, 1923, signed and dated lower right “AJ Drysdale 1923”, pastel on buff paper, sight 19-3/4 x 29-1/4 in.; gilt wood frame, 25 x 35 x 1-3/4 in., not examined out of sealed frame, some probable smudging and framing, frame with wear

Estimate: $1,000 - $2,000

Attributed to George Hartwell Family Portraits (Massachusetts, 1815-1901)

Three Portraits; A Man with a Beard, a Woman with a Lace Collar, and their Daughter, in a Blue Dress; all unsigned, all oil on canvas, painted ovals, all 271/4 x 22-1/2 in.; all in matching reproduction burl wood veneer frames 34 x 29 x 1-3/4 in., all linen lined, stabilized crackle, areas of retouch, stretcher marks, all appear well conserved; frames with cracking, two with losses to burl veneer Provenance: Collection of Allan Daniel, New Jersey; Northeast Auctions, Portsmouth, New Hampshire, August 6, 2011, as Prior Hamblin School; Property from the John B. Schorsch Collection Estimate: $7,000 - $9,000

Edward Beyer, Panoramic View of “Old Liberty”, Virginia (German/America, 1820-1865)

View of Liberty, Virginia, 1855, signed and dated lower left, “Ed. Beyer 1855”, oil on canvas, 26-1/4 x 58 in.; possibly original period faux painted wood frame, 33-1/2 x 65-1/4 x 3 in., old wax lining, stabilized crackle, slight stretcher marks, spots of retouch scattered throughout; attractive patina, wear commensurate with age, slight separation at corners

Provenance: Sara A. Buford, Bedford, Virginia; 1928, descended in the family of William W. and Edith W. Berry

Estimate: $70,000 - $90,000 Liberty, Virginia, was named in 1782 for the colonial victory over Cornwallis at Yorktown in 1781. It is now the incorporated town of Bedford, Virginia.

Exhibited: Edward Beyer, Roanoke City Library and Fine Art Center, May 1974, catalog no. 4. The Roanoke City Library and Fine Arts Center is now the Taubman Museum of Art.

Folk Art Portrait of a Gentleman (American, 19th century)

In Fancy Dress, oil on canvas, unsigned, 28 x 24 in.; reproduction painted wood frame, 32-1/2 x 28-1/2 x 1-1/4 in., old linen lining, retouch, surface dirt, uneven varnish, stabilized crackle, surface dirt; frame with wear and abrasions

Provenance: Private Collection

Estimate: $500 - $700

John Joseph Enneking (American, 1841-1916)

Autumn Colors, 1898, signed and dated lower right “Enneking 98”, oil on canvas, 22 x 30-1/4 in.; ornate period carved gilt wood frame, 33-1/2 x 41-1/2 x 3-1/2 in., laid on board, wax lined, surface dirt, yellowed varnish; frame with wear, cracks, re-gilt, small losses

Estimate: $3,000 - $5,000

66 Walter Mason Oddie (American, 1808-1865)

Fording the River, incised stretcher verso “W.M. Oddie 1856”, oil on canvas, 40 x 60 in.; period carved gilt wood frame, 45-1/2 x 65-1/4 x 2-1/4 in., old linen lining, old patch repairs verso with evidence of corresponding tear recto, yellowed varnish; frame with abrasions

Estimate: $3,000 - $5,000

Thomas Sully (England/America, 1783-1872)

Portrait of a Lady, signed verso “TS 1862”, oil on canvas, 30 x 25 in.; fine ornate period frame, 44 x 39 x 5-1/2 in., lined, stable surface, areas of retouch; frame with wear, separation, small losses

Provenance: Private Collection, Savannah, Georgia

Estimate: $4,000 - $6,000

Folk Art Portrait of Gentleman with Letter (American, 19th century)

Thomas Moran Print (American, 1837-1926)

The Gate of Venice, 1888, signed lower left “T. Moran.”, etching, drypoint and roulette on imitation Japanese paper, image, 8 x 31-1/4 in., sheet, 20-1/2 x 34 in.; modern wood frame, 25-1/2 x 39 x 1-1/8 in., slight toning, unmounted; frame with abrasions

Provenance: Property from a Private Collection, Vero Beach, Florida; Zaplin Lambert Gallery, Santa Fe, New Mexico, no. c-21236 (label verso)

Estimate: $1,000 - $1,500

Unsigned, oil on panel, 25-3/4 x 29 in.; period gilt wood frame, 35-1/4 x 30-1/4 x 2-1/2 in., numerous surface scratches and anomalies, surface dirt, crackle, yellowed and uneven varnish; frame with wear and abrasions, surface loss, one protruding nail lower right

Provenance: Private Collection

Estimate: $700 - $900

Six Piece New York Coin Silver Tea Service

American, late 19th century, paneled pear forms with floral decoration, ivory spacers, no monograms, marks for Charters, Cann & Dunn (New York, NY, working 1848-1854), 201.20 oz. T., including 16 in. hot water kettle with matching coffee, teapot, covered sugar, creamer, and waste, hot water missing burner and one support detached, all with dents, light scratches, and typical wear

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $6,000 - $7,000

This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn.

Three Piece Coin Silver Tea Service early to mid 19th century, urn forms with die rolled borders, unmarked, test .900 or better, 80.22 oz. T., 10-1/2 in. teapot with matching covered sugar and creamer, dents, scratches, and wear

Provenance: Private Alabama Collection

Estimate: $2,000 - $3,000

Tiffany Sterling Bowl with Floral Border and Wire Frog American, 1902-1907, round with floral and fern border, central monogram, marks for Tiffany & Co., “16714...8294”, 68.80 oz. T.; with silver plate removable wire frog, sterling with light scratches and some wear; frog with loss to plate

Provenance: Private Asheville Collection

Estimate: $2,500 - $3,500

Three Piece Coin Silver Coffee Service, Bailey & Co. early/mid 19th century, urn forms with die rolled Greek border, floral repousse decoration, ivory spacers, monograms, all with marks for Bailey & Co., 65.26 oz. T., 10-1/2 in. coffee pot with matching covered sugar and creamer, coffee pot finial off but present, small dents, and wear

Provenance: Collection of Mrs. Elizabeth R. Williams of Charleston, South Carolina; Private Collection Estimate: $2,000 - $3,000

Six Piece Goodnow & Jenkins Sterling Tea Service

late 19th/early 20th century, melon forms with engraved decoration, wicker wrapped handles, ivory finials, no monograms, marks for Goodnow & Jenkins (Boston, Massachusetts, 1893-1905), 123.65 oz. T., 12-1/2 in. hot water kettle with matching coffee, teapot, open sugar, creamer, and waste, crack to finials, some damage to wicker, small dent, light scratches, and typical wear

Provenance: Property from a Private Collection, Vero Beach, Florida

Estimate: $5,000 - $6,000

Shiebler Mixed Metal Leaf Dish with Spider and Fly

American, late 19th/early 20th century, leaf form base, applied brass fly and three dimensional spider at handle, marks for maker Shiebler and retailer J. E. Caldwell & Co., 4.95 oz. T., 3-3/4 x 6-1/2 x 3-1/4 in., spider missing part of three legs, dents, and wear

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $300 - $600

Set of Ten Tiffany Chrysanthemum Sterling Plates

American, 1907-1947, round scalloped border with chrysanthemums, central crest, all with marks for Tiffany & Co., “7289...210”, 193.29 oz. T., 10 in., good condition, light scratches

Provenance: Private Oregon Collection

Estimate: $10,000 - $15,000

22 Tiffany Pattern Sterling Serving Pieces American, late 19th century, including sugar spoon; large soup ladle; for slotted serving spoons; serving spoon with fruit bowl; sauce ladle; tomato server; sugar tongs; berry scoop; two fish servers; solid handle butter; gravy ladle; sugar sifters; three pierced serving ladle; serving fork; two serving spoons, 55.04 oz. T., 6 in. to 12-1/2 in., average wear

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $2,000 - $3,000

Tiffany Pattern Sterling Flatware, 118 Pieces American, 20th century including ten 8-1/8 in. solid handle knives; ten 8 in. forks; ten 7 in. forks; ten 6-5/8 in. salad forks; six 6-1/2 in. pastry forks; six 5-3/4 in. ice cream forks; eleven 6 in. teaspoons; ten 6 in. dessert spoons; ten 7-1/8 in. table spoons; ten 8-1/2 in. large spoons; six 6 in. citrus spoons; ten 4-3/8 in. demitasse spoons; nine 6 in. solid handle spreaders, most with monograms, all with marks for Tiffany & Co., 170.04 oz. T., average wear

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $7,000 - $8,000

Footed Tiffany Sterling Bowl American, 1947-1956, round with deco style feet, monogram, marks for Tiffany & Co., “23238”, 23.21 oz. T., 4 x 8-1/2 in., one foot bent (does not sit flat), dents, and wear

Provenance: Private Collection

Estimate: $800 - $1,200

Set of Six Tiffany Individual Sterling Open Salts and Peppers American, 1907-1947, reeded borders, monograms, all with marks for Tiffany & Co., 15.56 oz. T., including six each of open salts, 1-1/4 x 2 in.; pepper caster, 3-1/4 in.; salt spoons, 2-1/4 in., several with pitting, light scratches and wear

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $500 - $800

Aaron Willard Gilt Mahogany Banjo Clock (American, 1757-1844), enameled dial with Roman numerals and inscription “A. Willard Jr./ Boston”, two reverse painted glass panes, one with seascape of US Frigate Constitution, surmounted by eagle finial, 4-1/4 x 10 x 4 in., not tested for functionality, flaking and loss to reverse painted decoration, some cracking and loss to gilt veneer and enamel dial, some discoloration to metal throughout

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $800 - $1,200

New England Queen Anne Birch and Cherry Fan Carved High Chest possibly Connecticut, 18th century, birch, cherry, and other mixed primary woods poplar and white pine secondary woods, dovetailed construction, top drawer with three drawer facade, full circle fan carving to drawer, 38 x 40 x 21 in., 12 inch patch to proper right front edge of cornice, restoration to kneed returns, proper right rear foot with split, typical shrinkage cracks and surface wear, later brasses

Provenance: Private Eastern North Carolina Collection

Estimate: $1,000 - $2,000

Boston Federal Mahogany Porringer Top Card Table, Attributed to John and Thomas Seymour, early 19th century, figured mahogany top with inlaid edge, apron with maple and exotic hardwood veneers, turned legs, closed 30 x 38 x 18-1/4 in., open 29-1/2 x 38 x 36-3/4 in., extensively restored, with distress and wear to finish; cracking and repair to veneers, large triangular patch repairs adjacent to hinges on both fixed and folding tops and pieced repair at proper left turret corner; repairs to both front legs at joint with top, now secured to front rail with large modern bolts; proper left front leg loose

Provenance: Estate of Katherine B. Russell, Jacksonville, Florida; by descent in family

Estimate: $1,000 - $1,500

Pennsylvania Chippendale Figured Walnut Slant Front Desk circa 1770, poplar secondary wood, dovetailed construction, well developed fitted interior with hidden drawer, quarter columns, ogee bracket feet, 43-1/2 x 40-1/2 x 21 in., retains original brasses, scattered restorations and wear including infill, feet original with some breaks to facings and all with later platforms

Provenance: Trela Antiques, Baldwin, MD (undated appraisal value $14,000, copy available); Private Collection

Estimate: $1,000 - $1,500

American Federal Inlaid Mahogany Games Table

Mid Atlantic, probably Baltimore, late 18th/early 19th century, poplar(?) and white pine secondary woods, string and diamond checkered inlay, figured mahogany apron, closed 29-3/4 x 35-3/4 x 17-1/2 in., open 29-1/8 x 35-3/4 x 35 in., top sunfaded and surface with some wear, break and repair to apron at inside proper left front corner, breaks and repairs at hinges, flyleg wobbly and formerly fitted with an L brace between proper right rear leg and flyrail, legs with scuffs

Provenance: Property from a Private Collection, Vero Beach, Florida

Estimate: $800 - $1,200

Mid Atlantic Federal Figured Mahogany Work Table first half 19th century, poplar and pine secondary woods, diamond quilted carved legs, 34-1/2 x 28 x 20-1/4 in., top with warping at both front corners and appears to be reset, now with plugged corners and a later strip along the back edge; break and repair to proper right front leg at joint w case, brasses later

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $300 - $500

Pair of Pewter Double Bullseye Whale Oil Lamps American, mid 19th century, unmarked, approx. 10-3/4 x 4-1/4 x 4-1/4 in., scratching to glass lenses, patinated pewter with scratching and some verdigris

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $600 - $900

Ithaca Calendar Mantel Clock, 3-1/2 Model American, later 20th century, works unmarked, 20-1/8 x 10-1/4 x 5-1/4 in., not tested for functionality, abrasions to wood throughout, wear to silver paint, some tarnishing and spotting to metal elements, lacking key

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $500 - $700

Mottahedeh Chinoiserie Porcelain Tureen and Underplate, with Spode Tureen 20th century, MOT40 pattern, makers mark to base, depicting a bird in a tree on a rocky outcrop, tureen 9 x 9-1/2 x 14 in.; underplate 1-5/8 x 11-3/4 x 15 in.; together with Spode stone china tureen, makers mark to base, fish head handles, 5 x 8-1/4 x 13 in., good overall condition, wear commensurate with age and use, anomalies as made; Mottahedeh tureen and underplate with areas of surface accretion (see blacklight photos); Spode tureen lacking lid

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia Estimate: $200 - $400

Pair of Etched Glass Hurricane Shades

19th century, 22-1/8 x 7-3/8 x 7-3/8 in., air bubbles and anomalies, scratches to bodies, bases, and rims

Provenance: Property from a Private Collection, Vero Beach, Florida Estimate: $600 - $900

Barbizon Landscape

(American or British/Continental, 19th century)

Country Lane, unsigned, oil on canvas, 28 x 36 in.; ornate carved gilt wood and composition frame, 36 x 44-1/4 in., lined, areas of retouch, yellowed varnish; frame with wear

Provenance: Private Georgia Collection

Estimate: $2,000 - $4,000

Chauncey Ryder

(New York/New Hampshire, 1868-1949)

Landscape with Figures, signed lower right “Chauncey F. Ryder”, oil on canvas, 183/4 x 24-1/4 in.; silver finished wood frame, 23-1/4 x 28-3/4 x 1-3/4 in., linen lined, retouch along edges, yellowed varnishï¼› frame with wear and abrasions

Provenance: Treadway-Toomey Gallery, Cincinnati, Ohio, May 23, 2010

Estimate: $600 - $900

Hudson Mindell Kitchell (American, 1862-1944)

New England Sunset, 1927, signed lower right “H.M. Kitchell 1929”, oil on canvas, 18 x 24 in.; period carved gilt wood frame, 27-1/4 x 33-1/4 in., yellowed varnish, crackle, surface dirt layer; frame with wear, cracking, separation

Provenance: Knoke Fine Arts, Marietta, Georgia (label verso); Private Georgia Collection

Estimate: $700 - $900

94 Dana Pond (American, 1880-1962)

The Tigress, 1926, signed and dated upper right “Dana Pond 1926”, oil on canvas, 49-3/4 x 87-3/4 in.; fine carved gilt wood frame, 101-1/2 x 64 x 3 in., wax lined, stabilized crackle, areas of retouch; frame with minimal wear

Provenance: Babcock Galleries, New York, NY (label verso); Private Georgia Collection

Estimate: $8,000 - $10,000

95 Franklin E. Booth (American, 1874-1948)

Twilight, signed lower right “Franklin E. Booth”, oil on canvas, 28 x 38 in.; gilt wood frame, 32-1/4 x 42-1/4 in., surface dirt, crackle, old patch repair verso; frame with wear

Provenance: Private Georgia Collection

Estimate: $600 - $800

Lemuel Eldred (American, 1848-19921)

Fishing Boats, Venice, 1881, signed and dated lower left, “L.D. Eldred ‘81”, oil on board, 6 x 10 in.; fine period gilt wood frame, 15-1/2 x 19-1/2 x 3 in., small scattered spots of retouch; frame with some wear, cracking Provenance: Zaplin Lampert Gallery, Santa Fe, New Mexico (presumably, label verso); Property from a Private Collection, Vero Beach, Florida

Estimate: $1,000 - $2,000

Leon Lundmark (Sweden/America (1875-1942)

Seascape, Lake Michigan, 1921, signed and dated lower right, “Lundmark 1921”, inscribed with artist’s name verso, oil on canvas, 24 x 40 in.; gilt wood frame, 33 x 39 x 2-1/2 in., original canvas and stretchers, crackle, stretcher marks, conserved by Painting Conservation, Asheville, North Carolina, 2006, treatment label verso; frame with abrasions

Provenance: Private Collection

Estimate: $800 - $1,200

100

Two Quaker Watercolors, One Signed J. Cruickshank Smith (American, 19th/20th century)

Two naive watercolors: Friends (Quaker) Meeting in The Barn, 1865, signed and dated lower right “By J. Cruickshank Smith / 1865”, inscriptions in lower area with names of characters and other descriptions, watercolor and pencil on paper, image 7-3/8 x 9-5/8 in.; black wood frame, 11-3/4 x 13-3/4 x 5/8 in.; interior scene with figures and dog, story inscribed in upper margin “J.B.S. Makes up his mind to spend part of the sum-mer with the Doctor and borrows Debbys [sic] travelling trunk to put up a few thing:”, lower margin inscribed “Don’t be Scared!”, unsigned, watercolor and pencil on paper, sight 7-1/2 x 9-1/2 in.; black wood frame, 11 x 13 x 5/8 in., light toning, creases, not examined out of frames, “Friends Meeting” floated on backing, small losses at edges; frames with wear and abrasions

Provenance: Property from the John B. Schorsch Collection

Estimate: $500 - $700

Rare Newburyport Federal Eglomise Giltwood Mirror

Barnard Cermenati label on the back, Newburyport, Massachusetts, circa 1807, panel with stylized Great Seal of United States, mirror plate flanked by cluster columns, backboard also retains a label with graphite inscription “from Home / Mrs Gordon Woodbury / Manchester, NH”, 42-1/2 x 27-1/2 x 4-3/4 in., later mirror plate and eglomise panel, gilding with cracks, losses and some retouch

Provenance: Private Collection

Estimate: $700 - $1,000

New England Federal Inlaid Figured Mahogany Card Table possibly Portsmouth, New Hampshire, early 19th century, white pine secondary wood, ladder inlaid stringing throughout, apron with flame birch and birdseye maple panels, single fly leg, chalk inscription to underside, closed 28-1/2 x 36 x 16-1/2 in., open 27-3/4 x 36 x 33-3/4 in., good condition considering age, top with stains and wear, veneers with some spits and repairs, minor scuffs and scratches to legs

Provenance: Property from a Private Collection, Vero Beach, Florida

Estimate: $500 - $700

102

101

Mid Atlantic Federal Inlaid Mahogany Bowfront Sideboard probably Pennsylvania, early 19th century, white pine, cherry, mahogany, and white cedar secondary woods; crossbanded and string inlay, figured drawer and door fronts, cellarette drawer, 361/2 x 69-1/2 x 23-1/2 in., central drawer is associated, surface wear with ring stain to top and scuffs to leg edges, veneers with splits and repairs, both case sides with horizontal splits and infill, upper legs with inlay loss, proper left rear leg with upper and lower spliced replacements, later brasses

Provenance: Property from a Private Collection, Vero Beach, Florida

Estimate: $800 - $1,200

New England Federal Inlaid Mahogany and Maple Tambour Desk, Prickett Provenance early 19th century, white pine secondary wood, in two sections, smaller drawers dovetailed, larger drawers with butt joint to front, mahogany and figured maple with banded line inlay throughout and oval patera to prospect door, illegible period white pencil to drawer underside with “11 Sept, Slay..(?), 16 Oct”, later pen to small drawer underside reads “Mrs. Charlton Henry, 33nd Moreland Ave, St. Martin”, drawer interior with label “American Antiques From the C.L. Prickett Collection”, 51 x 39-1/4 x 19-1/4 in., some minor splits and separations to veneers throughout with some repairs, some minor inlay losses, top with warping, prospect door locked with no key, scratches and splits to proper left case side with infill, some splits to feet facings and small loss to facing at outer side of proper right front foot; brasses replaced

Provenance: C.L. Prickett; Property from a Private Collection, Vero Beach, Florida

Estimate: $1,000 - $1,500

103

American Federal Inlaid Mahogany and Parcel Gilt Mirror, probably New York, early 19th century, streamers to sides, urn issuing flowers and wheat finial, 57 x 22 x 2-1/2 in., later mirror plate and back panel, veneers with some areas of cracks, loss and infill; gilding with some cracking, flaking and infill; some warping to crest, foliate pendants with some losses and repairs, later bracing bar affixed to back of skirt, one floral element off but present

Provenance: Property from a Private Collection, Vero Beach, Florida

Estimate: $800 - $1,200

104

Drexel Heritage Hepplewhite Style Inlaid Walnut Dining Table North Carolina, 20th century, top with figured radiating walnut veneers, maple crossbanding and rosewood edge, saber legs headed by paterae, two 22 in. leaves included, 29-1/4 x 64-1/2 x 44 in., greatest length 108-1/2 in., very light wear overall with minor scuffs to lower legs, veneer with small loss to top edge

Provenance: Louise Glickman

Estimate: $1,000 - $1,500

105

Folk Art Faux Painted Dome Top Box

American, 19th century, the sides and top with faux inlay, 3-3/4 x 5-7/8 x 3-5/8 in., some rubbing and loss to painted surface, notably at rims and base, small chip near back right hinge

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $300 - $500

106

Three American Sheet Iron Silhouette Weathervanes probably 19th century, comprising: Archangel Gabriel with trumpet, 9-1/2 x 21-3/4 in.; angel holding tray with bottle and chalice, 29 x 19-1/2 in.; Native American with hatchet, 24 x 12 in., warping, rust, and corrosion, surface dirt/ accretion, signs of outdoor use; large angel with multiple repairs, remnants of painted surface

Provenance: Property from the John B. Schorsch Collection

Estimate: $800 - $1,200

107

Gilt and Painted Copper Rooster

Weathervane with Standard, late 19th century, gilded copper body, iron legs, sheet zinc tail, on directional standard, rooster 153/4 x 13-3/4 x 1-1/2 in., standard 54 x 14 x 14 in., stand and weathervane by association, gilding abraded with some areas of retouch, red sizing visible throughout, pellet hole and numerous dents and some seam separations; legs weathered

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $800 - $1,200

108

Seven Paint Decorated Black Toleware Objects

probably American, 19th century, comprising: coffee pot; teapot; two tea caddies; two candle sconces; candle mold; largest 8-3/4 x 9 x 6 in., all with minor dents and warping commensurate with age and use, scattered areas of paint flaking and loss, some areas of rust and corrosion; teapot with several punctures at base; tea caddies with solder repairs at bases; taller sconce with solder at back

Provenance: Estate of Elizabeth Stvan, Williamsburg, Virginia

Estimate: $600 - $900

109

Samuel Yellin Signed Ceiling Light (American/Ukrainian, 1884-1940)

in the Arts & Crafts style, sheet iron frame with mica, wired for electricity with two light socket, stamped “Yellin” on frame, approx. 9 x 20-1/2 x 20-1/2 in., not tested for functionality, scattered areas of rust and corrosion, scattered dents and warping, wires cut, lower panel slightly loose on hinge

Estimate: $600 - $900

110

Three Samuel Yellin Signed Ceiling Lights (American/Ukrainian, 1884-1940) in the Arts & Crafts style, sheet iron frames with mica, each wired for electricity with two light socket and stamped “Yellin” on frame, two approx. 9 x 20-1/2 x 20-1/2 in., one fitted for sloped ceiling, 11-1/2 x 20-1/2 x 20-1/2 in., not tested for functionality, scattered areas of rust and corrosion, scattered dents and warping, wires cut, significant losses to mica panels

Estimate: $600 - $900

111

Three Samuel Yellin Signed Wrought Iron Hinges (American/Ukrainian, 1884-1940)

stamped “Samuel Yellin/Phila. PA” verso, 9-1/8 x 5-3/4 x 3 in. extended, good overall condition, resurfaced, some minor anomalies and wear

Estimate: $500 - $700

112

Pair of Cast Bronze Whippet Statues 20th century, apparently unmarked, each approx. 20-1/4 x 26 x 5-1/4 in., some uneven patination, some verdigris and paint transfer

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $400 - $600

113

Duffner & Kimberly Bronze Art Nouveau Thistle Lamp Base

20th century, unmarked, 25-1/4 x 8 x 8 in., patinated finish, some scratching and pitting, break and loss to jade at finial, felt at base partially detached, not tested for functionality

Provenance: Irving Spanierman, Hendersonville, North Carolina and Sarasota, Florida

Estimate: $400 - $600

114

Tiffany Studios Favrile Glass Pulled Feather Vase with Gilt Bronze Base

American, 20th century, underside of glass with etched “L.C.T.”, underside of base stamped “Tiffany Studios/New York” and “1403”, approx. 11-3/4 x 5 x 5 in., anomalies as made, some scratching, discoloration to bottom of vase from base, patina and some spotting to base, areas of verdigris to interior of base

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $800 - $1,200

115

Three Pieces of Tiffany Favrile Glass Drinkware 20th century, each etched “L.C.T.” at undersides of bases, comprising: decanter with “73” etched at underside of base and stopper; diminutive goblet with “Favrile” etched at underside of base; cordial; largest 9-5/8 x 4 x 4 in., some light scratching/wear to finish, decanter with break and loss to foot rim

Provenance: Irving Spanierman, Hendersonville, North Carolina and Sarasota, Florida

Estimate: $500 - $700

116

Steuben Aurene Glass Peacock Feather Vase

20th century, “aurene/255” etched to base, Steuben Glass Works label to base, 6-1/4 x 3 x 3 in., accretion to interior, some light scratching/wear to finish

Provenance: Irving Spanierman, Hendersonville, North Carolina and Sarasota, Florida

Estimate: $1,000 - $2,000

117

Alice Winter (American, 1877-1970)

Dick Hall with his Sailboat, signed lower left “Alice Beach Winter”, oil on canvas, 16 x 12 in.; gilt wood frame, 23-1/4 x 19-1/4 x 2-1/4 in., laid on board likely as made, surface dirt; frame with wear, linen liner with staining

Provenance: Private Collection, New Jersey

Estimate: $1,800 - $2,200

118

Colin Campbell Cooper (American, 1856-1937)

Landscape with a House, signed lower right “CC Cooper”, oil on Masonite, 12 x 16 in.; carved gilt wood frame, 15-1/2 x 19-1/2 in., yellowed varnish, areas of fluorescence in sky, wear at all edges not visible under frame; frame with wear

Provenance: Private Collection, New Jersey

Estimate: $1,000 - $2,000

119

Colin Campbell Cooper (American, 1856-1937)

Emma Lampert Cooper in California, signed lower right “E. Lampert Cooper by CCC”, oil on canvas board, 10-1/2 x 8-1/2 in.; reproduction gilt wood frame, 153/4 x 13-3/4 in., areas of fluorescence, possibly pigment related; frame with wear

Provenance: Private Collection, New Jersey

Estimate: $3,000 - $5,000

120

Cecil Bell (American, 1906-1970)

Girl Reading, signed lower right “C.C. Bell”, artist estate stamp verso, oil on Masonite, 14-1/4 x 10 in.; carved gilt wood frame, 16-3/4 x 12-3/4 x 1-3/8 in., small areas of retouch, areas of slight surface wear; frame with wear

Provenance: Private Collection, New Jersey

Estimate: $1,000 - $2,000

121

Kenneth Hayes Miller (American, 1876-1952)

The Horse Carriage, signed lower right “Hayes Miller”, with faint sketch of figures board verso, oil on board, 7-3/4 x 10-3/4 in.; period carved gilt wood frame, 14-3/4 x 17-3/4 x 1-3/4 in., very slight surface abrasion upper left, edges of board with wear, not visible in frame; frame with wear

Provenance: Private Collection

Estimate: $1,000 - $2,000

122

Max Kuehne (German/America, 1880-1968)

Picnic on the Shore, signed lower right “Kuehne”, oil on Masonite, 29 x 39 in.; fine carved gilt wood frame, 37-1/2 x 47-1/2 x 2 in., surface dirt, yellowed varnish; frame with wear

Provenance: Hirschl & Adler Galleries, Inc., New York, NY (label verso); Private Collection, Atlanta

Estimate: $8,000 - $12,000

123

Edna Marrett Wilcocks, California Scene (American, 1887-??)

California Dunes, signed lower left, “E. Marrett Wilcocks”, oil on canvas, 20 x 24 in.; gilt wood frame, 23-3/4 x 27-3/4 x 1-1/2 in., original canvas and stretchers, crackle, stretcher marks, surface dirt layer; frame with wear

Provenance: Private Collection, New Jersey

Estimate: $1,000 - $2,000

Provenance: Private Collection, New Jersey

Estimate: $5,000 - $7,000

124

Nicolai Cikovsky (Polish/America, 1894-1984) Western Scene, 1940, signed and dated lower right “Nicolai Cikovsky 1940”, oil on Masonite, 21-1/2 x 27 in.; fine carved gilt wood frame, 27 x 32 x 2 in., good condition overall, varnish slightly uneven/dry in places; frame with minimal wear

125

Conrad Buff (Swiss/America, 1886-1975)

California Mountains, signed lower right “Conrad Buff”, oil on Masonite, 23-3/4 x 35-3/4 in.; carved gilt wood frame, 281/2 x 40-1/2 in., good overall condition, tiny areas of very slight surface wear; frame with some wear

Provenance: Private Collection, New Jersey

Estimate: $5,000 - $7,000

126

Robert Reid (American, 1862-1929)

The Country Manor, signed lower right “Reid”, oil on board, 9-3/4 x 12 in.; period carved gilt wood frame, 16 x 18-1/2 in., surface clean and stable, one visible surface crack at upper left corner; frame with wear

Provenance: Goldfield Galleries, Los Angeles, California (label verso); Private Collection, New Jersey

Estimate: $8,000 - $12,000

Exhibited: Mural Sketches and Impressionist paintings by Robert Reid, Utah Museum of Fine Art, University of Utah, Salt Lake City, Utah, November 20, 1975-January 10, 1976 (label verso).

976

127 Frederick John Mulhaupt (American, 1871-1938)

Coastal Scene, signed lower right “Mulhaupt”, also signed pencil verso, oil on board, 8 x 10 in.; reproduction gilt wood frame, 13-3/4 x 15-3/4 x 2-5/8 in., surface dirt, yellowed varnish, crackle, wear on edges not visible under frame, areas of retouch, strips of board attached verso for stabilization

Provenance: Property from a Private Collection, Vero Beach, Florida

Estimate: $2,000 - $3,000

Estimate:

128 Wolf Kahn (German/America, 1927-2020)

Birch Grove, signed lower right “W. Kahn”, pastel on paper, 20 x 25-3/4 in.; silver finished wood frame, 30-1/2 x 36 in., floating on backing, presumably tacked at corners, bright color, good condition overall; frame with some wear and small losses

$10,000 - $15,000

129

Peggy Watkins (American, born 1963)

Training Day, signed lower left “Watkins”, oil on canvas, 24 x 30 in.; wood frame, 34 x 40 x 3 in., good condition overall; frame with some wear and surface losses

Provenance: Sportsman’s Gallery, Ltd., Atlanta, Georgia (presumably, label verso); Private Collection, Savannah, Georgia

Estimate: $1,800 - $2,800

130 Robert Cottingham (American, born 1935)

The Sign at Berry’s, 1979, signed, dated, titled backing margin lower edge recto, “Berry’s, Cottingham 1979”, acrylic on paper, 10-1/4 x 10-1/4 in.; silver metal sectional frame, 18-1/4 x 18-1/4 in., laid on backing as made, good condition overall; frame in with some wear

Estimate: $10,000 - $15,000

131

Robert Stark (American, born 1939)

The Red Sail, Nantucket, signed lower left “R. Stark”, oil on canvas, 12 x 16 in.; modern gilt wood frame, 16 x 20 x 1 in., good condition overall; frame with minimal wear

Estimate: $2,000 - $4,000

133

Jerome Grimmer

(California/Michigan, born 1939)

Sandbar II, signed lower right “Jerome Grimmer”, titled stretcher verso, acrylic on canvas, 30-1/4 x 40-1/4 in.; silver painted wood frame, 40-1/4 x 50-1/4 x 1-3/4 in., good overall condition; frame with wear and abrasions, mat liner with wear

Provenance: Private Collection, Atlanta, Georgia

Estimate: $500 - $700

132

Teruko T. Wilde (Japanese/America, born 1945)

Arizona Sunset II, 1999, signed lower right “T. Wilde”, oil on Masonite, 12 x 22 in.; modern gilt wood frame, 17-1/2 x 27-1/2 x 3/4 in., painting in overall good condition; frame with wear

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $600 - $800

134

William R. Davis

(American, born 1952)

Concordia Yawl Off The Gurnet, 2009, signed “William R. Davis” lower right, in addition, signed verso, dated March 2009, also signed and inscribed backing verso, oil on Masonite, 8 x 12 in.; reproduction gilt wood frame, 14-1/8 x 18 x 2-1/4 in., scratch right side of painting, wear and chips on all edges, frame with abrasions

Provenance: Property from a Private Collection, Vero Beach, Florida

Estimate: $1,000 - $2,000

136

Rockwell Kent, Revisitation (New York, 1882-1971)

(B-J 22), 1928, edition of 100, signed lower right “Rockwell Kent”, inscribed with title lower right, lithograph on paper, sheet 16 x 11-5/8 in.; gilt wood frame, 17-5/8 x 21-3/8 x 1 in., dark impression, floated, full margins with deckled edges, very slight toning; frame with losses

Provenance: Property from a Private Collection, Vero Beach, Florida

Estimate: $800 - $1,200

135

Andrew Wyeth, The Virgin (Pennsylvania/Maine, 1917-2009)

The Virgin, 1977, edition 14/200, signed and numbered in ink lower right “Andrew Wyeth 14”, Brandywine Conservancy, Inc., publisher, blindstamp lower left, Triton Press, printer, collotype, image 25-3/4 x 19 in., sheet 30-3/8 x 22-3/4 in.; wood frame, 38 x 29-5/8 in., hinged in, backed with barrier paper, light fading; frame with abrasions

Provenance: A Private North Carolina Collector

Estimate: $400 - $800

137

Four Piece Reed & Barton Sterling Tea Service

American, mid 20th century, scroll and floral decoration, ivory spacers, monograms, all with marks for Reed & Barton, 99.98 oz. T., including 11-3/4 in. coffee pot, teapot, covered sugar, and creamer, some dents, light scratches, and wear

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $4,000 - $5,000

138

Gorham Sterling Footed Salver with Repousse Border American, 1890, round with floral repousse border, three ball and claw feet, monogram, marks for Gorham, 10.16 oz. T., 1 x 8-1/4 in., small dents and light scratches

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $400 - $800

139 Georgian Style Sterling Covered Entree 20th century, rounded rectangular with gadroon borders, interior monograms, no maker’s marks, 49.19 oz. T., 4 x 8-1/4x 11-1/4 in., dents and wear

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $2,000 - $2,500

140

Meriden Sterling Bowl

American, shaped border with scroll and foliate decoration, monogram, marks for Meriden, 16.01 oz. T., 3 x 11-1/2 in., dents and wear

Provenance: Estate of Lamar John Ryan Cecil, Lynchburg, Virginia

Estimate: $600 - $900

141

Fisher Rose Bouquet Sterling Water Pitcher

American, 20th century, urn form with floral, shell, and scroll decoration, no monogram, marks for Fisher, 23.08 oz. T., 10-1/2 x 9-1/2 x 6 in., small dents and light scratches

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $900 - $1,500

142

Ornate Openwork Sterling Two Handle Center Bowl

American, 20th century, oval with openwork sides, shell, floral, and swag decoration, two handles, central monogram, marks for retailer Cowell & Hubbard, 48.03 oz. T., 5-1/4 x 16-1/2 x 13-1/2 in., small and typical wear

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $2,000 - $2,500

143

Tuttle Sterling Water Pitcher

American, 20th century, round modern style, monogram, marks for Tuttle, 24.17 oz. T., 7-3/4 x 8-3/4 x 6 in., light scratches, one dent in base, and typical wear

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $900 - $1,500

144

Towle Royal Windsor Sterling Flatware, 85 Pieces

American, 20th century including eleven hollow handle knives; twelve forks; twelve salad forks; sixteen teaspoons; twelve oval soup spoons; eight solid handle spreaders; eight cocktail forks; two serving spoons; serving fork; sugar spoon; ladle; solid handle butter knife, no monograms, all with marks for Towle, 81.47 oz. T. excluding hollow handle pieces, average wear

Provenance: Private Collection, Asheville, North Carolina

Estimate: $3,000 - $4,000

147

145

Two Sterling Revere Style Bowls

American, round with flared rim, no monograms, both with marks for Shreve, Crump & Low Co., 55.75 oz. T., 5-1/4 x 10 in. and 4-1/2 x 9 in., rim dings, light scratches, and typically wear

Provenance: Private Collection

Estimate: $2,000 - $3,000

146

Prelude International Sterling Flatware, 65 pieces American, 20th century including ten hollow handle knives; ten forks; ten salad forks twelve teaspoons; eleven round soup spoons; ten solid handle spreaders; serving spoon; ladle, no monograms, all with marks for International, 65.07 oz. T. excluding hollow handle items, average wear

Provenance: Irving Spanierman, Hendersonville, North Carolina and Sarasota, Florida

Estimate: $2,600 - $3,000

Reed & Barton Francis I Sterling Flatware, 44 Pieces

American, 20th century including eleven hollow handle knives; eight forks; five salad forks; seven teaspoons; four cocktail forks; nine solid handle spreaders, most with monograms, all the marks for Reed & Barton, 42.95 oz. T. excluding hollow handle pieces; with wooden case, average wear

Provenance: Irving Spanierman, Hendersonville, North Carolina and Sarasota, Florida

Estimate: $1,500 - $2,500

148

Reed & Barton Francis I Bowl and Compote

American, mid 20th century, both Francis I pattern, both with marks for Reed & Barton, 23.02 oz. T., compote, 4-1/2 x 8 in. and bowl with inscription on base, 8 in., both with typical wear

Provenance: Private Collection

Estimate: $1,300 - $1,800

149

Dominick & Haff Sterling Teapot and Open Sugar

American, 20th century, urn forms with floral decoration, ivory spacers, monograms, marks for Dominick & Haff, 20.19 oz. T., 10-3/4 in. coffee pot and 5-1/4 in. sugar, sugar possible missing lid, small dents, and light scratches

Provenance: To Benefit WNC Bridge Foundation

Estimate: $800 - $1,200

150

Gorham Gadroon Sterling Flatware, 87 Pieces

American, 20th century including twelve hollow handle knives; eleven forks; twelve salad forks; twelve teaspoons; twelve ice tea spoons; twelve round soup spoons; six cocktail forks; two serving forks; two serving spoons; solid handle butter; sugar spoon; bon bon; hollow handle pie serving; hollow handle carving set, with six assorted sterling pieces: chrysanthemum style salad set; four salt spoons, all with monograms, 95.23 oz. T., excluding hollow handle pieces, (93 pieces total), average wear

Provenance: Private Collection

Estimate: $3,500 - $4,500

151

Reed Barton Eighteenth Century Sterling Flatware, 60 Pieces

American, 20th century including ten hollow handle knives; ten forks; ten salad forks; eleven teaspoons; ten oval soup spoon; youth fork and hollow handle knife; sugar spoon; serving fork; serving spoon; serving slotted spoon; spouted ladle; hollow handle butter knife; hollow handle pie server, no monograms, all with marks for Reed & Barton, 72.72 oz. T. excluding hollow handle pieces, average wear

Provenance: Private Collection, Asheville, North Carolina

Estimate: $2,000 - $2,500

152

Gorham Sterling Water Pitcher

American, mid 20th century, round form, scroll handle, no monogram, marks for Gorham, 19.55 oz. T., 8-1/2 in., light scratches and minor wear

Provenance: Private Alabama Collection

Estimate: $800 - $1,200

153

Reed & Barton Sterling Bowl

American, 1947, shaped oval form, no monogram, marks for Reed & Barton, 15.62 oz. T., 2 x 9-1/4 x 12-1/2 in., small dents, light scratches, and typical wear

Provenance: Private Alabama Collection

Estimate: $600 - $800

154

Three Pieces Mexican Silver Coffee Service with Tray 20th century, paneled forms and reeded borders, composite spacers, marks for Sanborns, 83.78 oz. T., including 9-1/4 in. coffee pot with matching cover sugar, creamer, and 18 in. two handle tray, coffee and creamer with polishing abrasion, tray with spots of pitting, dents, and wear

Provenance: Estate of Thomas and Julie Madison, Jacksonville, Florida; by descent in family

Estimate: $3,000 - $4,000

155

Eight Sterling Goblets

American, 20th century, all typical form, two Wallace; Lord Saybrook; two Alvin; three Wallace; and one Rogers, 39.93 oz. T., 6-1/2 in. to 6-3/4 in., one Wallace with inscription removed, small dents, and wear

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $1,500 - $2,000

157

Set of Six Sterling Plates with Grape and Vine Decoration

156

Steiff Repousse Sterling Flatware, 56 Pieces

American, 20th century including nine forks; eight salad forks; five teaspoons; two citrus spoons; twelve cocktail forks; sixteen solid handle spreaders; round soup spoon; olive fork; olive spoon; small serving spoon with egg shape bowl, all with marks for Steiff, with 8 other similar pieces: hollow handle pie; six teaspoons; ladle, some with monograms, 66.42 oz. T. excluding hollow handle pieces (64 pieces total), average wear

Provenance: Private Collection, Asheville, North Carolina

Estimate: $2,600 - $3,000

American, 20th century, square with open work grape and vine decoration, marks for Woodside, 37.87 oz. T., 6-1/2 x 6-1/2 in., some with spots of pitting, light scratches, and typical wear

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $1,200 - $1,600

158

Round Sterling Box

American, 20th century, round lidded box, basket weave decoration, monogram, marks for Ahrendt & Kautzman, 23.15 oz. T., 2 x 7 in., light wear

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $900 - $1,200

159

Set of Six Sterling Goblets

probably Japanese, typical form, no monogram, diamond maker’s marks on base, “990”, 6-3/4 in., dents and wear

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $1,000 - $1,500

160

Fine Early Henry Ledford Decorated North Carolina Davidson School Longrifle

(Davidson County, NC, 1786-1856) circa early 1800s, flintlock fullstock, 43 in. octagonal barrel, 3/8 in. bore, dovetail blade front sight, split rear sight, stamped “H. LEDFORD” on top of barrel, 3-/12 in. two screw pointed barrel tang, lock plate stamped “ T. HOWELL & Co. / PHILADELPHIA”, crescent shaped brass side plate, forestock molding with eight diamond shaped inlays, inlays to either side of wrist, butt stock molding, twisted star finial patch box, carved cheek rest inlay and brass pick holder, double set triggers, brass trigger guard, butt plate, ramrod guides and thimbles, ramrod, 57-3/4 in. overall, handling wear consistent with age and use, barrel with wear and oxidation, some light pitting, other metal components with oxidation and tarnish, thin 1-3/4 in. loss to left forestock at fore cap, 2-1/4 in. wood split with small chip in front of trigger guard, 1/2 in chip to wood at rear of trigger guard, old 1 in. chip to wood behind hammer, cock frozen in position, overall good surviving example

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $2,000 - $4,000

Henry Ledford was one of the most prolific makers of longrifles of the Davidson School, his gun shop was located at Abbotts Creek where it crosses modern day HWY 109, see The Longrifle Makers of Davidson School, C. Michael Briggs, pgs. 25, and 24-115, also North Carolina Schools of Longrifles 1765 - 1865, by William Ivey and Kenneth Orr, pgs. 166-169.

161

Early Timothy Vogler Attributed North Carolina Salem School Longrifle (Forsyth County, NC, 1808-1896) circa 1830s, flintlock fullstock, 44-1/2 in. octagonal barrel, 3/8 in. bore, 4-1/4 in. two screw stepped pointed Salem style barrel tang, Salem style triggers, dovetail blade front sight, split rear sight, lock plate stamped “J.J. Henry and Son / Bolton” with engraving, two inset brass plates at side lock screws, full figured stock with incised lines at comb, large button operated patch box without side plates, carved cheek rest, Salem style brass trigger guard, forend cap, ramrod guides and thimble, and butt plates, 60-1/4 in. overall, handling wear consistent with age and use, oxidation and pitting to exterior of barrel and lock plate, split around entire fore stock 26-1/2 inches back from muzzle, solidly held in place, staining to stock, possible sliver loss to toe plate, abrasions to stock at side plates, barrel tang, wrist and buttstock, cock moves but wont set, good example of an early unsigned Timothy Vogler rifle

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $2,000 - $4,000

This rifle is pictured in The Longrifle Makers of the Salem School by C. Michael Briggs and Blake Stevenson on page 171 and 172, Briggs attributes the rifle to Timothy Vogler and claims it’s one of the earliest known. Timothy was the youngest son of Christopher, he trained under John Vogler in 1819, went to Georgia in 1828 to work as a journeyman gunsmith and also worked with the Cherokee Indians, after that he returned to Salem to work with his brother Nathaniel as a gunsmith then built his own gun shop in 1831 on Main Street in Salem, Blake Stevenson was still running Vogler’s gun shop at the time of publication of the book.

162

Decorated William Lamb & Sons North Carolina Jamestown School Longrifle

(William, Henry and Jesse Lamb, Guilford County, NC, William b. 1806) circa 1850, percussion fullstock, 41-1/2 in. octagonal barrel, 3/8 in. bore, 3-3/4 in. rounded barrel tang, faint “W.LAMB & SONS” stamp on top of barrel, dovetail brass blade front sight, split rear sight, faint

“JUSTICE & Co.” stamped lock plate with engraving, brass side plate, double set triggers, maple full stock, four silver diamond inlays to both sides of forestock, two other silver inlays underneath stock, two silver inlays to right side of buttstock, three silver inlays to left side of buttstock, all with stitch engraving to edges, high comb and molding to stock edge, carved cheek rest, brass trigger guard, ramrod guides and thimble, forend cap, pick holder, and butt plate, 57-1/2 in. overall, handling wear consistent with age and use, patina, oxidation and some pitting to exterior of barrel near lock plate, oxidation and pitting to lock plate, converted to percussion, dark areas to wood stock, 1-1/4 in. sliver loss to left side of forend near cap, common wear and loss to stock corner behind cock, small loss to stock edge at lock plate, small splits in wood near rear of trigger guard, likely replaced trigger guard, cock and triggers function, nice surviving example

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $2,000 - $4,000

William Lamb was the best known and likely most respected of all the Jamestown School gunsmiths per Bill Ivey. Michael Briggs states “If you could find the 50 best Jamestown Rifles and put them all in one room, his name would be on more than anyone else.” William Lamb was involved in gunsmithing businesses with several other makers over the years, the gun we offer here was produced later in his life with a business arrangement with his sons, for more examples and information see The Longrifle Makers of Guilford County, C. Michael Briggs, pgs. 16, 51-61, 64-68, and 79-84, also North Carolina Schools of Longrifles 1765 - 1865, by William Ivey and Kenneth Orr, pgs. 90-96.

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163

Henry Ledford Attributed North Carolina Davidson School Longrifle

(Davidson County, NC, 1786-1856) unsigned, early to mid 1800s, percussion halfstock, 40-3/4 in. barrel, 3/8 in. bore, 3-1/2 in. two screw stepped pointed barrel tang, left side barrel flat stamped “ALT & BAKER” upside down, faintly engraved lock plate, engraved brass side plate, James L. Smith double set triggers, brass trigger guard, ramrod guides and thimbles, forend cap, brass butt plate, and engraved eagle finial patch box, toe plate, buttstock with high comb and edge molding and small knob on top of wrist, 56 in. overall, handling wear consistent with age and use, exterior barrel with patina, oxidation, and common pitting near cock, common wear and loss to corner of stock at breech, staining to stock, stabilized 2 in. tack repair to corner of toe stock, possibly replaced toe plate, one hinge to patch box lid broken, will open and close, cock will move but not set, triggers don’t function

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $1,500 - $2,500

Henry Ledford was one of the most prolific makers of longrifles of the Davidson School, his gun shop was located at Abbotts Creek where modern day HWY 109 crosses it, this rifle is pictured in The Longrifle Makers of the Davidson School by C. Michael Briggs, pgs. 69 and 70, and is similar to many signed and attributed examples in the book, Briggs says this rifle has always been a percussion half stock.

164

Elias Albright & Son North Carolina Jamestown School Longrifle

(Alamance County, present day Burlington, NC, 1793-1863) early to mid 1800s, percussion fullstock, 43 in. octagonal barrel, 3/8 in. bore, inscribed

“Elias Albright & Son” on top of barrel, dovetail silver blade front sight, split rear sight. 6 in. three screw rounded barrel tang, lock plate marked “HOWELL / WARRANTED” with engraving, maple stock, buttstock with high comb and edge molding, carved cheek rest, double set triggers, brass trigger guard, forend cap, ramrod guides and thimble, and butt plate, 58-3/4 in. overall, handling wear consistent with age and use, ram rod absent, oxidation to barrel exterior, pitting near breech, repair to 8-1/2 in. split section to forend at forecap, 3-1/2 in stabilized split in grain at forecap,, stabilized 4 in. split to right side of forend, 6 in. stabilized split to stock from lock plate, stabilized split in grain to forestock on right side, relatively light wear to buttstock, loss of wood behind cock, cock will set and release

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $1,500 - $2,000

Elias Albright’s gun shop was located at present day Church Street in Burlington, NC, early rifles he produced signed “E. Albright” were more in the style of the early Deep River School, rifles he produced with his son John Albright signed “Elias Albright & Son”, are more in the Jamestown School style, see North Carolina Schools of Longrifles 1765 - 1865, by William Ivey and Kenneth Orr, pgs. 82, 83, and 120.

165

Scarce Abram Cook North Carolina Catawba Valley School Longrifle (Lancaster County, Pennsylvania, b. 1803, Catawba County, NC, d.?) circa 1850, percussion fullstock, 43-1/4 in. octagonal barrel, 3/8 in. bore, three screw rounded barrel tang, inscribed “Abram Cook” on top of barrel, dovetail brass blade front sight, split rear sight, likely converted lock plate stamped “JOES,,,,HALL / WARRANTED”, four inlaid silver fish decoration to both sides of forestock, two silver fish inlaid to either side of trigger guard, silver inlaid star on carved cheek rest, double set triggers, brass trigger guard, ramrod guides and thimble, and butt plates, 59-1/4 in. overall, handling wear consistent with age and use, oxidation to exterior barrel, some pitting to sides of barrel and barrel near breech, oxidation to lock plate, pitting to cock and bolster, thin 1-1/2 in. loss to right end of fore stock, curved separation to left side of fore stock with two tack repair, old crack and repair around wrist of gun under trigger guard and behind lock plate with infill, and two small metal plates tacked at both sides of trigger guard, bend in rear of trigger guard, thin 2 in. hairline in front of trigger guard, cock frozen in position

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $1,000 - $1,500

Pennsylvania born Abram Cook signed North Carolina rifles are uncommon, for another example see North Carolina Schools of Longrifles 1765 - 1865, by William Ivey and Kenneth Orr, pg. 250.

166

Henry Wright North Carolina Jamestown School Longrifle (Guilford County, NC, 1807-) circa 1860, percussion halfstock, 42-3/8 in. octagonal barrel, 3/8 in. bore, three screw 5 in. rounded barrel tang, dovetail brass blade front sight, split rear sight, very faint “H. Wright” stamp to top of barrel, lock plate stamped “R & W.D. RIDDLE & Co. / PHILADELPHIA’ with some engraving, walnut half stock with four diamond and two silver band inlays to forestock, three silver inlays to right side of buttstock including a heart, five silver inlays to left side of stock, carved cheek rest and high comb to buttstock, double set triggers, brass trigger guard, forend cap, ramrod guides and thimble, and butt plate, 58-1/2 in. overall, handling wear consistent with age and use, oxidation to exterior of barrel, pitting near breech, pitting to percussion lock and cock, wear with chipping and abrasions to finish of stock, oxidation and small abrasions to some inlays, two inlays off but present, one inlay missing tack, small losses to stock around cap bolster and cock, cock will set but only release if you push set trigger forward

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $1,000 - $1,500

Born in Wake County in 1807, he had business interests in a barrel mill with William Lamb from 1847 to 1852, the 1860 manufacturing census lists him as a gun shop owner with four employees making guns by hand, his shop was located on Jamestown Road just north of McKay Road, he was a prolific gun maker of the time and many signed examples exist, he moved to Missouri in 1870, see The Longrifle Makers of Guilford County, by C. Michael Briggs pgs. 20, 88 and 89, and also North Carolina Schools of Longrifles 1765 - 1865, by William Ivey and Kenneth Orr pg. 104 and 105

167

William Thompson North Carolina Jamestown School Longrifle (Alamance County, Snow Camp, NC) circa 1840s, percussion fullstock, 48-3/8 in. heavy octagonal barrel, 1/2 in. bore, 6 in. three screw barrel tang, stamped “W. THOMPSON” on top of barrel, dovetail blade front sight split rear sight, lock plate marked “J. & W. ASTON” with light engraving, high comb to buttstock, wire pick holders under carved cheek rest, double set triggers, brass trigger guard, forend cap, ramrod guides and thimbles, and butt plate, 64-1/4 in. overall, handling wear consistent with age and use, converted to percussion, missing ramrod, missing inlaid side plate, darkened areas of stock, 1-1/2 in. chip to toe of butt stock, oxidation to exterior of barrel with pitting near lock plate, oxidation to lock plate, chip to side of buttstock, other minor abrasions, cock will set and release with triggers

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $1,000 - $1,500

W. Thompson lived and worked at Snow Camp in Alamance County, before he switched to making the Jamestown style halfstock rifles in the 1850s he made fullstock flintlock rifles, it is not known if he ever apprenticed in Jamestown, see The Longrifle Makers of Guilford County, by C. Michael Briggs, pg. 19, 104 and 105, also North Carolina Schools of Longrifles 1765 - 1865, by William Ivey and Kenneth Orr, pg.120. .

168

Scarce James M. Wood North Carolina Jamestown School Chunk Gun Longrifle, (Guilford County, NC, 1829-1878) circa 1870, percussion half stock, 42-1/2 in barrel, 5-3/4 in. rounded three screw barrel tang, faint “J.M. Wood” stamp on top of barrel, dovetail blade front sight, wide split rear sight, 1/2 in. bore, engraved lock plate and cock, engraved silver side plate with stamped “H. Blevins / Gun / July 15/ 1877”, figured maple stock, carved raised cheek rest, 7 in. flourish engraved decorative silver plate under forend, brass trigger guard, butt and toe plate, ramrod thimble and guides, and forend cap, 58-1/4 in. overall, handling wear consistent with age and use, missing ramrod, oxidation to exterior of barrel, heavy pitting to lock plate and side of barrel at lock plate, pitting to barrel tang, tiny abrasions to silver components, dents and dings to metal surfaces, barrel pin end loss, abrasions to stock, loss to stock at cock and above lock plate, several small splits in wood at thimble and ram rod channel, some infill under stock, cock stuck in cocked position

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $1,000 - $2,000

J.M. Wood worked with Anderson Lamb according to the 1850 census, at age 31 he was listed in the 1860 census as a gunsmith with wife Laura, age 25, The Longrifle Makers of Guilford County, pg. 19, C. Michael Briggs.

169

Early North Carolina Bear Creek School Attributed Longrifle

Moore County, NC, early to mid 1800s, possibly attributed to Edward Harper, percussion fullstock, 44-1/2 in. octagonal barrel, 2-3/4 in. single screw pointed barrel tang, 3/8 in. bore, dovetail blade front sight, split rear sight, “W.T. HOWELL & Co. / WARRANTED” on lock plate with engraving, double set triggers, brass engraved Bear Creek style lock bolt side plate, Bear Creek style iron trigger guard, octagonal brass ramrod guides, iron plate to top of stock, cap box bore in buttstock, 60 in. overall, handling wear consistent with age and use, patina, oxidation and pitting to barrel, some dings, converted to percussion, wear staining and abrasions to stock, four nail repair to split at upper butt stock, chip to upper butt stock, converted lock, wear to metal components, small separations in grain of stock, oxidation and wear to metal components, cock will set and release with some manipulation of set triggers

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $800 - $1,200

This rifle has a trigger guard and side plate similar to those found on known Edward Harper rifles, the stock and side plate on this rifle are similar to known B.L. Sanders, and Edmund Williamson examples, see North Carolina Schools of Longrifles, William Ivey and Kenneth Orr, the Bear Creek School makers, pgs. 40 - 46.

170

Early North Carolina Deep River School Attributed Longrifle Guilford County, NC, early 1800s, flintlock fullstock, 48 in. octagonal barrel, 3/8 in. bore, eight circular barks on flat around bore, dovetail blade front sight, split rear sight, 2-3/4 in. two screw stepped pointed barrel tang, lock plate marked “I&W Henry”, double set triggers, iron trigger guard and ramrod guides, stock with sliding wooden patch box cover, 61 in. overall, handling wear consistent with age and use, patina, oxidation and pitting to exterior of barrel, oxidation to cock, frizzen and flintlock, 11-3/4 in of fore stock separated from rest of stock but held in position by ramrod, small loss to that piece, patch repairs to both sides of forestock tip, small 1/2 in split in stock, another 4-1/2 in. split in stock, another 3-1/4 in patch repair along ramrod slot, 1-1/2 in. chip to edge of patch box slide, replaced trigger guard, painted 520 inventory number next to trigger guard, cock stuck in half cocked position

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $800 - $1,200

Various Deep Creek School attributed rifles exhibit this type of sliding wooden patchbox, see North Carolina Schools of Longrifles, William Ivey and Kenneth Orr, pgs 69, 71-75, and 78, the “I&W Henry” flintlock may be from the early Philadelphia Henry family of gunmakers.

171

Rare Obed M. Dixon North Carolina Jamestown School Longrifle

(Guilford County, NC, b. 1828) circa 1860, percussion fullstock, 45-1/4 in. barrel, 3/8 in. bore, 5 in. rounded three screw barrel tang, stamped “O.M. Dixon” on top of barrel, dovetail blade front sight, split rear sight, engraved lock plate, brass side plate, double set triggers, brass trigger guard, ramrod, guides and thimble, and butt plate, carved cheek rest, 61 in. overall, handling wear consistent with age and use, ramrod absent, exterior barrel with patina, oxidation and common pitting near breech, common wear loss to stock around ignition system, 1/2 in. chip to left side of stock, 1-1/2 in. tack repair to corner of toe stock, replaced side plate, cock moves but will not set, good solid example

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $800 - $1,200

Obed M. Dixon signed guns are rare, the 1850 census has him listed as living with William Lamb at age 22 and working as a gunsmith, the 1860 census has him listed as 32 years of age and living near Anderson and J.C. Lamb with wife Adeline, see The Longrifle Makers of Guilford County, by C. Michael Briggs, pgs. 12, and 104-105, also North Carolina Schools of Longrifles 1765 - 1865, by William Ivey and Kenneth Orr, pg. 115. 172

Levin T. Stack North Carolina Jamestown School Longrifle

(Guilford County, NC, 1827-1888) circa 1850, percussion halfstock, 38-5/8 in. octagonal barrel, 3/8 in. bore, dovetail blade front sight, split rear sight, 4-3/4 in. rounded barrel tang, top of barrel with faint “ L. T. Stack” stamp and roman numeral “IV”, engraving to percussion lock and cock, engraved crescent moon side plate, figured maple stock, raised cheek rest, eleven inset engraved silver inlays throughout stock including a heart, shield, other geometric forms, tobacco leaf inlay on buttstock, double set triggers, brass trigger guard, butt plate, ramrod guides and thimbles, 54-1/2 in. overall, handling wear to stock and barrel consistent with age and use, skint stock, ramrod absent, replaced lock, likely replaced side plate, 3 in. stock repair to right side of forend in front of lock plate, 2-3/4 in. stock repair behind cock, thin 5 in. separation to left side of stock running beneath side plate, then underneath trigger guard up to lock plate, small tack under lock plate, 3 in. split under stock in front of thimble, corrosion in bore, tarnish to lock plate, oxidation to metal components, cock and triggers will set and function

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $800 - $1,200

Levin T. Stack’s gun shop was located north of Hickory Grove Church, where he is buried, he was listed in the 1850 census as a gunsmith at the age of 22 along with his wife Sarah L. Stack, age 18, The Longrifle Makers of Guilford County, pg. 18, C. Michael Briggs

173

Rare Judd Franklin Ledbetter North Carolina Jamestown School Longrifle (Guilford County, NC, 1834-1874) circa 1870s, percussion halfstock, 32-1/4 in. heavy barrel, 3/8 in. bore, dovetail blade front sight, split rear sight, 4-3/4 in. rounded three screw barrel tang, faint “ Address J.F. Le......r” and Roman numeral “IV” on top of barrel, figured maple stock with raised cheek rest, lightly engraved sidelock with stitch engraved lock plate, stitch engraved toe plate, brass trigger guard, butt plate, ramrod thimble and guides, and forend cap, 48-3/4 in., stock with very little wear, some light abrasions, likely refinished, thin 1-1/4 in. patch repair to stock above front of lock plate, wear to wood around brass trigger guard pin. barrel with handling wear and oxidation consistent with age and use, loss to ramrod tip, likely replaced screws at tang and toe plate, cock and triggers function, cock may release without manipulation

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $800 - $1,200

Judd Franklin Ledbetter was the brother of Chesley Ledbetter, his gun shop was located at the entrance of Camp Uwharrie, present day Akela Drive, along Guilford College Road, he was known as a maker of quality half stock rifles, The Longrifle Makers of Guilford County, pg. 17, C. Michael Briggs.

174

Soloman H. Ward North Carolina Jamestown School Longrifle (Randolph / Guilford County, NC, 1838-1905) circa 1870s, percussion halfstock, 40-3/4 in. octagonal barrel, 3/8 in bore, 5-3/4 in. four screw rounded barrel tang, stamped on top of barrel “S.H. WARD” adjacent to what appears to be a small faint “JAMES...”, double brass dovetail blade front sight, stamped “VII” behind split rear sight, pitted lock plate, brass side plate, maple stock, carved cheekrest, mounted 7 in. silver wear plate under forestock, extended 7 in. silver toe plate, both with engraved edge stitching, double set triggers, brass trigger guard, forend cap, ramrod guides, thimble and butt plate, 56-3/4 in. overall, handling wear consistent with age and use, exterior barrel with patina, oxidation, and common pitting at ignition, wear and small loss to edge of stock at lock plate, pitted lock plate, split and possible repair to stock corner behind cock, split with eight tack repair around wrist of gun, small losses to both corners of toe stock, re soldering of one guide, small split in stock at side plate screw, trigger spring is tight but will set and release, good surviving half stock example

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $800 - $1,200

Soloman Ward moved to Jamestown circa 1860 and married Anderson Lamb’s daughter Eleanor, he is listed as a gunsmith at age 31 in the 1870 census with his wife aged 27 and son Harper 2, by 1890 he had moved several times and built a house and gun shop on Friendly Ave., Ward was a large man weighing over 300 lbs. according to oral history and didn’t produce most of the rifles with his name on them, others including his son Harper, Ed Thornton, and Duck White were known to have worked for him as gunsmiths, Ward is second only to Anderson Lamb in known surviving signed rifles from the Jamestown School, see The Longrifle Makers of Guilford County,19 by C. Michael Briggs, pgs. 19, and 114-116, also North Carolina Schools of Longrifles 1765 - 1865, by William Ivey and Kenneth Orr, pg. 116

175

William Dettmar North Carolina Salem School Longrifle

(Hamburg, Germany b. 1932, Forsyth County, Salem, NC, 1949-1909) late Salem period, percussion halfstock, 40-5/8 in. octagonal barrel, worn “W. DETTMAR / SALEM N.C.” stamp on top of barrel, dovetail blade front sight, split rear sight, 4-1/4 in. pointed two screw tang, back action lock, walnut stock with carved cheek rest, double set triggers, brass trigger guard, decorative cap box, and butt plate, iron thimbles and forend cap, ramrod, overall 56-1/2 in., handling wear consistent with age and use, oxidation to exterior of barrel, pitting around cock, oxidation to other metal components, movement of iron ramrod mount at forend cap, heavy abrasions to left side of buttstock, stains from use to wood on stock, other abrasions to stock, cock and set triggers function, good condition

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $800 - $1,200

Considered one of the last of the Salem gunsmiths, William Dettmar was born in Germany where he began to apprentice in the trade, after arriving in Salem he apprenticed with Timothy Vogler then later opened his own shop in Salem, the majority of his rifles are percussion with back action locks which was a common practice among the later gunsmiths, various examples of Dettmar signed rifles and locks are known, The Longrifle Makers of the Salem School, pg. 44, C. Michael Briggs, and North Carolina Schools of Longrifles 1765 - 1865, pg. 153, William Ivey and Kenneth Orr.

176

William Dettmar North Carolina Salem School Longrifle (Hamburg, Germany b. 1932, Forsyth County, Salem, NC, 1949-1909) late Salem period, percussion half stock, 38-1/8 in. octagonal barrel, 3/8 in. bore stamped “W. DETTMAR / SALEM N.C.” on top of barrel, dovetail blade front sight, split rear sight, 4-1/4 in. pointed two screw tang, back action lock, walnut stock with carved cheek rest, brass trigger guard, and butt plate, iron thimbles and forend cap, ramrod, overall 56-1/2 in., handling wear consistent with age and use, oxidation to exterior of barrel, wear to surface, pitting around cock, file marks on sides of barrel near breech, possible metal work to bolster, loose and absent barrel puns, loose ramrod guide and forend at barrel, loose soldering at guide, chip to buttstock toe, 1 in. split to stock at side screw, ink inventory number at side screw, cock is loose but functions with set triggers

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $600 - $1,000

177

Two North Carolina Attributed Powder Horns with Accoutrements late 18th to early 19th century, powder horn with wooden knob screw top finial, wooden plug, bone powder measure, wooden shot holder, stitched leather pouch with fringe edge, possibly Mecklenburg County, 13 in.; smaller powder horn, flat wooden cap, pinched wooden stopper, with leather pouch powder measure, bamboo measure, and tin of percussion caps, possibly North Carolina or Southern, 9-1/2 in., larger powder horn missing brass tack head, 1-1/2 in. split in bone at spout, small split at knob finial, wear and abrasions from use, powder inside, loss to tip of shot holder, wear to measure, stiff pouch with cracks in leather, small horn with 1 in. split to top of horn, other small splits at tacks, small split in cap, wear to other pieces, dried leather with shrinkage cracks on surface

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $200 - $400

178

Custom Savage Model 1899 Takedown Lever Action Rifle

serial number 317043, caliber .250-3000, 23 in. barrel, raised blade front sight, makers roll stamps to top and sides of barrel, custom aftermarket figured stock with carved eagle head and checkering at pistol grip, raised carved cheek rest, butt pad, nicely figured aftermarket wooden forend grip, Weaver scope and scope rings, 13-1/2 in. LOP, 43-1/4 in. overall, handling wear to metal and wooden components, compressed and dry rotted butt pad, abrasions to left side of forend, wear and scratches to bluing on barrel, abrasions to underside of receiver, wear to case coloring on lever with some light pitting, action appears to be in good working order, good condition overall

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $500 - $1,000

Brunk Auctions strictly complies with all Federal and State regulations pertaining to the sale and transfer of firearms. This firearm requires the filing of an ATF form 4473 and completion of an NICS background check or proof of possession of an appropriate Federal Firearms License. It is the sole responsibility of the buyer to comply with all State firearms regulations.

179

Barnett London Marked Civil War Era Enfield Pattern 1853 Rifle Musket likely Confederate blockade imported and used, percussion, .577 caliber, 39-1/4 in. barrel, fixed front sight, adjustable flip up rear sight, left side of barrel flat stamped with “crossed swords proof / 25 / crossed swords proof / 25 / crown over proof”, lock marked “1862 / Tower”, engraved “crown” to rear of plate, stamped “BARNETT / LONDON” under buttstock, “S.C.” carved into right side of buttstock, two very faint stamped markings behind brass trigger guard, one appears to be “Crown / LM” the other appears to be “Crown / ?”, brass butt plate, three iron barrel bands, ramrod, 55-1/4 in. overall, deep patina to barrel, bore relatively clean with oxidation towards muzzle, pitting and oxidation around breech and barrel tang, handling wear to wooden stock, loss of swivel at trigger guard, dents, and abrasions to metal components, cock and trigger are in working order

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $800 - $1,200

John Edward Barnett & Sons is said to have delivered thousands of guns under contract to the Confederate Government during the American Civil War, and also the confederate States of Georgia, North Carolina, and South Carolina, to fulfill the large orders he often contracted with other makers for parts then assembled the guns at his shop, per another Barnett Pattern 1853 rifle gun at College Hill Arsenal the seller writes, “Even those Barnett arms devoid of documented Confederate inspection marks are often Confederate related arms. Barnett delivered a number of guns, presumably to the Confederacy, that were assembled by other makers, but are marked BARNETT / LONDON in the wood; either on the stock flat opposite the lock or along the toe of the stock. These were clearly guns purchased by Barnett to get a nearly finished order “out the door” as expeditiously as possible. Sometimes the presence of a previously undocumented mark on a Barnett Enfield suggests Confederate use as well, as noted above, these marks may refer to speculative arms purchases.”

180

Two Black Powder Percussion Revolvers both of British manufacture, the first a George Daw revolver, .50 caliber, top flat inscribed “GEORGE H. DAW, 57 THREADNEEDLE ST. LONDON, PATENT NO. 1685”, with matching numbers at cylinder and side; the second an Adams Patent revolver, .442 caliber, top flat inscribed “ORLANDO SMITH, DERBY”, at side “ADAMS PATENT 37472 / 21671”, “37472” again at cylinder, “(crown) / V” proof mark on cylinder; longest 12 in. overall , typical wear from carry and usage, loss to finish in places, mild surface oxidation or pitting especially to Daw at barrel top partially obscuring lettering, action seems to work on both but sticking on Adams, not field tested nor recommended for operation

Provenance: Estate of Linda Sargent Thompson, Historic Sesame Lodge, North Augusta, South Carolina

Estimate: $300 - $500

181

Austrian Model 1854 Civil War Import Jagerstutzen Rifle

.54 caliber, 28 in. octagonal barrel, round for 4-1/4 in. at muzzle with barrel lug to accommodate a socket bayonet, blade front sight, with curved adjustable rear sight, encircled Belgian proof mark “E / LG / star” under rear sight on barrel flat, indiscernible markings to barrel flat at breech, lock plate marked with “..861..” and a stamped “Austrian Eagle” behind cock, two screw side plate, possible proof markings under butt stock between swivel and trigger guard, iron furniture, comb plate marked “ VII L.V.I. / 7611”, steel ramrod, 43-1/4 in overall, patina and oxidation to metal components, handling wear to wooden stock throughout, missing front swivel, likely not original ramrod, initials carved into left side of stock, series of markings to left side of barrel flat above side plate, small split to front left forend, chip to wood behind tang, old 3 in. loss to wood at left side of stock above side plate, curved sliding rear sight absent, cock and trigger in working order

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $400 - $800

These particular rifles were used extensively by Austrian light infantry units, specifically the Habsburg army units, proving to be very effective in forested and mountainous terrain they were imported during the civil war and and used in both the Union and Confederate armies.

182 L. Binder European Style Short Barrel Rifle mid to late 1800s, possibly German, percussion fullstock, 21-3/4 in. octagonal barrel, 1/2 in. bore, signed “L. Binder” on top of barrel, dovetail blade front sight, split rear sight, 5 in. 2 screw engraved barrel tang and breech with raised screw in sight, engraved lock plate with stag scene and flourishes, engraved cock and bolster, flourish engraved side plate and engraved screw, double set triggers, four decorative insets to forestock and barrel pins, square silver inlay under forestock engraved with “Crown / Srh”, elaborately engraved trigger guard with pineapple finial, roses and flourishes, iron butt plate with engraved screws and comb plate, engraved ramrod guide, checkering to wrist, carved wooden grip rest, carved cheek rest, 38-1/4 in. overall, oxidation to barrel and metal components, heavy wear to stock throughout with losses to finish, including abrasions and chips, 12 in. splinter loss to right side of forend, another 3-1/2 in. split to right side from forend cap to barrel pin, tiny splits in hand rest, cock and triggers will set and function

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $300 - $600

183

Group of European Powder Horns and Accoutrements

mid to late 19th century, three powder horns with decorative brass mounted fittings, and swivels, large horn with brass measure and funnel, horn measure and pick with brass mounts, wooden shot holder with six lead shots, wooden punch, mounted to thin leather strap, horns measure 13 in., 7 in., and 5 in., light handling wear, surface abrasions to larger horn, wooden punch separated from leather strap, otherwise good condition

Provenance: From The Collections of Dr. George Waynick and Dr. Edward G. Hill Jr., Old Salem, North Carolina

Estimate: $200 - $400

184

British Commemorative Engraved HMS Royal George Brass Signal Cannon and HMS Eurydice Carriage, top of first reinforce of cannon engraved “Royal George / Sank / 29 August 1782”, top of second reinforce engraved “F. Caskell / R. Tudor / H. Rose / L. G. Fullerton”, 9 in. long, wooden carriage with metal mounts, brass plate on front of carriage engraved “ Eurydice / Lost 24.3.78”, 6 in., overall good condition, handling wear and abrasions to cannon, some discoloration and tarnish, surface wear to carriage with tarnish to metal components and staining

Provenance: Irving Spanierman, Hendersonville, North Carolina and Sarasota, Florida

Estimate: $800 - $1,200

Note. The HMS Royal George was a 100 gun first rate ship, first launched in 1756, it saw service in the Seven Years War and the American Revolutionary War, it sank at Spithead off Portsmouth while performing a “parliamentary heel” so the ship could be serviced, as many as 900 people went down with the ship, around 255 were saved. The HMS Eurydice was a 26 gun frigate launched in 1843, it was caught in a heavy snowstorm of the Isle of Wight and capsized and sank in Sandown Bay in 1878.

185

Willie Daniels, Florida Highwaymen Painting (American/Florida, 1950-2021)

Marsh with Egrets, signed lower right “W Daniels”, oil on canvas, 20 x 16 in.; modern gilt wood frame, 24 x 20 in., good clean surface; frame with minor wear

Provenance: Riddling Estate

Estimate: $3,000 - $5,000

186

Peter Gentling

(American/North Carolina, born 1938)

Galapagos Island, signed lower left “P Gentling”, oil on canvas, 16 x 20 in., unframed, good clean surface, minor abrasions

Provenance: Collection of Artist

Estimate: $300 - $500

188 Lamar Dodd (American/Georgia, 1903-1996)

Morning Fog: Monhegan, no. 135, 1992, signed and dated lower left “ ‘92 Lamar Dodd”, watercolor on paper, sight 12-3/4 x 18 in.; modern gilt wood frame, 21-1/4 x 26-1/4 x 1 in., not examined out of sealed frame, overall good condition; frame with light wear

Provenance: Property from a Private Collection sold to benefit the University of Georgia Foundation

Estimate: $1,000 - $2,000

Literature: Dodd, Lamar, William U. Eiland, Emily Ann Arthur, and Georgia Museum of Art. 1996. Lamar Dodd: The C.L. Morehead, Jr. Collection. Athens, Ga.: C.L. Morehead, Jr.; Morning Fog: Monhegan, 1992 (pg. 107).

187

Robert Meredith (American/Georgia, born 1940)

The Bicycle Shop, Trompe L’Oeil, inscribed on stretcher verso “Robert Meredith”, oil on canvas, 32 x 40 in; integral frame, 36 x 44 x 2-1/2 in., good clean surface; frame is distressed (as made) to complement the painting Provenance: Private Collection, Wilmington, North Carolina

Estimate: $1,000 - $2,000

R. Meredith received his BFA in drawing and painting from the University of Georgia in 1964. Lamar Dodd was his major professor. His work is in major collections across the United States and he has had over 50 solo exhibitions.

189

Lamar Dodd

(American/Georgia, 1903-1996)

View from the Hills - Cortona, 1986, signed and dated lower right “Lamar Dodd ‘86”, ink and color pencil on paper, sight 7-1/2 x 13-5/8 in.; silver gilt wood frame, 14-7/8 x 20-3/4 x 1 in., not examined out of sealed frame, in overall good condition; frame with light wear, mat liner with with some surface dirt, small areas of foxing

Provenance: Property from a Private Collection sold to benefit the University of Georgia Foundation

Estimate: $800 - $1,200

191

Lamar Dodd

(American/Georgia, 1909-1996)

Jo Anne Cannon, 1943, signed and dated lower right “Lamar Dodd ‘43”, oil on canvas, 24 x 16 in.; gilt wood frame, 29-1/8 x 21-1/4 x 2 in., retouch upper left corner, light surface dirt; frame with light wear

Provenance: Property from a Private Collection sold to benefit the University of Georgia Foundation

Estimate: $400 - $600

190

Lamar Dodd (American/Georgia, 1903-1996)

Boats, no.377, initialed lower right in ink “LD”, ink on paper, sight 4-1/2 x 9-1/4 in.; modern gilt wood frame, 9-1/4 x 14 x 1-1/4 in., not examined out of frame, paper and image in overall good condition; frame with abrasions

Provenance: Property from a Private Collection sold to benefit the University of Georgia Foundation

Estimate: $400 - $600

192

Mose Tolliver (American/Alabama, 1918-2006)

Nall Woman, signed “MOSET” to lower left, paint on board, 24-1/2 x 22-5/8 x 1/2 in., checking and wear as made

Provenance: According to consignor notes, this piece was purchased directly from the artist; From the Collection of Micki Beth Stiller, Esq.

Estimate: $500 - $700

Exhibited: “Pure Paint: A Retrospect of Montgomery’s Mose T,” The National Center for the Study of Civil Rights in African-American Culture, Alabama State University, Montgomery, Alabama, May 6-July 3, 2007.

193

Charleston Coin Silver Basket, Nathaniel Hayden South Carolina, early 19th century, rectangular form, engraved floral decoration, applied die rolled borders, scroll handles, engraved “Gadsden”, marks for Nathaniel Hayden (Charleston, South Carolina, working 1832-1843 and New York, NY working 1843-1855), “Charleston”, 27.45 oz. T., 4-1/4 x 13 x 7 in., good condition with typical wear, partial mark

Estimate: $1,500 - $2,500

The Gadsden family is a prominent American lineage with deep roots in South Carolina, best known for Revolutionary War patriot Christopher Gadsden, designer of the “Don’t Tread on Me” flag, and his grandson James Gadsden, the diplomat behind the 1853 Gadsden Purchase. The family originated in Hertfordshire before establishing a major presence in Charleston. Their legacy endures through landmarks such as the City of Gadsden, Alabama and the historic Gadsden House in Charleston, South Carolina.

194

Kirk Repousse Sterling Plate Baltimore, 1896-1924, round with floral repousse border, no monogram front, base inscribed “Father and Mother/on their silver wedding..” marks for S. Kirk & Son, 18.39 oz. T., 11 in., light scratches

Provenance: Irving Spanierman, Hendersonville, North Carolina and Sarasota, Florida

Estimate: $700 - $1,000

195

Kirk Repousse Coin Silver Footed Salver Baltimore, 1868-1890, round with floral repousse border, central cartouche monogram, back monogram “A.C.M./ Christmas./1888”, marks for S. Kirk & Son, 5.08 oz. T., 1 x 6-1/2 in., minor wear

Provenance: Irving Spanierman, Hendersonville, North Carolina and Sarasota, Florida

Estimate: $300 - $600

196

Kirk Repousse Sterling Flatware, 60 Pieces

American, 20th century including eight hollow handle knives; eight teaspoons; two ice tea spoons; seven demitasse spoons; seven ice cream forks; six solid handle spreaders; three serving forks; two large berry bowl serving spoons; slot serving spoon; four bon bon; jelly server; sugar spoon; serving spoon with egg shape bowl; small serving spoon with egg shape bowl; small slotted serving spoon; sugar tongs; ice tongs; two pickle forks; hollow handle bottle opener, some monograms, all with marks for Kirk & Son, 67.9 oz. T. excluding hollow handle pieces, average wear

Provenance: Private Collection, Asheville, North Carolina

Estimate: $2,500 - $3,000

197

Large South Carolina Billy Henson Triple Face Monkey Jug (Spartanburg County, SC, 1941-2001) double gourd form, brown and tan underglaze, runny dark green alkaline over glaze to top jug with large creamy green melt runs down faces and back of jug, applied facial features, mustache to lower face, unglazed white clay eyeballs to upper faces, glazed clay eyeballs to lower face, black circular pupils, incised “palmetto tree” between “S.C.” with “crescent moon”, inscribed “Jan 19 2000” date to side of lower jug, inscribed “Billy Henson / Lyman S.C. / Wood Fired” on base, 20-3/4 in., glaze voids and anomalies as made, great as made condition

Provenance: Private North Carolina Collection

Estimate: $400 - $800

198

Large South Carolina Billy Henson Triple Face Monkey Jug (Spartanburg County, SC, 1941-2001) double gourd form, light olive runny green glaze variation to upper jug, brown glaze to lower jug, various melt runs with rutile highlights down from upper spout to lower jug, applied facial features, white clay eyes with brown pupils and green pupils, broken china teeth, applied strap handle with incised vine decoration, large spout above face on lower jug, incised stitch marks to left side of face, large incised “palmetto tree” between “S.C.” with “crescent moon” on back of bottom jug, inscribed on base “ Billy Henson / Lyman S.C. / Wood Fired / 9-22-99 “, 21-1/2 in. tall, glaze voids and anomalies as made, great as made condition

Provenance: Private North Carolina Collection

Estimate: $400 - $800

199 Monumental South Carolina Billy Henson Double Face Monkey Jug (Spartanburg County, SC, 1941-1961) double gourd form, tan alkaline glaze to upper jug, olive green alkaline glaze to lower jug, four large melt runs with rutile highlights from upper spout down face, side, and back, applied features, white clay teeth and eyes, blue and black pupils, large incised “Palmetto Tree” between “S.C.” on back of lower jug, applied strap handle, lug handle at rear base edge, mustache and goatee with articulated stitches on lower face jug, inscribed on base “Billy Henson / Lyman S.C./ Wood Fired / July 1996” over an incised pig, 22-1/2 in., glaze voids and anomalies as made, 9 in. area of gray residue around base edge below glaze, some more gray marks on base, possible infill for firing separations, otherwise very good as made condition

Provenance: Private North Carolina Collection

Estimate: $400 - $800

200

Two Pieces of Southern Stoneware mid to late 1800s, jug with yellowish mottled runny green alkaline glaze, tapered ovoid form, arched looped applied strap handle, incised rings at shoulder, collared spout, possibly SC, Georgia, or Alabama, 15-1/2 in.; tannish alkaline glazed storage jar, rutile in interior, swell at mid body, tooled downturned rim, possibly Edgefield or Alabama, 8-1/2 in., glaze voids and anomalies as made, surface wear and abrasions, wear to base edge, jug with wear and chips to rim, various glaze frits, jar with three 1 in. rim chips, other smaller rim chips, 2 in. and 2-1/2 in. hairline down from rim, 2-1/2 in. “Y” hairline up from bottom kiln debris, two 1 in. and one 1/2 in. areas of glaze loss to lower body of jar, residue

Provenance: Private Williamsburg, Virginia Collection

Estimate: $200 - $400

201

Four Small Billy Henson South Carolina Stoneware Face Jugs (Spartanburg County, SC, 1941-2001) all with brownish alkaline glazes and grayish green glaze runs, applied facial features, broken china teeth, white clay eyes with brown glazed pupils, one with incised stitches to side of face and a cigar in mouth, one with glass melt run, all inscribed on base “BWH / Lyman / SC / 2-17-2000”, sizes 5-3/4 to 6-1/4 in., glaze voids and anomalies as made, one with glaze frit to ear and firing separation to face, otherwise great as made condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

202

Four Small Billy Henson South Carolina Stoneware Face Jugs (Spartanburg County, SC, 1941-2001) all with brownish alkaline glazes and one with grayish green glaze runs, all having melt runs with bluish white highlights, applied facial features, broken china teeth, white clay eyes with brown pupils and blue glazed pupils, one with incised stitches to side of face, one with a goatee, two with cigars in mouths, all inscribed on base “BWH / Lyman / SC” with various dates, sizes 5-1/4 to 6 in., glaze voids and anomalies as made, as made great condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

203

Extremely Scarce and Important Edgefield South Carolina Water Cooler

Edgefield District, South Carolina, possibly circa mid 1820s to 1840s, possibly made at a Pottersville manufactory, or a Horse Creek Valley manufactory, and possibly attributed to either A.F. Brannon or Abram, monumental tapered lower body and shoulder ovoid form, dark brown and light brown double dipped washed alkaline glaze, long glaze runs down from shoulder of jug, series of stacked line runs around the side of jug from turning jug horizontally and spinning in the glazing process, apparent 3 in. capital “AB” in the glaze to front shoulder of jug, large applied arched 7 in. x 2 in. strap handles on opposing shoulders, 2 x 2-1/2 in. collared spout, 1-1/4 in. drain hole to lower base edge, 22-1/4 in. tall, 47-1/2 in. circumference, glaze voids and anomalies as made, three quarters of right handle restored, top quarter of handle original, sealed and stabilized 14 in. hairline up from base edge right of the drain hole to mid body of jar, top half of that hairline is miniscule, neither repair illuminate under black light, light surface wear, some minor glaze frits, thin 1/2 in. and 1/4 in. clay body chips to lower body, another 1/4 in. circular glaze chip to lower body, another thin 1/4 in. clay body chip to lower body, shallow 1/2 in. rim chip, overall very good surviving example of a rare form despite restoration, great presentation

Provenance: Private South Carolina Collection

Estimate: $55,000 - $75,000

This is a very rare and important new to the market find, one of very few large scale Edgefield District water coolers that are known, this is possibly the only known large scale surviving example of an Edgefield District water cooler not made by Thomas Chandler, A. F. Brannon was known to be active in the in the Pottersville, Horse Creek Valley area in the 1820’’s, a jug with a similar glaze and a “Y” stamp on the base edge sold recently at the SFPCS August 2, 2025 sale, lot 233 with an A.F. Brannon attribution, see the SFPCS catalog 61 for more information, Abram was a known documented enslaved artisan in the Edgefield District, he is named in historical records from 1795 to1842 as being associated with various owners and stoneware manufactories associated with Pottersville, see Great & Noble Jar: Traditional Stoneware of South Carolina, by Cinda K. Baldwin, McKissick Museum, University of South Carolina, The University of Georgia Press, pg. 217; a few signed Abram pieces have turned up on forms with an “L. Miles” stamp, those pieces were manufactured at the Stoney Bluff Manufactory in Horse Creek Valley, for a sherd stamped “L. Miles” with a “Dave” and “Abram” signature from the Toussaint Collection see Hear Me Know: The Black Potters of Old Edgefield South Carolina, Adrienne Spinozzi, The Metropolitan Museum of Art, New York, Yale University Press, pg. 112, another example was offered at Ledbetter Auctions on May 14th, 2022, stamped “L. Miles” with an “ABrum” or “ABum” signature, the in the glaze “AB” mark on the cooler we offer here relates to the signature on the Ledbetter Auctions piece.

204

Decorated Collin Rhodes Attributed Edgefield SC Stoneware Jar attributed to the Collin Rhodes Pottery, Shaw’s Creek, Edgefield District, South Carolina, circa 1850, mottled light olive green glaze with glazes runs, similar applied kaolin slip floral decorations to both sides of jar consisting of stemmed four to five pronged blossoms, one side with larger curving scalloped edge leaf motifs coming of the main stem underneath the floral blossoms, three impressed marks under one of two applied lug handles indicating likely three gallon capacity, tooled ridged shoulder, curved neck, down angled curved rim, 12-1/2 in., glaze voids and anomalies as made, large semi-stabilized “cross” hairline through decoration consisting of a 7-1/2 in. curving lateral hairline across shoulder and an approximately 23 in. hairline curving down from rim, across midsection then curving to run along base edge, 1/4 in. impact chip located at intersection of hairlines with tiny hole through to the inside, 1 in. chip to clay body from that hole on the inside, 4-1/2 in. hairline down from rim through decoration on the other side of jar, 1-1/2 in chip to edge of handle, surficial abrasion under capacity mark, no illumination under black light, small clay body chip to interior, fair presentation in spite of condition

Provenance: Private South Carolina Collection

Estimate: $1,500 - $2,500

205

Very Rare Union County South Carolina Attributed Stoneware Pitcher possibly mid to late 1800s, creamy brownish alkaline glaze, footed base, rounded wide shoulder with tapered lower body, tooled ring around neck, very unusual downcurved shaped rim with pulled spout, applied arched strap handle with elongated thumb knob, 12-1/4 in., glaze voids and anomalies as made, evidence of heavy wear throughout, chips and flakes to entire exterior and interior glaze, 1 in. chip to spout with 12 in. hairline down to base, then 4-1/2 in. across base, wear to entire rim with some chips, wear and flakes to glaze on handle, discoloration, illumination of interior and exterior under black light due to residue

Provenance: Private Collection, Georgetown, South Carolina

Estimate: $200 - $400

206

Abram Attributed Edgefield South Carolina Stoneware Jug Edgefield District, South Carolina, circa 1840s, tapered ovoid form, brown and tan speckled glaze to lower body of jar, creamy tan glaze to shoulder and tops of handles, melt runs between spout and upper terminuses of handles, five punctuates to upper shoulder of jar, two impressed slash marks to base edge, thick strap handles, tooled collared spout, 17 in., glaze voids and anomalies as made, surface wear and abrasions, some green paint residue, chip nick at shoulder with four prong radiating hairlines measuring 1-1/4 in., 2-1/4 in., 7 in. and 10-1/2 in., all appear to be stabilized, another chip at shoulder with four prong radiating hairlines measuring 2-1/2 in., 1-1/2 in., and two at 1 in., all appear stabilized, another small chip to shoulder, two 3/4 in. chips to rim, other minor glaze frits to spout collar and rim, pebble chip loss to lower body, other smaller chips to lower body, base edge wear and chips, residue to base edge, good surviving form with unique glaze

Provenance: Private Tennessee Collection

Estimate: $3,000 - $5,000

Previously offered at Cagle Auctions April 6, 2024 sale, lot 42.

207

Two Large Southern or Alabama Attributed Stoneware Jugs large two handle jug, shiny reddish black and orange and yellow glaze, stamped 5 on shoulder, arched tailed strap handles, short flared spout, possibly Alabama, 19 in. large mottled green glazed jug, tailed straight strap handle, short thick spout, possibly Alabama, 17-1/4 in., glaze voids and anomalies as made, surface wear and abrasions, base edge wear, big jug with large surface abrasions, base edge chips, under firing to one side, lots of debris in interior, other jug with 6 in. miniscule hairline across top of jar, other firing flaws

Provenance: Private Williamsburg, Virginia Collection

Estimate: $200 - $400

209

Two Georgia Stoneware Jugs

large jug, runny olive green alkaline, wide, incised “2” at shoulder, small tight arched strap handle, possibly White County, 13-1/4 in.; smaller jug, runny olive green alkaline glaze, creamy gray highlights, tight looping handle, tight ringed curved spout, possibly Crawford County, 11-1/2 in., glaze voids and anomalies as made, minor surface wear, base edge wear, residue on exterior of large jug, firing blow out to small jug, good condition overall

Provenance: Private Williamsburg, Virginia Collection

Estimate: $200 - $400

208

Michael and Melvin Crocker Georgia Snake Decorated Jug (Lula, Georgia, 1995) alkaline green glazed jug, applied black and yellow glazed rattlesnake, articulated striking head with fangs, sculpted scales and rattle, inscribed on base “Michael Crocker / X / Melvin Crocker / 1995”, 13-1/4 in., glaze voids and anomalies as made, no apparent broken scales, great as made condition

Provenance: Private North Carolina Collection

Estimate: $400 - $800

210

Two Pieces of Southern Stoneware Albany slip glazed jug, stamped “JNL?” on back with indiscernible date, likely Jack Long or one of the Longs, Peach or Crawford County, Georgia, 11 in.; brown glazed pitcher, wide body form, incised “2” at ridged shoulder, indiscernible “...POTTERY / ...” stamp at back shoulder, tailed strap handle, possibly Georgia or North Carolina, 12 in., glaze voids and anomalies as made, surface wear and abrasions, Albany slip jug with large piece of kiln debris to lower body, pitcher with lots of chipping around belly, residue, firing separation to interior around lower body as made

Provenance: Private Williamsburg, Virginia Collection

Estimate: $100 - $300

211

Three Small Cobalt Decorated Saltglazed Stoneware Pitchers

mid to late 19th century, one with cobalt decoration around entire rim and shoulder, possibly Shenandoah Valley or Baltimore, Maryland, 7-1/4 in.; small brownish pitcher, with Albany slip glazed interior, cobalt flourish to front, likely William or Charles Wingender, Haddonfield, New Jersey, 7-1/4 in.; pitcher with cobalt “1/2” gallon cartouche, possibly Virginia or Maryland, 7-1/2 in., glaze voids and anomalies as made, surface wear, Shenandoah or Baltimore decorated pitcher in good condition, Wingender pitcher with 1/2 in. rim chip, 1/4 in. chip to shoulder, kiln debris to shoulder and lower body, pitcher with “1/2” gallon cartouche with restored handle, firing line around entire lower body, associated partial rim edge restoration,

Provenance: Private Williamsburg, Virginia Collection

Estimate: $300 - $600

213

Four Hal Dedmond North Carolina Native American Stoneware Face Jugs (Lawndale, North Carolina, contemporary) all with green alkaline glazes, three with melt runs down from spouts and handles, finely articulated sculpted Native American faces, inset white clay eyes, applied articulated hair, various types of colored feathered headdresses, incised banding at shoulders, applied strap handles, various style spouts, inscribed on bases “Hal Dedmond...” with various dates, sizes 7 to 11 in., glaze voids and anomalies as made, second smallest with loss to tip of headdress feather and 3/8 in. chip to eyebrow with base edge wear, second largest with pebble loss to shoulder as made, otherwise great as made condition

Provenance: Private North Carolina Collection

Estimate: $300 - $600

212

Two Burlon Craig North Carolina Stoneware Face Jugs (Vale, North Carolina, 1914-2002) brown and cream colored swirl glazes, applied facial features, inset white clay eyes with cobalt pupils, arched strap handles, banded wavy line decoration to back shoulder of jar, smaller jug with articulated mustache, larger jug inscribed “B.B.C.” at shoulder, the smaller one stamped “B.B. CRAIG, VALE, N.C.” on base, 11-3/4 and 12-1/4 in., glaze voids and anomalies as made, larger jug with area of chips to base edge, otherwise both in good condition

Provenance: Private North Carolina Collection

Estimate: $400 - $800

214

Scarce J. S. Penland Signed North Carolina Pitcher (Buncombe County, Candler area, 1848-1915) circa late 1900s, mottled runny green alkaline glaze, tapered wide base form, inscribed “J.S.PENLAND” with reverse “S”, arched strap handle with thumb rest from lower body to rim, wide pulled spout, 9-1/2 in., glaze voids and anomalies as made, surface wear, base edge wear, 1-1/2 in. rim chip, wear and chips to spout, wear and small chips to rear rim, wear and chipping to both sides of handle, wear to top of thumb rest

Provenance: Private Williamsburg, Virginia Collection

Estimate: $200 - $400

215

Two Jeff Young North Carolina Stoneware Totem and Monkey Jugs (Vale, North Carolina, contemporary) runny alkaline green glazes, totem jug with two applied faces, broken china teeth, ears to top face, cobalt pupils, three spouts, ridged looping strap handle, 17-1/4 in.; monkey jug with applied face, broken china teeth, white clay eyeballs, cobalt pupils, two spouts, looping strap handle, 14-1/4 in., both with “JY” stamp near base edge, glaze voids and anomalies as made, ink on base of monkey jug, both in great as made condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

217

Three Large Catawba Valley North Carolina Stoneware Vessels late 19th to early 20th century, large churn, dark olive runny green alkaline glaze, tooling at shoulder, lug handles, straight spout with rounded rim, incised “5” at shoulder, 18-1/2 in.; syrup jug, dark olive runny green alkaline glaze, tooling at shoulder, applied strap handles, curved tooled spout, incised “5” at shoulder, 18 in.; jug, mottled olive green alkaline glaze, incised lines at shoulder, strap handle, flared spout, incised “3” at shoulder, 16 in., glaze voids and anomalies as made, surface wear and abrasions, churn with 1-1/2 in. rim chip, residue on exterior, base edge chips to glaze, some as made, syrup jug with base edge chips to glaze, some as made, jug with 3/4 in. chip to base edge

Provenance: Private North Carolina Collection

Estimate: $200 - $400

216

Small Burlon Craig North Carolina Stoneware Face Jug (Vale, North Carolina, 1914-2002) speckled light olive green alkaline glaze, applied facial features, white clay inset eyes with cobalt pupils, broken china teeth, incised wavy line decoration through applied strap handle at back shoulder, stamped on base “B.B. CRAIG, VALE, N.C.”, 8-1/4 in., glaze voids and anomalies as made, black marker on base otherwise great condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

218

Four Jeff Young North Carolina Stoneware Face Vessels (Vale, North Carolina, contemporary) all with runny olive green alkaline glazes, one jug with purplish brown runs, applied facial features, broken china teeth, inset white clay eyes with cobalt pupils, applied ridged strap handles, jugs with incised banding on spouts, all with impressed “JY” mark near base edge, sizes 8-1/4 to 10 in., glaze voids and anomalies as made, great as made condition

Provenance: Private North Carolina Collection

Estimate: $200 - $400

219

Scarce Burlon Craig North Carolina Stoneware Face Bird House (Vale, North Carolina, 1914-2002) runny glassy green alkaline glaze, applied facial features possibly lighter clay for two tone effect, broken china teeth, hole for perch and entrance, knob finial with hole for hanging, stamped on base “B.B. CRAIG, VALE, N.C.”, 8 in., glaze voids and anomalies as made, bubbles in glaze as made, clay runs to eyes as made, longer run with firing burnout, great as made condition

Provenance: Private Collection, Georgetown, South Carolina

Estimate: $200 - $400

220

Three Pieces of North Carolina Catawba Valley Pottery late 19th, early 20th century, two storage jars with runny green alkaline glaze, ovoid forms, small incised “2”s at shoulder, small lug handles, flared rims, 12-1/4 in. and 12 in.; pitcher, mottled dark olive green alkaline glaze, wavy line banded decoration at shoulder, incised line at neck, applied arched ridged strap handle, flared rim and pulled spout, 9-1/4 in., glaze voids and anomalies as made, surface wear and abrasions, base wear, one jar with 1/2 in. and 3/4 in. rim chips, the other with 3/4 in. rim chip and 1/2 in. handle chip and small frit, other rim wear and tiny frit, pitcher with 1/4 in. rim loss, firing separation in handle as made, 1/2 in. chip to side of handle

Provenance: Private Williamsburg, Virginia Collection

Estimate: $100 - $300

221

Three Pieces of North Carolina Pottery late 19th early 20th Century, canning jar, ovoid form, black speckle glaze, curved neck, straight rim, lid ledge, Donkel pottery, 10-1/2 in.; jug, shiny speckled runny black glaze, “2” incised at shoulder, ridged strap handle, flat rim, possibly Hartsoe, Catawba Valley, 11-1/4 in.; cream riser, olive green and black alkaline glaze, arched lug handles, two slash marks, down turned rim, Catawba Valley, 6-1/2 x P in., glaze voids and anomalies as made, base edge wear, surface wear, residue to exterior of jar, good condition, 1/2 in. rim chip to jug, cream riser with unstabilized 16-1/2 in. hairline around base, two 2-1/2 in. rim chips, and 1 in. rim chip, other smaller rim chips and chips to one handle handle, base wear

Provenance: Private Williamsburg, Virginia Collection

Estimate: $100 - $300

222

Two Decorated North Carolina Pottery Bird Houses birdhouse with streaky multicolor blue and green glaze, inscribed “Seagrove” on base, possibly Dorothy Cole Auman, circa 1970s, Seagrove Pottery, 8-1/2 in.; birdhouse with rare dark brown Abany slip glaze with cream colored splatter glaze runs, possibly A.R. Cole or the Carolina Pottery, Sanford or Steeds areas, circa 1930 to 1940, 7-1/4 in., glaze voids and anomalies as made, Seagrove birdhouse in very good as made condition, Albany slip bird house with some glaze crackle as made and tiny glaze frits on base edge, a few tiny surface abrasions, otherwise good condition

Provenance: Private Collection, Georgetown, South Carolina

Estimate: $100 - $300