Bruce Silverstein Gallery 2020 Spring Catalogue

100 WORKS Spring Catalogue 2020

100 WORKS Spring Catalogue 2020

“[Art] does have some extraordinary functions, some odd negotiating ability between people, including people who never meet and yet who infiltrate and enrich each other’s lives. It does have the capacity to create intimacy; it does have a way of healing wounds, and better yet of making it apparent that not all wounds need healing and not all scars are ugly... We are in this together, this accumulation of scars, this world of objects, this physical and temporary heaven that so often takes on the countenance of hell. What matters is kindness; what matters is solidarity. What matters is staying alert, staying open.”

-The Lonely City by Olivia Laing The gallery is pleased to present a rich selection of works to elicit a feeling of community, and to remind us of simple shared experiences that we look forward to again in the hopefully not too distant future. Whether the images evoke personal memories, transport you to a moment or reverie, or simply provide a brief welcome distraction, we hope they also serve as a testament to the communal experience of art.

From ancient cave drawings to photographs taken just yesterday, art has allowed people to speak to each other across physical and temporal distances.

At its most powerful, art is about the stories that connect us, and we hope these images speak to you now, as the story continues.

Man Ray (1890-1976) Boulevard Montparnasse, photogramme du film “Le retour a raison”, 1923 Gelatin silver print, printed c. 1930-1939 6 3/4 x 8 5/8 in. (17.2 x 22.2 cm) Artist’s Val-De-Grace and copyright stamps on verso MRA-00083-SP $115,000

Frank Paulin (1926-2016) Carousel, New Orleans, 1952 Gelatin silver print, printed later 11 x 14 in. (27.94 x 35.56 cm) Signed, titled and dated on verso Reference: Frank Paulin, Out of the Limelight, pl. 129 FPA-01234-SP $3,500

Garry Winogrand (1928-1984) Untitled (Fort Worth Rodeo), c. 1974-1977 Gelatin silver print, printed c. 1974-1977 11 x 14 in. (27.94 x 35.56 cm) Signed on verso GWI-00009-SP Upcoming Exhibition: Magnetic West: The Enduring Allure of the American West June 27-September 20, 2020, Figge Art Museum, Davenport, Iowa $6,500

William Eggleston (b. 1936) Untitled (Key Sign), from Lost and Found, 1965-1974 Dye-transfer print, printed 2007 11 3/4 x 18 in. (29.8 x 45.7 cm) Signed on recto Artist’s copyright stamp on verso Edition 4 of 12 WEG-00001-SP $35,000

Vistas by Brea Souders contains the disembodied shadows of human beings, all of which find common provenance in national parks, forests and nature preserves throughout the American West.

The foundation images are culled from Google Photo Sphere—a recent technology that stitches together many photographs to form a 360-degree view as considered from the ground.

Unlike Google Street View, Photo Spheres are captured by individuals deep in nature, often far off the beaten path. In the stitching process, the algorithm curiously removes the human body itself, leaving only the fragmented trace of the photographer floating over or merging with the landscape.

The project explores multiple themes—dematerialized human experience in the face of technology; a longing to connect with the natural world and crossing the chasm between lived and virtual experience; environmental concern and documentation; and the phenomenon of sharing shadow selfies, one that echoes previous moments through photographic history. The hand coloring is loosely inspired by souvenir postcards and allows for the photographs to take on a dramatized nature. The images carry in them our quests for the transcendental, and touch on an often-elusive prize: mystical experience deep in the wild.

Brea Souders Untitled (from Vistas), 2019 Unique archival pigment prints with watercolor Each 12.5 x 10 in.

Each signed on label verso Each $5,000 framed

Richard Prince (b. 1949) Untitled, 1992 Chromogenic print, printed 1994 Unique in this size: 24 x 30 in. (61 x 76.2 cm) Signed, numbered (A/P) and print dated (1994) on verso in artist hand RPR-00001-SP Price Upon Request

Range: of Masters of Photography considers an analog history of photography within the digital torrent that is its current technological manifestation. Penelope Umbrico steadies her focus on the mountain: oldest subject, stable object, singular, immovable landmark, site of orientation, place of spiritual contemplation. She employs smartphone camera applications to make new photographs of the images of mountains that appear in canonical master photographs. Pointing her iPhone down at these mountains, the hallucinogenic colors of the camera app filters blend with the disorienting effects of the iPhone’s gravity sensor. Photo grain, dot-screen, pixel, and screen resolution collide, often performing undulating moirÊs. Her mountains are unstable, mobile, have no gravity, change with each iteration, re-mastered. Here is the biggest distance, the longest range. She presents a dialogue between distance and proximity, limited and unlimited, the singular and the multiple, the fixed and the moving, the master and the copy. Umbrico proposes an inverse correlation between the number of images that exist of mountains at any one time, and the stability of photography at that time.

Penelope Umbrico Range: of Masters of Photography Silencio, Paris, France

Penelope Umbrico (b. 1957) Adams with SummerGlow SplitScreen and Lightleak (IMG_6543), from Range: of Masters of Photography, 2014 Chromogenic print 40 x 52 1/2 in. (101.6 x 133.3 cm) PUM-00047-SP $11,000

Installation view: Penelope Umbrico Future Perfect, May 5–August 7, 2016 Milwaukee Art Museum

Adger Cowans (1936) Goddess and Guitar, 1955 Gelatin silver print, printed c. 1955 7 1/2 x 9 1/2 in. (19.1 x 24.1 cm) Signed and titled on verso ACO-00031-SP $15,000

Harry Callahan (1912-1999) Cape Cod, 1987 Dye-transfer print 9 x 14 in. (22.9 x 35.6 cm) Signed on recto Numbered 2/12 on verso HCA-00059-SP $6,000

Wynn Bullock (1902-1975) Floating Logs, 1957 Gelatin silver print mounted to board, printed c. 1960s 6 x 9 1/2 in. (15.24 x 24.13 cm) Signed on mount recto Mount: 10 7/8 x 14 in.

WBU-00000-SP $6,500

Constantin Brâncuși (1876-1957) Constantin Brâncuși sur la plage de Nice (au fond le casino de la jetée-promenade), 1928 Gelatin silver print, printed c. 1928 9 1/2 x 5 3/4 in. (24.1 x 14.6 cm) Provenance: Marthe Lebherz; to Private Collection CBR-00109-SP $30,000

Weegee (1899-1968) Coney Island (Sewing Pants), 1940 Gelatin silver print mounted to masonite, printed c. 1960 20 3/4 x 25 1/8 in. (52.71 x 63.82 cm) Exhibited: Photokina, Cologne, Germany, 1960 WEE-00002-SP $35,000

Yasuhiro Ishimoto Untitled, 1952-1953 Gelatin silver print, printed c. 1952-1953 6 x 10 in. (15.24 x 25.4 cm) Signed on verso YIS-00000-SP $6,500

Edward Weston (1886-1958) Nude on Sand, Oceano, 1936 Gelatin silver print mounted to board, printed c. 1940s 7 1/2 x 8 1/2 in. (19.1 x 21.6 cm) Initialed and dated on mount recto Annotated ‘233N’ on mount verso Mount: 14 x 16 in.

Provenance: From the artist to Nicholas Hlobeczy; to Private Collection EWE-00077-SP $135,000

John Wood, On the Edge of Clear Meaning featured in The New York Times

John Wood (1922-2012) Beach Drawing, 1982 Gelatin silver prints, printed c. 1982 Each 11 x 14 in. (27.94 x 35.56 cm) Each signed on verso Provenance: The Estate of John Wood JWO-00090-SP Each $5,000

Brett Weston (1911-1993) Garapata Beach, California, 1954 Gelatin silver print mounted to board, printed c. 1954 7 1/2 x 9 1/2 in. (19.05 x 24.13 cm) Signed and titled on mount verso Mount: 13 3/4 x 16 in.

BWE-00000-SP $25,000

Rosalind Fox Solomon (b. 1930) Fishing Gulls, Trujillo, Peru, 1982 Gelatin silver print, printed c. 1982 20 x 16 in. (50.8 x 40.64 cm) Signed, titled and dated with artist stamp on verso Reference: Chapalingas, Steidl, p. 181 RSO-00016-SP $9,500

Werner Bischof (1916-1954) Untitled (Machu Picchu), 1954 Gelatin silver exhibition print mounted to masonite, printed c. 1954 16 x 14 in. (40.64 x 35.56 cm) WBI-00001-SP $12,000

Barbara Morgan (1900-1992) City Shell, 1938 Gelatin silver print mounted to board, printed c. 1938 19 1/8 x 15 1/8 in. (48.6 x 38.4 cm) Signed and titled on mount recto Signed and titled with artist stamp on mount verso BMO-00431-SP $35,000

André Kertész (1894-1985) Washington Square Park, September 25, 1969 Gelatin silver print, printed c. 1969 9 11/16 x 7 3/4 in. (24.6 x 19.7 cm) Dated and annotated ‘no 18’ and ‘proof’ on verso Provenance: The Estate of André Kertész AKE-00345-SP $9,500

Berenice Abbott (1898-1991) New York at Night, 1932 Gelatin silver print, printed later 22 x 17 3/4 in. (55.9 x 45.1 cm) Signed on mount recto Mount: 35 1/2 x 30 in.

BAB-00031-SP $18,000

Pete Turner Balloons and NYC, 1957 Archival pigment print 17 x 22 in. (43.18 x 55.88 cm) Signed, titled and dated on recto Edition 5 of 10 PTU-00000-SP $5,000

Pete Turner Taxi, Central Park, 1957 Archival pigment print 17 x 22 in. (43.18 x 55.88 cm) Signed, titled and dated on recto Edition 5 of 15 PTU-00001-SP $5,000

Ryan Weideman (b. 1941) Six Girls Crack Up, 1982 Gelatin silver print 16 x 20 in. (40.64 x 50.8 cm) Signed, titled and dated on verso Edition 4 of 10 RWE-00159-SP $4,000

Weegee (1899-1968) Summer, Lower East Side, 1937 Gelatin silver print, printed c. 1940s 11 x 14 in. (27.9 x 35.6 cm) Studio stamps on verso WEE-00021-SP $25,000

Aaron Siskind (1903-1991) Peace Pies, Harlem Document, c. 1935 Gelatin silver print, printed later 11 x 7 7/8 in. (27.9 x 20 cm) Signed on recto ASI-01538-SP $4,500

Herb Robinson Central Park North Kids, 1961 Gelatin silver print, printed 1961 5 3/4 x 3 3/4 in. (14.6 x 9.5 cm) Signed on verso HRO-00014-SP $25,000

André Kertész (1894-1985) Central Park, New York, c. 1939-1944 Gelatin silver print, printed c. 1939-1944 10 x 8 in. (25.4 x 20.32 cm) Artist stamp on verso: N3772 Provenance: The Estate of André Kertész Titled with Atlas Photography Agency stamp on verso AKE-01005-SP $18,000

Elger Esser (b. 1967) Mornac sur Seudre, 2014 Directprint on silver-coated copper plate 13 x 16 7/8 x 1 1/2 in. (33 x 43 x 4 cm) Signed on verso Edition 2 of 3 + 1 AP EES-00030-SP $15,000

Installation View: Elger Esser, Inherent Time Bruce Silverstein Gallery, New York, 2020

Elger Esser (b. 1967) Mornac sur Seudre, 2014 Directprint on silver-coated copper plate 13 x 16 7/8 x 1 1/2 in. (33 x 43 x 4 cm) Signed on verso Edition 2 of 3 + 1 AP EES-00030-SP $15,000

Artist Shinichi Maruyama in process

Shinichi Maruyama (b. 1968) Kusho #14, 2008 Archival pigment print 41 x 68 in. (104.1 x 172.7 cm) Signed, titled and dated on verso Edition 3 of 10 + 2 AP SMA-00288-SP $13,000 framed

Shinichi Maruyama (b. 1968) Light Sculpture #19, 2019 Archival pigment print 55 x 43 in. (139.7 x 109.2 cm) Signed, titled and dated on verso Edition of 3 + 2 AP SMA-00391-SP $18,000 framed

Barbara Morgan (1900-1992) Untitled, n.d.

Watercolor 19 x 12 1/2 in. (48.26 x 31.75 cm) Provenance: The Barbara Morgan Archives BMO-00048-SP $15,000

Barbara Morgan (1900-1992) Spring on Madison Square, 1938 Gelatin silver print 16 x 20 in. (40.64 x 50.8 cm) Signed and dated on recto BMO-00064-SP $8,500

Daido Moriyama (b. 1938) View from the Laboratory, 2008 Gelatin silver print, printed later 14 1/8 x 21 1/8 in. (35.9 x 53.9 cm) Signed on verso DMO-00056-SP $5,500

Louis Draper (1935-2002) Untitled, c. 1960s Gelatin silver print flush-mounted to board, printed c. 1960s 5 3/4 x 9 in. (14.6 x 22.9 cm) Artist and estate stamps with annotations on flush-mount verso Provenance: Louis H. Draper Preservation Trust LDR-00122-SP $12,000

Kenneth Josephson (b. 1932) Stockholm, 1967 Gelatin silver print mounted to board, printed c. 1975 6 x 9 in. (15.24 x 22.86 cm) Signed on mount recto Mount: 11 x 14 in.

KJO-00001-SP $8,000

Dennis Hopper (1936-2010) Wallace Berman, 1963 Gelatin silver print, printed c. 1963 6 3/4 x 10 in. (17.15 x 25.4 cm) DHOP-00000-SP $18,000

Michael Wolf (1954-2019) Paris Street View 9, 2009 Archival pigment print 34 x 27 inches (86.4 x 68.6 cm) Edition of 9 $6,000 + framing

Eve Sonneman (b. 1946) Pushing, Houston, 1971 Gelatin silver print mounted to board, printed c. 1971 4 5/8 x 13 3/8 in. (11.8 x 34 cm) Signed and titled on mount verso ESO-00013-SP $6,500

O. Winston Link (1914-2001) Birmingham Special at Rural Retreat, Virginia, 1957 Gelatin silver contact print, printed c. 1957 4 x 5 in. (10.2 x 12.7 cm) Signed and annotated with copyright and credit stamps on verso Provenance: From the artist to Thomas H. Garver, former assistant; to Private Collection OLI-00000-SP $8,500

Robert Doisneau (1912-1994) L’Enfer, 1946 Gelatin silver print, printed c. 1955 11 1/2 x 9 in. (29.2 x 22.9 cm) Artist stamp on verso Annotated ‘1946 - Policeman in front of ‘door of hell’ (porte de l’enfer) famous nightclub, place pignelle’ with Rapho stamp on verso RDO-00055-SP $12,000

Lisette Model (1901-1983) Sammy’s Bar, 1945 Gelatin silver print, printed c. 1945 19 5/8 x 15 1/2 in. (50 x 39.5 cm) Annotated Sammy’s Bar on the Bowery’ ‘by Lisette Model’ in unknown hand on verso Provenance: The Estate of Lisette Model LMOD-00056-SP $35,000

W. Eugene Smith (1918-1978) Recording Artists, Frank Sinatra, 1947-1951 Gelatin silver print mounted to board, printed c. 1947-1951 10 1/2 x 13 1/2 in. (26.67 x 34.29 cm) Artist stamp on mount verso: Provenance: From the artist to Sherry Suris, 1978 Mount: 20 x 24 in.

WSM-00051-SP $12,000

Adger Cowans (1936) Biggie Smalls, Brooklyn, New York, c. 1990-1996 Gelatin silver print, printed 2008 6 3/8 x 9 3/8 in. (16.2 x 23.8 cm) Signed, titled and dated on verso ACO-00058-SP $15,000

Aaron Siskind (1903-1991) Cabaret Dancer, Harlem Document, c. 1935 Gelatin silver print, printed c. 1970s 14 x 11 in. (35.6 x 27.9 cm) Signed, titled and dated on recto Provenance: The Artist to John Henry Troup III; Estate of John Henry Troup III ASI-01401-SP $4,500

Constantin Brâncuși (1876-1957) Lizica Codréanu interprétant les Gymnopédies d’Erik Satie dans l’atelier de Brâncusi, c. 1922 Gelatin silver print 9 3/8 x 7 in. (23.8 x 17.8 cm) Provenance: Lizica Codréano; by descent to Private Collection CBR-00134-SP $150,000

Weegee (1899-1968) The Critic, 1943 Gelatin silver exhibition print mounted to board, printed c. 1943 10 1/4 x 13 1/8 in. (26 x 33.3 cm) Signed on mount recto WEE-00007-SP $50,000

Alfred Eisenstaedt (1898-1995) Premier at La Scala, Milan, 1933 Gelatin silver print, printed c. 1933 11 5/8 x 9 1/4 in. (29.5 x 23.5 cm) Titled and dated with artist’s Pix Publishing copyright stamp on verso AEI-00001-SP $60,000

Frank Paulin (1926-2016) Candide, New York, 1956 Gelatin silver print, printed later 16 x 20 in. (40.64 x 50.8 cm) Signed, titled and dated on verso Artist stamp on verso Reference: Frank Paulin, Out of the Limelight, pl. 76 FPA-01259-SP $4,000

Ilse Bing (1899-1998) Tour Eiffel, Paris, 1931 Gelatin silver print mounted to board, printed c. 1931 8 7/8 x 11 1/8 in. (22.5 x 28.3 cm) Dated with artist stamp on mount recto Signed on mount verso Mount: 13 1/2 x 16 1/2 in.

Provenance: Collection of Kaspar M. Fleischmann; to Private Collection IBI-00021-SP $30,000

Arthur Siegel (1913-1978) Right of Assembly, 1939 Gelatin silver contact print, printed c. 1939 4 x 5 in. (10.16 x 12.7 cm) Signed, titled and dated with artist stamp on verso Annotated ‘one of two prints’ on verso ARSI-00005-SP $6,500

Arthur Siegel (1913-1978) Right of Assembly, 1939 detail

Andreas Gursky (b. 1955) Singapore Börse, 1997 Chromogenic print in artist’s frame 175.3 x 275.5 cm; (69 x 1048.5 in.)

Signed, titled, numbered and dated ‘97’ on verso Edition of 6 Price Upon Request

In 2011, Henner made a series called “Bliss,” in which he paused newscasters as they spoke about the recession and disasters, took screenshots of moments when their eyes were closed, and printed them, exhibiting the screenshots with backlighting to make them look like screens.

“They were talking and saying nothing,” Henner said.

“And I thought, ‘Fuck it. I’ll send them to sleep. Give them a break.’”

- ARTnews

Mishka Henner (b. 1976) Channel 12, 36, 42 (from Bliss), 2011 Duratran in lightbox Each 21 3/4 x 28 x 2 3/4 in. (55.2 x 71.1 x 7 cm) Each signed on verso Each Edition of 3 + 2 AP Each $12,000

Michael Wolf (1954-2019) Transparent City 31, 2007 Archival pigment print 56 x 40 inches (142.2 x 101.6 cm) Edition of 9 $11,500 + framing

Werner Bischof (1916-1954) Untitled (Musician), 1945 Gelatin silver print, printed c. 1945 11 3/8 x 8 7/8 in. (28.89 x 22.54 cm) Artist stamp with annotations on verso WBI-00057-SP $7,500

André Kertész (1894-1985) Quartet, 1926 Gelatin silver print, printed c. 1926 3 x 5 5/8 in. (7.6 x 14.3 cm) Signed and dated ‘1927’ in pencil with the photographer’s ‘75 Boulevard Montparnasse, Paris 6’ studio and copyright stamps with National Gallery of Art exhibition label on verso Provenance: Estate of André Kertész Exhibited: National Gallery of Art, André Kertész, February - May 2005; traveled to Los Angeles County Museum of Art, June - September 2005 AKE-01259-SP Price Upon Request

Constantin Brâncuși (1876-1957) Marthe près de la Colonne sans fin de Voulangis, 1926 Gelatin silver print, printed c. 1926 11 3/4 x 9 1/2 in. (29.8 x 24.1 cm) Provenance: Marthe Lebherz; to Private Collection CBR-00107-SP $90,000

Edward Steichen (1879-1973) Anna May Wong, New York, 1930 Gelatin silver print mounted to board, printed c. 1930 9 1/2 x 7 5/8 in. (24.1 x 19.4 cm) Titled and annotated with artist stamps on mount verso Provenance: Steichen Estate Exhibited: Brancusi: Sublimation of Form, Europalia Arts Festival, BOZAR, Brussels, 2019-2020 EST-00037-SP $225,000

Josef Sudek (1896-1976) Window of my Studio with a Blossom, 1950 Pigment print, printed c. 1950 9 3/4 x 7 1/4 in. (24.8 x 18.4 cm) Dated and annotated on verso Provenance: Private Collection JSU-00045-SP $45,000

Marie Cosindas (1923-2017) Sailors, Key West, 1966 Dye-transfer print, printed 1980s 10 x 7 3/4 in. (25.5 x 20 cm) MCOS-00190-SP $12,000

Cindy Sherman (b. 1954) Untitled Film Still #57, 1980 Gelatin silver print, printed c. 1980 8 x 10 in. (20.3 x 25.4 cm) Signed, dated, and numbered on verso Edition 4 of 10 CISH-00000-SP Price Upon Request

Jimmie Mannas (b. 1941) Recess, Bishops All Girl High School, Georgetown, Guyana, 1973 Gelatin silver print, printed 2019 20 x 16 in. (50.8 x 40.6 cm) Signed, dated and numbered on verso Edition 1 of 8 JMAN-00010-SP $9,500

Anne Brigman (1869-1950) The Shadow on My Door (Self-Portrait), 1921 Gelatin silver print mounted to board, printed c. 1921 9 3/4 x 7 3/4 in. (24.8 x 19.7 cm) Signed on recto Mount: 17 x 13 7/8 in.

ABR-00000-SP $30,000

Alfred Stieglitz (1864-1946) Equivalent [177e], 1926 Gelatin silver print mounted to board, printed c. 1926 4 3/4 x 3 5/8 in. (12.1 x 9.2 cm) Titled and dated on mount verso Mount: 13 5/8 x 10 7/8 in.

Provenance: From the photographer; by descent to Georgia O’Keeffe; by descent to Georgia O’Keeffe Foundation; to Georgia O’Keeffe Museum ASTI-00050-SP $75,000

Larry Silver (b. 1934) Jogger, Westport. CT, 1979 Gelatin silver print 14 x 11 in. (35.56 x 27.94 cm) Signed, titled and dated on verso LSI-00188-SP $5,000

Max Neumann (b. 1949) Untitled, July, 2013 Oil and acrylic on canvas 95 3/4 x 61 in. (243.2 x 154.9 cm) Signed and titled on verso MNEU-00086-SP $47,500

Todd Hido (b. 1968) #8227-a, 2008 Archival pigment print 30 x 30 in. (76.2 x 76.2 cm) Signed, titled and dated on verso Edition of 5 + 2 AP (3/5) Reference: Intimate Distance, 2016 THI-00274-SP $10,350 framed

Francesca Woodman (1958-1981) Untitled, Rome, 1977-1978 Gelatin silver print, printed c. 1977-1978 5 3/4 x 5 3/4 in. (14.6 x 14.6 cm) Provenance: Mary Panzer (former Curator of Photographs at the National Portrait Gallery at the Smithsonian Institution), to Gary Edwards Gallery; to Judith Watkins Tartt Reference: Francesca Woodman, San Francisco Museum of Modern Art; 2011, p. 96 FWOO-00031-SP $70,000

Lotte Jacobi (1896-1990) Photogenic Drawing, c. 1940 Gelatin silver print, printed c. 1940 9 1/8 x 6 5/16 in. (23.7 x 17.5 cm) Signed on recto Credit stamp on verso Provenance: Patricia Laligant Gallery, New York; to Private Collection LJA-00003-SP $9,500

Penelope Umbrico (b. 1957) Everyone’s Photos Any License (514 of 1,701,952 Full Moons on Flickr), 2019 UV prints on acrylic Overall: 62 x 138 in. (157.48 x 350.52 cm) Signed on verso Unique installation PUM-00128-SP $45,000 framed

As a sight common to all inhabitants of Earth, the moon is easily photographable by anyone with a decent camera, yet numerous proprietary claims to multiple similar images of it exist. This friction between public and private speaks volumes about the state of photography in the digital age—the driving force of Umbrico’s creative practice.

Installation view: Penelope Umbrico Everyone’s Photos Any License (532 of 1,190,505 Full Moons on Flickr,) 2019 George Eastman Museum, Rochester, New York

Sandy Skoglund (b. 1946) Peas on a Plate, 1978 Archival inkjet print 25 x 31 in. (63.5 x 78.7 cm) Signed, titled and dated on recto SSK-00000-SP $6,000

Marjan Teeuwen (b. 1953) Archive 2, 2007 Archival pigment print 27 1/2 x 29 7/8 in. (70 x 76 cm) Signed on verso MTE-00006-SP â‚Ź10,000 framed

Frederick Sommer (1905-1999) Untitled, c. 1950s Glue drawing on paper 12 x 18 1/2 in. (30.5 x 47 cm) Signed on verso Provenance: The Frederick & Frances Sommer Foundation FSO-00342-SP $13,000

Keith Smith (b. 1938) Harold Allen, 9:57AM, 6 Sep 72; 23 Jan 73, 1972-1973 Mixed media: envelope with solarized gelatin silver print and collage elements 7 x 5 1/2 in. (17.8 x 14 cm) Signed, titled and dated on verso KSM-00351-SP $4,000

Diane Arbus (1923-1971) Waitress, Nudist Camp, 1963 Gelatin silver print, printed no later than 1967 10 1/4 x 9 3/4 inches (26 x 24.8 cm) Signed and inscribed ‘for J.M....’ on margin recto Signed, titled and dated 1963 on verso Provenance: Gift of the photographer to Joseph Mitchell, 1967 Price Upon Request

Larry Silver (b. 1934) Boardwalk Bench Spectators, Muscle Beach, California, 1954 Gelatin silver print, printed c. 1980 12 5/8 x 16 3/4 in. (32.1 x 42.5 cm) Signed with artist stamp on verso LSI-00332-SP $5,000

Jimmie Mannas (b. 1941) Shy Girls, Guyana, 1972 Gelatin silver print, printed 2019 14 x 11 in. (35.6 x 27.9 cm) Signed, dated and numbered on verso Edition 2 of 8 JMAN-00025-SP $7,500

Phillipe Halsman (1906-1979) Marilyn Monroe, c.1959 Gelatin silver print, printed c. 1959 13 3/4 x 10 3/4 in. (34.9 x 27.3 cm) Artist copyright stamp with annotations on verso Annotated: “Marilyn jumped over hundred times and tore her dress completely�

PHA-00002-SP $30,000

Aaron Siskind (1903-1991) Pleasures and Terrors of Levitation #63, 1956 Gelatin silver print, printed c. 1980s 24 x 20 in. (61 x 50.8 cm) Signed, titled and dated on verso ASI-01126-SP $12,000

Aaron Siskind (1903-1991) Pleasures and Terrors of Levitation #94 (Christmas Card), 1961 Gelatin silver print flush-mounted to board 6 3/4 x 4 1/2 in. (17.1 x 11.4 cm) Signed, dated and inscribed on mount recto Provenance: From the artist to John Wood ASI-01500-SP $8,500

Larry Silver (b. 1934) Headstand, Muscle Beach, Santa Monica, CA, 1954 Gelatin silver print, printed 1998 14 x 11 in. (35.56 x 27.94 cm) Signed, titled and dated with artist stamp on verso LSI-00149-SP $4,000

Brea Souders Sunburn in Naples, 2010 Archival inkjet print 25 x 20 in. (63.5 x 50.8 cm) Signed on verso Edition of 3 + 2 AP BSO-00014-SP $12,000 framed

Keith Smith (b. 1938) 25 March, 1973 Mixed media: hand-colored gelatin silver print with machine sewing 7 x 5 1/2 in. (17.8 x 14 cm) Signed, titled, dated and annotated on verso KSM-00430-SP $4,000

Keith Smith (b. 1938) Me at My Shed - About to Go after the Mail, 1973 Hand-colored gelatin silver print, stitched to paper mount, printed c. 1973 14 1/2 x 11 1/2 in. (36.8 x 29.2 cm) Signed, titled and dated on mount recto Mount: 19 1/4 x 16 in.

KSM-00213-SP $12,000

How to Hunt, Trine Sondergaard & Nicolai Howalt Lindekjaer, 2005 Digital chromogenic print 25 x 31 1/2 in. (63.5 x 80 cm) Signed on verso Edition 4 of 5 HTH-00011-SP $7,000 framed

Irving Penn (1917-2009) Vionnet Dress with Fan, 1974 Platinum-palladium print, printed 1979 20 7/8 x 19 7/8 in. (53 x 50.5 cm) IPE-00015-SP $50,000

Adger Cowans (1936) Olympia, c. 1966 Gelatin silver print mounted to board, printed c. 1966 8 3/8 x 13 5/8 in. (21.3 x 34.6 cm) Signed, titled and dated with artist stamp on mount verso Mount: 20 x 16 in.

ACO-00000-SP $18,000

Todd Hido (b. 1968) #11801-1971, 2017 Archival pigment print 59 x 88 in. (149.9 x 223.5 cm) Signed, titled and dated on verso Edition of 1 + 1 AP Reference: Bright Black World, 2018 THI-00213-SP $34,000 framed

Elger Esser (b. 1967) Charite-sur-Loire I, Frankreich, 2000 Directprint on silver-coated copper plate 15 5/8 x 19 5/8 x 1 1/2 in. (40 x 50 x 4 cm) Signed on verso Edition of 3 + 1 AP EES-00043-SP $20,000

Elger Esser (b. 1967) Brion sur Ource, 2018 Directprint on silver-coated copper plate 13 x 16 7/8 x 1 1/2 in. (33 x 43 x 4 cm) Signed on verso Edition 2 of 3 + 1 AP EES-00040-SP $15,000

Installation View: Elger Esser, Inherent Time Bruce Silverstein Gallery, New York, 2020

Elger Esser (b. 1967) Brion sur Ource, 2018 Directprint on silver-coated copper plate 13 x 16 7/8 x 1 1/2 in. (33 x 43 x 4 cm) Signed on verso Edition 2 of 3 + 1 AP EES-00040-SP $15,000

Brett Weston (1911-1993) New York, MOMA Garden, 1945 Gelatin silver print mounted to board, printed c. 1945 9 1/2 x 7 1/2 in. (24.13 x 19.05 cm) Signed and dated on mount verso Mount: 13 3/4 x 16 in.

BWE-00011-SP $8,500

André Kertész (1894-1985) Woman’s Legs Sunbathing Through Window, c. 1960s Gelatin silver print, printed c. 1960s 9 7/8 x 8 in. (25.08 x 20.32 cm) Artist’s ‘2 Fifth Ave’ and ‘New York- The Herald Tribune Magazine’ stamps on verso Provenance: The Estate of André Kertész AKE-00937-SP $12,000

Louis Draper (1935-2002) Soccer Game, Dakar, Senegal, 1978 Gelatin silver print mounted to board, printed c. 1978 6 5/8 x 9 5/8 in. (16.8 x 24.4 cm) Signed, titled and dated with estate stamp on mount verso Mount: 11 x 14 in.

Provenance: Louis H. Draper Preservation Trust LDR-00138-SP $12,000

Walker Evans (1903-1975) Untitled, Boys with woman in window, c.1935 Gelatin silver print, printed c. 1960 6 1/4 x 9 1/2 in. (15.88 x 24.13 cm) Harry Lunn archive stamp on verso WEV-00008-SP $6,500

Harry Callahan (1912-1999) Venice, 1978 Dye-transfer print, printed c. 1978 9 1/2 x 14 1/2 in. (24.1 x 36.8 cm) Signed on recto Numbered 2/12 on verso HCA-00056-SP $4,000

Rosalind Solomon (b. 1930) New Orleans, Louisiana, 1992 Archival inkjet print, printed 2016 29 x 29 in. (73.7 x 73.7 cm) Signed on verso Reference: Got to Go, MACK, 2016 RSO-00363-SP $10,000

Joel-Peter Witkin (b. 1939) ‘The History of Hats in Art’ for the New York Times, Hopper, Prada fur helmet, 2006 Digital chromogenic print 23 5/8 x 17 in. (60.01 x 43.18 cm) Signed, titled and dated on verso AP 3 JWI-00130-SP $36,000

Walker Evans (1903-1975) Portrait of a Woman, Tahiti, 1932 Gelatin silver print, printed c. 1932 7 x 11 in. (17.78 x 27.94 cm) Harry Lunn Archive stamp on verso WEV-00002-SP $18,000

Aaron Siskind (1903-1991) Kraitz Sisters, 1933 Gelatin silver print, printed c. 1933-1935 4 1/2 x 2 15/16 in. (11.4 x 7.5 cm) Signed on mount verso Provenance: From the artist to Private Collection ASI-01183-SP $15,000

Man Ray (1890-1976) Juliet, c. 1950 Gelatin silver print mounted in camera shutter 4 13/16 x 4 15/16 x 1 1/16 in. (12.2 x 12.5 x 2.7 cm) MRA-00079-SP $55,000

Dan Weiner (1919-1959) New Year’s Eve, New York City, 1950 Gelatin silver exhibition print mounted to board, printed no later than 1969 14 x 20 in. (35.56 x 50.8 cm) Inscribed ‘160’ on mount verso Exhibited: The Concerned Photographer, circulated in the United States by the Smithsonian Institution Traveling Exhibition Service, 1969–1971 DWE-00006-SP $25,000

Elliott Erwitt (b. 1928) Lucienne & Cat, 1953 Gelatin silver print, printed c. 1953 5 3/4 x 13 1/2 in. (14.61 x 34.29 cm) Artist, Magnum Photo, and ‘Subjektive Fotografie’ stamps on verso EER-00000-SP $9,500

Edward Weston (1886-1958) William Edmondson, Sculptor, Nashville, 1941 Gelatin silver print mounted to board, printed c. 1951-1952 7 1/2 x 9 1/2 in. (19.1 x 24.1 cm) Initialed and dated on mount recto Mount: 13 3/4 x 16 in.

Provenance: Artist’s family; to Joseph Sterling, late 1950s; to Joseph Sterling’s widow, 2010 EWE-00070-SP $6,500