SINCE 1891
THE BROWN DAILY HERALD WEDNESDAY, MARCH 21, 2018
VOLUME CLII, ISSUE 36
WWW.BROWNDAILYHERALD.COM
U. discusses Anderson .Paak, NAO to headline Spring Weekend increasing aid DRAM, Rico Nasty, Rina Sawayama, Whitney for highest complete lineup that aims need students to disrupt hierarchies Preliminary report would increase food, textbook aid for students without parental contributions By SOPHIE CULPEPPER SENIOR STAFF WRITER
On Tuesday, the Brown University Community Council discussed a working proposal to increase food and textbook aid for undergraduate students with the highest financial need. The report, called “Enhancing Support for Students with Highest Financial Need,” was compiled after students approached administrators regarding the “hidden costs” of attendance, Provost Richard Locke P’18 said at the meeting. The proposal aims to “increase the scholarship that we give students who have zero-dollar contribution from parents” in order to reduce the amount » See BUCC, page 2
By CONNOR SULLIVAN ARTS AND CULTURE EDITOR
Anticipation hung palpably in 50 Exchange Terrace’s Narragansett-soaked Stout Irish Sports Pub Tuesday night as students awaited the announcement of the 2018 Spring Weekend lineup. Released at midnight, the roster ranges from hip-hop to avant-garde soul to easygoing pop-rock. NAO and Anderson .Paak will be headlining Friday and Saturday, respectively. The highly variegated lineup of artists remains unified by a singular imperative: disrupt. “Our theme this year is ‘disrupt’ because we’re trying to disrupt hierarchies and underrepresentation in the music industry,” said Allie Tsuchiya ’18, a member of the Brown Concert Agency. BCA is responsible for organizing Spring Weekend and unveiled the lineup announcement with a video that stressed the theme of “distorting norms” and “disrupting
ARTS & CULTURE
hierarchies.” English artist NAO’s music comprises more than the sum of her influences’ parts. English dubstep, deep house and funk contribute to her palette of sounds, which maintains a texture at once sensual and abrasive. NAO, whose real name is Neo Jessica Joshua, released her critically acclaimed debut “For All We Know” in 2016 and is working on a new album. Her set will be preceded by Rico Nasty and DRAM. Saturday’s headliner, Anderson .Paak, is a California-based singer and rapper whose music oscillates seamlessly between mellifluous vocals and hard-hitting trap beats. The artist’s songwriting is complemented by his technical prowess and vocal command, which forge an expansive soundscape. Since releasing his 2016 album “Malibu,” .Paak has appeared on the “Black Panther” soundtrack and has been featured on tracks by SiR and A Tribe Called Quest. Sets by What Cheer? Brigade, Rina Sawayama and Whitney will preface .Paak’s performance. “This lineup is out of this world,” said Udoka Oji ’18. “Anderson .Paak is coming. That’s crazy.” — With additional reporting by Annabelle Woodward
Report explores solutions to encryption debate With input from U. professor, document details ethical, technical issues around police data access SENIOR STAFF WRITER
By GRAYSON LEE CONTRIBUTING WRITER
SCIENCE & RESEARCH
INSIDE
Womxn’s series promotes inclusivity
Events will feature spoken word poets, activists, challenge notions of traditional femininity
By JEFF DEMANCHE
In the wake of the 2015 San Bernardino terror attack, the nation witnessed a new and unfamiliar debate when the FBI — in possession of the shooter’s encrypted iPhone 5c — tried to compel Apple to provide “exceptional access” to the phone’s encrypted contents. While national dialogue surrounding law enforcement’s ability to require access to encrypted evidence has waned since then, a committee of academics and professionals including Seny Kamara, associate professor of computer science, formed in 2016 to discuss what policymakers should bear in mind when developing solutions to the encryption debate. The committee released a report in February that poses questions they believe are critical to the conversation. Encryption — the act of turning understandable “plaintext” data into unintelligible “ciphertext” — is an old
COURTESY OF WIKIMEDIA COMMONS
Anderson .Paak combines vocals with trap beats and will headline Saturday’s show after performances from Rina Sawayama and Whitney.
COURTESY OF BROWN UNIVERSITY
Seny Kamara, associate professor of computer science, served on the committee that discussed cybersecurity issues in the 21st century. concept, said Fred Cate, vice president for research at Indiana University and chair of the committee that wrote the report. While encryption technology applied almost exclusively to government and industrial interests for centuries, it has become incredibly important with the advent of computers and the Internet, playing a role in most online
interactions. “Encryption now just surrounds us,” Cate said. As it stands, law enforcement agencies can get a warrant to seize a device and access its content. “But if the content is gibberish — if it’s all ciphertext — they have no authority to compel somebody to help them to get access,” » See REPORT, page 3
Throughout March and April, the Sarah Doyle Women’s Center will host the 2018 Womxn’s History Series, “Remixing Storytelling: Gender, Media and Creative Expression,” which seeks to welcome marginalized identities and “amplify voices that haven’t been heard on campus,” said Giselle Flores Alvarado ’20, one of the series’ progammers. This year, the series — which is held every March — centers on empowerment through creative expression and features speakers such as queer Latinx writer Gabby Rivera, queer indigenous rapper Dio Ganhdih and LGBTQ+ activist CeCe McDonald. This programming marks the first time that the SDWC is using the term “womxn” in the series’ title, said Felicia Salinas-Moniz, assistant director of the SDWC. “We’ve always really seen
the Women’s Center as being very inclusive around gender, and this was just our way to visually represent that, especially as we’re highlighting speakers who do deal with trans identity,” she added. The center’s student coordinators for the series, Alvarado and Kara Roanhorse ’18, conceptualized its theme after realizing that the scheduled events contained a common thread of narratives pertaining to marginalized identities. “It’s not just traditional storytelling, like reading a book. It’s activism, it’s recentering history, it’s music, it’s doing social work,” Alvarado said, adding that the series aims to expand the definition of storytelling. Featured artists in the series — such as the spoken word duo Climbing PoeTree — use storytelling and art to express their identities and further their activism. “Climbing PoeTree uses multimedia art to address themes of racial inequality, environmental injustice, language barriers and carving out a sense of place for oppressed identities,” according to the SDWC’s website. Along with probing traditional » See WOMXN, page 3
WEATHER
WEDNESDAY, MARCH 21, 2018
NEWS Nine students enrolled in Brown in Washington program experience public service, policy
METRO Providence City Hall displays 20 paintings from international artist Siobhan Cox-Carlos
NEWS Foundation partners with U. to offer opportunities to work with nonprofits in Tulsa, Oklahoma
COMMENTARY Stapleford ’21: Creation of disability identity center could isolate students with disabilities
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