SINCE 1891
THE BROWN DAILY HERALD THURSDAY, NOVEMBER 1, 2018
VOLUME CLII, ISSUE 92
WWW.BROWNDAILYHERALD.COM
Med School promotes Peachy to friends, Peach to competitors Choi ’20 to compete humanistic medicine Peter in the American Beatbox Humanistic medicine incorporated into scholarly concentrations, electives, extracurriculars By MIA PATTILLO SENIOR REPORTER
At the end of a year dissecting and studying cadavers, first-year students at the Alpert Medical School host an annual Ceremony of Gratitude. Each May, they meet and thank the families of those who donated their bodies to help students understand human anatomy. During the ceremony, students express their gratitude through poetry and speeches, dances and hand-written cards. Despite working with these bodies for the past year, students do not learn the first names of the donors until the flower ceremony during the Ceremony of Gratitude. This ceremony serves as one of the many ways that students at the Med School strive to remember and reflect on individuals as people instead of just as bodies they interact with. Humanistic practices are incorporated into classes and scholarly concentrations, electives, extracurriculars and reflection sessions. Brown has taken a lead in thoughtfully incorporating critical topics that have previously been neglected into
curricula, such as LGBTQ+ patient care, racism and transgender medicine, said Steven Rougas, assistant professor of medical science and emergency medicine. Medical students first learn and practice patient-centered communication through Doctoring, a clinical skills training program for first- and secondyear students. Based on a collection of poems and essays entitled “On Doctoring,” the program teaches topics such as medical interviewing, administering a physical exam and presenting an oral case, as well as “thinking about the patient as a whole,” said Rougas, who directs the program. Each class is typically made up of eight or nine students and is taught by both a physician and a social behavioral sciences faculty member who comes from a background such as nursing, pastoral care, education or social work. The combination of a physician and a non-physician perspective “allows for a more interprofessional approach,” Rougas said. “We help students navigate how to respond empathetically, how to use reflective listening (and) how to utilize what the patient’s telling you and their story to respond appropriately based on their needs,” Rougas explained. The program “helps students start » See MEDICINE, page 4
Championships, ranked 14th qualifier By TESS DEMEYER SENIOR REPORTER
It started three years ago with a faded orange hat and an effort to bring a stoic first-year out of his shell. The result was a stage name that Peter Choi ’20 will perform under at the Brooklyn Bazaar Nov. 10 armed only with a microphone. Alone in the basement of Wayland House, Choi set up a camera and took a step back. He introduced himself as ‘Peach’ and proceeded to perform a two-minute beatboxing routine he had been perfecting for months. Six minutes before the Oct. 5 deadline, he uploaded his submission for the American Beatbox Championships and took a shot at breaking into the elite level of competitive vocal percussion.
MAX DEKLE / HERALD
Peter “Peach” Choi ’20 is a member of the Jabberwocks and studies computer music and multimedia within the music department. Last November, Choi dove headfirst into the competitive beatboxing scene with only slight knowledge and no experience. The 2017 American Beatbox Championships was his first live beatboxing event, and he approached the open mic elimination round with little more than a rough draft of a competitive routine. Choi
didn’t advance to the top 32 but left the competition with fresh sounds, more precise delivery and the newfound understanding that top performers didn’t just wing it on stage. They prepare “carefully crafted and structured” arrangements and strategically maneuver the microphone throughout their routines to control sounds like
whistles, zippers and hums. After jamming at the competition with some of the icons of the artform, Choi felt like “everything leveled up.” “I definitely thought that I was really good before I went to last year’s championships, and then I was very rudely awakened to how large even » See BEATBOX, page 3
BrownTogether fundraising pace picks up Photo, sound exhibition creates immersive experience
Campaign aims to hit two-thirds mark by spring, $3 billlion could be raised before 2022
Housed in List Art Center, Luke Moldof GS exhibition ‘Traditional Terrain’ features mix of garbage, glamour
By JACOB LOCKWOOD SENIOR STAFF WRITER
The University’s BrownTogether fundraising campaign has raised $1.88 billion to date toward its $3 billion goal, according to Senior Vice President for Advancement Sergio Gonzalez. The University hopes to surpass the twothirds mark of its fundraising campaign by spring 2019, said President Christina Paxson P’19. BrownTogether hit its halfway point point January 2018, The Herald previously reported. The campaign is slated to end in 2022, which is a conservative estimate considering the pace of fundraising, Paxson said. The campaign has sped up in the past year: The University raised an alltime high of $389 million from donors in fiscal year 2018, up from the total of
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By GRAYSON LEE STAFF WRITER
SAM KASE / HERALD
about $280 million raised in fiscal year 2017, Gonzalez said. Before the BrownTogether campaign began in 2015, the University raised about $200 million per year, Paxson said. The BrownTogether campaign raises funds for four different categories: Education and Research, Campus and Community, Investing in People and the Brown Annual Fund. “These aren’t hard-and-fast buckets,” Paxson said.
Some donations may be designated to support initiatives across multiple categories. While the campaign’s $3 billion goal has not changed, the targets for each category shifted as a result of the revised operational plan that the University released in September, Gonzalez said. The goal for Investing in People decreased by $50 million, and the goal for Education » See FUNDRAISER, BACK
Photographs of trash, animal carcasses and picturesque views were displayed at the opening reception of “Traditional Terrain,” a photo and sound exhibition by Luke Moldof GS. Based on the theme of bridges, the show featured sounds of traffic humming, trains rumbling and bridges creaking — as well as slideshows and videos — that supplemented the photos mounted on the walls. Initially, the photos in Gallery 221 in List Art Building did not appear to have much in common. Along with litter and dead animals, Moldof photographed a motorcyclist crossing a
bridge, rivers, crushed orange cones, cityscapes and much more. But these seemingly unrelated pictures, videos and sounds were all recorded on bridges or presented bridges as their subjects. Many of the captured locations are recognizable, such as the iconic Crook Point Bascule Bridge, which connects Providence and East Providence. Moldof, a sixth-year student in the PhD program in Computer Music and Multimedia, decided to photograph and record bridges to document both sound and sight. “I knew it would give me the flexibility to do almost anything,” Moldof said. One of his major goals, he explained, was to find a project that would be interesting both visually and aurally. “I realized I could make recordings of the bridge itself, like the bridge shaking, with contact mics. They pick up vibrations instead of sound » See EXHIBIT, BACK
WEATHER
THURSDAY, NOVEMBER 1, 2018
NEWS Deputy Treasurer Kelly Rogers MPP ’12 discusses career following Brown at Watson event
SPORTS Katie Hammaker ’19 named athlete of the week after weekend performance as field hockey goalie
COMMENTARY Editorial: U. champions academic freedom through endangered scholars consortium membership
COMMENTARY Miller ’19: U. global studies proposal will shortchange students, should be amended
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