Friday, February 4th, 2022

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SINCE 1891

THE BROWN DAILY HERALD FRIDAY, FEBRUARY 4, 2022

VOLUME CLVII, ISSUE 5

UNIVERSITY NEWS

A history of Black student campus activism Throughout campus history, Black students build community, spark change

BROWNDAILYHERALD.COM

METRO

BLM RI PAC reflects on a year and a half Group has advocated for criminal justice reform, organized coalitions

BY KAITLYN TORRES AND CANQI LI UNIVERSITY NEWS EDITOR AND SENIOR STAFF WRITER

BY MICHAEL SEOANE SENIOR STAFF WRITER

From Black students trailblazing firsts in the late 19th century to students planning walkouts and protests to increase campus diversity in the civil rights movement of the 1960s, Brown has a long history of Black student activism. College campuses during the civil rights movement were “convulsed by debates over civil rights, war, poverty and imperialism,” according to Matthew Guterl, professor of Africana Studies and American Studies. College students, he wrote in an email to The Herald, were “critical innovators and organizers” within the movement, and Brown students were no exception.

LOKI OLIN / HERALD

First Black students create community together In the late 1800s, the first Black students to study at Brown set foot on campus. Five of these Black graduates from between 1877 and 1912 went on to later become presidents of Black colleges and universities. For these students and those who followed them, activism often took shape in community building. Among the first Black female graduates of the University was Ethel Robin-

ARTS & CULTURE

son, class of 1905, who went on to teach at Howard University in Washington, D.C. and who is credited with guiding her student Ethel Hedgeman to found the first Black sorority in the United States, Alpha Kappa Alpha Sorority, Incorporated. In 1967, the Afro-American Society was founded at Brown to raise awareness of “Afro-American culture, social interactions, political activities and di-

SEE ACTIVISM PAGE 5

Black Lives Matter Rhode Island Progressive Action Committee launched over a year ago in July 2020 with the aim of helping a diverse group of young, progressive politicians run for state and local office. The organization’s overarching goal is “to see systemic racism dismantled,” according to Harrison Tuttle, the PAC’s executive director. “The day that happens, I will gladly retire the organization,” Tuttle said. The PAC champions left-wing policies such as legalizing cannabis, banning for-profit prisons and repealing the Law Enforcement Officers’ Bill of Rights, a law that

protects law enforcement officers from prosecution while performing their duties. In contrast to other BLM chapters around the United States, which are usually registered as non-profits, the PAC also raises funds for political candidates in Rhode Island that share these legislative aims. In the past year, the PAC has organised coalitions to achieve these objectives, partnering with organizations such as Sunrise Providence, Reclaim RI and the Democratic Socialists of America to fight for progressive reform, Enrique Sanchez, the organization’s interim political director, said. “Our top priority as a PAC is to address the root causes of crime, to hold corrupt police officers accountable and to make Rhode Island better at addressing mental health crises,” Tuttle added. When Tuttle joined the PAC, he

SEE BLM PAGE 3

METRO

Five Toni Morrison reads for Black History Month

‘The Seeing’ exhibition brings together music, social movements

From magical realism to sharp social critique, Morrison’s works offer sublime experience

Composer Roumain explores historical issues through film, music

BY MAGDALENA DEL VALLE SENIOR STAFF WRITER “The vitality of language lies in its ability to limn the actual, imagined and possible lives of its speakers, readers, writers ... It arcs toward the place where meaning may lie.” Giving her Nobel lecture at the Nobel Prize award ceremony in 1993, Toni Morrison (1931-2019) taught readers about the true power of language and imagination, the strength of their identities and the honor of the Black experience. Morrison’s art of writing, speaking and understanding guided many. Her body of work lives on as a vessel of hope, anti-racism and universal human dignity. Below are five compelling works by Morrison — must-reads for understanding the legacy of this legendary storyteller. “The Bluest Eye” Published in 1970, Morrison’s first novel follows the harrowing childhood of Pecola Breedlove. Eleven-year-old

Pecola is an African American girl growing up in Lorain, Ohio (which is also Morrison’s hometown). From the very first sentence, Morrison reveals to the reader the shocking plot of the novel: “Quiet as it’s kept, there were no marigolds in the fall of 1941. We thought, at the time, that it was because Pecola was having her father’s baby that the marigolds did not grow.” It feels as if Morrison is daring readers to continue — not to find out what happened, but rather to see how such an atrocity will affect young Pecola and the community around her. Morrison wrote this novel to comment on the misplaced correlation between beauty and “whiteness.” Despite her challenging circumstances — an incestuous pregnancy, family strife and poverty — Pecola is most concerned with the color of her eyes. She is unable to perceive herself as beautiful. Instead, Pecola obsesses over blondehaired, blue-eyed Shirley Temple, who represents an inaccessible mainstream beauty standard. While the story addresses heavy issues that are difficult to process at times, “The Bluest Eye” is a relevant and timeless admonition of prejudice and social idealism.

SEE MORRISON PAGE 8

FINN KIRKPATRICK SENIOR STAFF WRITER As part of a long-standing collaboration with renowned violinist and composer Daniel Bernard Roumain, Providence-based art initiative FirstWorks put on his newest multimedia project “The Seeing” at the WaterFire Arts Center. “The Seeing” is a monthlong video exhibition featuring six films all scored by Roumain running through Feb. 6. The exhibit’s films all explore different facets of race in America. The subjects of the films range from the Tulsa Race Massacre in “They Still Want to Kill Us” to the schoolto-prison pipeline in “About Face.” In “Fear,” a spoken word element is used to address police violence, while “I Have Nothing to do Except Love” handles mental health with lyricism. “Requiem, for the Living in Color,” the longest of the films at just over 30 minutes, addresses modern day race and historical civil rights issues.

COURTESY OF LAURA DUCLOS

The films blend archival footage, musical content from DBR and collaborators, as well as backgrounds relating to America’s racial history.

“Our Country,” a reinterpretation of the famous song “My Country ’Tis of Thee,” further highlights race-based violence. The films are all projected backto-back on a loop in a single room in the WaterFire Arts Center gallery. The contents blend archival footage compilations — both contemporary and historical — with scenes of Roumain and various collaborators either playing or singing their music. The music is featured over several backgrounds, including a projection of police sirens, which draw upon all periods of American history. In some films, police brutality over the past decade are paired with images of the 1960s civil rights movement. The styles of music accompanying the films range from

Metro

Arts & Culture

U. News

Commentary

R.I. Candidates enter congressional race after Langevin drops out Page 2

‘The Lost Daughter’ disappoints with anticlimactic ending Page 6

Dining hall operations return to regular hours starting Friday Page 7

Gail McCarthy, beloved BDS cashier, says goodbye to the Brown community Page 7

traditional orchestral pieces to opera to distorted electronic sounds and vocal music that is similar to that of the songs of the Underground Railroad. In his artist statement, Roumain wrote, “ ‘The Seeing’ is a collection of films that are all related to our willingness to hear, understand and love one another. Can we see each other? Of course, for so many, division and hatred is what is heard and understood, and hatred fills our screens and airwaves as it surrounds and drowns our communities into a chasm of despair.” Prior to the opening of the exhibition, WaterFire Arts Center and FirstWorks held a town hall where Roumain spoke about his process creating the

SEE WATERFIRE PAGE 4

TODAY TOMORROW

DESIGNED BY

DANA TONEVA '24 DESIGNER JULIA GROSSMAN ’23 DESIGNER

52 / 24

27 / 12

NEIL MEHTA '25 DESIGN EDITOR


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Friday, February 4th, 2022 by The Brown Daily Herald - Issuu