SINCE 1891
THE BROWN DAILY HERALD WEDNESDAY, NOVEMBER 30, 2016
VOLUME CLI, ISSUE 114
WWW.BROWNDAILYHERALD.COM
U. consistently admits male applicants at higher rate U. received 50 percent more applications from women than men in 2014-15 application cycle STAFF WRITER
consideration.” This spring, the University will celebrate 125 years of women on campus, culminating in an alumni conference. “Here is Brown patting itself on the back while, for the last 10 years, they’ve been blatantly discriminating against women,” Birger said.
With the early decision admission process underway, one factor may hold more weight than applicants realize: gender. For the past 15 years, the University has accepted male applicants at a rate 3 to 4 percentage points higher than that of female applicants. While this phenomenon is not specific to Brown, it has caught the eye of one particular alum. In a column in the Washington Post, Jon Birger ’90 claims that many private colleges and universities, including his alma mater, “discriminate against female applicants.” While Brown’s female applicants are accepted at a lower rate than males, they have still comprised the majority of the undergraduate student body since 1994, when female enrollment first outpaced male enrollment at the undergraduate level. “It shouldn’t be twice as hard for the women to get in based on their gender,” Birger told The Herald. “They shouldn’t be taking gender into
Gender balance For the 2014-15 application cycle, the University received roughly 50 percent more female applicants than male. From this lopsided applicant pool, 11 percent of males were admitted versus 8 percent of females, ultimately producing a freshman class with a 54-46 female-male gender ratio for the class of 2019. “We’re trying to bring in a class of interesting, talented students from diverse backgrounds, but gender balance is critically important to us,” said Logan Powell, dean of admission. “We do strive to have gender balance on campus, so being close to 50-50 would always be our goal. But we’re never going to make a decision on the basis of gender alone.” Gender balance is a goal in admission offices across the country, particularly at liberal arts colleges. “Today, a lot of the private schools are obsessed with keeping their gender ratio as close » See ADMISSION, page 2
By BAYLOR KNOBLOCH
ELI WHITE / HERALD
Rep. Aaron Regunberg ’12, D-Providence, speaks at Resist Hate Brown, a gathering for students to discuss reactions to Donald Trump’s election win and plans for community action going forward.
Students brainstorm methods of resistance Local organization, government leaders recommend ways students can affect change By LAURA FELENSTEIN SENIOR STAFF WRITER
Resist Hate Brown, a brainstorming event held in conjunction with Resist Hate RI Tuesday night, allowed students to learn about and discuss how to move forward following the presidential election of Donald Trump. Local organiz-
ers from the American Civil Liberties Union, Direct Action for Rights and Equality and Planned Parenthood discussed community engagement and mobilization to an audience of several dozen students in Salomon 001. Organizer Gabe Zimmerman ’17.5 got the idea of arranging Resist Hate Brown after attending a Resist Hate RI event at Hope High School last Saturday. “It was something that really inspired me,” he said. He left the meeting wanting to immediately “replicate this on Brown’s campus for people who are confused and don’t know what to do in the face
of this (election).” Before representatives and officials spoke about how students can get involved, audience members broke into small groups and answer three questions: What is something you fear about a Trump presidency? What is an action you’re willing to take to resist that feared outcome? And what is a strength you could bring to that fight? In these groups, many expressed fears regarding the normalization of Trump’s rhetoric and the possibility of increased passivity as people lose the » See RESIST HATE, page 3
Exhibition examines Kurds’ current plight ‘Starboy’ struggles with The Weeknd’s relationships, fame Fatma Bucak’s art reflects experiences of Kurdish people, balances delicate issues of border politics
Abel Tesfaye’s newest album brings Motown instrumentals, self-pitying lyrics in cry for sympathy
By CONNOR SULLIVAN STAFF WRITER
Plaintively strewn Damask flowers, grief-stricken video displays of Turkish newspapers and a demoralizing lithograph e nu m e r at i n g the fallen speak volumes about the concrete consequences of borders in Fatma Bucak’s exhibit, “And Men Turned Their Faces From There.” The installation, which opened Nov. 19 in the List Art Center’s Bell Gallery, examines the nuanced plight of the Kurdish people in Turkey. Dubbed “the most relevant exhibition of 2016” by Rhode Island Monthly, the exhibit serves as an arresting and eye-opening testament to the experiences of the Kurds living along the Turkish-Syrian border. Bucak was born in Iskenderun,
By JACLYN TORRES ARTS & CULTURE EDITOR
ARTS & CULTURE
INSIDE
Every artist draws inspiration from similar recurring themes that persist throughout the trajectory of their music careers: the struggles of fame, failed relationships and the difficult balance between celebrity and normality. While some artists pinpoint a particular theme, all three are often so deeply interwoven that one track can contain a mixture of multiple themes. Abel Tesfaye — more commonly known as The Weeknd — released his latest album, “Starboy,” Friday and discusses all three of the main themes often covered by musicians. The eponymous first track, “Starboy,” featuring Daft Punk, combines Tesfaye’s
ARTS & CULTURE
HUAYU OUYANG / HERALD
“And Men Turned Their Faces From There,” Fatma Bucak’s exhibit, reflects the nuanced circumstances of Kurds living along the Turkish-Syrian border. Turkey — a town that skirts the Syrian border and wholly embodies the artist’s sense of liminality. No stranger to border issues as a Turkish-born Kurd, Bucak addresses the concerns of the Kurdish population and the broader Syrian migration crisis with authority.
Her latest exhibit encompasses a broad range of mediums that navigate their own precarious artistic borders. Everything from video performances depicting women scrubbing Turkish newspapers as a commentary on the » See EXHIBIT, page 2
struggle to deal with his fame with how it plays into his personal relationships. While the instrumentals are catchy with varying beats and a mixture of slow and upbeat tones, the lyrics are almost a cry for help. He wants the listener to have sympathy for him as he deals with the pitfalls of his fame. He defines himself as a “starboy,” yet sings of his loneliness and unhappiness his success. The album continues in this nature, as Tesfaye sings of the challenge of stardom and celebrity. He grapples with returning to normality but ultimately does not wish to go back to his former life before music, touring and fame. He teeters on the verge of greatness but is held back by loneliness and the need for a relationship. “Party Monster,” “False Alarm,” “Rockin’” and “A Lonely Night” all continue this desperate plea. But in its own way, the album is irresistible. With catchy, Motown instrumentals, it’s impossible to turn away from the music, as the listener subconsciously dances to the beat and sways to the rhythm. It’s only when truly listening » See ‘STARBOY’, page 3
WEATHER
WEDNESDAY, NOVEMBER 30, 2016
NEWS Alum creates network Evertrue Ventures to connect students to startup funding opportunities
SPORTS Late shot from Blackmon ’17, Bryant mistake allows Bruno to secure last-minute victory
COMMENTARY Murage ’17: Afrisa should support, prioritize needs of continental African students
COMMENTARY Vilsan ’19: Structural misogyny persists despite claims that men, women on equal footing
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