SINCE 1891
THE BROWN DAILY HERALD FRIDAY, SEPTEMBER 25, 2015
VOLUME CL, ISSUE 72
Brown alums have lowest median salaries in Ivy League New federal tool College Scorecard also reveals gender wage gap among Brown grads By AGNES CHAN SENIOR STAFF WRITER
Brown attendees who received federal financial aid have the lowest median earnings in the Ivy League 10 years after entering the University, and female Brown attendees make almost $20,000 less on average than their male counterparts, according to College Scorecard. College Scorecard, a new federal tool launched by President Obama, seeks to educate Americans on the value of thousands of colleges nationwide through statistics on topics including financial aid, graduation rates and alumni salaries. College Scorecard shows that Brown students who were on federal financial aid earn a median salary of $59,700 10 years after matriculating to the University. Though well above the national average of $34,343, Brown attendees’ median
earnings are the lowest in the Ivy League. Harvard tops the list at $87,200, while Yale places seventh at $66,000. Relatively lower earnings after leaving Brown can be attributed to the types of jobs to which many Brunonians gravitate. A look at the job distribution for the class of 2014 at Ivy League schools shows that a smaller share of Brown alums entered finance and consulting — two typically high-paying industries. In a survey by the Center for Careers and Life After Brown, 21 percent of Brown’s class of 2014 reported being employed in either finance or consulting. This figure is noticeably lower than the 41 percent of Penn attendees and 37 percent of Cornell attendees who work in these areas. Cornell alums who entered finance earned a mean salary of $66,981, while those who went into consulting made around $62,790. But a significantly higher percentage of Brown alums choose to work in the non-profit sector. “Some of our information on recent alumni suggests that, in comparison to our peers, Brown » See SCORECARD, page 2
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Ratty renovations still on table After fundraising and planning period, proposed construction would likely take two years By ANICA GREEN SENIOR STAFF WRITER
While President Christina Paxson’s P’19 operational plan elaborates on a previously discussed intention to update the Sharpe Refectory, students should not expect construction to begin in the next year. The building was constructed in 1950, and the infrastructure has never been updated. The planned renovation would update the plumbing and HVAC systems, which would cost an estimated $30 million, said Barbara Chernow ’79, executive vice president of finance and administration. The operational plan reads, “The Sharpe Refectory … no longer provides students with the dining options expected in a 21st century university. The facilities are badly outdated, and the space is not optimized to meet the needs of students to hold meetings, socialize and create
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The renovations to the Sharpe Refectory may include individual meal stations, a bakery and a student activity space. community.” Former Provost Vicki Colvin emerged as a major proponent of renovations to the Ratty during her year on the job. “I’m a graduate of Brown from 1979, and I remember eating fondly at the Ratty, but it really hasn’t changed very much,” Chernow said. Other features of the Ratty are also slotted for overhaul. The central hub of the dining room will be replaced by individual stations like the omelette bar, giving students a chance to enjoy meals
prepared in front of them, Chernow said. The doors that face Patriot’s Court may also be opened to allow easier flow and more access to the space, she said. The basement dining area that is currently the Ivy Room will be updated to accommodate student activities and late night events, and the rooms that are often locked on the main floor’s sides will see increased utilization, Chernow said. Retail options could also be added, she said. The Ratty could also see the addition » See RATTY, page 4
FIELD HOCKEY
Fall theater lineup explores nuances of human connection
After first tour with Canadian national team, Angus ’17.5 brings national experience back to Brown
Student, faculty production companies stage complex narratives of love, identity
Angus ’17.5 eyes Olympic dream By MATT BROWNSWORD
By CAMILLA BRANDFIELD-HARVEY
SENIOR STAFF WRITER
STAFF WRITER
On Feb. 7 — while most students were trudging to class through the yard-high snow — Katarina Angus ’17.5 was suiting up for the most important game of her field hockey career. So far, that is. A 4-0 loss to New Zealand — a game in which Angus played for 30 minutes — was not a great debut for Angus on the Canadian women’s field hockey team, but her appearance marked the realization of a lifelong dream, she said. “It was a very cool experience. It was very intimidating — the game kind of happened, I don’t really remember a lot of it,” Angus said, laughing. “I think I was just making sure that I was marking my player. It was very fast, it was very high-paced — it was a really great way to start my career.” Angus has been playing with affiliates of the Canadian national team since a young age. Before coming to Brown, she played on the under-16 and under-18 national squads. But while trying out for the under-21 junior national team, she was asked by Head Coach Ian Rutledge
Love is in the air and on the stage this fall, as Sock and Buskin, Production Workshop and Shakespeare on the Green prepare plays that navigate the timeless complications of familial and romantic relationships. Though love characterizes most of the fall season, individual plays explore specific facets of human interaction, particularly personal identity and community. Production Workshop will produce “Crimes of the Heart,” directed by Ellie Gravitte ’17, and “Marat/Sade,” directed by Andrew Colpitts ’16. “Crimes of the Heart,” written by Beth Henley, won the Pulitzer Prize and the New York Drama Critics Circle Award in 1981 and was nominated for a Tony Award for Best Play in 1982. The play features three sisters who convene at a family home in Mississippi after one of the sisters shoots her abusive husband. The play, which debuts in the PW Upspace this weekend, examines “the
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Katarina Angus ’17.5 has dominated since arriving at Brown, scoring multiple game-winning goals throughout her career. to practice with the senior squad. She jumped at the opportunity. “It was really cool — a really great experience to play at a completely different level,” Angus said. “It was really nice to be exposed to what the next level of field hockey actually is and where you need to be to play at an international level.” “It was tough; the training was hard,” she added. “But it was fun, and I’ve enjoyed it so far.” Yet Angus faced a difficult decision when Rutledge asked if she wanted to take a semester off last spring to practice and go to tournaments with the national
team. “Brown is such an incredible place and so special, I didn’t ever even want to take a semester abroad because I didn’t want to miss time at Brown,” Angus said. But she chose to join the team and has no regrets. “It was something I needed to do for my career and to be able to establish myself on the Canadian team,” she said. Head Coach Jill Reeve was “delighted” that Angus was going to play with Canada during her spring semester. “It’s been a desire for her to play at the next » See OLYMPICS, page 4
redeeming power of love in a family” and “the human need to talk about your lives with other people,” Gravitte said. Gravitte stressed the importance of the play’s focus on women and their “dynamic” interactions with men. The play is set entirely within a kitchen, representing a traditional space of domesticity where men “function as the outside world coming in,” she said. “Watching the women respond to the different dynamics the men bring into the room is always really interesting, and sometimes really fun, and sometimes really sexy,” she added. Inspired by director Elia Kazan, who said, “Every picture is successful that has one little miracle in it,” Gravitte said that above all, she hopes to focus on small, everyday interactions between people and make them into “mini miracles.” A floor below Gravitte in the PW Downspace, Colpitts spearheads the production of “Marat/Sade,” a complex play within a play. Set in a 19th century insane asylum outside Paris, the Marquis de Sade directs fellow inmates in a play recounting the assassination of revolutionary Jean-Paul Marat. The show explores a different facet of human connection, focusing on the suffering and oppression of society’s “undesirables,” such as revolutionaries, criminals or individuals with learning disabilities locked away by the » See THEATER, page 3
WEATHER
FRIDAY, SEPTEMBER 25, 2015
ARTS & CULTURE New options at Andrews Commons include made-to-order doughnuts, local yogurt bar
SPORTS Payton Smith ’17 turns recordbreaking performances into string of wins for volleyball
COMMENTARY Asker ’17: Claims that 257 Thayer has the potential to create class stratification are overblown
COMMENTARY Secondo ’16: The presidential race is overshadowed by polarizing personalities
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