Friday, November 19, 2004

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F R I D A Y NOVEMBER 19, 2004

THE BROWN DAILY HERALD Volume CXXXIX, No. 114

An independent newspaper serving the Brown community since 1891

www.browndailyherald.com

AmeriCorp out of funding crisis, but City Year still faces cuts BY SUCHI MATHUR

AmeriCorps and its affiliated programs are continuing to recover from last year’s funding crisis with a bigger budget nationwide, but membership in Rhode Island remains stagnant. Nationally, AmeriCorps membership has grown to 75,000, a record high since the program’s inception in 1993, said Sandy Scott, spokesman for AmeriCorps. Bipartisan support in Congress led to a large funding increase this year, Scott said. AmeriCorps is a network of national service programs that focus on meeting critical needs in areas including education, public safety, health and the environment. Its main purpose is to provide manpower to existing non-profit and community service organizations. After successfully completing a term of service, members enrolled in the National Service Trust are eligible to receive an education award which can be used at qualified institutions. One year of full-time service corresponds to an education award of $4,725, while shorter terms correspond to smaller awards, according to the AmeriCorps Web site.

Prior to 2003, Rhode Island Americorps received about $3 million in federal funds and supported 12 programs, said Rick Benjamin, acting co-executive director of the Rhode Island Service Alliance. But budget cuts in Washington, D.C., meant that during 2003, the state’s AmeriCorps funding could support only three programs, Benjamin said. AmeriCorps in Rhode Island currently has approximately $2.3 million in federal money, which supports eight programs, he said. The Rhode Island chapter of Campus Compact administers all AmeriCorps positions for students currently enrolled at Brown who want to work in the program part-time. Brown had 20 slots this year and last year for students wishing to serve as corps members, said Claudia DeCesare, assistant director of health programs at the Swearer Center. DeCesare, who also coordinates offcampus work-study and AmeriCorps for the University, said she has had to turn interested students down in the past. “There was a time last year when it was

see AMERICORPS, page 4

Local TV reporter Taricani convicted of contempt for not revealing source BY DANIELLE CERNY

Local television reporter Jim Taricani was found guilty of criminal contempt Thursday for refusing to name the source of a secret FBI videotape used in the 2002 “Operation Plunder Dome” trial of former Mayor Vincent Cianci and associates. Taricani, a reporter for WJAR Channel 10, NBC’s Providence affiliate, will face sentencing Dec. 9 and could receive up to six months in prison. Chief U.S. District Judge Ernest Torres said there was no way of knowing exactly what the sentence would be until he had reviewed all of the evidence, but Taricani “ought to be prepared for any eventuality at the time of sentencing.” Yesterday’s ruling was the end of a three-year attempt by the court to learn the source of the secret tape, which was given to Taricani in violation of a court order. WJAR aired the videotape, which showed Cianci associate Frank Corrente accepting a bribe from an undercover FBI agent, before Corrente and three codefendants were tried on corruption charges. The trials resulted from a fouryear-long public corruption investigation nicknamed “Operation Plunder Dome.” Taricani was found in civil contempt last March for refusing to reveal the tape’s source and was fined $1,000 a day as a result. WJAR, which covered Taricani’s fines, paid a total of $85,000 before the court ruled on Nov. 4 that the fines were not sufficient to force Taricani’s compliance with the court order. Torres then gave Taricani one last chance to reveal his source before being found to be in criminal contempt. Yesterday, Taricani’s chances ran out. Before the ruling, Taricani’s lawyer, Martin Murphy, made a final attempt to

avoid a criminal contempt ruling. Murphy argued that criminal prosecutions of this nature had a chilling affect on the “ability of reporters to gather news.” Murphy also argued that Taricani should not be found guilty because he had been acting on good faith and a belief that his conduct was protected by the law. But Torres emphasized that Taricani was not on trial for airing the video. The crime was instead his refusal to reveal the tape’s source — a direct violation of a court order. Moreover, Torres said that good faith and a misunderstanding of the law was not a defense against a criminal contempt charge. “The issue is a very simple one,” Torres said. There was a lawful court order of reasonable specificity, which Taricani willfully violated. The evidence is “clear, overwhelming and undisputed,” Torres said. Torres pointed out that Taricani was given numerous opportunities to comply with the court order and the court had attempted to reason with Taricani on several occasions. Taricani, who received a heart transplant several years ago, was given a week to submit medical information to the court, which will be used to place him in the appropriate facility upon sentencing. After the ruling, Taricani read from a written statement: “When I became a reporter 30 years ago, I never imagined that I would be put on trial and face the prospect of going to jail simply for doing my job. “Although I am willing to go to jail, I think it is wrong that journalists should

see TARICANI, page 3

Nick Neely / Herald

Backstage crew member Natalie Hirsch ’08 checks lighting from center stage before a performance of “Fucking A” in Leeds Theater Thursday night.

Behind the scenes, technical artists make shows happen BY ANNA ABRAMSON

Technical theater artists at Brown might not be visible on stage, but the final product of their labor is anything but invisible. These students are responsible for sets, sound, ARTS & CULTURE design, costume, props, lighting, stage managing and much more. Technical artists say it is logical that their work should occur in the background, because they aim not to highlight their own technical work but to use that work to illuminate the director’s vision for the show. Adam Immerwahr ’05, who has been involved in numerous projects, including directing, stage managing and acting, said that the better behind-the-scenes work is, the less the audience will notice it. “If we do this great, no one is ever

GTech is the future of downtown Providence, modern design and all, writes Alexander Bernstein ’07 column, page 7

Women’s basketball returns multiple players, looks ahead to strong season with senior leadership sports, page 8

see THEATER, page 3

W E AT H E R F O R E C A S T

I N S I D E F R I D AY, N O V E M B E R 1 9 , 2 0 0 4 Ethan Ris ’05 doesn’t believe in gay marriage — at least not the type that the government regulates column, page 7

going to think about how we did all this,” he said. “They’re going to think, wow, you couldn’t have done that any other way. Our goal is transparency, to make everything seem natural.” There are many different types of technical artist — each show typically has a lighting designer, costume designer, sound designer, set designer, scenic artists, stage managers and production managers. Production managers have more of an administrative job that requires them to attend meetings and monitor the budget, among other tasks. As a show nears its opening, more crew members are needed to put into effect what other artists have worked on for months. In the months leading up to a show, technical artists are an indispensible part

With only one junior and one senior on the team, men’s basketball is relying on new recruits sports, page 8

Two senior runners reach the NCAA championships and the end of their Brown cross country careers sports, page 8

FRIDAY

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SATURDAY

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