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This book covers everything you need to know to understand and createdry glazes. There is not much information available on dry glazes andthis focuses onthem entirely. Dry glazes were and are used by some potters (LucieRie and Hans Coper are well-known examples) and often by ceramicistscreating sculpture, wherea shiny glaze is inappropriate. This book covers slips and engobes,oxides and stains, matt glazes and low alumina surfaces, as well astextured andpitted glazes. It explains thoroughly what makes up a dry glazeand how to create them. It is illustrated with work by artists usingthese glazes, as well many test tiles of examples of dry glazes withtheir corresponding recipes, making it a valuable resource forceramicists working in this area.