Page 1

CHACONNE

for cello and electronic music

1

    cello  

  

q = 92

ff

electronic music

 

2

  

let ring

sff

fff

        cello     ff    e. m. 

  

7

 

 

e. m.

  

ppp

15   cello  

e. m.



  

I

glis

s.

p

 

 

           

     

3 cantabile           cello         12

p

 

          ff      

pp

3

 

pppp

               

fierce

BRIAN CIACH



ff

  

  © 2008 Brian Ciach

 

  

             subito 

ppp

ff

 

         



3




4

  cello  

2

19

e.m.

 cello

   

  

25



    

5:4

 

cant.

 

         mf p

 

7:8

   

 

pp



  

5:4

  

 

    

  

 

  

  

5:4

   

  

  5:4    5:4    5:4   3                    2

3

5:4

3

4

3

3

2

3

3

4

pp

e.m.

ppp

  

 

  

 

        cello    

5

29

f

e.m.

     

  cello  

e.m.

 

 

36

     

p

 

 

  

  

   

    

 

I

ff

pp

     

 

 

 

 

 

6

5

p

       

5

     

5

pp

gli

ss.

p

 

5                         subito 

 ppp

       

 

p

ff

 

p

 

          3

 


             cello           5:4

40

e.m.

       

sff

     

  

fff

                    p

6

6

 

 

 

 

            cello  

          

44

e.m.

 

 

3

  

    

 

 

     cello     subito  3 ff

ppp

 

46

e.m.

5

   

3

leggiero

    

             3 3 3

  

3

        3

     

     3

      

          5


4

7  cello  48

 e.m.

 cello

e.m.

 

 

 

   

p

          53

 pp

        

        cello   57

dolente 3

p

e.m.

        

     



  

 

 

ppp

ppp

3

p

p

   3

  

 p

 

     

 

   

   

 

  

 

  

 

 

  mp  

ppp p

 



pp

    



8



   



 

3 5:4        

      

 3

dolce

   



  


   3 cello   

9

64

   

cant.

p

pp

       5             

  

 

       69        cello      e.m.

sf

e.m.

     

   

rit. 10 73   cello     

e.m.

       



mp

sf

    76

tenuto rit.     a tempo         

    

sf

   

sf

sf





    

  

sf

sf

 

    





  

pizz.



   

 

 

  

 

  

   

   

   

  cello   

  

a tempo

sfp

e.m.

  

 arco



sf

     

 

mf


6

   79

cello

e.m.

  mf



     

e.m.

    

11

             pp

subito ff

  

  

 

   

  



 



 

  



 

         subito   wild

   



f

       

    cello       e.m.    

 

    

91



 

85

cello

 

       





 

 

 

 

 

 

 

 

ff sempre sf

p

  

       

 

   

      



   



12 rit. a tempo    cant. cant.                            sf f  p ff mf

  p   p

      

     

   


 cant. cello   

       

96

f

e.m.

sf

     

   

  100      cello         e.m.     

    3  cello  3

f

e.m.

     

ff

a tempo

        

   

sempre sf

   

   

 

3               

     

   

                             subito 3

p

   

   

7

     

   

      

   

  

 

   

p

    

   

13 cant. 3    3       

 

105

sf

rit.

   

 

   

     

  


8

14

   cello     110

  

subito sempre ff sf

e.m.

 

 

     

   

   

116

 



wild                               sempre ff ff 5

e.m.

15

     cello          

pp

         

  

 

 

     

119

e.m.

fff

      

     

cello

                      



sf

 

  

 

 

 

ff

  

   

      

 

 5  3 3                                  fff

  

   

 

 

  

 

sf

   

 

 

 

 


16 5     passionato                                           

  cello    125

e.m.

   f

ff

  

 

  

   

  

e.m.

5:4

129

3

ff

   

   pp   

    

  cello   134

     

17

5

 mp

 

p

     



   

  

5

  

   

3 3       3   3   3     cello     mf mp

e.m.



  

 

 

 

 

5        

    5

f

  

dolente

      

 

fff

 

5



subito pp

fff

     



 

  

137

   f   

  

7:8         cello            

e.m.

fff

9

 pp

   

   

    

pp

   


   cello  

10

143

     

e.m.

dolente

           mf 5:4

  

p

ppp



    p

18 

 

  

 

   

 

 

 

 

 

 

 

 

   

e.m.

19

155

3

cello

e.m.

     p

  

3

 



7:6

mp

 

 



  



  



cant. 3                ppp

       

p

  cello     148

7:8

pp

mf

cant.

       

  





pp

p

     

5:4









7:6    5:4                      

    pp

 

 

     

p

   


11

159

5:4

   

cello

e.m.

2

 

3

5:4

 

 



   3

4

3

pp

5:4

   3

2

5:4

3

  

4

 

 

 

 



  

 

 

20

5:4

   

         

intimo

5:4

ppp

ppp

 

   3

  

 cello    e. m.

 

165

       

pppp

pp

  

 

  

 

 

 

 

 

 

 

pp

 cello   

  

  

 

 

 

 

   

e. m.

173

  II cello   179

glis

s.

pp

e. m.

 

 

 

 ppp

 

 

I

  

niente

 

 

niente

 

Bloomington oct-nov 2008

Chaconne (2008) for amplified cello and electronic music  

9 minutes in duration

Chaconne (2008) for amplified cello and electronic music  

9 minutes in duration

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