The Pulse 12.15 » April 9, 2015

April 9, 2015

CHATTANOOGA'S WEEKLY ALTERNATIVE

4 bridges arts festival

15 years of fantastic art one of the premier arts festivals returns to the southside

Brian Mathas Burt, "My Favorite Fleece"

MUSIC

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NATURE & ART

UNDEAD PARODY

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Contents

CHATTANOOGA'S WEEKLY ALTERNATIVE

EDITORIAL

Managing Editor Gary Poole Contributing Editor Janis Hashe

April 9, 2015 Volume 12, Issue 15

Music Editor Marc T. Michael Film Editor John DeVore Contributors Rich Bailey • Rob Brezsny • Matt Jones Sandra Kurtz • Louis Lee • Tony Mraz Zach Nicholson • Ernie Paik Rick Pimental-Habib • Rachael Poe Ward Raymond • Terry Stulce • Alex Teach

Features

Editorial Interns Gavin Gaither • Kristina Kelly

4 BEGINNINGS: America is still very far from being “post racial.”

Cartoonists & Illustrators Rick Baldwin • Max Cannon Jen Sorenson • Tom Tomorrow

6 GREEN: Earth Day 2015 might just be the most important one ever.

Cover Art Brian Mathas Burt, "My Favorite Fleece" Founded 2003 by Zachary Cooper & Michael Kull

12 ARTS CALENDAR

ADVERTISING

Director of Sales Mike Baskin Account Executives Chee Chee Brown • Julie Brown Angela Lanham • Rick Leavell Mike McJunkin • Chester Sharp • Stacey Tyler

CONTACT

Offices 1305 Carter St., Chattanooga, TN 37402 Phone 423.265.9494 Website chattanoogapulse.com Email info@chattanoogapulse.com BREWER MEDIA GROUP Publisher & President Jim Brewer II THE FINE PRINT: The Pulse is published weekly by Brewer Media and is distributed throughout the city of Chattanooga and surrounding communities. The Pulse covers a broad range of topics concentrating on music, the arts, entertainment, culture and local news. The Pulse is available free of charge, limited to one copy per reader. No person without written permission from the publisher may take more than one copy per weekly issue.

The Pulse may be distributed only by authorized distributors.

Contents Copyright © 2015 by Brewer Media. All rights reserved.

8

Give A Hoot About Nature

14 SCREEN: “What We Do in the Shadows” is effective vampire parody.

Everyone with an arts bone in their body will be at 4 Bridges this weekend. But next weekend features another festival you’ll want on your calendar—one of our area’s best yearly events for families, bird enthusiasts, and supporters of the arts—the fourth annual Little Owl Music and Arts Festival.

17

25 BUSINESS: Grace Frank Group.

28 MUSIC CALENDAR 30 REVIEWS: Roddy returns with Waterfall Wash, Butcher & Moor get cathedral.

Fun, Fabulous, Festive 4 Bridges

For the past 14 years, the 4 Bridges Arts Festival has kicked off spring in Chattanooga. This year, the 15th installment of Chattanooga’s premier arts festival will begin this Saturday, April 11 at the First Tennessee Pavilion.

26

32 TECH TALK: From “build it, they will come” to “there it is, let’s go.”

35 FREE WILL ASTROLOGY

Still Singing the Ghosts Away

36 JONESIN’ CROSSWORD

Kindora Camp: Is she vintage? Is she retro? One thing is for certain—her music beautifully captures a style of a bygone era. Think late-’80s/early-’90s R&B pop and you have a good fix on the sound.

37 DIVERSIONS 38 on the beat: Our need to make sense of a chaotic world.

! g n i om

CALLING ALL HUMANS! If you have converted, created, mechanized, ornamented, electrified, amplified, or embellished your ride then it’s time to join us and celebrate your funky, funtastic self!

C e TEACHERS & STUDENTS, r a s r Register a school visit or enter a C h t your art on wheels for a chance to t 9 r A & win cash prizes and trophies for your school! h t The 8 May Registration & Details Online @www.art120.org chattanoogapulse.com • April 9-15. 2015 • The Pulse • 3

news • views • rants • raves

BEGINNINGS

updates » CHATTANOOGApulse.com facebook/chattanoogapulse EMAIL LOVE LETTERS, ADVICE & TRASH TALK TO INFO@CHATTANOOGAPULSE.COM

OpEd: A House Still Divided Against Itself The sad truth is that America is very far from being “post racial”

“

The greatest tragedy is that America’s strength is in its diversity.

This lesson was driven home to me in Vietnam.”

When Barack Obama was elected in 2008, many wishful thinkers in the media announced the end of racism and the beginning of “post-racial America.” But after the steady barrage of news about unarmed black men and young boys being killed by white policemen and vigilantes, this narrative has been exposed as a fraud.

The cancer of American racism may have been diminished by the civil rights movement—but it was not close to being eradicated. It lay virulent and hidden in the basement of human evil and returned with a vengeance with the election of America’s first black president.

Dr. Eduardo Bonilla-Silva, chairman of the department of sociology at Duke University (where a noose was recently discovered hanging from a tree, sparking an ongoing investigation) says racism has evolved. The language of the “New Racism” is different but just as pernicious. He says, “The main problem nowadays is not the folks in the hoods, but the folks dressed in suits.”

The old language of racism that asserted white supremacy directly is now terry stulce disguised. It is less overt, but just as offensive and derogatory.

Some of the expressions are the same, such as defending discrimination on the basis of “states’ rights,” but direct expression of African American inferiority has been replaced by derogatory innuendo about individuals being “lazy,” ”untrained,” ”criminal,” ”dependent,” or “fatherless.”

The rise of the New Racism has been driven by the politics of divisiveness. If you draw a map of the red states, it will follow the contours of the old Confederacy. Do you think that is a fluke? The Republican Party is 89 percent white. Do you think that’s a matter of coincidence? The harshest, most irrational critics of President Obama are white Republicans.

Do you think that is a matter of chance?

Republicans have actively cultivated divisiveness by nurturing the seeds of racism.

Whether LBJ actually said, after signing civil rights legislation, “We have lost the South for a generation,” the longtime Senate majority leader from Texas knew it was true. Nixon

Views

4 • The Pulse • April 9-15, 2015 • chattanoogapulse.com

created his “Southern Strategy.”

Reagan doubled down on that appeal to racists by beginning his campaign for president in Philadelphia, Mississippi, the scene of violent racial strife, where three civil rights workers were murdered by the KKK. His speech there was a call for “states’ rights.” Is that “dog whistle” loud enough to be heard by everyone now? Those “dog whistles” have become outright hate speech directed at the president. The Republican rhetoric of today is not even thinly veiled hate speech.

The greatest tragedy is that America’s strength is in its diversity. This lesson was driven home to me in Vietnam. The best combat units worked together in ethnic harmony. The worst units were plagued by racial hatred. In my 30-man platoon, almost every ethnic group was represented. Whites, African Americans, Native Americans, and Hispanics fought together as brothers. We were all willing to risk our lives for our brothers in arms. This love was our greatest strength.

If Republicans devoted the same amount of energy to bringing us together as they do to tearing us apart, our nation would be infinitely stronger.

EdiToon

by Rick Baldwin

Aquarium Penguins Receive Nesting Rocks Humans give jewelry and flowers to woo their mate. Penguins give… rocks.

The gentoo and macaroni penguins at the Tennessee Aquarium received their nesting rocks this past Thursday.

Bringing these rocks to potential mates is an act of courtship and marks the beginning of the 2015 breeding season.

As in, “you rock, baby.”

Male gentoo penguins shift through piles of pebbles to find the smoothest one to present to his choice companion. If the female approves of this mating request, she puts the stone in her nest.

The macaroni penguins also use these rocks for breeding.

They tend to create their nests of small stones and mud.

Gentoo and macaroni penguins gen-

IN THIS ISSUE

Rachael Poe Our cover story about the changes at the 4 Bridges Arts Festival is by Rachael Poe. A writer, photographer, and unabashed Tolkien fanatic, she will graduate from The University of Tennessee at Chattanooga in May 2015 with a major in English literature and a minor

erally mate with the same partner year after year. Unless of course, something unfortunate happens to one of the mates, like being relocated to a zoo. Then the rock courting/breeding cycle starts all over again.

Make sure to stop by Penguin’s Rock on your next Tennessee Aquarium visit. Penguin Keeper talks are 10:30 a.m. and 1:30 p.m. daily in the Ocean Journey section, Level 2. Now you’ll know the significance of a penguin waddling up to another with a rock in its beak. Could it work for you?

— Kristina Kelly

GET READY FOR THE HOME OPENER! The 2015 Lookouts Home Opener is on Wednesday, April 15 at 7:15 PM against the Birmingham Barons.

Opening Weekend will feature the first Fireworks Friday of the season, an appearance by the World Famous ZOOperstars! and Dogs on the Diamond.

Reserve your tickets for Opening Weekend and other home games by calling (423) 267-4TIX.

Zach Nicholson in art history. She is a co-editor of the forthcoming National Collegiate Honors Council monograph entitled “Housing Honors” and a copyeditor for The Heroic Age, an academic journal about early medieval Northwestern Europe. In her spare time, she volunteers with UTC’s Women’s Action Council and listens to film scores. Oh, and she once accidentally attended a Spanish wedding in Seville.

But that’s a different story.

Our cover story interviews with the 4 Bridges Arts Festival emerging asrtits is by former Pulse editorial intern Zach Nicholson. Zach says he loves two things above all else: words and music. Never able to make the choice between the two, he’s a writer by day and

musician by night. Luckily for him, the two intertwine enough for his life to have some sort of balance. Live music and summer storms, fresh albums and windows down, those are his favorite days. He digs foreign languages and foreign music.

Find him lying in the sunshine or in the dark corners of a local bar. He loves that one-on-one conversational feel and figuring out what makes a person happy. chattanoogapulse.com • April 9-15. 2015 • The Pulse • 5

Are You Ready To Tie A Ribbon To The Tree of Life?

Earth Day 2015 might just be the most important ever

“

Many have been in denial, but it’s slowly dawning on us that Earth is a giant ecosystem and that we are the ones who can imagine a meaningful future where our species coexists on a sustainable planet.”

Sandra Kurtz is an environmental community activist and is presently working through the Urban Century Institute.

Visit her website at enviroedu.net

Radical hope comes to our species on a resourcemind for me when spring constrained planet, we canarrives and life resurrects not continue to crowd other itself. How amazing is it animals and plants out of that, against all odds, green the way through human shoots peek out and baby overpopulation and destrucanimals aption of habipear?

What tat. We cannot beauty there keep burning Shades is in an Appafossil fuels of Green lachian spring! and splitting April 22 is atoms for enSANDRA KURTZ the date we’ve ergy while officially celpoisoning air, ebrated Earth Day since water, and soil. We cannot 1970. Senator Gaylord Nelpreserve an economy based son founded a national day on ever-increasing, wasteof observance, a day for filled product consumption. “teach-ins” to bring attenIt’s a time of change. tion to rising environmental Many have been in denial, issues. but it’s slowly dawning He chose the birthdate of on us that Earth is a giant Sierra Club founder John ecosystem and that we are Muir, the eccentric wanderthe ones who can imagine ing naturalist and eloquent a meaningful future where spokesman for wilderness our species coexists on a preservation. Conveniently, sustainable planet.

Muir had a spring birthday.

As climate disruption Muir said, “When one continues, we can assume tugs at a single thing in naour moral responsibility as ture, he finds it attached to rigorous protectors of life in the rest of the world.” That all its forms. Both our moris such a profound statetality and planet mortality ment! As humans we are are at stake. It’s a matter of inextricably connected to justice for all.

Earth’s ecosystems and proLast September, the Peocesses. We cannot survive ple’s Climate Justice March without that interconnected drew around 400,000 people web of existence. to New York City. In solidarAnd yet, we push the enity, marchers coalesced from velope. all walks of life, including If we wish to continue some Chattanoogans, car-

6 • The Pulse • April 9-15, 2015 • chattanoogapulse.com

ried ribbons and walked two miles to emphasize their Global Call for Action.

At the start, there was a minute of silence to honor those impacted by climate change and the fossil fuel industry. At the end of the march, there was a huge art piece symbolizing the tree of life with “branches” spreading out over the streets. Each marcher wrote on a ribbon what he or she stood to lose due to climate chaos and then tied it to the tree or exchanged it with a fellow marcher.

These are symbolic gestures, of course, but the Climate Ribbon arts ritual continues. In cities around the world, individuals are hanging ribbons and then holding events where one chooses a ribbon for wrist tying to wear as a reminder to reflect on what can be lost to climate chaos. (theclimateribbon.org) Another initiative that grew from the People’s Climate March is Commit2Respond (commit2respond.

org) encouraging people of faith and conscience to take action for climate justice.

There is information about congregational and individual actions plus worship service materials as well as daily reflections during this Climate Justice Month.

It asks for commitment: What action would you take of your own to shift to a low-carbon future? How would you take action to advance human rights of communities affected by climate change? Could you participate in a local climate awareness activity or commit to supporting an educational or grassroots advocacy activity in your community?

There are many other useful websites if one just Googles them.

As Earth Day 2015 approaches, take some time to s-l-o-w-l-y walk in nature. Pause and appreciate our beautiful support system. Really, when it comes right down to it, every day is Earth Day. What would your ribbon say?

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ARTS SCENE

Give A Hoot About Nature— And Arts

Trash to Treasure, Gorgeous Glass Artists in color profiled at the River Gallery this month Philip Laszlo’s artwork truly embodies the phrase, “one man’s trash is another man’s treasure.” This artist takes vibrant, abstract photographs of trash in landfills to symbolize the forgotten and discarded. His work, along with Algar Dole’s, is on display at the River Gallery’s “Abstracted Beauty” exhibit open through April 30.

Laszlo is a Finnish photographer who beautifies and brings back to life that which has been thrown away. His photos zoomed in on objects to the point that they are not recognized as trash. The focus is instead on the colors and patterns that revitalize the objects. During this

exhibit, 100 percent of Laszlo’s net proceeds will benefit Orange Grove Center of Chattanooga.

Algar Dole is a Georgia artist who uses Italian cane glass techniques to produce a vivacious selection of work ranging from functional vessels to ornate sculptural objects.

Dole uses bright flourishes of color to create patterns in his glass that are almost mosaic; each is impossible to replicate.

The River Gallery is located at 400 E. Second Street and open 10 a.m. to 5 p.m. Monday through Saturday and 1 p.m. to 5 p.m. on Sunday. (423) 2655033, river-gallery.com — Kristina Kelly

Thu4.9

fri4.10

sat4.11

fields of fun

prime poetry

fire it up!

Sculpture Fields Fundraiser

“An Evening with Rumi”

“Ignite” Performance and Silent Auction

10% of sales during the evening will go to to raise awareness about our new sculpture park addition to Chattanooga (with 25% off low gravity pints).

5:30 p.m.

The Flying Squirrel Bar 55 Johnson St. (423) 648-8393 sculpturefields.org

The revelation of the divine in our own lives, as well as in the natural world around us, defines the quest of philosopher Andrew Harvey.

5:30 p.m.

Bessie Smith Cultural Central 200 E. MLK Blvd.

(423) 486-1279 bessiesmithcc.org

A fundraising event to provide music, visual arts, theatre and dance supplies and equipment for Hamilton County schools.

6 p.m.

Chattanooga Theatre Centre 400 River St. (423) 267-8534 artsbuild.com

8 • The Pulse • April 9-15, 2015 • chattanoogapulse.com

The Little Owl Music and Arts Festival showcases Audubon Acres

E

veryone with an arts bone in their body will be at 4 Bridges this weekend. But next weekend features another festival you’ll want on your calendar—one of our area’s best yearly events for families, bird enthusiasts, and supporters of the arts—the fourth annual Little Owl Music and Arts Festival.

Arts TONY MRAZ

“

I saw a vulture land in an oak, and thought of the desert naturalist Edward Abbey, who always said he would come back as a vulture, because ‘it just seemed fitting.’”

The event will be held Saturday, April 18 from 11 a.m. to 6 p.m. at Audubon Acres, Chattanooga’s oldest wildlife sanctuary. This beautiful 130-acre piece of land has over five miles of walking and hiking trails, and is home to four species of owls and numerous other kinds of birds.

Visitors to Audubon Acres have heard, and occasionally seen, barred owls, particularly on the trails near South Chickamauga Creek. This is typical habitat for the species. Other owls that can be sighted in the area include the Great Horned owl and the screech owl. (Barn owls are possible, but less likely.)

Last year’s event featured an appearance by Roy Harper of Manchester, Tennessee. Mr. Harper was 89 years old at the time and had a number of life stories to tell. He went to work on the railroad straight out of high school, but played folk/rock professionally as time permitted. In 1986, he represented Tennessee in Washington D.C. for the Smithsonian Folklife Festival.

This year, the master of ceremonies for Little Owl is Michael Gray, host of the River City Sessions, a con-

HEAR THE WORD EXPERIENCE THE CHANGE JOIN US

Saturdays @ 6:00 PM Silverdale Baptist Church Expository preaching Meaningful worship

Great Horned Owl

Activities for children (birth to 5th Grade)

“Little Owl Festival attendees can expect a wide variety of entertainment, including music, storytelling, and exhibits of arts and crafts.”

cert series presented on the second Friday of every month at The Camp House. Little Owl Festival attendees can expect a wide variety of entertainment, including music, storytelling, and exhibits of arts and crafts. There will also be a clothesline show of student art, the result of a poster contest whose winner will be announced at the festival.

Festival organizer Ray Zimmerman tells us, “The works of art submitted in the student art contest are always a joy. Every year, I am astounded by the creativity and quality of the work.”

He is personally inspired by nature, saying, “I wrote the poem ‘Reincarnation’ as I sat on the banks of South Chickamauga Creek, at Audubon Acres, years ago. I saw a vulture land in an oak, and thought of the desert naturalist Edward Abbey, who always said he would come back as a vulture, because ‘it just seemed fitting.’ The poem is in my first book, and I appear reading it in a YouTube video.”

Zimmerman adds, “Audubon Acres is a beautiful outdoor venue, and this festival is a great way to enjoy it. The

acts on the stage begin with puppetry and storytelling for children. The rest of the day is devoted to folk and country music. Aside from the stage, we have a pioneer living activity at the historic cabin, a longhunter encampment demonstration, a birds of prey exhibit, local craft vendors and food vendors, and the exhibit of art from the student art contest. We also thank Parkridge Medical Group for sponsoring the festival.”

Audubon Acres remains a hidden treasure, with many long-time city residents having never visited it, but the Chattanooga Audubon Society was founded in 1944 by author and naturalist Robert Sparks Walker.

The mission statement: “To educate and promote an understanding of the responsibility to preserve and protect our environmental, cultural, and historical resources through programming and stewardship.” Pretty far

thinking for 1944! The Little Owl Festival is a great chance to enjoy the gorgeous Tennessee Valley countryside and to support an important nonprofit.

Stage schedule:

• 11 - 11:30 a.m. Sarah Lord, Storytelling and Puppetry for Children • 11:45 a.m. - 12:15 p.m. Robin Burk • 12:20 - 12:45 p.m. Awards ceremony • 1:00 - 1:30 p.m. Jeff and Marcy Paulson • 1:45 - 2:15 p.m. The Peggy Douglas Trio • 2:30 - 3:00 p.m. Nina Ricci • 3:15 - 3:45 p.m. Nancy Seiters • 4:00 - 4:30 p.m. The Driftless • 4:45 - 5:15 p.m. Organized Kaos Joe Ridolfo and Friends

Audubon Acres is located at 900 N. Sanctuary Rd., Chattanooga 37421.

Admission to the festival is $7 individual, $15 carload.

For more information about the Little Owl Music and Arts Festival, visit chattanoogaaudubon.org/little-owlmusic--arts-festival.html

His Glory, Glor Our Joy www.silverdalebc.com Every Wednesday 4-6 pm April-November

4-5 pm December-March

“Spring-A-Ma-Jig” Season Kick-off Wednesday April 22nd from 4-6pm

Locally & Sustainably Raised Foods 325 East Main Street on Chattanooga’s Southside mainstfarmersmarket.com

daily lunch & drink specials!

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chattanoogapulse.com • April 9-15. 2015 • The Pulse • 9

Make plans to visit Spring Break!

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Where Dreams Come to Life!

Join us on a spectacular journey as we travel to a faraway kingdom where magic is around every turn.

SeeRockCity.com/Fairytale

ARTS CALENDAR

A Magical Evening Event

Chattanooga Cruise-In

thursday4.9 BFA Senior Thesis Exhibitions “Show One” 9:30 a.m.

UTC Fine Arts Center 752 Vine St. (423) 304-9789 cressgallery.org Spring Native Plant Sale 2 p.m.

Reflection Riding Arboretum and Nature Center 400 Garden Rd. (423) 821-1160 reflectionriding.org Straw Bale Gardening 3:30 p.m.

Ooltewah Nursery & Landscape Co. Inc. 5829 Main St. (423) 238-9775 ooltewahnursery.com Visual Arts End-of-Year Show 5:30 p.m.

Chattanooga State Humanities Theater 4501 Amnicola Hwy (423) 697-2460 chattanoogastate.edu Sculpture Fields Fundraiser 5:30 p.m.

The Flying Squirrel Bar 55 Johnson St. (423) 648-8393 sculpturefields.org Opening Reception: Lee University Student Art Show 6 p.m.

Museum Center At Five Points 200 Inman St. E (423) 339-5745 museumcenter.org

10 • The Pulse • April 9-15, 2015 • chattanoogapulse.com

East Lake Expression Engine Spring Benefit Concert 7 p.m.

East Lake Elementary School 3600 13th Ave. (423) 493-0366 CSO: “Schumann’s 2nd” 7:30 p.m.

Tivoli Theatre 709 Broad St. (423) 757-5050 chattanoogasymphony.org “Four Blood Moons” 7:30 p.m.

East Ridge 18 Cinema 5080 S. Terrace (423) 855-9652 carmike.com

friday4.10 Cycliad for Deep South Cancer Foundation

Pulse Pick: Josh Phillips Working throughout the country, Josh is loved everywhere he performs, especialy here in Chattanooga, not far from his hometown of Oakridge, Tennessee.

Josh Phillips The Comedy Catch 3224 Brainerd Rd. (423) 629-2233 thecomedycatch.com

7:45 a.m.

CHI Memorial Rees Skillern Cancer Institute 2525 de Sales Ave. (423) 495-2540 cycliad.com Spring Plant Sale and Festival 9 a.m.

Crabtree Farms 1000 E. 30th St. (423) 493-9155 crabtreefarms.org Spring Native Plant Sale 9 a.m.

Reflection Riding Arboretum and Nature Center 400 Garden Rd. (423) 821-1160 reflectionriding.org BFA Senior Thesis Exhibitions “Show One” 9:30 a.m.

UTC Fine Arts Center 752 Vine St.

(423) 304-9789 cressgallery.org Wildflower Hike 1 p.m.

Reflection Riding Arboretum and Nature Center 400 Garden Rd. (423) 821-1160 reflectionriding.org Wildlife Presentation

by Tish Gailmard 3 p.m.

Reflection Riding Arboretum and Nature Center 400 Garden Rd. (423) 821-1160 reflectionriding.org “An Evening with Rumi” 5:30 p.m.

Bessie Smith Cultural Central 200 E. MLK Blvd.

(423) 486-1279 bessiesmithcc.org Josh Phillips 7:30, 9:45 p.m.

The Comedy Catch 3224 Brainerd Rd. (423) 629-2233 thecomedycatch.com

saturday4.11 Leave No Trace Outdoor Ethics Trainer Course 8:30 a.m.

Lula Lake Land Trust 29 Mt. Olive Rd. (706) 820-0520 lulalake.org Spring Plant Sale and Festival 9 a.m.

Crabtree Farms 1000 E. 30th St.

(423) 493-9155 crabtreefarms.org Shuptrine’s Twisted Products Tasting 9 a.m.

1000 E. 30th St. (423) 266-4453 shuptrinestwistedproducts.com Spring Native Plant Sale 9 a.m.

Reflection Riding Arboretum and Nature Center 400 Garden Rd. (423) 821-1160 reflectionriding.org Chattanooga Cruise-In 10 a.m.

Coker Tire Museum 1317 Chestnut St. (423) 265-6368 chattanoogacruise-in.com Chattanooga River Market 10 a.m.

Tennessee Aquarium 1 Broad St. (423) 267-3474 chattanoogarivermarket.com Straw Bale Gardening 10 a.m.

Ooltewah Nursery & Landscape Co. Inc. 5829 Main St. (423) 238-9775 ooltewahnursery.com 3rd Annual “Master Your Garden” Expo 10 a.m.

Camp Jordan 323 Camp Jordan Pkwy.

(423) 490-0078 mghc.org 4 Bridges Arts Festival 10 a.m.

First Tennessee Pavilion

1826 Reggie White Blvd.

(423) 266-4041 4bridgesartsfestival.org Why and How to Plant Natives in Your Garden 10 a.m.

Reflection Riding Arboretum and Nature Center 400 Garden Rd. (423) 821-1160 reflectionriding.org “Love In Action” 10:30 a.m.

Grace Episcopal Church 20 Belvoir Ave. (423) 486-1279 centerformindfulliving.org Wildflower Hike 1 p.m.

Reflection Riding Arboretum and Nature Center 400 Garden Rd. (423) 821-1160 reflectionriding.org Controversial Crossings: Cherokee Removal on Moccasin Bend 2 p.m.

Chickamauga and Chattanooga National Military Park 3370 Lafayette Rd. (706) 866-9241 nps.gov/chch Vegetable & Herb Container Gardening Workshop 2 p.m.

The Barn Nursery 1801 E. 24th St. Pl. (423) 698-2276 barnnursery.com Paint & Sip Party 2 p.m.

Georgia Winery

6469 Battlefield Pkwy.

(706) 937-9463 georgiawines.com Wildlife Presentation

by Tish Gailmard 3 p.m.

Reflection Riding Arboretum and Nature Center 400 Garden Rd. (423) 821-1160 reflectionriding.org “Ignite” Performance and Silent Auction 6 p.m.

Chattanooga Theatre Centre 400 River St. (423) 267-8534 artsbuild.com Josh Phillips 7:30, 9:45 p.m.

The Comedy Catch 3224 Brainerd Rd. (423) 629-2233 thecomedycatch.com “The Music Man” 9 p.m.

Collegedale Academy Auditorium 4855 College Dr. E. (423) 396-2124 collegedaleacademy.com “Improv-A-Lot” 11 p.m.

Ensemble Theatre 5600 Brainerd Rd. (423) 602-8640 ensembletheatreofchattanooga.com

sunday4.12 Leave No Trace Outdoor Ethics Trainer Course

ARTS CALENDAR

Free Sunday at The Hunter

8:30 a.m.

Lula Lake Land Trust 29 Mt. Olive Rd. (706) 820-0520 lulalake.org 3rd Annual “Master Your Garden” Expo 10 a.m.

Camp Jordan 323 Camp Jordan Pkwy (423) 490-0078 mghc.org 4 Bridges Arts Festival 10 a.m.

First Tennessee Pavilion 1826 Reggie White Blvd.

(423) 266-4041 4bridgesartsfestival.org Spring Plant Sale and Festival 11 a.m.

Crabtree Farms 1000 E. 30th St. (423) 493-9155 crabtreefarms.org Free Admission Sunday Noon The Hunter Museum of American Art 10 Bluff View Ave. (423) 756-2787 huntermuseum.org “The Music Man” 2, 7 p.m.

Collegedale Academy Auditorium 4855 College Dr. E. (423) 396-2124 collegedaleacademy.com Chattanooga State Faculty Recital 2:30 p.m.

Chattanooga State Humanities Theater 4501 Amnicola Hwy

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ARTS CALENDAR

Celebrate longer days and warmer weather with Red Bank Wine & Spirits

"Young Frankenstein"

(423) 687-2460 chattanoogastate.edu CSO: “All Mozart” 3 p.m.

Volkswagen Conference Center 7351 Volkswagen Dr. (423) 267-8583 chattanoogasymphony.org Josh Phillips 7:30 p.m.

The Comedy Catch 3224 Brainerd Rd. (423) 629-2233 thecomedycatch.com I Cantori Chamber Choir 7:30 p.m.

Southern Adventist University Ackerman Auditorium 4881 Taylor Cir. (423) 236-2000 southern.edu

monday4.13 Community Input Meeting: MLK District Mural Project 11:30 a.m.

The Camp House 149 E. MLK Blvd.

(423) 702-8081 thecamphouse.com Community Input Meeting: MLK District Mural Project 5:30 p.m.

Bessie Smith Cultural Center 200 E. MLK Blvd.

(423) 486-1279 bessiesmithcc.org Writers @ Work 6 p.m.

Chattanooga Public Library 1001 Broad St.

12 • The Pulse • April 9-15, 2015 • chattanoogapulse.com

(423) 757-5310 facebook.com/ CSWritersatWork “The Music Man” 7 p.m.

Collegedale Academy Auditorium 4855 College Dr. E. (423) 396-2124 collegedaleacademy.com 4th Annual Coca-Cola Scrappy Awards 7 p.m.

Tivoli Theatre 709 Broad St. (423) 757-5050 gomocs.com Covenant College Chamber Singers 7:30 p.m.

The Camp House 149 E. MLK Blvd.

(423) 702-8081 thecamphouse.com Tom Green 7:30 p.m.

The Comedy Catch 3224 Brainerd Rd. (423) 629-2233 thecomedycatch.com

tuesday4.14 Stringer’s Ridge Pump Track Family Fun 4:30 p.m.

Stringers Ridge Park Spears Ave. (423) 643-6888 outdoorchattanooga.com “Show Two” Opening Artists’ Talks 5 p.m.

Cadek Hall Auditorium 725 Oak St. (423) 304-9789 cressgallery.org “Show Two” Opening Reception 6 p.m.

UTC Fine Arts Center 752 Vine St. (423) 304-9789 cressgallery.org Chattanooga Writers’ Guild Presents Bill Brown 6 p.m.

Chattanooga Public Library 1001 Broad St. (423) 757-5310 chattanoogawritersguild.org Writers @ Work 7 p.m.

Chattanooga State Humanities Theatre 4501 Amnicola Hwy (423) 697-3233 facebook.com/ CSWritersatWork “Young Frankenstein” 7:30 p.m.

UTC Fine Arts Center 752 Vine St. (423) 425-4269 utc.edu/fine-arts-center

wednesday4.15 BFA Senior Thesis Exhibitions “Show Two” 9:30 a.m.

UTC Fine Arts Center 752 Vine St. (423) 304-9789 cressgallery.org Writers @ Work

6:30 p.m.

Hunter Museum of Art 10 Bluff View Ave. (423) 697-3233 facebook.com/ CSWritersatWork Chattanooga Lookouts Baseball Home Opener 7:15 p.m.

AT&T Field 201 Power Alley (423) 267-2208 milb.com “Young Frankenstein” 7:30 p.m.

UTC Fine Arts Center 752 Vine St. (423) 425-4269 utc.edu/fine-arts-center

ongoing “Mixed Media, Contemporary & Abstract” Reflections Gallery 6922 Lee Hwy. (423) 892-3072 reflectionsgalleryTN.com “New on View II” Hunter Museum of Art 10 Bluff View Ave. (423) 756-2787 huntermuseum.org “Abstracted Beauty” River Gallery 400 E 2nd St. (423) 265-5033 river-gallery.com Map these locations on chattanoogapulse.com. Send event listings at least 10 days in advance to: calendar@chattanoogapulse.com

Spring P lant Sale & Festival

featuring Local Vendors, Live Music, Kid’s Activities, and Sustainably Grown Food Plants

1000 East 30th Street Chattanooga, TN 37407 crabtreefarms.org | 423-493-9155

April 10: 9-3 April 11: 9-3 April 12: 11-3 Free workshops Saturday & Sunday

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Wright Jewelers • 6311 E. Brainerd Rd 423-499-0569 • wrightjewelers.com chattanoogapulse.com • April 9-15. 2015 • The Pulse • 13

SCREEN SCENE

Yes, But Do Any of Them Sparkle?

“What We Do in the Shadows” is effective vampire parody (and quite funny)

Oscar Winner "Ida" Coming Soon Best Foreign Language Film kicks off Jewish Film Series The 8th Annual Chattanooga Jewish Film Series isn’t set to begin until later this month, but you might want to go ahead and clear space on your calendar for Wednesday, April 22.

That’s the date that “Ida,” the Oscar winner for Best Foreign Language Film, will (finally) screen here in Chattanooga, which includes a reception replete with specialty foods and live music.

The film is set in the 1960s Polish People’s Republic, where a young novice nun, raised in a convent, is told that before she takes her vows

✴✴✴✴

she must first visit her aunt. There, she discovers a dark family secret dating back to the years of the Nazi occupation.

Subsequent films include “Gett: The Trial of Viviane Amsalem” (April 29), “Mr. Kaplan” (May 6), “The Art Dealer” (May 13), “The Muses of Isaac Bashevis Singer” (May 20), and “The Green Prince” (May 27).

The film series screens at the Jewish Cultural Center, 5461 North Terrace Rd, with all showings beginning at 7 p.m. Admission is just $7 and includes popcorn and a soft drink.

NEW IN THEATERS

The Longest Ride The lives of a young couple intertwine with a much older man as he reflects back on a lost love while he's trapped in an automobile crash.

Director: George Tillman Jr. Stars: Scott Eastwood, Alan Alda, Britt Robertson, Melissa Benoist

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Ex Machina A young programmer is selected to participate in a breakthrough experiment in artificial intelligence by evaluating the human qualities of a breathtaking female A.I. Director: Alex Garland Stars: Alicia Vikander, Domhnall Gleeson, Oscar Isaac, Sonoya Mizuno

14 • The Pulse • April 9-15, 2015 • chattanoogapulse.com

T

he mainstream parody film has nearly been obliterated in the last 15 years, starting with “Scary Movie” back in 2000 and continuing to “The Starving Games” in 2013. For whatever reason, most of these films try to recreate the brilliance found in 1980’s “Airplane,” a film formula that was only destined to work once, no matter how many sequels were forced on the public.

Screen JOHN DEVORE

“

Set in modernday New Zealand, the film uses a ‘Real World’ style documentary/ reality television conceit to tell the story of four vampire flatmates.”

Suffice to say, if a film is a direct parody of a popular film franchise, it is most likely not worth your time or money.

There are exceptions, of course: classic Mel Brooks, films by Edgar Wright, the occasional independent film like “The Lost Skeleton of Cadavra.” Comedy is especially hard and within the genre, parody is likely the most difficult.

It’s easy for the films found in the “Scary Movie” franchise to lose sight of their purpose in favor of cheap, easy laughs. The most successful parody films in recent years have avoided this trap by focusing their attention on creating more believable characters rather than having stereotypes drop one gag after another. This is the aim of “What We Do in the Shadows,” an effective and funny vampire parody from the minds of Jermaine Clement (“Flight of the Conchords”) and Taika Waititi.

Set in modern-day New Zealand, the film uses a “Real World” style documentary/reality television conceit to tell the story of four vampire flatmates.

Each character represents a vampire tradition: Viago (Waititi) and Deacon ( Jonathan Brugh) are distinctly Anne Rice, Louis-and-Lestat-style vampires who are younger and more in tune with the world, if only slightly. Vladislav (Clement) is more of the Bram Stoker

variety, a former count with a penchant for poking and torture. Petyr represents the even older, more monstrous, “Nosferatu” vampire, the one that sleeps in a stone coffin and haunts rather than interacts. The four share a dilapidated Victorian house in New Zealand, arguing over chores and clothing.

Popular vampire myths are explored throughout the film, placing them in the context of minor annoyances—it’s hard to lure victims away from the nightclubs when you have to be invited in by the bouncer and even when you’re successful, no amount of newspaper will protect your furniture when you accidentally hit a major artery. The film follows the vampires through their day-to-day lives, their manipulative interactions with familiars, their uneasy hypnotism of the local police, and their frustration with a fledgling member of their coven who refuses to stop telling people he’s a vampire.

“What We Do in the Shadows” is deftly funny. The material is solid and the writing never meanders away from the intended point, namely that

“It would have been easy for the filmmakers to wander into quickly dated pop culture references or tired one liners. Instead, the film understands the characters and forces them to exist within their own mythos. ” it’s hard to be a vampire in a modern world. It would have been easy for the filmmakers to wander into quickly dated pop culture references or tired one liners. Instead, the film understands the characters and forces them to exist within their own mythos.

They generally know very little about the outside world and act and

respond as vampires would. There is a sharp focus on the traditional vampire tropes—we get the impression that many of these ideas are knowingly perpetuated by the vampires themselves, influenced by their own stereotypes and a desire to live within them (they prey on virgins because it sounds cool and certain stylistic choices in their

rituals come directly from “The Lost Boys”). The humor in the film works because the characters remain consistent throughout.

If there is a drawback to the film, it’s that the running time is relatively short. In most cases, I’m thrilled when a film stays near the 90-minute mark, but “What We Do in the Shadows” left me wanting more. However, the film is well paced and adding more to it wouldn’t necessarily serve to enhance the story. It’s better that the filmmaker left off where they did.

Hopefully, there isn’t a sequel in the works, and the film will continue to stand alone as an excellent addition to a particularly barren landscape of parody film. If anything, it shows that the filmmakers can make a good parody, which is encouraging for future projects.

“What We Do in the Shadows” had two screenings at the Chattanooga Film Festival, both of which were well received. It is unlikely to receive a wide release; however, it will be available on VOD and DVD within the month. It’s likely to be one of the year’s best comedies and well worth a look.

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16 • The Pulse • April 9-15, 2015 • chattanoogapulse.com

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COVER STORY

Fun, Fabulous, Festive 4 Bridges Arts Festival For the 15th year, artists and art-lovers converge on the First Tennessee Pavilion. Be there.

By Rachael Poe

18 • The Pulse • April 9, 2015 • 4 bridges arts festival • chattanoogapulse.com

Pottery bowl by Kathleen LeSueur Opposite page: scenes from the 2014 Bridges Arts Festival, courtesy AVA

“

F

or the past 14 years, the 4 Bridges Arts Festival has kicked off spring in Chattanooga. This year, the 15th installment of Chattanooga’s premier arts festival will begin this Saturday, April 11 at the First Tennessee Pavilion.

As always, 4 Bridges will feature live music, local food, and, of course, the opportunity to peruse and purchase an impressive array of art. For 2015, nearly 500 artists applied to participate in 4 Bridges’ juried art show. The application period for the 2015 festival began in August 2014, and, after a lengthy and intensive deliberation process during the month of November, the jury selected 152 artists to participate in the show.

With more than 20 mediums represented, the show consists of more than just oil paintings. This year’s artists come from an impressive range of artistic fields, including photography, ceramics, fiber, basketry, furniture, jewelry, glass, and metal.

Chattanooga’s very own Association for Visual Arts (AVA) is the organization behind 4 Bridges, but they are not responsible for the

Stop by AVA’s booth during the festival to see a map of the United States filled with thumbtacks.

Each tack represents a different artist’s hometown, and this year there are tacks in over 30 states.”

>> Continued on page 20

chattanoogapulse.com • 4 bridges arts festival • april 9, 2015 • The Pulse • 19

(l to r) Angelique Robichaud handbags, Susan Dyer pendant/necklace, Daniel Horne sculpture

“

Willson refers to 4 Bridges as a ‘boutique festival’ because the rigorous jury process narrows the artists down to the best of the best.”

selection process. “The jury changes every year,” explains festival director Kat Wright. “Since there are fresh eyes every year, there’s always an opportunity for newcomers to participate.” This year’s three-member blind jury consisted of Katie Delmez, curator of the Frist Center for the Visual Arts; Bill May, executive director of the Arrowmont School of Arts and Crafts; and Peggy Wood Townsend, director of Public Art Chattanooga.

Anne Willson, AVA’s executive director, points out, “4 Bridges is the only fine arts festival in this area, so it really is a signature cultural event, not just for Chattanooga, but also for our whole region.” If you are curious about the participating artists’ cities of origin, stop by AVA’s booth during the festival to see a map of the United States filled with thumbtacks.

Each tack represents a different artist’s hometown, and this year there are tacks in over 30 states.

Though participants come from all over the country, Willson refers to 4 Bridges as a “boutique festival” because the rigorous jury process narrows the artists down to the best of the best. Many artists

from Chattanooga apply, but there is no guarantee that they will be accepted since there is no festival quota for local artists. “We honor the integrity of the jury and their process,” Wright says. “The final artists are chosen entirely by the jurors, not AVA.” Each year, two local artists are selected to design the festival’s official poster and pin. Chattanooga artist Dana Shavin designed this year’s poster, titled “4 Chairs, 4 Bridges.” The original photo transparency for the poster will be available for auction throughout the festival weekend, and 75 limited edition poster prints will also be for sale. Local jeweler Christina Glidden designed this year’s festival pin, which is a simple but stunning design of natural horn and blue kyanite wrapped in silver.

In addition to the organizers from AVA and the jurors, there is another group of people who make the 4 Bridges Arts Festival possible: volunteers.

“There’s always work to be done,” says Wright, “so we need, love, adore, and cherish our volunteers.

The festival is an all-hands-on-deck situation, and we couldn’t do this without them.” Volunteers are

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20 • The Pulse • April 9, 2015 • 4 bridges arts festival • chattanoogapulse.com

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Painting by Hong Mao

responsible for everything from coordinating parking to distributing food—both of which could get a little crazy since the festival organizers expect a crowd of 12,000 to 15,000 attendees over the course of the two-day festival.

The ChattaFood tent at 4 Bridges will feature great food from all around the area. With vendors like The Hot Chocolatier, Good Dog, Lupi’s, Taco Mamacita, and Big River, the selection of eatables is sure to satisfy the taste buds and appetites of everyone who stops by.

In addition to some delicious food, both days of the festival will feature the talent of local and regional entertainers. On Saturday, Courney Holder, Amber Fults, Scenic City Chorus, Waterfall Wash, and Moccasin Benders will perform. Sunday will feature Southside Stringband, The Dexter Bell Trio, Brass Works, and Booker T. Scruggs.

Thanks to delicious food,

great music, and incredible art, this year’s 4 Bridges Arts Festival is sure to be an unforgettable experience. For Wright and everyone else at AVA, the festival is a labor of love; they are guided by the desire to build a sense of community through art. “We want to cultivate an interest in the arts,” Wright says.

“If you come to the festival, you not only get to see and buy some incredible artwork, but you also get to talk to the artists behind that artwork. It’s an educational and communitybuilding experience.”

The 4 Bridges Arts Festival will be held at the First Tennessee Pavilion on April 11 from 10 a.m. until 7 p.m. and on April 12 from 10 a.m. until 5 p.m. One-day passes are available for $7, and two-day passes are $10. Free parking will be available in front of Finley Stadium.

Visit 4bridgesartsfestival.org to find out more about the festival and to buy tickets.

Now Specializing In Custom Painted Frames And Custom Hand-Painted Mattes Open Weekdays 10a-6p 4520 Hixson Pike, Hixson, TN 37343 www.frameworksartgallery.com 423.877.1391 >> Continued on page 22 chattanoogapulse.com • 4 bridges arts festival • april 9, 2015 • The Pulse • 21

What is The Color of Chaos?

4 Bridges Emerging Artist Myles Freeman

By Zach Nicholson

“

There are no rustic barns or rolling landscapes, no hyper-realistic portraits or caricatures. His art is very much its own world, and every piece, it seems, adds a bit more depth to that world.

Myles Freeman is one of the two “Emerging Artists” of this year’s 4 Bridges Art Festival. The festival marks the first real public exhibition of his art, and he wouldn’t have it any other way. In three words, Freeman’s art is energetic, color-blasted and dynamic.

When you start to look at one of his works, you try to take it all in at once and can’t fully comprehend what’s happening.

And then your eye catches a starting point, follows it through the entire painting—and suddenly you see a character or a theme that was hidden in plain sight.

This is the kind of art Freeman creates. There are no rustic barns or rolling landscapes, no hyperrealistic portraits or caricatures. His art is very much its own world, and every piece, it seems, adds a bit more depth to that world.

But who is this wizard behind

the curtain? You might be surprised to find that Freeman has only recently adopted the artist moniker.

Throughout childhood and early adulthood, Freeman never consid-

The Galleries

on Williams Street

ered art for his profession, though he did attend occasional art classes in school.

Now in his forties, Freeman’s not shy about his lack of formal education.

He shapes this background with a creative hand and learns through observation. Perhaps years of working with his hands in construction and nature have fine-tuned his sense of touch.

Regardless, the overarching movement and fluidity of Freeman’s paintings are to be admired.

Everything is chaos, but it’s constructed and controlled, within the power of the artist. Freeman has that power. And even if, as he says, “Symbolism in the work is incidental, and representation is a happy accident,” experiencing that symbolism and representation in a moment of surprise is this observer’s favorite thing about Freeman’s art.

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22 • The Pulse • April 9, 2015 • 4 bridges arts festival • chattanoogapulse.com

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How Lovely Is The Ordinary?

4 Bridges Emerging Artist Jillian Walther

By Zach Nicholson “You have to look up.”

Photographer Jillian Walther found that out when she visited South Korea. An “Emerging Artist” in this year’s 4 Bridges Art Show, Walther tries to find the beauty in the ordinary, because she’s convinced that if you look hard enough, you’ll see it.

Old murals and signs are subjects she’s particularly interested in.

Immediately, I think of walking down Martin Luther King Boulevard, where the past of Chattanooga is still apparent, though faded.

Always the photographer in her group, Walther first considered photography seriously in South Korea when she wanted to show her parents the complete absence of grass and prevalence of concrete. Soon, she started looking up and photographing power lines that were tangled and bundled together, impossi-

bly messy, yet still providing light to the city.

And she kept that mentality of “look up” when she came back to the States. Power lines were still interesting to her, and soon she began looking at water towers—another source of power and another consistently forgotten beauty. More generally, she’s drawn to buildings and how they touch the skyline, the con-

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tact point of structure and space.

Beautiful camera craft aside, Walther is much more than a photographer. She’s a language-lover and craftsman, a teacher and a wife. Walther is proficient in German.

If you’re learning German in Chattanooga, you’ll either recognize her or run into her soon. She picked up some Korean from traveling and some French from graduate school.

Alongside her photography, she takes discarded pieces of wood and crafts them into small things of beauty. Walther and her husband moved to Chattanooga recently and have found the city to be a perfect combination of independence, locality, arts, and nature. With Chattanooga as her home now, Walther has begun to capture the city’s everyday beauty, photo by photo.

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chattanoogapulse.com • 4 bridges arts festival • april 9, 2015 • The Pulse • 23

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Top-Tier Help to Find The Perfect Home The Grace Frank Group has real estate professionals-plus Businesses, buildings and people may come and go—but the one thing any city can depend on long-term is real estate. The land will always be there. Being involved in the buying and selling of, and investing in, that land and whatLOUIS ever structure may be on it at any given time is a passion for Grace Frank, principal of the Real Estate Group that bears her name.

Frank, who has held many positions in the corporate world, brought her MBA in marketing to the Scenic City from Boulder, Colorado, more than a decade ago.

She was attracted, as many are, to the outdoor activities available here. “When we first moved here,” says Frank, “people would say [Chattanooga] is the ‘Boulder of the East,’ and I would say, ‘Well, you’ve got a ways to go’.”

She says 11 years later, the city has made great strides in earning that moniker. She sees efforts in sustainability and economic growth not only making Chattanooga better for those who already live here, but more attractive for those who plan to live here in the future.

According to Frank, the Chattanooga real estate market is the

tortoise character from that ancient parable. Progress is slow and steady without the roller coaster ups and downs of other cities experiencing similar growth.

And that growth LEE is green.

That’s makes it even more attractive to potential investors and prospective homeowners. “Typically it costs ten percent more to build an [energy-efficient] home,” explains Frank, “but as you look at the years of maintenance-free living and decreasing your utility bills by 35-40 percent, the return on investment is excellent.”

The Grace Frank Group is an affiliate of the RE/MAX company and has been ranked among that company’s top teams for the last few years. Frank notes that the accolades are similar for individual team members in her group. For example, realtor Kim Bass is a multimillion dollar producer, a “Green” Designated Realtor, an Accredited Buyer Representative, and a Certified Distressed Property Expert.

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“She sees efforts in sustainability and economic growth not only making Chattanooga better for those who already live here, but more attractive for those who plan to live here in the future.”

The group is also licensed in both Tennessee and Georgia, where Frank says the housing market is experiencing a similar resurgence to Chattanooga’s. She says houses aren’t staying on the market as long as in years past and certain buyers are finding the location ideal, such as retirees who are less concerned about the state income tax. They’re finding lower prices for comparable homes.

Frank has found over the last 11 years that Chattanooga has wide appeal to a variety of home buyers. “Baby Boomers and Millenials seem to like downtown,” she says, pointing out that downtown condominiums are great starter homes for young professionals who

want something within walking or cycling distance to commerce and nightlife, but also attractive to empty-nesters looking to downsize and leave the maintenance to someone else.

Conversely, the suburbs such as East Ridge, Ooltewah and Rossville are more attractive to families looking for more property for swingsets and near schools. And no matter where you live in the area, all the conveniences of a mid-size city are within a few minutes’ drive. And larger cities

such as Nashville, Knoxville, Atlanta and Birmingham are just a couple of hours away by car.

ChatWhile tanooga is considered a stable real estate market, Frank does see some increase in home prices appearing in the area. She says inventory is down yet the population is increasing.

So by the rules of supply and demand, prices are naturally rising. But lots of new construction will likely hold off any spikes in prices. New smaller, energy-efficient single family homes and trendy multi-family complexs are either under construction or in the planning stages and will accommodate Chattanooga’s growing popularity and the resultant growth in population.

chattanoogapulse.com • April 9-15. 2015 • The Pulse • 25

MUSIC SCENE

Still Singing the Ghosts Away Kindora Camp’s gorgeous voice goes beyond vintage or retro to unique

Age Cannot Wither Nor Custom Stale Watts and Weston set to blow minds again at Barking Legs Jazz fans of Chattanooga, the Jazzanooga 2015 festival will be on again this month, but if you still can’t get enough of the genre, then you’re in luck. This Friday, April 10, Flying Fingers Productions and the Shaking Ray Levi Society present Trevor Watts and Veryan Weston at the Barking Legs Theater.

Watts and Weston have both been astonishing audiences for many decades. Watts is a British saxophonist who is known for his “bold, compelling voice on the sax.” He helped found the Spontaneous Music Ensemble in the 1960s, as well as other bands such as Amalgam and the Moiré Music ensemble. Meanwhile, pianist and composer Weston

is applauded for his “rare talent for creating astounding, freely-flowing, unexpected musical ideas, brimming joy and energy.” When these musicians come together in their improvisation jazz session, with their “exploration of the conversational nature of spontaneous music creation,” audience members at Barking Legs Theater will never be the same. These two free improv masters have been here before and are always unforgettable.

Trevor Watts and Veryan Weston, Barking Legs Theater on Friday, April 10, at 8 p.m. $15 both in advance and at the door. More information, check out barkinglegs.org — Gavin Gaither

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The Office @ City Cafe 901 Carter St. citycafemenu.com

Chattanooga prog-rock legends return to the stage for a night of intense, fantasy-inspired rockn-roll in the same vein as Yes, King Crimson, Pink Floyd and ELP. 9 p.m.

Rhythm & Brews 221 Market St. rhythm-brews.com

This enchanting musical experience features a treasure chest of traditional Irish standards, classical favorites and contemporary pop songs.

7 p.m.

Memorial Auditorium 399 McCallie Ave. chattanoogaonstage.com

26 • The Pulse • April 9-15, 2015 • chattanoogapulse.com

K

indora Camp: Is she vintage? Is she retro?

One thing is for certain—her music beautifully captures a style of a bygone era. Think late-’80s/early-’90s R&B pop and you have a good fix on the sound. Mind you, this isn’t “throw-away pop,” easily dismissed. This is something far more substantial, a marriage of phenomenal production work and gorgeous vocal work to produce pop music with as much artistic gravitas as any singer/song writer.

Music marc t. michael

“

It’s smooth, it’s sexy and Kindora Camp is the newest pop diva you haven’t heard of yet...but you will.”

She’s clearly very, very good at what she does. So what does she do? She isn’t old enough to be vintage and is too unaffected to be retro. No, I think the best term for Kindora is “New Old Stock.” She’s the authentic article, just 20 years in the future.

Camp has an album debuting on April 14, and it is chock-full of shimmering vintage synth sounds and a pop diva voice that will leave the hair on the back of your neck standing (unless you’re one of those neck-waxing types, in which case it will give you a frisson). That there is an ethereal quality to her singing should come as no surprise given the nature of her introduction to music.

As a very young girl, Camp believed there was a skeleton in the wall behind her bathtub and shared this alarming news with her grandmother.

Grandma sagaciously suggested that “singing will keep the ghosts away,” and thus a star was born. It makes for a more interesting origin story than most.

I myself first stepped up to the microphone only because everyone else

Nick Lutsko’s Release Party Is At JJ’s This Friday Photo by Caroline Meyers

Nick Lutsko has quickly risen in the Chattanooga music scene and with good reason. The young man has most impressive chops, musically.

This is known already. Almost as impressive is his grasp of the business portion of the music business. I encounter many fantastic musicians here in Chattanooga, artists of high degree, but I’d guess that 96 percent of them are clueless about the business, openly despise the business or think that being “cute and sincere” is all it take to “make it.” Not so. Lutsko, along with his pro representation, makes use of all the tools available to achieve success.

The album, Etc., is a fantastic piece of work, one which I intend to delve into further in the coming weeks.

While his debut release was decidedly (delightfully) folk, Album Number Two represents a significant departure into pop, funk, industrial and psychedelic music, while still maintaining some of the folk songwriting of his earlier work. The album drops this Friday, April 10 at JJ’s Bohemia, where Lutsko will be appearing along with guests Birds with Fleas, Tree Tops and, apparently, puppets. For an early taste of what’s to come, find Lutsko on social media (seriously, he’s everywhere).

You can be a great musician and maybe succeed in music, you can be great at business and marketing and maybe succeed is music, but Lutsko’s combination of skills in all arenas and a tireless, Zappa-esque work ethic all but guarantees this young man is on his way to the top.

See him now so that later you can brag, “I knew him before he was famous.”

— MTM

in my fledgling band was too shy. I’d much rather have “sung the ghosts away.”

Whatever got her started, Kindora clearly fell in love with singing, which explains how her YouTube cover of Portishead’s “Roads” caught the attention of musician Jimmy Sowell and producer Rock Floyd. Sowell convinced Camp that she had something worth pursuing and Floyd was the man behind the board, producing all of Camp’s solo material.

A word on Floyd: I hadn’t encountered his work before hearing Camp’s music, but the guy is one hell of a producer. When it comes to this particular style of music, Floyd is easily one of the very best.

The album is Dark Continent and it is packed with 12 superlative tracks ranging from the radio-ready “Safe” to the straightfrom-1988 “When I Wake Up.” This is an album equally at home in the car, the club, or the bedroom, and I can’t help but think that it would naturally increase your odds of a good time in any of those venues. It’s smooth, it’s sexy and Kindora Camp is the newest pop diva you haven’t heard of yet... but you will.

The album drops in digital form on the 14th, and in the meantime, feel free to swing

by Kindora’s Facebook page to keep abreast of what’s up and coming.

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MUSIC CALENDAR

CHATTANOOGA

thursday4.9 Prime Country Band 6:30 p.m.

Ringgold Nutrition Center 144 Circle Dr., Ringgold (706) 935-2541 Feel It Thursday Open Mic 7 p.m.

Mocha Restaurant & Music Lounge 511 Broad St. mochajazz.net Jesse James & Tim Neal 7 p.m.

Mexi Wings VII 5773 Brainerd Rd. (423) 296-1073 Songwriter Shootout 7 p.m.

The Camp House 149 E. MLK Blvd. thecamphouse.com Celtic Woman 10th Anniversary 7 p.m.

Memorial Auditorium 399 McCallie Ave. chattanoogaonstage.com CSO: "Schumann’s 2nd" 7:30 p.m.

Tivoli Theatre 709 Broad St. chattanoogasymphony.org The Belt 8 p.m.

Sluggo’s 501 Cherokee Blvd.

(423) 752-5224 Open Mic with Hap Henninger 9 p.m.

The Office @ City Cafe

28 • The Pulse • April 9-15, 2015 • chattanoogapulse.com

Waterfall Wash 901 Carter St. citycafemenu.com Channing Wilson Band, Steve Monce 9 p.m.

Rhythm & Brews 221 Market St. rhythm-brews.com Edward David Anderson 10 p.m.

Clyde's On Main 122 W. Main St. clydesonmain.com

friday4.10 Jason Thomas and the Mean-Eyed Cats 5 p.m.

Chattanooga Choo Choo 1400 Market St. choochoo.com Eddie Pontiac

Pulse Pick: Channing Wilson In the spirit of Waylon Jennings and Merle Haggard, Channing's voice along with his lyrics stand alone in a time of mass produced "throwaway" singers and songwriters.

Channing Wilson Band Thursday, 9 p.m.

Rhythm & Brews 221 Market St. rhythm-brews.com

5:30 p.m.

El Meson 2204 Hamilton Place Blvd. elmesonrestaurant.com Chattanooga Acoustic Showcase 7 p.m.

Charles & Myrtle’s Coffeehouse 105 McBrien Rd. christunity.org Jerry Fordham 7 p.m.

Magoo’s 3658 Ringgold Rd. facebook.com/MagoosTN River City Sessions 7 p.m.

The Camp House 149 E. MLK Blvd. thecamphouse.com Trevor Watts & Veryan Weston 8 p.m.

Barking Legs Theater 1307 Dodds Ave. barkinglegs.org Rick Rushing and the Blues Strangers 8:30 p.m.

The Foundry 1201 Broad St. chattanooganhotel.com Irenka* 9 p.m.

The Office @ City Cafe 901 Carter St. citycafemenu.com IronChief 9 p.m.

Chattanooga Billiards Club East 110 Jordan Dr. cbcburns.com River Canyon Band 9:30 p.m.

The Brew & Cue 5017 Rossville Blvd.

(423) 867-9402 Departure: A Tribute to Journey 10 p.m.

Rhythm & Brews 221 Market St. rhythm-brews.com

saturday4.11 Courtney Holder Noon First Tennessee Pavilion 1826 Reggie White Blvd.

4bridgesartsfestival.org Julie Gribble 12:30 p.m.

Tennessee Aquarium Plaza 1 Broad St.

chattanoogarivermarket.com Amber Fults 1 p.m.

First Tennessee Pavilion 1826 Reggie White Blvd.

4bridgesartsfestival.org Scenic City Chorus 2:15 p.m.

First Tennessee Pavilion 1826 Reggie White Blvd.

4bridgesartsfestival.org Waterfall Wash 3:15 p.m.

First Tennessee Pavilion 1826 Reggie White Blvd.

4bridgesartsfestival.org Moccasin Benders 4:15 p.m.

First Tennessee Pavilion 1826 Reggie White Blvd.

4bridgesartsfestival.org Jason Thomas and the Mean-Eyed Cats 5 p.m.

Chattanooga Choo Choo 1400 Market St. choochoo.com Eddie Pontiac 5:30 p.m.

El Meson 2204 Hamilton Place Blvd. elmesonrestaurant.com Brian Huskey Burnette 7 p.m.

Magoo’s 3658 Ringgold Rd. facebook.com/MagoosTN Danimal Planet EP Release, Smooth Dialects 8 p.m.

The Camp House 149 E. MLK Blvd. thecamphouse.com

Blue Highway 8 p.m.

Barking Legs Theater 1307 Dodds Ave. barkinglegs.org Garcia & Scott 8 p.m.

Charles and Myrtle’s Coffeehouse 105 McBrien Rd. christunity.org Rick Rushing and the Blues Strangers 8:30 p.m.

The Foundry 1201 Broad St. chattanooganhotel.com SouthernXposures FX 9 p.m.

Lookout Bar & Grill 2536 Cummings Hwy. (423) 596-8296 Glass Hammer 9 p.m.

Rhythm & Brews 221 Market St. rhythm-brews.com Jerry Fordham 10 p.m.

The Office @ City Cafe 901 Carter St. citycafemenu.com

sunday4.12 Jazzanooga 2015 Performances Noon Hunter Museum of Art 10 Bluff View Ave. huntermuseum.org Southside Stringband Noon

First Tennessee Pavilion 1826 Reggie White Blvd.

4bridgesartsfestival.org The Dexter Bell Trio 1:15 p.m.

First Tennessee Pavilion 1826 Reggie White Blvd.

4bridgesartsfestival.org Brass Works 2:30 p.m.

First Tennessee Pavilion 1826 Reggie White Blvd.

4bridgesartsfestival.org CSO: "All Mozart" 3 p.m.

Volkswagen Conference Center 7351 Volkswagen Dr. chattanoogasymphony.org Booker T. Scruggs 4 p.m.

First Tennessee Pavilion 1826 Reggie White Blvd.

4bridgesartsfestival.org I Cantori Chamber Choir 7:30 p.m.

Southern Adventist University 4881 Taylor Cir. southern.edu

monday4.13 Open Mic Night 7 p.m.

Magoo’s 3658 Ringgold Rd. facebook.com/MagoosTN Monday Nite Big Band 7 p.m.

The Coconut Room 6925 Shallowford Rd. thepalmsathamilton.com Covenant College

MUSIC CALENDAR

Garcia & Scott

Chamber Singers 7:30 p.m.

The Camp House 149 E. MLK Blvd. thecamphouse.com Jazz Ensemble Concert 7:30 p.m.

Lee University Pangle Hall 340 Church St. NE leeuniversity.edu

901 Carter St. Inside City Cafe (423) 634-9191

Thursday, April 9: 9pm Open Mic with Hap Henninger Friday, April 10: 9pm Irenka* (Nashville, TN) Saturday, April 11: 10pm Jerry Fordham Tuesday, April 14: 7pm Server/Hotel Appreciation Night $5 Pitchers $2 Wells $1.50 Domestics ●

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Happy Hour: Mon-Fri: 4-7pm $1 10oz drafts, $3 32oz drafts, $2 Wells, $1.50 Domestics, Free Appetizers

citycafemenu.com/the-office

tuesday4.14 Rick’s Blues Jam 7 p.m.

Folk School of Chattanooga 1200 Mountain Creek Rd. chattanoogafolk.com

wednesday4.15 Eddie Pontiac 5:30 p.m.

El Meson 248 Northgate Park elmesonrestaurant.com The Other Guys 6 p.m.

SpringHill Suites 495 Riverfront Pkwy. marriot.com Open Mic with Ryan Oyer 8 p.m.

The Honest Pint 35 Patten Parkway thehonestpint.com

Since 1982

Map these locations on chattanoogapulse.com. Send event listings at least 10 days in advance to: calendar@chattanoogapulse.com chattanoogapulse.com • April 9-15. 2015 • The Pulse • 29

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Record Reviews

ernie paik

Nashville Rock-Pop, Brit/ Dutch Improvised Canvas Roddy returns with Waterfall Wash, Butcher & Moor get cathedral lin; guitars wail, cymbals are taxed and bass drum beats propel the song like a locomotive. Finally, “Visions” closes the EP with some enhanced balladry marked by ardent strums and rousing harmonizing, finishing a release with an infectious energy that is hard to dislike.

Waterfall Wash Foreign Chords (waterfallwash.bandcamp.com)

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he Nashville quintet Waterfall Wash manages to successfully walk a tightrope, making spirited rock-pop with a touch of gospel and a hint of country that has a broad appeal without dumbing it down and being insipid.

Its debut 6-song EP, Foreign Chords, is finally available as a digital download on Bandcamp after four years in the making, having been tracked in four different studios; the result is a release that has obviously been sweated over, benefiting from an attention to detail and a insistence to constantly sound vital and stirring.

Local listeners may recognize the name of singer Michael Roddy, a former Chattanoogan and front man of the dancey synth-pop outfit Taxicab Racers; here, he sings with his honest pop vocal style, without affectations or unnecessary studio processing.

After the shimmering and

30 • The Pulse • April 9-15, 2015 • chattanoogapulse.com

John Butcher & Andy Moor Experiments with a Leaf (Unsounds)

brief “Prelude,” with small details like subtle backwards guitar notes, the EP takes off with “Currents,” marked with gospel and folk influenced vocal harmonizing, bringing to mind Fleet Foxes but with more optimism; it builds with pounding drums and hopeful strums, constructing a hearty, full sound, and with a tiny grin, it ends with the strum of an autoharp.

The EP’s title track is a bouncy and immediately likeable number, with crunchy chords and a few unusual timbres lurking in the electric guitar parts; the one-minute track “Your Wave” is more than a trifle, with the acoustic guitar and vocals being accompanied by fuzzy and faint electric guitars, brushed drums and electronic percolations.

The EP’s peak arrives on the track “Panama,” which rocks out and doesn’t hold back, except for a breakdown section with mando-

I

n the world of free improvisation—that is, improvising with no particular genre in mind—players can sometimes fall back on a “bag of tricks” with various techniques or instant strategies to keep things moving along.

So, it’s refreshing to hear a musician who can always surprise and impress, even with a familiarity of that performer’s musical personality.

One such musician is British saxophonist John Butcher, who not only has a virtuosic command of his instrument but also has a seemingly infinite palette with which to work.

On the new album Experiments with a Leaf, recorded live in a cathedral in Switzerland in October 2013, Butcher and electric guitarist Andy Moor both provoke each other yet mostly work toward synthesis, building new sounds that complement each other in complex, stimulating and satisfying ways.

Moor is best known as a member of the Dutch postpunk band The Ex, and that

band’s fruitful collaborations with Ethiopian saxophonist Getatchew Mekurya are one example of how versatile Moor can be.

On “Fantasy Downsize,” Moor accompanies Butcher’s fluttering bird noises with woozy low notes and scratches before he stabs with harmonics and atonal mini-blasts; the mood is one of playful and curious confusion, with kissing noises and the tense wringing of notes.

“Joy is the Headlight” begins with bright flashes of sax melodies before scurrying away from recognizable, hummable tunes using frantic runs; the track ends with a half-minute of chilling near-silence to cleanse the palate, with barely audible sounds of what sounds like dangling strings rustling.

On the 11-minute “The Tongue Is a Flame,” Moor uses a slide and alternates between low buzzes and inebriated high notes, and later, he generates ambient tones while Butcher’s desperate squawks reverberate gloriously in the cathedral space; notably, Butcher also manages to make his saxophone sound exactly like amplifier feedback.

While Butcher is the master improviser here, Moor holds his own and has the discipline and creativity to set aside his post-punk tendencies to help formulate an engrossing canvas of abstraction.

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Come On In, the Disruption’s Fine From “build it, they will come” to “there it is, let’s go”

“

According to Lavidge, major companies are increasingly interested in startups because they’re feeling the disruptive effects of new technologies nipping at their heels.”

Gig Tank begins its fourth iteration at the end of May. This year, the annual startup accelerator centered on Chattanooga’s gigabit Internet is bringing much of the focus back to where it began three years ago: companies whose business modRICH els are built around the networking possible with the Gig. I spoke with Alex Lavidge, director of this year’s Gig Tank, and Mike Bradshaw, executive director of the Company Lab, which sponsors Gig Tank, about what’s different in Gig Tank number four.

“We’re starting to see our track record increase,” says Lavidge, with 2014 Gig Tank graduates like Feetz and Gridcure scoring major angel funding and being accepted into top-tier na-

tional accelerator programs.

“We’re also starting to see an evolution in the way that we think about startup acceleration.”

“Normally you’d say, well, these guys got investment in their c o m p a n y, now it’s capitalized, it’s ready BAILEY to go and see you later,” Bradshaw added. “When companies come out of a program like Gig Tank, if they are able to get into accelerators that expose them to West Coast investors a little more readily than we are able to at this point, it builds more and more of those connections,” which benefit both the companies and Chattanooga’s overall innovation economy.

Some of those connections also come from companies that want to engage with Gig Tank startups as

Tech Talk

partners in the entire accelerator program. Partner companies announced this year include Alcatel-Lucent, Verizon Wireless, HomeServe USA, UPS Connect, US Ignite and Mozilla.

According to Lavidge, major companies are increasingly interested in startups because they’re feeling the disruptive effects of new technologies nipping at their heels. At the beginning of the year, Lavidge represented Chattanooga and Gig Tank at an invitation-only, three-day gathering of 200 entrepreneurs, executives and investors from around the world, hosted by entrepreneur Peter Diamandis.

One of the big topics of conversation was “exponential technologies” that are on the tipping point of causing disruptive change in many industries. They’re one of the major reasons most of the Fortune 500 companies from 1950 no longer exist, and why 40 percent of today’s Fortune 500 are expected to disap-

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pear in the next 10 years.

“That kind of change is going to come from areas like big data, 3-D printing, virtual reality, wireless sensor networks, artificial intelligence, robotics and human genome sequencing,” says Lavidge. “What’s the theme? Those exponential technologies all require more bandwidth.”

More companies are taking this shift to technologies that use ultra-high bandwidth seriously and moving to position themselves to participate in the change, rather than be destroyed by it. Part of that, for established companies, is engaging with the startups that are exploring the technologies now, even before the bandwidth is in place to roll them out nationwide.

“We have an accelerator process that works, and it’s turning a lot of heads in investment communities across the country,” says Lavidge.

Bradshaw points out that until recently, this dynamic was stuck in a chicken-or-

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egg conundrum. Visionaries believed ubiquitous high-speed bandwidth was coming, so it made sense to build products that need it. But until it existed, it was tough to convince funders to pay many millions to develop a product that wouldn’t be commercially viable without new national infrastructure that would cost billions of dollars. In the last few years, though, it’s become clear that the change is beginning to happen.

“So that’s the theory of operation behind Gig Tank this year,” says Bradshaw, “that in order to make progress on ultra high-speed, low-latency network applications you’re going to need a great set of scaled partners around you.”

Partners might be either first customers, who by using a new product can help a Gig Tank startup understand the market they need to penetrate, or companies that have already made the strategic decision to develop Gig-enabled products and see partnering with Gig Tank startups as a product development opportunity.

“Established companies operating at scale are including these new lines of business in their 3- to 5-year plans,”

says Bradshaw. “That’s a new thing.

It’s a distinction between where we were in 2012 when Gig Tank began and now.”

“We’re not just selling the Gig,” adds Lavidge. “I’ve been traveling across the country and talking to people all over saying the only thing moving faster than the Internet in Chattanooga is the rate at which people come together and share ideas and form a community.”

He sees these established companies’ ties to places like Silicon Valley, Austin, Texas, and Boulder, Colorado growing weaker because they are expensive places to live and do business.

“When we bring people here and they see how quickly things can happen because of Chattanooga’s cultural DNA,” he says, “that’s a huge selling point, on par with the gigabit infrastructure.”

Rich Bailey is a professional writer, editor and (sometimes) PR consultant. He led a project to create Chattanooga’s first civic web site in 1995 before even owning a modem. Now he covers Chattanooga technology for The Pulse and blogs about it at CircleChattanooga.com. He splits his time between Chattanooga and Brooklyn. chattanoogapulse.com • April 9-15. 2015 • The Pulse • 33

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Free Will Astrology

“ Homework: What’s the best question you could ask life right now? Tell me by going to FreeWillAstrology. com and clicking on “Email Rob.”

Rob Brezsny is an aspiring master of curiosity, perpetrator of sacred uproar, and founder of the Beauty and Truth Lab. He brings a literate, myth-savvy perspective to his work. It’s all in the stars.

ARIES (March 21-April 19): Uitwaaien is a Dutch word that means to go out for a stroll in windy weather simply because it’s exhilarating. I don’t know any language that has parallel terms for running in the rain for the dizzy joy of it, or dancing through a meadow in the dark because it’s such nonsensical fun, or singing at full volume while riding alone in an elevator in the mad-happy quest to purge your tension.

But in the coming weeks, you don’t need to describe or explain experiences like this; you just need to do them. Experiment with giving your instinctive need for exuberance lots of room to play.

TAURUS (April 20-May 20): Your nasty, nagging little demon isn’t nasty or nagging any more. It’s not doing what demons are supposed to do. It’s confused, haggard, and ineffective. I almost feel sorry for the thing. It is barely even keeping you awake at night, and its ability to motivate you through fear is at an all-time low. Here’s what I suggest: Now, when the demon’s strength is waning and its hold on you is weak, you should break up with it for good. Perform an ultimate, non-reversible exorcism. Buy it a one-way bus ticket to the wasteland and say goodbye forever.

GEMINI (May 21-June 20): When he was in his fifties, French painter Claude Monet finally achieved financial success. He used his new riches to buy a house and land, then hired gardeners to help him make a pond full of water lilies. For the first time in his life, he began to paint water lilies. During the next 30 years, they were his obsession and his specialty. He made them a central feature of 250 canvases, which now serve as one of his signature contributions to art history. “I planted my water lilies for pleasure,” he said. “I cultivated them without thinking of painting them. And then suddenly, I had the revelation of the magic of my pond.” I regard the imminent future as a good time for you to do something similar, Gemini: Create or

rob brezsny

find a source of beauty that will stimulate your sense of wonder and fuel your passion to express yourself for a long time.

CANCER (June 21-July 22): “Everything we do in life is based on fear, especially love,” said Cancerian comedian Mel Brooks. Although he was joking, he was also quite serious. More often than we like to admit, desperation infects our quest to be cared for. Our decisions about love may be motivated by a dread of loneliness. We worry about whether we are worthy of getting the help and support we need. It’s a fundamental human problem, so there’s no reason to be ashamed if you have this tendency yourself. Having said that, I’m happy to report that you now have the necessary power to overcome this tendency. You will be able to summon tremendous courage as you revise and refine your relationship with love. It’s time to disappear the fear.

LEO (July 23-Aug. 22): Do you ever feel reverence and awe, Leo? Are there times when you spontaneously yearn to engage in acts of worship? Is there anyone or anything that evokes your admiration, humility, and gratitude? The coming weeks will be a good time to seek out experiences like these.

According to my reading of the astrological omens, you will get tender jolts of transformational inspiration if you blend yourself with a sublime force that you trust and respect.

VIRGO (Aug. 23-Sept. 22): A lot has happened since you were . . . uh . . . indisposed. You’ve missed out on several plot twists. The circle has been broken, repaired, broken again, and partially repaired.

Rumors have been flying, allegiances have been shifting, and riddles have been deepening. So are you ready yet to return to the heated action? Have you learned as much as you can from the commotion that provoked your retreat? Don’t try to return too early. Make sure you are at least 70 percent healed.

LIBRA (Sept. 23-Oct. 22): Rent,

but don’t buy yet.

That’s my $250-perhour advice. Keep rehearsing, but don’t start performing the actual show. OK? Flirt, but don’t fall in love. Can you handle that much impulse control? Are you strong enough to explore the deeper mysteries of patience? I swear to you that your burning questions will ultimately be answered if you don’t try to force the answers to arrive according to a set timetable. I guarantee that you will make the necessary connections as long as you don’t insist that they satisfy every single one of your criteria.

and gather more of the clout you’d love to wield.

SCORPIO (Oct. 23-Nov. 21): The Guerrilla Girls are a group of prankster activists who use humor to expose sexism and racism in the art world. Every so often they take a “weenie count” at New York’s Metropolitan Museum of Art. During their first survey in 1989, they found that five percent of the artists who had work hanging in the galleries were women, while 85 percent of the nudes depicted in the paintings were women. More recently, in 2012, their weenie count revealed that four percent of the artists were female, but 76 percent of the naked people in the paintings were female. The coming week would be a good time for you to take a weenie count in your own sphere, Scorpio. Conditions are more favorable than usual to call attention to gender disparities, and to initiate corrective action.

AQUARIUS (Jan. 20-Feb. 18): If you were a four-yearold, cookies might be a valuable treasure to you. Given a choice between a bowl of stir-fried organic vegetables and a plate full of chocolate coconut macaroons, you’d probably choose the macaroons. For that matter, if you were four years old and were asked to decide between getting a pile of macaroons and a free vacation to Bali or an original painting by Matisse or a personal horoscope reading from the world’s greatest astrologer, you’d also opt for the cookies.

But since you’re a grownup, your list of priorities is screwed on straight, right? You would never get distracted by a sugary, transitory treat that would cause you to ignore a more nourishing and long-lasting pleasure. Right?

SAGITTARIUS (Nov. 22-Dec. 21): The English term “engine” refers primarily to a machine that transforms energy into mechanical power. But its roots are in the Old French word engin, which meant skill or wit, and in the Latin word ingenium, defined as “inborn talent.” I’d like to borrow the original meanings to devise your horoscope this week. According to my reading of the astrological omens, your “engine” is unusually strong right now, which means that your cultivated skills and innate talents are functioning at peak levels. I suggest you make intensive use of them to produce maximum amounts of energy

CAPRICORN (Dec. 22-Jan. 19): What I’m about to say is not a hard scientific fact, but it is a rigorous poetic fable. You don’t need to go to the mountain, because the mountain is willing and able to come to you. But will it actually come to you? Yes, but only if you meet two conditions. The mountain will pick itself up and move all the way to where you are if you make a lot of room for it and if you are prepared to work with the changes its arrival will bring.

PISCES (Feb. 19-March 20): On June 23, 1917, Babe Ruth was the starting pitcher for the Boston Red Sox in a Major League Baseball game against the Washington Senators. After the first batter drew a walk, Ruth got upset with the home plate umpire and punched him in the head. Ejected! Banished! The Babe had to be dragged off the field by the cops. The new pitcher was Ernie Shore. He proceeded to pitch a perfect game, allowing no further Washington player to reach base in all nine innings. In the coming weeks, Pisces, I see you as having the potential to duplicate Ernie Shore’s performance in your own sphere. Coming in as a replacement, you will excel.

Chosen as a substitute, you will outdo the original.

chattanoogapulse.com • April 9-15. 2015 • The Pulse • 35

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412 Market Street Downtown Chattanooga 36 • The Pulse • April 9-15, 2015 • chattanoogapulse.com

ACROSS 1 Word before out or put 5 It precedes theta 8 Make a difference 14 Phone connection 15 3-D med. scan 16 “Java” trumpeter 17 Rob Ford, by residence 19 With 20-Across, the first cat president?

20 See 19-Across 22 Luau staple 23 Two-player card game 24 Twice-serving dog president?

32 Affix, as a button 33 “As I see it,” in a text 34 “Night” author Wiesel 35 “Mod Squad” member 36 Flower part made up of sepals 38 Up and quit

39 ___ Day multivitamins 40 Ending for spat 41 Directed (toward) 42 Recent small, furry president in a cage?

46 Resort type 47 Victorian or Edwardian, e.g.

48 Leading potbellied pig president?

55 Underwater naval habitat 57 Picture of pandemonium 58 Actress Hemingway 59 Brian who released “Ambient 4: On Land” 60 ___ Romeo (Italian car company) 61 Elastic 62 WSJ rival 63 Each DOWN 1 Like molasses

2 Turner of note 3 Formicary dwellers 4 “Hell ___!”

5 Key of Brahms’s Symphony No. 4 6 Dire 7 Grammar class faux pas 8 Zenith competitor, once 9 Porto ___, Brazil 10 You, long ago 11 Radial, e.g.

12 Rowing machine unit 13 Delivery path, for short 18 Decide not to go green?

21 “I ___ soul to the company store” (“Sixteen Tons” lyric) 24 Queen, in Quebec 25 “For Sale by ___” 26 Words from the teacher?

27 Pale purple 28 Aboveboard, slangily

29 Texas Revolution site 30 “Separate Tables” Oscar winner David 31 Monopoly holding 32 Go through mud 36 Deserving of blame 37 Koran focus 41 “Delta of Venus” author Nin 43 Jordan’s neighbor 44 Like some furniture polishes 45 1950 sci-fi short story collection

by Isaac Asimov 48 Modern Maturity publisher 49 Radar reading 50 “I totally agree!”

51 Elite Eight org.

52 Iodine-rich seaweed 53 Lowdown 54 Certain tide 55 Texting protocol initials 56 Evian or Perrier

Copyright © 2015 Jonesin’ Crosswords. For answers to this puzzle, call: 1-900-226-2800, 99 cents per minute. Must be 18+ to call. Or to bill to your credit card, call: 1-800-655-6548. Reference puzzle No. 0722

Diversions

Consider This with Dr. Rick

by Rick Pimental-Habib, Ph.D. “If you’re going through hell, keep going!” — Winston Churchill The Reverend Robert Schuller, pastor of the well-known Crystal Cathedral in Orange County, CA, recently died. A prolific author, one phrase he was most known for is: “Tough times never last, but tough people do.”

Which of us has not known tough times? A student’s stressful struggle to make good grades may seem trivial to someone who’s trying to make mortgage payments, which may seem trivial to someone battling to survive cancer. But you know, each challenge is valid and important to each individual. A 20 year old has his worries, and an 80 year old has hers.

Maybe sometimes the best we can do is remember the words of Winston Churchill, Rev. Schuller, or my own grandfather. “Pull yourself up by the bootstraps,” he’d say. This doesn’t apply to every challenge, of course, but sometimes all we have are those inner reserves, those strong, courageous parts of ourselves that we must summon up, dust off, and trust to lead us to a better place. chattanoogapulse.com • April 9-15. 2015 • The Pulse • 37

Trying to Explain the Inexplicable Officer Alex presents his view of our need to make sense of a chaotic world

“ People need to fill in the holes, to put things in a safe place so that they don’t have to live in perpetual fear of the reality that this kind of thing really happens some times, and we can’t do anything about it.”

When officer Alexander D. Teach is not patrolling our fair city on the heels of the criminal element, he spends his spare time volunteering for the Boehm Birth Defects Center.

and we just as instinctively want to fix it. And when we can’t? It can eat at us. Frustrate us. And depending on our proximity to the event in question, it can wear our minds to a nub.

I was visiting with a The simple expression few co-workers on a muof basic truth in that opentual friend’s boat recenting quote is ly, which something brought up that we, as a the topic of society, prerum.

And fer to avoid the rum, ALEX TEACH (and thereof course, fore why it immediately brought up a few more topstuck in my mind). Some ics that related well with of you that have had their the setting of the sun, in sanity tested, really tested, that the topics got steadily know exactly what I mean darker. We weren’t just when you read that line. It telling stories, though, we is just that simple; many were conferring….conferof us are just a good solid ring on a topic always close (or not-so-solid) push away to our hearts, because it from turning into Roger represented an intangible Rabbit. part of an otherwise very Sixteen years ago at Coltangible job. umbine High School, we The topic? Madness. And wanted to know the same here is the hazy summary thing: Why? Where were of our combined thoughts: their parents? Was it the Madness is the word peomusic they listened to? ple are searching for when September 11, 2001: they are trying to explain, 2,985 lives lost. Why? We compartmentalize, and can’t blame the religion quantify tragic events so the perpetrators said comthat we can better wrap pelled them to do this or our heads around them. people will think we are Just as our eye is drawn to rude, so was it something a crooked picture on a wall we did to inspire this? or a seatbelt hanging outHurricane Katrina, Auside a moving car door, we gust 23, 2005: 1,836 lives instinctively know when were lost, tens of thousands something is out of place, “You see, madness, as you know, is like gravity: All it takes…is a little push.”

-The Joker from “The Dark Knight,” 2008

38 • The Pulse • April 9-15, 2015 • chattanoogapulse.com

On The Beat

of displaced people (inappropriately called “refugees”) wandering on foot across Louisiana and Mississippi, and so desperate for the “why?” were people that some actually blamed then-President Bush for not signing the Kyoto Accords, which clearly would have fixed the world’s climate and therefore prevented that hurricane from occurring.

People need to fill in the holes, to put things in a safe place so that they don’t have to live in perpetual fear of the reality that this kind of thing really happens some times, and we can’t do anything about it. That’s why we were glued to Fox News and CNN for 50 consecutive hours after the planes hit the WTC so long ago: Why? How? Disbelief.

You can put your purse in the trunk of your car in the mall parking lot at Christmas time. You can install floodlights around your homes and get a large dog to decrease the odds of burglary. You can wear a helmet when riding a motorcycle.

But you can’t legislate the James Holmeses (Aurora, Colorado “Dark Knight” shooter) of the world, or the Timothy McVeighs, or the Harris and Klebolds, or the John Wayne Gacys—and it scares the hell out of us.

Will a new gun law be enacted somewhere as a result of yet another shooting? Yup. But what gun

detractors inexplicably fail to realize is that Klebold and Holmes types, when preparing to break the law, generally don’t care about the law. Crazy concept, right?

We’re screening 80-yearold ladies and 6-year-old kids for guns boarding airplanes these days and making it harder to get guns in the hands of lawabiding citizens that could stop people like Holmes or Seung-Hui Cho (the killer of 32 unarmed people at the Virginia Tech massacre in 2007) as they go about rudely murdering innocent people in places of trust. But it makes us feel better…it makes us feel accomplished, even if it equates to trying to cure alcoholism with liquor.

But folks, like the bumper sticker says: “Shit Happens.” There isn’t always an explanation, a reason, or justification. All you can do is be prepared for it, no matter how unlikely it may seem. There doesn’t have to be a “why,” only a response. Mine will be with a Springfield XD SubCompact .40 and a racing but determined heart.

Afterwards? Well, if there was an explanation, it wouldn’t very well be called “madness,”would it?

No need for legislation.

Just preparedness. That’s how I keep sleeping well, at least.

chattanoogapulse.com • April 9-15. 2015 • The Pulse • 39

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