architecture portfolio | bhadra rajendren pandalai

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brp.

education

Phone 0466214405

Citizenship Australia + NZ

Email bhadraje@gmail.com

Languages English, Malayalam

Master of Architecture | 2020 - 2022

The University of Melbourne

2022 Architecture Graduate Ambassador

2021 Student Representative Network Executive Committee Member

2021 Melbourne Peer Mentor

Bachelor of Design | 2017-2020

Architecture Major

Design Visualisation Specialisation

The University of Melbourne

2018 Architecture Undergraduate Representative

2017 Design and Environments Students’ Society General Committee Member

Diploma in Music | 2017-2020

Flute performance and Music production focus

bhadra rajendren pandalai

I am a graduate of the Master of Architecture degree from the University of Melbourne. My three years of industry education, sports, healthcare, public transport, and residential. I have worked on projects from concept design enced in working with Revit, Rhino, InDesign, Enscape, Lumion, documentation and drafting, construction drawing presentations. I am a quick learner, especially with softwares, and have excellent graphic sense and spatial understanding. use functionality as the basis for aesthetics and provide cultural sustainability through community self-expression.

My interest in architecture and interior design extends to furniture design, graphic and packaging design and illustration. trator, and with experience with timber furniture making, I endeavour to experience and learn about all aspects

awards and recognition

2023

Interviewed and featured in Architect Victoria Edition 1 2023

2018 - 2022 Work selected for MSDx Exhibitions

2017 Melbourne National Scholarship / University of Melbourne Chancellor’s Scholar

2016 QCAA Distinguished Academic Achiever Award for placing in the top 25 students in Queensland

soft skills

Creative and divergent thinking

Leadership skills

Clear communication and listening

Attention to detail

hard skills

Numerical skills

Teamwork and collaboration

Analytical skills and critical thinking

Management and organisation

industry experience spans a range of sectors including design stage to delivery phase. I am efficient and experidrawing and compiling design reports, schedules, and understanding. My passion lies in creating spaces that self-expression.

illustration. As a freelance graphic designer and illusaspects of design while expanding my skillsets.

experience

Graduate of Architecture

Novum | August 2024 - Present

• Designing education facilities and community centres including private schools, churches, and resorts.

• Drafting and compiling DA application sets and tender packages

• Documentation and 3D modelling across both architecture and interior design

• Compiling specifications and schedules including NATSPEC

• Coordinating and communicating with suppliers and consultants

Architectural Consultant / Revit Documenter

Populous | March 2024 - July 2024

• Experience on international stadium projects as part of the Bowl Team - designing, documenting and coordinating the seating bowl

Creating complex construction documentation sets and 3D models

• Concrete detail drawings

Graduate of Architecture

Hassell | January 2023 - January 2024

• Experience on highly complex projects across a range of sectors including healthcare (Queensland Health), entertainment, and public transport (Parklife Metro).

• Creating construction documentation sets with detail drawings and 3D models and assisting with interior room layout sheets

• Working as part of the System Wide Team on Parklife Metro to lead and assist station teams with station designs

• Working with interior design team to create moodboards and FF&E drawings

Concept design and floorplanning of healthcare projects

Architectural Assistant

Andever | 2020 - 2022

• 3D modeling in Rhino and creating drawings in AutoCAD

• Creating documents for Town Planning sets

• Proposing effective architectural and interior design ideas and solutions for design problems

ACADEMIC AND PERSONAL PROJECTS Queensland Chin Christian Church

EMBODYING IDENTITY - THESIS

Cultural performing arts centre for the Kerala diaspora of Brisbane 2022

ROSARIUM

Illustration Personal project 2020 - Present

Timber furniture design and fabrication 2022

CUSHION CHAIR

industry experience.

PRACTICE

POPULOUS

PROJECT

PRINCE FAISAL BIN FAHD SPORTS CITY STADIUM

YEAR 2024

CONTRIBUTIONS

• Revit modelling

• Documentation

Designed to accommodate over 46,000 spectators, this stadium is a new build in Riyadh intended to host games for the 2034 FIFA World Cup and 2027 Asian Cup.

Involved during the documentation stage, I worked as part of the Bowl Team - resolving and documenting the stadium seating bowl. My responsibilities included creating comprehensive and detailed construction documentation sets for the final months of the project, complex modelling of stadium architecture, and resolving design issues.

industry experience.

PRACTICE

HASSELL

PROJECT

PARKLIFE METRO

6 TRAIN STATIONS FOR WESTERN SYDNEY

AIRPORT LINE YEAR 2023

CONTRIBUTIONS

• Revit modelling and Enscape visualisations

• Design studies

• Documentation

Involved during design development and documentation stages, I work as part of the System-Wide team working with the six station teams to provide standard design solutions to station designs. My responsibilities include communicating and coordinating with station teams, reporting any design issues found within stations to the System-Wide team, working on design studies to investigate these issues and develop solutions, and creating construction documentation sets. Primarily working in Revit and Enscape, I also create renders for presentations and compile design reports and presentations for weekly design reviews.

industry experience.

PRACTICE

NOVUM

PROJECT

EMMANUEL COLLEGE SENIOR SCHOOL

YEAR 2024

CONTRIBUTIONS

• Revit modelling

• Documentation

• Interior Design

• Schedules and Specifications

Emmanuel College Senior School is a new learning hub located in the Gold Coast with adaptable and diverse teaching methods in mind. The spaces are designed to suit various teaching styles including operable walls to adjust classroom sizes, a combination of traditional and innovative learning spaces, as well as an outdoor amphitheatre. Its connection to the surrounding green landscape through outlook and connecting outdoor spaces allow students to collaborate and learn in a modern and dynamic setting.

Involved during the construction documentation stage, I contributed to documentation for tender, Revit modelling, doors and windows scheduling and specification, and interior design documentation.

industry experience.

PRACTICE NOVUM

PROJECT

BAYSIDE CHRISTIAN COLLEGE SENIOR SCHOOL PRECINCT

YEAR 2024

CONTRIBUTIONS

• Concept design

• Revit modelling

• Documentation

• Visualisation

The Bayside Christian College Senior School Precinct is a new development consisting of two buildings designed around a central theme of connectivity and collaboration. The precinct aims to provide a central hub serving both the educational and communal needs of its students. Its connection to its coastal location in Hervey Bay was also paramount in the design process through the use of colour and material palettes and the rounded and undulating shape patterns introduced in key spaces.

Involved during the concept design and design development stages, I contributed to concept designing, documentation of the DA set, Revit modelling, and visualisation.

industry experience.

PRACTICE

NOVUM

PROJECT

QUEENSLAND CHIN CHRISTIAN CHURCH

YEAR 2025

CONTRIBUTIONS

• Concept design

• Interior design

• Revit modelling

• Construction documentation

• Visualisation

The Queensland Chin Christian Church is a community centre for the Myanmar Chin community. The project consists of a worship hall, sunday school classrooms, multipurpose room with badminton court, outdoor kitchen and amenities block.

This project provides a valuable gathering centre for a marginalised community and is designed specifically for their cultural and communal needs - including red accent walls, the inclusion of a badminton court, and the provision of a communal kitchen.

Involved during all phases of the project from concept design ato construction, I contributed to concept designing, construction documentation, Revit modelling, and visualisation.

industry experience.

industry experience.

PRACTICE ANDEVER

PROJECT

PEMBROKE

TOWNHOUSE DEVELOPMENT

YEAR 2022

CONTRIBUTIONS

• CAD drawings for town planning set

• 3D model

• Design suggestions

I was involved in this project during concept design, design development and documentation. My responsibilities included initial concept design of the townhouses and their floorplanning, working within and adjusting for zoning and other planning constraints, creating the 3D model of the site and rendering in Lumion, documenting in AutoCAD, and putting together the town planning set for council approval.

PROPOSED NORTH ELEVATION EXTERIOR MATERIAL SCHEDULE

academic experience.

EMBODYING IDENTITY

THESIS PROJECT

2022

SOFTWARES USED

• Rhino

• Grasshopper

• Adobe Suite

How can the complexities of the cultural identity of a minority community be effectively communicated through architectural form, in a way that is subconsciously recognisable and familiar, to create a space for reconnection with culture?

How can the dynamism of movement, which simultaneously transpires over space and time, be embodied and made visible through architectural form?

Body movements and the representation of cultural identity have been architecturally explored as separate concepts; however, there is little architectural investigation into how body movements from cultural practices can have significance on cultural identity and how they can be translated into architectural form as a tool for representing communities. Current methods of cultural representation in architecture are surface-level, referencing environments or vernacular architecture rather than the people and practices of the culture itself. By observing and documenting the body movements of traditional cultural practices and the ways in which the movements are made visible through costumes, materials, and colour, a vocabulary of body movements distinct to a culture can be developed, providing a deeper understanding of the people.

This project explores how the body movements derived from Mohiniattam (theatre dance), Thiruvathirakali (women’s communal dance), and Kalaripayattu (martial arts) from Kerala, South India, can form a common vocabulary that can be used to create a language of morphologies to represent the Malayali community through architecture within an Australian context.

- KALARIPAYATTU - MARTIAL ARTS

SWEEPING, CONTINUOUS

- THIRUVATHIRAKALI | COMMUNAL DANCE

APPLICATION OF PLEATS

PROPOSED REVEGETATION CONNECTION

KOALA HABITAT

BRASS INLAY ON EDGE OF CONCRETE BEAM

0 0.5 1 2m

CONCRETE BEAMS SUPPORTING ROOF SLABS

100MM INSULATION

10MM GYPSUM BOARD WITH WHITE VENETIAN LIME PLASTER FINISH

WHITE XYPEX WATERPROOF CONCRETE 270MM ROOF SLAB WITH STEEL REINFORCEMENT BARS

DOUBLE-GLAZED WINDOW WITH INVISIBLE FRAMES

0 0.5 1 2m

CONCRETE BEAMS SUPPORTING ROOF SLABS

100MM INSULATION

100MM ACOUSTIC FIBRE CEMENT

CEILING CAVITY

SUSPENDED CEILING SYSTEM

ACOUSTIC INSULATION

19MM CASHMERE GREY

MICROPERFORATED WOOD PANELS

COVE LIGHTING

WHITE XYPEX WATERPROOF CONCRETE 270MM ROOF SLAB WITH STEEL REINFORCEMENT BARS

BRASS INLAY ON EDGE OF CONCRETE BEAM

The edges of the white concrete pleats are highlighted with brass inlays, as done in the traditional costumes with gold thread on white cotton. The contrast between the white and gold emphasises the edges of the pleats and amplifies the feeling of movement and progression. The interiors are finished with white venetian lime plaster with an opalescent finish, which causes lights and shadows to create the illusion of movement against the walls. Along the edge of the deck is a red siding which curves and moves throughout the site, creating a continuous leading line throughout the entire circulation path. All of these combined communicates the dynamism of movement, while referencing the colours and strategies employed in the traditional dance costumes to emphasise the movements of the choreography, thereby creating a sense of familiarity for members of the community interacting with this site.

AUDITORIUM

academic experience.

CUSHION CHAIR

INDIVIDUAL PROJECT

2022

MACHINING PROCESSES

• Cnc milling

• Lathe

• Hand tools

TIMBERS USED

• Blackwood

• Pine

The Cushion Chair is an exploration in ergonomics and the potential of timber to appear as a soft material. This chair is designed to support the body at rest while sitting close to the floor in positions such as cross-legged, bent knees, or legs to either side.

Sitting on the floor becomes uncomfortable quickly due to two main reasons: firstly because the hard, flat ground causes all the pressure to be applied to very small areas on the user’s sit bones, and secondly because sitting with the hips at the same level as the ankles causes discomfort in the joints.

These issues can be remedied by looking at how soft surfaces make sitting more comfortable for long periods of time. Cushions morph to the user’s body shape, thereby distributing the pressure across a greater surface area of the body. Elevating the hips above the ankles also allows pressure to be taken off the hip joints and allows the ankles to rest without being pressed hard against the floor.

The fabrication process involved CNC milling the backrest and seat cushion for the rough shape, and using machinery and hand-making techniques to create the rest of the chair.

The timber’s used are blackwood for the structural components such as the seat base and backrest dowels, and pine for the cushion components of the seat cushion and the backrest. This creates visual contrast between the structural parts and the “cushion” parts and the grains emphasise the soft appearance of the timber.

Photography by Mitchell Ransome

BACKREST

The pine backrest is curved on the front face to accommodate the curvature of the user’s back and to appear as an imprint of a person’s back in a cushion. It is CNC flip-milled in two halves that are laminated together with channels in between to allow the dowels to be inserted.

DOWELS

The dowel supports are lathed from blackwood into cylinders and then inserted into the holes of the backrest and the seat base. It is inserted halfway into the backrest for structural stability.

SEAT CUSHION

The pine seat “cushion” is modelled with curvatures that specifically conform to the body when sitting close to the ground, derived from the cushion sitting tests. It is CNC milled in two halves and laminated together, then glued onto the seat base.

SEAT BASE

The seat base is made from blackwood and cut into a circle with a bandsaw, then routered at the edges. Two holes for the dowels are drilled with a drill-press.

Pine grains emphasise the curvatures of the surfaces

Dowels pushing in the “cushions” at the contact points, expressing the softness of the timber

Raised back for lower back and tailbone support

Dip in the middle to provide even support and pressure across the glutes

Lower sides for space for thighs when sitting cross-legged

Height of seat base combined with seat cushion helps to raise the hips above the ankles and relieve pressure on the ankle bones and knees

Photography by Mitchell Ransome

illustration.

ROSARIUM PERONAL PROJECT

2020 - PRESENT

SOFTWARES USED

• Digital painting in photoshop

Rosarium is a personal project started in 2020, exploring scale colur and lighting as a way to improve environment building and landscape painting. Rather than a concept, Rosarium is a place with varied landscapes, with visual similarities to our real world but with elements of surrealism - waterfalls from clouds creating lakes in the sky, glowing purple and pink water, mountains that turn into spires or are ringed with gold. In Rosarium, the minuteness of humanity against the vastness of the natural environment is emphasised and exaggerated.

More Rosarium works can be found on instagram @rosarium.exe.

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