BPM MAG - JULAUG '11

Page 13

13 | BPM

FESTIVAL REVIEW Sonar by Night The Sonar by Night venue is constantly described as an aeroplane hangar and when we arrived we understood why. The exhibition venue Fira Gran Via space is immense. Again, the night time’s festivities are divided by the 5 stages each with a unique look and outstanding lighting and sound. Trentemøller’s live set was the night’s top act for me. The Danish producer performed with a live ensemble and vocalist amidst eerie stage props. On the main stage, overhyped headliner M.I.A gave a lack-lustre performance but this was counteracted

on the SonarPub stage by Dizzee Rascal who blew the roof off. At one point, the thumping sound managed to bump the DJ’s table right off the raised platform, leaving the CDJs and mixer dangling from the table! But Dizzee took it in his stride and simply shouted “Quick! Make a video! YOU TUBE, YOU TUBE!”. Next up Die Antwoord on the outdoor stage. I asked the guy standing next to me what he thought and he replied “they have really cool music videos but their music is crap”. Waddy and Yolandi didn’t impress me much either. The final act for the night was A-

Trak (5 time World DMC champ now collaborating with Armand van Helden). He had all the gimmicks: a tuxedo and a massive 3D stage set-up in the shape of an A, but the nature of his performance – a turntablism and house combo didn’t quite convince me. At half past 3 in the morning you really want to dance rather than concentrate on technical cuts, scratches and beat juggling. Just as the crowd was beginning to enjoy a track, A-trak was cutting and juggling and breaking its flow. Technically, the man is a genius but I felt as though his set would’ve worked better earlier in the evening.

Day 3

the Sonarcar floor who delivered the goods. Magnetic Man (dubstep “supergroup” made up of Benga, Skream and Artwork) was up next on

outside floor. The final night seemed to be plagued by line-up oversights, but this didn’t detract from an excellent collection of acts overall.

We rolled into the last day at Sonar with shades on and heads a little heavy from two previous days of madness. We arrived at Sonar by day quite late and only caught the tail end of the day’s festivities, sadly missing the third and final South African act ‘Shangaan Electro’. From there we caught some tapas in the Gothic quarter, a famous section of Barcelona just outside the venue and then hopped on the Sonar bus to Sonar by Night. As we approached, the whole bus erupted into cheering and applause – everyone shouting ‘Sonar, Sonar, Sonar!!’ . Despite mass exhaustion after two solid days of partying, the enthusiasm hadn’t faded. Little moments like these add a lot to your experience. Despite my scepticism, Underworld were very good live and stirred up a lot of buried memories with their nostalgic anthems. The Gaslamp Killer, who I’d been dying to see (and who’d been hyped-up a lot by the media) was set to play at 2.15am, but his manically energetic and eclectic performance didn’t manage to excite the crowd. Obscure Japanese rock from the 60’s wasn’t quite cutting it. Luckily we discovered Austrian DJ Clara Moth on

Dizee Rascal

Kidkanevil

the main floor. I’d also been very excited about seeing them but found them very boring and subdued. Their emcee kept bellowing into the mic and there were long uncomfortable silences between the tracks. Their set lacked the energy required to rock a 35,000 strong crowd at two in the morning. Most of the crowd streamed off the main floor in favour of a crisp techno set from Paul Kalkenbrenner who rocked a packed

The faultless organisation and attention to detail makes Sónar a pleasure to attend, but perhaps Sonar’s greatest strength is the diversity and quality of its line-up. By placing of the more experimental and ‘out-there’ acts alongside well-established artists and presenting this cross section of global electronica as one event— it creates the sense that all electronica is connected; as are all it’s followers. In my mind this is the point of music festivals and I felt truly enriched by the days and nights I spent with Sónar as my host.


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