Issue 2 Bozeman Life & Style

BOZEMAN

LIFE & STYLE

hats

photography BARE MOUNTAIN PHOTOGRAPHY models EMILEIGH DOBROWSKI, THADDEUS PRYOR, CASEY LEEK, JULIA MURNANE

MONTANA TERRITORY HAT COMPANY

A LETTER FROM THE EDITOR

As we reflect on the past and embrace the present, one thing remains abundantly clear—Montana is experiencing a remarkable surge in growth. Join us in celebrating the people, places, and stories that make Big Sky Country truly extraordinary.

It’s a pleasure to present yet another issue filled with enthralling tales, enlightening articles, and breathtaking imagery that pays tribute to the dynamic culture and lifestyle that we cherish in our community. In this issue, we continue our journey of discovery, uncovering the hidden gems, local talents, and unique experiences that make up this incredible corner of the world.

We invite you to immerse yourself in Bozeman’s dynamic arts community, where we talk to local artists, visionaries, filmmakers, writers, and dancers. Savor the taste of the West through Lazy K Bar Bourbon. Venture into the incredible world of wolves. Don’t miss our feature on the exclusivity of private aviation and discover the unique winter activities—beyond the slopes—in our favorite Western ski towns. Finally, we dive into the work of an innovative non-profit offering combat veterans an alternative path to healing, Heroes & Horses.

As we share this second issue, we extend our heartfelt gratitude to our readers, contributors, and sponsors whose support and enthusiasm have been instrumental in bringing this magazine to life. Your passion for our community fuels our dedication to delivering quality content that resonates with each and every one of you.

TARA CUMMINS

THE CODE OF THE WEST

1. LIVE EACH DAY WITH COURAGE

2. TAKE PRIDE IN YOUR WORK

3. ALWAYS FINISH WHAT YOU START

4. DO WHAT HAS TO BE DONE

5. BE TOUGH, BUT FAIR

6. WHEN YOU MAKE A PROMISE, KEEP IT

7. RIDE FOR THE BRAND

8. TALK LESS AND SAY MORE

9. REMEMBER THAT SOME THINGS AREN’T FOR SALE

10. KNOW WHERE TO DRAW THE LINE

EDITOR-IN-CHIEF & PUBLISHER

Tara Cummins

DESIGN

TC Media

ON THE COVER

Cole Hauser

LEAD PHOTOGRAPHER

Bare Mountain Photography

CONTRIBUTORS

Lori O’Tighe

Patty Boyd

Emily Davis

Taylor Owens

Suzi Rose

Katie Thomas

For distribution, advertising, and other inquiries: info@bozemanlifeandstyle.com bozemanlifeandstyle.com

photo by Audrey Hall

THEN & NOW

WORDS BY LORI O’TIGHE

Aerial photo of the city of Bozeman with the Bridgers in the background and Montana State University in the foreground, taken from the south. 1953, https://arc.lib.montana.edu/msu-photos/ item/1310, Montana State University Historical Photos Collection, Montana State University (MSU) Library, Bozeman, MT

Shortly after landing at the most traveled airport in Montana, visitors often comment that things feel big here. And from a birds-eye view, it is clearbig mountains, prairies, rivers, and a big sky. Things are big here in the Treasure State, and as the newest metropolis in Montana, Bozeman is starting to feel big too.

The 20 square miles that make up Bozeman is a lot fuller these days. Much like our seasons, some times of change feel like the slow thaw of winter; other times like a burst of new energy in the flash of spring. Originally a precious land to native peoples, the reverence and relationship with the great buffalo herds sustained the Crow Nation and other tribes like the Blackfeet, Flathead, Nez Perce, Shoshone, and Sioux, who occupied and defended this valley for hundreds of years.

After 1806, when news of Lewis & Clark’s success traversing the Great Northern Rocky Mountains circulated among European Americans, it started a movement. The impassable became possible, and those with a pioneering spirit suddenly had reason to believe they could stake a claim in the Mountain West. Accounts of abundant wilderness, rich with natural resources, set the stage for western expansion and a future where waves of emigrants would search for their treasure.

Most notable was young frontiersman John Bozeman, who rode alongside many homesteaders in covered wagons filled with the 19th-century notion of Manifest Destiny. Incentivized by the Homestead Act of 1862, those seeking a new promised land could acquire 160 acres for a small fee and five years of continuous living on the property. Aside from ownership, emigrants longed to have a piece of earth to sow seed, raise cattle, and ultimately create a new life away from the city crowds and industry.

John Bozeman was not a homesteader but rather embodied the boldness of a businessman and prospector. During the western development of the Union Pacific Railroad, he embarked on a quest for gold. Unsuccessful in Colorado, he set his sights on the bedrock of Montana. In 1863, Bozeman and his partner, John Jacobs, scouted a less treacherous and more direct path to the gold fields in Virginia City from the Oregon Trail. He and a small contingency left the wagon trains behind and trailblazed on ancient paths that cut through established Indian territory. The use of this throughway, known today as the Bozeman Trail, spurred years of intense conflict with local tribes and paved the way for the thousands of farmers, miners, ranchers, and mountain men looking to live off the lush ecosystem of timber, trout, and fertile soil in the Gallatin Valley.

In a growing community of 200 newcomers, enamored by the serenity and agricultural assets, John Bozeman, William Beal, and Daniel Rouse mapped and platted the original town of Bozeman on August 9, 1864 – less than three months after Montana became a territory of the United States. A couple of years later, with the end of the Civil War, over 2,000 people traveled the Bozeman Trail into the newly established town. A diverse mix of freed slaves, war-torn families, emigrants working the railways, and entrepreneurial-minded cattlemen like Nelson Story ushered in a new boom era of farming and ranching in this prosperous land.

The town flourished until the end of WWI when an early depression caused by drought and diminished demands for goods continued through the Great Depression until WWII. Despite hardship, the depth of character and resilience of the people in Bozeman shone. By the 1950s, the town was hopping, and one of the most played songs on the jukebox was Rags to Riches.

The previous snapshot, taken in 1953, shows the rugged mountain land of the Bridgers cradling the town with a modest-looking Montana State University in the foreground. In a period of postWWII peace and prosperity, the population of Bozeman was growing, but not yet 12,000 people. A rope tow existed for ski enthusiasts, but it would still be two more years before Bridger Bowl would debut its first ski lift and open to the public - a new era for tourism. The hottest car on the road was the Hudson Hornet, and parking meters still lined Main Street, charging a nickel an hour. Young people cruised, attended socials, and drove to the old Belgrade airfield to drag race. A lot has changed from then to now.

Today, Bozeman boasts a mix of cowboys and creatives. No longer a simple agricultural hub, the vibrant arts scene grows alongside a booming

four-season outdoor culture. Tourists attracted to our world-class mountain biking, climbing, fishing, and skiing keep our town bustling all year, and real estate has become the new gold rush of our day.

One thing is certain: ever since this majestic valley was discovered, the waves of newcomers have been unstoppable. Folks from elsewhere are still drawn to the Western mystique of wide open spaces and the promise of a simpler life. And, once they have experienced our powder snow, the sight of windswept wheat, and rushing trout-swollen streams, they do not want to leave. The history of Bozeman is a remarkable blend of decadence and grit, and the people who wake up on a winter morning to the rising sun casting its violet-blue alpenglow on the mountains know what it feels like to have truly struck gold.

photo by JOE ESENTHER

The air here crackles with inspiration, and the streets echo with the stories of artists, thinkers, and visionaries who have found their muse in these captivating mountain towns. Artists shape the culture, and innovation flourishes against the breathtaking backdrop of Big Sky Country. In the following stories, we’ll explore some of the lives and works of the dynamic creatives who call Southwest Montana home, revealing the unique spirit that defines this flourishing creative community.

STILL STANDING THE STORY OF THE 1889 BARN

WORDS BY PATTY BOYD

Thomas Lay left Missouri for a life in Montana. He didn’t fly out to feel the vibe or hop online to check out the real estate market. In 1887, he led a wagon train 1,400 miles to Gallatin Gateway. What he built when he arrived is still standing.

The 1889 Barn is authentic Montana history. Within its walls and on its grounds, the pioneering spirit is visible, offering visitors a chance to satisfy a craving to fill their souls and connect their hearts to calm. The restored barn honors Montana’s nickname, “The Treasure State,” by providing a sanctuary beneath the expansive Big Sky, a place where you can inhale deeply yet find yourself breathless.

The very thought of setting out on an unknown path, climbing into a wagon with only faith as their guide, is beyond what many can fathom. The pioneers of the past embarked on a perilous journey without any notion of what awaited them or the nature of their destination. Their remarkable leap of faith, answering an inner calling, deserves our profound respect and admiration. It’s a timeless act of courage that mirrors the present-day decision to honor and revitalize the 1889 Barn, transforming it into a fine art gallery.

The 1889 Barn Fine Art Gallery showcases the works of artists who, much like the pioneers, heeded their inspiration to create. While some of these artists and the wagon adventurers of yore have passed on, their legacies endure. And as you read this, new creations are being brought to life.

Being in the space allows you to find the space within you. As you step inside, your gaze is immediately drawn upwards to the antique hay rake suspended from the ceiling. Your curiosity beckons you to trace its path, enticing you to climb the winding staircase to the hayloft above. Although no hay remains, a deep breath might reveal the lingering scent of freshly cut grass once stored here. But it’s not just the past that holds your attention. The loft walls are full of original artwork that anchors you back to the present, displayed against the rustic backdrop of log walls that stir the imagination. The walls don’t just hold stories; they also hold the original pegs once used to hang tack, and you’ll even find a historical piece still in place. This artifact, a companion to more paintings, hangs near a vintage bottle that has been rescued and preserved.

Taking a moment to pause within the historic walls of the 1889 Barn, invites you to envision a past life while embracing the boundless possibilities of your current existence. The enchantment lies in the universal bond with the energy that surrounds us, an experience many embrace. The decision to restore the 1889 Barn was affirmed by the joy that unfolds as visitors immerse themselves, their smiles widening, their eyes flitting with curiosity, and then resting, content to absorb the beauty around them.

The 1889 Barn is also a small event venue. You can rent the historic art gallery space for your private party. A full bar menu comes with the rental. Many events, free and ticketed, are celebrated at the 1889 Barn each month.

For more information, visit 1889Barn.com

30 X 24

Terry Lee b. 1948

Original Oil on Canvas

CAPTURING MONTANA’S SOUL

Kyle Niego of Mission Ranch talks photography, friendship, and building a business.

WORDS BY EMILY DAVIS | PHOTOS BY KYLE NIEGO

“Montana is timeless,” said photographer Kyle Niego, “It’s so timeless. From the mountains to the old western bars to the timeless western aesthetic….”

Kyle Niego, photographer and co-founder of Mission Ranch Creative Studio in Bozeman, MT, found his skill with a shutter through whimsy, scrappiness, and unapologetic hope in the power of community.

Growing up just outside of Chicago in a town called La Grange, Niego was just a short train ride from downtown Chicago. Regularly, Niego and his friends would hop the train without telling their parents and head to the city with cameras in hand.

“Those Chicago skyscrapers were our mountains,” said Niego.

A skill with the shutter first developed through street photography and a relentless pursuit of adventure. While still in high school, with the support of his parents, Niego had the opportunity to take a three week road trip across the west, accompanied by one of his best friends and a Jeep Wrangler.

Over the course of three weeks, they road-tripped across the west, hitting iconic locations in Boulder, Utah, Yellowstone, and more.

“The trip was about sight seeing and taking pictures,” said Niego, “on that trip, we caught every sunset and every sunrise. To this day, it’s one of the most freeing, liberating trips I’ve ever been on.”

A coming of age story of sorts.

“Going to the Sun Road in Glacier was probably my favorite place on that trip,” said Niego, “I couldn’t fathom that a road like that could exist or a place like that could exist. We just screamed at the top of our lungs while driving that road.”

When Niego returned from his cross country road trip, he still had more high school to finish but claimed that his mind was “other occupied.”

“I’m kind of an old soul,” said Niego, “I knew that what I wanted was to be creative and travel. So I graduated early and decided that college wasn’t for me.”

Niego admits that his extremely supportive parents played a big role in his ease with that decision. Thus, Niego decided to pursue some sort of informal, formal training in photography and videography. At the time, Niego’s skills were not at the capacity to be a successful self-sufficient freelancer. He needed someone to help jumpstart his career, and he was also interested in learning video in addition to photography.

After doing significant research, Niego came across filmmaker RJ Bruni out of British Columbia, co-founder of a production company called INMIST. After reaching out to Bruni via email, it wasn’t long before Niego spent his life savings on a car and moved to Canada.

Niego spent the next five months working with Bruni, who became a fast friend, and graciously showed Niego the ropes. During the internship, Niego worked on film projects that required him to ride in a helicopter while it flew at sunrise for tourism projects, he shot YouTube videos, and other production videos as well.

“That [friendship] ignited a new dream for me,” said Niego, “Build something on my own so that I could do something creative with my best friends.”

At the conclusion of his internship, Niego was offered a job and intended to stay. He traveled back to the states to visit family while waiting on the work visa. And two days later, the boarder closed due to COVID-19.

“My car was in Canada,” Said Niego, “my entire life was in Canada.”

Niego stayed in Illinois for two months before he desperately needed to get out. He reached out to the same friend he went on the high school road trip with and convinced him to drive to Bellingham,

Washington, to get his car and belongings.

There, Niego’s 2009 Subaru Outback was towed over the border with two flat tires and a dead battery. The two friends road-tripped back to Bozeman, where Niego’s friend now called home, and the Subaru broke down in the parking lot. Niego slept on the couch for three months.

Quickly into his time in Bozeman, Niego started searching for similar internships to his last, but he never found anything to quench his thirst. So, he switched his focus to looking for community. Creative community.

“I’m someone who needs to always be doing something to feel fulfilled,” said Niego, “I started pinging people on Instagram, and I got connected with a couple of people who were young, creative, and in a similar position.”

And he found a community. Some of these individuals were college dropouts, many of them—scrappy. All of them were wildly creative.

“I finally felt like I could relate to people,” said Niego.

This group of new friends and community moved into a creative office just beneath the downtown Bozeman co-op. They called their space “The Lab.”

The Lab started out as six people. Niego admits that he didn’t know why he got asked to move in. Maybe they saw something in him that he didn’t see in himself.

“I met a lot of my best friends painting the walls of that space,” said Niego, “The Lab gave me a purpose. A place to go and collaborate, so many really great minds at work in that space.”

At the beginning, the vision for The Lab was to have a space to create and collaborate with others. A creative incubator of sorts. Beautifully, the natural spiral effect happened. With an open door policy, friends brought friends. The energy in The Lab was electric. The rent was cheap, and they put up a bunch of desks and anyone creative was invited to come work and be a part of the vibe. After a year and a half, it went from six people to nineteen people, and on any given day, there might be thirty people who stopped in.

“It wasn’t necessarily always a great place for getting work done,” said Niego, “But it was a great space for making friends and being in a community.”

Niego said that you could walk around The Lab and see people working on all sorts of projects such as photo, film, documentary, visual effects, scriptwriting, animation, and more.

Aware that they had some special talent, they decided to create a company. Thus, Mission Ranch Studios was born.

“We just noticed so many resources and talent,” said Niego, “it needed to be a company.” Mission Ranch is co-founded by Kyle Niego and Chase Deopsomer and has two additional business partners, Camden Miller and Spencer Miller.

Niego admits that the early stage of running a business was difficult to execute. He said that learning the ins and outs of creating a business, managing finances, and working with friends, amongst other things, was surprisingly challenging.

However, his conviction to be a part of something bigger than himself while pursuing creative dreams and working alongside his friends, won out.

“The core of who we are is best friends,” said Niego, “The company was built on friendship. And that’s what makes it a special company to work at.”

Mission Ranch has come a long way since their time at The Lab. They have worked on projects for clients like Sitka, Visit Montana, Oboz, Duckworth and more. They have also begun renovating a woodshop on a property just outside of town to be their full time office.

“I think before The Lab, the young community didn’t really have something strong to rally around,” said Niego, “A space to come together. And that’s what we were unintentionally creating.”

That unintentional cultivation of creative community has become an intentional opportunity for Mission Ranch as they connect with and collaborate with the local Bozeman creative community.

“It’s really about being a part of something bigger than yourself,” said Niego.

When asked to give advice to fellow aspiring filmmakers, Niego didn’t skip a beat when he said to always keep it fun and always be learning. Then he said, “Find a mentor, find a community.”

Silver Screens and Sagebrush Dreams

A CINEMATIC JOURNEY THROUGH LIVINGSTON, MONTANA AND PARADISE VALLEY

WORDS BY TAYLOR OWENS | PHOTOS BY SCOTT JOHNSON

Amongst the picturesque landscapes of Livingston and Paradise Valley, the history of film production unfolds as a captivating narrative, weaving the town’s and valley’s distinctive charm into the tapestry. From the early black and white promotional films by the Northern Pacific Railway in the 1920s to the present-day bustling Yellowstone Film Ranch, this region has evolved into a cherished backdrop for filmmakers seeking the authentic spirit of the Old West. A storied past of feature filmmaking reflects the enduring allure that Livingston and Paradise Valley hold for the film industry.

Tucked away in the hills and mountain peaks outside of Livingston, Montana, the Yellowstone Film Ranch, a precise replication of a western town, sits hidden from onlookers’ sights. Here, western movie magic is created with some of the biggest names in film.

The Yellowstone Film Ranch is an operational western town backlot, costume and prop house, and a space for buildable sets. The western backlot is styled after a late 1800s gold rush town located in Paradise Valley. Imagine your favorite western movie and the town it takes place in, that is the Yellowstone Film Ranch. Plucked from a memory of classic Hollywood western films, the ranch’s set is exactly what one would think of when they think of a western movie.

The ranch was founded and established by Richard Gray, Carter Boehm, and Colin Davis in 2020, and has been offering a space for crews to film studio pictures, independent films, television series, and commercials since. Some recent notable films shot at the ranch are “The Old Way” starring Nicholas Cage; “The Unholy Trinity” starring Pierce Brosnan and Samuel L. Jackson; “Murder at Yellowstone City” directed by Richard Gray; “Outlaw Posse” directed by Mario Van Peebles; and “Rust” starring Alec Baldwin.

The western town is made up of thirty structures including fully functional interior and exterior sets, support buildings, and two intersecting streets. The support buildings include a church with preacher quarters, a town hall, a livery, a jail with a sheriff’s office, a bank with an authentic 1860s counter, a general store, a guest house, a saloon with a brothel and bathhouse, and a mine entrance. Additional sets and landscapes are scattered throughout the property, such as a prairie house, a barn, a gallows, and a wooden log cabin by a stream.

Each of the facades can be altered per each film’s needs, as well as interchangeable interior sets. The church on the property is a movable structure able to be moved off of its space on the set and replaced with another similar-looking church shell structure. Many film crews burn this secondary structure to be the quintessential church burning scene in many western movies.

Smaller details on the set like door knobs, wallpapers, props, and costumes are all particularly chosen to fit the era in which each film takes place, which requires time and research. Set dressers, wranglers, the wardrobe and props team, and other crew members are all local to the Livingston area, providing a full-service crew to each film that comes to the ranch.

The film set was originally created as a set for one particular movie: The Unholy Trinity. This film was recently shot at the ranch. The original vision of the film ranch came full circle upon the completion of this film starring Pierce Brosnan, Samuel L. Jackson, and David Arquette.

“The ranch was built by the time I got involved with Unholy Trinity,” Jeanne Gaisford, producer of Unholy Trinity, said.

Gaisford’s previous experience includes working as executive producer on Terminator: Salvation with Christian Bale; executive producer on We Are Marshall with Matthew McConnaughy; and studio executive at Dreamworks. She retired in 2010 to move to her ranch in Montana, and was brought back into the movie business after meeting Gray on the sidelines of their childrens’ soccer game.

“When Richie (Gray) and I were talking about working together on this project, he took me out there,” Gaisford said. “When I walked into town for the first time, I could see vividly how every scene would play, where all the quintessential moments would explode on screen. It was seriously thrilling.”

Unholy Trinity is set in the moments before the execution of Isaac Broadway, who sets his estranged son, Henry, on an impossible task: to kill the man who framed him for a crime he didn’t commit. Many Westerns follow a similar plot depicting a crime, showing the pursuit of the wrongdoer, and ending in revenge and retribution.

As filmmakers and crews continue to come and work at the Yellowstone Film Ranch, they keep the rich legacy of filmmaking in Livingston and the Paradise Valley alive, as well as the legacy of the Old West on the big screen.

The rich history of filmmaking in Livingston is a story filled with the contributions that the community, its people, and landscape have made to films. The historic Livingston Depot Center houses an impressive exhibit that chronicles the history of filmmaking in the town through original photographs, posters, and artifacts beginning with the early black and white promotional films produced in the area by the Northern Pacific Railway in the 1920s. The exhibit then follows three decades of feature film making in Livingston.

“Rancho Deluxe” starring Jeff Bridges, “A River Runs Through It” starring Brad Pitt, and “Everything that Rises” starring Dennis Quaid are some of the notable films filmed in Livingston that are on display in the museum. Unique artifacts from some of the films that one may not have the opportunity to see like tiny fairy ears from the movie “Legend” and an antique car from “A River Runs Through It” are also on display.

The convergence of nature’s grandeur and cinematic creativity in this corner of the world leaves an indelible mark, inviting filmmakers to explore, create, and pay homage to the enduring spirit of the West through their works.

THE DANCE OF THE WILD WEST

words by SUZI ROSE photos by BARE MOUNTAIN PHOTOGRAPHY

Take yourself back to the middle of the 1800s; you and your family have decided to pack up your New England home and move to the Last Best Place: Montana. Real Estate propaganda promised rich land for raising cattle and wheat and numerous opportunities in mining towns needing merchants. With the American Dream in mind, thousands of settlers left comfortable, established cities in the East for the wilds of Montana. As if the hardships of a wagon train were not enough, once arriving, homesteaders faced a lack of comforts, heat, wind, drought, predators, huge drops in market prices, and of course, blizzards.

These early settlers were charged with the task of carving “civilized” communities out of the harsh Montana landscape. This meant establishing high society principals of their native cultures, one of the most important: dance. Representing many different nationalities, the homesteaders joined together in true American spirit and blended components of each nationality’s native dance to create a hybrid dance, now native only to the American West.

By the late 19th century, a dance was born that reflected the westerners who created it. Traditional dancers frowned at its speed, energy, and lack of attention to traditional rules and fundamentals. Swing dance was high-energy, paid little attention to formalities, quickly connected partners, and was fun.

Historically, dances were created by well-paid dance professionals, practiced, and coached in the homes of aristocrats; however, the creation of Montana’s western dances was much like a game of telephone. Annual events saw dancers gather then return to their respective corners of the state to practice what they remembered on their own.

Depending on the region one danced in, the footwork and patterns would vary, and the speed was fast. This new dance relied on adaptability as dancers spontaneously injected traditional moves from their homelands.

The one fundamental that stayed the same was the role of the lead and the follow. Western swing dancing is lead directed, meaning that the lead choreographs the patterns. The follow executes each command with grace regardless of complexity or speed requiring her to be responsive and light on her feet. The lead plans patterns and moves that make the follow appear graceful. Browned and calloused by the sun and hard work of the West, the dance floor was one of the few places western women were able to relax and feel like “ladies” again.

The young Montana lacked large community buildings to host social dances, so settlers made do with what they had, hosting dancers in barns, schools and ranch yards. These dances were dubbed “country dances”. Regardless of how high society felt, Montanans loved the new style and took to it with great enthusiasm, practicing as often as they could.

The drive to learn to dance was so great that even in women-deprived cow camps, cowboys took to practicing with each other. Cowboys

acting as a follow would tie a bandana around one arm to indicate that they were acting as a follow and then switch so that everyone got a chance to learn. Cowboys who often spent long hours in solidarity became the life of the party at dances across the West. Witnessed by cattle baron Joseph McCoy. McCoy wrote, “He usually enters the dance with a peculiar zest, his eyes lit up with excitement, liquor, and lust. He stomps in without stopping to divest himself of his sombrero, spurs or pistols.”

In the high-societies of the East, dances were invitation-only, keeping dancing formal and reserved for the upper class. Montana’s dances started out then and still are inclusive, a method of connecting and supporting rural communities. Dances were held for minimal fees that merely helped cover the cost of keeping the dancehalls open and to keep the bands playing.

Dance Halls often ended up shouldering the responsibility of holding a space for their neighbors to gather. They became a cornerstone of the community, hosting benefits and offering shelter in the event of disaster.

The popular dancehall, The Shanty of Helena, showed their care for the community in the face of the earthquake of 1935. The Shanty was a gathering place for the Helena area for decades. On October 18, 1935, a devastating earthquake hit Helena, causing destruction and panic. Dancers were in full swing at The Shanty but quickly jumped into action, driving to the nearby Deaconess School where they found house mothers and the children in the yard singing “God Will Take Care of You”.

Within minutes, brave dancers and neighbors had entered the destroyed five story building, thrown mattresses out the windows and loaded the children into farm trucks. The children were driven to the dancehall where they lived until suitable housing was found at the Salvail Mansion.

This story is a beautiful depiction of what dancers and their dancehalls mean to Montana communities.

Dancing is a means of coming together for people, and a dancehall is a physical location for this connection to take place. The music is high tempo to help dancers remove themselves from the challenges of daily life, the dances are fast, and the faces are friendly. As a community space, dancehalls are a natural fit for hosting, fundraising, and celebrating.

Montana is once more seeing a large influx of new residents who are experiencing Montana’s culture for the first time. Western Swing Dancing in our honky-tonks and dancehalls is a great way for these new residents to learn and connect to our community.

The dances here mimic our western culture. Our leaders are confident and competent, our follows are strong and graceful. We respect each other’s space, we work together to overcome challenges, we care for our neighbors, and we love to dance.

TC MEDIA

A creative agency elevating the online presence of luxury lifestyle brands through inspiring visuals and results-driven strategies.

We’re storytellers at our core and believe that a clear sense of visual identity is essential for a brand to stand out in a crowded marketplace. Through social media management and content creation, we create bespoke digital experiences for both national and boutique businesses who wish to inspire and engage their audience in a more authentic way.

GLAM RANCH

Glam Ranch was born from a love of the western lifestyle, glamour, self-love and discovery.

Based in Bozeman, MT, Glam Ranch provides a range of esthetic services. We specialize in personalized makeup tutorials and kit assembly, professional on-site makeup application, and a comprehensive selection of facials, waxing, and eye enhancements.

Our goal is to elevate your skincare and makeup experience by tailoring our services to your unique story and needs. We’re dedicated to keeping you informed and inspired with the latest in beauty trends and products.

glamranch.glossgenius.com

Wild Mountain Photo

A NEW HORIZON

STA JETS SOARS TO NEW HEIGHTS

Big Sky Country, where rugged mountains meet endless horizons, is the backdrop for a new chapter in luxury travel with STA Jets. STA Jets offers comfort, convenience, and unparalleled luxury. From their latest expansion at the Yellowstone Jet Center to their unwavering commitment to safety and innovation, STA Jets is more than just a mode of transportation—it’s a lifestyle.

In a groundbreaking move announced in October of 2023, STA Jets has expanded its operations to include routes to and from the Yellowstone Jet Center, offering travelers to Bozeman and the Greater Yellowstone region an additional option for private aviation services. Owned and operated by Bozeman resident Kurt Belcher, STA Jets sets itself apart by providing bestin-class travel services with a robust route offering that includes flights to and from all major U.S. markets and beyond.

At the core of STA Jets is a steadfast commitment to excellence. From their meticulously maintained fleet of state-of-the-art aircraft to their team of highly skilled pilots and dedicated staff, every aspect of the STA Jets experience reflects a dedication to surpassing expectations. “STA’s versatile fleet means that we’ll be able to set you up with an aircraft that suits your travel needs—from a single-engine turboprop to a full-size Gulfstream that can take you non-stop from Bozeman to Paris or anywhere in between. We’re excited to bring our private aviation services to the Greater Yellowstone region,” explains Belcher.

In a world where time is of the essence, STA Jets understands the value of seamless convenience. With their fleet and personalized concierge services, travelers can enjoy flexibility and efficiency. Each jet is appointed with comfortable furnishings, cutting-edge technology, and amenities designed to cater to the most discerning of travelers. Whether it’s a last-minute business trip or a leisurely getaway, STA Jets is committed to accommodating the unique needs and preferences of each client.

Above all else, STA Jets prioritizes the safety and security of their passengers. Rigorous maintenance protocols, stringent safety measures, and a team of experienced professionals ensure that every flight is executed with the utmost care and attention to detail.

As STA Jets continues to expand its footprint in the Greater Yellowstone region and beyond, its vision for the future remains as ambitious as ever. With a commitment to innovation, customer satisfaction, and operational excellence, STA Jets is poised to redefine the private jet industry and set new standards of luxury and service for years to come.

For more information, visit stajets.com

MOUNTAIN MAYHEM

Step into the ultimate luxury of America’s finest ski towns, where adventure is glamorously reimagined amidst pristine, snow-cloaked vistas. Renowned for their ski experiences, these exclusive destinations invite the discerning winter aficionado to indulge in the opulent essence of winter—beyond the slopes.

GRIT & GLAMOUR

Inside Aspen’s World Snow Polo Championship. Discover the thrilling fusion of high society and sporting prowess on the snow-covered slopes of luxury.

The iconic mountain town of Aspen once again became the focal point for the glitterati’s seasonal migration. Renowned for its designer storelined streets and majestic slopes that attract avid skiers, Aspen has been hosting a special event for the past eleven years that captivates the wellheeled jet-setters—the World Snow Polo Championship. This championship has become the perfect kick-off to the social season, offering a unique blend of sporting excitement and high-profile social gatherings.

photos by NICK TININENKO

From grit to glamour, the annual Snow Polo Championship in Aspen has solidified its status as an adrenaline-filled sporting spectacle and a highly-anticipated social occasion. Distinguished as the only event of its kind in North America, the championship is hosted by Marc and Melissa Ganzi, owners of Aspen Valley Polo Club. The two-day affair gathers esteemed polo players such as Alejandro Novillo Astrada, Adolfo Cambiaso, and Jason Crowder atop their prized ponies, vying for the prestigious St. Regis Snow Polo Cup. Yet, it’s on the sidelines where the true essence of the event unfolds.

The excitement from the VIP tent spilled onto the snow-covered field, where snow polo unfolded as a modified version of the traditional game. Despite the smaller field and three players per team (instead of the usual four), the intensity of snow polo rivaled its full version. Thundering ponies, lively announcers, and competitive players created a thrilling spectacle for the sidelines.

Reminiscent of a mountain chalet, the beautifully designed VIP tent, welcomed celebrities like Anna Kendrick, Naiomi Glasses, and Zoey Deutch. Amidst glasses of Blade & Bow Bourbon, the crowd witnessed a thrilling final match that culminated in the Casablanca Polo team, led by Grant Ganzi, Nic Roldan, and Hilario Figueras (son of polo icon Nacho Figueras), clinching this year’s championship victory.

Beyond the allure of celebrity sightings, the Ganzis aim to contribute to the community and have had a longstanding relationship with the Aspen Valley Hospital Foundation, benefiting their programs with summer polo and snow polo.

BEST IN THE WEST SHOWDOWN

BIG SKY SKIJORING

photo by MARK LAROWE

Picture this: a skier holding tight to a rope tethered to a horse, thundering down a snow-covered track, navigating twists and turns while effortlessly gliding over jumps and obstacles. It’s a balance of speed and agility, where every maneuver demands precision and finesse.

Skijoring, a Scandinavian-originated sport that translates to “ski driving,” has found its ultimate playground in the vast expanses of Montana’s Big Sky country. Big Sky Skijoring, celebrated its sixth annual Best in the West Showdown in February. A thrilling blend of horses, skiers, and snowboarders navigating obstacle courses, captivated audiences once again with an adrenaline-fueled experience.

The energy was palpable as crowds gathered to cheer on their favorite teams, the air alive with the sound of hooves and the whoosh of skis slicing through snow. Food vendors offered hearty fare to keep the chill at bay, while local artisans showcased their products, adding to the festive atmosphere.

What sets Big Sky Skijoring apart is not just the raw beauty of its surroundings but also the community spirit that infuses every event. From seasoned competitors to first-time participants, there’s a sense of camaraderie across all skill levels. And while the competition may be fierce, the true essence of Big Sky Skijoring lies in the shared joy of participation.

photo by JOSH KING

JACKSON HOLE’S PEDIGREE STAGE STOP RACE

photos provided by Pedigree Stage Stop Race

In the heart of Jackson Hole, Wyoming, an age-old tradition intertwines with modern competition to create an exhilarating spectacle: the Pedigree Stage Stop Race. This iconic event not only celebrates the spirit of dog sledding but also pays homage to the rich history of this winter sport in the region.

Dog sledding has deep roots in Jackson Hole, dating to its early settlement days when it was a lifeline for transportation and communication across the rugged Rocky Mountains. From fur trappers to mail carriers, dog teams played vital roles in navigating the region’s harsh winters and vast landscapes.

As times changed, so did the role of dog sledding. Yet, enthusiasts kept its spirit alive, recognizing its value beyond practicality. Today, it thrives as both recreation and competition.

Founded in 1996 by Frank Teasley, the Pedigree Stage Stop Race stands out with its stage format, winding through Wyoming and ending in Park City, Utah. This race isn’t just about speed; it’s about community engagement and spreading the joy of dog sledding.

The 2024 edition promised high-octane action as top mushers from around the globe converged to navigate challenging trails against Jackson Hole’s stunning backdrop. Spectators witnessed thrilling displays of speed and skill.

The Pedigree Stage Stop Race also celebrates the enduring bond between mushers and their canine companions. Each team showcases the remarkable athleticism and loyalty of sled dogs, highlighting their passion for running and teamwork. As the 2024 race unfolded, it served as a poignant reminder of Jackson Hole’s dog sledding heritage—a legacy of adventure and perseverance.

A NIGHT at CAFE FRESCO

WORDS BY KATIE THOMAS PHOTOS BY JANIE OSBORNE

Bozeman has its fair share of exceptional restaurants. What was once a little agricultural college town is now recognized as a glamorous location the world over, thanks in part to such destinations as Big Sky Ski Resort and Yellowstone National Park, and of course, the TV series Yellowstone. One good thing about growth is more food choices for us. And not always, but sometimes, the oldies are the besties.

In 2005, Bill and Susan Neubauer purchased Shellenberg’s Delicatessen on North Seventh and turned it into Café Fresco, a traditional Italian Bistro. Inspired by Bill’s family business – his family ran restaurants in Wisconsin – and motivated by Susan’s pining for the New York City delis of her youth, the Neubauers created a humble neighborhood eatery that began as a catering business and deli/ café. Now located at 317 East Mendenhall, set back from the occasional roar of new-Bozeman traffic, Café Fresco draws passionate multitudes as one of Bozeman’s most popular restaurants.

Perhaps that’s because everything from the service to the food is incredible. The other night, a few friends chose Fresco as the best place to celebrate a birthday. Meandering along Bozeman Creek to enter, patrons enjoy the best welcome money can’t buy: the sound of naturally flowing water. In the summertime, creek-side dining is available. But as this particular night was snowy, the group was anxious to get into the cozy, low lighting of the warm space.

One friend was a gluten-free vegetarian, one a meat-and-potatoes gal, and another simply a crazed foodie. For the antipasto course, the group shared the Mediterranean flatbread – sourdough flatbread topped with roasted garlic and bell pepper, caper, basil, red onion, chevre, olive oil, and balsamic. The marriage of these flavors made everyone forget the propriety of collective dining, but there was enough to go around.

The wine and beer arrived, chosen from an impressive list: Fresco offers many reds, whites, and bubbles by the glass and bottle, a dessert wine, local and domestic beers on tap or bottled, and of course, Italy’s Peroni beer. The less adventurous eater got adventurous and tried the Peroni (“pretty okay!”), while the others shared a bottle of the Corazon del Sol Malbec, described as “a high-altitude Argentinian wine, inky, medium-bodied. Dry with bold dark fruits on the nose and palate.” Delish.

French onion soup dripping with Gruyere cheese and sherry went to the foodie for the Zuppa course, while the others sampled the Manhattan (green apple, walnut, gorgonzola, and currant tossed with mixed greens, house vinaigrette, and homemade croutons) and Goddess Chop (grilled vegetables, Roma tomato, cashew, caramelized onion, and parmesan over romaine with green goddess dressing) insalatas.

Il secondo (the main course) was a little more difficult to choose. Rather, the foodie had some tough decisions to make – the meat-and-potatoes lass went straight for the lasagna, a classic with opulent, saucy tomato flavor. The vegetarian ordered the gluten-free Pesto Cavatappi, a creamy coastal Italian dish made from basil and walnut pesto, served over cavatappi pasta, topped with artichoke hearts and tomato (or rosemary chicken and prosciutto), and finished with Fresco’s pecorino-Romano cheese blend. Finally, the foodie narrowed it down to the hand-rolled ravioli, chicken parmigiana, and spaghetti Putanesca (you see the difficulty). The Putanesca won and, with its sautéed caper, garlic, artichoke heart, kalamata olive, and savory marinara over local-grain spaghetti, plus chicken, proved to be the right choice.

Somehow, desserts and coffee were contemplated. Fresco serves Colter Coffee Co. espresso, roasted in Kalispell, Montana, and a variety of Italian desserts, such as tiramisu, gelato, and affogato. The birthday girl received a tiramisu on the house, which was just as creamy, chocolate-powdery, and decadent as a birthday calls for. It went well with cappuccino, as did the flourless chocolate torte and mascarpone brownie.

Food aside, the service at Café Fresco is reason alone to leave the house. Even if it’s not a special occasion, the Neubauers make dining at Fresco feel like one. “I try to keep it a neighborhood Italian café, elevated but laid back, so you’re comfortable whether you want fine dining or casual,” Bill explains. He works the front of the house, and his friendly, professional demeanor can be seen on any given night as he patiently handles the onslaught of walk-ins with a genuine smile, making sure everyone is assisted. Bill’s work ethic shows in his staff, all of whom truly display the highest standard of fine-dining customer service.

Believe it or not, Fresco was once a tractor repair shop with no utilities. The space’s now-elegant aesthetic summons hints of its past life, with cinder block walls, wood ceiling, and narrow dining room. When the Neubauers purchased the building in 2008, it was being used as a paper storage warehouse for Colorworld. Today, Fresco features modern wood chairs and benches at the tables, a striking bar, and an even more striking outdoor patio.

Whether it’s for a birthday, to impress outof-town guests, or any old day of the week, Café Fresco is your new dinner destination. Reservations recommended but walk-ins welcome.

A TOAST TO THE WEST

INTRODUCING LAZY K BAR BOURBON

words by TARA CUMMINS photography AUDREY HALL

Montana, with its vast landscapes and wild beauty, holds hidden treasures amidst majestic mountains and sweeping prairies. Nestled within this untamed wilderness lies Lazy K Bar Ranch, a historic piece of the Big Sky Country. It is here that the vision for a distinctive bourbon was inspired. One that captures the pioneering spirit that embodies the soul of this remarkable land.

The visionaries behind Lazy K Bar Ranch Bourbon – David Leuschen, Britt West, and Cole Hauser – are venturing from the wild expanses of Montana to the refined realm of crafting exceptional whiskey. Together, they weave a narrative that blends the rugged allure of the land with the sophistication of premium spirits.

For David Leuschen, whose familial roots run deep in Montana, the adventure began with a transformative moment. Dating back to 1887, Lazy K Bar Ranch now stands as a testament to the preservation of Montana’s wilderness. The acquisition of Lazy K Bar Ranch set the stage for a collaboration that extended beyond ranching, sparked by an encounter with E. & J. Gallo.

In a candid interview, David Leuschen dismisses any notion that he had always aspired to be in the bourbon business. Instead, he credits Britt and Cole’s vision as the inspiration for this venture: “We would love to do something that’s Western, that’s masculine, that’s high-end, and has the history of the West as part of it.”

Britt West, the Senior Vice President and General Manager of the Spirits Division for E. & J. Gallo played a pivotal role in shaping Lazy K Bar Bourbon. His vision of a whiskey that mirrors Montana’s duality – rugged and pristine – provided the foundation for a meticulously crafted bourbon. In an exclusive interview, West shares his thoughts on Lazy K Bar Bourbon, emphasizing, “The packaging, the weight, shape, and even the leather wrapping were chosen with historical considerations in mind, reflecting the practicality of whiskey bottles in the West.”

Enter actor Cole Hauser. Hauser’s deep family roots in Montana, particularly tied to the legacy of Samuel T. Hauser, added a personal connection to the project. Hauser conveys his heartfelt connection to his ancestral roots, highlighting its profound meaning in his life story. He interprets it as a gesture of respect to his familial lineage and the spirit of Montana, embodying the essence of his treasured heritage and its enduring significance.

Collaborating with Britt West, Hauser actively participated in refining the bourbon’s notes, culminating in what he proudly dubs “the most iconic bourbon ever made.” This exquisite bourbon, a blend of heritage, craftsmanship, and Hauser’s passion for whiskey, quickly garnered acclaim within Montana, with its first bottling selling out in a matter of months.

While currently exclusive to Montana, there are hints of potential expansion beyond state borders. Hauser envisions more than just a premium spirit; he sees an opportunity to engage with the Montana community, showcasing the bourbon’s charm and the allure of small-town Montana. “I would love to share Lazy K Bar Bourbon with more people. Montana is special, and if we can bring a piece of that to others, that would be incredible.”

As Lazy K Bar Bourbon finds its way onto more shelves and into the glasses of enthusiasts, it marks a new chapter in Montana’s storied history—one written with every sip of this exceptional bourbon. The untamed spirit of the West, embodied in Lazy K Bar Bourbon, invites individuals to savor not just the whiskey but also the rich history, passion, and beauty of Montana.

Lazy K Bar Bourbon is available statewide in Montana. To locate the retailer closest to you, please visit lazykbarwhiskey.com

THE WOLVES of HOWLERS INN

PHOTOS BY THOMAS BURNS

Sleek fur that catches the sunlight, keen eyes that reflect a world of intelligence, and fluid movements that showcase their natural grace and power—these animals are the living essence of the wild.

Just a stone’s throw from Bozeman, Howlers Inn and Wolf Sanctuary beckons those with a desire for adventure and a curiosity for nature’s most enigmatic creatures. It welcomes you to step into the enchanting world of wolves.

Situated on 42 acres in picturesque Bridger Canyon, it’s the perfect Montana experience. The Inn itself exudes warmth and charm. Featuring rustic decor and comfortable accommodations, guests are transported into the secretive lives of these magnificent creatures. Here, visitors revel in the timeless allure of the wolves, gaining a glimpse into their world. As the haunting melodies of howls echoes through the surrounding landscape, the true enchantment unfolds.

Led by knowledgeable hosts, guests embark on immersive experiences that deepen their understanding of wolves’ significance in the delicate balance of nature. The wolf sanctuary at Howlers Inn was set up to house captive-bred wolves that cannot be released into the wild. Wolves have joined the property from all over North America, and income from the Inn and donations from guests and friends support the sanctuary. After a stay at Howlers Inn, you will surely leave with cherished memories and a renewed reverence for the wild.

HEROES & HORSES

THE JOURNEY OF SELF-DISCOVERY & HEALING FOR VETERANS IN THE WILDERNESS OF MONTANA

In an exclusive opportunity, Editor-in-Chief, Tara Cummins, delves into the heart of Heroes & Horses as she explores the Double H Ranch and sits down with Micah Fink, the visionary force behind this extraordinary program, and Brandon Rogers, former Navy SEAL and graduate of the program.

photo by William Wendelman

From the mundane to the monumental, each decision we face serves as a brushstroke on the canvas of our lives. At the core of this intricate dance lies the question that has echoed through the ages: Who am I? It is a question as old as time itself at the heart of the human experience. In knowing ourselves, we unlock the power to shape our own destiny. For in the end, it is not our circumstances that define us, but rather the choices we make in the face of them.

Stripped of the familiar rhythms of military life, veterans find themselves adrift in a world that no longer makes sense. In this void, they may turn to temporary fixes that offer little solace for the deeper wounds they carry. The staggering statistic of 44 suicides a day among veterans serves as a grim reminder of the toll that war can take on the human spirit—a silent epidemic. Caught between the person they once were and the person they have become, many veterans struggle to answer the fundamental question of who they are—a question that lies at the heart of their journey toward healing.

Heroes & Horses is not just another charity—it’s a beacon of hope for veterans battling the invisible scars of war. At the helm of this journey is Micah Fink, a former Navy SEAL whose unwavering commitment to service has ignited a spark of hope in countless veterans. Fink emphasizes the power of individual agency, asserting, “People don’t realize that the world is shaped by choices. And action, which is the greatest superpower.”

“See, it’s the inside world creating the outside world,” he explains. “They essentially serve an identity in a form of what I call identity slavery, where there’s no original thought. You conform yourself to the institution and you just keep recreating the same experience in your life.”

photos by William Wendelman

Brandon Rogers, a former Navy SEAL and Heroes & Horses graduate, echoes Micah’s sentiments from the perspective of someone who has experienced the program firsthand. Reflecting on the psychological toll of military service, Brandon delves into the internal conflicts veterans grapple with. “When you deploy in some of these situations, in the wars that we’re fighting these days,” he explains, “the PTSD portion is not necessarily like a traumatizing event. It’s a bit of the idea that you’re asked to do something that often goes against your own moral fabric.”

At Heroes & Horses, veterans confront their internal struggles with radical honesty—a concept Fink holds dear. “We create that space here,” he says. “41 days, no cell phone, no hot showers, a cold plunge, sauna, breathwork, meditation, two Lakota sweat lodges, five to 600 miles on their horses.” The program is rigorous and demanding, mirroring the challenges veterans face in their transition to civilian life. Participants undergo weeks of intensive training, learning the art of horsemanship and wilderness survival under the guidance of experienced mentors.

Reflecting on his journey, Rogers shares, “It was challenging. It was different than other rehabs and programs. Coming here was different.”

Far removed from the hustle and bustle of everyday life, participants embark on a journey of self-discovery in the untamed backcountry of Montana and find solace in the quiet majesty of nature. But it’s not just the wilderness that serves as a catalyst for healing. Central to the Heroes and Horses experience are the horses themselves— majestic creatures with an uncanny ability to sense and respond to human emotions. For many veterans, these horses become more than just animals—they become trusted companions and steadfast allies on the road to recovery. They learn to communicate with their horses not through words, but through trust, patience, and mutual respect—a powerful metaphor for the relationships they seek to rebuild in their own lives.

For Fink, the symbolism is clear: the horse, with its keen intuition and unwavering presence, serves as a mirror to the human soul—a reflection of our deepest fears, hopes, and aspirations.

photo by William Wendelman

“It’s the inside world creating the outside world.” - Micah Fink

Fink’s vision for Heroes & Horses extends beyond the physical—it’s about empowering veterans to reclaim their sense of self. “My ultimate vision is to teach people to know thyself,” he declares. “Life is pretty easy if you’re guided by things like good thoughts, good deeds, good actions, and care for your environment.”

The impact of Heroes & Horses extends far beyond the confines of its Montana headquarters. Graduates of the program emerge stronger, more resilient, and better equipped to face the challenges that lie ahead. Many go on to become advocates for veterans, using their own stories of triumph over adversity to inspire others to seek help and support.

As Heroes & Horses continues to blaze a trail across the wilds of Montana, their message rings loud and clear: the power to change the world lies within each and every one of us. We have the power to shape our own destiny—to rewrite the narrative of our lives and to reclaim our sense of purpose and identity.

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Bozeman Life & Style Magazine is more than a publication; it’s a reflection of the dynamic individuals, businesses, and organizations that make The Treasure State a remarkable place to live, work, and explore. Our mission is to celebrate the essence of the Montana lifestyle, offering an unparalleled glimpse into the heart and soul of this extraordinary place. We deeply value our loyal readers and we appreciate their unwavering support in fostering a community of shared appreciation for Big Sky Country.

“My favorite state has not yet been invented. It will be called Montana, and it will be perfect.”

Abraham Lincoln