LIONS DAILY NEWS



10.00 TALENT BACK TO THE CREATIVE FUTURE – THE FIGHT FOR GREAT TALENT LINKEDIN/LUMIERE
10.30 DATA/TECH & INNOVATION THE NFT REVOLUTION AND WHAT IT MEANS FOR BRANDS VAYNERX/DEBUSSY
11.30 DE&I HARRIS REED –FLUIDITY IS THE FUTURE OF CREATIVITY EDELMAN/DEBUSSY
12.00 CREATIVE EFFECTIVENESS/ BUSINESSS TRANS. QUESTION EVERYTHING DISNEY ADVERTISING AND HYUNDAI/LUMIERE
12.30 DE&I/DATA/TECH & INNOVATION WHO DO YOU WANT TO BE IN THE METAVERSE R/GA/DEBUSSY
13.30 DATA/TECH & INNO. INSTACART CEO FIDJI SIMO IN DEEP CONVERSATION:WHY, HOW AND WHAT? INSTACART/DEBUSSY
14.00 BUSINESS TRANSFORMATION CREATIVITY AS A FORCE FOR GROWTH P&G/LUMIERE
14.30 SUSTAINABILITY BY 2030 EVERY AD WILL BE A GREEN AD ADVERTISING ASSOC & CANNES LIONS/DEBUSSY
15.00 DATA/TECH & INNOVATION REIMAGINING SEARCH –ANY WAY, ANYWHERE GOOGLE/LUMIERE
15.30 DE&I
HISPANIC STARS – THE TALENT AND MARKET OPPORTUNITY WE ARE ALL HUMAN AND INTERPUBLIC GROUP/DEBUSSY
16.15 DE&I/CALL TO ACTION IT’S NOT THE TIME TO PAT OURSELVES ON THE BACK UNSTEREOTYPE ALLIANCE/ DEBUSSY
THE WINNER of the 2022 Outdoor Grand Prix is ‘Liquid Billboard’, an adidas campaign created by Havas Middle East, Dubai. Explaining why the adidas campaign beat off Gold Lions-winning work from the likes of Pepsi, Netflix and Burger King, jury president Eugene Cheong, chief creative officer of DDB Asia, described it as “the kind of spectacle that stops traffic”. ‘Liquid Billboard’ was built around the insight that vast numbers of women in the Middle East feel uncomfortable swimming in public (88% in the region compared to 32% worldwide). The campaign involved build -
ing a huge 3D billboard in which women could swim. Women of any shape, ethnicity or ability were invited to swim in the billboard, in the
A LEBANESE newspaper that decided not to publish its hotly anticipated elections edition is the winner of the 2002 Print & Publishing Grand Prix.
Jury president Natalie Lam, chief creative officer of Publicis Groupe APAC & MEA, said Impact BBDO Dubai’s disruptive work on behalf of An-Nahar Newspaper “cut through the clutter and sent a strong message to its market”. The decision to cut a key edition was taken against a backdrop of political volatility, with the incumbent Lebanese government seeking to
process becoming ambassadors for the brand’s new inclusive swimwear collection. Amplified across a range of digital and outdoor activations, the ‘Liquid Billboard’ campaign sparked a global conversation in 60 countries and generated $6m in earned media. Cheong said: “For me, this campaign said ‘adidas, welcome back to the game’. For too long, they sat on the sidelines while Nike ran rings around them.” All told, the jury awarded 12 Gold Lions to 10 different campaigns. The US dominated, but there were wins for Brazil, Argentina, Poland/ Netherlands and Singapore/ Malaysia. Asked
delay elections. One reason cited by politicians was a lack of paper and ink — so the AnNahar Newspaper dropped an edition and sent its supplies to the government printer. This helped ensure the elections kept to schedule. “We wanted to support a big idea that would make print exciting for the next generation of creatives coming through,” Lam said. “‘The Elections Edition’ was bold, fresh and simple.” Lam was initially worried about print’s ability to stand out as a medium in a fragmented and
ONE OF the things about the Cannes Lions Festival over the years is that, although creativity remains at its heart, how that creativity shows up is constantly changing. For decades from our launch in 1954 it was a Film Advertising Festival, only adding a Print category in 1992, much to the horror of the delegates that year. But tomorrow night in the Lumiere Theatre we will be presenting the winners from Lions that show just how far creativity has reached into every aspect of modern communications. The Creative Strategy Lions, Creative Commerce Lions, Innovation Lions and Creative Business Transformation Lions will all show just what creativity can do for any organisation, and how critical it is for growth. But the biggest story of this week is surely the dramatic growth in entries to our Creative Effectiveness Lions. This year saw an 83% increase, many them entered by brands themselves, which must be the ultimate proof that the tiresome arguments between effectiveness and creativity might finally be over. Given the choice between the creativity and effectiveness, the smart marketer will have both. I hope you will find the time to go to at least one award show: they really are what this week is all about.
THE WINNER of the 2022 Health & Wellness Grand Prix is ‘The Killer Pack’ from Indian agency VML Y&R. The product, made by Maxx Flash, is a small, biodegradable packet that kills mosquitoes outdoors by destroying their eggs. Simply by leaving the pack in the trash bins, rubbish
‘The Killer Pack’ is brilliant on so many levels’
“’The Killer Pack’ is brilliant on so many levels. It uses existing pesticides, it doesn’t harm other species and it’s extendable to other regions of the world plagued by mosquitoes. All the jury felt very strongly about the product and the campaign’s potential to save lives.”
dumps, puddles and garden ponds where the insects breed, it has already made a significant difference to
insect-borne malaria cases across India. Announcing the award, Health & Wellness jury president Patri-
cia Corsi, Bayer Consumer Health’s chief marketing and digital officer, and chief information officer said:
Corsi also reported that there had been significant growth in the number of submissions to the Health & Wellness category. “We were very happy to see so many entries,” she added. “But perhaps the most significant thing is that all five continents were represented among the entries. We awarded Health & Wellness Gold Lions to Asian, South American, North American and European agencies.”
VML Y&R won its second Grand Prix yesterday for ‘I Will Always Be Me’, which took the top honour in the Pharma category. The cam-
paign by VML Y&R New York for Dell Technologies aims to give people with motor neuron disease (MND) the words to express
what they are experiencing and preserve their voices.
Announcing the award, Pharma jury president Brett O’Connor, executive
The thing is that it buys precious time for seriously ill people
O’CONNOR
creative director of VCCP Health, said: “It’s a brilliant project that leverages AI alongside a book of common phrases to massively reduce the amount of time and effort that people with MND have to spend in order to make a ‘bank’ of their voice for when they lose the ability to speak.” MND is a terminal illness that ul-
timately destroys people’s ability to speak. Banking a person’s voice helps them to communicate in the later stages of the disease, but it typically takes three months and requires 1,600 phrases to be banked in order to accurately replicate a voice.
VML Y&R worked with author Jill Twiss to create a short story that people with MND can read to their loved ones. As they read, the system seamlessly banks their voice. All the syllables needed to create a copy of their voice are contained in the book.
“This is such a touching story that really hits you in the feels,” O’Connor added.
“For me and all the jury, the important thing is that it buys precious time for seriously ill people by condensing what used to take three months into 30 minutes.”
SUEANN Tannis, senior director, Integrated Communications at the United Nations Foundation, and president of the Lions Health Grand Prix for Good announced at a press conference yesterday that Lil Sugar – Master of Disguise by Hip Hop Public Health, had won the Grand Prix. The campaign, which uses rap to get its message across to both vulnerable kids and adults, is about fighting the fact that sugar has 150 different names, an obvious ploy by the industrial food industry to hide how much sugar it is putting in processed foods, despite its health risks. “Alongside the many praiseworthy aspects of this hugely important campaign, I’d like to say a word about the genuine inclusivity and diversity of my fellow jurors and thank them for giving me a great judging experience,” Tannis said. “We were judging entries based on equality, justice, inclusiveness and use of technology, among other criteria, and we all agreed that Lil Sugar is a phenomenal piece of work that challenges our assumptions about what’s in our food, and using rap and rappers from the early days of the genre to get kids and adults on board was a master stroke. Lil Sugar has already been seen by three million students across 5,000 schools in the New York area, and it’s eminently scaleable, plus it can adopt any kind of music to reach out to different demographics.”
THE WINNER of the 2022 Radio & Audio Grand Prix is ‘The Unfiltered History Tour’, a thought-provoking campaign for Vice Media by Dentsu Creative Bengaluru/Mumbai/ Gurgaon.
Jury president Mariana O’Kelly, global executive creative director at Ogilvy, said the campaign was “brave, disruptive and articulated the best value in the world, which is the truth”.
‘The Unfiltered History Tour’ centres on 10 iconic artefacts currently located in the British Museum that have been plundered from their homelands. It takes the form of a podcast series and interactive mo -
bile experience in which the true stories of how these objects ended up in the British Museum are told. The objects featured include the Benin Bronzes and the Rosetta Stone. To use the Tour, visitors to
the British Museum point their phones at the objects in question and unlock the multimedia content via an augmented-reality feature. The stories are brought to life by experts with a connection to the homeland of the disputed objects.
O’Kelly said the Radio & Audio category had demonstrated high levels of innovation in 2022, with entries drawn from gaming, NFTs, podcasts and WhatsApp as well as radio. “We wanted to celebrate the widest possible selection of work to make sure we open this category up,” she added. “Our list of winners reflects this diversity of approach.”
‘TRAFFIC-STOPPING’ BILLBOARD TAKES OUTDOOR FOR HAVAS
to comment on sector trends, Cheong said: “The jury discussed the fact that a lot of brands want to be seen to be doing good. But consumers can spot bullshit from 100 paces. So it’s important not to do good just for the sake of appearances or to jump on a bandwagon.” fast-moving landscape, “where all the talk is of NFTs and the metaverse”. She added: “But there was a lot of inspiring, powerful and beautiful work on show.” The Print & Publishing jury awarded six Gold Lions to four distinct campaigns. As in Outdoor, ‘Better With Pepsi – McDonald’s’, from OMD New York, picked up three.
CHESS icon turned political activist Garry Kasparov used his Cannes Lions platform to call for unwavering support for Ukraine in its war with Vladimir Putin’s invading Russian army. Denouncing the Russian president as “evil”, he called on delegates to play their part in defending freedom.
“What is at stake is not just Ukraine, but the existence of the kind of world we live in.”
Russia-born Kasparov has been a vocal opponent of Putin for the last 20 years. “How did I know he was a problem? Because I listened to what he said. The way he talked about spheres of influence and the Soviet Collapse persuaded me that democracy was in danger. The thing about dictators is that they lie about what they have done, but they often tell us exactly what they plan to do.”
Kasparov retired from chess in 2005 and turned his attention to pro-democracy activism.
“Friends told me it was a mistake because chess is black and white but politics is grey. But to me what is happening in Ukraine is black and white.”
In terms of what Cannes Lions delegates can do to support the Ukraine effort, Kasparov said the key is to maintain pressure on politicians to see the war through to the end. “Putin has moved to a hybrid strategy which combines military with diplomacy. As the war drags on and there are stories about the energy crisis or disruption to food supplies, it is important not to be dismayed. We need to deliver a message of hope, resilience and defiance to
the public, so that they continue to put pressure on their politicians to act.”
During his talk, Kasparov shared a film featuring Ukraine’s minister of foreign affairs
Dmytro Kuleba in which he urged Cannes Lions delegates to support the Ukraine brand, which stands for “bravery, courage and the future”. Echoing Kasparov, he said: “Russian propaganda is strong, but your creativity is stronger.”
Kasparov was introduced to a packed Lumiere audience by Richard Edelman in a session entitled Garry Kasparov On The Imperative For Brands To Act Now, hosted by Edelman Data & Intelligence yesterday.
Edelman’s data on brand trust and his call for a multi-pronged ‘Regain Ukraine’ initiative — in partnership with Ukraine’s government — will be covered in a later issue of the Lions Daily News.
‘Chess
GARRY KASPAROV
DENTSU International, the global arm of Japanese holding company Dentsu Group, came to Cannes Lions with all creative guns blazing as it launched what it says is an integrated creative network of what the future should look like.
Called Dentsu Creative, this new subsidiary will effectively merge Dentsu’s different creative units, including dentsuMB, 360i and Isobar, to produce a unified single creative division.
This new enlarged unit will inject clients’ creativity needs into all parts of the marketing-and-advertising chain, including media, technology, data analytics,
customer experience management (CMX) and entertainment. “This is a world
first,” said Wendy Clark, Dentsu’s global CEO, on a panel called Designing A Global Creative Network For 2022 And Beyond. Clark, who hit the headlines in 2020 when she left her job as president/ CEO at DDB Worldwide for her current position, was joined on the Cannes Lions stage by Fred Levron, Dentsu’s global chief creative officer, whom she had poached from FCB. Clark reminded the audience that Dentsu’s Japanese owners went on a massive spending spree in the 2010s, including the $4.9bn spent on the media giant Aegis Group. Dentsu recently conducted
a survey with 500 CMOs, 75% of whom said the siloed way creative agencies were currently set up was not fit for purpose. In response, Clark said, Dentsu wanted to make a difference. “We want to be the most integrated creative network in the world.”
Levron explained the vision behind Dentsu Creative: “We asked ourselves, ‘If you had to create a brand new creative network in 2022, what would it look like, having in mind how the world works today and for years to come?’ I want creativity to be the biggest asset that we have.” Levron became responsible for turning that ambition into a reality. “The way we see creative is different compared to everywhere else.” What would distinguish Dentsu from rival holding companies like the UK’s WPP, Omnicom and IPG in the US and France’s Groupe Publicis, he continued, would be its Japanese heritage. “And the fact that we understand the media landscape more than anyone else,” he added. Additionally, he and Clark said that brands should be able to rely on entertainment, as well as advertising, for their marketing messages.
“We want to be the leader for brands who want a voice in pop culture,” Levron said. “It is time for brands to create IP, to move from TV ads to TV shows. We will be known for creating content.”
Whatever the season, there’s a reason. New Zealand. flyingfish.nz
‘There’s no time left. We all
OLEG Tomin, creative director/director of advertising agency Bart&Fink, recently had the word “give” etched on his skin. It was his first-ever tattoo.
For the Ukrainian creative, the word is also a call to action for the global creative community to give whatever it can to help war-torn Ukraine retaliate against the Russian invasion that stunned the world in February.
Tomin was speaking during yesterday’s Creativity Under Bombs panel session, where he was joined by other Ukrainian creatives from the worlds of music, marketing and media, as well as by Ukraine’s president, Volodymyr Zelenskyy, who sent an exclusive video message. Zelenskyy said he could not think of a better place from which to send that message than the Cannes Lions International Festival of Creativity, where the global creative community normally gathers to exchange ideas on how brands can better reach consumers. Ukraine’s fight for global democracy re -
quires creatives to urge the world to give their time, he said. “The end of this war depends on the world’s attention,” he added.
Zelenskyy’s appeal to the international creative com-
munity to use their skills to help Ukraine fight for its freedom resonated with Tomin, whose family’s life has been destroyed by Russian bombs. And having been deeply moved by his
MeToo still here for you… and you
MORE than 10 years before ‘MeToo’ became a viral hashtag, Tarana Burke was using the term to reach women of colour who had survived sexual violence. While she recognised the powerful empathy of the phrase, she had no idea that it would later be claimed by women all over the world and, ultimately, become a catalyst for global change.
Yesterday’s panel, 5 Years Later – MeToo In 2022, saw Burke, founder and chief vision officer for the MeToo movement discuss with Susan Credle, FCB’s global chair and global chief creative officer, how the movement has evolved
— and where it is headed. “I founded the MeToo movement in Alabama in the early 2000s,” Burke said. “It was a grass roots, community-driven movement that was about healing in action for those that had suffered sexual violence. It grew incrementally over the years.”
The hashtag took off in 2017, when Alyssa Milano tweeted it following a conversation with someone who knew of Burke’s work. But Burke wasn’t fazed by the new and evolving ownership of her idea: “I could have spent a long time fighting for credit, but that makes it all about me. You can call
neighbours sharing what little they had with his family, he said it was that “brilliant act of giving” that prompted him to acquire his first-ever tattoo.
Despite having no media budget, co-panelist Pasha Vrzheshch, co-owner and creative director of Kyivbased Cannes Lions winner Banda Agency, said his company recently asked the international media community to give free space for the ‘Be Brave Like Ukraine’ campaign it created for Zelenskyy’s government. The campaign is already yielding results, having appeared on a variety of major platforms, including New York City’s Times Square. Vrzheshch urged Lions’ delegates to help maintain that momentum.
Another panel speaker was singer-songwriter Jamala — real name Susana Jamaladinova — who won the Eurovision Song Contest for Ukraine in 2016. She appealed to artists to give their voice in protest. “I ask artists not to be silent,” she said.
it MeToo, you can call it ‘survivor justice’… I am here to do this work.”
She added: “Eventually, I got thrust on to the international stage. Although there was a lot of celebrity focus, there were still a lot of questions from normal people, asking: ‘What do I do now we are talking about this?’ My message was: ‘I see you, survivors’ — and to try to keep the focus on the people.”
Closing, Burke pushed back against attempts to catalogue the movement’s overall effectiveness: “Please resist the urge to launch campaigns that ask what MeToo has done in the last five years. I want you to tell a different story — what MeToo has made possible.”
The Blueprint for Creativity in Health
WEDNESDAY 22 JUNE 12:00, THE FORUM
How to engage with the most diverse audience in the world?
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Cannes
‘The consumer will shape future of advertising, not the industry’
WITH ad budgets shifting to new mediums to align with new ways of reaching targeted consumers, many advertisers are struggling to embrace novel ad practices and formats effectively, delegates heard at a panel hosted by Infillion on Tuesday. However, new solutions are emerging, underpinned by smart use of data and more effective partnerships. The in-depth debate featured Jessica Hogue, general manager measurement and industries, Innovid; Kate Brady, global head of media innovation and partnership development at PepsiCo; Allison Clarke, head of client development at Vizio Ads; and Alex Chatfield, vicepresident, marketplace development at Xandr. Moderator was Lauri Baker, senior vice-president, Partnerships, Infillion. Infillion is the new name for ad tech firm Gimbal following its acquisition of true[X], which aligns with its
mission to solve fragmented market challenges. Baker kicked off with the provocation that “the consumer will shape the future of advertising, not the industry”. Vizio’s Clarke responded:
“Everything that we do is consumer first. We own the hardware and the data that runs through it. We remain very careful about how we
work with partners on our home screen.”
“We are uber-focused on engagement as something we are trying to explore and innovate around,” PepsiCo’s Brady said. “The media landscape is so fragmented, people are skipping through content, so we are looking for new ways to find consumers and engage with them.”
The audience heard that brands can no longer repurpose creative from one medium to another, the clearest example being traditional TV versus CTV. The panel agreed that the streaming revolution requires a dynamic response.
“Our omni-channel marketing platform was invented to transform the TV experience,” Innovid’s Hogue said.
THE HAVAS Café has become a veritable institution at Cannes Lions, but this well-loved resource isn’t afraid of change. “This year, we’re leading with a sustainable message,” chief communications and CSR officer at Havas Group, Lorella Gessa, said. “The Café for 2022 is our greenest yet. The structure is built from sustainable materials that we plan to recycle in future years, reflecting our Havas Positive Impact programme. The message also continues in the content we are promoting — we have panels on everything from greenwashing to diversity.”
Hosting Lions delegates
and the broader Havas and Vivendi family since 2006, the meeting, networking and entertainment space has evolved from a tiny terrace welcoming Havas
The Café for 2022 is our
people into an industry influencer in its own right. Nobel prize winner, geographer, ecologist and global ecosystems expert Wolfgang Cramer will speak at the Café at 17.00
“She explained how Innovid, which inserts interactive objects into video across a wide range of channels, was transforming access to consumer insights in myriad ways.
“There has been a tension about creating multiple versions of creative — and a tendency to cut up and repackage the original ad. That comes from a reluctance to have more production costs too. The tech is moving to respond to that.” Chatfield of Xandr, the advertising and analytics subsidiary of Microsoft, said that increasingly sophisticated consumers were a positive thing. “One benefit of the pandemic has been consumers getting used to using QR codes, and are now able to engage with creative in that way. The even more interesting engagement type that is coming is voice. You can already talk to your TV, but to be able to engage with TV and talk to a creative is really interesting. It will create really interesting data.” Baker concluded: “The future is about engagement, not impressions.”
today about environmental risk; while Italian artist Dario Tironi is in residence all week, creating four sculptures of heads from waste collected along the Croisette for Havas’ ‘Face Our Waste’ campaign. “We are also fundraising for local NGO NaturDive which protects marine ecology. We’ll be offsetting carbon generated by our travel to Cannes by contributing to another NGO, Pure Project, which focuses on reforestation,” Gessa added. “It’s my last year managing the Havas Café and I’m going to miss it — but I’m taking on the challenge of becoming chief communications officer for our parent company Vivendi — which will be an exciting new adventure.”
From gaming and the metaverse to AI and data, the technological revolution is happening now and has left the creative industry asking: ‘How can creativity be used to integrate technology into purpose-driven ideas with impactful results?’
By Angel Guerrero, founder, president and editor in chief of Adobo Magazine
— be it in data, technology, strategy, media, etc. — will be the centre of gravity,” David Droga once said regarding the shift of Accenture Interactive into Accenture Song.
“This new destination is about further connecting and leveraging our collective powers to bring to life the unlimited potential of creativity, tech and data.”
The potential that the collaboration of technology and creativity holds is endless. And the advertising industry is not only paying attention; it’s using it to develop and apply ideas that will create positive change. Here are some campaigns from
Asian agencies that show just how powerful technological innovations driven by creative ideas can be.
‘THE COST OF BULLYING’ FOR SAMSUNG BY CHEIL HONG KONG
With the rise of gaming in China also came the rise of cyberbullying. So, Samsung wanted to make these bullies pay for their actions — literally. To address this serious issue, Cheil Hong Kong and Samsung worked with one of the country’s biggest game developers on their idea to tackle the issue: hack Magic Quest. With ‘The Cost of Bullying’ campaign, in-game prices soared every time any bullying was detected. The result? Over a million users guilty of bullying had to pay up
and reports of in-game bullying dropped by 40% over the twoweek hijack of this year’s biggest game, effectively making a real change in the toxic patterns that could be found in gaming culture.
‘THE NOMINATE ME SELFIE’ FOR POLITICAL SHAKTI AND THE TIMES OF INDIA BY FCB INDIA
To address the severe underrepresentation of women in state parliaments, even though women make up half of the grassroots political workers in India, Political Shakti — a pressure group campaigning for more women in politics — and The Times of India partnered with FCB India to take to social media for their message to be heard.
Working with 140 NGOs with a reach of 45,000 villages, Shakti and The Times of India asked female party leaders everywhere to send their Nominate-me-selfies — complete with their list of achievements and qualifications — to local party leaders via WhatsApp. And before they knew it, their use of the social media age’s ubiquity has turned the campaign into a movement as the initiative shone a bigger light on the situation, not only amplifying the conversation but also resulting in an all-time-high of elected women legislatives rising by 25%.
‘THE
DENTSU WEBCHUTNEY GURGOAN, INDIA
The most famous narratives in history are the ones written through a colonial lens — and that’s especially true in the case of The British Museum, the home to over eight million stolen artifacts from around the world and biggest receiver of potentially looted objects. So, to combat the imperial perspectives that form history as the world knows it, Vice World News and Dentsu Webchutney came up with The Unfiltered History Tour. Through Augmented Reality in Instagram Filters, visitors of the museum were able to learn about the artifacts directly from experts from the piece’s country of origin just by scanning disputed museum
artifacts. The feature is not only an immersive audio-visual experience that visitors can enjoy, but it effectively reclaims the history of cultures that the museum has stolen from and started a worldwide conversation on post-colonialism and to whom history really belongs.
The Cost of Bullying
that’s the halfway point between their two locations. With this feature, compromising and figuring out the best way to cut traffic time down when you’re making plans with your loved ones has never been easier. Technology, after all, is best when it’s used to make and nurture connections.
‘CAMOUFLAGE
‘SAKAY HALFWAY’ FOR SAKAY. PH BY MULLENLOWE
What’s the biggest challenge of dating in Metro Manila? Anyone who’s ever dated someone far away from them in the city knows the answer: it’s the traffic. So, to address the logistical nightmares that Manila traffic imposes on relationships, Sakay.ph and MullenLowe Treyna came up with Sakay Halfway. Sakay Halfway uses GPS tracking and real-time traffic reports to give couples — or whoever wants to meet up — a pinned destination
“This current work from the Asia region quite clearly uses technology with a purpose, and creativity with a heart”
With the rise of technology came the rise of AI-powered surveillance cameras. While this was done with the intention to combat crime, it also poses the many threats that come with compromising people’s privacy and basing identity solely on appearance. So, Unlabeled partnered with NexusVII to create the perfect collection for addressing this problem: ‘Camouflage Against the Machines’. The clothing line consists of items with camouflage that was specifically designed to deceive AI. Using a technological technique called Adversarial Examples which makes AI misclassify objects, the team behind the collection has successfully created designs that confuse AI and make the people wearing them indistinguishable. The campaign’s innovative approach to helping people survive a surveillance society is a perfect example of how creativity-driven ideas can take technological advancements and make them work for the people instead of against them. Running through these recent examples of work from Asian agencies, we can see that purposedriven results are the objective — with creative use of technology the enabler. Creativity is very much the “centre of gravity” here. What’s most striking is that the kind of technology being used is not the most expensive or cuttingedge, but it is the most appropriate. ‘Nominate Me Selfie’ is perhaps the most simple of all — using no-frills smartphones and WhatsApp — to generate change. ‘Unfiltered History’ uses Instagram Filters and AR. Even more technical applications such as ‘The Cost of Bullying’ is only as complex as it needs to be. There are no frills in any of the work. This current work from the Asia region quite clearly uses technology with a purpose, and creativity with a heart.
Join Issa Rae in conversation with:
The Mirror Only Has One Face
Debussy Theatre, Palais I Wednesday, June 22nd 10:30am – 11am
→ Take the Advertising Fairness Pledge and share
The
climate
emergency, COVID-19
and the need for diversity and inclusion are together reshaping business for agencies in the US By Liz Unamo, editor, Hispanic & Media Advertising
AFTER two years of the pandemic, which has transformed the ad industry in general — with changes in creativity driven by the demand for authenticity, honesty and more best practices on the part of brands and agencies addressing the public. The search is on for intangibles in a world that demands accountability in the practices of the industry in general. Understanding that the ad industry must not abandon the sustainable practices learned during the days of the quarantine, controlling CO2e (carbon dioxide equivalent, a global warming element) should be one more entry in the budget of each campaign. Flor Leibaschoff, co-founder/chief creative
officer and Aldo Quevedo, CEO/ creative chairman of BeautifulBeast, said the data show 80% of consumers are more concerned about brands in terms of their being viable in their practices. According to them: “We don’t believe that practice is going anywhere. It’s here to stay if we want to evolve as human beings. At the same time, it needs to feel natural to the brand and message, instead of a forced add-on.” Though quarantining to stop the spread of COVID has only diminished emissions by some 5-to-7%, the pandemic challenge goes far beyond what any advertising campaigns can deal with, according to Gustavo Lauria, co-founder & CCO and Marco Vega, co-founder & president of We Believers: “Now, it is an opportunity to partner and provide creative lateral thinking to
Podcasts, music, streaming video, gaming, books, advertising—these industries and more are undergoing a profound transformation as we emerge from the pandemic.
Consumers are more empowered than ever, and markets are evolving quickly.
The 23rd Annual Global Entertainment & Media Outlook delivers key insights, offering five-year forecasts on 14 industry segments across 52 territories, all in a single digital resource.
The Global Entertainment & Media Outlook 2022–2026.
pwc.com/outlook
our clients to question how we make things, how we plug into things, grow things, get around, and keep warm and cold. That is the brief. But we can’t be naive and expect the brief to come from the marketing department. It needs to stream down from boards and investors influential on most Fortune 500 boards, so that companies and brands can then move forward to pursue and press for adherence to ESG (environmental, social and governance) goals.”
Relations between brands and consumers have changed. This is not just about providing goods and services with unique selling points that make them more competitive. For Ingrid Otero-Smart, president & CEO and Elias Weinstock, vice-president, chief creative officer of Casanova // McCann, diversity and inclusion must be integral parts of every aspect of a marketing strategy, from contracting the brand’s personnel, to choosing the agency, to creating the content with which a brand targets its market. “Specifically for content, at the centre should be the idea, that’s it. How we convey the idea should take into account DE&I to better reflect our population and so be more effective. The moment we internalise DE&I, it will become a natural part of our process. And it is also key to remember that supporting one segment does not mean excluding others; so it really should be an AND approach, not an OR one.”
Brands will not be successful in the current culture unless DE&I is at the core of their strategy. Many innovative brands take advantage of this focus because they see and understand the power and influence of a group.
“Re-tailoring or totally reinventing a brand’s content based on this creates and fosters inclusiveness and leverages important cultural nuances, while also resonating with more consumer segments on a deeper level. Agencies also must go beyond tailoring their work by equally investing in promoting it through online and social media, as well as more traditional channels. In turn, more consumers will notice these nuances and it will set the stage for a deeper, more meaningful relationship with the brand in the long term, while meeting the DE&I expectations many consumers expect to see today,” founder-chairman at alma/ McDonald’s global chief creative officer DDB, Luis Miguel Messianu says.
Data lead the way, especially in the future of designing experiences. According to Tanya De Poli, and Checha Agost Carreño, joint founders and CCOs of Founders, data are merchandise and the only value they have is when they can be turned into something emotional, into an idea that deeply touches the consumer. “All our strategies are based on data, which lead us to insights that we in turn transform into disruptive creativity. Which we then amplify and make sure the right target sees it at the correct touchpoint of their journey with the brand. We are using technology to build customised experiences both in our world and in the metaverse.” Data help track and identify consumers’ behaviour and trends with greater precision. “This way we can better understand the true identities of our target and establish a deeper connection. It’s interesting how technology and data are actually helping us establish deeper, more human and meaningful connections with our consumers,” chief creative officer at Conill, Gustavo Sarkis, says.
In businesses as competitive as advertising or movies, the search for talent is quite a challenge. One way to keep these creatives is to give them the chance to be successful. “The motivation for a creative is to be able to make the ideas they think up come true and every day I work harder on that. Because that includes me too. Talents look for places where they can develop and I try to create those spaces where talents are not only welcomed but their talent is also used. Far from the factory, closer to art,” CCO of República Havas, Tony Waissmann, says. Meanwhile attraction and retention are basic for talent. “We need to open our horizons and look for talent in different industries. Diversity plays a very important role in talent acquisition and retention. In order to maintain motivation, we focus on creating a strong culture within our agencies and upskill employees by training them in different areas to bolster not only their professional skills, but their personal ones” general manager of Ogilvy Miami, Arlene Armenteros, says.
The pandemic has had a powerful effect on every aspect of our lives, including the way products and services connect with the public. The most obvious
example of this is the e-commerce boom that came with the quarantine, the prominence of entertainment on demand and of streaming, the new role of digital platforms, the debut of influencers, the development of more innovative virtual experiences — and finally, the defiant metaverse as a new way of connecting. However, these are not the only ways that businesses are evolving. “Nowadays users and consumers need to feel a connection with brands with a no-b-s approach. They need to feel honesty, so evolution not only comes from a technological standpoint but also from a social one,” head of digital integration at Archer Troy, Guillermo Bernal, says. “The challenge facing brands will be to understand and dig into the in-depth change people are undergoing and to be part of this new hybrid lifestyle in an integrated way,” executive creative director at Hoy Buenos Aires/ Havas, Maria Lujan Donaire, adds.
Ways exist for testing creativity, ways to measure its effectiveness — and currently the search is on for ways to make advertising both creative and effective. Nonetheless, the ever-changing cultural landscape reveals how the ad industry has come out fighting with such key elements as third-party cookies, return on investment, changes in agency infrastructure, and once again shows the motor of effectiveness to be none other than creativity.
For Diego Wallach, chief creative officer of Publicis WW Mexico:
“Personalisation is an opportunity we can take advantage of. But the key to achieving the best results is still the power of the big idea. The big risk with innovation is confusing it with ideas. Sometimes they come together. But new technologies can’t get results by themselves without an idea.”
Meanwhile Jessica Apellaniz, chief creative officer of Ogilvy LatAm, citing David Ogilvy’s timeless phrase “We sell or else,” focused the power of creativity on those big ideas that get the best results. “A great campaign has high levels of personalisation, while not neglecting to try to connect with as many people as possible. It depends on where you are in the funnel, which personalisation strategy can be followed to generate impact.”
There are new, more adaptable and responsible consumers, and advertising should focus on practices designed for their benefit.
Cheil Connec+ in partnership with Contagious invites you to meet…
Why is it some brands don’t just outperform their competitors, they outperform their entire category? This week we unveil our exclusive research on this new breed of company, and the new marketing playbook required to not just succeed, but to outperform.
TUESDAY 21 JUNE / 12:00 - 14:00 THE CONTAGIOUS VILLA / CANNES
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The Outperformers report
F05/001 • UNITED ARAB EMIRATES
CULTURAL INSIGHT
TITLE • LIQUID BILLBOARD
BRAND • ADIDAS
PRODUCT • SWIMWEAR
ENTERED BY • HAVAS MIDDLE EAST, DUBAI
IDEA CREATION
• HAVAS MIDDLE EAST, DUBAI
PRODUCTION • JACK MORTON WORLDWIDE, DUBAI
PR • RED HAVAS MIDDLE EAST, DUBAI
A01/036 • USA
FOOD & DRINK CAMPAIGN
TITLE • BETTER WITH PEPSI - MCDONALD’S
BRAND • PEPSI
PRODUCT • PEPSI
ENTERED BY • PEPSICO, PURCHASE
IDEA CREATION
• ALMA DDB, MIAMI
PRODUCTION • CARBOFILMS, WEST HOLLYWOOD
MEDIA • OMD, NEW YORK
PR • ACCELERATION COMMUNITY OF COMPANIES, NEW YORK
A01/037 • USA
FOOD & DRINK CAMPAIGN
TITLE • BETTER WITH PEPSI - BURGER KING
BRAND • PEPSI
PRODUCT • PEPSI
ENTERED BY • PEPSICO, PURCHASE
IDEA CREATION
• ALMA DDB, MIAMI
PRODUCTION • CARBOFILMS, WEST HOLLYWOOD
MEDIA • OMD, NEW YORK
PR • ACCELERATION COMMUNITY OF COMPANIES, NEW YORK
A01/038 • USA
FOOD & DRINK CAMPAIGN
TITLE • BETTER WITH PEPSI - WENDY’S
BRAND • PEPSI
PRODUCT • PEPSI
ENTERED BY • PEPSICO, PURCHASE
IDEA CREATION • ALMA DDB, MIAMI
PRODUCTION • CARBOFILMS, WEST HOLLYWOOD
MEDIA • OMD, NEW YORK
PR • ACCELERATION COMMUNITY OF COMPANIES, NEW YORK
A07/012 • POLAND
MEDIA/ENTERTAINMENT
TITLE • THE ART OF STEALING
BRAND • NETFLIX
PRODUCT • LUPIN
ENTERED BY • GONG, GLIWICE
IDEA CREATION • GONG, GLIWICE/NETFLIX, AMSTERDAM
PRODUCTION • GONG, GLIWICE
MEDIA • WAVEMAKER, WARSAW
PR • MSL, WARSAW
POST PRODUCTION • GONG, GLIWICE
D02/030 • SPAIN
PROMOTIONAL ITEMS & PRINTED MEDIA
TITLE • SCRATCHBOARDS
BRAND • ACTIVISION
PRODUCT • GAMES
ENTERED BY • DAVID, MADRID
IDEA CREATION • DAVID, MADRID
PRODUCTION • THE BAIT SHOPPE, NEW YORK/900 FILMS, SAN DIEGO/THE PRODUCER, MADRID
D04/004 • UNITED ARAB EMIRATES
SPECIAL BUILD
TITLE • LIQUID BILLBOARD
BRAND • ADIDAS
PRODUCT • SWIMWEAR
ENTERED BY • HAVAS MIDDLE EAST, DUBAI
IDEA CREATION • HAVAS MIDDLE EAST, DUBAI
PRODUCTION • JACK MORTON WORLDWIDE, DUBAI
PR • RED HAVAS MIDDLE EAST, DUBAI
D04/079 • BRAZIL
SPECIAL BUILD
TITLE • THE REFUGEE JATOBA
BRAND • INSTITUTIONAL
PRODUCT • ARTICULATION OF INDIGENOUS PEOPLES OF BRAZIL (APIB)
ENTERED BY • AFRICA DDB, SÃO PAULO
IDEA CREATION • AFRICA DDB, SÃO PAULO
PRODUCTION • HUNGRY MAN, SÃO PAULO/DAHOUSE AUDIO, SÃO PAULO/BIZSYS TECNOLOGIA E PROJETOS ESPECIAIS, SÃO PAULO/ PINDORAMA FILMES, RIO DE JANEIRO
D05/064 • ARGENTINA
LIVE ADVERTISING AND EVENTS
TITLE • THE ART OF SELF EXAMINTION
BRAND • MACMA
PRODUCT • BREAST CANCER PREVENTION
ENTERED BY • DAVID, BUENOS AIRES
IDEA CREATION • DAVID, BUENOS AIRES
PRODUCTION • POSTER FILMS, BUENOS AIRES
F03/022 • USA
SINGLE-MARKET CAMPAIGN
TITLE • NONARTIFICIAL MÉXICO
BRAND • BURGER KING
PRODUCT • BURGER KING MÉXICO
ENTERED BY • WE BELIEVERS, BROOKLYN
IDEA CREATION • WE BELIEVERS, BROOKLYN
PRODUCTION • RELEVANT, MÉXICO D.F.
MEDIA • E-TRAC, EDO DE MÉXICO
POST PRODUCTION • PICKLE MUSIC, NEW YORK/PENTIMENTO, BUENOS AIRES/DAOCHO, BUENOS AIRES, ARGENTINA
F06/006 • USA
BREAKTHROUGH ON A BUDGET
TITLE • WILMORE FUNERAL HOME
BRAND • STARMED HEALTHCARE
PRODUCT • STARMED HEALTHCARE
ENTERED BY • STARMED HEALTHCARE, CHARLOTTE
IDEA CREATION • BOONEOAKLEY, CHARLOTTE
F07/012 • SINGAPORE
CORPORATE PURPOSE & CSR
TITLE • FLAGS OF GENEROSITY
BRAND • CADBURY
PRODUCT • CADBURY DAIRY MILK
ENTERED BY • OGILVY, SINGAPORE
IDEA CREATION • OGILVY, SINGAPORE/OGILVY MALAYSIA, KUALA LUMPUR
PRODUCTION • PLANET FILMS, KUALA LUMPUR
F07/032 • USA
CORPORATE PURPOSE & CSR
TITLE • PLASTIC FISHING TOURNAMENT
BRAND • AB INBEV/CORONA
PRODUCT • CORONA BEER
ENTERED BY • WE BELIEVERS, BROOKLYN
IDEA CREATION • WE BELIEVERS, BROOKLYN
PRODUCTION • PRIMO CONTENT, MÉXICO CITY/RELEVANT, MÉXICO D.F.
POST PRODUCTION • STEREO MONKEY STUDIO, MIRAFLORES
A04/004 • GERMANY
AUTOMOTIVE CAMPAIGN
TITLE • IRMA
BRAND • HYUNDAI GLOBAL
PRODUCT • HYUNDAI
ENTERED BY • JUNG VON MATT AG, HAMBURG
IDEA CREATION • JUNG VON MATT AG, HAMBURG
PRODUCTION • SQUARE PIXEL, SÃO PAULO
A04/007 • GERMANY
AUTOMOTIVE CAMPAIGN
TITLE • HAYIAN
BRAND • HYUNDAI GLOBAL
PRODUCT • HYUNDAI
ENTERED BY • JUNG VON MATT AG, HAMBURG
IDEA CREATION • JUNG VON MATT AG, HAMBURG
PRODUCTION • SQUARE PIXEL, SÃO PAULO
B02/055 • THAILAND
CONSUMER GOODS CAMPAIGN
TITLE • LIVING ROOM
BRAND • IKEA TRADING (THAILAND) LTD.
PRODUCT • IKEA
ENTERED BY • OGILVY, BANGKOK
IDEA CREATION • OGILVY, BANGKOK
PRODUCTION • ILLUSION CGI STUDIO, BANGKOK
B02/056 • THAILAND
CONSUMER GOODS CAMPAIGN
TITLE • KITCHEN
BRAND • IKEA TRADING (THAILAND) LTD.
PRODUCT • IKEA
ENTERED BY • OGILVY, BANGKOK
IDEA CREATION • OGILVY, BANGKOK
PRODUCTION • ILLUSION CGI STUDIO, BANGKOK
B02/057 • THAILAND
CONSUMER GOODS CAMPAIGN
TITLE • RESTROOM
BRAND • IKEA TRADING (THAILAND) LTD.
PRODUCT • IKEA
ENTERED BY • OGILVY, BANGKOK
IDEA CREATION • OGILVY, BANGKOK
PRODUCTION • ILLUSION CGI STUDIO, BANGKOK
B09/021 • PORTUGAL
NFPO/CHARITY/GOVERNMENT
TITLE • THE DAY-AFTER-WOMEN’S-DAY NEWSPAPERS
BRAND • RAPARIGAS DA BOLA
PRODUCT • RAPARIGAS DA BOLA
ENTERED BY • HAVAS, LISBON
IDEA CREATION • HAVAS, LISBON
C01/019 • PERU
ANIMATED DIGITAL SCREENS
TITLE • PIXELESS
BRAND • THE HEINEKEN COMPANY
PRODUCT • THE HEINEKEN COMPANY PORTFOLIO IN PERU
ENTERED BY • LIMBA SERVICES SAC (HEINEKEN PERU), LIMA
IDEA CREATION • DO AGENCIA, BUENOS AIRES
PRODUCTION • DO AGENCIA, BUENOS AIRES
C01/021 • ITALY
ANIMATED DIGITAL SCREENS
TITLE • NEVERENDING CHASE
BRAND • AFFINITY - ULTIMA
PRODUCT • PET FOOD
ENTERED BY • HAVAS GROUP ITALY, MILAN
IDEA CREATION • HAVAS GROUP ITALY, MILAN
PRODUCTION • HRCLS, MILANO
MEDIA • HAVAS MEDIA ITALY, MILAN
POST PRODUCTION • STUDIO CIRASA, MILAN
D01/008 • SPAIN DISPLAYS
TITLE • BIHAR: CHOOSING TOMORROW
BRAND • BBK FOUNDATION
PRODUCT • CLIMATE CHANGE AND SUSTAINABILITY AWARENESS
ENTERED BY • BBK FOUNDATION, BILBAO (BIZKAIA)
IDEA CREATION • LLYC, MADRID
PRODUCTION • LLYC, MADRID/ANTIESTATICO, MADRID/GU DESIGN, BASAURI, BIZKAIA
MEDIA • LLYC, MADRID
PR • LLYC, MADRID
POST PRODUCTION • LLYC, MADRID/ANTIESTATICO, MADRID/ FILMAK MEDIA, GERNIKA-LUMO, BIZKAIA
D05/003 • UNITED ARAB EMIRATES
LIVE ADVERTISING AND EVENTS
TITLE • LIQUID BILLBOARD
BRAND • ADIDAS
PRODUCT • SWIMWEAR
ENTERED BY • HAVAS MIDDLE EAST, DUBAI
IDEA CREATION • HAVAS MIDDLE EAST, DUBAI
PRODUCTION • JACK MORTON WORLDWIDE, DUBAI
PR
• RED HAVAS MIDDLE EAST, DUBAI
D05/034 • USA
LIVE ADVERTISING AND EVENTS
TITLE • PLASTIC FISHING TOURNAMENT
BRAND • AB INBEV/CORONA
PRODUCT • CORONA BEER
ENTERED BY • WE BELIEVERS, BROOKLYN
IDEA CREATION • WE BELIEVERS, BROOKLYN
PRODUCTION • PRIMO CONTENT, MÉXICO CITY/RELEVANT, MÉXICO D.F.
POST PRODUCTION
• STEREO MONKEY STUDIO, MIRAFLORES
D06/056 • ITALY
INTERACTIVE EXPERIENCES
TITLE • STARAOKE
BRAND • PRIME VIDEO
PRODUCT • PRIME VIDEO
ENTERED BY • OGILVY, MILAN
IDEA CREATION • OGILVY, MILAN
PRODUCTION • T3KNE, ROME
D07/006 • USA
TRANSIT
TITLE • WILMORE FUNERAL HOME
BRAND • STARMED HEALTHCARE
PRODUCT • STARMED HEALTHCARE
ENTERED BY • STARMED HEALTHCARE, CHARLOTTE
IDEA CREATION • BOONEOAKLEY, CHARLOTTE
D07/034 • BRAZIL
TRANSIT
TITLE • THE REFUGEE JATOBA
BRAND • INSTITUTIONAL
PRODUCT • ARTICULATION OF INDIGENOUS PEOPLES OF BRAZIL (APIB)
ENTERED BY • AFRICA DDB, SÃO PAULO
IDEA CREATION • AFRICA DDB, SÃO PAULO
PRODUCTION • HUNGRY MAN, SÃO PAULO/DAHOUSE AUDIO, SÃO
PAULO/BIZSYS TECNOLOGIA E PROJETOS ESPECIAIS, SÃO PAULO/PINDORAMA FILMES, RIO DE JANEIRO
E02/002 • UNITED ARAB EMIRATES
AMBIENT OUTDOOR
TITLE • LIQUID BILLBOARD
BRAND • ADIDAS
PRODUCT • SWIMWEAR
ENTERED BY • RED HAVAS MIDDLE EAST, DUBAI
IDEA CREATION • HAVAS MIDDLE EAST, DUBAI
PRODUCTION • JACK MORTON WORLDWIDE, DUBAI
PR • HAVAS MIDDLE EAST, DUBAI
E02/066 • FRANCE
AMBIENT OUTDOOR
TITLE • HACK MARKET
BRAND • BACK MARKET
PRODUCT • MARKETPLACE FOR REFURBISHED ELECTRONIC GOODS
ENTERED BY • MARCEL, PARIS
IDEA CREATION • MARCEL, PARIS
PRODUCTION • ARTISANS DU FILM, PARIS/ADF L’ATELIER, PARIS
F01/013 • UNITED ARAB EMIRATES
LOCAL BRAND
TITLE • THE ELECTIONS EDITION
BRAND • ANNAHAR NEWSPAPER
PRODUCT • ANNAHAR NEWSPAPER
ENTERED BY • IMPACT BBDO, DUBAI
IDEA CREATION
• IMPACT BBDO, DUBAI
PRODUCTION • IMPACT BBDO, DUBAI/DÉJÇVU, DUBAI
PR • IMPACT PORTER NOVELLI, DUBAI
POST PRODUCTION • MANGOJAM STUDIO FZ LLC, DUBAI
F03/033 • ITALY
SINGLE-MARKET CAMPAIGN
TITLE • THE GENDERLESS BILLBOARD
BRAND • HEINEKEN
PRODUCT • HEINEKEN
ENTERED BY • PUBLICIS ITALY, MILAN
IDEA CREATION • PUBLICIS ITALY, MILAN
A05/023 • SPAIN
RETAIL
TITLE • KFC IKEA
BRAND • KFC
PRODUCT • KFC RESTAURANTS
ENTERED BY • PS21, MADRID
IDEA CREATION • PS21, MADRID MEDIA • PROXIMIA HAVAS, MADRID
A05/038 • CANADA
RETAIL
TITLE • RON’S
BRAND • BURGER KING
PRODUCT • BURGER KING - HOME DELIVERY
ENTERED BY • PUBLICIS MONTREAL, MONTREAL
IDEA CREATION • PUBLICIS MONTREAL, MONTREAL PRODUCTION • ILLUSION CGI STUDIO, BANGKOK
A05/062 • SPAIN
RETAIL
TITLE • RADICCHIO
BRAND • BURGER KING
PRODUCT • RESTAURANTS
ENTERED BY • DAVID, MADRID
IDEA CREATION • DAVID, MADRID
PRODUCTION • LUNDLUND, STOCKHOLM
B01/031 • USA
FOOD & DRINK CAMPAIGN
TITLE • BETTER WITH PEPSI - MCDONALD’S
BRAND • PEPSI
PRODUCT • PEPSI
ENTERED BY • PEPSICO, PURCHASE
IDEA CREATION • ALMA DDB, MIAMI
PRODUCTION • CARBOFILMS, WEST HOLLYWOOD
MEDIA • OMD, NEW YORK
PR • ACCELERATION COMMUNITY OF COMPANIES, NEW YORK
B01/032 • USA
FOOD & DRINK CAMPAIGN
TITLE • BETTER WITH PEPSI - BURGER KING
BRAND • PEPSI
PRODUCT • PEPSI
ENTERED BY • PEPSICO, PURCHASE
IDEA CREATION • ALMA DDB, MIAMI
PRODUCTION • CARBOFILMS, WEST HOLLYWOOD
MEDIA • OMD, NEW YORK
PR • ACCELERATION COMMUNITY OF COMPANIES, NEW YORK
B01/033 • USA
FOOD & DRINK CAMPAIGN
TITLE • BETTER WITH PEPSI - WENDY’S
BRAND • PEPSI
PRODUCT • PEPSI
ENTERED BY • PEPSICO, PURCHASE
IDEA CREATION • ALMA DDB, MIAMI
PRODUCTION • CARBOFILMS, WEST HOLLYWOOD
MEDIA • OMD, NEW YORK
PR • ACCELERATION COMMUNITY OF COMPANIES, NEW YORK
B05/063 • USA
RETAIL
TITLE • FROM 8:14AM TO 8:17PM
BRAND • POPEYES LOUISIANA KITCHEN
PRODUCT • POPEYES CHICKEN
ENTERED BY • GUT, MIAMI
IDEA CREATION • GUT, MIAMI
PRODUCTION • FIVE TO SIXTY, LOS ANGELES
MEDIA • HORIZON MEDIA, NEW YORK
PR • ALISON BROD MARKETING + COMMUNICATIONS, NEW YORK
B05/064 • SPAIN
RETAIL CAMPAIGN
TITLE • A DOG’S NAME
BRAND • BURGER KING
PRODUCT • RESTAURANTS
ENTERED BY • DAVID, MADRID
IDEA CREATION • DAVID, MADRID
PRODUCTION • BLUR FILMS, MADRID/WE ARE SICARIOS STUDIO, SÃO PAULO/PICKLE MUSIC, NEW YORK
B05/065 • SPAIN
RETAIL CAMPAIGN
TITLE • HYDROALCOHOLIC
BRAND • BURGER KING
PRODUCT • RESTAURANTS
ENTERED BY • DAVID, MADRID
IDEA CREATION • DAVID, MADRID
PRODUCTION • BLUR FILMS, MADRID/WE ARE SICARIOS STUDIO, SÃO PAULO/PICKLE MUSIC, NEW YORK
B05/066 • SPAIN
RETAIL CAMPAIGN
TITLE • THE WRONG MESSAGE
BRAND • BURGER KING
PRODUCT • RESTAURANTS
ENTERED BY • DAVID, MADRID
IDEA CREATION • DAVID, MADRID
PRODUCTION • BLUR FILMS, MADRID/WE ARE SICARIOS STUDIO, SÃO PAULO/PICKLE MUSIC, NEW YORK
B09/019 • CANADA
NFPO/CHARITY/GOVERNMENT
TITLE • UNCOMFORTABLE TRUTH
BRAND • HUMAN RIGHTS FOUNDATION
PRODUCT • HUMAN RIGHTS FOUNDATION
ENTERED BY • TAXI CANADA, TORONTO
IDEA CREATION • TAXI CANADA, TORONTO
PRODUCTION
• TAXI CANADA, TORONTO
MEDIA • TAXI CANADA, TORONTO
C01/004 • GERMANY
ANIMATED DIGITAL SCREENS CAMPAIGN
TITLE • MINI SKIRT
BRAND • URSULA KARVEN/ FRAUEN100/ HELL & KARRER COMMUNICATIONS GMBH
PRODUCT • PETITION C190
ENTERED BY • THJNK, HAMBURG
IDEA CREATION • THJNK, HAMBURG/THJNK, MUNICH
MEDIA • STROER CORE GMBH & CO. KG, LEVERKUSEN
PR
• THINK AG, HAMBURG
C01/006 • GERMANY
ANIMATED DIGITAL SCREENS CAMPAIGN
TITLE • ALL SHE NEEDS
BRAND • URSULA KARVEN/ FRAUEN100/ HELL & KARRER COMMUNICATIONS GMBH
PRODUCT • PETITION C190
ENTERED BY • THJNK, HAMBURG
IDEA CREATION • THJNK, HAMBURG/THJNK, MUNICH
MEDIA • STROER CORE GMBH & CO. KG, LEVERKUSEN
PR
• THINK AG, HAMBURG
C01/014 • GERMANY
ANIMATED DIGITAL SCREENS CAMPAIGN
TITLE • PERIOD
BRAND • URSULA KARVEN/ FRAUEN100/ HELL & KARRER COMMUNICATIONS GMBH
PRODUCT • PETITION C190
ENTERED BY • THJNK, HAMBURG
IDEA CREATION • THJNK, HAMBURG/THJNK, MUNICH
MEDIA • STROER CORE GMBH & CO. KG, LEVERKUSEN
PR
• THINK AG, HAMBURG
D03/039 • BELGIUM
DESIGN FOR PROMOTIONAL ITEMS
TITLE • THE PONCHO POSTER
BRAND • BRUSSELS MOBILITY
PRODUCT • BIKE FOR BRUSSELS
ENTERED BY • MORTIERBRIGADE, BRUSSELS
IDEA CREATION • MORTIERBRIGADE, BRUSSELS
MEDIA • JCDECAUX, BRUSSELS
D04/023 • ITALY
SPECIAL BUILD
TITLE • DISCOVHERY BILLBOARD
BRAND • TERRE DES HOMMES
PRODUCT • TERRE DES HOMMES
ENTERED BY • ACNE, MILANO
IDEA CREATION • ACNE, MILANO
PRODUCTION • OLYMPIQUE, MILANO
D04/067 • SPAIN
SPECIAL BUILD
TITLE • LA FALLA DE PAPEL
BRAND • NETFLIX
PRODUCT • TV SERIE
ENTERED BY • DAVID, MADRID
IDEA CREATION
• DAVID, MADRID
MEDIA • ALMA MEDIA, MADRID
D05/055 • USA
LIVE ADVERTISING AND EVENTS
TITLE • THE UNWEARABLE COLLECTION
BRAND • BOEHRINGER INGELHEIM
PRODUCT • DISEASE AWARENESS
ENTERED BY • AREA 23, AN IPG HEALTH NETWORK COMPANY, NEW YORK
IDEA CREATION • AREA 23, AN IPG HEALTH NETWORK COMPANY, NEW YORK
PRODUCTION
• DALMATIAN COW, LOS ANGELES/RITMIKA AUDIO
ARTS, SÃO PAULO
D05/060 • USA
LIVE ADVERTISING AND EVENTS
TITLE • LIFE, SCRIPTED: A SERIES OF SCREENPLAYS WRITTEN IN REAL-TIME
BRAND • CHICAGO INTERNATIONAL FILM FESTIVAL
PRODUCT • CHICAGO INTERNATIONAL FILM FESTIVAL
ENTERED BY • OGILVY, CHICAGO
IDEA CREATION • OGILVY, CHICAGO
PRODUCTION
• OGILVY, CHICAGO
POST PRODUCTION • SAROFSKY, CHICAGO
E01/031 • BRAZIL
STANDARD SITES
TITLE • THE REFUGEE JATOBA
BRAND • INSTITUTIONAL
PRODUCT • ARTICULATION OF INDIGENOUS PEOPLES OF BRAZIL (APIB)
ENTERED BY • AFRICA DDB, SÃO PAULO
IDEA CREATION • AFRICA DDB, SÃO PAULO
PRODUCTION • HUNGRY MAN, SÃO PAULO/DAHOUSE AUDIO, SÃO
PAULO/BIZSYS TECNOLOGIA E PROJETOS ESPECIAIS, SÃO PAULO/PINDORAMA FILMES, RIO DE JANEIRO
E02/078 • USA
AMBIENT OUTDOOR
TITLE • CHILLBOARDS
BRAND • COORS LIGHT
PRODUCT • COORS LIGHT
ENTERED BY • DDB, CHICAGO
IDEA CREATION • DDB, CHICAGO/NORD DDB, COPENHAGEN/ ADAM&EVEDDB, LONDON
PRODUCTION • HELO, SANTA MONICA/NORD ID, SANTES
PR • ALISON BROD MARKETING + COMMUNICATIONS, NEW YORK
POST PRODUCTION • WHITEHOUSE POST PRODUCTIONS, NEW YORK/JSM MUSIC, NEW YORK/CARBON, REDWOOD CITY
F03/028 • USA
SINGLE-MARKET CAMPAIGN
TITLE • NYC SAYS GAY
BRAND • NEW YORK OFFICE OF THE MAYOR
PRODUCT • GAY RIGHTS
ENTERED BY • VMLY&R, NEW YORK
IDEA CREATION
• VMLY&R, NEW YORK
MEDIA • KINETIC WORLDWIDE, NEW YORK
PR • BCW, NEW YORK
F03/048 • SOUTH AFRICA
SINGLE-MARKET CAMPAIGN
TITLE • BRIDE ARMOUR
BRAND • ABINBEV
PRODUCT • CARLING BLACK LABEL
ENTERED BY • OGILVY SOUTH AFRICA, JOHANNESBURG
IDEA CREATION • OGILVY SOUTH AFRICA, JOHANNESBURG
PRODUCTION
• DARLING FILMS, SANDHURST/WE LOVE JAM, CAPE
TOWN/LITTLE BIG PRODUCTIONS, CAPE TOWN
MEDIA • VIZEUM SOUTH AFRICA, RANDBURG
PR • OGILVY SOUTH AFRICA, JOHANNESBURG
POST PRODUCTION • MUSHROOM MEDIA, JOHANNESBURG/ PRIEST POST PRODUCTION, CAPE TOWN
F04/044 • FRANCE
SOCIAL BEHAVIOUR
TITLE • MCDONALD’S - REQRUITMENT
BRAND • MCDONALD’S
PRODUCT • REQRUITMENT
ENTERED BY • PUBLICIS CONSEIL, PARIS
IDEA CREATION
• PUBLICIS CONSEIL, PARIS
MEDIA • STARCOM, PARIS
F04/046 • SPAIN
SOCIAL BEHAVIOUR
TITLE • THE TRUTH IS OUT THERE
BRAND • NETFLIX
PRODUCT • TV SERIES
ENTERED BY • DAVID, MADRID
IDEA CREATION • DAVID, MADRID
MEDIA • ALMA MEDIA, MADRID
F05/062 • UNITED ARAB EMIRATES
CULTURAL INSIGHT
TITLE • THE ELECTIONS EDITION
BRAND • ANNAHAR NEWSPAPER
PRODUCT • ANNAHAR NEWSPAPER
ENTERED BY • IMPACT BBDO, DUBAI
IDEA CREATION • IMPACT BBDO, DUBAI
PRODUCTION • IMPACT BBDO, DUBAI/DÉJÇVU, DUBAI
PR • IMPACT PORTER NOVELLI, DUBAI
POST PRODUCTION • MANGOJAM STUDIO FZ LLC, DUBAI
F07/007 • UNITED ARAB EMIRATES
CORPORATE PURPOSE & CSR
TITLE • LIQUID BILLBOARD
BRAND • ADIDAS
PRODUCT • SWIMWEAR
ENTERED BY • RED HAVAS MIDDLE EAST, DUBAI
IDEA CREATION • HAVAS MIDDLE EAST, DUBAI
PRODUCTION • JACK MORTON WORLDWIDE, DUBAI
PR • HAVAS MIDDLE EAST, DUBAI
F07/048 • BRAZIL
CORPORATE PURPOSE & CSR
TITLE • UNBREAKABLE COURTS
BRAND • INSTITUTIONAL
PRODUCT • BUDWEISER
ENTERED BY • AFRICA DDB, SÃO PAULO
IDEA CREATION • AFRICA DDB, SÃO PAULO
PRODUCTION • SICARIOS FILMES, SÃO PAULO/LOUD, SÃO PAULO
F07/059 • ITALY
CORPORATE PURPOSE & CSR
TITLE • THE UNWASTED BEER
BRAND • HEINEKEN
PRODUCT • HEINEKEN
ENTERED BY • PUBLICIS ITALY, MILAN
IDEA CREATION • PUBLICIS ITALY, MILAN/PUBLICIS, DUBLIN
PRODUCTION • D12 FILM CLUB, DUBLIN
A03/49004 • INDIA
OTC PRODUCTS/DEVICES
TITLE • THE KILLER PACK
BRAND • MAXX FLASH
PRODUCT • MAXX FLASH MOSQUITO REPELLENT COIL
ENTERED BY • VMLY&R, MUMBAI
IDEA CREATION • VMLY&R, MUMBAI
PRODUCTION • MONKEY ON HOT BRICKS, MUMBAI
POST PRODUCTION • MONKEY ON HOT BRICKS, MUMBAI
A05/12006 • USA
HEALTH & WELLNESS TECH
TITLE • STAYBL
BRAND • DEUTSCHE PARKINSON VEREINIGUNG E.V. (GERMAN PARKINSON ASSOCIATION)
PRODUCT • BROWSER-APP FOR PEOPLE WITH PARKINSON’S DISEASE
ENTERED BY • HAVAS, NEW YORK
IDEA CREATION • HAVAS, NEW YORK/HAVAS GERMANY, DÜSSELDORF
PRODUCTION • HAVAS MEDIA, NEW YORK/HAVAS GERMANY, DÜSSELDORF
MEDIA • HAVAS GERMANY, DÜSSELDORF
PR
• HAVAS GERMANY, DÜSSELDORF
POST PRODUCTION • HAVAS MEDIA, NEW YORK
A05/46002 • USA
HEALTH & WELLNESS TECH
TITLE • PROJECT CONVEY
BRAND • COX COMMUNICATIONS
PRODUCT • DIGITAL CABLE TELEVISION PROVIDER, TELECOMMUNICATIONS AND HOME AUTOMATION
SERVICES
ENTERED BY • COX COMMUNICATIONS, ATLANTA
IDEA CREATION • 180LA
PRODUCTION • UNIT9, LONDON/SANCTUARY CONTENT, NEW YORK
A05/49006 • CANADA
HEALTH & WELLNESS TECH
TITLE • TOUGH TURBAN
BRAND • PFAFF HARLEY-DAVIDSON
PRODUCT • PFAFF HARLEY-DAVIDSON
ENTERED BY • ZULU ALPHA KILO, TORONTO
IDEA CREATION • ZULU ALPHA KILO, TORONTO
PRODUCTION • ZULUBOT, TORONTO
PR • NELSON CONNECTS, TORONTO/SELECT PR, TORONTO
B01/52011 • ITALY
BRAND-LED EDUCATION & AWARENESS
TITLE • THE NIGHT IS YOUNG
BRAND • HEINEKEN
PRODUCT • HEINEKEN
ENTERED BY • PUBLICIS ITALY, MILAN
IDEA CREATION • PUBLICIS ITALY, MILAN
PRODUCTION • GOOD PEOPLE FILMS, ATENE
POST PRODUCTION • PRODIGIOUS, MILAN
B02/9021 • HONDURAS
NON-PROFIT EDUCATION & AWARENESS
TITLE • MORNING AFTER ISLAND
BRAND • GRUPO ESTRATEGIGO GE PAE
PRODUCT • WOMEN RIGHTS
ENTERED BY • OGILVY HONDURAS, TEGIUCIGALPA
IDEA CREATION • OGILVY HONDURAS, TEGIUCIGALPA
PRODUCTION • 14 AL CENTRO LATAM, TEGUCIGALPA
MEDIA • OGILVY HONDURAS, TEGIUCIGALPA
PR • OGILVY HONDURAS, TEGIUCIGALPA
B02/22005 • USA
NON-PROFIT EDUCATION & AWARENESS
TITLE • LIL SUGAR— MASTER OF DISGUISE
BRAND • HIP-HOP PUBLIC HEALTH (HHPH)
PRODUCT • HEALTH AWARENESS CAMPAIGN
ENTERED BY • AREA 23, AN IPG HEALTH NETWORK COMPANY, NEW YORK
IDEA CREATION • AREA 23, AN IPG HEALTH NETWORK COMPANY, NEW YORK
PRODUCTION
• AREA 23, AN IPG HEALTH NETWORK COMPANY, NEW YORK/ZOMBIE STUDIO, SÃO PAULO/CANJA AUDIO CULTURE, CURITIBA/BIZSYS TECNOLOGIA E PROJETOS ESPECIAIS, SÃO PAULO/ PRODUCERIA, MIAMI
POST PRODUCTION • ASTEROIDE FILMS, CURITIBA/BLURRED VISION ENTERTAINMENT, PHILADELPHIA
B03/8002 • NEW ZEALAND
FUNDRAISING & ADVOCACY
TITLE • DAVID’S UNUSABLES
BRAND • MOTOR NEURONE DISEASE ASSOCIATION NZ
PRODUCT • CHARITY
ENTERED BY • SPECIAL, AUCKLAND
IDEA CREATION • SPECIAL, AUCKLAND
PRODUCTION • SPECIAL, AUCKLAND/THE POST OFFICE, AUCKLAND
MEDIA • SPECIAL, AUCKLAND
PR • SPECIAL, AUCKLAND
A03/38002 • INDIA
OTC PRODUCTS/DEVICES
TITLE • THE MISSING CHAPTER
BRAND • P&G WHISPER
PRODUCT • WHISPER SANITARY PADS
ENTERED BY • LEO BURNETT, MUMBAI
IDEA CREATION • LEO BURNETT, MUMBAI
PRODUCTION • OFFROAD FILMS, MUMBAI
PR • MSL, MUMBAI
A05/11002 • USA
HEALTH & WELLNESS TECH
TITLE • STAYBL
BRAND • DEUTSCHE PARKINSON VEREINIGUNG E.V. (GERMAN PARKINSON ASSOCIATION)
PRODUCT • BROWSER-APP FOR PEOPLE WITH PARKINSON’S DISEASE
ENTERED BY • HAVAS, NEW YORK
IDEA CREATION • HAVAS, NEW YORK/HAVAS GERMANY, DÜSSELDORF
PRODUCTION • HAVAS MEDIA, NEW YORK/HAVAS GERMANY, DÜSSELDORF
MEDIA • HAVAS GERMANY, DÜSSELDORF
PR • HAVAS GERMANY, DÜSSELDORF
POST PRODUCTION • HAVAS MEDIA, NEW YORK
B01/9011 • ARGENTINA
BRAND-LED EDUCATION & AWARENESS
TITLE • I DON’T REMEMBER
BRAND • ALMA
PRODUCT • ALMA
ENTERED BY • HOY, BUENOS AIRES
IDEA CREATION • HOY, BUENOS AIRES
PRODUCTION • HOY, BUENOS AIRES
PR • HOY, BUENOS AIRES
B01/11002 • UNITED KINGDOM
BRAND-LED EDUCATION & AWARENESS
TITLE • NIKESYNC
BRAND • NIKE
PRODUCT • NIKESYNC APP
ENTERED BY • R/GA, LONDON
IDEA CREATION • R/GA, LONDON
B01/50022 • INDIA
BRAND-LED EDUCATION & AWARENESS
TITLE • ADELI
BRAND • UNIPADS
PRODUCT • UNIPADS REUSABLE SANITARY PADS
ENTERED BY • VMLY&R, MUMBAI
IDEA CREATION • VMLY&R, MUMBAI
PRODUCTION • MONKEY ON HOT BRICKS, MUMBAI
PR • VMLY&R, MUMBAI/SIMULATIONS PUBLIC AFFAIRS MANAGEMENT SERVICES, GUJARAT
B01/52013 • UNITED KINGDOM
BRAND-LED EDUCATION & AWARENESS
TITLE • REVERSE SELFIE
BRAND • DOVE | UNILEVER
PRODUCT • GLOBAL PERSONAL CARE BRAND
ENTERED BY • OGILVY, LONDON
IDEA CREATION • OGILVY, LONDON
PRODUCTION • INDEPENDENT, LONDON
MEDIA • MINDSHARE, NEW YORK
PR • EDELMAN, NEW YORK/HALPERN PR, LONDON
POST PRODUCTION • ABSOLUTE, LONDON
B02/15006 • USA
NON-PROFIT EDUCATION & AWARENESS
TITLE • TEENAGE DREAM
BRAND • SANDY HOOK PROMISE
PRODUCT • SANDY HOOK PROMISE | GUN VIOLENCE PREVENTION
NON-PROFIT
ENTERED BY • BBDO, NEW YORK
IDEA CREATION • BBDO, NEW YORK
PRODUCTION • SMUGGLER, NEW YORK
MEDIA • PHD, NEW YORK
PR • DINI VON MUEFFLING COMMUNICATIONS, NEW YORK
B02/16008 • SWEDEN
NON-PROFIT EDUCATION & AWARENESS
TITLE • EAT A SWEDE
BRAND • SWEDISH FOOD FEDERATION
PRODUCT • EAT A SWEDE
ENTERED BY • MCCANN, STOCKHOLM
IDEA CREATION • MCCANN, STOCKHOLM
PRODUCTION • MRM, BUCHAREST/COLONY, STOCKHOLM/FLX 2.0, STOCKHOLM
MEDIA • UM, BUCHAREST
PR • WEBER SHANDWICK, LONDON/PRIME WEBER SHANDWICK, STOCKHOLM/WEBER SHANDWICK, CHICAGO
POST PRODUCTION • COLONY, STOCKHOLM/FLX 2.0, STOCKHOLM
B02/52010 • USA
NON-PROFIT EDUCATION & AWARENESS
TITLE • LIL SUGAR— MASTER OF DISGUISE
BRAND • HIP-HOP PUBLIC HEALTH (HHPH)
PRODUCT • HEALTH AWARENESS CAMPAIGN
ENTERED BY • AREA 23, AN IPG HEALTH NETWORK COMPANY, NEW YORK
IDEA CREATION • AREA 23, AN IPG HEALTH NETWORK COMPANY, NEW YORK
PRODUCTION • AREA 23, AN IPG HEALTH NETWORK COMPANY, NEW YORK/ZOMBIE STUDIO, SÃO PAULO/CANJA
AUDIO CULTURE, CURITIBA/BIZSYS TECNOLOGIA
E PROJETOS ESPECIAIS, SÃO PAULO/PRODUCERIA, MIAMI
POST PRODUCTION • ASTEROIDE FILMS, CURITIBA/ BLURRED VISION ENTERTAINMENT, PHILADELPHIA
B03/12001 • USA
FUNDRAISING & ADVOCACY
TITLE • NONFUNGIBLE TESTICLES
BRAND • MOVEMBER
PRODUCT • MOVEMBER NFT
ENTERED BY • MRM, NEW YORK
IDEA CREATION • MRM, NEW YORK
PRODUCTION
• MRM, NEW YORK/MISHKA NYC, WILLOWICK/ RITMIKA, SÃO PAULO
POST PRODUCTION • VERSUS, NEW YORK
C01/11001 • BRAZIL
CORPORATE IMAGE & COMMUNICATION
TITLE • THE VIRTUAL NODULE
BRAND • AMARO
PRODUCT • FASHION, BEAUTY, WELLNES, DECOR
ENTERED BY • VMLY&R, SÃO PAULO
IDEA CREATION • VMLY&R, SÃO PAULO
MEDIA • VMLY&R, SÃO PAULO
PR • VMLY&R, SÃO PAULO
A01/29001 • THAILAND
OTC ORAL MEDICINES
TITLE • THE WISDOM OF THE EAST
BRAND • 5 TAKABB
PRODUCT • 5 TAKABB ANTI-COUGH PILL & SPRAY
ENTERED BY • PHENOMENA CO., BANGKOK
IDEA CREATION • PHENOMENA CO., BANGKOK
PRODUCTION • PHENOMENA CO., BANGKOK
A01/38004 • BRAZIL
OTC ORAL MEDICINES
TITLE • THE TINY POCKET
BRAND • BAYER
PRODUCT • ASPIRIN
ENTERED BY • ALMAPBBDO, SÃO PAULO
IDEA CREATION • ALMAPBBDO, SÃO PAULO/ENERGY BBDO, CHICAGO
PRODUCTION • STUDIO GREAT!, SÃO PAULO/PUNCH AUDIO, SÃO PAULO
MEDIA • OMD, NEW YORK
A02/10001 • USA
OTC APPLICATIONS
TITLE • SEE MY SKIN
BRAND • VASELINE
PRODUCT • VASELINE
ENTERED BY • EDELMAN, NEW YORK
IDEA CREATION • EDELMAN, NEW YORK
PRODUCTION • EDELMAN, NEW YORK/GIRL CULTURE FILMS, MARINA DEL REY/MINDSHARE, NEW YORK
PR
• EDELMAN, NEW YORK
POST PRODUCTION • KYLE NYC, NEW YORK/SONIC UNION, NEW YORK/U-STUDIO, ENGLEWOOD CLIFFS
A04/28002 • UNITED KINGDOM
NUTRACEUTICALS
TITLE • MEMORY TEST
BRAND • SUPRADYN
PRODUCT • SUPRADYN MULTIVITAMIN
ENTERED BY • MULLENLOWE LONDON, LONDON
IDEA CREATION • MULLENLOWE LONDON, LONDON/ MULLENLOWE ISTANBUL, ISTANBUL
PRODUCTION • MULLENLOWE LONDON, LONDON
MEDIA • MEDIACOM, LONDON
PR • KUZGUNCUK, ISTANBUL
B01/9005 • USA
BRAND-LED EDUCATION & AWARENESS
TITLE • «VAX THAT THANG UP»
BRAND • BLK – AFFINITY APP FOR MATCH GROUP
PRODUCT • A DATING APP SPECIFICALLY FOR BLACK DATERS
ENTERED BY • MAJORITY, ATLANTA
IDEA CREATION • MAJORITY, ATLANTA
PRODUCTION • MOTION FAMILY, ATLANTA
PR
• MAJORITY, ATLANTA
B01/12004 • UNITED KINGDOM
BRAND-LED EDUCATION & AWARENESS
TITLE • TOXIC INFLUENCE
BRAND • DOVE | UNILEVER
PRODUCT • GLOBAL PERSONAL CARE BRAND
ENTERED BY • OGILVY, LONDON
IDEA CREATION • OGILVY, LONDON
PRODUCTION • SMUGGLER, LONDON
MEDIA • MINDSHARE, NEW YORK
PR • EDELMAN, NEW YORK
B01/17001 • BRAZIL
BRAND-LED EDUCATION & AWARENESS
TITLE • DIGNITY TO FLOW
BRAND • JOHNSON & JOHNSON
PRODUCT • SEMPRE LIVRE® AND CAREFREE®
ENTERED BY • WUNDERMAN THOMPSON, SÃO PAULO
IDEA CREATION • WUNDERMAN THOMPSON, SÃO PAULO
PRODUCTION • LANDIA, SÃO PAULO/WE4 MUSIC, SÃO PAULO
PR • FLEISHMANHILLARD BRAZIL, SÃO PAULO
POST PRODUCTION • LANDIA, SÃO PAULO
B01/28009 • SPAIN
BRAND-LED EDUCATION & AWARENESS
TITLE • THE BATTLE INSIDE
BRAND • CRIS CANCER FOUNDATION
PRODUCT • CANCER NGO
ENTERED BY • CHEIL WORLDWIDE, MADRID
IDEA CREATION • CHEIL WORLDWIDE, MADRID
PRODUCTION • SOMOS 5, MADRID
B01/50017 • POLAND
BRAND-LED EDUCATION & AWARENESS
TITLE • FIRST AID FOR HUMANITY
BRAND • BNP PARIBAS & THE POLISH RED CROSS
PRODUCT • FIRST AID FOR HUMANITY
ENTERED BY • VMLY&R POLAND, WARSAW
IDEA CREATION
• VMLY&R POLAND, WARSAW
PRODUCTION • WARSAW WITCHES ASSOCIATION
PR • VMLY&R POLAND, WARSAW
POST PRODUCTION • RIO DE POST, WARSAW
B01/51010 • BRAZIL
BRAND-LED EDUCATION & AWARENESS
TITLE • POSTPARTUM UNDER PRESSURE
BRAND • UNILEVER
PRODUCT • BABY DOVE
ENTERED BY • DARK KITCHEN CREATIVES, SÃO PAULO
IDEA CREATION • DARK KITCHEN CREATIVES, SÃO PAULO
PRODUCTION • MYMAMA ENTERTAINMENT, SÃO PAULO
PR • EDELMAN, NEW YORK/TULOM, SÃO PAULO
B02/10012 • CANADA
NON-PROFIT EDUCATION & AWARENESS
TITLE • THE MICROPEDIA OF MICROAGGRESSIONS
BRAND • BLACK BUSINESS AND PROFESSIONAL ASSOCIATION, ET AL.
PRODUCT • THE MICROPEDIA OF MICROAGGRESSIONS
ENTERED BY • ZULU ALPHA KILO, TORONTO
IDEA CREATION • ZULU ALPHA KILO, TORONTO
PRODUCTION • ZULUBOT, TORONTO
POST PRODUCTION • ZULUBOT, TORONTO/PIRATE, TORONTO
B02/10015 • USA
NON-PROFIT EDUCATION & AWARENESS
TITLE • GUN SURVIVOR REVIEWS
BRAND • GUNS DOWN AMERICA
PRODUCT • NON-PROFIT COMBATING GUN VIOLENCE
ENTERED BY • ENERGY BBDO, CHICAGO
IDEA CREATION
PRODUCTION
• ENERGY BBDO, CHICAGO
• FLARE BBDO, CHICAGO/ CANJA AUDIO CULTURE, CURITIBA
MEDIA • OMD, NEW YORK
POST PRODUCTION • FLARE BBDO, CHICAGO
B02/16007 • ARGENTINA
NON-PROFIT EDUCATION & AWARENESS
TITLE • FINGER PUPPETS
BRAND • LALCEC
PRODUCT • LALCEC
ENTERED BY • GREY ARGENTINA, BUENOS AIRES
IDEA CREATION
PRODUCTION
• GREY ARGENTINA, BUENOS AIRES
• LANDIA, BUENOS AIRES
MEDIA • MEDIACOM, BUENOS AIRES
PR • GREY ARGENTINA, BUENOS AIRES
POST PRODUCTION • PAPAMUSIC, BUENOS AIRES/ PORTAESTUDIO, BUENOS AIRES
B02/48004 • CANADA
NON-PROFIT EDUCATION & AWARENESS
TITLE • THE MINDSETS PAPER
BRAND • CANADIAN DOWN SYNDROME SOCIETY
PRODUCT • CANADIAN DOWN SYNDROME SOCIETY
ENTERED BY • FCB CANADA, TORONTO
IDEA CREATION • FCB CANADA, TORONTO
PRODUCTION • FUEL CONTENT, TORONTO
POST PRODUCTION • GRAYSON MUSIC, TORONTO/ RADAR STUDIOS, CHICAGO
B02/49002 • FRANCE
NON-PROFIT EDUCATION & AWARENESS
TITLE • PILL-ID
BRAND • PILL-ID
PRODUCT • PILL-ID
ENTERED BY • HEREZIE, PARIS
IDEA CREATION • HEREZIE, PARIS
B03/8003 • POLAND
FUNDRAISING & ADVOCACY
TITLE • LITTLE HEADHUNTERS POWERED BY LINKEDIN
BRAND • THE FOUNDATION K.I.D.S.
PRODUCT • THE FOUNDATION K.I.D.S.
ENTERED BY • PUBLICIS WORLDWIDE POLAND, WARSZAWA
IDEA CREATION • PUBLICIS WORLDWIDE POLAND, WARSZAWA
PRODUCTION • PUBLICIS WORLDWIDE POLAND, WARSZAWA/ PAPAYA FILMS, WARSAW
MEDIA • PUBLICIS WORLDWIDE POLAND, WARSZAWA
PR • MSL POLAND, WARSAW
POST PRODUCTION • PRODIGIOUS POLAND, WARSZAWA
B03/8009 • AUSTRALIA
FUNDRAISING & ADVOCACY
TITLE • DISEASE DILEMMAS
BRAND • GARVAN INSTITUTE OF MEDICAL RESEARCH
PRODUCT • GARVAN INSTITUTE OF MEDICAL RESEARCH
ENTERED BY • DENTSU CREATIVE, SYDNEY
IDEA CREATION • DENTSU CREATIVE, SYDNEY
PRODUCTION • DENTSU CREATIVE, SYDNEY
MEDIA • DENTSU CREATIVE, SYDNEY
PR • DENTSU CREATIVE, SYDNEY
POST PRODUCTION • DENTSU CREATIVE, SYDNEY
B03/51001 • USA
FUNDRAISING & ADVOCACY
TITLE • JUST THE TWO OF US
BRAND • COORDOWN
PRODUCT • WORLD DOWN SYNDROME DAY
ENTERED BY • SMALL, NEW YORK
IDEA CREATION • SMALL, NEW YORK
PRODUCTION • INDIANA PRODUCTION COMPANY, MILAN/ STABBIOLO MUSIC, SARTEANO
POST PRODUCTION • PROXIMA MILANO/BRAVAGENTE AUDIOSOUND AGENCY, MILANO
C03/9003 • CHILE
INSURANCE
TITLE • THE LEGACY OF TOMIII11
BRAND • FUNDACIÎN NUESTROS HIJOS
PRODUCT • FUNDACIÎN NUESTROS HIJOS
ENTERED BY • BBDO CHILE, HUECHURABA
IDEA CREATION • BBDO CHILE, HUECHURABA
PRODUCTION
• ALASKA FILMS, SANTIAGO
PR
• TIRONI Y ASOCIADOS, SANTIAGO
POST PRODUCTION • CLIO MASTERING, SANTIAGO
D02/32001 • USA
NON-REGULATED
TITLE • I WILL ALWAYS BE ME
BRAND • DELL TECHNOLOGIES & INTEL
PRODUCT • DELL TECHNOLOGIES & INTEL
ENTERED BY • VMLY&R, NEW YORK
IDEA CREATION • VMLY&R, NEW YORK
PRODUCTION • BORDERLAND, LONDON/JAM3, AMSTERDAM/THE MILL, LOS ANGELES
POST PRODUCTION • HUMAN, NEW YORK
B02/8003 • CHILE
NON-REGULATED
TITLE • LETTERS FOR A LAW
BRAND • FUNDACIÓN EL HÉRBOLOGO
PRODUCT • FUNDACIÓN EL HÉRBOLOGO
ENTERED BY • BBDO CHILE, HUECHURABA
IDEA CREATION • BBDO CHILE, HUECHURABA
PRODUCTION • ALASKA FILMS, SANTIAGO
MEDIA • MASSIVA PUBLICIDAD EXTERIOR CHILE, HUECHURABA
• ATB COMUNICACIONES, SANTIAGO
PR
POST PRODUCTION • FEELS, SANTIAGO
D01/11001 • USA
REGULATED
TITLE • EYEDAR
BRAND • HORIZON THERAPEUTICS
PRODUCT • EYEDAR APP FOR THE BLIND
ENTERED BY • AREA 23, AN IPG HEALTH NETWORK COMPANY, NEW YORK
IDEA CREATION • AREA 23, AN IPG HEALTH NETWORK COMPANY, NY
PRODUCTION • DALMATIAN COW, LOS ANGELES
POST PRODUCTION • BLIND PIG, LONDON
• USA
A01/15002
REGULATED: DIRECT TO CONSUMER
TITLE • NOW YOU KNOW
BRAND • ABBOTT
PRODUCT • ABBOTT/FREESTYLE LIBRE
ENTERED BY • ANOMALY, NEW YORK
IDEA CREATION • ABBOTT LABORATORIES, ALAMEDA/ANOMALY, NY
PRODUCTION • SMUGGLER, NEW YORK/A52, SANTA MONICA/
WORK EDITORIAL, NEW YORK/ELASTIC, SANTA MONICA
POST PRODUCTION • MR PAPE, LONDON/750MPH, TBD/COMPANY 3, NY
A02/52003 • USA
REGULATED: DIRECT TO PATIENT
TITLE • HOUSE RULES
BRAND • EVOFEM
PRODUCT • PHEXXI
ENTERED BY • MCCANN HEALTH, PARSIPPANY
IDEA CREATION • MCCANN HEALTH, PARSIPPANY
PRODUCTION • SMUGGLER, CENTRAL LA
B02/9003 • CHILE
NON-REGULATED
TITLE • LETTERS FOR A LAW
BRAND • FUNDACIÓN EL HÉRBOLOGO
PRODUCT • FUNDACIÓN EL HÉRBOLOGO
ENTERED BY • BBDO CHILE, HUECHURABA
IDEA CREATION • BBDO CHILE, HUECHURABA
PRODUCTION • ALASKA FILMS, SANTIAGO
MEDIA • MASSIVA PUBLICIDAD EXTERIOR CHILE, HUECHURABA
PR • ATB COMUNICACIONES, SANTIAGO
POST PRODUCTION • FEELS, SANTIAGO
D01/49002 • USA
REGULATED
TITLE • EYEDAR
BRAND • HORIZON THERAPEUTICS
PRODUCT • EYEDAR APP FOR THE BLIND
ENTERED BY • AREA 23, AN IPG HEALTH NETWORK COMPANY, NY
IDEA CREATION • AREA 23, AN IPG HEALTH NETWORK COMPANY, NY
PRODUCTION • DALMATIAN COW, LOS ANGELES
POST PRODUCTION • BLIND PIG, LONDON
A01/16003 • USA
REGULATED: DIRECT TO CONSUMER
TITLE • NOW YOU KNOW
BRAND • ABBOTT
PRODUCT • ABBOTT/FREESTYLE LIBRE
ENTERED BY • ANOMALY, NEW YORK
IDEA CREATION • ABBOTT LABORATORIES, ALAMEDA/ANOMALY, NY
PRODUCTION • SMUGGLER, NEW YORK/A52, SANTA MONICA/
WORK EDITORIAL, NEW YORK/ELASTIC, SANTA MONICA
POST PRODUCTION • MR PAPE, LONDON/750MPH, TBD/ COMPANY 3, NEW YORK
A02/14001 • USA
REGULATED: DIRECT TO PATIENT
TITLE • HOUSE RULES
BRAND • EVOFEM
PRODUCT • PHEXXI
ENTERED BY • MCCANN HEALTH, PARSIPPANY
IDEA CREATION • MCCANN HEALTH, PARSIPPANY
PRODUCTION • SMUGGLER, CENTRAL LA
D01/12002 • USA
REGULATED
TITLE • EYEDAR
BRAND • HORIZON THERAPEUTICS
PRODUCT • EYEDAR APP FOR THE BLIND
ENTERED BY • AREA 23, AN IPG HEALTH NETWORK COMPANY, NY
IDEA CREATION • AREA 23, AN IPG
D02/49001 • USA
NON-REGULATED
TITLE • I WILL ALWAYS BE ME
BRAND • DELL TECHNOLOGIES & INTEL
PRODUCT • DELL TECHNOLOGIES & INTEL
ENTERED BY • VMLY&R, NEW YORK
IDEA CREATION • VMLY&R, NEW YORK
PRODUCTION • BORDERLAND, LONDON/JAM3, AMSTERDAM/THE MILL, LOS ANGELES POST PRODUCTION • HUMAN, NY
B01/021 • UNITED ARAB EMIRATES
COMMERCIAL PUBLICATIONS
TITLE • THE ELECTIONS EDITION
BRAND • ANNAHAR NEWSPAPER
PRODUCT • ANNAHAR NEWSPAPER
ENTERED BY • IMPACT BBDO, DUBAI
IDEA CREATION
• IMPACT BBDO, DUBAI
PRODUCTION • IMPACT BBDO, DUBAI/DÉJÇVU, DUBAI
PR • IMPACT PORTER NOVELLI, DUBAI
POST PRODUCTION • MANGOJAM STUDIO FZ LLC, DUBAI
A01/040 • USA
FOOD & DRINK CAMPAIGN
TITLE • BETTER WITH PEPSI - MCDONALD’S
BRAND • PEPSI
PRODUCT • PEPSI
ENTERED BY • PEPSICO, PURCHASE
IDEA CREATION • ALMA DDB, MIAMI
PRODUCTION • CARBOFILMS, WEST HOLLYWOOD
MEDIA • OMD, NEW YORK
PR
• ACCELERATION COMMUNITY OF COMPANIES, NEW YORK
A01/041 • USA
FOOD & DRINK CAMPAIGN
TITLE • BETTER WITH PEPSI - BURGER KING
BRAND • PEPSI
PRODUCT • PEPSI
ENTERED BY • PEPSICO, PURCHASE
IDEA CREATION
• ALMA DDB, MIAMI
PRODUCTION • CARBOFILMS, WEST HOLLYWOOD
MEDIA • OMD, NEW YORK
PR • ACCELERATION COMMUNITY OF COMPANIES, NEW YORK
A01/042 • USA
FOOD & DRINK CAMPAIGN
TITLE • BETTER WITH PEPSI - WENDY’S
BRAND • PEPSI
PRODUCT • PEPSI
ENTERED BY • PEPSICO, PURCHASE
IDEA CREATION • ALMA DDB, MIAMI
PRODUCTION • CARBOFILMS, WEST HOLLYWOOD
MEDIA • OMD, NEW YORK
PR
• ACCELERATION COMMUNITY OF COMPANIES, NEW YORK
D04/008 • CANADA
SOCIAL BEHAVIOUR
TITLE • DRAW KETCHUP
BRAND • KRAFT HEINZ
PRODUCT • HEINZ KETCHUP
ENTERED BY • RETHINK, TORONTO
IDEA CREATION • RETHINK, TORONTO
PRODUCTION • VAPOR MUSIC GROUP, TORONTO
MEDIA • CARAT, TORONTO/STARCOM, CHICAGO
PR • THE COLONY PROJECT, TORONTO
POST PRODUCTION • R+D PRODUCTIONS, TORONTO
D07/005 • NORWAY
CORPORATE PURPOSE & CSR
TITLE • THE TRASH COLLECTION 2021
BRAND • IKEA
PRODUCT • IKEA FURNITURE
ENTERED BY • TRY, OSLO
IDEA CREATION • TRY, OSLO
PRODUCTION • APARENT, OSLO
PR • TRY, OSLO
POST PRODUCTION • APARENT, OSLO
D07/064 • UNITED KINGDOM
CORPORATE PURPOSE & CSR
TITLE • REVERSE SELFIE
BRAND • DOVE | UNILEVER
PRODUCT • GLOBAL PERSONAL CARE BRAND
ENTERED BY • OGILVY, LONDON
IDEA CREATION • OGILVY, LONDON
PRODUCTION • INDEPENDENT, LONDON
MEDIA • MINDSHARE, NEW YORK
PR • EDELMAN, NEW YORK/HALPERN PR, LONDON
POST PRODUCTION • ABSOLUTE, LONDON
A02/042 • USA
CONSUMER GOODS CAMPAIGN
TITLE • SOLDIER
BRAND • LEICA
PRODUCT • SOFORT INSTANT CAMERA
ENTERED BY • HILL HOLLIDAY, BOSTON
IDEA CREATION • HILL HOLLIDAY, BOSTON
A02/043 • USA
CONSUMER GOODS CAMPAIGN
TITLE • RAIN
BRAND • LEICA
PRODUCT • SOFORT INSTANT CAMERA
ENTERED BY • HILL HOLLIDAY, BOSTON
IDEA CREATION • HILL HOLLIDAY, BOSTON
A02/044 • USA
CONSUMER GOODS CAMPAIGN
TITLE • PUDDLE
BRAND • LEICA
PRODUCT • SOFORT INSTANT CAMERA
ENTERED BY • HILL HOLLIDAY, BOSTON
IDEA CREATION • HILL HOLLIDAY, BOSTON
A02/045 • USA
CONSUMER GOODS CAMPAIGN
TITLE • WINE
BRAND • LEICA
PRODUCT • SOFORT INSTANT CAMERA
ENTERED BY • HILL HOLLIDAY, BOSTON
IDEA CREATION • HILL HOLLIDAY, BOSTON
A02/080 • UNITED KINGDOM
CONSUMER GOODS CAMPAIGN
TITLE • ALLYAH
BRAND • DOVE | UNILEVER
PRODUCT • GLOBAL PERSONAL CARE BRAND
ENTERED BY • OGILVY, LONDON
IDEA CREATION • OGILVY, LONDON
PRODUCTION • INDEPENDENT, LONDON
MEDIA • MINDSHARE, NEW YORK
PR • EDELMAN, NEW YORK/HALPERN PR, LONDON
POST PRODUCTION
• ABSOLUTE, LONDON
A02/081 • UNITED KINGDOM
CONSUMER GOODS CAMPAIGN
TITLE • GRACE
BRAND
• DOVE | UNILEVER
PRODUCT • GLOBAL PERSONAL CARE BRAND
ENTERED BY • OGILVY, LONDON
IDEA CREATION
• OGILVY, LONDON
PRODUCTION • INDEPENDENT, LONDON
MEDIA • MINDSHARE, NEW YORK
PR • EDELMAN, NEW YORK/HALPERN PR, LONDON
POST PRODUCTION • ABSOLUTE, LONDON
A02/082 • UNITED KINGDOM
CONSUMER GOODS CAMPAIGN
TITLE • FREYA
BRAND • DOVE | UNILEVER
PRODUCT • GLOBAL PERSONAL CARE BRAND
ENTERED BY • OGILVY, LONDON
IDEA CREATION • OGILVY, LONDON
PRODUCTION • INDEPENDENT, LONDON
MEDIA • MINDSHARE, NEW YORK
PR • EDELMAN, NEW YORK/HALPERN PR, LONDON
POST PRODUCTION • ABSOLUTE, LONDON
A02/083 • UNITED KINGDOM
CONSUMER GOODS CAMPAIGN
TITLE • ISABELLE
BRAND • DOVE | UNILEVER
PRODUCT • GLOBAL PERSONAL CARE BRAND
ENTERED BY • OGILVY, LONDON
IDEA CREATION • OGILVY, LONDON
PRODUCTION • INDEPENDENT, LONDON
MEDIA • MINDSHARE, NEW YORK
PR • EDELMAN, NEW YORK/HALPERN PR, LONDON
POST PRODUCTION • ABSOLUTE, LONDON
A04/004 • GERMANY
AUTOMOTIVE CAMPAIGN
TITLE • IRMA
BRAND • HYUNDAI GLOBAL
PRODUCT • HYUNDAI
ENTERED BY • JUNG VON MATT AG, HAMBURG
IDEA CREATION • JUNG VON MATT AG, HAMBURG
PRODUCTION • SQUARE PIXEL, SÃO PAULO
A04/005 • GERMANY
AUTOMOTIVE CAMPAIGN
TITLE • KATRINA
BRAND • HYUNDAI GLOBAL
PRODUCT • HYUNDAI
ENTERED BY • JUNG VON MATT AG, HAMBURG
IDEA CREATION • JUNG VON MATT AG, HAMBURG PRODUCTION • SQUARE PIXEL, SÃO PAULO
A04/006 • GERMANY
AUTOMOTIVE CAMPAIGN
TITLE • JEBI
BRAND • HYUNDAI GLOBAL
PRODUCT • HYUNDAI
ENTERED BY • JUNG VON MATT AG, HAMBURG
IDEA CREATION • JUNG VON MATT AG, HAMBURG
PRODUCTION • SQUARE PIXEL, SÃO PAULO
A04/007 • GERMANY
AUTOMOTIVE CAMPAIGN
TITLE • HAYIAN
BRAND • HYUNDAI GLOBAL
PRODUCT • HYUNDAI
ENTERED BY • JUNG VON MATT AG, HAMBURG
IDEA CREATION • JUNG VON MATT AG, HAMBURG
PRODUCTION • SQUARE PIXEL, SÃO PAULO
A04/008 • GERMANY
AUTOMOTIVECAMPAIGN
TITLE • BLANCA
BRAND • HYUNDAI GLOBAL
PRODUCT • HYUNDAI
ENTERED BY • JUNG VON MATT AG, HAMBURG
IDEA CREATION • JUNG VON MATT AG, HAMBURG
PRODUCTION • SQUARE PIXEL, SÃO PAULO
A07/034 • ITALY
MEDIA/ENTERTAINMENT CAMPAIGN
TITLE • BATH
BRAND • WEB MAGAZINE MAKERS LICENZIATARIO ROLLING STONE PER L’ITALIA
PRODUCT • ROLLING STONE
ENTERED BY • VMLY&R ITALY, MILAN
IDEA CREATION
• VMLY&R ITALY, MILAN
PRODUCTION • MOVIE MAGIC INTERNATIONAL, MILAN
A07/035 • ITALY
MEDIA/ENTERTAINMENT CAMPAIGN
TITLE • BREAST FEEDING
BRAND • WEB MAGAZINE MAKERS LICENZIATARIO
ROLLING STONE PER L’ITALIA
PRODUCT • ROLLING STONE
ENTERED BY • VMLY&R ITALY, MILAN
IDEA CREATION • VMLY&R ITALY, MILAN
PRODUCTION • MOVIE MAGIC INTERNATIONAL, MILAN
A07/036 • ITALY
MEDIA/ENTERTAINMENT CAMPAIGN
TITLE • VOMIT
BRAND • WEB MAGAZINE MAKERS LICENZIATARIO
ROLLING STONE PER L’ITALIA
PRODUCT • ROLLING STONE
ENTERED BY • VMLY&R ITALY, MILAN
IDEA CREATION • VMLY&R ITALY, MILAN
PRODUCTION • MOVIE MAGIC INTERNATIONAL, MILAN
A07/037 • ITALY
MEDIA/ENTERTAINMENT CAMPAIGN
TITLE • TOILET
BRAND • WEB MAGAZINE MAKERS LICENZIATARIO
ROLLING STONE PER L’ITALIA
PRODUCT • ROLLING STONE
ENTERED BY • VMLY&R ITALY, MILAN
IDEA CREATION • VMLY&R ITALY, MILAN
PRODUCTION • MOVIE MAGIC INTERNATIONAL, MILAN
C01/008 • UNITED ARAB EMIRATES
ADAPTED PRINT
TITLE • THE ELECTIONS EDITION
BRAND • ANNAHAR NEWSPAPER
PRODUCT • ANNAHAR NEWSPAPER
ENTERED BY • IMPACT BBDO, DUBAI
IDEA CREATION • IMPACT BBDO, DUBAI
PRODUCTION • IMPACT BBDO, DUBAI/DÉJÇVU, DUBAI
PR
• IMPACT PORTER NOVELLI, DUBAI
POST PRODUCTION • MANGOJAM STUDIO FZ LLC, DUBAI
D04/028 • BRAZIL
SOCIAL BEHAVIOUR
TITLE • NEW ICONIC KISSES
BRAND • MERCADO LIVRE (EBAZAR)
PRODUCT • MERCADO LIVRE
ENTERED BY • GUT, SÃO PAULO
IDEA CREATION • GUT, SÃO PAULO
PRODUCTION • SAIGON, SÃO PAULO/LOUD, SÃO PAULO/ RODRIGO MALTCHIQUE, SP
MEDIA • GUT, SÃO PAULO
PR
• GUT, SÃO PAULO/FLEISHMANHILLARD BRAZIL, SÃO PAULO
POST PRODUCTION • NASH, SÃO PAULO
A05/048 • CANADA
RETAIL CAMPAIGN
TITLE • BALLOONS - GRAND OPENINGS - BIG MAC
BRAND • MCDONALD’S CANADA
PRODUCT • MCDONALD’S RESTAURANTS OPENINGS
ENTERED BY • COSSETTE, MONTREAL
IDEA CREATION
• COSSETTE, MONTREAL
A05/049 • CANADA
RETAIL CAMPAIGN
TITLE • BALLOONS - GRAND OPENINGS - FRIES
BRAND • MCDONALD’S CANADA
PRODUCT • MCDONALD’S RESTAURANTS OPENINGS
ENTERED BY • COSSETTE, MONTREAL
IDEA CREATION • COSSETTE, MONTREAL
A05/065 • SPAIN
RETAIL CAMPAIGN
TITLE • THE WRONG MESSAGE
BRAND • BURGER KING
PRODUCT • RESTAURANTS
ENTERED BY • DAVID, MADRID
IDEA CREATION
• DAVID, MADRID
PRODUCTION • BLUR FILMS, MADRID/ WE ARE SICARIOS STUDIO, SÃO PAULO/PICKLE MUSIC, NEW YORK
A05/069 • SPAIN
RETAIL CAMPAIGN
TITLE • A DOG’S NAME
BRAND • BURGER KING
PRODUCT • RESTAURANTS
ENTERED BY • DAVID, MADRID
IDEA CREATION • DAVID, MADRID
PRODUCTION • BLUR FILMS, MADRID/WE ARE SICARIOS STUDIO, SÃO PAULO/PICKLE MUSIC, NEW YORK
A05/071 • SPAIN
RETAIL CAMPAIGN
TITLE • RADICCHIO
BRAND • BURGER KING
PRODUCT • RESTAURANTS
ENTERED BY • DAVID, MADRID
IDEA CREATION • DAVID, MADRID
PRODUCTION • LUNDLUND, STOCKHOLM
A05/072 • SPAIN
RETAIL CAMPAIGN
TITLE • RED BELL PEPPER
BRAND • BURGER KING
PRODUCT • RESTAURANTS
ENTERED BY • DAVID, MADRID
IDEA CREATION • DAVID, MADRID
PRODUCTION • LUNDLUND, STOCKHOLM
A06/019 • BRAZIL
TRAVEL/LEISURE
TITLE • TAKE THIS AD FOR A RUN
BRAND • GO OUTSIDE
PRODUCT • GO OUTSIDE
ENTERED BY • GO OUTSIDE, SÃO PAULO, SP
IDEA CREATION • TALENT MARCEL, SÃO PAULO
PRODUCTION • MISSION MUSIC, SÃO PAULO
A09/077 • USA
NFPO/CHARITY/GOVERNMENT CAMPAIGN
TITLE • GUNS STATS - PRINT 1
BRAND • CHANGE THE REF
PRODUCT • CHANGE THE REF
ENTERED BY • CHANGE THE REF, PARKLAND
IDEA CREATION • ALMA DDB, MIAMI
A09/078 • USA
NFPO/CHARITY/GOVERNMENT CAMPAIGN
TITLE • GUNS STATS - PRINT 2
BRAND • CHANGE THE REF
PRODUCT • CHANGE THE REF
ENTERED BY • CHANGE THE REF, PARKLAND
IDEA CREATION • ALMA DDB, MIAMI
A09/079 • USA
NFPO/CHARITY/GOVERNMENT CAMPAIGN
TITLE • GUNS STATS - PRINT 3
BRAND • CHANGE THE REF
PRODUCT • CHANGE THE REF
ENTERED BY • CHANGE THE REF, PARKLAND
IDEA CREATION • ALMA DDB, MIAMI
C01/004 • USA
ADAPTED PRINT
TITLE • I WILL ALWAYS BE ME
BRAND • DELL TECHNOLOGIES & INTEL
PRODUCT • DELL TECHNOLOGIES & INTEL
ENTERED BY • VMLY&R, NEW YORK
IDEA CREATION • VMLY&R, NEW YORK
PRODUCTION • BORDERLAND, LONDON/JAM3, AMSTERDAM/THE MILL, LOS ANGELES
POST PRODUCTION • HUMAN, NEW YORK
D03/012 • UNITED KINGDOM
SINGLE-MARKET CAMPAIGN
TITLE • RECOLOUR THE RAINBOW
BRAND • SKITTLES
PRODUCT • SKITTLES
ENTERED BY • ADAM&EVEDDB, LONDON
IDEA CREATION • ADAM&EVEDDB, LONDON/DDB, CHICAGO
PRODUCTION • DYNAMICHROME, BRENTWOOD
MEDIA • MEDIACOM, LONDON
POST PRODUCTION • ADAM&EVEDDB, LONDON
D04/009 • CANADA
SOCIAL BEHAVIOUR
TITLE • COLOURS OF PRIDE
BRAND • FONDATION ÉMERGENCE
PRODUCT • FONDATION ÉMERGENCE
ENTERED BY • RETHINK, TORONTO
IDEA CREATION • RETHINK, TORONTO
POST PRODUCTION • GRAYSON MUSIC, TORONTO
D06/003 • GERMANY
BREAKTHROUGH ON A BUDGET
TITLE • THE KETCHUP BAN
BRAND • CURTICE BROTHERS
PRODUCT • CURTICE BROTHERS KETCHUP
ENTERED BY • OGILVY GERMANY, FRANKFURT
IDEA CREATION • OGILVY GERMANY, FRANKFURT
MEDIA • OGILVY GERMANY, FRANKFURT
PR • OGILVY GERMANY, FRANKFURT
D07/068 • BRAZIL
CORPORATE PURPOSE & CSR
TITLE • THE REAL PROBLEM BRAND • ATHOS
PRODUCT • LGBTQ+ NEWS
ENTERED BY • VMLY&R, SÃO PAULO
IDEA CREATION • VMLY&R, SÃO PAULO
PRODUCTION • CORAZON FILMES, SÃO PAULO
MEDIA • VMLY&R, SÃO PAULO
PR • VMLY&R, SÃO PAULO
THE UNFILTERED HISTORY TOUR
VICE MEDIA
DENTSU CREATIVE, BENGALURU
INDIA
C04/013 • INDIA
BRANDED CONTENT/PODCASTS
TITLE • THE UNFILTERED HISTORY TOUR
BRAND • VICE MEDIA
PRODUCT • BRITISH MUSEUM
ENTERED BY • DENTSU CREATIVE, BENGALURU
IDEA CREATION
• DENTSU CREATIVE, BENGALURU/ DENTSU CREATIVE, MUMBAI/DENTSU CREATIVE, GURGAON
PRODUCTION • DENTSU CREATIVE, BENGALURU
PR
• DENTSU CREATIVE, BENGALURU
POST PRODUCTION
• DENTSU CREATIVE, BENGALURU
A08/032 • USA
CONSUMER SERVICES/B2B CAMPAIGN
TITLE • RACHEL
BRAND • SPOTIFY
PRODUCT • SPOTIFY ADVERTISING
ENTERED BY • FCB NEW YORK
IDEA CREATION • FCB NEW YORK
PRODUCTION
• WATT WHITE MUSIC, MAPLEWOOD
PR
• AJ MEDIA INC, NEW YORK
A08/033 • USA
CONSUMER SERVICES/B2B CAMPAIGN
TITLE • BRAD
BRAND • SPOTIFY
PRODUCT • SPOTIFY ADVERTISING
ENTERED BY • FCB NEW YORK
IDEA CREATION • FCB NEW YORK
PRODUCTION • WATT WHITE MUSIC, MAPLEWOOD
PR • AJ MEDIA INC, NEW YORK
B03/032 • SOUTH AFRICA
SCRIPT
TITLE • “JAB JAB”
BRAND • DISTELL
PRODUCT • SAVANNA CIDER
ENTERED BY • GREY SOUTH AFRICA, JOHANNESBURG
IDEA CREATION • GREY SOUTH AFRICA, JOHANNESBURG
PRODUCTION • FINETUNE STUDIOS, SANDTON
B03/048 • USA
SCRIPT
TITLE • I WILL ALWAYS BE ME
BRAND • DELL TECHNOLOGIES & INTEL
PRODUCT • DELL TECHNOLOGIES & INTEL
ENTERED BY • VMLY&R, NEW YORK
IDEA CREATION • VMLY&R, NEW YORK
PRODUCTION • BORDERLAND, LONDON/JAM3, AMSTERDAM/THE MILL, LOS ANGELES
POST PRODUCTION • HUMAN, NEW YORK
A01/007 • SOUTH AFRICA
FOOD & DRINK
TITLE • THE COCA-COLA BEATCAN CAMPAIGN
BRAND • THE COCA-COLA COMPANY SOUTH AFRICA
PRODUCT • COCA-COLA
ENTERED BY • FCB JOHANNESBURG
IDEA CREATION • FCB JOHANNESBURG
PRODUCTION • CAKE FILMS, JOHANNESBURG/ DIGITAL UNION, JOHANNESBURG/AUDIO MILITIA, JOHANNESBURG
A01/026 • COLOMBIA
FOOD & DRINK
TITLE • ROYALTY FREE BOT
BRAND • ABINBEV
PRODUCT • BUDWEISER BUDXRECORDS
ENTERED BY • DAVID, BOGOTÁ
IDEA CREATION • DAVID, BOGOTÁ
PRODUCTION • PIVOTE, BOGOTÁ
MEDIA • ZENITH, BOGOTÁ
POST PRODUCTION • PIVOTE, BOGOTÁ
A07/009 • INDIA
MEDIA/ENTERTAINMENT
TITLE • THE UNFILTERED HISTORY TOUR
BRAND • VICE MEDIA
PRODUCT • BRITISH MUSEUM
ENTERED BY • DENTSU CREATIVE, BENGALURU
IDEA CREATION • DENTSU CREATIVE, BENGALURU/ DENTSU CREATIVE, MUMBAI/DENTSU CREATIVE, GURGAON
PRODUCTION • DENTSU CREATIVE, BENGALURU
PR • DENTSU CREATIVE, BENGALURU
POST PRODUCTION • DENTSU CREATIVE, BENGALURU
B04/005 • SOUTH AFRICA
CASTING & PERFORMANCE CAMPAIGN
TITLE • GLUTEN FREE
• GAME
BRAND
PRODUCT • RETAIL
ENTERED BY • THE ODD NUMBER, JOHANNESBURG
IDEA CREATION
PRODUCTION
• THE ODD NUMBER, JOHANNESBURG
• AQUANOTE PRODUCTIONS, JOHANNESBURG
B04/006 • SOUTH AFRICA
CASTING & PERFORMANCE CAMPAIGN
TITLE • CAFFEIN FREE
• GAME
BRAND
PRODUCT • RETAIL
ENTERED BY
• THE ODD NUMBER, JOHANNESBURG
IDEA CREATION
• THE ODD NUMBER, JOHANNESBURG
PRODUCTION • AQUANOTE PRODUCTIONS, JOHANNESBURG
B04/023 • USA
CASTING & PERFORMANCE
TITLE • NATIVE SPORTSCASTERS
BRAND • AB INBEV
PRODUCT • CORONA
ENTERED BY • WE BELIEVERS, BROOKLYN
IDEA CREATION • WE BELIEVERS, BROOKLYN
PRODUCTION • PRODOERS, NEW YORK
MEDIA • MEDIACOM MEXICO, MEXICO CITY
POST PRODUCTION • PRODOERS, NEW YORK/ PICKLE MUSIC, NEW YORK
C02/011 • UNITED KINGDOM
USE OF AUDIO TECHNOLOGY
TITLE • AUDITORIAL
BRAND • GOOGLE
PRODUCT • ACCESSIBLE EDITORIAL PLATFORM
ENTERED BY • R/GA, LONDON
IDEA CREATION • R/GA, LONDON/THE GUARDIAN, LONDON/ ROYAL NATIONALL INSTITUTE OF BLIND PEOPLE (RNIB), LONDON/GOOGLE, LONDON
PRODUCTION
• R/GA, LONDON/THE GUARDIAN, LONDON/GOOGLE, LONDON
MEDIA • GOOGLE, LONDON
C06/026 • UNITED KINGDOM
AUDIO LED CREATIVITY
TITLE • THE PRINGLESONIC CHIP
BRAND • PRINGLES
PRODUCT • FOOD
ENTERED BY • GREY, LONDON
IDEA CREATION • GREY, LONDON
PRODUCTION • GREY, LONDON
MEDIA • CARAT, LONDON
A01/022 • COLOMBIA
FOOD & DRINK
TITLE • WHTSPP RECORDS
BRAND • ABINBEV
PRODUCT • BUDWEISER BUDXRECORDS
ENTERED BY • DAVID, BOGOTÁ
IDEA CREATION • DAVID, BOGOTÁ
PRODUCTION • DRAFTLINE, BOGOTA
MEDIA • ZENITH, BOGOTÁ
POST PRODUCTION • DRAFTLINE, BOGOTA
A05/020 • SPAIN
RETAIL
TITLE • MOM BUT NOT HIS MOM
BRAND • BURGER KING
PRODUCT • RESTAURANTS
ENTERED BY • DAVID, MADRID
IDEA CREATION • DAVID, MADRID
PRODUCTION • BLUR FILMS, MADRID/ WE ARE SICARIOS STUDIO, SÃO PAULO/PICKLE MUSIC, NEW YORK
A05/028 • BRAZIL
RETAIL
TITLE • BLACK BUSINESS BEATS
BRAND • MERCADO LIVRE (EBAZAR)
PRODUCT • INSTITUTIONAL
ENTERED BY • GUT, SÃO PAULO
IDEA CREATION • GUT, SÃO PAULO
PRODUCTION • MAGMA, SÃO PAULO/HEFTY, SÃO PAULO
MEDIA • GUT, SÃO PAULO
PR • GUT, SÃO PAULO
A09/001 • GERMANY
NFPO/CHARITY/GOVERNMENT CAMPAIGN
TITLE • PENSION GAP
BRAND • FRAUEN AUFS PODIUM E.V.
PRODUCT • FRAUENAUFSPODIUM.ORG
ENTERED BY • +KNAUSS, HAMBURG
IDEA CREATION • +KNAUSS, HAMBURG
PRODUCTION • DIE STUBE, HAMBURG
A09/002 • GERMANY
NFPO/CHARITY/GOVERNMENT CAMPAIGN
TITLE • CARE GAP
BRAND • FRAUEN AUFS PODIUM E.V.
PRODUCT • FRAUENAUFSPODIUM.ORG
ENTERED BY • +KNAUSS, HAMBURG
IDEA CREATION • +KNAUSS, HAMBURG
PRODUCTION • DIE STUBE, HAMBURG
A09/003 • GERMANY
NFPO/CHARITY/GOVERNMENT CAMPAIGN
TITLE • POWER GAP
BRAND • FRAUEN AUFS PODIUM E.V.
PRODUCT • FRAUENAUFSPODIUM.ORG
ENTERED BY • +KNAUSS, HAMBURG
IDEA CREATION • +KNAUSS, HAMBURG
PRODUCTION • DIE STUBE, HAMBURG
A09/022 • BRAZIL
NFPO/CHARITY/GOVERNMENT
TITLE • LOS SANTOS +3ºC
BRAND • GREENPEACE
PRODUCT • GREENPEACE
ENTERED BY • VMLY&R, SÃO PAULO
IDEA CREATION • VMLY&R, SÃO PAULO
PRODUCTION • PRODUKA CROSSMEDIA PRODUÇÕES, SÃO PAULO
MEDIA • VMLY&R, SÃO PAULO
PR
• VMLY&R, SÃO PAULO
C02/009 • USA
USE OF AUDIO TECHNOLOGY
TITLE • I WILL ALWAYS BE ME
BRAND • DELL TECHNOLOGIES & INTEL
PRODUCT • DELL TECHNOLOGIES & INTEL
ENTERED BY • VMLY&R, NEW YORK
IDEA CREATION • VMLY&R, NEW YORK
PRODUCTION • BORDERLAND, LONDON/JAM3, AMSTERDAM/THE MILL, LOS ANGELES
POST PRODUCTION • HUMAN, NEW YORK
C06/018 • USA
AUDIO LED CREATIVITY
TITLE • I WILL ALWAYS BE ME
BRAND • DELL TECHNOLOGIES & INTEL
PRODUCT • DELL TECHNOLOGIES & INTEL
ENTERED BY • VMLY&R, NEW YORK
IDEA CREATION • VMLY&R, NEW YORK
PRODUCTION • BORDERLAND, LONDON/JAM3, AMSTERDAM/THE MILL, LOS ANGELES
POST PRODUCTION • HUMAN, NEW YORK
C06/023 • INDIA
AUDIO LED CREATIVITY
TITLE • THE UNFILTERED HISTORY TOUR
BRAND • VICE MEDIA
PRODUCT • BRITISH MUSEUM
ENTERED BY • DENTSU CREATIVE, BENGALURU
IDEA CREATION • DENTSU CREATIVE, BENGALURU/ DENTSU CREATIVE, MUMBAI/DENTSU CREATIVE, GURGAON
PRODUCTION
• DENTSU CREATIVE, BENGALURU
PR • DENTSU CREATIVE, BENGALURU
POST PRODUCTION • DENTSU CREATIVE, BENGALURU
D01/010 • SOUTH AFRICA
LOCAL BRAND
TITLE • “JAB JAB”
BRAND • DISTELL
PRODUCT • SAVANNA CIDER
ENTERED BY • GREY SOUTH AFRICA, JOHANNESBURG
IDEA CREATION • GREY SOUTH AFRICA, JOHANNESBURG
PRODUCTION • FINETUNE STUDIOS, SANDTON
D05/017 • INDIA
CULTURAL INSIGHT
TITLE • THE UNFILTERED HISTORY TOUR
BRAND • VICE MEDIA
PRODUCT • BRITISH MUSEUM
ENTERED BY • DENTSU CREATIVE, BENGALURU
IDEA CREATION • DENTSU CREATIVE, BENGALURU/ DENTSU CREATIVE, MUMBAI/DENTSU CREATIVE, GURGAON
PRODUCTION • DENTSU CREATIVE, BENGALURU
PR • DENTSU CREATIVE, BENGALURU
POST PRODUCTION • DENTSU CREATIVE, BENGALURU
D05/018 • USA
CULTURAL INSIGHT
TITLE • NATIVE SPORTSCASTERS
BRAND • AB INBEV
PRODUCT • CORONA
ENTERED BY • WE BELIEVERS, BROOKLYN
IDEA CREATION • WE BELIEVERS, BROOKLYN
PRODUCTION • PRODOERS, NEW YORK
MEDIA • MEDIACOM MEXICO, MEXICO CITY
POST PRODUCTION • PRODOERS, NEW YORK/ PICKLE MUSIC, NEW YORK
D08/009 • USA
MARKET DISRUPTION
TITLE • MUSIC LIBERATES MUSIC MIXTAPE
BRAND • BACARDI
PRODUCT • BACARDI
ENTERED BY • BBDO, NEW YORK
IDEA CREATION • BBDO, NEW YORK
PRODUCTION • STURDY., LOS ANGELES
MEDIA • BBDO, NEW YORK/STURDY., LOS ANGELES
POST PRODUCTION • STURDY., LOS ANGELES
The Work & Awards Hub
Screening Room 1
Screening Schedule
Classic Track - Film Lions
Monday 20 June
11:00-12:00
A01. Food & Drink 12:00-13:15
A02. Consumer Goods
A03. Healthcare
A04. Automotive
13:15-15:00
15:00-19:00
A05. Retail
A06. Travel/ Leisure
A07. Media/ Entertainment
A08. Consumer Services/ Business to Business
A09. Not-for-profit/ Charity/ Government
Tuesday 21 June
09:00-12:15
12:15-14:45
D01. Screens & Event
D02. Micro-film
D03. New Realities
E01. TV/Cinema Film 14:45-19:00
E02. Online & viral Film
Wednesday 22 June
09:00-12:15
12:15-15:00
15:00-19:00
F01. Local Brand
F02. Challenger Brand
F03. Single-market Campai
F04. Social Behavior
Thursday 23 June
09:00-19:00 Film Lions Shortlist
Friday 24 June
10:00-16:00 Film Lions Shortlist at the Debussy Theatre
The Work & Awards Hub Screening Room 2
Screening Schedule
Craft Track - Film Craft Lions
Monday 20 June
11:00-19:00 Film Craft Lions Shortlist
Tuesday 21 June
09:00-19:00 Film Craft Lions Shortlist
Wednesday 22 June
09:00-19:00 Film Craft Lions Shortlist
Thursday 23 June
09:00-19:00 Film Craft Lions Shortlist
Friday 24 June
09:00-19:00 Film Craft Lions Shortlist
To find out when your work is screening come and talk to us at the Awards Hub desk.
Screening Schedule Entertainment Track
Monday 20 June
11:00 -13:30
13:30-16:00
16:00 -19:00
Entertainment Lions Shortlist
Entertainment Lions for Music Shortlist
Entertainment Lions for Sport Shortlist
Tuesday 21 June
09:00-12:20
12:20-15:40
15:40-19:00
Entertainment Lions Shortlist
Entertainment Lions for Music Shortlist
Entertainment Lions for Sport Shortlist
Wednesday 22 June
09:00-12:20
12:20-15:40
15:40-19:00
Entertainment Lions Shortlist
Entertainment Lions for Music Shortlist
Entertainment Lions for Sport Shortlist
Thursday 23 June
09:00-12:20
12:20-15:40
15:40-19:00
Friday 24 June
09:00-12:20
12:20-15:40
15:40-19:00
Entertainment Lions Shortlist
Entertainment Lions for Music Shortlist
Entertainment Lions for Sport Shortlist
Entertainment Lions Shortlist
Entertainment Lions for Music Shortlist
Entertainment Lions for Sport Shortlist
To find out when your work is screening come and talk to us at the Awards Hub desk.