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contents ON THE COVER: Should Boulder follow Longmont’s lead and provide a public option for Internet? by Gavin Dahl

17

....................................................................... NEWS: Amazon’s ruthless practices are crushing Main Street by Jim Hightower

21

....................................................................... BOULDERGANIC: Wind turbines may lure bats into fatal errors by Tim Radford

27

....................................................................... ADVENTURE: A biking trip to explore a family’s Slovakian roots takes some surprising turns by Adam Perry

30

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BUZZLEAD: Matisse exhibit invites visitors to sit a while among the ‘wild beasts’ by Elizabeth Miller

35

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ARTS & CULTURE: BETC gets ambitious by Gary Zeidner

41

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....................................................................... CUISINE: Where is downtown’s dining scene heading? by Hudson Lindenberger

57

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departments 7 L ETTERS: Fracking piece further evidence in the case for a ban; Ballot initiative story shows larger forces at work; Sheriff’s race includes write-in 7 T HE HIGHROAD: Buy local beer, books... and why not seafood? 8 GUEST COLUMN: Facing a crossroads 10 DANISH PLAN: Oklahoma isn’t the first to see radicalist beheadings 15 NEWS: Businesses in the flood-devastated town of Lyons strip down for a fundraiser calendar 39 OVERTONES: Pro Musica Colorado opens season with beautiful music but no theme 43 BOULDER COUNTY EVENTS: What to do and where to go 50 FILM: Panahi defies Iran once more with ‘Closed Curtain’ 51 SCREEN: ‘Dracula Untold’ is almost unterrible 53 CUISINE REVIEW: Staying in one place serves Verde well 55 TIDBITES: Food happenings around Boulder County 59 BEER TOUR: Explosive combinations 65 ASTROLOGY: By Rob Brezsny 67 SAVAGE LOVE: How to make a threesome just a twosome 69 WEED BETWEEN THE LINES: My cannabis poll is better than yours Boulder Weekly

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staff

letters

Publisher, Stewart Sallo Editor, Joel Dyer Advertising Director, Jeff Cole Director of Operations/Controller, Benecia Beyer Circulation Manager, Cal Winn EDITORIAL Managing Editor, Elizabeth Miller Associate Editor, Matt Cortina Arts & Entertainment Editor, Josh Gross Special Editions Editor, Caitlin Rockett Interns, Cassie Moore, Nadia Mishkin Contributing Writers, Peter Alexander, Dave Anderson, Cayte Bosler, Rob Brezsny, Chris Callaway, Michael J. Casey, Paul Danish, James Dziezynski, Amber Gabbey, Jim Hightower, Dave Kirby, Michael Krumholtz, Hudson Lindenberger, Dylan Owens, Brian Palmer, Adam Perry, Leland Rucker, Dan Savage, Alan Sculley, Ryan Syrek, Greg Thorson, Ruth Tobias, Christine Vazquez, Tom Winter, Tate Zandstra, Gary Zeidner SALES & MARKETING Retail Sales Manager, Allen Carmichael Senior Account Executive, David Hasson Account Executive, Jalen Aquino, Julian Bourke, Althea Schelling Marketing Coordinator, Melissa Chua Mrs. Boulder Weekly, Mari Nevar PRODUCTION Production Manager, Dave Kirby Art Director, Susan France Graphic Designer, Mark Goodman Assistant to the Publisher Julia Sallo Office Manager/Advertising Assistant Andrea Neville CIRCULATION TEAM Dave Hastie, Dan Hill, George LaRoe, Jeffrey Lohrius, Elizabeth Ouslie, Rick Slama 14-Year-Old, Mia Rose Sallo

October 16, 2014 Volume XXII, Number 11 As Boulder County's only independently owned newspaper, Boulder Weekly is dedicated to illuminating truth, advancing justice and protecting the First Amendment through ethical, no-holdsbarred journalism and thought-provoking opinion writing. Free every Thursday since 1993, the Weekly also offers the county's most comprehensive arts and entertainment coverage. Read the print version, or visit www.boulderweekly.com. Boulder Weekly does not accept unsolicited editorial submissions. If you're interested in writing for the paper, please send queries to: editorial@boulderweekly.com. Any materials sent to Boulder Weekly become the property of the newspaper. 690 South Lashley Lane, Boulder, CO, 80305 p 303.494.5511 f 303.494.2585 editorial@boulderweekly.com www.boulderweekly.com Printed on 100% recycled paper with soy-based ink.

Boulder Weekly is published every Thursday. No portion may be reproduced in any form without written permission from the publisher. © 2013 Boulder Weekly, Inc., all rights reserved.

Boulder Weekly welcomes your correspondence via email (letters@ boulderweekly.com) or the comments section of our website at www.boulderweekly.com. Preference will be given to short letters (under 300 words) that deal with recent stories or local issues, and letters may be edited for style, length and libel. Letters should include your name, address and telephone number for verification. We do not publish anonymous letters or those signed with pseudonyms. Letters become the property of Boulder Weekly and will be published on our website.

Boulder Weekly

Fracking piece further evidence in the case for a ban

Thank you for your courageous reporting on the political barriers to banning extreme oil and gas extraction like fracking in Colorado. Joel Dyer’s incisive in-depth piece “Who killed the vote on fracking?” [Cover story, Oct. 2] clearly illuminates that technological limitations are not the problem; rather, entrenched political and corporate interests keep millions of Coloradans from enjoying the clean, renewable energy

future that we deserve. As the first national organization to call for a ban on fracking, Food & Water Watch will continue to stand proudly shoulder-toshoulder with grassroots groups like Frack Free Colorado, Our Longmont and Citizens for a Healthy Fort Collins. We are committed to educating and helping to mobilize Coloradans to build the power to hold our elected officials accountable so that we can pass local ballot measures and take the other actions needed to protect our health,

safety and property from fracking. Last month, Food & Water Watch published a report, “The Urgent Case for a Ban on Fracking,” that surveys the more than 150 studies from the past three years that provide the irrefutable scientific evidence that fracking is so inherently dangerous it cannot be regulated. Dyer’s exposé drives home the sad fact that those with the vision for a sustainable, fossil fuel-free future are up against forsee LETTERS Page 8

the

Highroad Buy local beer, books… and why not seafood? by Jim Hightower

I

n case you don’t have enough to worry about, consider “early mortality syndrome.” Sounds gruesomely lethal, doesn’t it? Luckily, this is not a human disease, nor has it struck America — but it affects us anyway. EMS is a new bacterial outbreak that’s been devastating Thailand’s shrimp farming industry. Three troubling points: Shrimp is by far America’s most consumed seafood, the vast majority of it comes from foreign waters, and Thailand

supplies most of that. To combat the disease, Thailand’s shrimp farms have been dumping untold volumes of antibiotics into their ponds — so we’re consuming the antibiotics that the imported shrimp consumed. But you might assume that, surely, our government inspects those boatloads of frozen crustaceans and rejects those too tainted to eat. Well… sort of… barely… not really. Remember, corporate lobbyists and screeching anti-government politicos don’t like government regulation, so less than one-half of one percent of the tons of foreign-produced shrimp coming into the U.S. is inspected. Fishier yet, even though our country is blessed to have three huge and abundant oceans around us, 90 percent of the seafood we eat comes from abroad. And less than 2 percent of that ridiculous volume gets inspected. Indeed, that serving of imported seafood on your

For more information on Jim Hightower’s work — and to subscribe to his award-winning monthly newsletter, The Hightower Lowdown — visit www.jimhightower.com.

plate has traveled an average of 5,475 miles to reach you. And a third of the wild seafood we import has a most unappetizing acronym attached to it: IUU — or Illegal, Unreported and Unregulated. Meanwhile, America’s fishing families are being left out and shortchanged in our own market. Just as we’ve done with beer, books and broccoli, America needs a locavore movement to enrich environmental and human health with local, sustainable seafood. For more information contact Institute for Fisheries Resources at www.ifrfish.org. Respond: letters@boulderweekly.com This opinion column does not necessarily reflect the views of Boulder Weekly. October 16, 2014 7


guest column

Really BAD Ideas

BARING IT ALL FOR THE SUPPORT OF ALL LYONS!

Facing a crossroads by Gary Swing

W

oody Allen once said path of business as usual, that the global that “more than any time economy will collapse and the Earth’s in history, mankind faces human population will start to die off by a crossroads. One path 2030. The two major parties represent leads to despair and business as usual. utter hopelessness, the other to total The Democrats and Republicans are extinction. Let us pray that we have the partners in genocide. Together, they wage wisdom to choose correctly.” a never-ending war against humanity. Our reliance upon fossil fuels has Since the end of World War II, the U.S. allowed human impact to overshoot the has launched illegal military attacks long-term carrying capacity of our enviagainst at least 69 foreign countries, murronment. Recent studies by NASA and dering millions of people. These undeMIT show we are rapidly approaching a clared wars of aggression are always sold perfect storm of converging ecological to the public on a foundation of lies. Since catastrophes. the U.S. government murdered 3,000 of Climate change is happening now as its own people in 2001, the big lie of 9/11 a result of human industrial activity. has been used as a false justification for a Petrochemical agriculture threatens our fake “war on terror.” health, food security and the environFortunately, the Green Party has an ment. The livestock industry contributes excellent 1,000-point platform for peace, to global warming, land degradation and justice, environmental sustainability and democratic reform. air and water polluIf we could fully tion. Hydraulic implement our fracturing presents excellent platform a critical threat to by, let’s say, 1970, we our water supply. WILL just might be able to The Earth is now NEVER HAVE MEANINGFUL save the world. And experiencing the ELECTIONS WITH FAIR the good news is Sixth Mass REPRESENTATION IN that at our current Extinction of animal species due to rate of development, GOVERNMENT UNLESS habitat destruction the Greens are well AND UNTIL WE ELECT caused by human on our way to CONGRESS AND OUR overpopulation and becoming the domiSTATE LEGISLATURES BY over-consumption. nant political party A PARTY LIST SYSTEM The worldwide in the United States OF PROPORTIONAL population of vertesometime within the brate species has next two or three REPRESENTATION. declined by 52 permillion years. cent since 1970. The Green This includes Party has been runmammals, birds, ning candidates for reptiles and fish. public offices in the United States since Meanwhile, the Earth’s human popu- 1985 and in Colorado since 1994. But lation has grown from one billion in we still haven’t elected a single Green 1804 to two billion in 1927, three billion Party member to Congress. in 1960 and more than seven billion The Green Party has run candidates today. in at least 96 different countries. The Overpopulation is a product of the Global Greens website reported that as number of people multiplied by their per of December of 2013, Green Party capita consumption and waste producmembers held 314 seats in national partion. liaments in 30 countries around the The World Wildlife Foundation’s world and 46 seats in the European “Living Planet Report” estimates that Parliament. More than 95 percent of human ecological impact now exceeds these members of parliament were electthe Earth’s carrying capacity by 50 pered by proportional representation, mostly cent. If the average person on Earth con- under party list election systems. sumed as much as the average American, Proportional representation refers to votthe Earth could not support more than ing systems used throughout Europe and one and a half billion people. A recent Latin America under which representastudy by MIT on the limits of growth see GUEST COLUMN Page 11 concluded that if we continue on the

THE UNITED STATES

8 October 16, 2014

by Joel Dyer & Dave Kirby

LETTERS from Page 7

midable opponents. As a third generation Coloradan and Western Region Director for Food & Water Watch, I implore everyone who cares about the health and renewable energy future of this state to join the call for a ban on this dangerous, irresponsible practice. Sam Schabacker/Western Region Director for Food & Water Watch

Ballot initiative story shows larger forces at work

Hats off to Dyer et al, their report [Re: “Who killed the anti-fracking ballot measures?” Cover story, Oct. 2], more than any single report I have read, connects the dots (if the dots are to be believed) — in meaningful ways that I have not seen connected before (I am sure there are other sides — maybe they will speak up?). It lays bare the Colorado political landscape — the players; the motives; the strategies; the stakes; the relationships; the whens, hows and whys; etc. and explains “how we got here” with more credibility than “pseudo-news babble” put out by our monolithic city newspapers, TV and radio stations that mostly report all the same news bytes (yes, the real news in them is that small) from the same source and perspective. On the one hand, it is frightening that so much power is in the hands of so few — that is always dangerous and is not democratic (though we complain less when our horses are winning just like we have greater tolerance when it is our religion being feted) — and there is slight respite in that there appears to be some semblance of benevolent intent mixed in with the greed and need to have it my/our way.

letters This investigative report provides great insight into the workings (behind the scenes) of Colorado politics; political parties; environmental NGOs; oil, gas and coal companies; utilities; and the groups charged with regulating them (utilities and extractive industries). It makes clear the puzzle of why these highly respected environmental groups have been touting natural gas, not restoring the PTC [Production Tax Credit] or increasing RPS [Renewable Portfolio Standard] goals in many states that truly promote wind and solar. It is their funding source of course. If this type of investigative reporting were the norm, it might serve to bring out 80-90 percent of our population voting with insightful knowledge on real issues and real people, not the slogans, sound bytes and deliberately misleading political garbage that passes for “political campaigns,” we might vote knowing the people under the artfully crafted PR masks, how they will vote on real issues not the vague “ideals,” which leaves the backroom deals so wide open and hidden from public view. So Polis, you are off the hook this time. It is clear that all this “for the people” stuff was just a ruse. You play on a bigger playing field and “we the people” appeared to be a convenient prop at the time. Sorry it got so messy trying to represent us. Robi Robichaud/Boulder

Sheriff’s race includes writein Joe Pelle is not running unopposed

see LETTERS Page 12

Boulder Weekly


Voting YES on 68 helps our public schools u Amendment 68 will help Colorado's K-12 public and charter schools by providing more than $114 million a year in NEW funding without raising taxes or cutting existing services. u Unlike taxes, which are mandatory, this new money will come from a voluntary source of revenue by expanding gaming at Arapahoe Park. u Even better, the money will be distributed on a per pupil basis so every local school district will determine the best way to make sure students benefit. The formulas are simple.

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10 October 16, 2014

danish plan Oklahoma isn’t the first to see radicalist beheadings by Paul Danish

T

he beheading in Moore, Okla., last month brought it all back. She wasn’t a raving beauty, just a friendly, freckle-faced girl with a warm grin and a presence that was unforgettable. She would make you feel good the second she walked into a room. She had a great sense of humor. She was a terrific reporter. She was the sweetest girl I ever met. When she worked at the Colorado Daily in the mid-1960s we knew her as Quita Perelli-Minetti. The girl whose byline barely fit on a single line of type and whose first name was routinely mispronounced. “Quita like a banana,” she used to say with a grin. Her family owned a winery in California. I think half the boys in the news room had a crush on her. I know I did, but I never asked her out; she had a boyfriend. The lucky guy was named Rich Hague. He was studying mining engineering at the Colorado School of Mines. They were made for each other. Quita and Rich got married, and Rich landed a job with Utah International Company, a big construction and mining company. The job eventually took them to San Francisco. They rented an apartment near Telegraph Hill. Quita got a job with the Industrial City Press, a newspaper in South San Francisco. The year was 1973. On the evening of Oct. 20, they decided to take an after-dinner walk. That’s when they met the Death Angels. The Death Angels were a racist murder cult, which had been spawned by followers of the Black Muslim movement. It had adherents in a number of California cities. The San Francisco group consisted of several men employed by or associated with a moving, storage and used furniture business named Black Self-Help. They held their meetings in a large loft above the business. They would ultimately kill at least 14 people and attack eight others during a reign of terror that became known as the Zebra murders (after the code name for a police radio channel). On the night of Oct. 20, 1973 three members of the group were cruising San Francisco streets in a white Dodge

van looking for white people to kill. Their names were Jessie Lee Cooks, Larry Craig Green and Anthony Cornelius Harris. The van belonged to Green. At 6 p.m. they tried to kidnap three children from a residential neighborhood. Fortunately, the kids managed to break free and run away. Cooks and Green (Harris claimed he was an unwilling accomplice) were particularly interested in children and women, because killing children and women would make it easier for them to “earn their wings.” This is how crime writer Clark Howard described the process of “earning their wings” in his 1979 book Zebra: The True Account of 179 Days of Terror in San Francisco: “Death Angel wings were awarded to each man who killed four white children, five white women, or nine white men. “Upon completion of the required quota, a new member’s photograph was taken and a pair of black wings were drawn extending from the neck. The photo was mounted on a board along with pictures of other successful candidates, and the board was displayed on an easel at the loft meetings. At that time, there were 15 accredited Death Angels in California. To achieve their collective membership, they had already quietly killed throughout the state 135 white men, 75 white women, 60 white children — or enough of a combination thereof to give each of them his required four, five, or nine credits… All the known suspects in the killings had been associated with the Black Muslim movement.” Quita and Rich took their walk at 9:30 p.m. They were walking west on the south side of Chestnut Street, the street on which they lived, when they encountered Cooks, Green and Harris. The three had parked Green’s van on the North side of the street. Cooks and Green then positioned themselves on opposite sides of the sidewalk on the south side of the street. When Quita and Rich tried to walk between them, they grabbed Rich and pointed a gun at him. Rich told Quita to run, but Cooks put the gun at Rich’s head and said he would kill him if she didn’t stop. She did. see DANISH PLAN Page 12

Boulder Weekly


guest commentary GUEST COLUMN from Page 8

tion in the legislature is determined according to the proportion of the vote cast for each party. For example, if 5 percent of the voters vote for the Green Party, then the Green Party wins 5 percent of the seats in the legislature. Proportional representation is a separate issue from the parliamentary system, which refers to the practice of having the chief executive appointed by the legislature rather than being elected by the voters. There is no necessary connection between proportional representation and parliamentary government. The United States will never have meaningful elections with fair representation in government unless and until we elect Congress and our state legislatures by a party list system of proportional representation. When Harry Hempy (the Green Party candidate for Governor of Colorado) speaks about multiple choice voting systems, he has good intentions, but he is totally missing the point. Multiple choice voting can be a fun gimmick and a minor reform, but it is proportional representation that establishes fair representation in government. In most countries, this is done by casting a simple vote for your favorite political party and its list of candidates. Australia, however, uses a peculiar variety of voting methods. In elections for Australia’s Senate, voters can cast either a simple vote for their favorite party, or a multiple choice vote ranking individual candidates in their order of preference. Guess what? When given the choice, more than 95 percent of voters reject multiple choice voting. They simply vote for their favorite party. Green Party members hold 11.8 percent of the seats in Australia’s Senate under their proportional representation voting system. However, the Green Party has less than 1 percent of the seats in Australia’s lower house, which is elected by instant runoff voting, a greatly inferior form of winner-take-all, multiple choice voting. There is a growing and misguided movement to implement instant runoff voting in the United States. This system is only used to elect national legislators in Nauru, Papua New Guinea, and Australia’s lower house. What we need here is the party list system used by most of the world’s democratic republics. In the absence of proportional representation, the reality is that the Green Party in the United States is largely a protest vote. By voting Green, you reject the genocide, the fascism and the suicidally destructive economic policies of the two major parties. The Green Party only has candidates on the ballot in Colorado Boulder Weekly

this year for three elections: Harry Hempy for Governor, Martin Wirth for State Senate District 2, and I’m on the ballot for Congress: Gary Swing for U.S. Representative in the Sixth Congressional District. But the Green Party has ballot status in Colorado. We could nominate dozens of candidates in 2016 if people would step forward as candidates to take a stand for what they believe in.

The Democrats and Republicans design the election system to keep themselves in power and shut out any meaningful opposition from start to finish. Nevertheless, radical activists can still use electoral politics as one of their platforms for opposing politics as usual and presenting alternatives. You can take a stand by running as a candidate in the party of your choice, or as an independent. Just don’t get drawn into the trap of supporting estab-

lishment politicians who represent the politics of death and destruction. Gary Swing is the Green Party candidate for U.S. Representative in the Sixth Congressional District. His campaign website is www.newmenu.org/swingvoter. Respond: letters@boulderweekly.com This opinion column does not necessarily reflect the views of Boulder Weekly and BW does not believe the goernment was involved in 9/11.

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LETTERS from Page 8

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for sheriff of Boulder County this November, as stated in the Boulder Weekly Voters Guide published Oct. 9. I am also running, as a write-in candidate. If you were to write in “Mickey Mouse” for sheriff this November, that vote would not be counted. To have my name certified to be counted, I had to register with my chosen party, “unaffiliated” and declare my intention to run by January 2 of this year with the Secretary of State’s office. At least 96 days before the election date, I had to submit an affidavit and fingerprints for an FBI background check with the County Clerk and Recorder’s office. To have my name appear on the ballot required collecting 750 valididated, notarized signatures in an eight-week period starting May 15th, which I fell short of. My commendation to Kai Abelkis for placing his name on the ballot as an unaffiliated candidate for County Commissioner. There are many obstacles to participating in politics, but the Clerk’s office does acknowledge the existence of writein candidates by only providing a checkbox and line if a valid write-in candidate is available for that office. I have spoken with the Boulder Weekly and they are certainly aware of my candidacy, to claim that no one else is running is incorrect. Sample ballots are available online at bouldercounty.org/elections, where Boulder residents will see a single blank line among the county candidates, for the single person running as a write-in candidate for a county seat. Contact and campaign finance information for all Colorado candidates is available from the Secretary of State at sos.state.co.us.

The non-partisan League of Women Voters requests and publishes statements from all valid candidates, at vote411.org. I participated in a county candidates forum on Oct. 11, posted at http://news. kgnu.org/2014/10/league-of-womenvoters-candidate-forum and was reported on the same day by Longmont CallTimes [sic] reporter John Fryar. That said, I am not running “against” incumbent candidate Sheriff Joe Pelle. He is a good man and an able administrator, who has devoted his career to serving Boulder County. But I am running for sheriff, and as a patriotic mathematician practiced in non-violent conflict resolution, I am offering a genuine alternative to conventional law-enforcement. If you would like to know more my campaign website is sheriffoflove.org. My Name is Toby Fernsler, and my message is love. Toby Fernsler/via Internet

Domenico’s inaction on hunting should cost her election

We are disappointed to see BW endorse Cindy Domenico for county commissioner [Re: Vote Guide, Oct. 9]. Sugar Loaf residents have for years been frustrated and outraged by commissioner Domenico’s unwillingness to simply follow the law. County Resolution 80-52 (No Discharge of Firearms) was enacted 34 years ago “to promote the public health, safety and welfare.” The resolution closes a four-and-a-half square-mile area of see LETTERS Page 13

DANISH PLAN from Page 10

Andrew Muller

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Quita and Rich were both pushed into the van and forced to lie on the floor. As Green drove away, Cooks tied their hands and then beat Rich unconscious with a club. Green drove to a dark industrial area near some railroad tracks and parked. He grabbed Quita by the hair and pulled her out of the van. He also grabbed a machete he had in the van. He dragged Quita about 20 feet from the van, threw her to the ground and repeatedly hacked into her throat with the machete. When he stopped, her head was almost completely severed from her body. Then Cooks pulled the unconscious Rich from the van, took the machete from Green and repeatedly slashed Rich’s head and neck. Eventually he decided Rich was dead and the killers drove off. Amazingly, Rich wasn’t dead.

Although badly mutilated, he managed to stagger to a street with his hands still tied, where a couple out for a drive spotted him and took him to a police station. Quita’s murder was the first of the 14 Zebra killings in San Francisco. The crime wave didn’t stop until Harris ratted out Cooks and Green along with several other members of the cult. After a year-long trial, Green, Cooks and two others involved in subsequent Death Angel killings were convicted and sentenced to life in prison. As of now they’re still in prison, but eligible for parole. Harris went free; he received immunity in exchange for his testimony. Rich also testified at the trial. Opponents of the death penalty sometimes argue that life in prison is a worse penalty than execution. They say it is living death. Good. Respond: letters@boulderweekly.com Boulder Weekly


LETTERS from Page 12

densely populated, highly recreated neighborhoods to hunting with firearms. The plain language of the authorizing statute defines “firearms” as: “any pistol, revolver, rifle or other weapon of any description from which any shot, projectile, or bullet may be discharged.” (C.R.S. 30-15-301). Clearly hunting with bows and arrows is unambiguously included under the definition. Yet, the commissioners have refused to direct inclusion of bow hunting in the closure. Residents are disgusted with the continuing wounding and crippling of half-tame deer in our community. As a benchmark, the Michigan Department of Resources records a 58 percent wound/cripple rate. Bow hunting is present here even on school days for the 53 days open to this cruel “sport” this year. Of note, our neighborhood is bookended by Betasso Preserve and Sugarloaf Mountain Open Space, where even carrying a bow is against the law and subject to a $300 fine. Jefferson County enforces the complete definition of firearms in the authorizing statute over much larger expanses of land. Why does this continue where we live? Citizens submitted a petition with 86 signatures asking for the Commissioners to: 1) direct exclusion of bows and arrows as written in the statute definition of firearms and 2) request a hearing on expanding the closure to contiguous, now heavily populated subdivisions. This expansion of an additional few square miles would also significantly facilitate the enforcement of the closure. Why shouldn’t these qualifying neighborhoods be afforded the same protections as the original resolution area? For the past three years, the commission, chaired by Ms. Domenico, has stalled, postponed, waffled, delayed and done nothing except consult with the sheriff and Colorado Parks and Wildlife officials behind closed doors. These agency representatives lobby to keep the status quo, though hunters have hundreds of thousands of square miles in which to hunt. These are the organizations with which Ms. Domenico boasts about collaborating. Collaboration might more accurately be defined as capitulation and appeasement of state and county agencies to the detriment of the rule of law and citizen safety in our neighborhoods. Anita Moss/Boulder

Why Ballot Measure 2A will impact you and me

I am a student, a female, a Hill resident, a Greek, a student leader, a roommate, a neighbor, and a resident of Boulder. I feel a special connection to one Boulder Weekly

letters measure in particular that we will see on the ballot this November. This measure won’t change the world; it won’t alter the political landscape or divide the population. But it will make you and me safer. The buzz about 2A is that it will raise taxes by a mere .3 percent, and it will promote arts, community, and culture. It will fund so many projects that will make the already incredible City of Boulder that much more remarkable and different from other places in the United States. These are all great strides forward, but I think the biggest effect will come from the increased lighting. Although some Hill residents decry student behaviors on the Hill come Friday and Saturday night, you can’t argue that safety for an at-risk group that makes up one-third of the population of Boulder isn’t important. Some of the streets that we walk every night are downright dangerous. Yes, arts, community and culture will make this city great, but safety will as well. The lights will deter crime in the areas of the Hill, the Boulder Creek Path and Chautauqua— areas that students—and residents—frequent daily. For any Hill residents concerned that the lighting will shine in their windows and keep them from getting sleep, but in fact the lights will be “pedestrian height” and their brightness will be adjustable by the City We must ask ourselves, is a 3 cent increase in tax on this $10 purchase worth the change that will result? I, along with many of my peers, belong to a modern type of political party: I am fiscally conservative and socially liberal. I am not the type of person who welcomes a tax increase with open arms, but when it is necessary and can benefit all members of a community for such a small cost, it simply makes sense. Recently I read that those who do feel apprehensive seem to think that private organizations should be funding these projects. I attend a public university, and I believe that safety is a matter of public interest, not only for the students, but also for the general population as a whole. So this November, along with many other residents of Boulder, I’m asking that you make the choice that simply makes sense, and vote yes on 2A. Those 3 pennies on your $10 purchase could be pennies that would otherwise slip under your couch cushions or fall out of your wallet as you pay for parking on a crowded Boulder street. As a student, a female, a Hill resident, a Greek, a student leader, a roommate, a neighbor, and a resident of Boulder, I will support 2A, and I hope that you will too. Eileen Sherman, Director of City & Neighborhood Relations, University of Colorado Student Government/Boulder

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n United States Senator: Mark Udall* n Representative to the 114th U.S. Congress – District 2: Jared Polis* n Representative to the 114th U.S. Congress – District 4: Vic Meyers n Governor/Lieutenant Governor: Harry Hempy/Scott Olson n Secretary of State: Joe Neguse n State Treasurer: Walker Stapleton n Attorney General: Don Quick n Regent of the University of Colorado – Congressional District 2: Linda Shoemaker n State Senate – District 16: Jeanne Nicholson n State Representative District 10: Dickey Lee Hullinghorst n State Representative District 11: Jonathan Singer n State Representative District 12: Mike Foote n State Representative District 13: KC Becker n State Representative District 33: Dianne Primavera n District O Regional Transportation District Director: Chuck Sisk n County Commissioner – District 3: Cindy Domenico n County Clerk & Recorder: Ralph Shnelvar n County Assessor: Jerry Roberts n County Treasurer: Paul Weissmann n County Sherriff: Joseph K. Pelle n County Surveyor: Lee Stadele n County Coroner: Emma Hall n City of Louisville City Council Person Ward I: Chris Leh n Town of Superior – Mayor: Clint Folsom n Town of Superior – Trustee: Sandy Pennington, Rita Dozal, Chris Hanson n State Supreme Court Justice Brian D. Boatright: Retain n State Supreme Court Justice Monica M. Márquez: Retain n Court of Appeals Judge Terry Fox: Retain n Court of Appeals Judge Alan M. Loeb: Retain n 20th Judicial District Judge Ingrid S. Bakke: Retain n 20th Judicial District Judge Maria E. Berkenkotter: Retain n 20th Judicial District Judge Patrick Butler: Retain n 20th Judicial District Judge Judith L. LaBuda: Retain n 20th Judicial District Judge Andrew Ross Macdonald: Retain n Boulder County Judge David Archuleta: Retain n Boulder County Judge Noel E. Blum: Do not retain n Boulder County Judge Karolyn Moore: Retain n Boulder County Judge Norma A. Sierra: Retain n Colorado State Amendment 67: No n Colorado State Amendment 68: No n Colorado Proposition 104: Yes n Colorado Proposition 105: Yes n Boulder County Ballot Issue 1A – County-wide Flood Recovery Sales and Use Tax: Yes n Boulder County Ballot Issue 1B – Human Services Safety Net Mill Levy Extension: Yes n City of Boulder Ballot Issue No. 2A – Temporary Tax Increase for Community, Culture, and Safety: Yes n City of Boulder Ballot Question 2B – City Council Executive Session Related to Boulder’s Electric Utility: No n City of Boulder Ballot Question 2C – Affirming the City’s Right to Provide Telecommunication Services: Yes n City of Lafayette Ballot Issue No. 2A – Public Safety Mill Levy: Yes n City of Lafayette Ballot Issue No. 2B – Recreation Bond and Mill Levy: No n City of Lafayette Ballot Issue No. 2C – Retail Marijuana and Retail Marijuana Products Excise Tax: Yes n City of Lafayette Ballot Issue No. 2D – Excise Tax to Fund Clean Energy Initiative: Yes n City of Longmont Ballot Issue 2A (street system maintenance): Yes n Town of Lyons Ballot Issue 2A (applying city sales taxes to recreational marijuana sales): Yes n Boulder Valley School District RE-2 Ballot Issue 3A: Yes n North Metro Fire District Ballot Issue 4A: Yes n Coal Creek Canyon Fire Protection District Ballot Issue 4B: Yes n Lyons Regional Library District Ballot Issue 4C (allowing Lyons to raise taxes for a new library): Yes n Sunshine Fire Protection District Ballot Issue 2A: Yes Boulder Weekly


Lyons businesses bare all

Businesses in the flood-devastated town of Lyons strip down for a fundraiser calendar by Caitlin Rockett

I

n January, three months after the nude calendars have become a common waters of the North and South St. way for groups to raise money. For a Vrain creeks flooded their banks decade the Vail Valley Charitable Fund and overwhelmed the Town of promoted the Vail Undressed Calendar, Lyons, physical therapist Bronwyn which benefited people living or working Muldoon’s business was still struggling in Eagle County who are struggling in the wake of 2013’s historic flooding. financially due to a medical crisis. “I talked to other businesses in town Photographs for these calendars never and it was the same thing — we were included full frontal nudity and always back in town, but we weren’t back to norfeatured Vail residents doing something mal,” says Muldoon, owner of Lyons they love — cycling, skiing or engaged in Physical Therapy. “I wanted to fundraise, something related to their occupation. but I also wanted to promote business and This is the tactic that Muldoon at the same time I wanted to have fun employed for the Lyons calendar. In doing it.” total, 16 businesses are represented in And one morning Bronwyn Muldoon the 15-month calendar. while she was running, Each “model” is photothe idea came her: graphed doing what she’d organize an “au they love from chironaturale” calendar — practics to Pilates to local folks in the nude playing violin. Muldoon initially — with proceeds approached health going to families and businesses about the businesses still strugidea and was met with gling to rebuild. resounding support. “You know how The calendar ended up sometimes your brain with eight pictures repjust goes,” Muldoon resenting health and says of the flow of wellness businesses in thoughts that often In total, 16 businesses are repredeluge the mind dur- sented in the 15-month “Lyons Lyons. Muldoon and Businesses Bare All” calendar. ing a run. “I don’t her husband took the know how it came to majority of the picme but I thought, wow, this is sometures. thing that would catch someone’s eye, Muldoon wanted the calendar to and I thought it would be fun, too — contain scenes that showed devastation and it was.” from the flood. Two pictures show resiAs a physical therapist, Muldoon dents standing in front of their homes as gets the opportunity to hear many of her they are being lifted to meet new flood patients speak of their struggles poststandards. flood. Muldoon’s own contribution to the “I hear their stories and…” she paus- calendar is a picture of her running — a es for a moment. “You just cry for them snowflake covering her left breast — inside because you don’t know how to past the crumpled shelter at Meadow o help them.” Park, a light dusting of snow covering But Muldoon knew she had to do the scenery behind her. something. Muldoon says calendars can be pur“My original thought was to pitch chased for $30 each at four locations in [the idea of a nude calendar] to the Lyons — The Stone Cup, The Barking health and wellness [businesses in Dog, Lyons ReRuns and The White Lion. Lyons] because we’re all caregivers, and A full $20 from each calendar purthat’s what the community still needs is chased goes to the Lyons Community caregivers,” says Muldoon. Foundation who then gives the money She ran the idea past her sisters and to Lyons Emergency Assistance then her husband, who gave his blessing Funding. From there, checks will be for Muldoon to strip down in the name written to residents who have applied to of rebuilding their town. the foundation for flood assistance. “Once I got their backing ... I When asked about how they deterthought, OK, this isn’t such a crazy mined the cost of the calendars, idea,” Muldoon says. Muldoon responds, “Well, we thought, And really, it’s not such a crazy idea. we are naked.” Across the country, tasteful, humorous Respond: letters@boulderweekly.com Boulder Weekly

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news 2C or not 2C isn’t the question Should Boulder follow Longmont’s lead and provide a public option for faster, more affordable Internet? by Gavin Dahl

H

ave you moved to Taylor Wells works on Longmont yet?” inserting the cable course underground. Susan Wisecup, business manager for Longmont Power and Communications, is really asking. She’s ecstatic about the century-old public utility in Longmont building Colorado’s most cutting-edge Internet project. With upload and download speeds of 1 gigabit per second for around $50 per month, soon Longmont residents will be able to download entire HD movies in 10 seconds while paying the best price in the state. Construction began in August and customers can begin signing up for Longmont’s new service in November. The utility plans to connect 25 percent of the city within a year and all Cowles acknowledges local businesses of Longmont by 2017. may decide to move north because “There was no formal ribbon-cutthey’re simply not able to get comparating, just get the equipment in and get ble speeds at any cost here. to work,” says Scott Rochat, the proj“It would be a rational choice for ect’s marketing director. Lighting up them,” Cowles concedes. “It costs four Colorado with globally times more for upload competitive Internet speeds that are one-hunspeeds makes the state dredth that fast.” more attractive, he says, Boulder Chamber of but he doesn’t think Commerce Public Affairs most people compreDirector Angelique hend what a gig means. Espinoza concurs that “We talk about movrelocating from Boulder ing at the speed of your to Longmont is a conlife, as much speed as ceivable choice businesses you need,” Rochat says. may make in the coming Longmont is deployyears. That’s why she and ing fiber optics, bundles the Chamber are leading of transparent fiber made of glass or a low-key coalition of local business and plastic about as thick as a human hair, public interest groups supporting ballot issue 2C, which seeks to affirm the City that transmit information with expoof Boulder’s right to be proactive about nentially more bandwidth than wire improving Internet access within city cables. In a society where commerce, limits. entertainment and democracy require “The point is,” Espinoza says, “we’re increasingly more robust communicain competition to attract and retain the tion systems, Rochat says, Longmont’s highest quality employers and the highnew fiber network will be “fast enough that you should never have to worry est quality talent.” about how fast it is.” Longmont is now mentioned in the That raises questions about whether same sentence as Chattanooga, Tenn., Boulder and Longmont will find themwhich offers gigabit speeds at low cost selves in a digital arms race. to all homes and businesses. Ken Hays, Boulder City Councilman Macon director of the Enterprise Center there, Boulder Weekly

Susan France

is tasked with generating new gigs in “Gig City.” “You don’t really know what you have until you leave and you experience what they have in other places,” he says. “One startup team spent the whole summer here, and then they went back home to Florida. In six months, they were back in Chattanooga and they still are today because they had gotten so addicted to fast broadband.” Boulder’s ballot issue seeks an exemption to one particular state law: the controversial Senate Bill 152, passed in 2005 and sponsored by Jennifer Viega (D-Denver), which restricted public agency involvement in the development of telecommunications services. Press coverage at the time focused on local governments wanting to provide free public Wi-Fi and the industry view that public financing was supposedly unfair competition. A decade later, incumbent providers are offering gigabit speed to just tens of thousands of Coloradans in what CenturyLink refers to as “select areas.” Advocates of 2C and measures like it argue that local governments should be able to act on behalf of constituents when Internet service providers cite low return on investment as a barrier to network upgrades. Comcast’s Cindy Parsons claims

they have spent billions on their network in Colorado and told BW, “We’ll continue to invest.” Parsons says of their download speeds that “all residential customers across Colorado currently have access to 105 megabits per second in Comcast serviceable areas.” As the first public provider in the state, Longmont is touting download speeds 10 times faster and upload speeds 100 times faster. Local officials like Yuma County Economic Development Corporation Executive Director Darlene Carpio say the lack of investment from the private sector has hurt their communities. “We just don’t have what we need here — the speeds, affordability, reliability,” she says. “The first hurdle is that Senate Bill 152 precludes us from being able to consider all options.” So Yuma County, and the county seat city of Wray, like Boulder, are sponsoring ballot questions to let their constituents vote to remove that hurdle. They’re all following Longmont’s lead. Initially in 2009, the telecom industry defeated Longmont’s first attempt to opt out of SB152, spending an unprecedented amount of money to convince voters to oppose the effort. The city can’t spend campaign funds or lobby in favor of ballot issues. By 2011, despite well-funded opposition, 61 percent of voters supported their city’s right to make local Internet choices. Rochat says the question on people’s minds had become “When do I get my gig?” In 2013, Centennial tested the waters, but with a limited exemption that does not allow the city to provide Internet service directly, only through public-private partnerships utilizing city-owned resources. Seventy-six percent of residents voted yes. “Seventy-six percent voter approval was amazing. We were very excited,” says Allison Wittern, Centennial public information manager. This past April, 74 percent of See INTERNET Page 18

October 16, 2014 17


news

INTERNET from Page 17

Montrose voters approved a measure SB152.” modeled on Longmont’s full exemption In Boulder, there are 85 to 100 miles language. of existing fiber infrastructure currently “I think a 3-to-1 vote, like we saw, used by Boulder Valley School District, sends a message,” says Montrose the city, the University of Colorado and Director of Innovation and Community the federal laboratories, according to Engagement Virgil Turner. Cowles. Legislatures in nearly half of all U.S. “The question really is how this states have passed laws like SB152 limexisting asset can serve the community iting local telecommunications authority. more widely,” he says. “That’s what the Thanks to a lack of public oversight and ballot initiative is about, to get the one merger after another, phone and authority of residents here to expand cable providers enjoy virtual duopolies in Doug Christie is feeding countless markets. cable through the neighborhood in Longmont. “Comcast and CenturyLink — that’s it right now,” Wittern says. “Let’s allow other people to come in and increase the competition. That’s going to improve the service and lower the cost.” The market power of being the only phone or cable company available in an area means corporations are operating in “harvesting mode,” scholar Susan Crawford writes in her book Captive Audience. It is common for shareholder-driven giants to invest less than 15 percent of revenue reaped from subscribers back into improving their networks. The problem out West, Turner explains, is the infrastructure used by Charter Communications, their cable provider. Copper, which was first installed in the 1930s for the telephone system and then in the 1970s with the cable system, has now reached the end of its usefulness to society. But Montrose had no leverage to insist broadband in a new direction. The Charter meet the needs of local resispeeds that are available from existing dents. providers are too slow and too costly.” “As we looked at making a big Boulder’s ballot language goes furchange, the incumbents seemed to be ther than the partial exemption passed standing in our way, protected by this in Centennial. Like Montrose, Boulder state law,” Turner says. “Say we wanted is following the Longmont model and to build out a carrier-neutral location on asking voters to approve a full exempcity property where we could invite all tion to SB152. the providers in and they could take a While nonprofit policy research handoff to better aggregate supply into organization Boulder Tomorrow is not our community, for the city to be able to opposing the ballot measure, Executive partner with a local provider that wants Director Dan Powers wonders why the to use city-owned infrastructure — all city explicitly gives itself the option to of those things are prohibited by operate municipal Internet service. 18 October 16, 2014

“If there is really no intention to do so, why is this language necessary?” he asks. Espinoza says she has heard this skepticism from folks who are frustrated about the power utility and are concerned this is just one more thing the city wants to take over. “This is an entirely different matter. I don’t think it’s a parallel situation at all,” she says. “What the language does is exempt us entirely from SB152. I don’t see a realistic Susan France path to the city providing municipal broadband in any large way in the immediate future.” “If I were living in Boulder, I would be clamoring for it, absolutely,” says Vic Ahmed, the founder of Innovation Pavilion, a tech incubator that has supported 85 companies in Centennial. However, he prefers his city’s public-private partnership approach to Longmont’s public option. “Whenever a city goes out and asks for, bids for something like this, as Centennial is doing, not everybody is going to be awarded the contract,” Ahmed says. “So that puts pressure on all the companies in the area, competitive pressure. This will make a huge difference to the price point.” While Longmont will soon offer great prices for world-class Internet, it won’t be the first city launching fiber under the authority of its local public utility. The assets of Chattanooga’s Electric Power Board also belong to the people. “It’s old news that we have it,” Hays says. “The news that everybody is waiting for is, what are you doing with it? If we’re serious about using this as an economic development tool, we have to have an entity that wakes up everyday and works on these issues.” Wisecup, business manager for Longmont Power and Communications, says Longmont having its own electric

utility and now adding broadband is a good thing. “Like Chattanooga and Cedar Falls in Iowa, adding broadband is an easier way than just starting your own broadband utility in a city that doesn’t have its own municipal utility,” she says. Successful publicly run fiber projects have been launched in locales as varied as tobacco town Wilson, N.C., twin college towns Urbana and Champaign, Ill., and Portland suburb Sandy, Ore. Whether or not anyone else in Colorado launches municipally run projects, the industry is responding to the possibility of new local competition. When local officials decided to conduct a study to look into broadband options for Hinsdale County, according to Joanne Hovis, CEO of the nationwide Coalition for Local Internet Choice, “This step alone was sufficient to spur action on the part of the service provider,” she wrote in comments filed with the Federal Communications Commission. “When we would talk to our incumbent providers in the past,” Turner recounts, “Their line was ‘Your city is well-served. Our customers in your city are satisfied with the service. No, we don’t have plans to improve or bring new services to Montrose because there’s just not sufficient return on investment.’ Those were our marching orders to solve the problem on our own, if that’s what it takes. They are certainly interested in coming to the table and talking to us now.” Turner confirms he is now acquainted with phone and cable staffers he didn’t know existed before Montrose voters approved their ballot question. Scott Russell of CenturyLink Denver told BW, “CenturyLink would welcome the opportunity to explore public and private partnerships, but to date we have not been approached with any specific proposals.” “We have a lot of businesses and consumers who complain about their Internet service,” Boulder Councilman Cowles says. “We have people who work out of their home, scholars, students and artists who need faster broadband service that is less expensive. It’s a need that the city government should respond to, and the citizens as well. Boulder voters are very, very smart. I think they will see the advantage to voting for this, so I expect it to pass relatively easily.” There is no formal opposition to 2C. A yes vote doesn’t create any specific action. It doesn’t promise fiber to every home. There is no municipal bond. If that happens later, Boulder’s voters may see the existing providers up the ante. Boulder Weekly


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Mike Guzinski uses the torpedo to feed the cable line underground.

Boulder Community Media Executive Director Alan O’Hashi says he hopes 2C passes and wants to help lead a working group if Boulder convenes one. He is less concerned about whether the city of Boulder gets into running its own fiber business. The big question is how newly accessible networks will be managed, he says, and how the city will address questions of net neutrality, the concept that users should have equal access to any legal content online and all content providers hoping to reach online audiences must be treated equally by network operators. Net neutrality allowed great ideas like YouTube and Twitter to grow across networks big and small. But at the national policy level, phone and cable lobbyists are pushing to change the nature of the Open Internet. Public interest groups warn of a two-tier Internet, where fast-loading content is only available to the highest bidder and the next big idea is stifled because only Facebook or Netflix can afford to pay top dollar to Comcast or Time Warner Cable for optimal delivery. “I think they’re really trying to take away this net neutrality thing,” O’Hashi says of existing Internet service providers. “So the idea of the city being able to carve out this niche of net neutrality is really interesting.” The idea of Boulder as a Gig City raises other questions about how faster Internet could affect local industries and the city as a whole, including familiar concerns like cost of living and highway congestion. Could the rise of 3D printing, telemedicine innovations like rapid diagnostic imaging and other startups make Boulder even more expensive, Boulder Weekly

more sprawling, more traffic-snarled? Councilman Cowles points to the promise of easier telecommuting in response. What about Cowles’ well-intentioned comment in August during a Boulder City Council meeting that the startup economy brought a lot of very highly paid white men to the city, who are pricing out families? “Are you kidding me? Walk into an office and look around,” Espinoza says. “The idea that a person of color can’t compete in that environment, or a woman can’t compete, is just not the case. We live in a somewhat segregated community but I would say it’s better now than it used to be in part because of the high tech sector. I haven’t been asked if I speak English in some time now.” With the industry paying attention to measures like 2C, the added pressure could lead to investment in faster speeds and lowered prices for existing Comcast and CenturyLink customers, or it might not. Longmont Power and Communications officials are scheduled to make a detailed presentation to Longmont City Council on Oct. 21, including a pricing card. “A lot of these carriers are still cherry-picking their neighborhoods, so it’s not gonna be a product for everybody,” Hays points out. “AT&T, Cox, Comcast, these are the companies that were telling us four years ago we didn’t need fiber. I think any city that gets fiber only helps propel more applications and more future development. It just depends on whether you feel broadband is a utility, and I think we’ve answered that question.” Respond: letters@boulderweekly.com

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9/22/14 6:03 AM


news (c) Brian Duffy. All rights reserved.

The first installation of this story covered the experience for workers in Amazon’s warehouses, who describe conditions that leave them running from one shelf to the next with little time for breaks and conditions that, during heat waves, led to having ambulances on standby to treat heat stroke.

Amazon’s ruthless practices are crushing Main Street The Amazon story, part 2: The tax-dodging predator by Jim Hightower

E

ven by the anything-goes ethical code of the corporate jungle, Amazon.com’s alpha male, Jeff Bezos, is considered a ruthless predator by businesses that deal with him. As overlord of Amazon, by far the largest online marketer in the world (with more sales than the next nine U.S. online retailers combined), Bezos has the monopoly power to stalk, weaken and even kill off retail competitors — going after such giants as Barnes & Noble and Wal-Mart and draining the lifeblood from hundreds of smaller Main Street shops. He also goes for the throats of both large and small businesses that supply the millions of products his online behemoth sells. They’re lured into Amazon by its Boulder Weekly

unparalleled database of some 200 million customers, but once in, they face unrelenting pressure to lower what they charge Amazon for their products, compelled by the company to give it much better deals than other retailers can extract. Lest you think that “predator” is too harsh a term, consider the metaphor that Bezos himself chose when explaining how to get small book publishers to cough up deep discounts as the price of getting their titles listed on the Amazon website. As related by Businessweek reporter Brad Stone, Bezos instructed his negotiators to stalk them “the way a cheetah would pursue a sickly gazelle.” Bezos’ PR machine tried to claim that this sneering comment was just a little “Jeff

joke,” but they couldn’t laugh it off, for a unit dubbed the “Gazelle Project” had actually been set up inside Amazon. This top-level team focused on doing exactly what Bezos’ metaphor instructed: Pursue vulnerable small publishers and squeeze their wholesale
 prices to Amazon down to the point of no profit, thus allowing the online retailer to underprice every other book peddler. When Stone exposed Gazelle last year in his book, The Everything Store, the project was suddenly rebranded with a bloodless name — “Small Publisher Negotiation Program” — but its mission remains the same. Today, Amazon sells a stunning 40 percent of all new books, up from 12 percent five years ago. It is even more

dominant in the digital book market, which is fast catching up to the sales level of physical books and is widely perceived as the future of publishing. Electronic book sales were nonexistent just seven years ago; today about a third of all books sold are e-books, and Amazon sells two-thirds of those. Of course, Amazon also owns Kindle, the largest-selling device for reading digital books. With his market clout, deep-pocket financing and ferocious price-cutting, Bezos has forced hundreds of America’s independent bookstores to close and has humbled the superstore
book chains that once preyed on the independents and dominated the market. See AMAZON Page 22

October 16, 2014 21


(c) Brian Duffy. All rights reserved. photo

The “Gazelle Project” was set up to force small book publishers to deeply discount the price of their titles in order to get the titles listed on Amazon. Bezos instructured negotiators to stalk these publishers “the way a cheetah would pursue a sickly gazelle.”

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AMAZON from Page 21

Borders, the second-largest chain succumbed to bankruptcy in 2011. Now Barnes & Noble, the largest brick-andmortar bookstore, is stumbling. It has lost millions of dollars, closed dozens of stores, shrunk most others and suffered the embarrassment of its own board chairman frantically dumping big chunks of Barnes & Noble stock. Bezos’ online empire not only stands alone as the paramount bookseller, but is also the dominant price setter, the arbiter of which titles get the best access (or none) to the biggest number of buyers, the most powerful reviewer of books, the publisher of its own line of books, the keeper of an inhouse stable of writers — and even the sponsor of a major book prize. He achieved this the old-fashioned way: brute force. While it’s true that Amazon is innovative, efficient and focused on customer satisfaction, such factors alone did not elevate Amazon to its commanding level of market control. To reach that pinnacle, Bezos followed the path mapped by Rockefeller and other 19th-century robber barons: (1) ruthlessly exploit a vast and vulnerable low-wage workforce; (2) extract billions of dollars in government subsidies; and (3) wield every anti-competi-

tive weapon you can find or invent to get what you want from other businesses.

What’s the matter with Main Street? Through doing all of the above, Bezos has applied his cheetah business model to nearly everything retail. Amazon’s massive book dominion is now dwarfed by its annexation of dozens of other markets — book sales now make up a mere 7 percent of Amazon’s total business. Amazon has already captured more than a third of all online sales with a website that’s a phantasmagoric mall of unimaginable size, containing what amounts to hundreds of virtual superstores. In the process, and with the same deeply discounted prices they used to conquer the book business, Amazon has poached millions of customers from neighborhood shops and suburban malls. The chase for cheap has been great for Amazon, but it is proving intolerably expensive for your and my hometowns. Our local businesses lose customers and have to close, local workers lose jobs and local economies lose millions of consumer dollars that Amazon siphons into its faraway cofBoulder Weekly


news fers. What makes that even more intolerable is that much of Amazon’s competitive advantage has been ill-gotten, obtained by dirty deeds.

The Amazon subsidy Bezos would not have grabbed such market dominance if government had not been subsidizing his sales with special tax breaks for 20 years. In all but a handful of states, merchants are obliged by law to collect city and state sales taxes from everyone who buys stuff from them. But Amazon, as an online merchant, has avoided adding these taxes to the price that its customers pay. Bezos has emphatically insisted from the start that Amazon’s only facility is its headquarters in Washington state, claiming therefore that Amazon’s sales in the other 49 states are exempt from sales taxes — even though he racks up billions of dollars in sales in those states and even though Amazon has massive warehouses in about half of them. With legalistic hocus-pocus, Bezos asserts that the warehouses are independent contractors, not part of Amazon. In Texas, where I live, the sales tax rate is 8.15 percent, so by claiming to be exempt, Amazon gets a price subsidy of more than 8 cents on every dollar of its sales — that’s more than the entire profit margin of most independent shops. The tax subsidy ranges from about 4 percent to more than 10 percent across the country, handing Bezos an advantage of several billion dollars a year that has underwritten his fast and vast expansion. Amazon’s tax ploy has been key to its ability to undercut the prices of local retailers, forcing many of them out of business. And the tax dodge has also shortchanged our communities by eliminating billions in tax revenues that cities and states desperately need for schools, infrastructure, parks and other public services. During the past couple of years, 21 states have stopped playing the fool, finally requiring Amazon to collect sales taxes like its competitors do. In a study released earlier this year, the National Bureau of Economic Research analyzed retail data of five of these states and found that Amazon’s sales plummeted by nearly 10 percent after they started charging sales tax. It was saving the cost of sales tax — not any Bezos “magic” — that kept many customers buying from his online mall. Of course, that’s cold comfort to the retailers driven out of business during two decades of Amazon’s government-backed assault. Boulder Weekly

“But wait,” as they say on latenight TV infomercials, “there’s more!” Amazon’s amazing slice-and-dice tax machine not only avoids paying state taxes, but it also extracts tax money from states to expand its warehouse network. This supremely rich company says that states wanting the (lowwage, no-benefit, temporary and dehumanizing) jobs that come with its warehouses must show Amazon the money, i.e., offer “incentive grants” or tax breaks. In short, flimflammery and government favoritism help Amazon overwhelm honest competition and extend its monopoly reach.

October 18th & 19th

The Amazon crush Having overweening market power means never having to say you’re sorry — even to your owners. Beyond taxpayer subsidies, Bezos can afford to be a voracious predator because his Wall Street investors have allowed him to keep operating without returning a profit. On paper, his revenue-generating machine has lost billions of dollars, yet his major investors, enamored with Amazon’s takeover of one consumer market after another, haven’t pulled the plug. Amazon uses its capital to buy its competitors and/or to market its own version of competitors’ products, which it then sells at a loss in order to squeeze hapless competitors out of business. That’s the very definition of predatory pricing. Brad Stone’s book gives a chilling example of one such predation. Amazon has its own corporate espionage team called Competitive Intelligence that tracks rivals. In 2009, CIAmazon spotted a fast-rising online seller of one particular baby product: diapers.com. A Bezos lieutenant was dispatched to inform the diaper honchos that the cheetah was going into that business, so they should just sell their firm to it. No thanks, replied the upstart. Amazon promptly responded to the rebuff by marketing another line of diapers — with a price discount of 30 percent. It kept dropping the price even lower (plus free shipping) when the smaller firm tried to fight back. Diapers.com’s investors grew antsy, and in September 2010, the two founders of the company met with Bezos himself and surrendered. The final blow was their discovery that Bezos, in his campaign to crush them and control the market of online diaper sales, was on track to lose $100 million in just three months. See AMAZON Page 24

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AMAZON from Page 23

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Such ruthlessness is standard operating procedure at Amazon, which exerts it against any gazelle it chooses to eliminate. This likely includes some of your town’s Main Street stores. Small retailers everywhere are experiencing an ugly practice dubbed “showrooming.” For example, John Crandall, owner of Old Town Bike Shop in Colorado Springs, has seen a surge of shoppers who come in, check out the bikes he sells, ask a lot of questions, try out some bikes — and leave without buying anything. Then, some days later, they’ll show up at the store with the parts for a new bike and ask Old Town to assemble it for them! These shoppers have used their smartphones in Crandall’s store to scan the barcode of a product they like and then gone online to buy it from Amazon at a discounted price — lower than Crandall’s wholesale price. Amazon’s new smartphone, called Fire (apparently meant in the sense of “shoot to kill”), is specifically designed to make showrooming fast and easy. Amazon has even offered $5 rebates to shoppers who scan items at stores, then buy them from the online brute. This is corporate murder. After 38 years in business, Old Town is hanging on, but it’s endangered. Crandall employs 11 people, pays rent and local taxes, supports all sorts of community events and is fully involved in Colorado Springs — a place Bezos couldn’t care less about.

Monopoly, for real Producers need the marketplace, the marketplace needs products. You’d

think this would be a felicitous, symbiotic relationship, but when the market grows into a virtual monopoly, the monopolist can turn on suppliers with a vengeance. Amazon has done precisely that to book publishers. While Amazon’s fight with international publishing giant Hachette has been well publicized, it’s medium-sized and small publishers who are especially vulnerable. They don’t have splashy marketing budgets, so they’re largely dependent on access to the buyers coming to Amazon’s online market. “I offered them a 30 percent discount,” the head of a small academic publishing house told the New York Times this year. “They demanded 40,” she said. After she acquiesced to that, the cheetah soon came back, demanding 45. “Where do I find that five percent?” she asks. “Amazon may be able to operate at a loss, but I’m not in a position to do that.” She can’t leave, but staying could crush her company: “I wake up every single day knowing Amazon might make new, impossible demands.”

It’s time to tell Amazon: no more Rather than examine the far-reaching social destructiveness in Amazon’s business model, the Powers That Be blithely hail Bezos as an exemplary corporate leader and point to his company as a model for the New Economy. They smile cluelessly when he says it’s not Amazon killing off local businesses and turning work into
a low-wage, roboticized nightmare — rather it’s “the future” producing these changes. Bezos has gotten away with this hornswoggle up to now by endlessly Boulder Weekly


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hrough much of its storied history, The Washington Post has been a proud truth-telling newspaper of national importance. From exposing consumer rip-offs and environmental horrors to uncovering the Watergate scandal that consumed Dick Nixon’s presidency, the Post has practiced Journalism with a capital J. In recent years, though, crimped by changes in the newspaper business, the Post had been focusing more on cutting newsroom costs than on a watchdog role. Then, late last year, the Graham family sold the legendary Post to the avatar of Amazon, Jeff Bezos. Why would the master of digital marketing metrics want a newspaper? Was it just a lark? Let’s stay real — Jeff Bezos doesn’t do larks. The Post, of course, is the paper of record at the epicenter of our government, read by practically every Congress critter, agency head, lobbyist and anyone else with an interest in Washington doings. And Amazon’s doings are increasingly tied to the Capitol city — including possible anti-trust probes of its practices, its secret push to get a $600 million contract to build the CIA’s cloud, the funneling of global income through Luxembourg and its treatment of low-wage warehouse workers. And now Mr. Amazon owns a newspaper that helps shape the debate on virtually every topic of public importance — including those that affect his grand ambitions. Bezos didn’t buy a newspaper. He bought power. Respond: letters@boulderweekly.com

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Scary Good Deals reciting his mantra that EVERYTHING Amazon does is to benefit consumers by relentlessly lowering prices. But I don’t want a price that’s stained with gross worker exploitation, the crushing of local enterprise and the creation of a corporate oligarch. It’s up to us to reject this way of business. Stacy Mitchell, an intrepid researcher with the Institute for Local Self-Reliance (www.ilsr.org), has been studying Amazon’s impact and rightly says that to avoid a sterile Amazonian future, we must force “a public conversation about their power.” Unlike WalMart, Amazon is largely invisible to most people. As Mitchell puts it: “All Boulder Weekly

you really see is the website and then the FedEx guy is there.” More people need to know what’s going on between that jazzy website and “the FedEx guy,” for Amazon is insidious, far more dangerous and destructive to our culture’s essential values than Wal-Mart ever dreamed of being. Remember: price is not value. Exchanging value — and our society’s values — for Amazon’s low prices is a raw deal. Reprinted with permission from Jim Hightower’s monthly newsletter, The Hightower Lowdown. Subscriptions are available for just $15 at hightowerlowdown.org or by calling (877) 747-3517. Respond: letters@boulderweekly.com

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S

F. C. Robiller / Wikimedia Commons

cientists might just be million animals flying through about to answer one of their target zone. A quarter of the great puzzles of these were vertebrates, and fourbiodiversity and renewfifths of these vertebrates were able energy: why one of clearly identified as bats. nature’s most agile flyers, a creaAfter each night’s surveilture with the most sophisticated lance, they also found about a ultrasonic tracking system, dozen freshly dead bats, but should be so fatally attracted to very rarely did their video camwind turbines. eras actually observe a fatal Blades on the giant towers of impact. wind turbines can rotate faster However, they identified a than a bird can fly, and are behavior pattern. Bats were known to cause huge numbers of more likely to approach a turbird fatalities. The bigger mysbine during low winds, and they tery is why they kill so many were less likely to approach bats. from downwind as wind speeds These nocturnal flying mamincreased and turbine blades mals perform their aerobatics at moved freely. bewildering speed. They can So the logic works like this: detect and snap up an insect on bats orient towards the turbines the wing, and so collision with a when the air currents are the wind turbine blade ought to be sort they might expect to find Bats have long been considered one of the most agile flyers, leaving researchers baffled as to why so many of them are killed by wind turbines. about as rare as collision with a around tall trees where the building or a tree. insects are gathered, or because But there is no doubt about the National Academy of Sciences on a in their millions. they normally roost in tall trees. bat losses. Researchers have already esti- curious parallel: the species most likely In other words, it is possible that Such findings are provisional, and mated that U.S. wind farms account for to die near a wind turbine are those that bats — which notoriously cannot see there is more work to be done. But the 600,000 or more deaths of the creatures are most likely to nest in trees. very well — are led by their echolocahypothesis does help explain why it every year. And this is not good news — And the conditions that bring the tion system to believe that they are flitshould be tree-roosting bats that suffer particularly as some experts think bats greatest number of deaths are not the ting around a tree. most losses. may be worth $3 billion a year to U.S. high winds that send the blades racing In 2012, at a wind farm in Indiana, “Behaviors that evolved at tall trees farmers as pest controllers. through the air at a lethal 280 kilomeCryan and his fellow researchers monimight be the reason why many bats die Now research biologist Paul Cryan ters an hour, but the relatively gentle tored the behaviour of bats with thermal at wind turbines,” the report conand colleagues from the U.S. Geological breezes of the kind that bats might surveillance cameras, near-infrared video cludes. Survey’s Fort Collins Science Center in experience as the familiar air currents in cameras, acoustic detectors and radar. — Climate News Network Colorado report in the Proceedings of woodland areas when the insects are out Altogether, they detected more than 3 Respond: letters@boulderweekly.com

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Water conservationists talk sometimes about the way western rivers, like the Colorado River, were divided up — a piece to this farm, and a chunk to that city. But no one carving up those shares of water ever A painted crack in the Elwha River thought to save some foreshadows the dam’s removal, for the river itself, so the shown in DamNation. Colorado River dies somewhere near the Mexico border. No one thought to acknowledge that the river had a right to be a river. The first ever Boulder Rights of Nature Film Festival will be showcasing films that recognize those long-forgotten inalienable rights for ecosystems, wildlife and traditional cultures. They name the marches in Ecuador asking for natural beings to get the same rights as corporations as the inspiration for the festival, but have found films that reflect that wish from filmmakers from Germany, South Africa, Canada, the United States and France. Films take viewers to Africa to investigate rhinoceros poaching, to the Arctic to hear from Inuit elders, to Micronesia to follow the creation of the world’s largest shark sanctuary, to American cities to meet a charismatic red-tailed hawk and to the banks of many American rivers that have been dammed to hear about the efforts to free those rivers. Les Blank’s Burden of Dreams about Werner Herzog’s fight to make Fitzcarraldo, a film about the historic effort of a rubber baron trying to move a steamship over a Peruvian hillside to access rubber territory in the Amazon basin, will also screen and Blank’s lifetime of work will be honored. The Boulder Rights of Nature Film Festival takes place Oct. 17-19 at the Dairy Center for the Arts. Details and tickets are at www.thedairy.org. — Elizabeth Miller

TORNADO SEASON STARTS EARLIER, MAY SEE MORE TORNADOES

Tornado season may be starting earlier, according to research from scientists at Montana State University. They found peak tornado activity moving to start in “tornado alley” (Nebraska, Kansas, Oklahoma and northern Texas) an average of seven days earlier throughout the region. For some states, tornado activity has begun as many as 14 days earlier. “If we take Nebraska out [of the data], it is nearly a two-week shift earlier,” said John Long, a research scientist at Montana State University and lead author of the new paper. The shift has occurred over the last 60 years, and showed the day of peak tornado activity moving about 1.55 days per decade. The cause of the change is difficult to pinpoint, but the study identified one connection between a global pattern and tornado activity in Oklahoma. El Niño conditions — warmer waters in the Pacific Ocean that change the air surface pressure and atmospheric circulation — in January and April coincide with earlier peak activity in the spring. “The relationship we do see in Oklahoma is a light but significant connection to El Niño,” Paul Stoy, one of the study’s authors, said in a press release. “This makes one suspect that if global climate change is changing these larger circulations, then there is a connection between a global [variability] and tornado activity.” — Elizabeth Miller

bcfm.org 28 October 16, 2014

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adventure

Courtesy of Adam Perry

Author Adam Perry in the Eastern European countryside.

Riding for a lifeline A biking trip to explore a family’s Slovakian roots takes some surprising turns

by Adam Perry

Y

ou do not look like a person who has just biked over 100 kilometers,” Jan “Jano” Rohac of Greenways Travel Club told me, very matter-of-factly, in his thick Slovakian accent as I entered the Grand Hotel Matej in Banská Štiavnica, Slovakia, after sunset. Helmet still on, pushing my bike through the hotel’s front door, I was wearing a battered Pittsburgh Steelers poncho that was covered in rain and mud, much like my face and hair. But I was smiling, and Rohac was correct: My legs felt fresh, and I still had the energy and enthusiasm to do another 100 kilometers (62 miles) if it was somehow

30 October 16, 2014

necessary. That feeling, and the prospect of traveling alone by bicycle through three countries I’d never been to, staying in a new, hard-to-pronounce town each night, was what took me and my bike trailer to Eastern Europe this summer. But I ended up finding a lot more in Hungary, Slovakia and Poland than exercise and a chance to hone my navigation skills. In April, after receiving my tax return, I decided on a whim that it was time to visit my ancestral home of Slovakia, where my mother’s family has deep roots. After one night of research, I discovered that my great-grandfather was born in Niedzica (pronounced

“knee-jit-sah”), which is now Polish territory. So it made sense, as an avid cyclist living in Boulder, to book a flight from Denver to Budapest and a flight home, one week later, out of Krakow. For a hefty number of euros, fully supported nine-day Budapest-toKrakow (the 250-mile Amber Trail, which is at least as old as ancient Rome) adventure-cycling tours are available. They include hotels, an impressively equipped bicycle, a GPS device, luggage service and around-the-clock emergency support via a borrowed cell phone. Having previously completed numerous bike tours in America and Europe, I decided to contact Greenways and tell them I wanted to do the

Budapest-to-Krakow ride in four days, not nine, and would bring my own bike and haul my clothes, tools, etc., in panniers. I only needed the GPS, cell phone, hotels and directions. It cost a fraction of the normal price and, having biked the Swiss Alps last year, the cycling was downright easy. The navigation was not. Even with the GPS device attached to my handlebars, and a list of directions, there were still turns I had trouble finding — such as onto a skinny, unmaintained country road between Tupa and Slatina in Slovakia. The GPS device would only tell me there was a turn somewhere near, and the directions from the travel company read simply, “Sharp left turn

Boulder Weekly


Adam Perry

towards ball-shaped water tower.” The hard-to-find dirt road — which looked even more iffy when torn apart by a day of constant heavy rain — took me almost an hour to settle on as I biked in circles. That confusion added somewhere between 10 and 20 miles onto the ride from Esztergom, Hungary, to Banská Štiavnica, Rohac’s hometown, where I found a porcelain doll for my daughter. Jano, whose idea of simply writing down the names of each village I’d pass through each day and crossing them off in order helped immeasurably, met me in the lobby of the Grand Hotel Matej around 8 p.m. on August 31 to give me some maps and chat about my day. The previous morning, after I’d arrived from a short bike ride from Budapest to Szentendre, Jano had met me in Hungary’s idyllic “City of Artists” (sort of an Eastern European Taos beside the Danube River), to hand me the GPS device and cell phone, as well as hotel vouchers. Jano even rode about 15 miles north with me between Szentendre and Estzergom, which is on the Slovakian border; we got to know each other a little, talking about our families and biking along the Danube, taking two necessary ferries before Jano went home. When I told the affable, burly Slovakian — whose day job is in cycling advocacy for an Eastern European environmental activism association — about my Slovakian roots and my quest to visit Niedzica, he was unimpressed. “That’s in Poland,” Jano said with a straight face. I could tell he wanted to roll his eyes, but instead chose to change the subject. My grandparents, born in Pittsburgh like my parents and I, raised my mother and her siblings firmly Slovakian, speak-

Muddy roads did little to slow the author’s progress from Budapest to Krakow.

ing the language in their home when I was growing up and often serving rich Slovakian cuisine, especially around Christmas. But Jano was right — just a little research uncovered that the twocastle village of Niedzica (where my grandfather’s father, Adalbert “George” Lopata, was born in 1878) has been in Poland since the 1920s. And my grandmother’s family is from Dubne, which has roughly the same territorial history. Despite all that, and Jano’s assertion that my family is not Slovakian, my time cycling south to north through the country from Budapest to Krakow truly felt like a homecoming. An ancestral voyage. Budapest, where I bought the famed herbal liqueur Unicum Zwack to take home to my love, Irene, and had a few hours to dip my bones in the famous Szechenyi Baths and climb Gellert Hill at sunset for a stunning view of the

world-class city, was startlingly beautiful and cosmopolitan. Plus, a dinner of tasty goulash, bread and good dark beer at a nice restaurant in downtown Budapest cost me about as much as a Happy Meal at an American McDonald’s. And Krakow — which made me feel Polish when I realized every pierogi joint I walked into smelled like my grandmother’s kitchen — was a revelation. The Cracow Hostel, where I made friends with many students, mostly Belgians, is right on the historic Rynek Glowny Grand Square, and I spent the last few days of my trip visiting World War II sites such as Schindler’s factory and Auschwitz, while hanging out in youthful Kazimierz at night. But Slovakia, where almost no one spoke English, was the highlight of my trip. I enjoyed drinking honey wine, and playing pool with locals at the aptly

named Jumbo Pub, in Liptovsky Mikulas, and feasting on potato pancakes with sheep cheese and roast pork in Dolny Kubin, where I befriended Karol Szekely, father of Stanley Cup champion Martin Cibak, whose hockey card Szekely proudly gave me. And I’ll never forget accompanying Jano on a side trip to the intact traditional Slovakian mountain village of Vikolínec, which was attacked by the Germans during World War II. However, it was the many desolate, serene miles between main roads, of which there were few, in Slovakia that I treasured the most, hearing nothing but my muddy bike rolling along and animals — notably little deer the color of a ripe orange — scurrying away. Deep in the forest after a six-mile climb above Liptovská Osada, I snapped a picture that, in hindsight, signifies the sense of home I found on my ride through Slovakia. Lush green all around; humble, poverty-stricken little villages full of welcoming strangers who rarely spoke a word of English but excitedly communicated with such wellknown gestures as handing me complimentary beers on rainy afternoons when I’d only stopped to use a bar’s bathroom; rolling hills far less imposing than the juxtaposition of astounding beauty and bona fide masochism I encountered while biking Switzerland last year; and mile after mile of mostly unmaintained wilderness, where I saw not one fellow cyclist on my entire ride. Nor did I endure any mechanical problems, luckily, for my fourth straight bike tour. Although my bike slowed down some after three days of getting muddy — almost as muddy as my ponsee SLOVAKIA Page 32

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Who rules the slopes: skiers or snowboards? Zeal is hosting an event Oct. 16 at the Boulder Theater to put that question to the test, and screening backto-back world premieres of Superproof’s The Recruitment and Absinthe’s Heavy Metal. Zeal athletes featured in the film, skier Mike Henitiuk and snowboarder Austen Sweetin, will attend the show to duke it out in person, this time as sumo wrestlers. Skiing the Himalaya — With Adrian Ballinger, AMGA mountain guide. 8 p.m. Neptune Mountaineering, 633 South Broadway, Boulder, 303-499-8866. THURSDAY, OCTOBER 23 Shine: A Celebration of Amazing Women and 17 Years of Women’s Wilderness. 5:30 p.m. Rembrandt Yard, 1301 Spruce St., Boulder, 303-938-9191. To list your event, send information to: editorial@boulderweekly.com. attn: “Adventure.”

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cho — on the Slovakian trails, it sustained no flats between Budapest and Krakow, and steered well even on winding descents during downpours. At times I felt like legendary Steelers running back Jerome Bettis joyously tumbling through a defense on an exceedingly wet day, with the playing surface at Heinz Field shredded beyond recognition. It was a blast. Biking virtually every day of the year in Boulder, at over a mile above sea level, I regularly climb Poor Man Road and Lefthand Canyon, and often ride from Boulder to Denver without stopping, so none of the cycling in Eastern Europe was physically challenging, unlike my Swiss tour. The real adventure was traveling alone through three countries with different currencies and different languages, none of which I speak. That kind of seat-of-your-bikeshorts adventure was made less challenging by how ridiculously cheap it is in Eastern Europe. Five dollars (including tip) in Budapest and all through Slovakia — a few more in Krakow — will easily get you a hearty, filling meal and a large local beer. And, if you’re firm, even a five-hour cab ride from Krakow to

Niedzica — three of those hours in the wrong direction — costs only $63. You see, after arriving in Krakow, patronizing the pierogi joints that smelled exactly like my grandma’s kitchen and visiting Wawel Castle and every other tourist attraction I could possibly fit into two days, I made sure to bribe a cabbie to take me to my great-grandfather’s birthplace. Around 10 a.m. on Sept. 5, near St. Florian’s Gate, I counted my remaining zlotys and attempted to negotiate the price of a ride to Niedzica, which is inaccessible by bicycle from Krakow. The cabbie claimed to speak not a word of English, and quickly took me toward the highway, headed south. After three hours — about an hour more than it takes to drive from Krakow to Niedzica — the cabbie suddenly spoke plenty of English, mostly obscenities. In a fit, he rolled down his window in obscure villages to ask everyone from construction workers to schoolchildren how to get to Niedzica. When we finally arrived there, passing iconic 700-yearold Dunajec Castle before stopping in front of St. Bartholemew’s Church — and its Pittsburgh-funded monument that includes a tribute to my late uncle Jozef — the cabbie said that, although Boulder Weekly


adventure the tab had reached approximately 600 zlotys (or $200), he would accept 450. I gave him 200 zlotys — what it would have cost had he not lost his way — and exited the cab without argument, not even looking back to see it speed away. After viewing the monument and the gorgeous little 14th-century church, I felt half satisfied and half stupid, realizing that since my great-grandfather died in Pittsburgh, this might be the gist of my visit to Niedzica. But a guy named Michael, who was picking up his 5-yearold son, Wojtek, at an adjacent preschool, was kind enough to not only take me to the home of a man who shares my mother’s family name (Lopata, which is so common in Niedzica that the man’s response was a shrug) but also introduce me to Father Jozef Bednarczyk, whose office is across from St. Bartholomew’s. Though he spoke not a word of English save for “moment,” which he used to tell me he was getting up to do something and then return, Father Bednarczyk understood well who I was and why I had come all the way from Colorado. For a good 20 minutes he searched through the big, dusty log of Niedzica births and deaths while I sat and wondered whether there was a bus to Krakow close by. After several rounds of saying “moment” before going to his bookshelf and back, Father Bednarczyk — who had previously seemed rather imposing, because of both his size and his silence — became animated. I had scrawled my great-grandfather’s name and birthdate on a small piece of paper torn from my notebook and handed it to the priest when I entered his office. Now, Father Bednarczyk motioned for me to stand up and join him behind his desk to look in the town record. As I reveled in seeing my great-grandfather’s name and birthdate (April 9, 1878) in 136-yearold handwriting, the priest shook his head, said “moment,” and began writing another name, Catarine, on scratch paper in red pen along with the same birthdate as my great-grandfather. “A twin?” I asked. He understood somehow and smiled, nodding approval. “Moment,” Father Bednarczyk said, and flipped forward through the Niedzica village log. Just a few pages later, my great aunt’s name was written again. And again the priest scribbled in red pen on the same scratch paper (which is now on my family’s fridge in Boulder) below Catarine’s birthdate. “31.8.1878.” It turns out Catarine died at four months old, in August 1878. The news of her birth and death was Boulder Weekly

astonishing, something it seems not even my grandparents knew. Father Bednarczyk shook my hand, gave me his card, and walked me outside onto the steps of the church. Two local women were walking by, and he spoke to them in Polish. I understood not a word. One of the women suddenly spoke to me in English. “We will take you to the cemetery,” she said. “It is just down the road. We’re going there already, to visit my grandfather, who is buried there.” To not only learn of my great aunt’s birth, and death, but visit her resting place felt like a miracle, especially to someone raised in a family as staunchly and historically Catholic as mine. The two friendly Niedzica women, one 43 and the other 18, an aunt and her niece, have both lived in Chicago — which reportedly has the largest Polish population of any city other than Warsaw. We spent about an hour in the cemetery, with its timeless views of the village and the surrounding mountains, before I took the women out for pizza and they showed me where to catch a bus to Krakow as the sun sank. Catarine Lopata’s resting place is technically there in that small Niedzica cemetery — the town knows where the unmarked graves from the 1800s, when the cemetery was built, are — but there are no headstones from that time, only unmarked crosses in one small section and ominous mounds in another. Thus, although my ancestral journey felt complete, standing there in the Niedzica cemetery feeling Polish, Slovakian and American all at once, there was still a sense of mystery, knowing only that my great-aunt’s resting place was very near. From Boulder to Budapest by plane, from Budapest to Krakow by bicycle, and to Niedzica by confused cab, it was a solo voyage that made Slovakia feel like home, Poland feel like a newly discovered limb, and adventure cycling feel even more like a calling. Arriving at the Boulder Transit Center after midnight on Sept. 7 following a 23-hour travel day with stops in Frankfurt and Calgary, there was no one to pick me up, let alone the huge box containing my bike, and no bus on which we’d fit. So there I was at the vacant bus station, unpacking my bike and carefully reassembling it before attaching panniers full of clothes, gear and gifts. Putting on my helmet and climbing Broadway heading north in the moonlight — with a porcelain doll from Banská Štiavnica lying face up, tied to my rear bike rack — it seemed another trip was beginning. Respond: letters@boulderweekly.com

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Boulder Weekly


buzz

(Clockwise from left) André Derain’s “Mountains at Coullioure,” Henri Matisse’s “Still Life with Sleeping Woman,” Matisse’s “Open Window, Coullioure” and Raoul Dufy’s “The Beach at Sainte-Adresse.” All courtesy of the National Gallery of Art, Washington, D.C.

Letting the colors sing

fortable, they say. Spend a while. Their inspiration was a quote from Matisse in which he declares: “What I want is an art of purity and tranquility … so that all those who work with their brains … will look on it as something soothing, a kind of cerebral sedative as relaxing in its way as a comfortable arm chair.” Early 20th century critics and viewers, however, were anything but willing to cozy up to these paintings. The Fauvist movement was named for the French les fauves, meaning wild beasts. It was a brief period, a necessary break from the Impressionist style that opened doors for the successive movements in art — Cubism, Abstraction and Surrealism among them — and a style that Matisse never abandoned.

Matisse exhibit invites visitors to sit a while among the ‘wild beasts’ by Elizabeth Miller

N

ot many people in the world get to live with a Matisse in the living room — to look at it over time and let it slowly explain itself. To contemplate the pink shutters and teal walls, the orange sail boat masts and periwinkle hulls — the super-real colors that somehow feel precisely right for the southern French fishing village they depict. “Working before a soul-stirring landscape, all I thought of was making my colors sing, without paying any heed to rules and regulations,” Henri Boulder Weekly

Matisse wrote. This fall, the Denver Art Museum is inviting visitors to have a taste of what it would be like to sit and listen to 14 color-soaked canvases from Matisse, André Derain, Raoul Dufy, Albert Marquet and Georges Braque, all paintings in the bold palette of the Fauvist movement of which Matisse was leader. So for Matisse and Friends: Selected Masterworks from the National Gallery of Art, in an experimental move, design staff filled the galleries with arm chairs, sofas and end tables topped with vases or a clock, even a bird cage. Get com-

The words tossed around in association with the movement are far from comforting: wild, inelegant, immediate, radical. Art critic Marcel Nicolle declared Fauvists paintings the work of a child playing with a paint box, saying splashes of color had been juxtaposed without rhyme or reason and declaring it “either raving madness or a bad joke.” Today, they’re considered masterworks. “These are massive works for us. They are works that rank among the most cherished, among the most visible, the most important works of every museum, and of course as well the most expensive work in the art market,” says Christoph Heinrich, director of the Denver Art Museum. “We thought, ‘What are we doing with these 14 wonderful works? Why don’t we really see MATISSE Page 36

October 16, 2014 35


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buzz MATISSE from Page 35

understand this as an opportunity to That theme is also one the design make an experiment?’ And you know, staff picked up, and rather than hanging we love to do new things. We love to these paintings on the traditional white do things that we haven’t done before. walls, they’ve painted the galleries in So here, we offer you an encounter with bold shades lifted right from the can14 masterworks, with 14 exquisite vases — teal, brick red, deep purple. paintings that you can have a dialogue The paintings burst off the walls, with, that you can spend time with.” the vivid backdrops enlivening the colIt’s a rare encounter. These paintors within the frames and creating an ings, all from the collection of the immersive feel of having sunk a little National Gallery of Art, seldom leave further into the works themselves, as their home in Washington, D.C., and though the visitor could live and are on loan only because the National breathe in the world of pink tree trunks Gallery is currently being renovated. and orange hillsides. “Each and every of No longer do we these works is stunsee the soft, tender ning, brings so much palette of the ON THE BILL: Matisse and essence of the artists, Impressionists. These Friends: Selected Masterworks the circle around artists use bold, vivid from the National Gallery of Art. Denver Art Museum, 100 Matisse, and tells colors — they’re W. 14th Ave. Parkway, Denver, about a fantastic explosive. They’re the 720-865-5000. Through Feb. 8, moment in time,” full brass band. 2015. Heinrich says. “This “The Fauve artists moment in time when were really interested Impressionists got a little pedestrian — in, how do we take the elements of art everybody was painting Impressionism — color, line and shape — and make it at the early years of the 20th century. It more expressive,” says Danielle St. lost a little of its edge, its power, and Peter, master teacher for modern and there was a new generation that was contemporary art at the Denver Art really eager to take it up and to do Museum. something that nobody had done before, Maurice de Vlamick, who comand it was a group of painters around pared colors to an orchestra cued up Matisse — Demain, the young Braque, to play the saxophone, trumpet and the painters that really believed in the slide trombone at full blast, wrote: “I power of color, in the immediacy of the made my tubes of paint burst upon visual and the painting.” my canvas and used nothing but verThough to the modern eye, the two milions, chromes, greens and Prussian groups bear much in common — natublue to snarl out what I wanted to ral landscapes as subjects, visible brush- say.” work and prioritizing expression over His fellow Fauvist Derain found exact replication of the world — the himself in direct conversation with artists saw a gulf between themselves. Impressionist master Claude Monet “The word ‘impressionism’ perfectly when his dealer commissioned him to characterizes their intentions, for they travel to London and make some 50 register fleeting impressions,” Matisse cityscapes to capitalize on Monet’s comwrote in “Notes of a Painter,” published mercial success with his paintings of in 1908. “This term, however, cannot be Waterloo Bridge, the Houses of used with reference to more recent Parliament and the Thames River. painters who avoid the first impression Derain was coming from southern and consider it deceptive. A rapid renFrance, where he had spent the summer dering of a landscape represents only experimenting with color alongside one moment of its appearance. I prefer, Matisse. His “View of the Thames,” from by insisting upon essentials, to discover 1905, three years after Monet began its more enduring character and content, even at the risk of sacrificing some exhibiting paintings of the foggy city, shows dark blue boats billowing pink of its pleasing qualities.” Matisse found harmony in the com- smoke, their hulls filled with pink, and a minty green Tower Bridge and position of everyday objects — the vases, chairs, curtains and sailboats visi- Houses of Parliament at the skyline. “Where Monet is concerned,” ble through an open window in the Derain wrote to fellow Fauvist harbor. He describes building a harmonious work of art without any superflu- Vlaminck, “I adore him despite everyous details to “encroach upon the essen- thing, precisely because of his error, which offers me a precious lesson. Isn’t tial elements.” he right, in the end, with his fugitive He declared, “the chief aim of color and non-lasting color, to render the should be to serve expression.”

natural impression which is only an impression and which does not last? As for me, I am seeking something else: what there is in nature, on the contrary, that is fixed, eternal, complex.” Derain’s London is one of bright patches of contrasting color. Gone is Monet’s attention to replicating the exact color of the Thames’ water at a specific hour of the day. This is a far bolder and wilder claim to the universe. “Fauvism was our ordeal by fire,” Derain wrote. “No matter how far we moved away from things, it was never far enough. Colors became charges of dynamite.” In “Mountains at Collioure,” which is from the same year as his London excursion, visible brushwork applied short swipes of lime green, cobalt blue and teal to trees with trunks the color of salmon fillets set against a backdrop of orange, pink and blue hillsides. “I think in our eyes, today, [Impressionists and Fauvists] do seem very similar, but at the time, when these were exhibited in 1905, to have blue on the mountain in that way, or pink tree stump, that was just too far beyond being descriptive,” St. Peter says. Rather than hanging wall placards with notes on each painting, the Denver Art Museum staff put leatherbound binders that pair quotes from the artist and photographs of the areas they painted with close-up shots of the paintings themselves. The audio guide focuses not on art history, but on cultivating an experience of looking closely at the artwork. “This isn’t a Fauve 101 show. It’s really about the experience of these paintings,” says St. Peter. “We really wanted to think about how to treat them as guests of honor here at the Denver Art Museum. It’s rare that they leave Washington, D.C., so we know that this is a really significant loan for us, so we wanted to treat them in a really unique and special way, a way that maybe people haven’t experienced them in the past.” There’s just one teal loveseat on which to sit to see Matisse’s small in size, but huge in reputation “Open Window,” which hangs on a wall in the corner by itself while most of the rest of the paintings are shown in pairs. “I do understand that there might be people who are like, standing in line to go sit in front of the Matisse,” St. Peter says. “But I guess it’s a good problem to have, right, when you have people who want to sit and spend time with it.” Respond: letters@boulderweekly.com Boulder Weekly


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Boulder Weekly


overtones Pro Musica Colorado opens season with beautiful music but no theme by Peter Alexander

ON THE BILL: Pro Musica Colorado Chamber Orchestra Cynthia Katsarelis, music director with Amanda Balestrieri, soprano, perform Jean Sibelius’ Rakastava, Samuel Barber’s Knoxville: Summer of 1915
and Mozart’s Symphony No. 39 at 7:30 p.m. Friday Oct. 17, Montview Presbyterian, Denver 7:30 p.m. Saturday, Oct. 18, First United Methodist, Boulder. www. promusicacolorado.org/season

P

ro Musica Colorado, the pro- yet the music is ideally suited [to the dark references,” Katsarelis says. “The fessional chamber orchestra program].” prayer, ‘God bless my people,’ it’s such a directed by Cynthia Symphony No. 39 is the first of the poignant prayer because we know what Katsarelis, has told us three symphonies Mozart wrote in happened to them, and the rendering of “Stories” and taken us on 1788, and it is the only one of the three the street noises takes on a different “Journeys” in their past seasons. But that Pro Musica hasn’t played before. turn when you know that the next year there is no theme for 2014–15. The symphonies of 1788 are particularly his father was killed in a car accident.” “Sometimes in classical music, when celebrated because they were the last Amanda Balestrieri has sung you’re putting together beautiful prothree Mozart composed and there is no Knoxville: 1915, but she says that recent grams, the pieces are perfect together, certainty that they were ever performed experiences have deepened her underbut you can’t come up Glenn Ross standing of those with a great theme,” darker shades in the Katsarelis explains. music. That particularly “It has been seems true of the first probably eight years concert of Pro since I’ve sung it,” Musica’s season, she says. “I’ve had which will be perthings happen in my formed Friday in life that made me Denver and Saturday relate much more in Boulder (7:30 p.m. closely to the piece. both nights; www. “The middle promusicacolorado. section became org/season). The promuch more meangram comprises three ingful after I had pieces with no evident suffered the loss of connection among family members. To them: Sibelius’ tone me now the climax poem Rakastava for of the piece is not so strings and percusmuch the nostalgic Cynthia Katsarelis directs Pro Musica’s season-opener, which came together sion, Samuel Barber’s around Mozart’s Symphony No. 39. and atmospheric deeply moving setting part, which is how of James Agee’s prose most people think of poem Knoxville: Summer of 1915 for in his lifetime. this piece. I think of it as where it sudsoprano and chamber orchestra, and All three symphonies — No. 39, No. denly gets much slower and says, ‘God Mozart’s Symphony No. 39. 40 in G minor, and No. 41 in C major bless my people.’” “I started with the Mozart,” (“Jupiter”) — are considered among Katsarelis relates the yearning for a Katsarelis says of how the program Mozart’s greatest works. They have been lost innocence not only to Agee’s family came together. “Then I thought about described as a large symphonic cycle, tragedy but also to the fact that in 1915 works that I thought would be compleopening with the ceremonial slow intro- the country stood on the precipice of mentary. duction of No. 39, with the stormy G World War I. “The Mozart symphony’s absolutely minor Symphony in the middle, and the “I had both in mind,” she says. “Even sublime, and in the second movement radiant “Jupiter” Symphony ending the though it’s written for a specific set of very stormy, and there is just something cycle with a triumphant fugue. circumstances, it speaks to the world sitin the sound world and the emotional The emotional heart of the program uation of the time as well. The Greeks world that I think goes extremely well will be the Barber Knoxville: Summer of have a fantastic word for it: xenitia (zewith the Barber.” 1915. Agee’s text describes an idyllic neh-tee-AH), a feeling of catastrophic And Sibelius, which is based on a summer evening when the author was, loss and yearning for home.” story about doomed lovers from Finnish as he wrote, “so successfully disguised to Conductors are always most excited legend? Katsarelis admits it has nothing myself as a child.” Both the text and about their next program. But it is clear to do with the other pieces, except that Barber’s music evoke a deep nostalgia that this concert is very dear to it seems to fit. for the life of a child, secure within his Katsarelis’ heart. “I just love Sibelius, but there’s only family, with “my mother who is good to “Balestrieri is just a magnificent singso much that you can play with a cham- me” and “my father who is good to me.” er, [with] her range of expression and ber orchestra,” she says, noting that the But beneath the nostalgia is the vocal capability,” she says. “I think that symphonies require much larger forces. knowledge of the adult author that the the chemistry of her, and the Barber, “So we have this beautiful piece that idyll would soon be destroyed. and us, and the Mozart is just exquisite doesn’t go with the Barber story, it “The poem speaks really beautifully and fantastic.” doesn’t go with the Mozart story, and Respond: letters@boulderweekly.com to the innocence, but there are sort of Boulder Weekly

October 16, 2014 39


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Boulder Weekly


arts & culture Westward ho!

ON THE BILL: Ambition Facing West, Dairy Center for the Arts, 2590 Walnut St., Boulder, www.boulderensembletheatre.org, $16-$27. Through November 2.

BETC gets ambitious by Gary Zeidner

W

hen is a meditation still water. The backstage wall holds a really an illustration? collection of white rectangles of various Though I don’t believe sizes. Reminiscent of the memorable set playwright Anthony for the Avenue Theatre’s 2004 producClarvoe or the Boulder tion of Metamorphoses, Ambition Facing Ensemble Theatre Company (BETC) West’s set is elementally evocative and set out to answer, or necessarily even grabs the viewer’s attention and interest pose, that question with Michael Ensminger Ambition Facing West, BETC’s production of this award-winning play presents itself as a meditation on the nature of family but is truly more of an expertly crafted illustration of one family’s evolution. Clarvoe’s own family immigrated from Croatia, and that history clearly informs Ambition Facing West. Given the current debate regarding immigration in the United States, many will view Ambition Facing West at the Dairy the play as a commentary on the topic. To me, that is an agenda-driven Rorschach immediately. response, albeit a potentially subconTold in the same interweaved, temscious one, to what is really a theatrical porally overlapped fashion as Pulp watercolor, a beautiful rendering of the Fiction, Ambition Facing West takes cyclical nature of relationships. place in Croatia in 1910, Wyoming in Thanks to the set design by Tina the 1940s and Japan in the 1980s. The Anderson, Ambition Facing West complay jumps from one time frame to the mands the audience’s attention before next from scene to scene, and often the actor’s even take the stage. There is characters from two different eras share no curtain in the Dairy’s East Theatre, the stage. While they can’t interact with so the stage is laid bare for audience their past or future selves, they seem to members taking their seats. The downbe hauntingly aware of them. stage expanse is covered in gravel. In Croatia, a teenage boy named Upstage consists of a wooden-slatted Stipan ( John Hauser) yearns to seek his platform surrounding a small pool of fortunes in America. Though his moth-

er, Marija (Haley Johnson) loathes the idea and the local priest, Father Luka (Casey Andree), encourages him to stay in his homeland, Stipan’s discussions with Ivo (Chris Kendall), an older Croatian just returned from the U.S., intensify his longing to reach the “land of opportunity.” Thirty years later in Wyoming, Stipan (now played by Chris Kendall) and his wife, Josephina (Karen LaMoureaux), raise their teenage daughter, Alma (Adrian Egolf ). Against the backdrop of World War II, Alma seeks to understand her family’s history and plot a course for her future. In 1980s Japan, Alma (now played by Haley Johnson) is a businesswoman struggling with Japanese culture and to connect with her own teenage son, Joey (Benjamin Bonenfant). As the fidgety, Game Boyaddicted Joey begins to embrace Zen Buddhism, Alma must decide whether to stay by his side or follow her work further West. If BETC’s Ambition Facing West were a film, it would be considered Oscar bait, and rightly so as I could see it earning any number of awards. Tina Anderson’s set, a character in and of itself, is complemented by Andrew Metzroth’s lighting design, which uses the white rectangles to great effect. Matthew Fischer’s sound design, which

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is equally understated and effective, alternately sets the tone and embellishes it. Haley Johnson, who impressed me in the otherwise execrable A Lie of the Mind earlier this year, brings equally grounded credibility to both her stern 1910 Croatian mother and her urbane 1980s one. As always, Chris Kendall delivers a naturalistic performance seemingly effortlessly. And LaMoureaux’s and Egolf ’s portrayals are so assured they make you wish that their supportive roles could be expanded. While demonstrating excellent facility for comedy — often from offstage — LaMoureaux also soars in one intensely emotional scene in which she elucidates on the nature of pain to Egolf ’s overwrought teenager. Aided by dialect coach Tamara Meneghini, the actors’ accents are quite credible, particularly when they are playing the Croatian and Italian characters. At the center of all this goodness is director Stephen Weitz. An accomplished actor in his own right, over the past few years Weitz has begun spending more time behind the scenes and less of it onstage. Ambition Facing West is incontrovertible evidence of his continued growth in the director’s chair. Ambition Facing West is first-class theatre. Living up to BETC’s promise, it is indeed a wonderful story wonderfully told. With it, BETC proves once again to be one of the top tier theatre companies not just in Boulder but anywhere. Respond:letters@boulderweekly.com

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Songs & Stories from Del McCoury and David Grisman

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ART ALEXAKIS (of Everclear) Sat 11.22 $27 advance

ELIZA GILKYSON Fri 11.07 $22 advance

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42 October 16, 2014

Boulder Weekly


Griff J

GRIEVES

9 p.m. Friday, Oct. 17, The Fox Theatre, 1135 13th St., Boulder, 303-447-0095.

SEE FULL EVENT LISTINGS ONLINE. To have an event considered for the calendar, send information to calendar@ boulderweekly.com. Please be sure to include address, date, time and phone number associated with each event. The deadline for consideration is Thursday at noon the week prior to publication. Boulder Weekly does not guarantee the publication of any event.

Thursday, October 16

Blues, 800 28th St., Boulder, 303-443-3322.

Music

David Williams. 8 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847.

Aeris “Capriccio.” 7:30 p.m. St. John’s Episcopal Church, 1419 Pine St., Boulder. Azra. 7 p.m. Caffe Sole, 637R S. Broadway St., Boulder, 303-4992985. Celtic Sessions Hosted by The Gael. 6 p.m. Very Nice Brewing Company, 20 Lakeview Drive, Unit 112, Nederland, 303-258-3770. Dave Tamkin Band. 10 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922. David Booker. 7:30 p.m. Boulder Outlook Hotel & Home of the

Dance party

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Bonobo DJ Set, 9 p.m. Thursday Oct. 16, The Fox Theatre,1135 13th St., Boulder, 303-447-0095, $23.

Over the last decade, Britishborn electronic musician Simon Green (Bonobo), made a name for himself by using elements of trip hop and acid jazz to slowly apply layers of samples, drum loops and melodies to build downtempo masterpieces, helping to lay the foundation of what would become chillwave. Typically, when Bonobo tours, he does so with the backing of a 10-piece band. But for his current tour he’s flying solo, cutting and fading DJ-style. Opening is LA-based DJ Jeremy Sole, who mixes world and roots music into contemporary electronic.

Boulder Weekly

Deathmatch Niemti/Wikimedia Commons

Zombie Shoot Saturday, Oct. 18, Longmont Firing Range and Training Center, 10916 Weld County Road 5, Longmont, 303774-4589, $50 single player, $75 team.

Make all your zombie movie and haunted house fantasies become a reality at the Zombie Shoot in Longmont, where participants will be transported to a zombie apocalypse and have to fight off the living dead themselves. Paintball-style handguns, live zombie actors and the house of horrors bring this nightmare to life for fans of these horror narratives and anyone who is looking for a screaming good time. The Zombie Shoot simulation game is a full four hours of mayhem, and will be going on every weekend through Nov. 2 at the police/sheriff firing range in Longmont.

Eric Wiggs. 6 p.m. Upslope Brewing Co. (Flatiron Park), 1898 S. Flatiron Court, Suite 110, Boulder, 303-396-1898. An Evening with John Fielder. 5:30 p.m. Dickens Opera House, 300 Main St., Longmont, 303-543-1411. Jack Hadley. 6 p.m. Oskar Blues Homemade Liquids and Solids, 1555 S. Hover Road, Longmont, 303-485-9400. Jazz Ensembles. 7:30 p.m. Grusin Music Hall, 1020 18th St., see EVENTS Page 44

Storytime Marvin A. Ross

Truth be Told Story Slam, 7:30 p.m. Sunday, Oct. 19, Shine Restaurant and Gathering Place, 2027 13th St., Boulder, 303449-0120, $12 adv., $15 day of show.

The theme for October’s appearance of Truth Be Told, Boulder’s bi-monthly story slam, is “Teacher, teacher!,” a theme that is sure to deliver a broad and enthralling variety of experiences. The three featured storytellers/actors and seven audience members chosen from a hat will each have five minutes to wax about all things teacher-teacherly. The slam is hosted by performance artists and teachers Nina Rolle and Johanna Walker, who will be entertaining with in-between story medleys based on the theme.

October 16, 2014 43


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grass FOr ThaT ass

10/23: henhOuse prOwlers w/ bOnes Jugs n harMOny & bill Mckay 11/6: The chaMp & The cOlOnel FeaT Tyler granT (granT FarM), andy ThOrn & Friends & birds OF chicagO wednesday OcTOber 15

i cOnsciOus & liberaTiOn w/ richy rych

Thursday OcTOber 16

sTiTches

w/ reasOn The ciTizen, seen lOc FeaT dJ earsiq, rare revOluTiOn & hex

MaceO parker

Friday & saTurday OcTOber 17-18

MOnday OcTOber 20

10/17: deadphish OrchesTra 10/18: kineTix & dragOndeer

w/ analOg sOn

The lOx

FeaT Jadakiss, sTyles p & sheek lOuch w/ cOurier, Jack Flash, dOJah da dOn, Mr. Midas, The nOwhere kids & princeTOn da kidd

Tuesday OcTOber 21

big k.r.i.T.

w/ TwO-9 & TOMMy brOwn & husTle Man

saTurday OcTOber 25

FlaTbush zOMbies & The underachievers clOckwOrk indigO presenT The elecTric kOOlade experience

Thursday OcTOber 30

OpiuO

w/ dub Fx, deFunk & TnerTle

Friday & saTurday OcTOber 31 - nOveMber 1

The werks vs zOOgMa eliOT lipp, supervisiOn & paul basic w/ luke The kniFe & dynOhunTer 11/1: subsquabi

Friday nOveMber 7

head FOr The hills

Full seT OF everyOne OrchesTra cOnducTed by MaTT buTler FeaT drew eMMiTT, JeFF sipe, andy ThOrn, andy hall, Travis bOOk, chris pandOlFi, MiMi naJa, Ted TilTOn & all MeMbers OF head FOr The hills w/ gipsy MOOn

saTurday nOveMber 8

seven arrOws

(new prOJecT FeaT david Murphy) w/ signal paTh

MOnday nOveMber 13

MarTy parTy & spank rOck Friday nOveMber 14

iMMOrTal Technique

ww/ very special guesT Tba On 10/22 black pegasus, cF (cOnsTanT FlOw) & dJ sTaTic

saTurday nOveMber 15

JunO whaT?! w/ The Malah

Thursday nOveMber 20

Ty dOlla $ign presenTs The “in TOO deep TOur” w/ lil bibby & JOe MOses

Friday & saTurday nOveMber 21-22

The greybOy allsTars 11/21: OrgOne

wednesday nOveMber 26

shaggy

Thursday deceMber 4

k TheOry live Friday deceMber 5

snOw Tha prOducT saTurday deceMber 6

2 chainz

Friday deceMber 12

hOw The grOuch sTOle xMas TOur

FeaT The grOuch & eligh, cunninlynguisTs, dJ abiliTies & dJ Fresh

Friday & saTurday deceMber 19-20

The Funky MeTers

The heavy peTs MOnday OcTOber 20

cOlOradO brighT vibes

FeaT TrOuble, aspiraTiOn, illgreenz, blackiechan, predeMpTiOn & FleTch

Tuesday OcTOber 21 sub.MissiOn presenTs

elecTrOnic Tuesday FeaT disTal

wednesday OcTOber 22

spankaliciOus

w/ bass cOMa, aleJO, kruza kid & rOOT Mass

Friday OctOber 24 • at the 1up

FOrT knOx & dJ vadiM FeaT kaTrina blacksTOne w/ sTelOuse

saTurday OcTOber 25

JOn belliOn

The beauTiFul Mind TOur w/ rheTOrik, rOOke5 & MaTTy JaMes

tuesday OctOber 28 • dual Venue! sub.MissiOn presenTs

special elecTrOnic Tuesday

FeaT The bug w/ Manga & FlOwdan, apashe, prOJecT aspecT, unliMiTed graviTy, lOsT OpTical, OddiTy, subliMinal, kruza kid & MOre

wednesday OcTOber 29

eMinence enseMble w/ / TechnicOlOr TOne FacTOry

Thursday OcTOber 30

dyrTy byrds & OakhursT w/ hOneypuddle perFOrMing led zeppelin

Courtesy of the Firehouse Arts Center

Bubble Garden — Architect Paul Andersen. MCA Denver, 1485 Delgany St., Denver, 303-298-7554.

— Various artists. Denver Art Museum, 100 W. 14th Ave. Parkway, Denver, 720865-5000. Through Aug. 27, 2017. Oil Paintings by Steven Homsher. Community Art Program Gallery, NCAR, 1850 Table Mesa Drive, Boulder, 303-497-1174. Through Nov. 29.

The Firehouse Arts Center in Longmont will Day of the Dead. Firehouse be showing paintings by Stephanie Hilvitz and Ron Gallegos celebrating the Day of the Dead Arts Center, through Nov. 2. Photography 667 4th Ave., by Fernando Longmont, 303Boza. Community Art Program gallery, NCAR, 651-2787. Through Nov. 2. 1850 Table Mesa Drive, Boulder, 303-497-1174. Dia de Los Muertos/Day of the Dead. Muse Through Nov. 29. Gallery, 356 Main St., Longmont, 303-678Photography and Vision: The Influence of 7869. Through Nov. 1. Joyce and Ted Strauss — Various artists. Defaced — Various artists. Boulder Museum of Denver Art Museum, 100 W. 14th Ave. Parkway, Contemporary Art, 1750 13th St., Boulder, 303Denver, 720-865-5000. Through 2015. 443-2122. Through Jan. 8, 2015. Political Contemporary Realism — by Alan Discovering & Interpreting the West — 21st Manuel. The Dairy Center for The Arts, 2590 Century Landscapes. Main Gallery, Arvada CenWalnut St., Boulder, 303-440-7826. Through ter for the Arts and Humanities, 6901 Wadsworth Nov. 4. Blvd., Arvada, 720-898-7255. Through Nov. 16. Matisse and Friends — by Henri Matisse Drawings — by Carroll Dunham. Denver Art and friends. Denver Art Museum, 100 W. 14th Museum, 100 W. 14th Ave. Parkway, Denver, Ave. Parkway, Denver, 720-865-5000.Through 720-865-5000. Through Feb. 15. January 25, 2015. Drawn to Action: Posters from the AIGA Memory: Loss and Found — by Laurie Beth Design Archives — Various artists. Denver Art Zuckerman and Susan Wechsler. The Dairy Museum, 100 W. 14th Ave. Parkway, Denver, Center for The Arts, 2590 Walnut St., Boulder, 720-865-5000. Through Jan. 18, 2015. 303-440-7826. Through fall. Fictions: Recent Works — Artist Daniel Sprick. A Table (Somewhat): Conversations BeDenver Art Museum, 100 W. 14th Ave. Parkway, tween Objects — Various Artists. 1085 18th Denver, 720-865-5000. Through Nov. 2. St., Boulder, 303-492-8300. Through Dec. 20. First Glance/Second Look: Quilts from the ART/TEKNE: Part 3 “Metaphorming Nature: Denver Art Museum Collection. Denver Art Connecting Human/Nature’s Creative Museum, 100 W. 14th Ave. Parkway, Denver, Potential” — Todd Siler. CU Art Museum, 1085 720-865-5000. Through March 22, 2015. 18th St., Boulder, 303-492-8300. Through Dec. 20. Printed and Painted: The Art of Bark Cloth

Friday & saTurday nOveMber 7-8

new Orleans suspecTs

FeaT paul barrere & Fred TackeTT OF liTTle FeaT perFOrMing The Music OF liTTle FeaT

sunday nOveMber 9

absTracT cOllecTive & hank & cupcakes w/ kinky Fingers & TOTal ghOsT

Tuesday nOveMber 11 sub.MissiOn presenTs

elecTrOnic Tuesday

arTikal Music TOur FeaT J:kenzO, TheleM, eshOne & sleeper

wednesday nOveMber 12

huey Mack

w/ yOnas, cOurier & Jax-zen & bMbc

Friday nOveMber 14

dubskin & dJ lOgic

w/ Mikey Thunder & The quick and easy bOys

saTurday nOveMber 15

richie spice

saTurday nOveMber 29

caspa & The OThers w/ pk sOund

saTurday deceMber 6

kalya scinTilla

FeaT eve OluTiOn w/ nOMinus

saTurday deceMber 13

The cOngress & eddie rOberTs’ wesT cOasT sOunds

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44 October 16, 2014

Buy — Sharon Feder. Boulder Museum of Contemporary Art, 1750 13th St., Boulder, 303-443-2122. Through Nov. 16.

EVENTS from Page 43 Boulder, 303-492-8008. Jeff Brinkman. 6 p.m. 300 Suns Brewing, 335 1st Ave., Longmont, 720-442-8292. Kort McCumber. 6:30 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720-406-9696. Live Jazz Jam. 6:30 p.m. Gravity Brewing, 1150 Pine St., Unit B, Louisville, 303-544-0746. Pine Dwellers. 10 p.m. The Lazy Dog Sports Bar & Grill, 1346 Pearl St., Boulder, 303-440-3355. The Prairie Scholars. 5 p.m. East Moon Bistro, 2144 Main St., #1, Longmont, 303-684-8383. Ramaya Soskin, Cate Coslor and Paul Kimbiris. 8 p.m. Shine Restaurant & Gathering Place, 2027 13th St., Boulder, 303-449-0120. Vic Anderson. 7 p.m. Larry’s Guitar Shop, 508 5th Ave., Longmont, 720-340-4169. World Music Pick. 7 p.m. Agora at the Riverside, 1724 Broadway St., Boulder, 720-477-4164.

Events Boulder Medical Marijuana Harvest Festival. 9 a.m. Helping Hands Herbals, 1021 Pearl St., Boulder. Boulder Salsa Social plus Blues & Swing. 6:30 p.m.

Boulder Dance Coalition, 6185 Arapahoe Road, Boulder, 303-440-8303. Dancelympics. 8 p.m. Bohemian Biergarten, 2017 13th St., Boulder, 720-328-8328. GED classes. 10 a.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Geeks Who Drink — Trivia Night. 6:30 p.m. Liquid Mechanics Brewing Co., 297 N. Highway 287, Suite 100, Lafayette, 303-908-6036. Manon. 7 p.m. Century Boulder, 1700 29th St., Boulder. The Power of Video Storytelling for Non-Profits. 6 p.m. Boulder Digital Arts, 1600 Range St., Suite 100, Boulder, 303-800-4647. Skiers vs. Snowboarders. 8 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030. Tango Intermediate Drop in Class. 6 p.m. Boulder Dance Coalition, 6185 Arapahoe Road, Boulder, 303440-8303. U.N. and International Affairs. 1 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Zumba GoldToning at the Avalon Ballroom. 9 a.m. Boulder Dance Coalition, 6185 Arapahoe Road, Boulder, 303-440-8303.

Boulder Weekly


2907 2907 55th 55th street

events Music

CFOOTMAD — Boulder Community Contra Dance. 8 p.m. Boulder Dance Coalition, 6185 Arapahoe Road, Boulder, 303-440-8303.

Adam Bodine Trio. 7 p.m. Caffe Sole, 637R S. Broadway St., Boulder, 303-499-2985.

Conversaciones en español. 4 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Big Paddy. 10 p.m. Bohemian Biergarten, 2017 13th St., Boulder, 720-328-8328.

Get Growing Garden Program. 9:30 a.m. Wow Children’s Museum, 110 N. Harrison Ave., Lafayette, 303-604-2424.

Friday, October 17

Caribou Mountain Collective. 10 p.m. The Lazy Dog Sports Bar & Grill, 1346 Pearl St., Boulder, 303-4403355. Chain Station. 10 p.m. Conor O’Neill’s, 1922 13th St., Boulder, 303-449-1922. Craig Cornett and the Phast & Wreckless. 6 p.m. Upslope Brewing Co. (Flatiron Park), 1898 S. Flatiron Court, Suite 110, Boulder, 303-396-1898. Danny Shafer & the 21st Century. 8:30 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685. Dechen Hawk. 8:30 p.m. Oskar Blues Brewery, 303 Main St., Lyons, 303-823-6685. Fast Eddy Duo. 6 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847. Forrest Kinney. 7:30 p.m. Chamber Hall, 1020 18th St., Boulder. G Jai’s Jook Joint. 8 p.m. Boulder Outlook Hotel & Home of the Blues, 800 28th St., Boulder, 303-4433322. George Nelson. 6 p.m. Oskar Blues CHUBurger, 1225 Ken Pratt Blvd., Longmont, 303-485-2482. Ginga. 6:30 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720-406-9696. Girls on Top. 8 p.m. Dickens Opera House, 300 Main St., Longmont, 720-297-6397. Grind Organ Trio. 5 p.m. Vindication Brewing Company, 6880 Winchester Circle, Suite F, Boulder. Honey Tree. 7:30 p.m. Oskar Blues CyclHOPS, 600 S. Airport Road, Longmont, 303-776-BIKE. The Long Run. 7:30 p.m. Nissi’s, 2675 North Park Drive, Lafayette, 303-665-2757. Lucas Swafford. 7 p.m. Very Nice Brewing Company, 20 Lakeview Drive, Unit 112, Nederland, 303-258-3770. Makeshift Funk Band. 8 p.m. Oskar Blues Homemade Liquids and Solids, 1555 S. Hover Road, Longmont, 303-485-9400.

Pecha Kucha 20 x 20. 7 p.m. Firehouse Art Center, 667 Fourth Ave., Longmont, 303-651-2787. Salsa Night. 9:30 p.m. Boulder Agora, 1724 Broadway, Boulder, 720-477-4164.

Saturday, October 18 Music

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Aeris “Capriccio.” 7:30 p.m. First Lutheran Church, 3rd Avenue and Terry Street, Longmont. Austrian Connection. 7 p.m. Bohemian Biergarten, 2017 13th St., Boulder, 720-328-8328. Bareface. 8 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847. Boulder Concert Band. 7 p.m. Platt Middle School, 6096 Baseline Road, Boulder. Chuck Pyle. 7 p.m. Jensen Guitars, 350 Main St., Longmont, 303-827-3163.

exp. 10.31 2013

David Booker Band. 8:30 p.m. The Speakeasy, 301 Main St., Longmont, 720-684-4728. Dechen Hawk. 6:30 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720-406-9696. Delta Spirit. 9 p.m. Fox Theatre, 1128 13th St., Boulder, 303-447-0095. Dogs Got Flavor. 10 p.m. The Lazy Dog Sports Bar & Grill, 1346 Pearl St., Boulder, 303-440-3355.

next to valmont post office

Emily Takahashi Quintet. 7 p.m. Caffe Sole, 637R S. Broadway St., Boulder, 303-499-2985.

mon - fri 6 to 6 | sat 7 to 3 | sun 8 to 1

Fall Equinox Ecstatic Dance. 10 a.m. Free Motion Dance Studio, 2126 Pearl St., Boulder, 415-290-9242.

Molly Kollier. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

Fast Eddy. 7 p.m. Liquid Mechanics Brewing Co., 297 N. Highway 287, Suite 100, Lafayette, 303-908-6036.

Nick O’Connor. 4:30 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Road, Unit B, Longmont, 303776-1914.

The Four Pillars Appearing from the Equal D. 8 p.m. ATLAS Black Box Theater, University of Colorado, 1125 18th St., #223, Boulder.

Nolan McInnis. 6:30 p.m. Liquid Mechanics Brewing Co., 297 N. Highway 287, Suite 100, Lafayette, 303908-6036.

Foxfeather. 9 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

The Railsplitters. 9 p.m. Gold Hill Inn, 401 Main St., Boulder, 303-443-6461.

George Nelson Trio. 4:30 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Road, Unit B, Longmont, 303-776-1914.

Rogue Two. 7 p.m. Odd 13 Brewing, 301 E. Simpson St., Lafayette, 303-997-4164.

High Five. 9 p.m. Illegal Pete’s Boulder, 1447 Pearl St., Boulder.

Scott Martin & Wellington Bullings. 9:30 p.m. LOCAL eat + drink, 432 Main St., Lyons, 303-823-2472.

Holiday Blue. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

Swing St. Vrain. 6 p.m. Sun Rose Cafe, 379 Main St., Longmont, 303-651-3533.

Kort McCumber. 6 p.m. Left Hand Brewing Company, 1265 Boston Ave., Longmont, 303-772-0258.

Travis Bush. 6:30 p.m. Still Cellars, 1115 Colorado Ave., Longmont, 720-204-6064.

The Lindsey Saunders Band. 7 p.m. Odd 13 Brewing, 301 E. Simpson St., Lafayette, 303-997-4164.

Wendy Woo. 5 p.m. Left Hand Brewing Company, 1265 Boston Ave., Longmont, 303-772-0258.

My Blue Sky, Jimmy Hall. 8 p.m. Dickens Opera House, 300 Main St., Longmont, 720-297-6397.

Zen Mustache. 9 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

Nick O’Connor. 12 p.m. Mac’s Place, 1640 Pace St., #400, Longmont, 303-678-8929.

Events

Outliers. 8 p.m. Oskar Blues Homemade Liquids and Solids, 1555 S. Hover Road, Longmont, 303-485-9400. Patty Griffin. 8 p.m. Boulder Theater, 2032 14th St., Boulder, 303-786-7030.

Boulder Medical Marijuana Harvest Festival. 9 a.m. Helping Hands Herbals, 1021 Pearl St., Boulder.

Rachel and the Ruckus. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733.

Campfire Tales. 7 p.m. Meadows Branch Library, 4800 Baseline Road, Boulder, 303-441-4390.

see EVENTS Page 46

Boulder Weekly

Coffeehouse

Masterpiece Makers. 1 p.m. Tinker Art Studio, 1300 Yellow Pine Ave., #B, Boulder, 303-503-1902. Minecrafternoons* at Meadows. 3:30 p.m. Meadows Branch Library, 4800 Baseline Road, Boulder, 303-4414390.

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Lyons Cinema Movie Night. 7:30 p.m. Lyons Cinema and Photography Art Center, 442 High St., Suite 2, Lyons, 303-910-2236.

Mark’s Midnight Carnival Show. 10 p.m. Pioneer Inn, 15 E. First St., Nederland, 303-258-7733.

Boulder Bookies, Book Discussion Group. 1 p.m. George Reynolds Branch Library, 3595 Table Mesa Drive, Boulder, 303-441-3120.

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words Innisfree: LP. 2:30 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-495-3303.

Thursday, Oct. 16 The Human Body — by Paolo Giordano. 7 p.m. Tattered Cover Book Store, 2526 E. Colfax Ave., Denver, 303-322-7727.

An Afternoon with Local Authors. With Cynthia Kennedy, William Spain, Paul Wagner and Kathleen Willett. 2 p.m. Boulder Bookstore, 1107 Pearl St., Boulder, 303-447-2074.

Innisfree: Clint Locks. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303495-3303.

Monday, Oct. 20

Friday, Oct. 17 Poetry Open Mic. 7 p.m. Tattered Cover Book Store, 2526 E. Colfax Ave., Denver, 303-322-7727. Little Failure — by Gary Shteyngart. 7 p.m. University of Denver, 2211 S. Josephine St., Denver.

Gary Shteyngart will read from his new memoir Little Failure at the University of Denver on Friday, Oct. 17.

Innisfree: Coffee Cupping. 1 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-495-3303. Saturday, Oct. 18 Institutional Time — by Judy Chicago. 2 p.m. Tattered Cover Book Store, 2526 E. Colfax Ave., Denver, 303-322-7727. The Adventure Gap — by James Mills. 5 p.m. Boulder Bookstore, 1107 Pearl St., Boulder, 303447-2074.

Pinterest Perfect — by Ronda Palazzari. 7 p.m. Tattered Cover Book Store, 2526 E. Colfax Ave., Denver, 303-322-7727. Tuesday, Oct. 21

Paleo Dog — by Jean Hofve. 7:30 p.m. Boulder Bookstore, 1107 Pearl St., Boulder, 303-447-2074. Meet the Authors Teen Fantasy Panel Discussion. With Sara Raasch, Natalie Whipple, Renee Collins and Bree Despain. 7 p.m. Tattered Cover Book Store, 2526 E. Colfax Ave., Denver, 303-322-7727. Innisfree: Weekly Open Poetry Reading. 7 p.m. Innisfree Poetry Bookstore & Cafe, 1203 13th St., Suite A, Boulder, 303-495-3303.

Sunday, Oct. 19

EVENTS from Page 45 Radiate Unified Dance Party with Mr. Gettdowne. 9:30 p.m. Shine Restaurant & Gathering Place, 2027 13th St., Boulder, 303-449-0120.

Longmont Farmers’ Market. 8 a.m. Boulder County Fairgrounds, 9595 Nelson Road, Longmont, 720-8646460.

Rogue Two. 5 p.m. Vindication Brewing Company, 6880 Winchester Circle, Suite F, Boulder, 303-5300642.

Lyons Cinema Movie Night. 7:30 p.m. Lyons Cinema and Photography Art Center, 442 High St., Suite 2, Lyons, 303-910-2236.

Sammy Dee. 8 p.m. Boulder Outlook Hotel & Home of the Blues, 800 28th St., Boulder, 303-443-3322.

South Boulder Pumpkin Patch. 12 p.m. Mount Calvary Lutheran Church, 3485 Stanford Court, Boulder, 303-499-1444.

Something Underground. 7:30 p.m. Nissi’s, 2675 North Park Drive, Lafayette, 303-665-2757. Take Down the Door — Irish Band. 8:30 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685. Trios de Soles Mexico. 7:30 p.m. Oskar Blues CyclHOPS, 600 S. Airport Road, Longmont, 303-776-BIKE.

Events Beginner class at Boulder Tango Studio. 6 p.m. Boulder Dance Coalition, 6185 Arapahoe Road, Boulder, 303-440-8303. The Biggest Little Quilt Show in Northern Colorado. 9 a.m. Boulder County Fairgrounds, Building A, 9595 Nelson Road, Longmont. BodyMantra. 10:30 a.m. Boulder Dance Coalition, 6185 Arapahoe Road, Boulder, 303-440-8303.

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Third and Fifth Saturday SWING w/ Live Music! 7 p.m. Boulder Dance Coalition, 6185 Arapahoe Road, Boulder, 303-440-8303. Tree Planting at Walden Ponds. 9 a.m. Walden Ponds Wildlife Habitat, Boulder, 303-678-6344. Tyrone Webb paints live. Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-444-7328.

Sunday, October 19 Music Bluegrass Jam. 2 p.m. Black Canyon Distillery, 13710 Deere Court, Unit B, Longmont, 720-209-9701.

Cinema Program free screening of “World Home Movie Day.” 2 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Cavani Quartet. 4 p.m. Grusin Music Hall, Imig Building at CU Boulder, 1020 18th St., Boulder, 303-492-1411.

Introduction to Your Human Microbiome. 1 p.m. Jennie Smoly Caruthers Biotechnology Building, Butcher Auditorium, CU-Boulder campus, Research Park, Boulder.

46 October 16, 2014

Tango Technique Class with G&G. 7:15 p.m. Boulder Dance Coalition, 6185 Arapahoe Road, Boulder, 303440-8303.

Boulder Medical Marijuana Harvest Festival. 9 a.m. Helping Hands Herbals, 1021 Pearl St., Boulder.

Community Shred Day. 9 a.m. Elevations Credit Union, 2960 Diagonal Highway, Boulder, 303-415-3504.

November 14-16, 2014 @ The Sky Hotel in Aspen, November 14-16, 2014 CO. www.cannabisgrandcru.com @ The Sky Hotel in Aspen, CO.

Tango Night at BTS. 9 p.m. Boulder Dance Coalition, 6185 Arapahoe Road, Boulder, 303-440-8303.

La Fiesta. 7 p.m. Boulder Elks Lodge, 3975 28th St., Boulder. Le Nozze di Figaro Live. 6:30 p.m. Century Boulder, 1700 29th St., Boulder.

Colorado You Got Talent. 8 p.m. Dickens Opera House, 300 Main St., Longmont, 720-297-6397. Country Dog. 5 p.m. Gold Hill Inn, 401 Main St., Boulder, 303-443-6461. Danny Shafer. 5 p.m. Oskar Blues CHUBurger, 1225 Ken Pratt Blvd., Longmont, 303-485-2482. Frankie Floyd. 6 p.m. Oskar Blues Grill & Brew, 303 Main St., Lyons, 303-823-6685. Hollie Cook & Tatanka. 8:30 p.m. Fox Theatre, 1128

Boulder Weekly


events 13th St., Boulder, 303-447-0095.

303-786-9270.

Tuesday, October 21

Walnut St., Boulder, 720-406-9696.

Mary Scholz. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

German Speaking Table. All Day. Bohemian Biergarten, 2017 13th St., Boulder, 720-328-8328.

Music

Events

Massive Snowflake. 9 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

The Internet’s Own Boy. 5 p.m. ATLAS 100, Cofrin Auditorium, 1125 18th St., #223, Boulder, 303-7354577.

The Boulder Jam. 9 p.m. The Lazy Dog Sports Bar & Grill, 1346 Pearl St., Boulder, 303-440-3355.

Beginner class at Boulder Tango Studio. 6 p.m. Boulder Dance Coalition, 6185 Arapahoe Road, Boulder, 303-440-8303.

The Ridgelings Kickstarter Launch Show. 6 p.m. Gravity Brewing, 1150 Pine St., Unit B, Louisville, 303544-0746. Shalom Y’all. 6 p.m. JCC Boulder, 3800 Kalmia Ave., Boulder, 303-998-1900. Tomm Price and the Stilettos. 3 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Road, Unit B, Longmont, 303-776-1914. Vintage Highway Band. 3 p.m. Left Hand Brewing Company, 1265 Boston Ave., Longmont, 303-772-0258.

South Boulder Pumpkin Patch. 4 p.m. Mount Calvary Lutheran Church, 3485 Stanford Court, Boulder, 303499-1444.

Dave Tamkin. 7 p.m. The Dickens Tavern, 300 Main St., Longmont, 303-834-9384. Goodrattle. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

Tyrone Webb paints live. Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-444-7328.

Nicol Spera. 7:30 p.m. Grusin Music Hall, 1020 18th St., Boulder, 303-492-8008.

Web Fundamentals. 6 p.m. Boulder Digital Arts, 1600 Range St., Suite 100, Boulder, 303-800-4647.

Open Mic. 6:30 p.m. Front Range Brewing Company, 400 W. South Boulder Road, Lafayette, 303-339-0767. Ron LeGualt Trio. 6:30 p.m. St Julien Hotel, 900

Boulder Medical Marijuana Harvest Festival. 9 a.m. Helping Hands Herbals, 1021 Pearl St., Boulder. Boulder World Affairs Discussion Group. 10 a.m. Meadows Branch Library, 4800 Baseline Road, Boulder, 303-441-4390. Colorado-Cuba Arts and Dance Festival. 12 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441see EVENTS Page 48

Events Boulder Israeli Dance. 7 p.m. Boulder Dance Coalition, 6185 Arapahoe Road, Boulder, 303-440-8303. Boulder Medical Marijuana Harvest Festival. 9 a.m. Helping Hands Herbals, 1021 Pearl St., Boulder. Comedy Night. 7 p.m. Bohemian Biergarten, 2017 13th St., Boulder, 720-328-8328. Jess Tango Lesson. 6 p.m. Boulder Dance Coalition, 6185 Arapahoe Road, Boulder, 303-440-8303. LocoTango. 6:30 p.m. Boulder Dance Coalition, 6185 Arapahoe Road, Boulder, 303-440-8303. Movement Mass. 10:45 a.m. Boulder Dance Coalition, 6185 Arapahoe Road, Boulder, 303-440-8303. Reynolds Teen DIY. 2 p.m. George Reynolds Branch Library, 3595 Table Mesa Drive, Boulder, 303-441-3120. Rise & Shine Communikey Brunch with DJ Brandon Brown & Guests. 10:30 a.m. Shine Restaurant & Gathering Place, 2027 13th St., Boulder, 303-449-0120. Sacred House Gathers — Yoga & Community Healing. 10 a.m. Shine Restaurant & Gathering Place, 2027 13th St., Boulder, 303-449-0120. Sans Souci Festival of Dance Cinema. 1 p.m. Boedecker Theater, Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-444-7328. South Boulder Pumpkin Patch. 12 p.m. Mount Calvary Lutheran Church, 3485 Stanford Court, Boulder, 303-499-1444. Tyrone Webb paints live. Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-444-7328.

Monday, October 20 Music Bluegrass Jam. 7:30 p.m. Twelve Degree Brewing, 820 Main St., Louisville, 720-638-1623. Cavani Quartet. 4 p.m. Grusin Music Hall, Imig Building at CU Boulder, 1020 18th St., Boulder, 303-492-1411. The DBC. 10 p.m. Southern Sun Pub & Brewery, 627 South Broadway, Boulder, 303-543-0886. Jazz Jam. 7 p.m. Agora at the Riverside, 1724 Broadway St., Boulder, 720-477-4164. Kaleidoscope Music. 12 a.m. JCC Boulder, 3800 Kalmia Ave., Boulder, 303-998-1900. Open Javan. 6 p.m. Jamestown Mercantile Cafe, 108 Main St., Jamestown, 303-442-5847. Open Stage. 5 p.m. Oskar Blues Tasty Weasel Tap Room, 1800 Pike Road, Unit B, Longmont, 303-7761914. The Whale Tales. 9 p.m. Pearl Street Pub, 1108 Pearl St., Boulder, 303-777-6768.

Events Boulder Medical Marijuana Harvest Festival. 9 a.m. Helping Hands Herbals, 1021 B Pearl St., Boulder. Cinema Program free screening of “Alive Inside.” 6:30 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Citizenship Classes. 6:30 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Geeks Who Drink Trivia Night. 6:30 p.m. Twisted Pine Brewing Company, 3201 Walnut St., Boulder,

Boulder Weekly

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theatre

Rocky Horror Picture Show. Longmont Theatre Company, 513 Main St., Longmont, 303-772-5200. Through Oct. 25.

Ambition Facing West. Boulder Ensemble Theater Company. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826. Through Nov. 2. Mr. Burns. The Catamounts. The Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826. Through Oct. 18.

events

Spark Theater will be putting on Dracula through Nov. 1.

Dylan Went Electric. Miners Alley Playhouse, 1224 Washington Ave., Golden, 303-931-7241. Through Oct. 19. The Hunchback of Notre Dame. Jester’s Dinner Theatre, 224 Main St., Longmont, 303682-9980. Through Oct. 18.

Seussical. Jester’s Dinner Theatre, 224 Main St., Longmont, 303-6829980. Through Nov. 30.

A Second Helping: The Church Basement Ladies Sequel. Boulder’s Dinner Theatre, 5501 Arapahoe Ave., Boulder, 303-449-6000. Through Nov. 8 Night of the Living Dead. The Bug Theatre, 3564 Navaho St., Denver, 720-984-0781. Through Nov. 1. Dracula. Spark Theater, 985 Santa Fe Drive, Denver, 720-346-7396. Through Nov. 1.

EVENTS from Page 47 3100. Das Boot Trivia. 8 p.m. Bohemian Biergarten, 2017 13th St., Boulder, 720-328-8328. GED classes. 10 a.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Getting Started with Adobe Photoshop. 6 p.m. Boulder Digital Arts, 1600 Range St., Suite 100, Boulder, 303-800-4647. Meadows Creative Writing Club. 4 p.m. Meadows Branch Library, 4800 Baseline Road, Boulder, 303-4414390. Reynolds Reading Pals. 4:30 p.m. George Reynolds Branch Library, 3595 Table Mesa Drive, Boulder, 303441-3120. Smokes and Jokes. 8:30 p.m. Johnny’s Cigar Bar, 1801 13th St., Boulder, 303-449-0884. South Boulder Pumpkin Patch. 4 p.m. Mount Calvary Lutheran Church, 3485 Stanford Court, Boulder, 303499-1444. Tango Intermediate Drop In Class. 7:15 p.m. Boulder Dance Coalition, 6185 Arapahoe Road, Boulder, 303440-8303. The Third Tuesday Lunchtime Concert Series Presents: Afro Cuban Rhythms. 12 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Tuesday Night Swing. 7:30 p.m. Boulder Dance Coalition, 6185 Arapahoe Road, Boulder, 303-440-8303.

Wednesday, October 22 Music

The Prairie Scholars: Brews & Tunes. 6:30 p.m. Twisted Pine Brewing Company, 3201 Walnut St., Boulder, 303-786-9270. Robb Candler Blues Jam. 7 p.m. Caffe Sole, 637R S Broadway St., Boulder, 303-499-2985. Trio Con Brio. 6:30 p.m. St Julien Hotel, 900 Walnut St., Boulder, 720-406-9696.

Events Boulder Folders — Learn Origami. 1 p.m. George Reynolds Branch Library, 3595 Table Mesa Drive, Boulder, 303-441-3120. Boulder Medical Marijuana Harvest Festival. 9 a.m. Helping Hands Herbals, 1021 Pearl St., Boulder. Colorado-Cuba Arts and Dance Festival. 4:30 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-4413100. Danza Libre: Explorations in Afro Cuban Dance and Drum. 4:30 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100. Danza Libre: Explorations in Afro Cuban Dance and Drum. 6:30 p.m. Boulder Library, 1001 Arapahoe Ave., Boulder, 303-441-3100.

Le Nozze di Figaro Encore. 6:30 p.m. Century Boulder, 1700 29th St., Boulder. A Misplaced Massacre: Struggling Over the Memory of Sand Creek with Author, Dr. Ari Kelman. 7 p.m. Museum of Boulder, 2205 Broadway, Boulder.

The David Booker Band. 7:30 p.m. Nissi’s, 2675 North Park Drive, Lafayette, 303-665-2757.

South Boulder Pumpkin Patch. 4 p.m. Mount Calvary Lutheran Church, 3485 Stanford Court, Boulder, 303499-1444.

Guest Recital: Michael Lewin. 7:30 p.m. Grusin Music Hall, 1020 18th St., Boulder, 303-492-8008.

Tyrone Webb paints live. Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-444-7328.

Kaleidoscope Music. 12 a.m. JCC Boulder, 3800 Kalmia Ave., Boulder, 303-998-1900.

Vikings: The North Atlantic Saga. 7 p.m. Old Main Chapel, University of Colorado Museum of Natural History, 1030 N. Broadway St., Boulder.

Karaoke hosted by Marcus Lucas. 9 p.m. Bohemian Biergarten, 2017 13th St., Boulder, 720-328-8328. Michael & Jeanette McPherson. 7 p.m. The Dickens Tavern, 300 Main St., Longmont, 303-834-9384. Mitis. 9 p.m. Fox Theatre, 1128 13th St., Boulder, 303447-0095.

48 October 16, 2014

Peregrine. 8 p.m. The Laughing Goat, 1709 Pearl St., Boulder, 303-440-4628.

Waltz Etcetera. 7 p.m. Boulder Dance Coalition, 6185 Arapahoe Road, Boulder, 303-440-8303. Wednesday Fun Run. 6 p.m. Boulder Running Company, 28th St. and Pearl St., Boulder, 800-807-6179.

Boulder Weekly


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film

Fight the power

Panahi defies Iran once more with ‘Closed Curtain’

by Michael J. Casey

F

rom the late 1990s to the early years of the 21st century, some of the best in cinema came out of Iran. Populated with directors like Asghar Farhadi, Abbas Kiarostami, Mohsen Makhmalbaf and Jafar Panahi, Iran’s postmodern renaissance showed that nothing was safe from the probing gaze of the camera lens. Sadly, this era came to an abrupt end in 2009 when Mahmoud Ahmadinejad began his second term as president of Iran. Challenging cinema was out and these directors found themselves persona non grata. Makhmalbaf, Kiarostami and Farhadi left for other, more understanding countries, but Panahi, possibly the best of the bunch, was left behind. He couldn’t even leave his own home. In 2010, after multiple conflicts and arrests for civil disobedience, Panahi was sentenced to six years of house arrest and a 20-year ban on filmmaking. Panahi, never one to play by the rules, continued practicing his craft, even though his movies would never play in his native land, and could land him a much stricter punishment if he were caught. 2011’s This Is Not a Film — a documentary of sorts — was shot in Panahi’s

Rotten Tomatoes

What’s up, dog?

Tehran apartment with a digital camera and iPhone and smuggled out of the country via a pen drive hidden in a cake. The movie shows a man crippled, but it ends with a glimmer of hope, a twinkle in Panahi’s eye and a refusal to go quietly into that night. His follow-up, Closed Curtain, which is playing Oct. 15-18 at The Boedecker Theatre, is that very twinkle. Trying to describe the plot of Closed Curtain is a sticky endeavor, but at its core, it is an autobiographical construct of Panahi post-ban. It begins with a

mostly wordless shot of a screenwriter (Kambuzia Partovi, who also receives a co-director credit) smuggling his canine companion into a deserted seaside home (Panahi’s vacation home on the Caspian shore). The Iranian government has declared dogs impure and forbidden citizens to walk them in public (an actual law), so the writer shuts himself and the dog inside the house. That night, there is a knock at the door. A woman (Maryam Moqadam) and her brother (Hadi Saeedi) appear out of the darkness, and the brother

leaves the girl with the writer. Clearly, they are both being pursued by something, but the brother reveals nothing, offers no answers to the writer’s questions and gives no hint as to who he, or she, is. There is where the logic of Closed Curtain ends, and the mirrors of Panahi begin. Panahi never allows his viewers sure footing as he introduces more characters and forces others to disappear completely, only to show up a few scenes later without explanation. Panahi himself shows up in a sizeable role and the house continues to transform, bouncing back and forth between impenetrable darkness to blinding hot light. In This is Not a Film, Panahi questions the nature of cinema, his role in cinema and the value of that role once cinema has been robbed from him. In Closed Curtain, Panahi finds the answer that he has been looking for all along. Cinema is his role. For Panahi, there is the camera and there is nothing else. As one character tells him, “There is more to life than work. There are other things too.” “Yes...” Panahi replies, “But those things are foreign to me.” Respond: letters@boulderweekly.com

BOYHOOD

IVORY TOWER

ROAD TO EDEN

Director Richard Linklater filmed Boyhood over 12 years with the same cast, cinematically charting the rocky terrain of childhood. We take our journey through the eyes of a young boy named Mason (Ellar Coltrane), who grows up on screen before our eyes. Ethan Hawke and Patricia Arquette act as Mason’s parents, and newcomer Lorelei Linklater as his sister Samantha. At Boedecker. — Boedecker Theater

A shocking and disturbing look at higher education in the U.S., Ivory Tower examines the many problems facing universities and students who attend them. Filmmaker Andrew Rossi brings to light the crisis looming for these young people, asking, “Is it all worth the cost?” Only 7:30 p.m. Oct. 14, IFS at Muenzinger Auditorium.

Road to Eden is a documentary that follows Dan Nicols and his band in the fall of 2011 as they travel the American Deep South during the Jewish Festival of Sukkot. Sukkot, for the Gentiles out there, is the last of Three Pilgrimage Festivals, known for being an unreservedly joyful week-long holiday. For Nicols and his band, each town, each day, is a new adventure, a new celebration, even through heartbreaking stories, and the movie as a whole reminds us that we are all traveling together on a road to a better future. At Boedecker. — Boedecker Theater

Boyhood will also be shown at the International Film Festival, 7:30 p.m. Oct. 10 and 11, Muenzinger Auditorium.

LAND HO!

CLOSED CURTAIN

An exploration of aging, loneliness and friendship within the story of a pair of 60-something ex-brothers-in-law on a road trip through Iceland. At Boedecker. — Boedecker Theater

See full review above. At Boedecker. — Boedecker Theater

LA SYLPHIDE — PARIS OPERA BALLET

CRAFT

The first of two versions of the ballet premiered at the Salle Le Peletier of the Paris Opéra with choreography by Filippo Taglioni and music by JeanMadeleine Schneitzhoeffer. Ultimately, the ballet is a story about the insatiable human desire to find true love. At Boedecker. — Boedecker Theater

Documentarian Craig Noble examines how craft brewers are managing to maintain their integrity in the face of exploding popularity and all the increased demand that comes with it. And while one could watch a documentary about craft-brewing all by itself, at this screening, you can do so with food and beer courtesy of BRU Handbuilt Ales & Eats, which is turning its October beer dinner into a celebration of food, beer and film with a multicourse meal paired with BRU’s seasonal offerings to go along with the film. Only 7:30 p.m. Oct. 14, IFS at Muenzinger Auditorium.

50 October 16, 2014

MOTHER JOAN OF THE ANGELS A dramatic film on demonic possession, director Jerzy Kawalerowicz places his camera in the figurative and literal position of God, and puts a spin on cliched “black is evil, white is good” symbolism. The film won the Special Jury Prize at the Cannes Film Festival in 1961. Only 7:30 p.m. Oct. 15, IFS at Muenzinger Auditorium.

SUNDANCE FILM FESTIVAL SHORTS: 2014 With both fiction and documentary, the Sundance Film Festival Short Film Tour is a 94-minute theatrical program of eight short films from the 2014 edition of the festival. Only 7:30 p.m. Oct. 12, IFS at Muenzinger Auditorium.

WAKING LIFE A movie that speaks to the existential crisis occuring in us all at one point or another — what does it all mean? Created with rotoscoping-style animation, the film creates a trippy experience for viewers as they journey along with a man as he traipses through dreams searching for the meaning of life and the purpose of the universe. Only 7:30 p.m. Oct. 9, IFS at VAC Basement Auditorium. Respond: letters@boulderweekly.com

Boulder Weekly


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‘DraculaSERIES Untold’ is almost unterrible FILM FILM SERIES IFSeft out of the superhero movie

party every other studio is (underground))) N O R T H Othrowing, F T H E E U CUniversal L I D A U T O PA RK made

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ballsy decision to turn REE W thuR Dracula into a capedFScrusader. HO Gone2 are the prominent widow’s peak, OCt 30goofy PM ONlyaccent and overtly sexual fanged vAC penetration. This Dracula sucks blood to save people! Like a mix between Braveheart and a literal bat-man, MUENZINGER AUDITORIUM Transylvania’s favorite son has been reformatted and given a plot full of the worst moments from The Lord of the ON COLORADO AVENUE WEST OF FOLSOM STADIUM Rings series. The nicest thing that can be said about Dracula Untold is that E it is FRE W nowhere reafRI near as bad as it has every SHO OCt 3 be. son to 0 PM ONly Generic attractive person Luke MuENZ Evans plays Vlad, who totally feels really bad about all that impaling he did. In fact, it wasn’t really his fault! He was SuN given OCt 5 to the Turkish military as a child 0and PM ONly was beaten and turned into a killMuENZ ing machine. Hell, according to Vladdie, he was actually trying to save lives by mercilessly skewering humans tuE on giant OCt 7 spikes and displaying their 0corpses, PM ONly figuring that if people were terMuENZ rified by him, there would be less fighting. Abandoning his life of people wED kabob-ing, Vlad now rules Transylvania OCt 8 peacefully. That is, until the Turkish 30 PM ONly leader, Mehmed (Dominic Cooper), MuENZ demands a thousand Transylvanian kids, including Vlad’s son, be surrenthuR dered to him for his army. Vlad ain’t OCt about9 that, so he goes to a creepy crea30 PM ONly ture vAC(Charles Dance) that lives in “Brokentooth Mountain” and strikes a deal. HeINFORMATION gets superpowers for three FOR MORE CALL 303-492-1531, OR: WWW.INTERNATIONALFILMSERIES.COM days and then returns to normal, proM E D I A S P O N S O R S vided he resists the insatiable urge to Made possible by the CU Center for Asian Studies through a grant from the Korea Foundation.

IFS

OCT 2 Boulder Weekly

FILM SERIES

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drink human blood during that time. IFS To be fair, it’s hard not to drink human (((underground))) N O Rsometimes. T H O F T H E E U C L I D A U T O PA R K blood This is nothing more than a superhero origin story, complete with the thuR obligatory OCt 9 “testing of powers” scene. 7:30 PM ONly has the strength of 100 men, Dracula vAC can heal from almost any wound, has some kind of night-vision thingie and can turn into a swarm of bats, which MUENZINGER AUDITORIUM are presumably rabid. In one of the silliest scenes, Dracula commands eleventy billion bats to form a giant fist while ON COLORADO AVENUE WEST OF FOLSOM STADIUM he does some kind of Transylvanian Pilates. Your move, Bruce Wayne. Dracula Untold is the kind of movie fRI-SAt OCt 10-11 where the characters are so useless you 7:30 PM can’t ONly name them without an assist from MuENZ IMDB. Vlad’s wife (Sarah Gadon) had a name, I’m almost positive, but since writers Matt Sazama and Burk SuN Sharpless OCt 12 insultingly treated her as a 7:30 PMdevice ONly plot with boobs, I can’t recall MuENZ what it is. Sci-fi/fantasy loves the “damsel in distress that motivates the hero” trope, leaving the one woman with a tuE part in the film doing a lot of speaking OCt 14 screaming. Oh, and fun drinking game, 7:30 PM ONly MuENZ chug something every time a character does one of those kneeling “nooo” screams toward the sky. wED This all sounds terrible, but someOCt 15oddly alright-ish. The effects how it’s 7:30 PM ONly are fairly pleasing, it is lean (92 minMuENZ utes) and the take on Dracula is a new one at least. That’s not a recommendathuR tion so much as it is a concession that I OCt 16 fully expected to do one of those kneel7:30 PM ONly ing “nooo” screams towards the sky and vAC found myself simply shrugging.

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fRISOuCI FESTIvAl OF SAn OCt 24 DAnCE 7:30 PM ONly CInEmA Equally excellent but different collection MuENZ from the previous screening Oct 19 - 1:00

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Boulder Weekly


cuisine review Susan France

N

ot to disparage the noble roach coach, but for many budding restaurateurs, the food truck is mostly a vehicle (pun intended) to open a sit-down storefront, offering them a low-cost way to vend and market their chow. But like so many things, more dream the dream than live it. Not the case for Verde, a much-beloved Boulder food truck that recently set down roots near 28th and Valmont. The interior is clean and modern, with brushed concrete floors and simple, western decor. It beautifully walks the line of classing things up without giving the impression that you might be violating an unspoken dress code requiring you wear your nice North Face jacket. It’s one of my old maxims: fine food doesn’t require fine dining. And Verde does offer its own variety of fine food, quite the trick with Mexican, which is often better when served with negative class or flair. Menu offerings expand on the truck’s cast of Sonoran-style burritos, with California (carne asada and potato), machaca, carnitas, chicken, asada, and veggie varieties available hand-style, enchilada style doused in sauce or dropped in the fryer and done up as a chimichanga. They’re all about $2 more expensive than the truck, but that’s the

Boulder Weekly

and corn. The housemade hot sauce is fantastic, going beyond standard vinegar and hot peppers to incorporate more complex fruit and vegetable flavors. The carrot habanero sauce is especially good, bringing out the golden flavors of the habanero more than the rain of hellfire and regret that the pepper is known for. And then there is the Mexican street corn, which is worth a trip all by itself. Verde chars it on the grill, then dusts the cobs in hot pepper, cojita cheese and a touch of jalapeno crema. You can get an appetizer order for $7, or get a side for $3. Considering the side is two cobs and the appetizer is four, this is a good way to game the system. An even better way is to add two sides to your entree for $3, and make both of them corn. Voila, you just cut the price by more than half like a boss. One thing that sadly missed the mark for this critic was the chips. Verde serves fresh chopped and fried wedges of corn tortilla, and while I appreciate their freshness, the thickness makes them a bit tough to bite into. But if the worst thing one has to say about a place is that their chips are kind of thick, that alone should tell you all you need to know. Respond: letters@boulderweekly.com

Verde 3070 28th St., Unit B, Boulder, 720-470-4328

Parking your butt

Staying in one place serves Verde well by Josh Gross price of having a place to park your car and your butt, and well worth it. The burritos are mega-burly, with nothing but meat, rice and beans, wrapped into a nearly football-sized roll. They’re definitely for the bike commuter, or to take part of to go, as burritos should be. For the lighter crowd, Verde has several salads, my favorite of which is the jicama salad, made with mango, cherry tomatoes, red onions, cilantro and mixed

greens tossed with honey-lime vinaigrette. Pro-tip: add some carne asada, ‘cause mixed up with the jicama and dressing, that shizzle is good enough to nominate the cow for sainthood. Another interesting item is Verde’s chili relleno, which is encased in at least a half inch of fried corn batter, making it almost as much hushpuppie as it is relleno. But whatever you order at Verde, don’t forget about two sides: hot sauce

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October 16, 2014 53


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Boulder Weekly


Food happenings

around Boulder County

tidbites

Gage Skidmore

Hey there American litigant. Have you drank a Red Bull anytime since 2002? Never had one in your life? Doesn’t matter. Either way, Johnny Law says Red Bull owes you some chedda. Last week, the beverage company chose not to fight a lawsuit disputing its advertising claims, instead settling and agreeing to give everyone that has purchased a Red Bull a $10 refund, or $15 worth of Red Bull products. But since it’s pretty unlikely that the world at large has been keeping its Red Bull receipts in a drawer, then twirling a mustache and cackling as they wait for payday to roll in, they’re just giving it to anyone who fills out the form. Get your non-wing-giving beverage on www.energydrinksettlement.com. — Josh Gross

MCDONALD’S HIRES A MYTHBUSTER

Tired of being the foodie world’s punchline, McDonald’s is pulling out the big guns: mythbusters. The world’s biggest restaurant chain hired Grant Imahara, a co-host of Discovery Channel’s hit show, MythBusters, to make a web-series marketing campaign called Our Food Your Questions, which will apply the show’s process to questions posed by diners and critics about McDonald’s chow. There will also be McDonald’s PR hacks answering questions in real time.

Boulder Weekly

it would be impossible for any one tour, vignette or infographic to show more than a sliver of what goes on at the farm, factory and processing levels,” Civil Eats editor Naomi Starkman wrote in Time. Starkman also took issue with some of the questions that weren’t being asked, like those about the ingredients with names that aren’t as catchy as “pink slime.” So, yo, Ronnie M., We’ve got a question: Since hamburgers are made from dead animals, and Mayor McCheese has a hamburger for a head, doesn’t that make him a zombie? Are all your cheeseburgers zombies, or just that one? Are any of your other products still sentient and capable of governance if you slap them on top of a torso? Seriously. Read more at http://yourquestions. mcdonalds.ca/. — Josh Gross

RED BULL DOES NOT GIVE YOU WINGS, BUT IT WILL GIVE YOU RED BULL

GREAT PATE MOM, BUT I GOTTA MOTOMAKI IF I’M GOING TO MAKE THAT FUNERAL

Grant Imahara, co-host of Discovery Channel’s MythBusters has been hired by McDonald’s to answer questions submitted from the public.

The web portal has been officially launched in Canada and Australia, and has taken up questions like, “Why does your food have to be so high fat?” “Are there mealworms used as fillers in the hamburgers?” and “How is it that a McDonald’s burger does not rot?” But some of fast food’s critics aren’t impressed. “Because the company’s supply chain is so long, and it sources raw ingredients from such a wide array of locations and facilities,

Back in January, Tidbites told you about Motomaki, a new venture from the sushi and weed-pairing visionaries at Hapa. Of course, back then, we told you it would be open in April. It wasn’t. Getting its digs in the Twenty Ninth Street mall up to snuff took a bit longer than expected. However, it is open now, slinging rapidservice and affordable sushi rolls made with crab, curry, Burmese fish, shrimp, seared tuna and more, poke bowls and a series of salads. Yummers. Motomaki is open 11 a.m. to 10 p.m. every day and located at 1600 28th St., Suite 1216. — Josh Gross

October 16, 2014 55


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Boulder Weekly


cuisine Courtesy of Gibbons White Inc.

Artist rendering of Daily Camera building redevelopment

W

ithout deviation from the norm, progress is not possible,” said Frank Zappa in 1971, words that would seem to describe downtown Boulder over the last four decades. From the opening of the Pearl Street Mall in 1976 while Americans were continuing to flee inner cities for suburbia to the current nose-thumbing at national chains, the immensely popular downtown area has bucked the trends, following a path unique to Boulder. But the challenge facing the Pearl Street Mall today is the same one the city of Boulder wrestles with — is it in danger of becoming so upscale that it caters to only a select group of residents and visitors? According to the 2010 census, the city of Boulder grew by 2.9 percent in the decade before, bringing population to 97,385. Due to strict growth ordinances enacted in 1977, even this modest growth in residents strains demand for a tight supply of housing options,

Facelift

Where is downtown’s dining scene heading? by Hudson Lindenberger

Boulder Weekly

helping to drive property prices even higher. According to Colorado Landmark Realtors, the average singlefamily home in the city of Boulder now sells for $796,532 and condos go for $314,461. Couple the higher prices with the

positive press the city receives for quality-of-life in Outside Magazine, Sunset, Bon Appétit and numerous other publications, and it seems Boulder is on the track to become the Aspen of the Front Range. With economic recovery reaching

pre-recession levels and three large-scale redevelopment projects currently underway downtown (the Daily Camera building, 909 Walnut, and 901 Pearl), downtown rents have continued to rise, forcing businesses to adapt or move. And the place the changes are perhaps most evident to the average person is in downtown restaurants. Just last year, the Catacombs in the basement of the Hotel Boulderado, a Boulder mainstay since 1969, closed and was replaced by License No.1, a high-end cocktail bar serving $10 drinks that caters to a clientele looking for more than cheap beer and shots. “It’ll be definitely something more in line with the Boulderado brand than the Catacombs, which has become a college bar over the years,” Frank Day, owner of the hotel, told the Daily Camera in November of last year. But all is not doom and gloom for see PEARL STREET Page 58

October 16, 2014 57


Susan France

Bohemian Biergarten Manager, Pavel Pauly Soukup

PEARL STREET from Page 57

more frugal residents, as several new businesses have opened in the last few years offering reasonably priced meals and drinks. The Bohemian Biergarten brought the concept of a German-style beer garden to beer-loving locals, and has been packed since opening its doors. The affordable drafts coupled with the relaxed ambiance seem to have struck a chord with patrons. “I love the relaxed vibe this place

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cuisine offers. I don’t feel like I have to dress up to come here,” says patron Bob Berger. “It feels like the Boulder from when I moved here over a decade ago.” “Some restaurants that have failed here would have succeeded in other cities,” says Sean Maher, executive director of Downtown Boulder, Inc. “Boulder locals have high standards and that attracts the best. Our organization advocates for a wide array of options from higher-end to more affordable street fare. T/aco and West Flanders would be perfect examples.” When the new redevelopments reach completion next year, they will bring more office space, new restaurants and higher rents to help cover their building costs. “With prices near $40 per square foot, the downtown area is on par with Cherry Creek and LODO,” says Maher. “I don’t think you are going to see any bars opening in them offering cheap beer and music. The owners will have to aim for a higher clientele to remain profitable. That being said, I don’t see the Walrus and Sundowner going anywhere. They fill a niche much needed in the area.” Recently the Boulder City Council has been hotly debating the pace of development with Councilman Sam Weaver recently calling for a ninemonth moratorium on all projects in the city. The council rejected that course of action, but began debate on updating the Boulder Valley Comprehensive Plan Oct. 14 with an eye toward directing where the city is heading. The 901 Pearl redevelopment project is slated to have a large restaurant on the main floor, and sources say the owners of The Med and Brasserie Ten Ten have signed on to develop an eatery in the space, but little more is known as of now. In the $110 million Camera building redevelopment, plans have been announced for a large restaurant, a marquee retailer on the corner and a movie theater to occupy the ground floor, with a wide array of offices on the upper floors. So with at least four new restaurants slated to appear downtown in the next few years and rents rising, one has to wonder where we are heading, and what the long-term prospects for affordable entertainment options are. But maybe this is the face of progress as dictated by the market: If customers continue to flock to higher-end establishments, then business owners will continue to supply them. Respond: letters@boulderweekly.com Boulder Weekly


DISCOVER THE BEST RESTAURANTS IN EAST COUNTY!

Boulder Weekly

beer tour

LOOK FOR THE

2014 EDITION

Explosive combinations

ON OCTOBER 30TH!

by Matt Cortina

E

xpecting a beer, we talked at Learning about beer flavor isn’t length about blue cheese. limited to the monthly “Niwot “As opposed to someDrinking Buddy” classes, however. thing like Brie, blue cheese Powder Keg’s Haystack Hopback is a matches the strong flavor of class in a glass. an IPA and so it enhances the taste for The Haystack is a medium-bodied both,” Amy Newell-Large says. American Pale Ale with hops grown Part brewer, part bartender and and harvested at a farm across the part teacher at Niwot’s Powder Keg street. With strong flavors of pine, Brewing Company, Newell-Large sage and grapefruit, you wonder how taught a monthly class (with rotating these flavors got in the beer when topics) the previ- U.S. Department of Agriculture rinds, fruit and ous night at the herbs weren’t brewery, pairing added in brewing. IPAs with the The answer is aforementioned in the hops’ breed cheese, carrot cake and freshness. The Haystack is made and an Indian with Chinook and curry for about 35 Cascade hops. patrons. Chinook hops proSo how do you vide a smoky, get from beer to herbal flavor blue cheese, I (sage), and are parasked. Well, there ticularly flavorful are three ways to when grown and pair beer with brewed at high food, Newellaltitudes, NewellLarge says: same, Large says. complementary or opposite. Cascade hops will Take cheese to Blue cheese pairs best with the compleadd moderate bitmentary flavor of an IPA. start. Fresh blue terness, flowery cheese has a sharp, aroma and acidity, rank essence, much like the nostrilwhich all come through as grapefruit. flaring dankness of a strong IPA. Add them together and a subtle pine Pairing these two, Newell-Large says, flavor is created from the total bitteropens up the flavor of both. Milder ness and herbal content. cheeses, like Brie, will get washed out Powder Keg highlights also include in hoppy beer — in fact, they’d be bet- a rich oatmeal stoat, several saisons and ter with a Scotch or Brown Ale, whose a wonderful German Helles-Style lager. malty, baseline richness would elevate Right at the edge of Second the flavors of a milder cheese. That’s a Avenue and the railway, with big glass complement like a Whopper candy. windows showing the amber waves Then there are opposites. Some and purple mountains’ majesty, whopfolks like the spice-on-spice hybrid of ping yellow Edison lights over the bar an IPA and a curry dish. Though the and brick walls and a TV so highly capsaicin released in spicy foods defined that it makes you care about (which makes your tongue and lips baseball, the ambiance at Powder Keg burn) is neutralized with alcohol, many is right for Niwot, and a good atmoIPAs actually increase both the spicy sphere to enjoy — and learn about — heat and the taste of spices in dishes craft beer. like curry. For many, an IPA paired And if you’re up for more arbitrary with a dish like French onion soup or learning, Tuesday nights are for “Nerd an apple cobbler (dryer IPAs are ideal Talks,” with upcoming topics like “The for sweet desserts, Newell-Large says) motion of disks sliding and spinning would be better, both neutralizing the across a horizontal plane” and “The gumption of the IPA and elevating the history of the telescope.” subtler notes of the onion or the apple. Respond: letters@boulderweekly.com Boulder Weekly

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astrology ARIES

MARCH 21-APRIL 19:

Go to RealAstrology.com to check out Rob Brezsny’s EXPANDED WEEKLY AUDIO HOROSCOPES and DAILY TEXT MESSAGE HOROSCOPES. The audio horoscopes are also available by phone at 1-877873-4888 or 1-900-950-7700.

New York City’s Diamond District is home to more than 2,000 businesses that buy and sell jewelry. Throughout the years, many people have lost bits of treasure here. Valuable bits of gold and gems have fallen off broken necklaces, earrings, watches and other accessories. Now an enterprising man named Raffi Stepnanian is cashing in. Using tweezers and a butter knife, he mines for the rich pickings that are packed in the mud of sidewalk cracks and gutters. “The percentage of gold out here on the street is greater than the amount of gold you would find in a mine,” he says. I’d love to see you get inspired by his efforts, Aries. Dig for treasure in unlikely places where no one else would deign to look.

TAURUS

APRIL 20-MAY 20:

In 1987, a college freshman named Mike Hayes was having trouble paying for his education at the University of Illinois. He appealed for help to the famous newspaper columnist Bob Greene, who asked each of his many readers to send Hayes a penny. The response was tidal. Although most of the ensuing donations were small, they added up to more than $28,000 ­— enough for Hayes to finance his degree. I encourage you to take a comparable approach in the coming weeks, Taurus: Ask for a little from a lot of different sources.

GEMINI

MAY 21-JUNE 20:

The word abracadabra is a spell that stage magicians utter at the climax of their tricks: the catalyst that supposedly makes a rabbit materialize from a hat or an assistant disappear in a puff of smoke. There’s no real sorcery. It’s an illusion perpetrated by the magician’s hocus-pocus. But abracadabra has a less well-known history as an incantation used by real magicians to generate authentic wizardry. It can be traced back to Gnostic magi of the second century. They and their successors believed that merely speaking the word aloud evokes a potency not otherwise available. I invite you to experiment with this possibility, Gemini. Say “abracadabra” to boost your confidence and enhance your derring-do. You already have more power than usual to change things that have been resistant to change, and intoning some playfully ferocious abracadabras may put your efforts over the top.

CANCER

JUNE 21-JULY 22:

The 17th-century writer Rene Descartes is regarded as the father of modern philosophy and the founder of rationalism. His famous catchphrase is a centerpiece of the Western intellectual tradition: “I think, therefore I am.” Here’s what I find amusing and alarming about the man: He read almost nothing besides the Bible and the work of Catholic theologian Thomas Aquinas. He said that classic literature was a waste of time. Is that who we want at the heart of our approach to understanding reality? I say no. In accordance with the astrological omens, I authorize you to instead adopt one or both of the following formulas: “I feel, therefore I am” or “I dream, therefore I am.”

LEO

JULY 23-AUG. 22:

You can’t give what you don’t have. Here’s a corollary: You can sort of half-give what you half-have, but that may lead to messy complications and turn out to be worse than giving nothing at all. So here’s what I recommend: Devote yourself to acquiring a full supply of what you want to give. Be motivated by the frustration you feel at not being able to give it yet. Call on your stymied generosity to be the driving force that inspires you to get the missing magic. When you’ve finally got it, give it.

VIRGO

AUG. 23-SEPT. 22:

I suspect that one of your allies or loved ones will get caught in his or her own trap. The way you respond will be crucial for how the rest of the story plays out. On the one hand, you shouldn’t climb into the trap with them and get tangled up in the snarl. On the other hand, it won’t serve your longterm interests to be cold and unhelpful. So what’s the best strategy? First, empathize with their pain, but don’t make it your own. Second, tell the blunt truth in the kindest tone possible. Third, offer a circumscribed type of support that won’t compromise your freedom or integrity.

Boulder Weekly

LIBRA

SEPT. 23-OCT. 22:

In 1936, Libran author F. Scott Fitzgerald wrote about the “crack-up” he had experienced years earlier. It included this tough realization: “I had been only a mediocre caretaker of most of the things left in my hands, even my talent.” Let’s use this as a seed for your oracle. Have you been a good caretaker of your talent? Have you been a good caretaker for other things you are responsible for? Look within yourself and take inventory. If there’s anything lacking, now is an excellent time to raise your game. If you’re doing pretty well, reward yourself.

SCORPIO

OCT. 23-NOV. 21:

On a late summer day in 1666, scientist Isaac Newton was sitting under an apple tree in his mother’s garden in Lincolnshire, England. An apple fell off a branch and plummeted to the ground. A half-century later, he told his biographer that this incident inspired him to formulate the theory of gravity. Fast forward to the year 2010. Astronaut Piers Sellers got on the space shuttle Atlantis carrying a piece of Newton’s apple tree. He took it with him as he escaped Earth’s gravity on his trip to the International Space Station. By my reading of the astrological omens, now would be an excellent time for you undertake a comparable gesture or ritual, Scorpio. With a flourish, update your relationship with an important point of origin.

SAGITTARIUS NOV. 22-DEC. 21:

Most birds don’t sing unless they are up high: either flying or perched somewhere off the ground. One species that isn’t subject to this limitation is the turnstone, a brightly mottled shorebird. As it strolls around beaches in search of food, it croons a tune that the Cornell Lab of Ornithology calls “a short, rattling chuckle.” In the coming weeks, this creature deserves to be your mascot — or your power animal, as they say in New Age circles. Why? I doubt that you will be soaring. You won’t be gazing down at the human comedy from a detached location high above the fray. But I expect you will be well-grounded and good-humored — holding your own with poise amidst the rough-and-tumble. As you ramble, sing freely!

CAPRICORN

DEC. 22-JAN. 19:

Let’s discuss that thing you are eyeing and coveting and fantasizing about. My operative theory is that you can enjoy it without actually having it for your own. In fact, I think it will be best if you do enjoy it without possessing it. There’s an odd magic at play here. If this desired thing becomes a fixed part of your life, it may interfere with you attracting two future experiences that I regard as more essential to your development. My advice is to avoid getting attached to the pretty good X-factor so as to encourage the arrival and full bloom of two stellar X-factors.

AQUARIUS

JAN. 20-FEB. 18:

“Problems that remain persistently insoluble should always be suspected as questions asked in the wrong way,” said philosopher Alan Watts. You have either recently made a personal discovery proving that this is true, or else you will soon do so. The brain-scrambling, heart-whirling events of recent weeks have blessed you with a host of shiny new questions. They are vibrant replacements for the tired old questions that have kept at least one of your oldest dilemmas locked in place.

PISCES

FEB. 19-MARCH 20:

“There is for everyone some one scene, some one adventure, some one picture that is the image of his secret life,” said Irish poet William Butler Yeats. I invite you to identify that numinous presence, Pisces. And then I urge you to celebrate and cultivate it. Give special attention to it and pay tribute to it and shower love on it. Why? Because now is an excellent time to recognize how important your secret life is to you — and to make it come more fully alive than it has ever been.

October 16, 2014 65


Dear Dan: Four years ago, I met a man on a “married but looking” website. We exchanged fantasies, which included wanting to have threesomes and a D/s relationship. He was 19 years my senior. I was 42 at the time. For three years, we met twice a week for drinks or sex. The sex was amazing. We had several threesomes. One year ago, we separated from our spouses. We have lived together now for four months. It isn’t what I imagined: the merging of kids and dogs, a D/s relationship turning vanilla. And due to some health issues, he can perform only once a week. And now the real problem: His desire to bring another woman into our relationship borders on obsession. He searches daily on several websites for that “elusive woman” to become “our friend and lover.” I have access to the accounts, and his chats are pretty straightforward. Nothing that indicates a desire to cheat. He truly seems to be searching for a woman for a regular threesome. The problem is that I am questioning whether I want another woman in our life. I asked him why he is so obsessed with finding someone, and he simply said that it would be “fun and hot.” Since he is much older than most men on these sites, women tend to pass him over. I have this fervent wish that he doesn’t find someone. So do I sit back and hope that he doesn’t find another woman, or should I be up-front with him and tell him that I’m not interested in threesomes anymore? I’m afraid that if he finds someone, my jealousy — which I work very hard to hide from him — will break us up. I am almost getting obsessed myself, checking the sites and his chats constantly. It is bordering on the ridiculous. What should I do? — Just Wants To Be Monogamous Dear JWTBM: Ask yourself which conversation will be more difficult: A. After a frustrating and protracted search, your boyfriend finally manages to find a woman who’s interested in being your “friend and lover,” JWTBM. At that point, you tell him you’re no longer interested in a third, regular or otherwise, and he needn’t have bothered. B. You tell your boyfriend today — Boulder Weekly

now — that you’re not interested in bringing a third into the relationship, regular or otherwise. It’s the same conversation either way, JWTBM: You’re gonna have to tell him you’re not interested. Don’t count on him dying before he manages to find someone; he may be too old for the women on the websites he’s haunting now, but sooner or later, either he’ll find his way to a website where his age isn’t an issue, or a bi woman into older men will stumble over one of the ads he already has up. So you’re going to have to tell him the truth, JWTBM, the only question is when. I would argue that having the conversation now would be preferable to having it after he’s set up a date for drinks with a potential third. He may be disappointed to learn that you’re not interested in a third anymore, JWTBM, but he’s less likely to be breakup-level angry/hurt if you didn’t stand there silently while he wasted time searching for a third. And who knows? An honest and open conversation about the state of your relationship — including the fact that you’re dissatisfied with the oncea-week routine and the waning of D/s — may ignite an interest in a third. Would you feel differently about a third if it turned out she wasn’t for him (so nothing to be jealous about), JWTBM, but for you? He’s getting older, he has health issues, and he may want someone else around so that you won’t leave him to get your needs met. It’s also possible that a third would reignite the D/s dynamics that you miss. D/s is performance, it’s play, and nothing invigorates a pair of performers quite like a new audience. I’m not telling you that you have to agree to the third — if it’s monogamy you want, then it’s monogamy you should ask for — but keep your mind, your options, and those lines of communication all open. Send questions to Dan Savage at mail@savagelove.net and follow him on Twitter @fakedansavage. Respond: letters@boulderweekly.com

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EEDBETWEENTHELINES

by Leland Rucker

My cannabis poll is better than yours

N

ext time you read or watch a news story about a survey or poll, stop reading or turn it off. It doesn’t mean anything. It won’t help you understand anything. You’re better off watching videos of parkouring goats or hawks knocking drones out of the sky. Polls, which are surveys of public opinion taken from a select sample, have become staples of newspaper, television and online news. We’re inundated by them. Each is subject to its own methodology, bias and interpretation, and I’ll grant that they can offer simple snapshots into peoples’ beliefs or positions at a given time. Today they are much more than that, with hundreds of polls conducted daily on nearly every subject. Besides that there are probably too many of them out there, one of the problems is that most media outlets — print, television and especially Internet — seem to feed off polls and surveys, generously using them, especially in election coverage. A casual look at the polls of Colorado citizens on their feelings about cannabis really leaves you wondering why media, which often do little more than regurgitate survey press releases and add misleading headlines, won’t just come out and say that polls are often wrong or unreliable. The classic poll story, of course, is that of Nate Silver, who rated other pollsters according to their biases and methods and wound up predicting correctly every legislative race in 2012. Who could forget a pitifully out-of-

y Boulder Weekly

touch Karl Rove phoning Fox News on election night after it called the election for Barack Obama because his polls were telling him that Mitt Romney was going to win? If polls are so important, why are so many so wrong so often? Let’s take a quick look at five surveys done since Colorado’s cannabis legalization began Jan. 1. Never mind that legalization is only in its 10th month, pollsters have still been busy asking residents different questions and media have come up with fascinating ways to interpret the statistics to their own liking. A Quinnipac University telephone survey released on Feb. 10, fewer than six weeks after retail stores were allowed to open, asked whether Colorado voters felt legalization might hurt the state’s image. Fifty-one percent of voters agreed and 38 percent disagreed, with Republicans opposed 73-18 percent and Democrats supportive by a 57-36 percentage. A survey done by the Democratic firm Public Policy Polling released on March 19 found 57 percent of state voters supporting legalization and 35 percent opposed. A second Quinnipac poll on April 28 asked whether voters supported the law, and found, by a 54-43 percentage, that they did. Then the Marist Institute released one on Sept. 7 which found 55 percent support among Colorado residents and 41 percent opposed, with eight percent actively trying to overturn the legislation.

Finally, on Sept. 17 a Suffolk University/USA Today poll asked likely voters whether Colorado should repeal legal cannabis. This one found 50.2 percent saying they disagree with the decision to legalize and 46 percent in support, and 49 percent disapproving of the way the state is managing legalization. The big thing to note here is who the surveys asked. “Voters are those who in response to a standard poll question say they are “registered to vote in their precinct or election district,” according to the Gallup Poll FAQ page. “Likely voters are that group of individuals who the company can estimate [my emphasis] are most likely to actually vote.” That’s an important distinction, and it means that the polls are asking two different subsets of people. The two polls that asked voters and the one that asked state residents each found about the same support for legalization as there had been in 2012. The Suffolk poll of likely voters indicates slightly lower numbers. Given that most polls offer a few percentage points either way as margins of error, the numbers are actually pretty consistent. That didn’t stop some media outlets from trumpeting the Suffolk poll. “Colorado voters may be having second thoughts about the legalization of marijuana,” 9News wrote. “A slight majority of voters [50.2 percent] say they do not agree with the decision to legalize recreational marijuana while 46 percent continue to support the deci-

sion. Nearly 49 percent do not approve of how the state is managing legalized pot, compared to 42 percent who approve.” But the Suffolk poll, remember, asked likely voters, not voters, as the story says. This is mixing apples and oranges and needs to be noted when we’re talking polls and public opinion. The Gazette in Colorado Springs took the Suffolk results a step farther. It quoted a national telephone random sample survey conducted by the conservative Public Religion Research Institute that found national support for legalized marijuana falling from 51 percent in 2013 to 44 percent this year. “Two recent polls show that support of legalized marijuana has waned,” the story ominously states. “And that there is unhappiness in the way regulations are handled by the state.” Really, all it “shows” is that one telephone survey of people outside Colorado says support has fallen a few percentage points. Oh, and by the way, the Public Religion Research Institute study contradicts 2014 surveys by Pew Research, NBC News, CBS, CNN, Wall Street Journal and Gallup polls, all of which indicate continued, growing support for legalizing cannabis nationwide. And see how easy that was to use polls to make my point? The only reliable figures are that 1,383,139 Colorado voters (55.32 percent) voted for Amendment 64 in 2012. The rest is just shifting sand. Respond: letters@boulderweekly.com

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