Shakespeare in Love
The Golden Age of English Consort Music
Boreas Quartett Bremen
Jin-Ju Baek, Elisabeth Champollion, Julia Fritz & Luise Manske, recorders with Kathryn Montoya, recorder Caleb Mayo, narrator
“Per divina bellezza”
Christe qui lux es I
William Byrd
Christe qui lux es II (ca. 1540–1623)
From Romeo & Juliet, Act II, Scene ii
William Shakespeare “But, soft! what light through yonder window breaks?” (1564–1616)
In Nomine “Blamles” Christopher Tye (ca. 1505–ca. 1572)
“Seldom seen”
Satyr’s Dance
Sonnet 130: “My mistress’ eyes are nothing like the sun…”
In Nomine “Seldom sene”
In Nomine “Howld fast”
Sonnet 129: “Th’expense of spirit in a waste of shame…”
In Nomine “Trust”
Robert Johnson (ca. 1583–1633)
Shakespeare
Tye
Tye
Shakespeare
Tye
In Nomine “Free from all” Tye
“Come sweet love”
Paduan — Volta
Thomas Simpson (1582–1628)
Sonnet 128: “How oft, when thou, my music, music play’st…” Shakespeare
Browning my Dear (a5) Byrd
From Romeo & Juliet, Act III, Scene ii Shakespeare “Gallop apace, you fiery-footed steeds…”
In Nomine “Re la re” Tye
Rubum quem Tye
Intermission
“The image of Melancholy” Lachrimae antiquae
John Dowland Lachrimae antiquae novae (1563–1626)
Sonnet 64: “When I have seen by Time’s fell hand defac’d…”
Shakespeare
In Nomine “My death bedde” Tye
Sonnet 18: “Shall I compare thee to a summer’s day?” Shakespeare
In Nomine “Weepe no more” Tye
“The Fairie-Round”
Lullabie
From The Merchant of Venice, Act V, Scene i
Anthony Holborne (ca. 1545–1602)
Shakespeare “How sweet the moonlight sleeps upon this bank!”
The Fairie-Round Holborne
From The Merchant of Venice, Act V, Scene i Shakespeare “I am never merry when I hear sweet music.”
In Nomine “I come” Tye
Sonnet 116: “Let me not to the marriage of true minds…” Shakespeare
In Nomine “Crye” Tye