OnStage Spring/Summer 2013

onstage

Spring/Summer 2013

"Blumenthal Arts brings the

BIGGEST, FRESHEST Broadway Lights season"

p. 8

TRACES: Cirque on a Human Scale p. 16

Knight theater Levine Center for the Arts

War Horse's Enthralling Journey p. 12

Blumenthal performing arts center Belk Theater • Booth Playhouse Stage Door Theater

Spirit Square

McGlohon Theater Duke Energy Theater

table of contents Spring/Summer 2013 3...............................................................................Letter From the President 4...................................................................................................... News Briefs 8................. Announcing the 2013/14 Duke Energy Broadway Lights Series 12.................................................................. War Horse’s Enthralling Journey 14......................................................................Our Report to the Community 16..............................................................TRACES: Cirque on a Human Scale 18......................................The Fast-paced and Colorful Catch Me If You Can 20.................................................................. The 2nd Annual Blumey Awards 22...........................................Calendar of Upcoming Shows and Attractions 24....................................................................................Blumenthal Talk Back 25................................................ News on Membership, Corporate Partners

Season of Sellouts

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ith more than 10,000 Season Ticket buyers in the 2012-13 season, it has been a recordbreaking year for Blumenthal Performing

CAMERON MACKINTOSH’S SPECTACULAR NEW PRODUCTION

Arts.

Our pre-Broadway run of Jekyll & Hyde produced THE NEW 25TH ANNIVERSARY PRODUCTION the second-highest one-week gross of the tour and garnered the highest sales for the opening show of a Broadway Lights Series’ season. te!

Our momentum continued through the end of rlot a h 2012, adding a ninth performance for Cirque Dreams: u, c k yo n Holidaze to accommodate demand. a th With these strong season- and single-ticket sales, the sold-out sign has gone up on many shows over the last few months. We ended 2012 with sold-out performances of John Tosco’s New Year’s Eve Variety Show and The Temptations & The Four Tops.

Our most popular show of the year, Les Misérables, was the hottest ticket in Charlotte in mid-February, FeBruAry 12-17 • Belk theAter prompting the addition of a special ninth performance 704.372.1000 • BlumenthalArts.org to accommodate demand, which had only occurred twice before in the show’s history. The ninth performance sold out weeks in advance, and the total run of the show had the highest single-week gross in Belk Theater’s history. Fela also sold out in February, and Sister Act and Wicked broke records as well.

“We are thrilled with the response,” said Blumenthal President Tom Gabbard. “We are a top 10 market for touring Broadway shows because of this kind of support.”

It’s also important to remind patrons that BlumenthalArts.org and CarolinaTix.org are the official ticketing providers for Blumenthal Performing Arts. Tickets purchased from other sources may be more expensive, invalid and ineligible for assistance.

With an incredible lineup for the 2013-14 season (see Page 8), there is no better time to be a Season Ticket holder. Reserve your seats now, and with an accredited source, before the sold-out sign goes up for next season’s shows. 

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U O D

L SO

BOUBLIL & SCHÖNBERG’S LEGENDARY MUSICAL Lyrics by HERBERT KRETZMER

at blumenthal performing arts center

Group Sales: 704.379.1380 • BlumenthalArts.org/Groups LesMis.com

board of trustees Riaz H. Bhamani Amy Rice Blumenthal Jennifer D. Blumer, treasurer Kristin Hills Bradberry James Bullock Joni Y. Davis James F. Downs J. Porter Durham Jr. Charlie Elberson Claire Green Fallon Dorlisa K. Flur, past chair Molly B. Griffin Timothy L. Gunter, secretary Greg Haislip Rebecca S. Henderson W. Todd Houser Sunny Hutchinson Lloyd E. Johnson Mac Lackey Joe Maxim Dr. Edith Valladares McElroy Edwin B. Peacock III Rick D. Puckett, chair Jennifer Roberts Ed Rose Kelly Sherman Anne Stolz Catherine Warfield V. Curtis Watkins Amy Wooden

onstage

Onstage magazine is produced by the Blumenthal Performing Arts marketing staff.

Wendy Oglesby, vice president of marketing Danny Knaub, communications manager Mark Wallace, visual communications manager Jessica Reardon, contract graphic designer Contributing writers: Aleigh Acerni Elizabeth Bertrand Jeri F. Krentz Page Leggett Editing support: Jenna MacFarlane

Facebook.com/NCBPAC

Twitter.com/BlumenthalArts

2 onstage | Spring/Summer 2013

YouTube.com/NCBPAC

BlumenthalArtsBlog.org

Tickets: 704.372.1000 | BlumenthalArts.org

Cover photos: Phyre Hawkins, Mark Evans, Christopher John O'Neill THE BOOK OF MORMON First National Tour (c) Joan Marcus, 2013; TRACES; War Horse photo © Brinkhoff/Mögenburg.

President’swords TOM GABBARD Dear Friends:

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his issue of Onstage is packed with lots of interesting information.

“Our Report to the Community” is our Annual Report covering activities from July 1, 2011, through June 30, 2012. We’re proud of what was accomplished during a challenging economic time. The statistics and projects highlighted are organized around our mission statement so that you can see some of the ways that we’ve put our vision into action.

The Blumey Awards, our awards program for High School Musical Theater, has 32 schools participating this year, which is up from 20 the first year. Six of these schools will be invited to perform one number, but all 32 schools will be represented in the opening and closing songs, as well as in the competition to select a best actor and actress who will go on to New York for the national show. Awards will be given May 19 in numerous categories, including the Wells Fargo Best Musical Award.

Although this program is only in its second year, we believe it will stand for years to come as one of our most important programs.

New this year is a student critics program. Eleven students selected by application are being mentored by the pros at The Charlotte Observer. Their reviews of student shows competing in The Blumeys are being posted online by The Charlotte Observer, who we are grateful to have as a partner.

The Blumey Awards is also when we announce the next pair of Mary Doctor Scholarship students. This is one of the largest community arts scholarship programs in the country. Eight students receive $10,000 scholarships that are renewable for four years of college. Thank you to Mary and Don Doctor for helping to make dreams come true for these talented kids!

Among the shows featured in this issue of Onstage are two personal favorites: War Horse and TRACES. Both shows demonstrate our commitment to bringing unique, artistically rich shows to Charlotte. Read the articles about them in this magazine, but most importantly, come see them.

The 2013-2014 Duke Energy Broadway Lights Season was just announced. Through their support, Duke Energy has powered the biggest theatrical season that Charlotte has ever had. To make it more affordable for fans to attend as many shows as possible, we’ve begun a payment plan that spreads the cost of tickets over 10 months. In the current season, many performances sold out. With the strong titles ahead, we expect to see many more sold-out shows. Our Season Ticket holders lock in the best seats at the best prices.

Thank you for your support of Blumenthal Performing Arts. We are truly blessed to be part of a community that has demonstrated in many ways that the arts are an essential element in making this a great place to live. I look forward to seeing you at the theater.

Tickets: 704.372.1000 | BlumenthalArts.org

Tom Gabbard President

onstage | Spring/Summer 2013

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NEWSbriefs Campaign Inspires Freedom School Kids With The Lion King

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Increasing access to the performing arts is one of the Blumenthal’s hen Disney’s The Lion King comes to Charlotte primary focus areas, and this special effort complements this summer, each performance promises to be ticket programs already sponsored by Duke Energy, Carolinas breathtaking. But the first preview performance could HealthCare System and Synder’s-Lance. hold a magic of its own.

Mary Nell McPherson, head of Freedom School Partners, calls That evening, 1,000 Freedom Schools students are expected it a dream come true. to fill Belk Theater, and most will be seeing a professional “I remember taking my daughters to The Lion King and production for the first time. Blumenthal Performing Arts’ Inspire thinking how wonderful it would be if our Freedom School a Child campaign is raising money to provide each child with a scholars could see the show and learn from its message,” she free ticket – and memories to last a lifetime. says. “When Cindy called, she “All kids should told me, ‘I saw your work. I was have opportunities touched by it. And this is what I to be inspired by want to do.’ I just got chills.” theater,” says Cindy For both organizations, Aug. 6 Rice, the Blumenthal’s presents challenges. To fill half of vice president of Belk Theater with Freedom School development, “and there scholars, the Blumenthal needs is no more inspiring play to raise an ambitious $65,000 better suited for kids to above and beyond the usual see.” fundraising goal. And Freedom Freedom Schools is a School Partners needs to tackle literacy-based learning the logistics of getting everyone to program developed by and from the show. Of the 1,000 the Children’s Defense tickets, 150 will go to children at Fund for at-risk students a Freedom School site in rural across the country. In Photo by John Lemmon Charlotte, Freedom Freedom School scholars at the Montclaire Elementary site gather for Harambee, an energetic pep rally that starts their day. Bennettsville, S.C., 90 miles from uptown.

Schools operates at “We knew from the beginning there’d be hurdles, but we two dozen sites each summer in partnership with community also knew the payoffs would be incredible,” McPherson says. organizations. Run by Freedom School Partners, the program “Especially for the scholars coming from Bennettsville, this will be a broadens horizons and builds self-confidence while preventing chance to experience magic like never before.”  summer learning loss.

Rice became familiar with the program last year when a friend — Article by Jeri F. Krentz invited her to the end-of-summer Jubilee.

“The students and staff had such passion and excitement,” she says. “When I got back to work, I started thinking, ‘Wouldn’t Want to Help? it be amazing if we could invite them to the theater?’ I sat on the To sponsor a ticket for a Freedom School scholar, please go idea for a month; but as hard as I tried to forget it, I couldn’t.” to power2give.org/charlotte/blumenthal. If you would like Tom Gabbard, president of Blumenthal Performing Arts, more information about this effort, or would like to know other embraced the plan, as did staff members from other departments. ways to give, please call Cindy Rice at 704-379-1352.

The King Returns Disney's The Lion King on sale April 26!

Experience the phenomenon of Disney’s The Lion King when Charlotte’s best-loved musical makes a triumphant return to Belk Theater following its record-breaking 2007 engagement.

Marvel at the breathtaking spectacle of animals brought to life by award-winning director Julie Taymor, whose visual images for this show you’ll remember forever. Thrill to the pulsating rhythms of the African Pride Lands and an unforgettable score, including Elton John and Tim Rice’s Oscar-winning song “Can You Feel the Love Tonight,” as well as “Circle of Life.”

Let your imagination run wild when the Tony Awardwinning Broadway sensation returns to the Belk Theater stage. Buy your tickets NOW before the show sells out. 

Jelani Remy as “Simba” and the ensemble in “He Lives in You” from The Lion King National Tour.

The Lion King returns to Charlotte Aug. 6.

4 onstage | Spring/Summer 2013 Tickets: 704.372.1000 | BlumenthalArts.org

Photo by Joan Marcus ©Disney

NEWSbriefs High School Students Experience Broadway and Blumenthal Firsthand

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his spring, more than 40 high school students will experience Broadway and Blumenthal Performing Arts like never before with free shows, insightful Q&As with industry insiders and behind-the-scenes tours.

Blumenthal and The Doctor Family Foundation are continuing two experiential programs that benefit high school students who have a strong passion for the arts. These two programs truly succeed at putting arts in the forefront by giving these students experiences they’ll never forget.

of the Arts; Jonathan Able from William Amos Hough; Kasey Stewart and Matt Roper, both from Marvin Ridge; Mariel Butler from Independence; Rebekah Meekins from East Mecklenburg; and Taryn DeRasmo from South Point.

Read the accompanying article to hear how the program will impact two of the students who were chosen to participate in this dream trip.

“This means the accomplishment of a dream I’ve had since I was a little kid in Puerto Rico.”

The Blumenthal Experience: March 27 Students nominated for The Broadway Experience who were not selected for the The Broadway Experience: April 19-21 New York adventure were invited to a day -Jacob Caceres-Reyes The fourth annual Broadway Experience of unprecedented access to Blumenthal provides 12 industrious and economically challenged area high Performing Arts. This year, 29 students and 12 teachers school students with an all-expenses-paid trip of a lifetime to participated. the heart of theater: New York City.

Activities included a tour of all six Blumenthal theaters and The students will experience Broadway firsthand for the first Q&A sessions with Blumenthal President Tom Gabbard, Vice time – from the thrill of performances on stage to the chance to President of Programming Douglas Young and other staff go backstage and visit with the casts. These lucky 12 students members. will be able to see Kinky Boots and Cinderella, and will have the Additionally, cast members from Broadway’s biggest opportunity to tour several theaters, including those at Lincoln blockbuster, Wicked, taught a special performance-based Center and Radio City Music Hall. workshop, just for The Blumenthal Experience students, before The students chosen for The Broadway Experience are the group was treated to that evening’s performance of the Andrew Paluszak and David Jordan, both from East Gaston; sold-out megahit. The day concluded with the opportunity to Avery Philemon from Sun Valley; Jacob Caceres-Reyes, Joneka meet and chat with many of the cast members following the Percentie and Shakayla Stewart, all from Northwest School performance. 

In Their Words Two students chosen for The Broadway Experience share their excitement Taryn DeRasmo

Jacob Caceres-Reyes

Junior, South Point High School

Senior, Northwest School of the Arts

What does The Broadway Experience mean to you?

This will change my life. Theater is my life, and I plan to direct on Broadway. Getting to see the New York theater world so early in my career will give me a real boost.

What does The Broadway Experience mean to you?

This means the accomplishment of a dream I’ve had since I was a little kid in Puerto Rico. I thought that I wouldn’t get to see a Broadway show until I started working and saved the money.

What do you want to get out of The Broadway Experience?

I want to learn how the shows come DeRasmo together. I can’t wait to get backstage and see the technical side of the productions. I can’t wait!

What do you want to get out of The Broadway Experience?

Caceres-Reyes I want to experience the “chills” that my friends and teachers have told me about when they saw Broadway shows.

What part of The Broadway Experience are you most looking forward to?

Well, seeing the plays, of course; but I am super excited about seeing the technical production side of everything. I really hope we get to talk with some stage managers and running crew.

What part of The Broadway Experience are you most looking forward to?

I look forward to meeting some really passionate people that share my dream. I want to meet the talented actors and directors that everyone talks about on Broadway. I’m also excited to travel with two great girls from my school and talented students from other schools.

Tickets: 704.372.1000 | BlumenthalArts.org

onstage | Spring/Summer 2013

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NEWSbriefs Blumenthal to Host National Dance Day Event

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ational Dance Day is a grassroots initiative to encourage the nation, young and old, to move. Blumenthal Performing Arts is onboard to help make people move locally, along with others across the country who will be performing some of the same moves on this day.

Blumenthal will host Charlotte’s first National Dance Day event Saturday, July 27, in Founders Hall. The day will feature amateur dance groups of all sorts. Area dance professionals will provide fun and interactive instruction for everyone. Several dances will be posted on You Tube in advance so that participants around the country can practice before joining together in this national celebration of dance.

Nigel Lythgoe, executive producer of “So You Think You Can Dance”, created the annual National Dance Day event to promote health and self- esteem through dance. National Dance Day was recognized by an official act of Congress in 2010. 

All photos © Los Angeles Daily News and John McCoy

Blumenthal Performing Arts will host Charlotte’s first National Dance Day event this year to encourage everyone to move. Los Angeles’ inaugural event last year in Grand Park was a hit, as evidence by these images. Left, more than 4,500 people dance together in celebration of National Dance Day. Top, Nigel Lythgoe, who created the annual national event, does a little tap dancing.

Above, people get their feet moving to rally in the event.

Instant Gratification! Buy Tickets Online and Print at Home Like to have your tickets in hand instantly? Print them at home!

With our online ticketing service, you can pick your seats and buy your tickets 24/7. Shop at 7 p.m. or at 2 in the morning. The ticketing system will be there to serve you when you want to shop.

You also can easily determine exactly where you want to sit because our online ticketing software will show you all the open seats. Then, just click on your choice and proceed with the easy and secure online checkout process.

For maximum convenience, pick print-at-home as the method to receive your tickets. With print-at-home, your tickets are instantly in your possession. They’ll arrive by email within a few minutes of your order, or you can chose to download them instantly. All you have to do is print them out, just like you would a boarding pass for the airlines, and you’re all set for a great night at the theater. 

6 onstage | Spring/Summer 2013 Tickets: 704.372.1000 | BlumenthalArts.org

NEWSbriefs Creating the Duke Energy Broadway Lights Season

Blumenthal’s vice president of programming explains how the magic happens

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s you read about the incredible 2013-14 Duke Energy Broadway Lights Series, it might surprise you to know that Blumenthal President Tom Gabbard and Vice President of Programming Douglas Young actually started working on the series a few years ago.

They both are voters for Broadway’s Tony Awards so they see every new show on Broadway as well as dozens of other shows around the world.

Photo © LunahZon Photography They keep an eye trained on Douglas Young, vice president of programming, holds your favorites and what might The Book of Mormon. become your new favorites.

And they listen to you. Ever filled out the post-show customer satisfaction survey or posted to Facebook? Your voice was heard, says Young.

Young, who has been with the Blumenthal for nearly seven years, answers questions about how a season comes together.

What goes into creating a season?

Stephen Sondheim said it best in one of his lyrics from Sunday in the Park With George: “The art of making art is putting it together, bit by bit.” And that is a pretty good introduction for how the Broadway Lights Series is assembled each year.

The timing of the shows has a lot to do with when a show opens on Broadway. Broadway shows typically tour about a season after they open in New York, which is the case with Once, Ghost the Musical, Peter and the Starcatcher, and the revivals of Evita and The Gershwins’ Porgy and Bess. The Book of Mormon was initially offered to us as part of the 2012-2013 Season, but since the season already had two blockbusters (Wicked and Disney’s The Lion King), we opted to move it to the 2013-14 season. Even with that move, Charlotte will be the first Southern city to have the show, ahead of larger venues in Atlanta and Durham.

What stands out about this season and the extras?

The Book of Mormon and Once are two of Broadway’s hottest new shows and the two most recent Tony Award winners for best new musical. Matthew Bourne’s Sleeping Beauty is a hip theatrical dance piece from one of today’s most acclaimed choreographers.

Audiences also will see a fresh revival of an Andrew Lloyd-Webber classic (Evita); a new musical based on one of the most popular romantic films (Ghost the Musical); a new rock musical based on the music of Queen (We Will Rock You); last season’s Tony Award winner for best revival of a musical (The Gershwins’ Porgy and Bess); and a five-time Tony Award winning new play about what happened before the story of “Peter Pan” (Peter and the Starcatcher).

The extras include the anticipated return of one of Broadway’s biggest blockbusters (Disney’s The Lion King); a hilarious parody about Broadway musicals (Forbidden Broadway); a new take on a classic musical by the composer of Wicked (Godspell); a coproduction from Blumenthal Performing Arts, Arizona Theater Company and the Guthrie Theater about Martin Luther King Jr.

that won the Olivier Award - London’s equivalent of the Tony Award - for best new play (The Mountaintop); and the return of two fan favorites (Rock of Ages and Blue Man Group).

What about shows that don’t make the schedule?

Even though we do have a lot of shows each season, there are a number of shows that we choose not to present, and there are some shows that we would like to present that just don’t make it out on the road. One project that didn’t make it out this year was a tour of the play Harvey, which would have starred Richard Thomas in the classic Jimmy Stewart role.

What are the challenges?

Having to adjust to things that we have no control over (such as when tours decide to not go out) is one of our challenges, but the biggest challenge is putting together a season that has both balance and diversity in it. How much of a balance should there be between new and old shows? How soon do you bring really popular shows back? Are there shows that are too controversial for Charlotte? Those are questions we constantly ask because our role is a mix of providing our fans with what they want and also introducing them to new experiences.

I think the best way we serve our fans is by asking them for their feedback with the Guest Satisfaction Surveys because they are great about telling us their likes and dislikes. And yes, I do read all of the suggestions we get about what shows they would like to see us present!

What are the parts that make all of the hard work worth it?

I remember hearing someone say long ago that theater doesn’t happen until you add the audience, and they were right. We can book shows, market them and sell tickets all day long, but you really don’t know if you are successful until you are sitting in the house with people and hear them laugh or applaud or cry.

No matter how high tech we become, no matter how many on-demand entertainment options we have, we will always need live entertainment because there is nothing quite like forming a community with other people and experiencing something together.

It also takes a pretty large community to make live entertainment happen, ranging from the performers to the stagehands and the ushers. So when you hear someone say thanks for bringing a show, you also appreciate all of the people it takes to make that happen. 

The Difference Between ‘Season’ and ‘Extras’

There are two parts to putting together the Broadway Lights Series: The season package and the extras, says Douglas Young, vice president of programming.

The season package ranges from six to eight shows, but the core is built around having at least one blockbuster, a few of the hottest new shows, at least one revival, something a little more cutting edge and in a perfect world, a play.

The extras are those additional shows that give our fans more variety. With the extras, it is not so much about the quantity of the shows, but finding quality productions that really engage people. Often this involves bringing back some shows by popular request, but also it is about exploring interesting new works.

Tickets: 704.372.1000 | BlumenthalArts.org

onstage | Spring/Summer 2013

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704.335.1010 BlumenthalArts/Broadway

The Book of Mormon to Anchor Season

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roadway’s best new shows will be on stage in Charlotte next season in the 2013-14 Duke Energy Broadway Lights Series. From the creators of “South Park” and winner of nine Tony Awards, The Book of Mormon will play a limited two-week engagement Dec. 26, 2013 - Jan. 5, 2014. The New York Times calls it “the best musical of the century,” and Entertainment Weekly says it’s “the funniest musical of all time.”

Duke Energy returns as the title sponsor of the Broadway Lights Series with eight touring productions.

Season Ticket holders receive priority ticket purchasing for shows, making Season Tickets the best way to guarantee seats to The Book of Mormon.

The 2013-14 Broadway Lights Series season also features Matthew Bourne’s Sleeping Beauty; the stunning new production of Tim Rice and Andrew Lloyd Webber’s Tony Awardwinning musical Evita; the brand new musical, based on an Oscarwinning movie, Ghost the Musical; the musical We Will Rock You based on the songs of Queen; the stunning and stirring new adaption of The Gershwins’ Porgy and Bess; and the enchanting Once, winner of eight 2012 Tony Awards including Best Musical. An eight-ticket package option adds the innovative and imaginative new play, Peter and the Starcatcher, based on The New York Times best-selling Disney-Hyperion novel about a young Peter Pan before he arrived in Neverland.

Tickets for all season shows are included in a Duke Energy Broadway Lights Series season subscription.

Broadway Extras include blockbuster Disney’s The Lion King; the beloved musical revival Godspell from Stephen Schwartz; The

Mountaintop, a fictional play that depicts The Rev. Martin Luther King Jr.’s last night alive; the hilarious Broadway musical spoof, Forbidden Broadway; the "Harry Potter" parody Potted Potter; and the return of Charlotte favorites, Rock of Ages and Blue Man Group.

The all-star lineup has been nominated for an astounding 63 Tony Awards, and the shows have won 30 trophies between them.

“We are very excited about this year’s lineup,” says Blumenthal President Tom Gabbard. “Thanks to strong sales last season, Charlotte remains a top 10 market for touring Broadway shows, which allows us to bring the very best of what Broadway has to offer. We worked hard at creating a diverse season, and we are pleased this lineup has something for everyone.”

Season Tickets for the Duke Energy Broadway Lights Series productions are available now.

Prices for the seven-show package start at $19.20 a month for 10 months.

To renew or become a Season Ticket holder, call 704-335-1010.

You may also stop by the Belk Theater Box Office during business hours, 10 a.m. to 6 p.m. Monday through Saturday, or while at a show. Online ordering is also available at BlumenthalArts.org/Broadway, where you can check out videos of the shows.

Along with guaranteed seats for the series' shows, Season Ticket holders receive exclusive benefits, including access to the very best seats. Season Ticket holders can also receive as much as a 20 percent discount on some performances, and they have the opportunity to purchase additional single tickets to the series’ shows. 

Subscribe Today!

704.335.1010 BlumenthalArts.org/Broadway

This photo: Will Connolly, Steve Kazee, Lucas Papaelias (background), Cristin Milioti, Paul Whitty from the ONCE Original Broadway Company. At right: Evita 2012 Broadway revival cast.

Photo by Joan Marcus, 2012

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Tickets: 704.372.1000 | BlumenthalArts.org

Photo by Richard Termine

704.335.1010 BlumenthalArts/Broadway

Dec. 26, 2013 - Jan. 5, 2014 Belk Theater

Nov. 5-10, 2013 Belk Theater Matthew Bourne, Britain’s most popular dance showman, has applied his extraordinary imagination to the beloved music of Tchaikovsky to create an entirely new vision of Sleeping Beauty, coming to us from its sold-out run in London.

It’s ballet gone Broadway in this theatrical spectacle that follows the story’s heroine from her wild child beginnings at the end of the 19th century to the modern day, when she awakens from her long sleep. Along the way, she encounters fairies, zombies, vampires and other creatures that Tchaikovsky

never dreamed of, all dancing vividly to life in the magical realm created by the show’s extraordinary sets, costumes and lighting.

Tickets: 704.372.1000 | BlumenthalArts.org

March 4-9, 2014 Belk Theater Tim Rice and Andrew Lloyd Webber’s Tony Award-winning musical returns at last!

Eva Perón used her beauty and charisma to rise from the slums of Argentina to the presidential mansion as first lady. Adored by her people, she became one of the most powerful women in the world – while her greed, outsized ambition and fragile health

onstage | Spring/Summer 2013

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704.335.1010 BlumenthalArts/Broadway made her one of the most tragic.

Evita tells Eva’s passionate and unforgettable true story, and features some of theater’s most beautiful songs, including “Don’t Cry for Me Argentina,” “Another Suitcase in Another Hall” and “High Flying, Adored.”

Don’t miss this stunning new production of Evita, directed

by Michael Grandage and choreographed by Rob Ashford. evitaonbroadway.com April 1-6, 2014 Belk Theater Relive the iconic and magical moments from the Oscar-winning movie Ghost in a brand-new Broadway musical. Ghost the Musical features an original pop score from multiple Grammy Award-winners Dave Stewart and Glen Ballard and is adapted from the hit film by its Academy Awardwinning screenwriter Bruce Joel Rubin.

Ghost the Musical follows Sam and Molly, a young couple whose connection takes a shocking turn after Sam’s untimely death. Trapped between two worlds, Sam refuses to leave Molly when he learns she is in grave danger. Desperate to communicate with her, he turns to a storefront psychic who helps him protect Molly and avenge his death. Ghost the Musical is “eye-poppingly brilliant” (The Associated Press) and “unlike anything seen onstage before!” (Newsday).

May 27 - June 1, 2014 Belk Theater From London’s West End, the worldwide smash hit musical by Queen and Ben Elton comes to Charlotte!

We Will Rock You is set in a future age of mindless manufactured music and unoriginality, where an unlikely resistance – an alliance of rebel Bohemians – waits for a hero to bring the power of rock back to the people.

Now in its 11th year in London, this hilarious, multiaward-winning and record-breaking phenomenon boasts a fantastic score of killer tunes from legendary group Queen, such as “Another One Bites the Dust,” “Crazy Little Thing Called Love,” “We Are the Champions,” “Bohemian Rhapsody,” and of course, “We Will Rock You.” July 15-20, 2014 Belk Theater Winner of the 2012 Tony Award for Best Revival of a Musical, The Gershwins’ Porgy and Bess is hitting the road in a stunning

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and stirring new staging, including such legendary songs as “Summertime,” “It Ain’t Necessarily So,” and “I Got Plenty of Nothing.”

Praised by The New York Times as, “A big hit! An l a usic AN M indispensable ticket!” and C I R AME THE hailed by the Associated Press as, “a gorgeous version of the Gershwin masterpiece,” The Gershwins’ Porgy and Bess triumphs as one of theater’s most exhilarating love stories.

For more information, please visit PorgyandBessTheMusical.com.

Sept. 30 - Oct. 5, 2014 Belk Theater Winner of eight 2012 Tony Awards including Best Musical, Once is a truly original Broadway experience. Featuring an impressive ensemble of actor/musicians who play their own instruments onstage, Once tells the enchanting tale of a Dublin street musician about to give up on his dream when a beautiful young woman takes a sudden interest in his haunting love songs.

As the chemistry between them grows, his music soars ... but their unlikely connection turns out to be deeper and more complex than your everyday romance.

Included With the 8-Show Package April 29 - May 4, 2014 Knight Theater Peter and the Starcatcher, the most magical evening of madcap fun is now coming to Charlotte! Hailed by The New York Times as “The most exhilarating storytelling on Broadway in decades,” this musical play takes a hilarious romp through the Neverland you never knew. The winner of five Tony Awards, this swashbuckling prequel to “Peter Pan” will have you hooked from the moment you let your imagination take flight.

Suitable for younger audiences, but most enjoyable for ages 10 and up.

Tickets: 704.372.1000 | BlumenthalArts.org

BROADWAYEXTRAS Show Time in Charlotte All shows at Belk, Knight or McGlohon theaters, or Booth Playhouse!

Aug. 2-18, 2013 Knight Theater

Aug. 6 - Sept. 1, 2013 Belk Theater

RENEW NOW! Season Ticket Holders Get Our BEST Benefits

Oct. 16-20, 2013 McGlohon Theater

Nov. 12-24, 2013 Booth Playhouse

The Mountaintop by

Dec. 3-8, 2013 Knight Theater

katori hall

Feb. 4 - March 2, 2014 Booth Playhouse

• The best seats at the best price.

• Guaranteed seats … because sellouts happen.

• Swap up to TWO shows with any other two shows this season.* • Ten-month extended payment plan.** • FREE parking when you renew by May 15.

• Free exchange for another performance of the same show.

• Buy additional tickets to season shows and Broadway extras NOW*** for friends and family.

Go to the Front of the Line for Seating Change Requests

Become a Blumenthal member. In exchange for a tax deductible donation of at least $100, receive priority status for seating changes. Your request for a change will be addressed before nonmembers.

BROADWAY’s BIGGEST PARTY! * Once you receive your tickets this fall, you may swap two of your shows for any other shows coming to our theaters this season.

You’ll either be refunded or asked to pay the difference in ticket price. ** The 10-month payment plan requires a credit card. Online orders are limited to a three-month payment plan. *** An order form for additional tickets will arrive with your Season Ticket Confirmation once we receive your order. If you provided an email address, we’ll also email you with a link to buy.

Feb. 21-23, 2014 Belk Theater Adult language and content

April 15-20, 2014 Belk Theater Tickets: 704.372.1000 | BlumenthalArts.org

onstage | Spring/Summer 2013

11

War Horse’s Enthralling Journey Tony Award-winning stage spectacle connects emotionally with audiences

W

ar Horse, opening May 28 at Belk Theater, exerts its pull from the moment the title character, Joey, first trots on stage as a foal. The audience gasps, aware that Joey is a puppet, not a real horse, but captivated by the way he shudders and whinnies at the touch of Albert, his 15-year-old owner. Joey’s lifelike eyes, shining and reflective, draw us into the soul of his journey. As the evening progresses, and Albert sets out to rescue Joey after he has been sold to the English cavalry, we find ourselves carried along and hoping for Joey to make it home.

It’s that kind of emotional power that has made War Horse an international, award-winning phenomenon, and inspired an Oscar-nominated film directed by Steven Spielberg. War Horse won five 2011 Tony awards (including Best Play) for its New York premiere, plus a Special Tony Award for Handspring Puppet Co., for creating the 11 puppets at the heart of the show.

“One of the things we like to imagine is people in the audience nudging the person next to them, saying, ‘Did you see that?’” says Basil Jones, who runs Handspring with co-founder Adrian Kohler.

Set during World War I, War Horse combines a powerful story with thrilling stagecraft and music. In addition, it showcases what may be the most inventive use of puppetry ever seen on stage. Soon after meeting him as a young horse, we watch in amazement as an adult, 7-foot-tall Joey materializes before our eyes. Two puppet masters working inside Joey’s frame (built of light, malleable cane) raise and lower his torso, letting out forceful breaths, while a third manipulates his ears, lifting and pulling them back to register tender shades of emotion.

Spielberg’s film employed real horses, but these onstage

creations fully personalize equine ideals of courage, strength and loyalty.

“Spielberg made a terrific film,” says Michael Morpurgo, upon whose novel War Horse is based, “but cinema has its limitations.

It isn’t live, and that’s the difference. What’s amazing about the stage show is that – whether it’s the music, design or lighting, the puppets, the quality of acting or direction – it’s ingenious and unique.

It’s a theatrical event.”

During World War I, more than 1 million horses were conscripted by the British military alone; of these, only 62,000 returned. As Joey is forced into battle, serving in both the British and German armies, we are moved by his bravery and the trust he places in those who exploit his strength. His innocence makes him seem above the fighting. Still, Joey is unprepared for the true brutality of 20th century warfare. In a brilliant scene that defines Act 2, he faces a new kind of foe: a massive tank rolling his way, prepared to flatten everything in its path.

“The First World War is emblematic in the way the possibilities of destruction changed," suggests Mervyn Millar, War Horse’s puppetry director. "You see Joey standing, looking at the tank, which advances without logic, without thought. Joey tries to work out what it means, what it wants, and it doesn’t want or mean anything. It just destroys.”

Joey’s plight resonates with anyone who has ever loved an animal or taken a pet into the family. As Albert continues his search, we are reminded of the ways in which animals remain with us through many stages of our lives, giving much and asking for little.  — Article by David Freeland

War Horse

May 28 - June 2, 2013 Belk Theater

All photos © Brinkhoff/Mögenburg

The Handspring Puppet Co. brings War Horse’s Joey to life on stage.

12 onstage | Spring/Summer 2013

Tickets: 704.372.1000 | BlumenthalArts.org

Tickets: 704.372.1000 | BlumenthalArts.org

onstage | Spring/Summer 2013

13

Our Report to Our Mission:

To present the best in the performing arts and, in partnership with others, share and employ the arts as a major catalyst to strengthen education, build community cohesiveness and advance economic growth.

How We Lived Our Mission Last Year To present the best in the performing arts …

• Presented 148 performances of 16 Broadway hits including: Jersey Boys, The Addams Family, Memphis, Spamalot, West Side Story, Mamma Mia, Next to Normal, Million Dollar Quartet, Rock of Ages, Stomp, La Cage aux Folles, Come Fly Away and Beauty and the Beast.

• Presented 38 concerts with artists like B.B. King, Elvis Costello, Lyle Lovett, Jim Brickman and the Moody Blues.

• Presented 159 special events including the Alvin Ailey American Dance Theater; food stars Anthony Bourdain and Eric Ripert; Martin Short; Pilobolus; and William Shatner.

• Presented a weeklong run of the offBroadway hit, Love, Loss and What I Wore starring Loretta Swit, and written

by Nora Ephron and Delia Ephron.

gifts, grants and sponsorships helped support our education and enrichment programs and provide rent reductions to local arts groups.

• Local partnerships included work with more than 70 schools, 25 nonprofits and 40 local teaching artists.

• CarolinaTix served more than 250 clients throughout the region, providing online and phone sale capability to many small arts groups.

Strengthen education …

• The Blumey Awards made its debut.

Generously sponsored by Wells Fargo, more than 1,400 students from 20 high schools competed in the launch of the Blumenthal High School Musical Theater Awards.

• The Mary Doctor Performing Arts Scholarship was awarded to two new

students with need, bringing the current total number of scholars to six, each receiving a $10,000 annually renewable scholarship to assist with up to four years of college.

• 1,546 elementary and middle school students participated in the Broadway Junior Celebration, during which they received coaching from a talented group of New York pros.

• 3,093 students and teachers came to daytime performances of Streb: Forces and ImaginOcean.

• More than 6,269 students purchased low cost student rush tickets.

• 12 high school students were selected by application to participate in the Broadway Experience, an all-expenses paid three-day trip to New York that included three shows, behind the scenes tours and education programs about the New York theater scene.

• Presented the new musical Bring It On prior to its Broadway opening.

• Produced the New York run of TRACES, which played for 13 months at the Union Square Theater and was selected by Time Magazine as one of the Top 10 Shows of 2011.

• Produced the Broadway production of The Mountaintop, starring Samuel L. Jackson and Angela Bassett, a play about Martin Luther King that recouped its investment in 16 short weeks.

• Produced and launched the national tour of the play You Say Tomato, I Say Shut Up.

In partnership with others …

• Corporate Campaign Chair Elizabeth Austin led volunteers to raise funds from 156 corporate partners.

• 1,545 donors supported our mission as Producer Circle and Individual Members.

Area elementary school students attend Streb: Forces in Knight Theater during one of two school shows.

• More than $1,493,000 in charitable

14 onstage | Spring/Summer 2013

Tickets: 704.372.1000 | BlumenthalArts.org

o

the Community Build community cohesiveness …

• More than 2,730 arts fans participated in one or more of our affinity groups: Club Blume for 20-30-somethings, Teachers’ Lounge for educators, Out on the Town for the LGBT community, and Charlotte Live! for students.

• 84 family members who could not otherwise afford the experience came together to see three shows: Addams Family, Bring It On and Beauty and the Beast.

• Provided 250 tickets through the Duke Energy ticket scholarship program for kids to see either The Addams Family or Bring It On: The Musical.

• More than 2,000 kids experienced – many for the first time – a first-class show through our Kids Night programs, which provides free admission for a child with a paid adult.

• Provided over $1,300,000 to local nonprofits in waiver of rent and marketing support to help a wide range of local arts groups.

• Partnered with Big Brothers Big Sisters by providing 244 free tickets so that “Bigs” could bring their “Littles” to enjoy a first-class show.

• Launched Open Captioning at one performance of each Broadway show to encourage participation among the deaf and hard of hearing.

Million Dollar Quartet spent three weeks at Knight Theater at Levine Center for the Arts.

And advance economic growth ...

• The Hunger Games, one of the biggest movies of 2012, filmed several major scenes in the Knight Theater.

• “Homeland,” the 2012 Golden Globeand Emmy-winning series, shot several scenes at Spirit Square.

• A new ticketing system was implemented to allow fans to select their seats online.

By the numbers ...

• More than 553,781 people attended a performance, class, church service, reception or other activity in one of the six venues.

• 451 volunteers gave 42,199 hours in service as ushers, tour guides and administrative support, saving $305,943 in expenses.

• Revenues totaled $22,770,365, and expenses $22,692,961, with a surplus of $77,404.

Member and corporate partner contributions helped Blumenthal touch the lives of more than 12,600 kids. From left, Producer’s Circle members Cathy Baily, Jim Baily, Gail Grim and Cindy Grim enjoy the Chairman’s Dinner.

Tickets: 704.372.1000 | BlumenthalArts.org

• Endowment funds at the Foundation for the Carolinas at year end totaled $16,303,478.

onstage | Spring/Summer 2013

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All photos © Michael Meseke 2010.

TRACES: Cirque on a Human Scale Artists bring heart and heart-stopping acrobatics to the Knight stage

W

hen Tom Gabbard, Blumenthal Performing Arts president, first saw TRACES at the Edinburgh Festival Fringe in 2007, he was totally caught off guard. It was the first day of the festival and he had stumbled upon an unpretentious show with a handful of circus arts performers, created by Canada's “Les 7 doigts de la main.”

“I was just blown away by how fresh, interesting and original it was,” says Gabbard. He returned to see TRACES the very next day to make sure it really was the jaw-dropping acrobatics that were dazzling him and not simply jet lag.

His initial impression proved right. Gabbard had found the small, unconventional show he had been seeking for the Broadway Lights Season, and a little something extra: the makings of a mega-hit.

Since that time, Gabbard has become one of the lead producers of the show, and TRACES has gone on to thrill audiences around

the globe. The show's 10-week limited run in New York proved so popular that it stayed for 13 months. Time magazine named TRACES one of its “Top 10 of 2011,” and the cast has appeared twice as guest artists on NBC's hit show, “America’s Got Talent.”

Following their 2011 appearance on the show, so many people were searching for information on the group that TRACES catapulted to the No. 1 Google Hot Search spot for the next 24 hours.

Enthusiasm for the show continues to mount as a new Broadway revival of Pippin that includes TRACESlike acrobatics comes out this spring. Gypsy Snider, co-director/ co-choreographer of TRACES, has specially choreographed the circus elements of Pippin.

Despite its fame and a larger production – now with seven performers, an expanded set and 20 more minutes of heartstopping action – TRACES retains its remarkable, intimate

TRACES

May 7-19, 2013 Knight Theater

16 onstage | Spring/Summer 2013

Tickets: 704.372.1000 | BlumenthalArts.org

quality. It is circus on a human scale.

The artists open themselves up, not afraid to show idiosyncrasies and imperfections, and somehow their acrobatic feats seem even more astonishing.

“People develop a personal connection with these artists,” says Gabbard. “People feel like they have made a new friend … In any kind of theatrical context, this is a very unique and wonderful thing.”

TRACES bursts with adrenaline as performers combine all manner of high-risk acrobatics with the energy of street performance. Using music, skateboarding, basketball, aerial tricks and a plethora of other skills, the cast displays endless endurance.

According to Gabbard, the current performers' technical ability is greater than ever before.

“Some of their biggest fans are previous cast members who marvel at the tricks they do now that they would never have even tried,” he says.

This time around, Charlotteans can expect even more “fireworks” when the show plays May 7-19 at the Knight Theater, where the artists will have additional space to fly higher and wider than they had in McGlohon Theater five years ago.

Behind the scenes, however, the seven performers still like to keep things cozy, opting to share one dressing room. Ultimately, that lack of pretension mixed with genuine camaraderie shines through on stage, as it did back in Edinburgh. Turns out, these down-to-earth qualities are just as essential as technical ability in making this show soar.  — Article by Elizabeth Bertrand

Get to Know the Team Behind the Show The Montrealbased circus arts group, Les 7 doigts de la main (the 7 fingers of the hand) started in 2002. The seven founders chose this playful name as a twist on a common French expression, “the five fingers of the hand,” meant to evoke the tightly coordinated efforts of distinct parts working toward a common goal.

Initially, they performed together but now they use their distinct talents as choreographers, writers, directors and coaches to inspire a new generation of performers. The group’s goal remains the same: creating circus on a human scale. They currently have six circus arts productions, including TRACES, playing around the world.

The Reviews Are In When TRACES came to Charlotte in 2008, it was an instant hit. The show's eye-popping acrobatics with an urban flare was like nothing people had ever seen before. So, how do you describe the indescribable? Leave it to the critics to find a way.

The Charlotte Observer's headline summed it up this way: “Call it circus, call it dance, call it gymnastics – just prepare to gape at this mind-blowing production.”

Charlotte Observer critic Lawrence Toppman elaborated: “Suppose I say one of five acrobats climbs a freestanding pole by swirling around it higher and higher, then plunges face downward toward the floor and stops a few inches short of turning his head into pudding. I've made it seem as exciting and mysterious as I can, but I haven't caught the gasp-inducing moment.”

Don't miss your chance to see what critics are raving about when TRACES returns to Charlotte May 7-19 and plays in the intimate Knight Theater.

Critics rave about TRACES but find it difficult to capture the astounding stunts in words.

Tickets: 704.372.1000 | BlumenthalArts.org

onstage | Spring/Summer 2013

17

The Catch Me If You Can Tour Company.

Catch Me If You Can

Broadway hit-makers spin story into a fast-paced, colorful musical

C

atch Me If You Can is the brainchild of creative geniuses biggest forgers and scam artists. The swinging swindler may who set out to capture the crazy, cat-and-mouse spirit of have been a rogue, but he’s a lovable one. the 2002 Steven Spielberg film while taking the material “He’s such a star,” says O’Brien. “His presence is luminous; in a new direction. he couldn’t be more affable and charming.”

The musical was brought to life by a dream team: a book O’Brien saw Catch Me as a tale of redemption, just as Spielberg

by Terrence McNally (The Full Monty, Ragtime); a swinging had. So he added some meat to the sizzle. “I wanted to explore the score by Marc Shaiman and Scott Wittman, who, in addition father-son axis,” O’Brien says. “I looked at it as the story of a boy to being executive producers who needed the father that he didn’t and co-lyricists for NBC's new have, and a man who needed a son musical drama "Smash," co-wrote that he’d never borne.” In the movie, lyrics for the musical Hairspray; musical and in real life, Abagnale forms choreography by Jerry Mitchell an unlikely bond with his pursuer, FBI (Hairspray, Legally Blonde); agent Carl Hanratty, who is Joseph and direction by Jack O'Brien Shea in real life.

(Hairspray, The Full Monty, Dirty One of choreographer Mitchell’s Rotten Scoundrels). biggest challenges was finding a And now the show is being reason for the buttoned-up Hanratty to brought to Charlotte June 7-9 dance. So, Hanratty sings a song called in Belk Theater at Blumenthal “Don’t Break the Rules” in a scene Performing Arts Center. that takes place at an FBI firing range.

So how did this larger-than-life Mitchell asked costume designer story make its way to the stage?

William Ivey Long to make the dancers O’Brien was a logical choice jackets with targets on them and to for songwriters Shaiman and have the targets light up. Dancers Wittman to approach with their become, literally, moving targets. concept.

Mitchell says the scene is “one of “They wanted to do the show the biggest showstoppers” he’s ever like a television spectacular,” says created. He says, “The reason the Photos by Carol Rosegg.

O’Brien. After all, the score pays audience responds to it is because Stephen Anthony and Aubrey Mae Davis from the Catch Me If You Can Tour Company. tribute to TV variety shows from the in the center of all of this fantastic 1960s. The opening number, “Live in Living Color,” is an homage dancing, you have this bumbling, shoe-tied-in-knots FBI guy who is to those specials with big, glitzy opening numbers. “Laugh-In” and keeping up with these great dancers – but with none of their élan.

Dean Martin’s Golddiggers also served as inspiration.

He’s completely common, and it’s thrilling to watch.”

But the most exciting partner in the creation of Catch Me “Thrilling to watch” is an apt description for the entire If You Can might be its colorful subject, Frank Abagnale Jr., musical. You should catch it, if you can.  who ran away from home at 16 and became one of the world’s — Article by Page Leggett

18 onstage | Spring/Summer 2013

Tickets: 704.372.1000 | BlumenthalArts.org

“I Am Frank Abagnale Jr. …

On Tour” Q&A with leading man, Stephen Anthony A lot of people have seen the movie with Leonardo DiCaprio as Frank. How is your performance like and unlike his – other than the fact that you sing and dance, and he didn't?

Actually the challenge was more to not imitate DiCaprio because I'm such a huge fan of the movie – as an artist you want to develop your own unique take. But the songs and dances add such a flavor of fun to the adventure, it absolutely sets it apart from the movie.

What do you think of Frank Abagnale Jr.? What are a few adjectives you'd use to characterize him?

Charming, mischievous, clever, fearless. Also lonely.

What's your favorite number in the show? Why? I have a lot of fun with the numbers (and there are a few) where all the girls take over and sort of push me around and play with me.

Who's the audience for this show?

It makes for a great date night out. The chase story between the con man and the FBI is such a guy's story – action adventure. But then of course there's all the flashy dance numbers and amazing songs that the girls will love.

What attracted you to this show and this role?

The story itself has almost become something of an American legend. We are obsessed with the idea of a con man – the seemingly glamorous life of adventure without responsibility. I get to live that adventure every night! It’s so special to have this rich exciting story told about a 16-year-old – and a true story at that! I always wanted the chance to play a real person–to honor their legacy.

This musical pays homage to 1960s variety TV shows. What are some examples of how the staging, costumes, songs and dance numbers mirror those shows?

We tell the story in the form of a "Hullabaloo" TV spectacular. I get to play the ringleader – your host for the evening. The bandstand is onstage with us, and they are tight! They fill the show with this huge grand brassy sound, whether it's swing or rock ’n’ roll or R&B. This is your national tour debut, right? How's it going? Do you like life on the road?

This is my first tour! It was kind of a whirlwind at the beginning. I just graduated from Florida State in May, and suddenly I was on the road! I'm so lucky to be living my dream.

I've been fortunate to meet some amazing people on the road – I've got friends in every city now!

Merritt, Frank Abagnale Jr. and Stephen Anthony.

The Real Frank Abagnale Jr. Before Frank Abagnale Jr. became an expert on scams, he was one of the world’s biggest scam artists. Between the ages of 16 and 21, he forged and cashed $2.5 million worth of bad checks while disguised as an airline pilot, a doctor, a college professor and a lawyer.

Despite the high-flying lifestyle, Abagnale’s life on the lam wasn’t glamorous. “It’s a very lonely life,” he says. “Everyone you meet thinks you’re somebody else.”

“I was also being chased, and I knew I had to stay one step ahead,” he continues. “You grow up and … realize you don’t want to live the rest of your life like that. And there’s great relief when you’re caught.”

Abagnale was sentenced to 12 years in prison and served four of those years before being paroled on a few conditions. One was that he had to work undercover for the FBI. It was during one of his undercover assignments that Abagnale met the woman he would marry. “I am who I am … because of the love of a woman, and the respect three sons have for their father,” he says.

Abagnale remade himself, yet he can’t escape his past. “I made some mistakes in my life, and I have to live with them,” he says. “People are fascinated by what I did (when I was young). But what amazes me is where my life went when I came out of prison. I try to do the right thing, and I hope that in the end I’ll be judged for that.”

If you had to live on the lam like Frank did, how would you fare? How long do you think you'd last?

First of all, I'm the worst liar. I don't think I'd last a week! I would end up tweeting something incriminating immediately. Plus, it all sounds fun in theory, but life as a con man turns out to be very lonely. I don't think I would last very long without all my friends.

Anything else Charlotteans should know about you and the show?

You're in for a great time!  — Article by Page Leggett

Catch Me If You Can June 7-9, 2013 • Belk Theater

Photo by Carol Rosegg.

Catch Me If You Can Tour Company.

Tickets: 704.372.1000 | BlumenthalArts.org

onstage | Spring/Summer 2013

19

2nd Annual Blumey Awards Attracts More High Schools

T

hirty-two schools from seven counties in the greater Charlotte region are competing in the second annual Blumenthal Performing Arts High School Musical Theater Awards, known as The Blumey Awards. That number is up from 20 schools that participated last year. The awards ceremony is May 19 in Belk Theater presented by Wells Fargo.

The Blumey Awards recognize and celebrate the best in high school musical theater and foster even greater achievements in the future. “It taught me that anything is possible,” last year's best actress, Taylor Neal, says of The Blumey Awards.

“We’re excited to see this program nearly double in size from 20 schools to 32 in one year’s time, “ says Blumenthal President Tom Gabbard. “ We’re proud of the remarkable creative talent in our community and are excited to offer an opportunity for students to perform on the Belk Theater stage.”

Currently, panels of four judges each, who award points based on set guidelines, are evaluating the school’s performances in the following categories: Best Musical, Best Actor, Best Actress, Best Supporting Actor, Best Supporting Actress, Best Featured Performer, Best Ensemble/Chorus, Best Student Orchestra, Best Overall Direction, Best Choreography Execution, Best Costume Creation, Best Hari and Makeup, Best Set Construction and Best Lighting Execution.

The six highest scoring nominees in each of the 13 categories will be finalists, and winners will be announced live at The Blumey Awards. Last year’s inaugural awards ceremony was

nearly sold out.

Returning to The Blumey Awards this year is David Dabbon, a New York-based music director, conductor, orchestrator and composer. Dabbon will once again arrange all of the music for the ceremony and lead an orchestra of local professional musicians to accompany performances by some of the finalists on May 19.

The Blumey Awards ceremony will feature a medley of performances by the six finalists for best actor and best actress; and two students from each production will be featured in an opening and closing number. Additionally, cast members from each of the six musicals chosen as nominees for the Wells Fargo Best Musical Award will each perform a musical number from their respective shows.

Blumenthal Performing Arts will again participate in the National High School Musical Theater Awards taking place in New York City in the summer of 2013. The two students named best actor and best actress at The Blumey Awards will receive all-expenses-paid trips and weeklong stays in NYC where they will train and compete with other regional winners in a national competition known as The Jimmy Awards, named after famed Broadway producer, James M. Nederlander.

“The Jimmy Awards gave me confidence I didn’t have before,” said last year’s best actor Kyle Conroy. “Now I can walk around college with my head held a little higher while I think, ‘Yeah, I did that … I sang on Broadway.’”

Just how big a deal is The Blumey Awards? Creative Loafing’s Perry Tannenbaum said, “The 2013 Blumeys promise to be the toughest ticket in town.” 

The Blumey Awards May 19, 2013 • Belk Theater

WBTV anchor Maureen O’Boyle, seen here with her daughter, Keegan, at last year’s Blumey Awards ceremony, returns to emcee the black-tie event this year. WBTV is the media sponsor for The Blumey Awards.

The student critics from left are, front row, Alison Krug, Lindsey Fisher, Erin Reed, Hannah Silver, Lauren Andersen, Alexis Williams and Leslie Porfeli; and back row, Malin Curry, Michael Julliard, Charlotte Bedell and Porter Yelton.

20 onstage | Spring/Summer 2013 Tickets: 704.372.1000 | BlumenthalArts.org

Introducing The Blumey Awards’ Student Critic Program

E

leven student critics have been chosen to participate in the inaugural Student Critic Program in association with the second annual Blumey Awards presented by Wells Fargo. The Student Critic Program is launched as a part of The Blumey Awards with support from The Charlotte Observer.

The student critics will each attend and review three high school musicals from among those presented by the 32 schools participating in this year’s Blumey Awards. Their reviews are being posted on The Charlotte Observer website. In preparation for their review work, these student critics earlier participated in a writing seminar hosted by The Charlotte Observer and Observer theater critic Lawrence Toppman.

Of these 11 student critics, one will be awarded The Charlotte Observer Student Critic Award at The Blumey Awards, chosen by the editors at The Charlotte Observer.

This year’s student critics include Alexis Williams and Michael Julliard, both from Charlotte Christian School; Lauren Andersen, Charlie Bedell and Lindsey Fisher, all from Covenant Day School; Hannah Silver from Carolina Youth Choral Players; Porter Yelton from Gaston Day School; Malin Curry from Independence High School; Alison Krug and Leslie Porfeli, both from Jay M. Robinson High School; and Erin Reed from Northwest School of the Arts.

The Student Critic Program was born from a desire to reach as many area students as possible through The Blumey Awards. Offered exclusively to students from the 32 area high schools participating in this year’s Blumey Awards, this new program provides an opportunity for students interested in pursuing literature, journalism or professional writing to be an integral part of The Blumey Awards. 

2013 Participating Schools Ardrey Kell Oklahoma!

Kings Mountain Beauty and the Beast

Butler Hairspray

Lincolnton Joseph and the Amazing Technicolor Dreamcoat

Cannon School Beauty and the Beast CYC Players Little Women Central Academy of Technology and Arts Young Frankenstein

Mount Pleasant Annie Get Your Gun Myers Park Once Upon a Mattress

Central Cabarrus Next to Normal

Nation Ford Beauty and the Beast

Charlotte Catholic Godspell

North Gaston Footloose

Charlotte Christian Oklahoma!

North Lincoln Oklahoma!

Charlotte Latin Les Misérables

Northwest Cabarrus Flight of the Lawnchair Man

Covenant Day Beauty and the Beast

Northwest School of the Arts Footloose

Cox Mill Urinetown Cuthbertson Legally Blonde The Musical East Gaston You’re a Good Man, Charlie Brown

Photo courtesy of The Charlotte Observer.

Marvin Ridge Once Upon a Mattress

Northwestern Grease Providence The Wizard of Oz Rocky River One Bad Apple

Gaston Day Grease

South Mecklenburg The Wiz

Independence Footloose

South Point Seussical

Jay M. Robinson The Apple Tree

Weddington Bye Bye Birdie

The Blumey Awards is produced by Blumenthal Performing Arts’ Education Department and is presented by Wells Fargo. US Airways, The Doctor Family Foundation and The Leon Levine Foundation provide additional support.

Tickets: 704.372.1000 | BlumenthalArts.org

onstage | Spring/Summer 2013

21

Shows and Attractions MAY 3 An Evening With Chris Botti

Belk Theater 3-4 Symphonic Cinema

Charlotte Symphony Pops

Knight Theater 4 Once Upon a Time

Charlotte Symphony Lollipops

Knight Theater 6 An Evening With Lyle Lovett

and His Acoustic Group

Belk Theater 7-19

TRACES Knight Theater

10-11 Good Vibrations: Chart Toppers of the '60s

Carolina Voices

McGlohon Theater

Chris Botti - May 3

Lyle Lovett - May 6

Sara Bareilles - May 21

10-12

Beethoven's Ninth Charlotte Symphony Belk Theater

16

Into the Wild: The Moth in Charlotte McGlohon Theater

19

The Blumey Awards Ceremony Belk Theater

19

Busk!

McGlohon Theater

20 Isabel Wilkerson

May 20th Society McGlohon Theater 21

Sara Bareilles Booth Playhouse

21

The Jazz Room Jazz Arts Initiative Stage Door Theater

24

The Steel Wheels McGlohon Theater

28 - June 2 War Horse

Belk Theater 31

The Steel Wheels - May 24

David Byrne & St. Vincent - June 18

Deep Water: The Murder Ballads UNCC College of Arts + Architecture Knight Theater

June 7-9

Catch Me If You Can Belk Theater

12 Tamia

Sol Kitchen

McGlohon Theater 15

Beatles Tribute Night Tosco Music Parties Inc. Knight Theater

18

David Byrne & St. Vincent Belk Theater

22

The Broadway Dolls McGlohon Theater

26

Josh Ritter & The Royal City Band Knight Theater

The Broadway Dolls - June 22

Josh Ritter and the Royal City Band - June 26

August 2-18

I Love Lucy Live on Stage Knight Theater

6 - Sept. 1

The Lion King Belk Theater

23

BoDeans McGlohon Theater

September 13

Steve Forbert Stage Door Theater

Please Visit BlumenthalArts.org for the latest details on all shows.

BoDeans - Aug. 23

22 onstage | Spring/Summer 2013

Tickets: 704.372.1000 | BlumenthalArts.org

Steve Forbert - Sept. 13

Special events Take the Stage, Charlotte Perform, applaud and discover new talent in Blumenthal’s new program

D

o you dream of performing in front of a live audience and experiencing the thrill of being center stage, entertaining a packed house?

With a new participatory arts program under way at Blumenthal, you can live your dream … or enjoy watching others live theirs. This new program provides the opportunity for local and budding artists to perform on Blumenthal stages in front of live audiences. The shows are also a lot of fun for fans, who get the chance to discover new talent and art forms.

The Open Mic shows are free to participants and audiences, and the initial response has been … well, overwhelming.

The first Open Mic night on Feb. 10 drew a full house – both in terms of audience and performers. More than 100 artists were on a waiting list hoping to be drawn for the 20 slots available on stage.

Come early if you expect to snag a seat to see these fun and engaging shows that bring to the stage everything from comedians and jugglers, to singers and dancers and everything in between.

The Open Mic events are drawing capacity audiences.

“We are so excited to see how Charlotte has embraced this,” said Blumenthal’s Education Department Director Ralph Beck.

“It was fun and amazing to see how this took off so quickly.

These shows are a great adventure for the audience because they are so varied, and it’s a huge thrill for the newer to the stage to be in front of a large, enthusiastic, encouraging crowd.”

Catch the free Open Mic shows bi-monthly at McGlohon Theater at Spirit Square. Check BlumenthalArts.org/OpenMic for details on how to sign up to perform or get more details on attending the next one.

Along with the regular Open Mic shows, this new participatory arts program will be involved with National Dance Day in July. This is a grassroots initiative to encourage everybody to move.

Nigel Lythgoe, executive producer of “So You Think You Can Dance” and founder of Dizzy Feet Foundation, created this annual event to promote health and self-esteem through the art form of dance. National Dance Day was recognized by an official act of Congress in 2010. Blumenthal will host Charlotte’s first National Dance Day event July 27 in Founders Hall. Area dance professionals will provide fun and interactive instruction for routines in several different dance genres.

In 2014, Blumenthal Performing Arts is planning to host a Choral Festival that comprises diverse styles of choral music.

The goals of this special program are to increase the awareness in Greater Charlotte region residents of the beauty, artistry, enjoyment and diversity of choral music while giving choirs and choral groups a chance to perform in Blumenthal’s beautiful Belk Theater.

Stay tuned through our website, BlumenthalArts.org, to learn more about these exciting and accessible events. 

Save the Date: Tony Party is June 9 Charlotte in the seasons ahead.

And the winners are …

Returning this year is our Seat Filler contest. One lucky Here’s your chance to join fellow theater enthusiasts for one fan will win a chance to be a seat filler during the actual Tony of the largest Tony Awards parties in the country and celebrate Awards ceremony when a celebrity leaves his or Broadway. her seat to present an award. Our lucky contest Our annual Tony Awards party has become winner might have a chance to schmooze with the go-to event for anyone wanting to watch the some big names in the business. Included in the telecast on the big screen with the camaraderie prize package are free round-trip airfare and of other fans. hotel accommodations. It’s a Broadway lover’s The ninth annual viewing party will be dream come true. Be on the lookout for more Sunday, June 9, when the 67th annual Tony information on our website, BlumenthalArts.

Awards air on CBS at 8 p.m. Enjoy light org, in the weeks ahead. refreshments, free soft drinks and a cash bar at Additionally, attendees will have another the Tony Party. Admission is free. opportunity to have their photos taken with the You’ll get video sneak peeks and behindBlumenthal’s Tony Award for Spamalot, a huge the-scene secrets about our 2013-14 Duke hit the previous two years.

Energy Broadway Lights Series (see Page 8 for Vice President of Programming Douglas a list of shows). You also will be entered into a Young will once again emcee the event that drawing to win tickets to some of our upcoming Attendees at a past Tony Party pose with the has become a Blumenthal tradition. He’ll share Broadway shows.

Blumenthal's Tony Award for Spamalot. behind-the-scenes secrets of the nominees and If that wasn’t exciting enough, Blumenthal interesting facts about our upcoming season. will be cheering extra loud for a few of the Doors to Spirit Square will open at 6 p.m. Pre-show festivities nominees. Blumenthal is an investor in six shows: Cinderella, start at 7:30 p.m.  Kinky Boots, Matilda, Jekyll & Hyde, Pippin and Grace. Keep a close eye on these shows, a few are sure to be headed to Tickets: 704.372.1000 | BlumenthalArts.org

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Blumenthal Talk Back Answers to some burning questions at our theaters When does an understudy go on?

You know the saying, “the show must go on,” but for some actors, they’re not told they’re going on until an hour before curtain. For these actors, it's their job. They're understudies.

Understudies often cover several roles and aren’t called in to duty unless one of the leads is sick or has an injury. They must be ready, sometimes even mid-show, to assume the role when the lead cannot perform for whatever reason.

The role of the understudy may be one of the most underappreciated in the musical world. Understudies rehearse weekly for long hours while on tour, with no guarantee of ever performing on the stage.

Given the demanding travel schedule and intense physical demands of modern musicals, casting understudies who are equal in talent to those they cover is an absolute necessity. To keep performers healthy, lead performers frequently will be scheduled to perform fewer than eight shows a week.

Some of Broadway’s biggest names, including Shirley MacLaine, Sutton Foster, Bernadette Peters and Bebe Neuwirth, all started as understudies.

MacLaine experienced her big Broadway break as an understudy in the 1954 production of The Pajama Game.

After Carol Haney sprained her ankle, MacLaine took to the stage. It was during this production that MacLaine was seen

by Paramount producer Hal Wallis and went on to become the superstar she has become.

Seven-time Tony Award nominee Bernadette Peters got her big break on the second national tour of Gypsy (1961). Peters understudied the role of Dainty June.

Can you name the actress who understudied the role of “Cassie” in A Chorus Line in 1975? That would be Broadway icon, Bebe Neuwirth, who went on to win the 1997 Tony Award for Best Actress in a Musical for her role in Chicago.

Finally, Broadway sweetheart Sutton Foster, who performed

in McGlohon Theater back in 2010, was originally cast as the understudy to the lead in Thoroughly Modern Millie in 2002.

When the original star left the show due to illness just before its first preview, the unknown Foster stepped in, winning the Best Actress Tony Award that year.

While the word “understudy” might have negative connotations to some, just remember that it could mean you get a chance to see the next Tony Award-winning actor or actress.

I was a few minutes late to a show and had to wait to be seated. Why? Each production has its own policies, predicated upon the natural breaks in the show, to ensure safety and as a courtesy to other patrons. As a rule of thumb, please try to arrive to the show 30 minutes before curtain time – it’s a great opportunity to enjoy a beverage, read your playbill or meet your neighbors!

What is Blumenthal Performing Arts’ policy about inclement weather?

Each production is contractually entitled to the ticket revenues from their performances as long as the actors are on stage and able to perform. Legal exceptions are only allowed for “acts of God” or as a result of “regulations of public authorities,” which happens when the government steps in to close a venue during severe weather or an emergency.

Otherwise, the show must go on.

Can I bring my mobile phone or pager with me into the theater?

Yes, but please remember to turn off all devices or place them on silent mode before the show begins. You don’t want to be that person who everyone stares at when the phone goes off, distracting the actors on stage. It’s 2.5 hours of your life.

Please turn your phone off. 

Stars who got their start as understudies include, from left, Sutton Foster, Shirley MacLaine and Bernadette Peters.

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onstage | Spring/Summer 2013 Tickets: 704.372.1000 | BlumenthalArts.org

Producer’s Circle Members Enjoy VIP Experiences

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Peter Lockyer, left, who played Jean Valjean in the Charlotte production of Les Miserables, poses for a photo with Producer’s Circle member Mike Monday, right, and his daughter, Allie.

he Capital Grille was buzzing with excitement Tuesday, Feb. 12, as the cast of Les Misérables gathered to celebrate the beginning of a weeklong, sold-out run in Charlotte. Accompanying the cast was Producer’s Circle member Mike Monday and his 17-year-old daughter, Allie, an aspiring actress and musician. Allie and Mike enjoyed one-on-one time with cast members and Blumenthal staff.

The opportunity to attend an opening night party with the cast is our newest Producer’s Circle membership benefit, and is just one of the many VIP experiences Blumenthal provides for Producer’s Circle members. For more information about the Producer’s Circle and how you can join, please contact Marianne Schild at 704-379-1353 or MSchild@ncbpac.org. 

membership How to Become a Member Become a Member today and start taking advantage of the great benefits!

• Visit us online at BlumenthalArts.org/Support, click “Individual Membership,” then “Click Here to Become a Member” • Call the Box Office at 704.372.1000 • Visit the Box Office in Belk Theater lobby at 130 N. Tryon St.

producer’s circle members Chairman Peg and Jay Adamczyk Renee and Chris Hobart Mr. and Mrs. William B. McGuire Jr.

President Cathy and Jim Baily Mrs. Nancy B. Thomas and Mr. William M. Barnhardt Christine and Arthur Becker Dr. and Mrs. Milton Berkman The Blumenthal Foundation Amy and Philip Blumenthal Betsy and Alfred Brand Mr. William K. Diehl, Jr. Dorlisa and Peter Flur Vickie and Tom Gabbard Belinda and Timothy Gunter Beverly and Jim Hance Diane and Chuck Harrington David and Nancy Hauser The Julliard Family Michael, Jaime and Allie Monday Dr. Michael Richardson Karen and Edgar Whitener

Charlie Elberson Grace, Michael and John Galloway Douglas R. and Elizabeth G. Goldstein Mrs. Gail Grim Mandy and Todd Houser Nora and Thomas Hughes Sunny and Wen Hutchinson Susan and David Jamison Juanita and Lloyd Johnson Michelle and Tom Johnson Michael Kahn Victoria and Doug Lucas Anna and Tom Nelson Eva and George Raftelis Wendy and Frank Rosen Brenda and Bill Ryan Jane and Nelson Schwab Mr. and Mrs. Donald J. Sherrill Lisa and Glenn Sherrill Jr. Paulette and Ronnie Sherrill The Levine-Sklut Family Foundation - Lori and Eric Sklut Anne and Robert Stolz Jacqueline A. Tucker Mr. E.I. Weisiger Jr. Mr. and Mrs. Michael L. White Amy Wooden and Joe Kolodziej Joan and Robert Zimmerman

Benefactor Anonymous Julie and Riaz Bhamani Margaret and Smoky Bissell Rebecca S. Henderson and J. Michael Booe Kristin and Buck Bradberry Robin and Lea Burt Amy and Brandon Croom Amy and Alfred Dawson Lori and Jeff Deming Marilyn and Daniel DiMicco Victoria and Porter Durham

Investor Anonymous Leslie Alston Holly and Jeff Atkins Elizabeth Austin Mr. and Mrs. John M. Barry Mr. and Mrs. Alan Blumenthal Jennifer and John Blumer Peggy and Ray Bouley Ben Bourne Crandall and Erskine Bowles Pat and Tim Brier Mary and Frank Brown

Director Barbara and David Goodman Diane and Scot Powell Jeanne and Rick Puckett

Sara and James Buck Katy and James Bullock Bret Burquest Jeff and Anne Brady Carlson Nan and Hal Clarke Elaine and Steve Coats Donna and Alvaro de Molina Jim Donahue Marcia and Bob Dynko Beth and Jonathan Feit Scott Fuller In Memory of Judy Gerhart Carl and Rebecca Guidice Patti and Mark Hawley Carol Horn The Leon Levine Foundation -Sandra and Leon Levine Karmen Cassell Martin Ashley and Scott Mattei Jill Maxwell Clifford McCurdy Angie and Freddie Medlin Daniel Nance Jim Putnam Sally and Russell Robinson Rita and Pat Shevlin Mr. and Mrs. Marsh Spencer Ingrid and Walter Steele David Thomason Ellen and Ron Vilas Sandy and Greg Vlahos Catherine and Scott Warfield Mary Ellen and Reid Wilkerson Jennifer and John Wozniak Grand Patron Anonymous Larry Adams Valerie and Bill Alexander Renee and Mike Baumbach Linda and Ralph Beck Louise and Mark Bernstein Lakana and Tony Bikhazi Laura and Sam Bowles Bill and Robin Branstrom

Cynthia and Peter Buck Nancy and Mark Carter Lori and Roger Cuddy Rose and Bill Cummings Marshall and Max Daniel Dr. Ann Hoscheit and Mr. Joe Davis Gene Davis and Rachel Young Joni Davis Gloria and Peter De Arcangelis Betty Doria Pepper and Roddey Dowd Brigid and James Downs Michele Durkin Martha and Eric Eubank Michele and Walter Fisher Sara and Curt Fochtmann Joyce Staley Ford Stacey and Robert Frost John R. Georgius Anne and George Goodyear Molly Griffin Randy Griffin Lisa and Greg Haislip Ellen and Ned Hardison Steven Harris Debbie and Frank Harrison Robin and Blaine Hawkins Randy Helton William Hertzing Kathy and Ben Hill Carolyn and Tim Hilton Peggy and James Hynes Lynn Jeffrey Marie-Claire Marroum Kardous Ginger Kemp Linda and Kerry Kenner Virginia A. Kern Mary Jean and Howard L. Kushner Janice S. Ladley Beverly and John Lassiter James Ledbetter Julie and Howard Levine Joan F. Lorden

Tickets: 704.372.1000 | BlumenthalArts.org

Dr. Shannon Moran and Mr. Joseph Lovallo David Markoski Jane and Hugh McColl Betsy and T. Bragg McLeod Suzy and Ed McMahan Elsa and Joseph McNamara Marie Mitchell Jill and Ed Newman Janet and Peter Nixon John Orndorff Mr. and Mrs. Edwin Peacock III Dan Reilly Cindy and Randy Rice Lisa and Robert Rollins William R. Rollins Carla and Ed Rose Ken Rothmel Mr. and Mrs. Jason C. Schmidly Mary and Dale Sedivec Mr. and Mrs. Charles M. Shelton, Sr. Rose and Tom Sherard Peggy and Pope Shuford June Silver The Marc and Mattye Silverman Foundation Sherry and Tom Skains Tom Smith Dia and Paul Steiger Patricia and John Stewart Mr. and Mrs. Jack H. Thomas Pam and Andy Warlick Dan and Sylvia Warren Linda and Rex Welton Teresa and Stick Williams Pat and Bill Williamson Cathey and Rip Winfield Gillian Albinski and Douglas Young Contributions received from Feb. 18, 2012 through Feb. 18, 2013

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Corporate Campaign Helps Blumenthal Engage Students

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ast year Blumenthal’s corporate partners

helped fund programs that touched the lives of more than 12,600 kids. That trend continues under the leadership of two-time campaign chair Elizabeth Austin whose team of 30 volunteers exceeded their $305,000 corporate campaign goal to fund Blumenthal enrichment programs.

The 13 week campaign kicked off under the stars with an Oct. 11 event at Knight Theater featuring a performance by student participants from Blumenthal’s Broadway Junior celebration. Nov. 8 marked the midway point with a luncheon at The Capital Grille where Constantine Maroulis and Deborah Cox (stars of Jekyll & Hyde) spoke about their passion for the performing arts and treated luncheon attendees to a meet-and-greet photo session.

The campaign concluded Jan. 10 when the McGlohon Theater stage was transformed into a "nightclub" where Blumenthal's campaign

volunteers, corporate partners, staff and trustees gathered for a victory celebration followed by a performance of Sister Act. Blumenthal is grateful for the tremendous support of its corporate partners and volunteers who help make possible the programs that provide enrichment, arts education and access to the arts for thousands of students each year. Thank you corporate partners and volunteers!

It is not too late for you to join Blumenthal Performing Arts as a Corporate Partner. Your partnership can help you promote your company and its investment in the community. Join now to participate in upcoming spring networking events.

To discuss how you or your company can join in our efforts to inspire area students to reach for the stars, please contact Susan Yarber, corporate relations and sponsorship manager, at 704-3791355 or syarber@ncbpac.org. 

Sid Levy of Snyder’s-Lance, center, joins Deborah Cox, left, and Constantine Maroulis, stars of Jekyll & Hyde, during a meetand-greet photo session.

corporate partners leadership gifts

signature gifts

Official Healthcare Provider of Blumenthal Performing Arts

2013/14 Broadway Lights Series Sponsor

major

2013 Presenting Sponsor The Blumey Awards

Preferred Snack Food Provider of Blumenthal Performing Arts

Preferred Catering Partner of Blumenthal Performing Arts

gifts

Preferred Dining and Catering Partner of Blumenthal Performing Arts

ceo partners

Official Airline of Blumenthal Performing Arts

presidential partners

foundation gifts

THE DOCTOR FAMILY FOUNDATION

The Arts & Science Council supports Blumenthal Performing Arts’ 2013 Fiscal Year budget with a Basic Operating Grant in the amount of $331,038.

Education Programs and Student Scholarships

The Lovett Foundation 26 onstage | Spring/Summer 2013

Blumenthal Performing Arts receives support from the North Carolina Arts Council, a division of the Department of Cultural Resources.

The Leon Levine Foundation

Tickets: 704.372.1000 | BlumenthalArts.org

‘Hyde’ in City Smoke

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ith intriguing atmosphere and fabulous fare, City Smoke, the newest addition to the Sonoma Restaurant Group, proved a perfect venue to host the Jekyll & Hyde cast party.

“They were friendly and accessible,” restaurant owner Pierre Bader said of stars Constantine Maroulis, who played Dr. Henry Jekyll/ Edward Hyde, and Deborah Cox, who played Lucy. The cast stayed on past midnight.

Located in the heart of uptown Charlotte, City Smoke is adjacent to Blumenthal Performing Arts and offers a late night bar menu. It is the sister restaurant to Aria Tuscan Grill, which is situated conveniently inside Founder’s Hall and a favorite pre-show dinner venue among theater fans. Aria is the flagship restaurant of this locally grown restaurant group that originated in the uptown market 17 years ago.

The group is now composed of Aria Tuscan Grill, City Smoke, SRG Catering and Founders Hall Special Events. Whether you need dinner reservations, a late night bite or catering for a special event, Bader and Sonoma Restaurant Group offer something for everyone.

Blumenthal Performing Arts is grateful to Aria Tuscan Grill for serving as our preferred dining and catering partner. 

Producer’s Circle members enjoy meeting the cast from Jekyll & Hyde.

Blumenthal recognizes the following sponsors and corporate partners for their generous support.

Executive Partners Belk, Inc. BlackArch Partners Deloitte Ernst & Young LLP Family Dollar Store Hunton & Williams, LLP InterCon Building Corporation K&L Gates, LLP KPMG LLP King & Spalding LLP McGuire Woods LLP Midrex Technologies, Inc. North Highland Company NUCOR Parker Poe Adams & Bernstein LLP Rodgers Builders, Inc. SteelFab, Inc. Managing Partners Ashley Furniture HomeStore C design Inc. Carolina Handling, LLC Carolina Tractor

restaurant

Charlotte Paint Company, Inc Clariant Direct Source, Inc. Imperial Printing Internetwork Services Inc. JJ Wade Agency Lincoln Harris McGladrey LLP Morningstar Mini-Storage Momentum Construction LLC Robinson, Bradshaw & Hinson, P.A. ShawGroup Toshiba America Business Solutions UTC Aerospace Systems White Knight Engineered Products Associate Partners Ajax Rolled Ring & Machine Aster Group Corporation BB&T Bissell Bailiwick Data Systems, Inc. C.M. Steel, Inc. Carousel Capital Company Choate Construction Co.

CloudComm Coca-Cola Bottling Co. Consolidated CohnReznick LLP Crosland Southeast CSI Leasing, Inc. Defease With Ease Diebold, Inc. Dixon Hughes Goodman DSG Concrete Contractors, LLC Edifice, Inc. Elm Engineering Fitzpatrick Engineering Group PLLC Forsythe, Inc. Galvan Industries, Inc. Garmon & Co., Inc. Commerical Flooring Harris-Barnes Hendrick Construction, Inc. High Performance Technologies, Inc. Hitachi Data Systems Hood Hargett & Associates, Inc. Hoopaugh Grading Co., LLC Interstate Electric Co. Inc. Kanos Financial Karas Hospitality, Inc.

Lake Norman Custom Glass, Inc. LITTLE Martin Marietta Materials McCracken & Lopez, PA McNeary, Inc. MegaPath, Inc NCR Corporation North Carolina Bank and Trust Odell Associates PMMC Ricoh Robert W. Baird & Company, Inc. Rogers Unloading Service Schindler Elevator Corp.

Staley Inc. Stewart Engineering, Inc. Tandus Flooring United Mechanical Corporation Velligan Medical Services Walbridge Southeast Contributions received from Feb. 18, 2012 through Feb. 18, 2013

partners

435 S. Tryon St., Suite 180 Charlotte, NC 28202 704.377.9911 aquavina.com

6903 Phillips Place Ct. Charlotte, NC 28210 704.643.1664 deandeluca.com

210 E. Trade St., Suite 120-B Charlotte, NC 28202 704.971.4440 blackfinncharlotte.com

101 N. Tryon St. Charlotte, NC 28202 866.999.3799 newks.com

Hearst Tower (Corner of 5th & College St.) Charlotte, NC 28202 704.927.2583 bluerestaurantandbar.com

401 N. Tryon St. Charlotte, NC 28202 704.334.2739 www.rockbottom.com

Tickets: 704.372.1000 | BlumenthalArts.org

201 N. Tryon St. Charlotte, NC 28202 704.348.1400 thecapitalgrille.com

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onstage

Spring/Summer 2013

Blumenthal Performing Arts 130 N. Tryon St. Charlotte, NC 28202

ON SALE APRIL 26

AUG. 6 - SEPT. 1 • belk theater 704.372.1000 • BlumenthalArts.org Group Sales (15+): 704.379.1380 • BlumenthalArts.org/Groups ©DISNEY