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Music & Sound Studies New Books Catalogue

April-December 2019


Contents

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33 1/3..........................................................................1

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Edited by Will Stockton, Clemson University, USA & D. Gilson, Texas Tech University, USA If given a chance to write again for the series, which albums would 33 1/3 authors focus on the second time around? This anthology consists of essays from past 33 1/3 authors on albums that consume them, but about which they did not write. It explores often overlooked and underrated albums that may not have inspired their 33 1/3 books, but have played a large part in their own musical cultivation. Bringing together creative writers, cultural critics, and music scholars, this collection questions our taste in albums, our longing for certain tunes, and our desire to hit repeat - all while creating a comprehensive "to-listen" list for readers in search of unexplored music territories. UK September 2019 • US September 2019 • 224 pages PB 9781501342455 • £15.99 / $19.95 • HB 9781501342943 • £60.00 / $75.00 Individual eBook 9781501342448 Library eBook 9781501342424 Bloomsbury Academic

33 1/3 “The series is probably the most remarkable regular event in rock journalism today.” New York Times 33 1/3 is a series of short books about popular music, focusing on individual albums by a wide range of artists from Celine Dion to Neutral Milk Hotel. With over 130 volumes available, it has recently expanded to cover music from soundtracks and video game scores.

David Bowie's Diamond Dogs Glenn Hendler

After his breakthrough with Ziggy Stardust and before his U.S. pop hits "Fame" and "Golden Years" David Bowie produced a dark and difficult concept album set in a post-apocalytic "Hunger City" populated by post-human "mutants." In this book Glenn Hendler reveals Diamond Dogs’s connections to the larger world of 1973-4, including the neoliberal vision of urban decline registered in the album’s setting and the shifts in the meanings of gender, sexuality, and race that David Bowie both reflected and contributed to through his writing, his music, and his persona. These are just some of the reasons many Bowie fans rate Diamond Dogs his richest and most important album of the 1970s. UK November 2019 • US November 2019 • 152 pages PB 9781501336584 • £9.99 / $14.95 Individual eBook 9781501336591 Library eBook 9781501336607 Series: 33 1/3 • Bloomsbury Academic

Odetta’s One Grain of Sand

Matthew Frye Jacobson, Yale University, USA When Odetta Holmes—classically trained as a vocalist and poised to become "the next Marian Anderson"—veered away from both opera and musical theater in favor of performing politically charged field hollers, prison songs, work songs, and folk tunes before mixed-race audiences in 1950s coffee houses, she was making one of the most portentous decisions in the history of both American music and Civil Rights. For many among her audience, black and white, this young woman’s pride in black artistry and resolve, and her open rage and her challenge to whites to recognize who they were and who they had been, too, modeled the very honesty and courage that the movement now called for. UK April 2019 • US April 2019 • 160 pages PB 9781501333323 • £9.99 / $14.95 Individual eBook 9781501333330 Library eBook 9781501333347 Series: 33 1/3 • Bloomsbury Academic

Massive Attack’s Blue Lines Ian Bourland

In 1991, three producers released a record called Blue Lines under the name Massive Attack. It spliced together decades of American hip-hop and soul with the British postcolonial underground, creating, in a moment, the genre of trip-hop. As Blue Lines’s iconic flame logo spun on turntables the world over, Massive Attack’s spaced-out and sensual urban blues reimagined the sonic landscape of the 1990s and beyond.

M U S I C A N D S O U N D S T U D I E S – 33 1/3

33 1/3 B-Sides

UK October 2019 • US October 2019 • 152 pages PB 9781501339691 • £9.99 / $14.95 Individual eBook 9781501339707 Library eBook 9781501339714 Series: 33 1/3 • Bloomsbury Academic

The Wild Tchoupitoulas’ The Wild Tchoupitoulas Bryan Wagner

The Wild Tchoupitoulas is a definitive expression of the modern New Orleans sound. From "Hey Pocky A-Way" to "Big Chief Got a Golden Crown," the album draws on carnival traditions stretching back a century, adapting songs from the Mardi Gras Indians. Music chanted in the streets with tambourines and makeshift percussion is transformed throughout the album into dense electric funk accented by calypso, charanga, and reggae. The album bridges not only genres but generations, linking the improvised flow from group leader George Landry, better known as Big Chief Jolley, to the stacked harmony vocals by his nephews Aaron, Art, Charles, and Cyril. UK October 2019 • US October 2019 • 152 pages PB 9781501333361 • £9.99 / $14.95 Individual eBook 9781501333378 Library eBook 9781501333385 Series: 33 1/3 • Bloomsbury Academic

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M U S I C A N D S O U N D S T U D I E S – 33 1/3

33 1/3 continued Tom Petty’s Southern Accents

Michael Washburn, Independent Scholar, USA Southern Accents is not, by any legitimate evaluation, a "great" album. The record has moments of brilliance, and in "Don’t Come Around Here No More" it contains a hit that will get classic rock airplay for as long as folks listen to music. But better than great, the album is a fascinating multidimensional failure that unexpectedly mired Tom Petty in debates about American culture and history. Moreover, Southern Accents became a pivot point in Petty’s career: the music he’s created in the subsequent three decades has been a reaction to the manifold failures of his Southern Accents misadventure. UK April 2019 • US April 2019 • 136 pages PB 9781501333446 • £9.99 / $14.95 Individual eBook 9781501333477 Library eBook 9781501333460 Series: 33 1/3 • Bloomsbury Academic

Manic Street Preachers’ The Holy Bible David Evans

This book tells the dramatic story of The Holy Bible, tracing its roots to the South Wales Valleys, an industrialized, working-class region of the British isles in which the Manic Street Preachers spent their formative years. Drawing on the Welsh concepts of hwyl (an access of creative brilliance) and hiraeth (a not-entirelyhelpful tendency to linger on the past) the author argues that The Holy Bible can be seen as a meditation on the uses and abuses of history. UK May 2019 • US May 2019 • 152 pages PB 9781501331701 • £9.99 / $14.95 Individual eBook 9781501331725 Library eBook 9781501331718 Series: 33 1/3 • Bloomsbury Academic

Cornelius's Fantasma

Martin Roberts, Dartmouth College, USA In Tokyo in the early 1990s, an indie band called Flipper’s Guitar was at the forefront of a new wave in Japanese popular music known as Shibuya-kei. The band’s founder, Keigo Oyamada, would go on to produce under the name Cornelius a series of albums that are among the most innovative in Japanese popular music of the past two decades. Oyamada’s third album under his Cornelius alter-ego, Fantasma (1997), played a key role in putting J-pop on the world map of Western music fans, and Oyamada himself is today one of the most respected figures in the Japanese music industry. UK October 2019 • US October 2019 • 80 pages PB 9781501330179 • £14.00 / $22.95 • HB 9781501330216 • £64.00 / $80.00 Individual eBook 9781501330186 Library eBook 9781501330193 Series: 33 1/3 Japan • Bloomsbury Academic

Wendy Carlos's Switched-On Bach

Roshanak Kheshti, University of California, San Diego, USA So much popular and scholarly has been written about the synthesizer, Bob Moog and his brandname instrument, and even Wendy Carlos, the musician who made this instrument famous. No one, however, has examined the importance of Carlos’s gender to this critically important innovation. In this book, Roshanak Kheshti utilizes the tools of feminist science and technology to engage in a reading of Carlos' music within this gendered context. By focusing on Switched-On Bach (the highest selling classical music recording of all time) Switched-On Bach explores the significance of gender to the album’s—and as a result, the Moog synthesizer’s—phenomenal success. UK October 2019 • US October 2019 • 144 pages PB 9781501320286 • £9.99 / $14.95 Individual eBook 9781501320309 Library eBook 9781501320293 Series: 33 1/3 • Bloomsbury Academic

The Shangri-Las’ Golden Hits of the Shangri-Las Ada Wolin, Art Institute of Chicago, USA

Of the many girl-groups that came out of the 1960s, none is more idiosyncratic and influential than the Shangri-Las. They subverted pop standards and foreshadowed a generation of tough women in music. Critically, they are not lauded in the way of the Ronettes, and they are certainly not a household name like the Supremes. This book examines the yet-elusive validation of ‘60s girlgroups as a whole, but also paradoxically aims to free the Shangri-Las from that category, viewing them instead with the sort of individuality traditionally afforded to rock groups. UK April 2019 • US April 2019 • 136 pages PB 9781501331749 • £9.99 / $14.95 Individual eBook 9781501331756 Library eBook 9781501331763 Series: 33 1/3 • Bloomsbury Academic

AKB48

Patrick W. Galbraith, Duke University, USA & Jason G. Karlin, University of Tokyo, Japan In 2010, Japan led the world in sales of recorded music. That year, AKB48, a group of young female idols, had the top two spots on the Oricon Yearly Singles Chart and accounted for a significant percentage of overall CD sales. From 2010 to 2016, AKB48’s singles have occupied the top four or five spots of the Oricon Yearly Singles Chart, and almost all of these have sold over a million copies. Sales are driven by fans, who buys hundreds, sometimes even thousands, of the same CD. They do this because idols move them to tune in, show up and make a purchase. At a time when affect is more important than ever in economic, political and social theory, this book is an introduction to idols and the economics of affect in contemporary Japan. Focusing on AKB48, the book draws out lessons of affective economics that are of global significance. UK September 2019 • US September 2019 • 128 pages • 10 bw illus PB 9781501341113 • £19.99 / $22.95 • HB 9781501341106 • £64.00 / $80.00 Individual eBook 9781501341120 Library eBook 9781501341137 Series: 33 1/3 Japan • Bloomsbury Academic

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Mila Burns, City University of New York, USA

More than simply a paragon of Brazilian samba, Dona (Lady) Ivone Lara’s 1981 Sorriso Negro is an album deeply embedded in the political and social tensions of its time. By looking at one of the most important samba albums ever recorded (that also happened to be composed by a black woman), Mila Burns explores the pathbreaking career of Dona Ivone, tracing the ways in which she navigated the tense gender and race relations of the samba universe to ultimately conquer the masculine world of samba composers. UK October 2019 • US October 2019 • 144 pages PB 9781501324499 • £18.00 / $22.95 • HB 9781501324482 • £64.00 / $80.00 Individual eBook 9781501324512 Library eBook 9781501324505 Series: 33 1/3 Brazil • Bloomsbury Academic

Milton Nascimento and Lô Borges's The Corner Club

Jonathon Grasse, California State University, Dominguez Hills, USA In 1972, a group of creative Brazilian musicians and poets informally led by singer-songwriter Milton Nascimento recorded a landmark double-LP titled Clube da Esquina (Corner Club). Already an awardwinning, international star, Milton’s highly original songs shared vinyl with those of Lô Borges, an unknown eighteen-year-old from Belo Horizonte, the capital of the state of Minas Gerais. Grasse presents an analysis of the artists, songs, and ideas comprising the LP that helps define this Brazilian generation. The author’s thirty-year relationship with Minas Gerais includes interviews with Corner Club members and extensive research of Portuguese language sources. UK October 2019 • US October 2019 • 128 pages PB 9781501346828 • £18.00 / $22.95 • HB 9781501346835 • £64.00 / $80.00 Individual eBook 9781501346842 Library eBook 9781501346859 Series: 33 1/3 Brazil • Bloomsbury Academic

Heiner Müller and Heiner Goebbels’s Wolokolamsker Chaussee

Philip V. Bohlman, University of Chicago, USA By gathering historical and musical fragments from a Europe torn apart by World War II and the Cold War, East German playwright Heiner Müller and West German composer Heiner Goebbels created Wolokolamsker Chaussee as a musical panorama that stretched across modern European history at a moment of international crisis. The question at the heart of the recording was prescient in the waning years of the Cold War, but it remains no less critical for the "crisis of Europe" today: Is it possible for Europe to be unified? A vast range of musical styles—from folk song to hip-hop, from the symphonic canon to heavy metal—coalesce in the five acts, which expose the wounds of European history, while struggling musically to heal them. This extraordinary recording from 1988 not only captures the sound of a historical moment, but also powerfully enacts responses to it. UK November 2019 • US November 2019 • 128 pages PB 9781501346149 • £18.00 / $22.95 • HB 9781501346156 • £64.00 / $80.00 Individual eBook 9781501346163 Library eBook 9781501346170 Series: 33 1/3 Europe • Bloomsbury Academic

Audience and Authenticity, 1900-2018 Dick Weissman, University of Colorado at Denver, USA

A New History of American and Canadian Folk Music presents a provocative discussion of the history, evolution and current status of folk music in the United States and Canada. It examines the history of the music, how it evolved from an agrarian style, and how the music has seemed to embrace a quest for authenticity, which has led to endless explorations of what is or is not faithful to the original concept of traditional music. Scholarperformer Dick Weissman, himself a veteran of the popularization wars, is uniquely qualified to examine the many controversies and stylistic evolutions of the music, and how various musicians, critics and fans have defined the pursuit of authenticity. UK September 2019 • US September 2019 • 320 pages PB 9781501344145 • £23.99 / $29.95 • HB 9781501344152 • £96.00 / $120.00 Individual eBook 9781501344169 Library eBook 9781501344176 Bloomsbury Academic

MUSIC AND SOUND STUDIES

Dona Ivone Lara's Sorriso Negro

A New History of American and Canadian Folk Music

Understanding Records

A Field Guide to Recording Practice Jay Hodgson, Western University, Canada Drawing on readily available hit records produced since 1945, each section of this book explains a handful of core production and engineering techniques in chronological recordmaking sequence, elucidating how those techniques work, what they sound like, how they function musically, where listeners can hear those techniques at work in the broader Top 40 soundscape, and where they fit in the broader recordmaking process at large. This second edition reflects new developments in recording practice and features updated musical references, musical examples (including mastering sessions for Juno nominated records), and completely reworked and expanded sections on mixing and audio mastering. It also includes all new pedagogical features including suggested exercises to help concretize various aspects of the production process. UK July 2019 • US July 2019 • 256 pages • 75 bw illus PB 9781501342370 • £27.99 / $34.95 • HB 9781501342387 • £96.00 / $120.00 Individual eBook 9781501342394 Library eBook 9781501342400 Bloomsbury Academic

Writing a Watertight Thesis

A Guide to Successful Structure and Defence Mike Bottery, University of Hull, UK & Nigel Wright, University of Hull, UK Writing a Watertight Thesis provides students with a framework for developing a sound structure for their thesis, which will ultimately make it watertight and defensible. The authors show that the key to making a thesis watertight lies in selecting the central research question and the sub-research questions that together collectively answer this main one. They draw on their extensive experience of supervising research students throughout, and include examples of how successful theses have been made watertight along with questions to enable readers to do the same thing to their own thesis. UK May 2019 • US May 2019 • 200 pages • 10 bw illus PB 9781350046948 • £21.99 / $29.95 • HB 9781350046955 • £65.00 / $88.00 Individual eBook 9781350046962 Library eBook 9781350046986 Bloomsbury Academic

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MUSIC AND SOUND STUDIES

Transmedia Directors

Curating Pop

Edited by Carol Vernallis, Stanford University, USA, Holly Rogers, Goldsmiths University of London, UK & Lisa Perrott, University of Waikato, New Zealand

Sarah Baker, Griffith University, Australia, Lauren Istvandity, Griffith University, Australia & Raphaël Nowak, Griffith University, Australia

Music/Sound/Image

Transmedia Directors reassesses the assumptions embedded in the concept of the auteur, with its corresponding notions of single authorship, formal control, and hierarchical implementation. It covers topics such as David Lynch’s work with music, sound, and image; multimodal storytelling in Steven Wilson’s and Jess Cope’s music videos; and Baz Luhrmann’s audiovisual work in The Great Gatsby. It includes firsthand interviews with film and music video directors including Abteen Bagheri, Jonas Åkerlund, and Floria Sigismondi. UK September 2019 • US September 2019 • 320 pages PB 9781501341007 • £27.99 / $34.95 • HB 9781501339271 • £96.00 / $120.00 Individual eBook 9781501339264 Library eBook 9781501339288 Series: New Approaches to Sound, Music, and Media • Bloomsbury Academic

Scott Walker and the Song of the One-all-alone

Scott Wilson, Kingston University, London, UK Scott Walker and the Song of the One-allalone offers a re-evaluation, interpretation and commentary on the musical oeuvre and lyrics of Scott Walker. Although these days a marginal figure, Walker is a great composer, a superlative lyricist, and a significant contemporary poet. This book offers the first serious academic assessment of the artist. It argues that Walker’s work has been informed by a sustained and serious engagement with existentialism from the early days of his career to the present. UK September 2019 • US September 2019 • 208 pages PB 9781501332555 • £22.99 / $27.95 • HB 9781501332593 • £72.00 / $90.00 Individual eBook 9781501332586 Library eBook 9781501332579 Series: EX:CENTRICS • Bloomsbury Academic

Exhibiting Popular Music in the Museum

Curating Pop speaks to the rapidly growing interest in the study of popular music exhibitions, which has occurred alongside the increasing number of popular music museums in operation across the world. Focusing on curatorial practices and processes, this book draws on interviews with museum workers and observations at 19 museums globally including The Country Music Hall of Fame in Nashville, The Experience Music Project in Seattle, and the PopMuseum in Prague. Through a consideration of the subjective experiences of curators involved in the exhibition of popular music in museums in a range of geographic locations, Curating Pop compares institutional practices internationally, illustrating the ways in which popular music history is presented to visitors in a wider sense. UK June 2019 • US June 2019 • 192 pages PB 9781501343582 • £19.99 / $26.95 • HB 9781501343575 • £65.00 / $90.00 Individual eBook 9781501343599 Library eBook 9781501343605 Bloomsbury Academic

National Phonography

Field Recording, Sound Archiving, and Producing the Nation in Music Tom Western, Independent Scholar, Scotland Field recordings tend to be heard as offering unmediated access to the past and authentic expressions of nationness. National Phonography challenges this idea, listening to how field recording and sound archiving have been used to bring nations into being and examining how they are just as intertwined with mass media and standard recording practices as other musics. Tom Western rethinks the very idea of national music, positing it as a form of cultural production and sonic creation that is also built upon acts of silencing, with dangerous effects on the present. UK October 2019 • US October 2019 • 208 pages PB 9781501338885 • £22.99 / $27.95 • HB 9781501338892 • £72.00 / $90.00 Individual eBook 9781501338908 Library eBook 9781501338915 Series: Alternate Takes: Critical Responses to Popular Music • Bloomsbury Academic

The Study of Sound Series Editor: Michael Bull, University of Sussex, UK

Sirens

Michael Bull, University of Sussex, UK Ideologies of the sirens embody both the protective and the dangerous elements of siren sounds—from the Cold War public training exercises in the US to the seductive power of the sirens entrenched in popular culture, from the music of Roxy Music to Tom O’Dell and in filmic representations of the ‘femme fatale’ in film noir and beyond. This book argues that we should understand ‘siren sounds’ both as myth and as materiality embodying both danger and protectiveness. Sirens then poses the question as to whether we can rely on the sirens of contemporary culture. UK November 2019 • US November 2019 • 176 pages PB 9781501304996 • £19.99 / $24.95 • HB 9781501305009 • £60.00 / $75.00 Individual eBook 9781501305023 Library eBook 9781501305016 Series: The Study of Sound • Bloomsbury Academic

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Sonic Intimacy

Malcolm James, University of Sussex, UK Sonic Intimacy addresses and establishes the new concept of "sonic intimacy" as a key term through which sound, human, and technological relations can be assessed and understood in relation to capitalism. Analyzing "sonic intimacy" through key case studies of three alternative music technologies of the black Atlantic (sound systems, pirate radio, and YouTube), James addresses in particular the aural transmission of care (intimacies), the internal (intimate) affects of sound and the collective affect of sound (intimacy) and its relation to (intimate) times and spaces. Sonic Intimacy thus explores what is at stake in the development of sonic intimacy for human relations and alternative black and anti-capitalist public politics. UK December 2019 • US December 2019 • 176 pages PB 9781501320729 • £19.99 / $24.95 • HB 9781501320712 • £50.00 / $75.00 Individual eBook 9781501320743 Library eBook 9781501320736 Series: The Study of Sound • Bloomsbury Academic

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Alan Licht, Bard College, USA

The first edition of Sound Art served as groundbreaking work toward defining this emerging field, and this fully updated volume continues the story to include current research since the book’s initial release. One of the country’s leading critics and scholars, Alan Licht traces the history of this form of art, highlighting the convergence of the indie world bands such as Sonic Youth with the art world and looking at the critical cross-pollination that has led to some of the most important and challenging art being produced today, including work by Haroon Mizra, Celeste Boursier-Mougenot, William Anastasi, and Jana Winderen, among many others. UK August 2019 • US August 2019 • 208 pages • bw illus PB 9781501333774 • £21.99 / $29.95 • HB 9781501333132 • £80.00 / $110.00 Individual eBook 9781501333149 Library eBook 9781501333156 Bloomsbury Academic

Australian Music and Modernism, 1960-1975

Michael Hooper, University of New South Wales, Australia Drawing on newly available archival material, key works, and correspondence of the era, Australian Music and Modernism defines the idea of "Australian Music" through the lens of a modernist discourse that emerged in the 1960s. At the same time that Australian Music was distinctive of the nation, it was also thoroughly connected to practices from Europe and shaped by a new engagement with the music of Southeast Asia. This book examines the intersection of nationalism and modernism at this formative time. UK November 2019 • US November 2019 • 288 pages • 7 bw illus HB 9781501348181 • £96.00 / $120.00 Individual eBook 9781501348198 Library eBook 9781501348204 Bloomsbury Academic

Jazz in Europe

Networking and Negotiating Identities José Dias, Manchester Metropolitan University, UK Should we talk of European jazz or jazz in Europe? What kinds of networks link those who make it happen on the ground? What challenges do they have to face? Jazz is a part of the cultural fabric of many of the European countries. Jazz in Europe presents jazz in Europe as a defiant research fieldwork, where the very notions of cultural identity, jazz practices and Europe are continually being negotiated against an ever-changing social, cultural, political and economic environment. It gives voice to musicians, promoters, festival directors, educators and researchers on the challenges they are faced with on the ground. Jazz identities in Europe result from the negotiation between discourse and practice and in the interstices between the formal and informal networks that support them. UK May 2019 • US May 2019 • 208 pages HB 9781501346583 • £96.00 / $120.00 Individual eBook 9781501346590 Library eBook 9781501346606 Bloomsbury Academic

Acoustic Territories, Second Edition Sound, Culture, and Everyday Life

Brandon LaBelle, Bergen Academy of Art and Design, Norway The revised edition of Acoustic Territories: Sound Culture and Everyday Life offers an expansive reading of auditory life. It provides a careful consideration of the performative dynamics inherent to sound culture and acts of listening, and discusses how auditory studies may illuminate understandings of contemporary society. The new edition includes an additional "territory" of the geopolitical, as well as chapters updated throughout to include new technology and network culture. The book is fully updated to incorporate in heavier theoretical and practical application, includes new relevant research and references surfacing since 2010, and includes a new preface to the second edition. UK December 2019 • US December 2019 • 320 pages PB 9781501336195 • £23.99 / $29.95 • HB 9781501336188 • £88.00 / $110.00 Individual eBook 9781501336201 Library eBook 9781501336218 Bloomsbury Academic

MUSIC AND SOUND STUDIES

Sound Art Revisited

Music and the Road

Essays on the Interplay of Music and the Popular Culture of the American Road Gordon E. Slethaug, University of Waterloo, Canada In a collection of 13 essays, Music and the Road explores the origins of road music in the blues, country-western, and rock ’n’ roll; the themes of adventure, freedom, mobility, camaraderie, and love, and much more in this music; the mystique and reality of touring as an important part of getting away from home, creating community among performers, and building audiences across the country from the 1930s to the present; and the contribution of music to popular road films such as Bonnie and Clyde, Easy Rider, Thelma and Louise, and On the Road. UK May 2019 • US May 2019 • 280 pages PB 9781501352621 • £28.99 / $39.95 Previously published in HB 9781501335266 Individual eBook 9781501335273 Library eBook 9781501335280 Bloomsbury Academic

Dangerous Mediations

Pop Music in a Philippine Prison Video Áine Mangaoang, University of Liverpool, UK This text examines the interplay between Michael Jackson’s songs and music videos and how they have been interpreted and performed by a group of 1500 Filipino inmates at the Cebu Provincial Rehabilitation and Detention Centre, who achieved viral video fame after the release of their 2007 performance of Jackson’s Thriller. Reflecting on how Jackson’s performances pollinate across cultures and nations, this book demonstrates that audiovisual digital platforms such as YouTube play an important role in shaping collective understandings and experiences, while ultimately arguing for a deeper and more nuanced understanding of music’s power and affect in places of detention. UK August 2019 • US August 2019 • 240 pages • 30 bw illus HB 9781501331534 • £96.00 / $120.00 Individual eBook 9781501331558 Library eBook 9781501331541 Series: New Approaches to Sound, Music, and Media • Bloomsbury Academic

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MUSIC AND SOUND STUDIES

Over and Over

Exploring Repetition in Popular Music Edited by Olivier Julien, Universite ParisSorbonne, France & Christophe Levaux, Université de Liège, Belgium The first edited volume on repetition in 20thand 21st-century popular music, Over and Over explores the wide-ranging forms and use of repetition — from large repetitive structures to micro repetitions, and even to drones — in relation to both specific and large-scale issues and contexts. After decades of riffs, loops, vamps, reiterated rhythmic patterns, pervasive harmonic formulae and recurring structural units in standardised song forms, Over and Over gives these notions the recognition they deserve in the study of popular music. UK August 2019 • US August 2019 • 208 pages • 39 bw illus PB 9781501357350 • £28.99 / $39.95 Previously published in HB 9781501324888 Individual eBook 9781501324901 Library eBook 9781501324895 Bloomsbury Academic

Mad Dogs and Englishness

Popular Music and English Identities Edited by Lee Brooks, St Mary’s University, Twickenham, UK, Mark Donnelly, St Mary’s University, UK & Richard Mills, St Mary’s University, Twickenham, UK Mad Dogs and Englishness connects English popular music with questions about English national identities, featuring essays that range across folk music, Bowie and Burial, to PJ Harvey, Bishi and Tricky. This book’s expert contributors use trans-national and trans-disciplinary perspectives to provide historical and contemporary commentaries about pop’s complex relationships with Englishness. Each chapter is based on original research, and the essays comprise the best single volume available on pop and the English imaginary. UK April 2019 • US April 2019 • 240 pages PB 9781501352027 • £28.99 / $39.95 Previously published in HB 9781501311253 Individual eBook 9781501311277 Library eBook 9781501311260 Bloomsbury Academic

Music, Memory and Memoir

Edited by Robert Edgar, York St John University, UK, Fraser Mann, York St John University, UK & Helen Pleasance, York St John University, UK Music, Memory, and Memoir provides a unique look at the contemporary cultural phenomenon of the music memoir and, leading from this, the way that music is used to construct memory. Via analyses of memoirs that consider punk and pop, indie and dance, this text examines the nature of memory for musicians and the function of music in creating personal and cultural narratives. This book includes innovative and multidisciplinary approaches from a range of contributors consisting of academics, critics, and musicians, evaluating this phenomenon from multiple academic and creative practices, and examines the contemporary music memoir in its cultural and literary contexts. UK June 2019 • US June 2019 • 272 pages HB 9781501340642 • £90.00 / $120.00 Individual eBook 9781501340659 Library eBook 9781501340666 Bloomsbury Academic

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British Progressive Pop 1970-1980

Andy Bennett, Griffith University, Australia Though early 1970s British popular music is often overlooked in pop music studies of the late 20th century, it was, in fact, highly diverse with many artists displaying an eclecticism and flair for musical experimentation. "Pop-rock" artists such as Roxy Music, Badfinger, Supertramp, Queen, the Electric Light Orchestra, 10cc, and Steve Harley & Cockney Rebel produced music that drew on a variety of different musical styles and traditions. This book considers the significance of British pop-rock in the early 1970s as a period during which the boundaries between pop and rock were periodically relaxed (following the demise of the political rock of the late 1960s), providing a platform for musical creativity less confined by genre and branding. UK September 2019 • US September 2019 • 224 pages HB 9781501336638 • £96.00 / $120.00 Individual eBook 9781501336645 Library eBook 9781501336652 Bloomsbury Academic

The Beatles and Fandom

Sex, Death and Progressive Nostalgia Richard Mills, St Mary’s University, Twickenham, UK Sex, death and nostalgia are among the impulses driving Beatles fandom: the metaphorical death of the Beatles after their break-up in 1970 has fueled the progressive nostalgia of fan conventions for forty-seven years; the death of John Lennon and George Harrison has added pathos and drama to the Beatles' story; Beatles Monthly predicated on the Beatles’ good looks and the letters page was a forum for euphemistically expressed sexuality. The Beatles and Fandom is the first book to discuss these fan subcultures. It combines academic theory on fandom with compelling original research material to tell an alternative history of the Beatles phenomenon: a fans’ history of the Beatles that runs concurrently with the popular story we all know. UK October 2019 • US October 2019 • 224 pages HB 9781501346620 • £96.00 / $120.00 Individual eBook 9781501346637 Library eBook 9781501346644 Bloomsbury Academic

Dylan's Autobiography of a Vocation A Reading of the Lyrics 1965-1967

Louis A. Renza, Dartmouth College, USA Many critics have interpreted Bob Dylan’s lyrics in the context of American folk, blues, and rock'n'roll, social, political and cultural relevance, or their status for discussion as "poems." Dylan's Autobiography of a Vocation instead focuses on how Dylan’s songs manifest traces of his ongoing, internal "autobiography" in which he continually declares and questions his relation to a self-determined existential summons. Louis Renza explores all of Bob Dylan’s lyrics composed during what many critics consider Dylan's most creative period, between 1965 and 1969, and places them in the context of Dylan's own life. UK April 2019 • US April 2019 • 224 pages PB 9781501352010 • £28.99 / $39.95 Previously published in HB 9781501328527 Individual eBook 9781501328534 Library eBook 9781501328541 Bloomsbury Academic

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Conversations on Music, Film, Literature, and Other Radical Arts Edited by Rachel Lee Rubin, University of Massachusetts Boston, USA "An indispensable compilation of oral histories— and an often-exhilarating exchange of ideas on the roles of artists on the front lines of activism today." Jeff Biggers, author of Resistance: Reclaiming an American Tradition (2018) What does it means for an artist to be "political"? Moving away from a narrow idea about the politics of elections, advocacy groups, or concrete manifestos, the subjects of Creative Activism do their work through song, poetry, painting, and other arts. The interviews take us from the Occupy movement to the fantasy worlds created by fascinating writers of spectacular fiction, challenging any notion that some other time was the golden age of political art. UK May 2019 • US May 2019 • 360 pages PB 9781501352522 • £28.99 / $39.95 Previously published in HB 9781501337215 Individual eBook 9781501337222 Library eBook 9781501337239 Bloomsbury Academic

Immanence and Immersion On the Acoustic Condition in Contemporary Art

Will Schrimshaw, Edge Hill University, UK Immanence and Immersion takes a critical approach to the figures of immersion and interiority describing an acoustic condition in contemporary art. The variously phenomenological, correlational and mystical positions that support the predominance of the immersive are subject to critique before suggesting that a stronger distinction between the often confused concepts of immersion and the immanence might serve as a means of breaking with the figure of immersion and the circle of interiority towards attaining greater conceptual potency and epistemological efficacy within the sonic arts. UK April 2019 • US April 2019 • 224 pages PB 9781501352034 • £28.99 / $39.95 Previously published in HB 9781501315855 Individual eBook 9781501315879 Library eBook 9781501315862 Bloomsbury Academic

Sound Works

A Cultural Theory of Sound Design Holger Schulze, University of Copenhagen, Denmark Sound Works provides a cultural theory of sound design founded on historical, empirical and critical analysis. When you turned on your computer this morning you had to listen to disjointed system sounds, start up chimes, alert noises and auditory warning signals, perhaps accompanied by your favorite music in the background or on your headphones. Through the prehistory of such functional sounds since the advent of mediatisation and electrification, this text introduces the selected practices, conflicts, and aporias of contemporary sound design. UK April 2019 • US April 2019 • 272 pages HB 9781501330223 • £96.00 / $120.00 Individual eBook 9781501330247 Library eBook 9781501330230 Bloomsbury Academic

MUSIC AND SOUND STUDIES

Creative Activism

Critical Approaches to the Production of Music and Sound Edited by Samantha Bennett, Australian National University, Australia & Eliot Bates, University of Birmingham, UK

Who produces sound and music? And in what spaces, localities and contexts? As the production of sound and music in the 21st century converges with multimedia, these questions are critically addressed in this new edited collection by Samantha Bennett and Eliot Bates. Critical Approaches to the Production of Music and Sound features 14 brand new articles by leading thinkers from the fields of music, audio engineering, anthropology and media. Innovative and timely revisits established themes such as record production and the construction of genre with new perspectives, as well as exploring issues in cultural and virtual production. UK July 2019 • US July 2019 • 288 pages • 10 bw illus PB 9781501355783 • £28.99 / $39.95 Previously published in HB 9781501332050 Individual eBook 9781501332067 Library eBook 9781501332081 Bloomsbury Academic

Bloomsbury Handbooks The Bloomsbury Handbook of Popular Music Video Analysis

Edited by Lori A. Burns, University of Ottowa, Canada & Stan Hawkins, University of Oslo, Norway Music videos promote popular artists in cultural forms that circulate widely across social media networks.This volume of essays serves as a foundational handbook for the study and interpretation of the popular music video, with the specific aim of examining the industry contexts, cultural concepts, and aesthetic materials that videos rely upon in order to be both intelligible and meaningful. The study develops a deeper understanding of the intersecting and interdisciplinary approaches that are invoked in the analysis of this popular and influential musical form. UK September 2019 • US September 2019 • 576 pages HB 9781501342332 • £134.00 / $170.00 Individual eBook 9781501342349 Library eBook 9781501342356 Series: Bloomsbury Handbooks • Bloomsbury Academic

The Bloomsbury Handbook of Sound Art

Edited by Sanne Krogh Groth, Lund University, Sweden & Holger Schulze, University of Copenhagen, Denmark Over the past three decades, Sound Art has been a frequent field of analysis and discussion within academia and in the areas of musicology, visual arts, and later, sound studies. This volume represents the historical shifts and contemporary appearance of Sound Art in a series of six sections, each with four chapters: an introductory chapter, a chapter discussing theoretical background, a chapter discussing historical predecessors and contemporary approaches, and a chapter offering broader exploration and discussion of various conflicting examples in this field. UK December 2019 • US December 2019 • 576 pages HB 9781501338793 • £134.00 / $170.00 Individual eBook 9781501338809 Library eBook 9781501338816 Series: Bloomsbury Handbooks • Bloomsbury Academic

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Music & Sound Studies Catalogue April-December 2019  

Bloomsbury's latest music & sound products for academic study, including textbooks, research and initial teacher education.

Music & Sound Studies Catalogue April-December 2019  

Bloomsbury's latest music & sound products for academic study, including textbooks, research and initial teacher education.