Music & Sound Studies Catalogue 2018-2019

music & sound studies new Books catalogue

2018-19

FROM SCRIPT TO SCREEN, AND BEYOND

Comprising a diverse range of exceptional book and screenplay content from Bloomsbury and Faber & Faber, Screen Studies is a dynamic and expanding digital platform. It supports academics and students of film history, theory and practice.

Content Highlights • A growing number of iconic and contemporary screenplays, presented in industry-standard studio format and fully searchable, including Dunkirk, The Grand Budapest Hotel, and The Big Lebowski • Authoritative coverage of works by leading filmmakers such as Wes Anderson, Agnès Varda, and Christopher Nolan, providing insight into professional and creative practice • Instant access to over 230 critical and contextual books, on a diverse range of genres, regions, themes, and filmmakers — including practical instruction on screenwriting, and filmmaking techniques

Features and Benefits • Enhances contextual understanding of key events in film production, culture, and technologies, through an interactive History of Cinema timeline with links to related content across the resource • Discover, cite, share and save content relevant to your work with ease, using the powerful advanced search, tailored taxonomy, and personalization features • Browse by people; themes; films; genres, movements, and styles; or content types including screenplays or books— ideal for different approaches to research or independent study • Updated on an annual basis—new screenplays and books will be added to the launch module, as well as to future thematic modules, alongside content including reference articles, bibliographic guides, and lesson plans

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Contents Music & Sound Studies 33 1/3..................................................................2 Popular Music......................................................3 Music and Media.................................................6 Sound Studies.....................................................8 Major Reference Works..................................11 Representatives and Agents..............................12 Editorial Contacts..............................................13

This year, Bloomsbury Academic celebrates our 10th anniversary In our short history, we’ve become an award-winning publisher across the humanities, social sciences and visual arts and combined the incredible publishing histories of Methuen Drama, The Arden Shakespeare, T&T Clark and Fairchild Books in one place. And we’re still growing: Bloomsbury is now the publisher of British Film Institute's renowned list of books on film, and I.B. Tauris, a leading publisher in Middle East Studies, International Studies, History, Politics and Visual Culture joined Bloomsbury in 2018!

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33 1/3

33 1/3 “The series is probably the most remarkable regular event in rock journalism today.” New York Times 33 1/3 is a series of short books about popular music, focusing on individual albums by a wide range of artists from Celine Dion to Neutral Milk Hotel. With over 130 volumes available, it has recently expanded to cover music from soundtracks and video game scores.

dc Talk’s Jesus Freak

Will Stockton, Clemson University, USA & D. Gilson, Texas Tech University, USA Late in the Reagan years, three young men at Jerry Falwell's Liberty University formed the Christian rap group dc Talk. The trio put out a series of records that quickly secured their place at the forefront of contemporary Christian music. But with their fourth studio album Jesus Freak (1995), dc Talk staked a powerful claim on the worldly market of alternative music, becoming an evangelical group with secular selling power. This book studies this mid-90s crossover phenomenon – a moment of cultural convergence between Christian and secular music and an era of particular political importance for American evangelicalism.

UK November 2018 • US November 2018 • 144 pages PB 9781501331664 • £9.99 / $14.95 Individual eBook 9781501331671 Library eBook 9781501331688 Series: 33 1/3 • Bloomsbury Academic

Fugazi's In on the Kill Taker Joe Gross, Independent Scholar, USA

By June 1993, when Fugazi released their third full-length album, In on the Kill Taker, the quartet was reaching a thunderous peak in popularity and influence. Fugazi chose an unsure moment to make In on the Kill Taker: as Nirvana and Sonic Youth were yanking the American rock underground into the media glare, and “breaking” punk in every possible meaning of the word. Despite all of this, Kill Taker is an alt-rock classic in spite of itself, even as its defiant, muscular sound stood in stark contrast to everything represented by the mainstreaming of a culture and worldview Fugazi held dear.

UK April 2018 • US April 2018 • 184 pages PB 9781501321399 • £9.99 / $14.95 Individual eBook 9781501321412 Library eBook 9781501321405 Series: 33 1/3 • Bloomsbury Academic

Drive-By Truckers’ Southern Rock Opera Rien Fertel, Independent Scholar, USA

Southern Rock Opera takes listeners on a road trip through the American South, with stops in Alabama steel towns and north Florida swamps, recording studios and tour buses, and even Heaven and Hell.

Along the way, the Truckers attempt to untangle the mess that is Southern history by exploring the contradictory, dualistic nature of the region. Like twin paths intersecting and diverging before meeting again, the opera’s libretto focuses on the lives of two bands: the fictional Betamax Guillotine, a stand-in for the Truckers themselves, and Southern Rock gods Lynyrd Skynyrd.

UK October 2018 • US October 2018 • 144 pages PB 9781501331787 • £9.99 / $14.95 Individual eBook 9781501331800 Library eBook 9781501331794 Series: 33 1/3 • Bloomsbury Academic

Jawbreaker's 24 Hour Revenge Therapy Ronen Givony, Independent Scholar, USA

Ronen Givony's 24 Hour Revenge Therapy is an extended tribute in the spirit of Nicholson Baker's U & I: a passionate, highly personal, and occasionally obsessive study of one of the great confessional rock albums of the '90s. At the same time, it offers a quizzical look back to the toxic authenticity battles of the decade, ponders what happened to the question of "selling out," and asks whether we today are enriched or impoverished by this authenticity debate becoming obsolete.

UK April 2018 • US April 2018 • 232 pages PB 9781501323096 • £9.99 / $14.95 Individual eBook 9781501323119 Library eBook 9781501323102 Series: 33 1/3 • Bloomsbury Academic

Lou Reed's Transformer

Ezra Furman, Independent Scholar, USA Transformer, Lou Reed's most enduringly popular album, is described with varying labels: a glam rock album, a proto-punk album, a commercial breakthrough for Lou Reed, and an album about being gay. Buried underneath the radio-friendly exterior lie coded confessions of the subversive, wounded intelligence that gives this album its staying power as a work of art. Lou Reed managed to make a fun, accessible rock'n'roll record that is also a meditation on the ambiguities, both sexual and musical, that defined his public persona and helped make him one of the most fascinating and influential figures in rock history. Through close listening and personal reflections, songwriter Ezra Furman explores the beguiling question of how Transformer pulls off this brilliant sleight of hand, and the secrets it challenges us to uncover.

UK April 2018 • US April 2018 • 184 pages PB 9781501323058 • £9.99 / $14.95 Individual eBook 9781501323072 Library eBook 9781501323065 Series: 33 1/3 • Bloomsbury Academic

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Merle Haggard's Okie from Muskogee

Rachel Lee Rubin, University of Massachusetts Boston, USA Every now and then, a song will grab the kind of attention that hosts conversations, debates, disputes, and brawls. Merle Haggard's "Okie from Muskogee," released in 1969, is a prime example of that important role of popular music. "Okie" immediately helped to frame an ongoing conversation about region and class, pride and politics, culture and counterculture. But the conversation, useful as it was, drowned out the song itself, along with the other songs on the live album—named for "Okie" and performed in Muskogee—that Haggard had carefully chosen to frame what has turned out to be his most famous song.

UK March 2018 • US March 2018 • 160 pages PB 9781501321436 • £9.99 / $14.95 Individual eBook 9781501321450 Library eBook 9781501321443 Series: 33 1/3 • Bloomsbury Academic

Siouxsie and the Banshees' Peepshow

Inspired by the 33 1/3 series, 33 1/3 Global takes the format of the original series of short, music-based books and brings the focus to music throughout the world, focusing on specific countries and regions. With initial sections focusing on Japanese and Brazilian music, the series will also include the popular music of Australia/ Oceania, Europe, Africa, the Middle East, and more.

Cornelius's Fantasma

Martin Roberts, Dartmouth College, USA In Tokyo in the early 1990s, an indie band called Flipper’s Guitar was at the forefront of a new wave in Japanese popular music known as Shibuya-kei.

The band’s founder, Keigo Oyamada, would go on to produce under the name Cornelius a series of albums that are among the most innovative in Japanese popular music of the past two decades. Oyamada’s third album under his Cornelius alter-ego, Fantasma (1997), played a key role in putting J-pop on the world map of Western music fans, and Oyamada himself is today one of the most respected figures in the Japanese music industry.

33 1/3 / POPULAR MUSIC

33 1/3 Global

UK August 2019 • US August 2019 • 80 pages PB 9781501330179 • £14.00 / $22.95 • HB 9781501330216 • £64.00 / $80.00 Individual eBook 9781501330186 Library eBook 9781501330193 Series: 33 1/3 Japan • Bloomsbury Academic

Samantha Bennett, Australian National University, Australia

Dona Ivone Lara's Sorriso Negro

Siouxsie and the Banshees were always an awkward musical fit, shoehorned into punk history as ‘also rans’ then lazily mislabeled post-punk ‘goths.’

In a last-ditch attempt to resurrect their flailing career, the self-proclaimed ‘non-musicians’ recruited a classically trained cellist to embellish their modern, experimental soundscapes.

Subsequently, in creating a record akin to a Hollywood film score, the Banshees ‘broke America,’ were adopted into the US alt-rock canon and scored a Billboard number-one hit. Starring Roger Corman, Bernard Herrmann, Walt Disney, and Louise Brooks, also featuring Hammer Horror and Hitchcock, Peepshow is the soundtrack to all the films Siouxsie and the Banshees ever saw. Or it might have been the soundtrack to the greatest film they never made.

More than simply a paragon of Brazilian samba, Dona (Lady) Ivone Lara’s 1981 Sorriso Negro is an album deeply embedded in the political and social tensions of its time. By looking at one of the most important samba albums ever recorded (that also happened to be composed by a black woman), Mila Burns explores the pathbreaking career of Dona Ivone, tracing the ways in which she navigated the tense gender and race relations of the samba universe to ultimately conquer the masculine world of samba composers.

UK October 2018 • US October 2018 • 160 pages PB 9781501321863 • £9.99 / $14.95 Individual eBook 9781501321870 Library eBook 9781501321856 Series: 33 1/3 • Bloomsbury Academic

UK February 2019 • US February 2019 • 144 pages PB 9781501324499 • £18.00 / $22.95 • HB 9781501324482 • £64.00 / $80.00 Individual eBook 9781501324512 Library eBook 9781501324505 Series: 33 1/3 Brazil • Bloomsbury Academic

Tori Amos's Boys for Pele

Amy Gentry, Independent Scholar, USA It’s hard to think of a solo female recording artist who has been as revered or as reviled over the course of her career as Tori Amos. Amy Gentry argues that these violent aesthetic responses to Amos’s performance, both positive and negative, are organized around disgust—the disgust that women are taught to feel. Released in 1996, Amos’s third album, Boys for Pele, represents the height of Amos’s willingness to explore the ugly qualities that make all of her music, even her more conventionally beautiful albums, so uncomfortably, and so wonderfully, strange.

UK November 2018 • US November 2018 • 144 pages PB 9781501321313 • £9.99 / $14.95 Individual eBook 9781501321337 Library eBook 9781501321320 Series: 33 1/3 • Bloomsbury Academic

Mila Burns, City University of New York, USA

João Gilberto and Stan Getz's Getz/Gilberto

Bryan Daniel McCann, Georgetown University, USA How did Getz/Gilberto become the Brazilian album known around the world, crossing generational and demographic divides? Bryan McCann traces the musical collaboration between leading figure of bossa nova João Gilberto and Philadelphia-born and New Yorkraised cool jazz artist Stan Getz. Yet in spite of the album’s namesake, it was more than just Getz and Gilberto who propelled the album’s international success. The less-understood contributors (Astrud Gilberto’s unrehearsed, English-language vocals; Creed Taylor’s immaculate production; Olga Albizú’s arresting, abstract-expressionist cover art) created a perfect balance of talents that led to not just a great album, but a global pop sensation that still deserves to be taken seriously today.

UK November 2018 • US November 2018 • 112 pages • 11 bw illus PB 9781501323959 • £18.00 / $22.95 • HB 9781501323966 • £64.00 / $80.00 Individual eBook 9781501323980 Library eBook 9781501323973 Series: 33 1/3 Brazil • Bloomsbury Academic

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POPULAR MUSIC

Kerouac on Record

This Thing Called Life

Simon Warner, University of Leeds, UK & Jim Sampas, Independent Scholar, USA

Joseph Vogel, Merrimack College, USA

A Literary Soundtrack

"Fresh approach to understanding the output of the On the Road novelist, which uses music to illuminate his written work." The Bookseller He was the king of the Beat Generation and the most dynamic novelist of his time, but Jack Kerouac had a lifelong passion for music. The novelist, most famous for his 1957 book On the Road, admired the sounds of bebop and attempted to bring something of their original energy to his own writing. In Kerouac on Record, contributors consider the writer's own recorded output, those rock tributes that have kept his memory alive, and the scores that have featured in a string of Hollywood adaptations of his fictional adventures.

Prince, Race, Sex, Religion, and Music "Vogel lets Prince's legacy shine in all its vague and erratic splendor." PopMatters Prince had the ability to attain mass, cross-racial popularity while doing so on his own terms and retaining his eccentric, often subversive individuality.

This Thing Called Life offers a vivid, multi-faceted look at the artist and demonstrates how profound his influence was and still is on American and global culture.

UK April 2018 • US April 2018 • 240 pages HB 9781501333972 • £19.99 / $24.95 Individual eBook 9781501333996 Library eBook 9781501334009 Bloomsbury Academic

UK March 2018 • US March 2018 • 480 pages HB 9781501323348 • £28.00 / $35.00 Individual eBook 9781501323379 Library eBook 9781501323362 Bloomsbury Academic

EPMOW The Bloomsbury Encyclopedia of Popular Music of the World, over 20 years in the making, is a landmark reference work in its field. Each volume, authored by top contributors from around the world, includes discussions on cultural, historical and geographic origins; technical musical characteristics; instrumentation and use of voice; lyrics and language; typical features of performance and presentation; historical development and paths and modes of dissemination; influence of technology, the music industry and political and economic circumstances; changing stylistic features; notable and influential performers; and relationships to other genres and sub-genres.

Bloomsbury Encyclopedia of Popular Music of the World, Volume 11

Bloomsbury Encyclopedia of Popular Music of the World, Volume 12

Edited by David Horn, Independent Scholar, UK, John Shepherd, Carleton University, Canada & Paolo Prato, John Cabot University, Italy

Edited by David Horn, Independent Scholar, UK & John Shepherd, Carleton University, Canada

Genres: Europe

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Genres: Sub-Saharan Africa

The EPMOW Genre volumes contain entries on the genres of music that have been or currently are popular around the world. This volume, on the music of Europe, features a wide range of entries and in-depth essays. Each concludes with a bibliography, discographical references and discography, with additional information on sheet music listings and visual recordings. Written and edited by a team of distinguished popular music scholars and professionals, this is an exceptional resource on the history and development of popular music.

The EPMOW Genre volumes contain entries on the genres of music that have been or currently are popular around the world. This volume, on the music of Sub-Saharan Africa, features a wide range of entries and in-depth essays. Each concludes with a bibliography, discographical references and discography, with additional information on sheet music listings and visual recordings.

Written and edited by a team of distinguished popular music scholars and professionals, this is an exceptional resource on the history and development of popular music.

UK November 2017 • US October 2017 • 936 pages HB 9781501326103 • £198.00 / $250.00 Individual eBook 9781501326127 Library eBook 9781501326134 Series: Encyclopedia of Popular Music of the World • Bloomsbury Academic

UK February 2019 • US January 2019 • 496 pages HB 9781501342028 • £198.00 / $250.00 Individual eBook 9781501342035 Library eBook 9781501342042 Series: Encyclopedia of Popular Music of the World • Bloomsbury Academic

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An Architectural History of Popular Music Performance Venues Robert Kronenburg, University of Liverpool, UK This book examines in detail the design and form of popular music architecture and charts how it has been developed in ad-hoc ways by non-professionals, such as building owners, promoters, and the musicians themselves, as well as professionally by architects, designers, and construction specialists. From music halls and Vaudeville in the 1800s to large-scale multi-million-dollar area concerts, it explores the impact that the use of public space for performance has on urban identity and how it influences the city, and, to a lesser extent, how rural space is perceived and used.

UK March 2019 • US March 2019 • 240 pages • 40 bw illus PB 9781501319280 • £19.99 / $34.95 • HB 9781501319273 • £80.00 / $120.00 Individual eBook 9781501319303 Library eBook 9781501319297 Bloomsbury Academic

Joni Mitchell

New Critical Readings Edited by Ruth Charnock, University of Lincoln, UK This book recognizes the cultural importance and innovations of the musician and artist Joni Mitchell and the need for a collection that theorizes her work as musician and composer, cultural commentator and antagonist. Showcasing work from leading literary, cultural, and music studies scholars, this book's contributors respond to the entirety of Mitchell's work, looking at particular songs, albums, and performances to explore Mitchell's wider cultural significance.

UK January 2019 • US January 2019 • 224 pages • 2 bw illus HB 9781501332098 • £96.00 / $120.00 Individual eBook 9781501332111 Library eBook 9781501332104 Bloomsbury Academic

Mute Records

British Progressive Pop 1970-1980

Andy Bennett, Griffith University, Australia Positioned between the psychedelic and countercultural music of the late 1960s and the punk and new wave styles of the late 1970s, early 1970s British popular music is often overlooked. However, British popular music in the early 1970s was in fact highly diverse with many artists arguably displaying an eclecticism and flair for musical experimentation.This book considers the significance of early 1970s British pop-rock as a period during which the boundaries between pop and rock were periodically relaxed, providing a platform for musical creativity less confined by genre and branding.

POPULAR MUSIC

This Must Be the Place

UK May 2019 • US May 2019 • 224 pages HB 9781501336638 • £96.00 / $120.00 Individual eBook 9781501336645 Library eBook 9781501336652 Bloomsbury Academic

Music Radio

Building Communities, Mediating Genres Edited by Morten Michelsen, University of Copenhagen, Denmark, Mads Krogh, Aarhus University, Denmark, Steen Kaargaard Nielsen, Aarhus University, Denmark & Iben Have, Aarhus University, Denmark Why is music so important to radio? This anthology explores the ways in which musical life and radio interact, overlap, and have influenced each other for nearly a century. One of music radio’s major functions is to help build smaller or larger communities by continuously offering broadcast music as a means to create identity and senses of belonging. Music radio also helps identify and develop musical genres in collaboration with listeners and the music industry by mediating and by gatekeeping. Focusing on popular music from around the world, Music Radio discusses what music radio is and for what purposes it is produced.

UK December 2018 • US December 2018 • 304 pages • 17 bw illus HB 9781501343216 • £98.00 / $125.00 Individual eBook 9781501343223 Library eBook 9781501343230 Bloomsbury Academic

Artists, Business, History Edited by Zuleika Beaven, Middlesex University, UK, Marcus O’Dair, Middlesex University, UK & Richard Osborne, Middlesex University, UK Each chapter in this collection takes a distinctive approach to the wide-ranging impact of Mute Records, drawing from disciplines such as popular music studies, musicology, fan studies, art & design, and creative industries management. The book offers insight into artists such as Depeche Mode and Nick Cave, focuses on the musical output of art collectives such as Throbbing Gristle and the Residents, and exposes the significant work of lesser-known acts such as Arca and Ut. Mute Records places the label within the contexts of these performers, the creativity of their fans, and the operations of the music business in a period of tumultuous change.

UK December 2018 • US December 2018 • 224 pages • 15 bw illus HB 9781501340604 • £96.00 / $120.00 Individual eBook 9781501340611 Library eBook 9781501340628 Bloomsbury Academic

Popular Music in the Post-Digital Age

Politics, Economy, Culture and Technology Edited by Ewa Mazierska, University of Central Lancashire, UK, Leslie Gillon, University of Central Lancashire, UK & Tony Rigg, University of Central Lancashire, UK Popular Music in a Post-Digital Age explores how changes in economy and technology affect popular music for both the industry and culture at large. Citing Jacques Attali’s theory that “music runs parallel to human society, is structured like it, and changes when it does,” this book presents the required study of wider economic, political, and cultural changes under the impact of neoliberalism. This allows us to understand not only the future developments in the music industry but also the value in treating the state of popular music as a litmus test to assess what will happen in the economy and in society.

UK December 2018 • US December 2018 • 280 pages HB 9781501338373 • £96.00 / $120.00 Individual eBook 9781501338380 Library eBook 9781501338397 Bloomsbury Academic

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POPULAR MUSIC / MUSIC AND MEDIA

Transglobal Sounds

Music, Youth and Migration Edited by João Sardinha, Universidade Aberta, Portugal & Ricardo Campos, Universidade Aberta, Portugal "Transglobal Sounds is an exciting volume that focuses on an important demographic slice of the migrant pie - youth, and the particular importance of music in addressing the challenges of deterritorialization and return." Kimberly DaCosta Holton, Rutgers University, USA This book contemplates migrant youth and the impact of music on mobility, engaging with broader questions of how new modes of mobility, sociality, and identification are born out of the interfaces between youth, migration, and music.

UK February 2018 • US February 2018 • 248 pages PB 9781501340208 • £28.99 / $39.95 Previously published in HB 9781501311963 Individual eBook 9781501311987 Library eBook 9781501311970 Bloomsbury Academic

Creative Activism

Electronic Dance Music Festivals and Event-Cultures Edited by Graham St John, University in Fribourg, Switzerland and Griffith University, Australia "A genuinely international treatment of contemporary musical festivals, rooted in rich field work and sharp observation. It invites us to think in new ways about utopian spaces, collective experience and the nature of the musical commodity. Highly recommended." Will Straw, McGill University, Canada EDM festivals have become stages for the performance of transnational meta-cultural aesthetics (e.g. techno, psychedelic, baile funk) and their potential synthesis. Weekend Societies illustrates how a complex array of regional, economic, social, cultural and political factors combine to determine the fate of EDM festivals that transpire at the intersections of the local and global.

UK July 2018 • US July 2018 • 264 pages • 25 bw illus PB 9781501343773 • £28.99 / $39.95 Previously published in HB 9781501309311 Individual eBook 9781501309335 Library eBook 9781501309328 Bloomsbury Academic

Conversations on Music, Film, Literature, and Other Radical Arts Edited by Rachel Lee Rubin, University of Massachusetts Boston, USA "An indispensable compilation of oral histories— and an often-exhilarating exchange of ideas on the roles of artists on the front lines of activism today." Jeff Biggers, author of Resistance: Reclaiming an American Tradition (2018)

Sounds, Screens, Speakers

An Introduction to Music and Media Charles Fairchild, University of Sydney, Australia

What does it means for an artist to be “political”? Moving away from a narrow idea about the politics of elections, advocacy groups, or concrete manifestos, the subjects of Creative Activism do their work through song, poetry, painting, and other arts. The interviews take us from the Occupy movement to the fantasy worlds created by fascinating writers of spectacular fiction, challenging any notion that some other time was the golden age of political art.

At the advent of new forms of media, be it sound recording, film, television, or the Internet, music has been a crucial participant in the social changes brought about by new tools for making and listening to music. This book examines such changes from the late 19th century to the present. With readings at the end of most chapters, key questions to facilitate additional discovery and research, and direction to additional readings and resources on popular websites and news sources, this text serves as the ideal introduction to popular music and media.

UK May 2018 • US May 2018 • 360 pages HB 9781501337215 • £102.00 / $130.00 Individual eBook 9781501337222 Library eBook 9781501337239 Bloomsbury Academic

UK January 2019 • US January 2019 • 304 pages PB 9781501336232 • £23.99 / $29.95 • HB 9781501336249 • £88.00 / $110.00 Individual eBook 9781501336256 Library eBook 9781501336263 Bloomsbury Academic

Modern Records, Maverick Methods

Technology and Process in Popular Music Record Production 1978-2000 Samantha Bennett, Australian National University, Australia Modern Records examines a critical period in commercial popular music record production: the transformative digital age from the late 1970s until 2000. The book traces the development of significant music technologies through the 1980s and 1990s, reveals how changing attitudes and innovative techniques of recording personnel reimagined recording processes and, finally, exemplifies the impact of these technologies and techniques via six comprehensive tech-processual analyses. Bennett interprets the development of music technologies in the analogue and digital domains as not in opposition, but in confluence; this meticulously researched and timely book reveals the complexity of recordists’ responses to a technological landscape in flux.

UK December 2018 • US December 2018 • 256 pages PB 9781501344091 • £23.99 / $29.95 • HB 9781501344107 • £96.00 / $120.00 Individual eBook 9781501344114 Library eBook 9781501344121 Bloomsbury Academic

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Weekend Societies

Sonic Writing

Technologies of Material, Symbolic, and Signal Inscriptions Thor Magnusson, University of Sussex, UK Sonic Writing traces the material and symbolic conditions of composition and performance in contemporary musical media through three interconnected strands of inscription: 1) how the design of musical instruments and software systems encapsulates theory and thereby becomes a form of sonic writing, 2) how diverse systems of musical notation have evolved in alignment with new instruments, performance contexts and artistic ideologies, and 3) the genealogy of phonographic techniques, ranging from etching waves onto disks to machine listening, and how these have affected musical notation and interpretation.

UK February 2019 • US February 2019 • 224 pages • 45 bw illus PB 9781501313868 • £19.99 / $29.95 • HB 9781501313851 • £74.00 / $110.00 Individual eBook 9781501313882 Library eBook 9781501313875 Bloomsbury Academic

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MUSIC AND MEDIA / SOUND STUDIES

Between Air and Electricity

Sound Works

Cathy van Eck, Bern University of the Arts, Switzerland

Holger Schulze, University of Copenhagen, Denmark, Carla J. Maier, Leuphana University Lüneburg, Germany & Julia Krause, Humboldt University Berlin, Germany

Microphones and Loudspeakers as Musical Instruments

"This is a genuinely fascinating and underrepresented area of compositional research and activity, and the strongest portion of van Eck’s book is the riveting overview of the repertoire." TEMPO After the sound reproduction industry had claimed “perfect high fidelity” for sound recordings already at the beginning of the 20th century, composers and sound artists challenged this perfection by tweaking microphones and loudspeakers to make them act as a musical instrument instead of a mere sound reproduction device. This book explores the instrumental use of microphones and loudspeakers in music since the 1950s. The popular noise musician Merzbow and cult instrument inventor Hugh Davies, among others, made audible what was supposed to remain silent.

UK August 2018 • US August 2018 • 216 pages PB 9781501344718 • £28.99 / $39.95 Previously published in HB 9781501327605 Individual eBook 9781501327612 Library eBook 9781501327629 Bloomsbury Academic

A Cultural Theory of Sound Design

Sound Works provides a cultural theory of sound design founded on historical, empirical and critical analysis. When you turned on your computer this morning you had to listen to disjointed system sounds, start up chimes, alert noises and auditory warning signals, perhaps accompanied by your favorite music in the background or on your headphones. Through the prehistory of such functional sounds since the advent of mediatisation and electrification, this text introduces the selected practices, conflicts, and aporias of contemporary sound design.

UK December 2018 • US February 2019 • 256 pages HB 9781501330223 • £96.00 / $120.00 Library eBook 9781501330247 Bloomsbury Academic

Dangerous Mediations

Pop Music in a Philippine Prison Video Áine Mangaoang, University of Liverpool, UK

Music as an Art Roger Scruton

Bestselling author and philosopher Roger Scruton follows up his classic work of criticism, Understanding Music, by turning his immense critical faculties to contemporary and classical music. In this new book he turns again to the meaning of tonality and sound. His abstract, somewhat mystical, argument on these topics includes slashing attacks on Marxist reductionism, the authenticity of Early Music, on rival aestheticians such as Adorno, and on sentimentality and cliché in any form. As in Understanding Music, he also expounds his views on pop music, in a most satisfying and provocative new work.

UK August 2018 • 272 pages HB 9781472955715 • £25.00 / $32.00 Individual eBook 9781472955722 Library eBook 9781472955708 Bloomsbury Continuum

This text examines the interplay between Michael Jackson’s songs and music videos and how they have been interpreted and performed by a group of 1500 Filipino inmates at the Cebu Provincial Rehabilitation and Detention Centre, who achieved viral video fame after the release of their 2007 performance of Jackson’s Thriller. Reflecting on how Jackson’s performances pollinate across cultures and nations, this book demonstrates that audiovisual digital platforms such as YouTube play an important role in shaping collective understandings and experiences, while ultimately arguing for a deeper and more nuanced understanding of music’s power and affect in places of detention.

UK March 2019 • US March 2019 • 200 pages • 30 bw illus HB 9781501331534 • £96.00 / $120.00 Individual eBook 9781501331558 Library eBook 9781501331541 Series: New Approaches to Sound, Music, and Media • Bloomsbury Academic

Amplifications Sonic Rupture

A Practice-led Approach to Urban Soundscape Design Jordan Lacey, RMIT University, Australia "An honest and refreshing take on the urban side of the acoustic ecology equation … The book’s overall project is one that is grounded in an artistic inquiry, and much of its research content and knowledge is informed by the intuitive act of making by an urban dweller. It is an excellent example of research-creation, and a welcome addition to the growing body of work in sound studies." Soundscape: The Journal of Acoustic Ecology Sonic Rupture provides the domains of sound art, music, creative practice, urban design, architecture and environmental philosophy with a unique perspective for understanding those affective forces.

Poetic Migration, Auditory Memory Paul Carter, RMIT University, Australia Written by one of the most prominent thinkers in sound studies, Amplifications presents a perspective on sound narrated through the experiences of a sound artist and writer. A work of reflective philosophy, Amplifications sits at the intersection of history, creative practice, and sound studies, recounting this narrative through a series of themes (rattles, echoes, recordings, etc.). Carter offers a unique perspective on migratory poetics, bringing together his own compositions and life’s works while using his personal narrative to frame larger theoretical questions about sound and migration.

UK February 2019 • US February 2019 • 288 pages PB 9781501344480 • £19.99 / $24.95 • HB 9781501344473 • £64.00 / $80.00 Individual eBook 9781501344497 Library eBook 9781501344503 Bloomsbury Academic

UK December 2017 • US December 2017 • 208 pages • 57 bw illus PB 9781501338571 • £28.99 / $39.95 Previously published in HB 9781501309977 Individual eBook 9781501310003 Library eBook 9781501309991 Bloomsbury Academic

8

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Case Studies in Musical Temporality Richard Glover, University of Huddersfield, UK, Bryn Harrison, University of Huddersfield, UK & Jennie Gottschalk, Independent Scholar, USA In a highly accessible format using case studies, Being Time employs an ongoing dialogue to examine how various compositional concerns within experimental and minimal musics affect our sense of time and duration. Phenomenological lineage from Husserl through MerleauPonty to Clifton infuses the discussion to provide experiential arguments, rather than abstracted hypotheses.

An introductory chapter on experimental music is followed by studies of individual composers and artists, such as Morton Feldman, Manfred Werder, Bernhardt Günter, Richard Chartier, La Monte Young and Toshiya Tsunoda, who are embedded in the continuing discourse, along with issues of perception and memory in experimental music.

UK December 2018 • US December 2018 • 176 pages PB 9781623564940 • £19.99 / $29.95 • HB 9781623568955 • £80.00 / $120.00 Individual eBook 9781628927016 Library eBook 9781628922721 Bloomsbury Academic

The Political Possibility of Sound Fragments of Listening

Salomé Voegelin, London College of Communication, UK Eight independent yet thematically related essays explore listening as a sociopolitical practice of sound, raising current aesthetic and political questions. The themes of these essays emerge from and deepen discussions started in Voegelin’s previous books, Listening to Noise and Silence and Sonic Possible Worlds, and further engage the relationship between aesthetic practice and political possibility.

Continuing the methodological juxtaposition of phenomenology and logic, each essay represents a fragment of listening to sound art, music and the soundscape, to hear their possibilities and develop words for what appears impossible.

UK November 2018 • US November 2018 • 224 pages PB 9781501312168 • £19.99 / $29.95 • HB 9781501312151 • £66.00 / $100.00 Individual eBook 9781501312182 Library eBook 9781501312175 Bloomsbury Academic

Humming

Suk-Jun Kim, University of Aberdeen, UK The first sound studies book to explore the topic, Humming offers a unique and original examination of the polarising categories of hums, from hums that are performed only to oneself, that are exercised in religious practice, that claim healing, and that resonate with our bodies, to hums that can drive people to madness, that emanate from cities and towns, and that resound in the universe. By acknowledging the quirkiness of hums within the established discourse in sound studies, Humming takes a truly interdisciplinary view on this familiar yet less-trodden sonic concept in sound studies.

SOUND STUDIES

Being Time

UK December 2018 • US December 2018 • 128 pages PB 9781501324611 • £16.99 / $24.95 • HB 9781501324604 • £50.00 / $75.00 Individual eBook 9781501324628 Library eBook 9781501324598 Series: The Study of Sound • Bloomsbury Academic

Musical Encounters with Deleuze and Guattari Edited by Pirkko Moisala, University of Helsinki, Finland, Taru Leppänen, University of Turku, Finland, Milla Tiainen, University of Helsinki, Finland & Hanna Väätäinen, University of Helsinki, Finland

This is the first volume to mobilize encounters between the work of Gilles Deleuze and Felix Guattari and the rich developments in cultural studies of music and sound. Stretching from movement improvisation, vocal performance art, reality TV talent shows and deaf musicians to ethnographic fieldwork, artistic research and musical body studies, this book demonstrates how musical and sonic practices and expressions can be reconsidered as instances of becoming, actors in assemblages, and actualizations of virtual tendencies.

UK July 2018 • US July 2018 • 256 pages • 10 bw illus PB 9781501343780 • £28.99 / $39.95 Previously published in HB 9781501316746 Individual eBook 9781501316760 Library eBook 9781501316753 Bloomsbury Academic

Future Sounds

The Temporality of Noise Stephen Kennedy, University of Greenwich, UK "Kennedy has brilliantly shown how the nonlinearity and multi-temporality of noise has been productive of so-called digital culture. Key reading for anyone interested in the realities of the digital age and the most relevant philosophies of time and technology." Timothy Barker, University of Glasgow, UK What can the sounds of today tell us about the future? Can an analysis of sound and sonic practices allow us to make reliable predictions in relation to wider social phenomena? And what might they tell us about technology in a world where futurology is a frenzied and busy field? Future Sounds examines historical trajectories and conflicting ideas about time and the necessity to recontextualize and interpret them in the digital age.

UK July 2018 • US July 2018 • 176 pages HB 9781501321054 • £74.00 / $110.00 Individual eBook 9781501321078 Library eBook 9781501321061 Bloomsbury Academic

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Edited by Michael Richardson, Goldsmiths University of London, UK Surrealism is one of the most influential and popular art forms of the last century. It has shaped painting, literature, film, photography, music, theatre, architecture, fashion and design, as well as thinking about politics and culture. The Encyclopedia presents the first comprehensive and systematic overview of surrealism internationally, from its beginnings to the present day.

UK February 2019 • US April 2019 • 3 vols. • c.1,872 pages HB Pack 9781474226936 • £550.00 / $742.00 Special introductory price of £495.00 / $668.00 valid until 3 months after publication 100 colour & 4 bw illus Bloomsbury Visual Arts

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MAJOR REFERENCE WORKS

The International Encyclopedia of Surrealism

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This comprehensive digital library for global popular music brings together leading scholarship and interactive tools to hit the right note for research and learning within music and related disciplines.

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