Film, Media, Music & Sound Studies Catalogue 2017-18

FILM, MEDIA, MUSIC & SOUND STUDIES NEW BOOKS CATALOGUE 2017-18

Provides unrivalled scholarly coverage of modern popular music worldwide, from the mid-20th century to the present day. Explore the historical origins and cultural impact of popular music from almost every country in the world. Discover more about influential artists and albums, local music scenes, and subcultures. Learn about musical form, instruments, and the workings of the music industry and research the social, political, and economic context of different musical genres.

CONTENT HIGHLIGHTS • 14-volume Bloomsbury Encyclopedia of Popular Music of the World • All current volumes of the 33 1/3 book series with annual updates, providing in-depth analysis of influential albums • Scholarly books from Bloomsbury’s Popular Music Studies list

FEATURES • Artist pages offer curated links to relevant content for leading artists • The interactive world map enables users to navigate to books and articles covering a country or region • The interactive timeline of popular music includes the dates of albums covered in the 33 1/3 series, plus an overview of contextual events in musical and political history, with links to relevant articles • Related content links on every content page makes it easy to discover relevant material • Personal account feature enables users to save books, chapters, or other items to view later, organize saved items into folders, e-mail and export citations, and save searches

To register your interest for a free institutional trial, or for further information email: Americas: OnlineSalesUS@bloomsbury.com UK, Europe, Middle East, Africa, Asia: OnlineSalesUK@bloomsbury.com Australia and New Zealand: OnlineSalesANZ@bloomsbury.com

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Contents Film

Music and Sound Studies

Film Directors........................................................2

33 1/3................................................................ 16

Film History & Genre................................................3

Popular Music....................................................... 17

Film Theory...........................................................5

Music, Media & Technology....................................... 19

World Cinema & Television.........................................6

Sound Studies & Sound Art....................................... 20

Animation Studies....................................................9 Film Production & Industry....................................... 11 Screenwriting....................................................... 11

Media Studies Game Studies....................................................... 12

Major Reference Works 22 Index................................................................. 25 Representatives, Agents & Distributors......................... 27 Editorial Contacts.................................................. 28

Media Studies....................................................... 13

EBooks

Proposals

EBook availability is indicated under each book entry:

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F I L M D I R E C TO R S

Nancy Meyers

Peter Jackson

Deborah Jermyn, Roehampton University, UK

Alfio Leotta, Victoria University of Wellington, New Zealand

Adapted by adaptor

Nancy Meyers proposes that Meyers' box-office success, the consistency of style and theme across her films, and the breadth of her body of work as a writer/producer/director across more than three decades at the forefront of Hollywood, (thus importantly bridging the second/third waves of feminism) make her a key contemporary US filmmaker. Structured to meet the needs of both the student and scholar, Jermyn's volume situates Deborah Meyers within this historical and critical context, exploring key collaborative relationships and new ways of watching her films.

UK July 2017 • US July 2017 • 272 pages • 16 bw illus HB 9781628921748 • £118.00 / $150.00 Individual eBook 9781628921762 • £108.99 / $134.99 Library eBook 9781628921755 Series: The Bloomsbury Companions to Contemporary Filmmakers • Bloomsbury Academic

The Cinema of Norman Mailer

Adapted by adaptor

Peter Jackson is the first book to combine an extensive biography of the New Zealand moviemaker with an in-depth critical analysis of his films, thus providing readers with the most comprehensive examination of Jackson's body of work. Leotta connects the examination of Jackson's work and career to significant academic debates, including the relationship between national cinema and global Hollywood; global dispersion of film production and transnational cinema; the relationship between film authorship and industrial modes of production; the redefinition of genre conventions; the impact of the creative industries on the construction of national identity; and new developments in film technology.

UK December 2017 • US December 2017 • 304 pages PB 9781501338557 • £28.99 / $39.95 Previously published in HB 9781623566531 Individual eBook 9781623569488 • £108.99 / $134.99 Library eBook 9781623560966 Series: The Bloomsbury Companions to Contemporary Filmmakers • Bloomsbury Academic

Film is Like Death Edited by Justin Bozung, Freelance Writer, Georgia, USA Adapted by adaptor

The Cinema of Norman Mailer: Film is Like Death not only examines the enfant terrible writer’s thoughts on cinema, but also features interviews with Norman Mailer, previously published essays, and newly commissioned essays by an array of scholars, enthusiasts, and those with a personal connection to Mailer. By re-examining Mailer's cinema through these new perspectives, one may not just be awarded a deeper understanding of Mailer's desire to make films, but also find a new, alternative vision of Mailer himself.

UK September 2017 • US September 2017 • 336 pages • 83 bw illus HB 9781501325519 • £102.00 / $130.00 Individual eBook 9781501325533 • £93.99 / $116.99 Library eBook 9781501325526 Bloomsbury Academic

The Global Auteur The Politics of Authorship in 21st Century Cinema Edited by Seung-hoon Jeong, New York University Abu Dhabi, UAE & Jeremi Szaniawski, Independent Scholar, New Zealand Adapted by adaptor

“This ambitious collection fills a glaring gap in studies of cinematic authorship in the 21stcentury. It was about time for the creative contribution of the film director to be reassessed from a global perspective, away from hierarchical canons and in light of the radical changes entailed to film production by the widespread use of the digital technology.

In the age of social media, where the individual merges into the general and anyone can ‘author’ a film, the role of the battered but resilient auteur may be, as the editors rightly say, more crucial and relevant than ever.” Lúcia Nagib, Professor in Film, University of Reading, UK UK December 2017 • US December 2017 • 416 pages • 40 bw illus PB 9781501338564 • £28.99 / $39.95 Previously published in HB 9781501312625 Individual eBook 9781501312656 • £86.99 / $107.99 Library eBook 9781501312649 Bloomsbury Academic

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The Late Films of Claude Chabrol Genre, Visual Expressionism and Narrational Ambiguity Jacob Leigh, Royal Holloway, University of London, UK Adapted by adaptor

As a member of the French New Wave group of filmmakers who first came to prominence at the end of the 1950s, Claude Chabrol has received the least amount of critical and scholarly attention. Jacob Leigh fills this lacuna by focusing on the last nine feature films of Chabrol’s career, exploring his imagery, camerawork, use of sound and music, and performances, revealing the stylistic characteristics of his films while identifying the fundamental thematic issues that lie at the heart of his career-length exploration of the relationship between individuals and societies.

UK October 2017 • US October 2017 • 224 pages • 15 bw illus HB 9781501312496 • £96.00 / $120.00 Individual eBook 9781501312519 • £86.99 / $107.99 Library eBook 9781501312502 Bloomsbury Academic

Darren Aronofsky’s Films and the Fragility of Hope Jadranka Skorin-Kapov, Stony Brook University, USA Adapted by adaptor

“[A] pioneering Alphavilleproduct of Aronofsky scholarship ... Skorin-Kapov’s book enables readers to connect the films of an important contemporary director to philosophical ideas that shaped the discipline of film studies during the beginnings of the New Hollywood era.” Alphaville Darren Aronofsky’s Films and the Fragility of Hope offers the first sustained analysis of the current oeuvre of the film director, screenwriter, and producer Darren Aronofsky. Concluding with an interview Aronofsky himself, Jadranka Skorin-Kapov provides a muchneeded study on this American auteur.

UK June 2017 • US June 2017 • 216 pages • 15 bw illus PB 9781501320156 • £24.99 / $39.95 Previously published in HB 9781501306976 Individual eBook 9781501306983 • £27.99 / $34.99 Library eBook 9781501306990 Bloomsbury Academic

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A Critical Introduction Murray Leeder, University of Calgary, Canada Adapted by adaptor

Throughout the history of cinema, horror has proven to be a genre of consistent popularity, which has the flexibility to bend to needs of different cultural contexts. Horror Film: A Critical Introduction, the newest in Bloomsbury's Film Genre series, is designed to balance the discussions of horror’s history, theory, and aesthetics as no introductory book ever has. As a straightforward and convenient critical introduction to the history and key academic approaches, this book gives concerted attention to the idea that horror has unusually strong reflexive or metafictional tendencies.

UK January 2018 • US January 2018 • 272 pages • 37 bw illus PB 9781501314438 • £23.99 / $29.95 • HB 9781501314421 • £80.00 / $100.00 Individual eBook 9781501314445 • £20.99 / $25.99 Library eBook 9781501314469 Series: Film Genres • Bloomsbury Academic

Science Fiction Cinema and 1950s Britain Recontextualising Cultural Anxiety Matthew Jones, De Montfort University, UK Adapted by adaptor

For the last 50 years, discussion of 1950s science fiction cinema has been dominated by the view that the genre reflected US paranoia about Soviet brainwashing and the nuclear bomb. However, classic films, such as Invasion of the Body Snatchers (1956) and It Came from Outer Space (1953), were regularly exported to countries across the world. Drawing on extensive archival research, Matthew Jones makes an exciting and important intervention in the field by locating 1950s American science fiction films alongside their domestic counterparts in their British contexts of release and reception.

UK November 2017 • US November 2017 • 224 pages • 10 bw illus HB 9781501322532 • £96.00 / $120.00 Individual eBook 9781501322563 • £86.99 / $107.99 Library eBook 9781501322549 Bloomsbury Academic

Re-Viewing the Past The Uses of History in the Cinema of Imperial Japan

Movement as Meaning in Experimental Cinema The Musical Poetry of Motion Pictures Revisited Daniel Barnett, San Francisco Art Institute, USA Adapted by adaptor

Movement as Meaning in Experimental Cinema offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language.

Informed by the philosophy of Quine, Dennett, Merleau-Ponty as well as the later work of Wittgenstein, among others, Barnett uses the film work of Stan Brakhage, Tony Conrad, A.K. Dewdney, Nathaniel Dorsky, Ken Jacobs, Owen Land, Saul Levine, Gregory Markopoulos Michael Snow, and the poetry of Basho, John Cage, John Cayley and Paul Valery to illustrate the power of his unique perspective on meaning.

F I L M H I S TO RY & G E N R E

Horror Film

UK August 2017 • US August 2017 • 344 pages • 30 bw illus HB 9781501329845 • £102.00 / $130.00 Individual eBook 9781501329838 • £93.99 / $116.99 Library eBook 9781501329821 Bloomsbury Academic

Crossover Stardom Popular Male Music Stars in American Cinema Julie Lobalzo Wright, University of London, UK, & King's College London, UK Adapted by adaptor

Crossover Stardom focuses on male music stars who have attempted to achieve film stardom. Julie Lobalzo Wright starts with Bing Crosby, a significant Hollywood star in the studio era; moving to Elvis Presley in the 1950s and 1960s, as the studio system collapsed; to Kris Kristofferson in the New Hollywood period of the 1970s; and ending with Will Smith and Justin Timberlake, in the contemporary era, when corporate conglomerates dominate Hollywood. Thus, the study not only explores music stardom in various eras, it also surveys the history of American cinema from industrial and cultural perspectives, from the 1930s to today.

UK December 2017 • US December 2017 • 224 pages • 30 bw illus HB 9781628925807 • £96.00 / $120.00 Individual eBook 9781628925791 • £86.99 / $107.99 Library eBook 9781628925784 Bloomsbury Academic

Sean O’Reilly, Akita International University, Japan Adapted by adaptor

Re-Viewing the Past analyzes the complicated relationship between history films, audiences, reviewers and censors in Japan during the critical 1925-1945 years. First contextualizing the history of the popular “Bakumatsu” period (1853-1868), the moment of Japan’s emergence as a modern nation, Sean O'Reilly paves the way for a reinterpretation of Japanese pre and postwar cinema. Setting a film in the Bakumatsu period offered ‘cultural breathing room’ to both filmmakers and viewers, offering a cinematic space where apolitical entertainment and now-forbidden themes like romance still reigned.

Some filmmakers—and viewers—even conceived of these films as being a form of resistance against Japan’s growing militarism.

UK March 2018 • US March 2018 • 304 pages HB 9781501336027 • £96.00 / $120.00 Individual eBook 9781501336034 • £86.99 / $107.99 Library eBook 9781501336041 Bloomsbury Academic

The Beatles on Screen From Pop Stars to Musicians Stephanie Fremaux, Teesside University, UK Adapted by adaptor

At the forefront of driving the creative change in the 1960s were four mop-topped musicians from Liverpool, The Beatles. While many scholars have examined their role as songwriters, as countercultural and political figures, and as solo artists, few have considered the important role film played in the Beatles’ career. This book focuses on the overlooked films the Beatles performed in from 1964 to 1970 in order to chart their journey from pop stars to musicians. Through these case studies, The Beatles on Screen uncovers how the relationship between film and pop music has changed the ways in which bands communicate with their fans.

UK March 2018 • US March 2018 • 208 pages • 20 bw illus HB 9781501327131 • £80.00 / $120.00 Individual eBook 9781501327155 • £86.99 / $107.99 Library eBook 9781501327162 Bloomsbury Academic

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LAUNCHING LATE 2018

A dynamic new resource delivering a broad range of content for film and media studies programs and courses. Starting with an initial collection of 600 titles and updated annually, Screen Studies includes content to suit entire course needs with titles from some of the finest screenwriters, award winning directors, well-known films and key texts on media history and theory. It also includes practical instruction on screenwriting, TV, animation, and filmmaking technique.

CONTENT HIGHLIGHTS

FEATURES

• 250 iconic and contemporary screenplays including The Grand Budapest Hotel, Interstellar, Sex Lies and Videotape, Pi, 21 Grams, and Danny Boyle

• Easy to use interface • A subject specific taxonomy, linking related content • Advanced and full text search, with filtering options to refine results

• Critical and contextual works covering the major genres, regions, approaches, and history

• Landing pages with guides for key genres, periods, geographic regions, directors, screenwriters, and films

• Practical instruction on the art of screenwriting, film and TV production, animation techniques, and documentary filmmaking

• A clutter free e-reading experience • Easy linking from Virtual Learning Environments (VLEs)

• Works by leading film directors such as Wes Anderson, Joel Coen and Ethan Coen, Christopher Nolan, Stephen Soderbergh, and John Boorman providing insight into professional and creative practice

• Personal Account feature enabling users to save books, chapters or other items to view later; organize saved items into folders; email and export citations; and save searches

To register your interest for a free institutional trial, or for further information as it becomes available, email: Americas: OnlineSalesUS@bloomsbury.com UK, Europe, Middle East, Africa, Asia: OnlineSalesUK@bloomsbury.com Australia and New Zealand: OnlineSalesANZ@bloomsbury.com

www.screenstudies.com

Queering The Terminator

Series Editor: Todd McGowan, University of Vermont, USA The Film Theory in Practice Series fills a gaping hole in the world of film theory by marrying the explanation of film theory with an interpretation of a film. Each volume deals with a single theory and a single film, with the aim of providing a discrete example of how film theory can serve as the basis for textual analysis. Each book educates the reader about that specific film theory while also providing an original reading of an important film. The volumes are designed with film theory courses in mind but will be useful also for introductory film classes and for general readers interested in the specific theories and films.

Postmodern Theory and Blade Runner Matthew Flisfeder, University of Winnipeg, Canada Adapted by adaptor

Postmodern Theory and Blade Runner introduces readers to key concepts in postmodern theory and demonstrates how it can be used for a critical interpretation and analysis of Blade Runner, arguably 'the greatest science fiction film'. By contextualizing the film within the culture of late 20th and early 21st-century capitalism, Flisfeder provides a valuable guide for both students and scholars interested in learning more about one of the most significant, influential, and controversial concepts in film and cultural studies of the past 40 years.

UK April 2017 • US April 2017 • 184 pages PB 9781501311796 • £13.99 / $19.95 • HB 9781501311802 • £50.00 / $75.00 Individual eBook 9781501311772 • £13.99 / $16.99 Library eBook 9781501311765 Series: Film Theory in Practice • Bloomsbury Academic

Queer Theory and Brokeback Mountain Matthew Tinkcom, Georgetown University, USA Adapted by adaptor

Organized into two parts, the author discusses key canonical texts within queer theory, and provides an historical account of the questions these scholars have posed to our understanding of sexualities— both normative and non-normative—in the historical past and in contemporary life, as well as a discussion of the theories of sexuality and gender offered by these scholars as these phenomena shape the experiences of men and women in the genital, bodily, erotic, discursive, and cultural dimensions. The second part examines Ang Lee’s 2005 feature film, Brokeback Mountain, as that film serves to understand the claims of queer theorists.

UK April 2017 • US April 2017 • 144 pages PB 9781501318825 • £13.99 / $19.95 • HB 9781501318818 • £50.00 / $75.00 Individual eBook 9781501318832 • £13.99 / $16.99 Library eBook 9781501318849 Series: Film Theory in Practice • Bloomsbury Academic

Sexuality and Cyborg Cinema David Greven, University of South Carolina, USA Adapted by adaptor

Queering The Terminator considers the sexual politics and queer implications of the Terminator films, from the first 1984 film to the 2015 reboot.

The films provide a framework for interpreting shifting gender codes and the emergence of queer sexuality over the period of three decades. As a franchise and on the individual basis of each film, the Terminator series combines both radical and reactionary elements. Each film reflects the struggles over gender and sexuality specific to its release. At the same time, the series foregrounds the intersection of technology and gender that has become a definitive aspect of contemporary experience.

F I L M T H E O RY

Film Theory in Practice

UK June 2017 • US June 2017 • 216 pages • 19 bw illus HB 9781501322341 • £96.00 / $120.00 Individual eBook 9781501322372 • £86.99 / $107.99 Library eBook 9781501322358 Bloomsbury Academic

Seeing into Screens Eye Tracking and the Moving Image Edited by Tessa Dwyer, Monash University, Australia, Claire Perkins, Monash University, Australia, Sean Redmond, Deakin University, Australia & Jodi Sita, Australian Catholic University, Australia Adapted by adaptor

This collection offers new modes of reflective analysis into moving-image culture by bringing together empirical research, neuroscience and conceptual screen theory. Engaging with new technologies, embodiment, viewing environments and cognitive processing, Seeing into Screens explores how minds and movingimage media meet. Scholars explore a range of case studies from Gone Girl to La Jétee to CAVE (Cave Virtual Environment Systems) and Web 2.0 banner advertising.

UK January 2018 • US January 2018 • 288 pages • 44 bw illus HB 9781501329029 • £80.00 / $120.00 Individual eBook 9781501329005 • £86.99 / $107.99 Library eBook 9781501328992 Bloomsbury Academic

Making Sense of Cinema Empirical Studies into Film Spectators and Spectatorship Edited by CarrieLynn D. Reinhard, Dominican University, USA & Christopher J. Olson, DePaul University, USA Adapted by adaptor

“An important contribution to film spectatorship studies. What is unique about this collection is the focus on empirical analysis to analyze how actual (as opposed to implied) spectators construct meaning from their viewing experience. The essays included here employ a variety of methodologies and cover a broad array of genres and geographical areas, both past and present. A fascinating work of scholarship of interest to anyone seeking to understand better the global spectator’s viewing experience.” David N. Coury, Professor of Humanistic Studies and Global Studies, University of Wisconsin-Green Bay, USA UK August 2017 • US August 2017 • 288 pages • 25 bw illus PB 9781501320217 • £28.99 / $39.95 Previously published in HB 9781501302947 Individual eBook 9781501302961 • £86.99 / $107.99 Library eBook 9781501302954 Bloomsbury Academic

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F I L M T H E O RY / W O R L D C I N E M A & T E L E V I S I O N

Thinking Cinema The Bloomsbury Thinking Cinema series publishes original, innovative monographs that explore encounters between film, philosophy, and theory. The series aims to promote research at the intersection of film and philosophical or theoretical ideas. Books in the series are distinguishable by their enhancement of knowledge by thinking with, about, or through cinema.

Editorial Board: Edward Branigan (University of California, Santa Barbara), Ian Buchanan (University of Wollongong), Warren Buckland (Oxford Brookes University), Robert Burgoyne (University of St Andrews), Jinhee Choi (King's College, University of London), Catherine Constable (University of Warwick), Gregory Currie (University of Nottingham), Paisley Livingstone (Lingnan University), Laura U. Marks (Simon Fraser University), John Mullarkey (Kingston University, London), Michele Pierson (King's College, University of London), Patricia Pisters (University of Amsterdam), Vivian Sobchack (University of California, Los Angeles), Thomas Wartenberg (Mount Holyoke College), Emma Wilson (University of Cambridge)

The Grace of Destruction A Vital Ethology of Extreme Cinemas

The Body in Contemporary Maghrebi Cinemas

Elena del Río, University of Alberta, Canada

Kaya Davies Hayon, University of Chester, UK Adapted by adaptor

Adapted by adaptor

"In her formidable new book ... Elena del Río examines a corpus of violent, shocking, and ultimately extreme films—the very films that moralists might otherwise condemn—in order to mount furious critique of the transcendent values of modern morality ... A brave, uncompromising, and important book." Gregory Flaxman, Associate Professor of English and Comparative Literature, University of North Carolina, Chapel Hill, USA The Grace of Destruction argues that extreme cinema is different from mainstream cinema's representations of violence and constitutes a critique of the system that produces such violence.

UK November 2017 • US November 2017 • 288 pages PB 9781501338212 • £28.99 / $39.95 Previously published in HB 9781501303029 Individual eBook 9781501303050 • £86.99 / $107.99 Library eBook 9781501303043 Series: Thinking Cinema • Bloomsbury Academic

UK March 2018 • US March 2018 • 272 pages HB 9781501335983 • £96.00 / $120.00 Individual eBook 9781501335990 • £86.99 / $107.99 Library eBook 9781501336003 Series: Thinking Cinema • Bloomsbury Academic

A History of Italian Cinema

The Total Art

Peter Bondanella, Indiana University, USA & Federico Pacchioni, Chapman University, USA

Italian Cinema from Silent Screen to Digital Image

Adapted by adaptor

A History of Italian Cinema, 2nd edition is the comprehensive, erudite update of Bondanella’s continuing landmark narrative histories on Italian cinema. With a new-co author, Federico Pacchioni, this update stresses the theme, genre, the “new” Italian comedy, gender issues, and films connected to immigration and ethnicity that reflect Italy’s present status as a multi-ethnic and multi-racial nation. Building upon his decades of research, Bondanella, and Pacchioni, reorganize the current History in order to keep the book fresh and responsive not only to the actual films being created in Italy but also to the rapidly changing priorities of Italian film studies and film scholars.

UK November 2017 • US October 2017 • 720 pages • 150 bw illus PB 9781501307638 • £31.99 / $39.95 Individual eBook 9781501307645 • £27.99 / $34.99 Library eBook 9781501307652 Bloomsbury Academic

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The Body in Contemporary Maghrebi Cinemas examines a cluster of recent films that feature Maghrebi(-French) people and position corporeality as a site through which subjectivity and self-other relations are constituted and experienced. This new addition to the Thinking Cinema series interweaves corporeal phenomenology with theological and feminist scholarship on the body from the Maghreb and the Middle East to examine how Maghrebi(-French) people of different genders, ethnicities, sexualities, ages and classes have been represented corporeally in contemporary Maghrebi and French cinemas.

Edited by Joseph Luzzi, Bard College, USA Adapted by adaptor

In this comprehensive guide, some of the world's leading scholars consider the enduring appeal of Italian cinema. Readers will explore the work of such directors as Federico Fellini, Michelangelo Antonioni, and Roberto Rossellini as well as subjects including the Italian silent screen, the political influence of Fascism on movies, lesser known genres such as the giallo (horror film), and the role of women in the Italian film industry. The Total Art explores recent developments in cinema studies such as digital performance, the role of media and the Internet, neuroscience in film criticism, and the increased role that immigrants are playing in the nation's cinema.

UK April 2018 • US April 2018 • 384 pages • 100 bw illus PB 9781441195616 • £26.99 / $39.95 • HB 9781441174932 • £86.00 / $130.00 Individual eBook 9781441147561 • £27.99 / $34.99 Library eBook 9781441186423 Bloomsbury Academic

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.uk

Topics and Issues in National Cinema seeks to explore national cinemas from a novel perspective by focusing on specific topics and issues arising in the various national contexts, instead of surveying the film production of a given country. The individual contributions to the series provide in-depth analysis of a specific cultural, political or social issue in the country or countries, documenting, on the one hand, the role that film has had enabling its articulation and reflection upon the issue, and on the other hand, how the images and narratives that are circulated on film have in turn had an impact upon the issue being represented.

Italian Style Fashion & Film from Early Cinema to the Digital Age Eugenia Paulicelli, Queens College & the CUNY Graduate Center, USA Adapted by adaptor

"Paulicelli’s book is a tour de force of film and fashion scholarship, a beautifully written and authoritative exploration of Italian national identity that will appeal to a wide readership. In mapping out Italy’s rich cultural heritage from early twentieth century modernism, through the economic miracle years to the present day, this book sets out to do nothing less than define Italian style as embodied by the dialogue between fashion and film. That Italian Style achieves this is testament to its brilliance." Stella Bruzzi, Professor of Film and Television Studies, University of Warwick, UK UK September 2017 • US September 2017 • 288 pages • 40 bw illus/16 color illus PB 9781501334924 • £31.99 / $39.95 Previously published in HB 9781441189158 Individual eBook 9781623568580 • £89.99 / $111.99 Library eBook 9781623566616 Series: Topics and Issues in National Cinema • Bloomsbury Academic

Divine Work, Japanese Colonial Cinema and its Legacy Kate Taylor-Jones, The University of Sheffield, UK Adapted by adaptor

Exploring topics such as landscape, gender, modernity and military recruitment, this study details how the respective national cinemas of Japan’s territories struggled under, but also engaged with, the Japanese Imperial structures. Taylor-Jones traces how cinema in the region post-1945 needs to be understood not only in terms of past colonial relationships, but also in relation to how the post-colonial has engaged with shifting political alliances, the opportunities for technological advancement and knowledge, the promise of larger consumer markets, and specific historical conditions of each decade.

WORLD CINEMA & TELEVISION

Topics and Issues in National Cinema

UK August 2017 • US August 2017 • 256 pages • 17 bw illus HB 9781501306129 • £96.00 / $120.00 Individual eBook 9781501306136 • £86.99 / $107.99 Library eBook 9781501306143 Series: Topics and Issues in National Cinema • Bloomsbury Academic

Aesthetics of Displacement Film Music in 'Minor' National Cinemas Edited by Germán Gil-Curiel, University College Cork, Republic of Ireland Adapted by adaptor

"This book competently addresses two elements in need of further scholarly attention: nonmainstream cinema and film music ... The authors juggle advanced concepts from film theory with themes such as censorship, nostalgia, nationalism and many others to paint a complex relationship between more global mainstream trends and localized translations and innovations." Justin A. Williams, Lecturer in Music, University of Bristol, UK Film Music in 'Minor' National Cinemas addresses the relationships between film music and the national cinemas beyond Hollywood and the European countries that comprise most of the literature in the field.

Turkey and its Minorities on Screen Ozlem Koksal, University of Westminster, UK Adapted by adaptor

"As the violent displacements of people in 20th-century Turkey materialise through image, figure and narrative structure, Özlem Köksal reveals ways in which the geographies of minority experience affect both narrative and cinematic space ... This fascinating study addresses questions of politics and culture through their representation in cinema, using films and their themes to draw attention to the complex, un-reconciled histories that still persist in Turkey today." Laura Mulvey, Professor of Film, Media and Cultural Studies, Birkbeck, University of London, UK UK July 2017 • US July 2017 • 240 pages • 20 bw illus PB 9781501320187 • £31.99 / $39.95 Previously published in HB 9781501306464 Individual eBook 9781501306495 • £27.99 / $34.99 Library eBook 9781501306488 Series: Topics and Issues in National Cinema • Bloomsbury Academic

UK August 2017 • US August 2017 • 240 pages • 26 bw illus PB 9781501320224 • £28.99 / $39.95 Previously published in HB 9781628926675 Individual eBook 9781628929836 • £93.99 / $116.99 Library eBook 9781628921953 Series: Topics and Issues in National Cinema • Bloomsbury Academic

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WORLD CINEMA & TELEVISION

Mixed Race Cinemas

From the First Democratic Republic to the Fall of Communism

Zélie Asava, University College Dublin, Ireland Adapted by adaptor

Using critical race theory and film studies to explore the interconnectedness between cinema and society, Zélie Asava traces the history of mixed-race representations in American and French filmmaking from early and silent cinema to the present day. Mixed Race Cinemas covers over a hundred years of filmmaking to chart the development of (black/white) mixed representations onscreen. Using cinematic representations to illustrate changing definitions of mixed identity across different historical and geographical contexts, Mixed Race Cinemas contextualizes and critiques raced and ‘post-race’ visual culture.

UK September 2017 • US September 2017 • 216 pages • 10 bw illus HB 9781501312458 • £96.00 / $120.00 Individual eBook 9781501312489 • £86.99 / $107.99 Library eBook 9781501312465 Bloomsbury Academic

Television Drama in Israel Identities in Post-TV Culture Itay Harlap, Tel Aviv University, Israel Adapted by adaptor

Offering both a textual reading and discourse analysis of contemporary Israeli television dramas, Itay Harlap adopts a case study approach in order to addresses production, reception and technological developments in its accounts. Israeli TV, currently celebrating fifty years of broadcasting, has become one of the most important content sources on the international TV drama market, when serials such as Homeland, Hostages, Nevelot, Zaguory Empire and In Treatment were bought by international networks, HBO included.

UK October 2017 • US October 2017 • 224 pages • 30 bw illus HB 9781501328930 • £96.00 / $120.00 Individual eBook 9781501328916 • £86.99 / $107.99 Library eBook 9781501328909 Bloomsbury Academic

Hollywood and the Baby Boom A Social History James Russell, De Montfort University, UK & Jim Whalley, De Montfort University, UK Adapted by adaptor

Hollywood and the Baby Boom weaves together interviews with leading filmmakers, archival research and the memories of hundreds of ordinary filmgoers to tell the full story of Hollywood’s relationship with the boomers for the first time. The authors demonstrate the profound influence of the boomers on the ways that movies were made, seen and understood since the 1950s. The result is a compelling new account that draws upon an unprecedented range of sources, and offers new insights into the history of American movies.

UK December 2017 • US December 2017 • 304 pages • 22 bw illus HB 9781501331497 • £96.00 / $120.00 Individual eBook 9781501331503 • £86.99 / $107.99 Library eBook 9781501331527 Bloomsbury Academic

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Television and Totalitarianism in Czechoslovakia

Multiracial Dynamics in America and France

Martin Štoll, Charles University, Prague, Czech Republic Adapted by adaptor

Totalitarianism and Television in Czechoslovakia examines the variability of political interests reflected on television in interwar Czechoslovakia, including Nazi research on television technology, the quarrel over research as war booty with the Red Army, the beginning of the Czechoslovak technological journey, and, finally, the institutionalized foundation of Czechoslovak television.

Revised and expanded from the Czech to include broader contexts for an English-speaking audience, Štoll expertly elucidates the historical, cultural, social, political, and technological frameworks to provide the first comprehensive study of the subject.

UK April 2018 • US April 2018 • 208 pages • 50 bw illus HB 9781501324758 • £96.00 / $120.00 Individual eBook 9781501324789 • £86.99 / $107.99 Library eBook 9781501324765 Bloomsbury Academic

Exploiting East Asian Cinemas Translation, Circulation, Consumption Edited by Ken Provencher, Josai International University, Japan & Mike Dillon, California State University, Fullerton, USA Adapted by adaptor

Focusing on networks of circulation, distribution, and reception, this collection treats the exploitation cinemas of East Asia as mobile texts produced, consumed, and in many ways re-appropriated across national (and hemispheric) boundaries. By charting the routes of circulation of notable films from Japan, China, and South Korea, Exploiting East Asian Cinemas contributes to transnationally-accepted formulations of what constitutes “East Asian exploitation cinema.”

UK January 2018 • US January 2018 • 192 pages • 22 bw illus HB 9781501319655 • £96.00 / $120.00 Individual eBook 9781501319662 • £86.99 / $107.99 Library eBook 9781501319679 Series: Global Exploitation Cinemas • Bloomsbury Academic

Global Genres, Local Films The Transnational Dimension of Spanish Cinema Edited by Elena Oliete-Aldera, Beatriz Oria & Juan A. Tarancon, University of Zaragoza, Spain Adapted by adaptor

"An indispensable source ... Rigorously researched, well-reasoned and organized, and elegantly written, these thought-provoking essays considerably further the study of Spanish Cinema and film in general." Miscelánea Global Genres, Local Films reaches beyond the limits of the film text and analyses and contextualizes the impact of global film trends and genres on Spanish cinema in order to study how they helped articulate specific national challenges from the conflict between liberalism and tradition in the first decades of the 20th-century to the contemporary financial crisis.

UK June 2017 • US June 2017 • 296 pages PB 9781501320163 • £28.99 / $39.95 Previously published in HB 9781501302985 Individual eBook 9781501303005 • £27.99 / $34.99 Library eBook 9781501302992 Bloomsbury Academic

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Irina Souch, University of Amsterdam, The Netherlnds Adapted by adaptor

Popular Tropes of Identity in Contemporary Russian Television and Film is an exploration of the radical changes Russian cultural identity underwent in the 20 years after the fall of the Soviet Union in 1991. This exploration takes place by way of close readings of a select number of popular films and television series representing everyday life in contemporary Russia. Author Irina Souch focuses on the ways ordinary people, as portrayed in and engaging with the analysed films and series, construct collective and individual identities, and define their belonging in Russian society today.

Bollywood in Britain Cinema, Brand, Discursive Complex Lucia Krämer, Passau University, Germany Adapted by adaptor

"In examining a wide range of interrelated yet distinct issues that pertain to Bollywood that are growing increasingly pertinent to the theorization of this cinematic form in the 21st-century, Bollywood in Britain is a significant contribution to the burgeoning field of Bollywood studies and, more broadly, to the study of non-Western and transnational cinemas and their subsequent receptions." Ajay Gehlawat, Sonoma State University, USA Bollywood in Britain demonstrates that the presentation of Bollywood for British mainstream culture oscillates between moments of approximation and distancing, with a clear dominance of the latter.

UK December 2017 • US December 2017 • 296 pages • 10 bw illus PB 9781501338540 • £28.99 / $39.95 Previously published in HB 9781501307614 Individual eBook 9781501307591 • £86.99 / $107.99 Library eBook 9781501307584 Bloomsbury Academic

UK November 2017 • US November 2017 • 248 pages • 49 bw illus HB 9781501329067 • £96.00 / $120.00 Individual eBook 9781501329043 • £86.99 / $107.99 Library eBook 9781501329036 Bloomsbury Academic

Animation – Process, Cognition and Actuality

Pixar with Lacan The Hysteric's Guide to Animation

Dan Torre, RMIT University, Australia

Lilian Munk Rösing, University of Copenhagen, Denmark

Adapted by adaptor

Animation – Process, Cognition and Actuality presents a uniquely philosophical and multidisciplinary approach to the scholarly study of animation, by using the principles of process philosophy and Deleuzian film aesthetics to discuss animation practices. Numerous animated examples are examined, such as Fantastic Mr. Fox (2009), Madame Tutli-Putli (2007), Gertie the Dinosaur (1914), The Peanuts Movie (2015), Grand Theft Auto V (2013) and Dr. Katz: Professional Therapist (1995–2000). With a genuinely distinctive approach to the study of animation, Torre offers fresh philosophical insights that prompt an engagement with the definitions and dynamics of the form, and its current literature.

UK August 2017 • US August 2017 • 312 pages • 55 bw illus HB 9781501308147 • £96.00 / $120.00 Individual eBook 9781501308154 • £86.99 / $107.99 Library eBook 9781501308161 Bloomsbury Academic

Adapted by adaptor

“With the appearance of Lilian Monk Rösing’s Pixar with Lacan, we now know the true reason for the Pixar revolution. The greatness of Pixar films stems directly from their profound engagement with Lacanian theory… Through a series of groundbreaking readings, Rösing provides us with the definitive account of the reason for the Pixar revolution. If we watch Pixar films closely enough, we will have in ready to hand all the central concepts of Lacan theory, and Rösing shows us this is a breathtaking fashion.” Todd McGowan, Associate Professor of Film and Television Studies, University of Vermont, USA, and author of The Real Gaze: Film Theory After Lacan

W O R L D C I N E M A & T E L E V I S I O N / A N I M AT I O N S T U D I E S

Popular Tropes of Identity in Contemporary Russian Television and Film

UK June 2017 • US June 2017 • 192 pages • 15 bw illus PB 9781501320170 • £28.99 / $39.95 Previously published in HB 9781628920598 Individual eBook 9781628920628 • £27.99 / $34.99 Library eBook 9781628920611 Bloomsbury Academic

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A N I M AT I O N S T U D I E S

Animation: Key Films/Filmmakers Series Editor: Chris Pallant, Canterbury Christ Church University, UK The volumes in the Animation: Key Films/Filmmakers series aim to both prompt and collect current and critical scholarship surrounding the work of selected animated films and filmmakers. Each volume focuses on the work of a specific film or filmmaker, situating the film or filmmaker within historical and critical contexts. The volumes are the first substantial study on the key films and filmmakers in question, contributing to the development of animation studies as a significant area of study in the contemporary media landscape.

Norman McLaren

Princess Mononoke

Between the Frames

Understanding Studio Ghibli's Monster Princess

Nichola Dobson, Edinburgh College of Art, UK Adapted by adaptor

Edited by Rayna Denison, University of East Anglia, UK

Animator Norman McLaren is best known for his experimental films using pioneering techniques and his work as founder of the animation department of the National Film Board of Canada (NFB), but little mention is made of his Scottish heritage or his personal life. Nichola Dobson examines some of the key events and people in his life through a close examination of his key works and his personal papers, and discusses how influential they were. By using archive material to discover his personal identity and close readings of his films, Norman McLaren rediscovers one of the most important figures in animation history.

Coinciding with the 20th anniversary of the release of Princess Mononoke, Rayna Denison curates this new collection critically reflecting on the film’s significance within and beyond Japanese culture, engaging critically with the production, and re-production, processes involved in the making of Princess Mononoke; re-evaluating the film’s importance within Japanese animation culture; considering the relationship between the film and Japan as well as examining Princess Mononoke’s significance within a range of global cultures.

UK January 2018 • US January 2018 • 192 pages • 20 bw illus HB 9781501328817 • £80.00 / $120.00 Individual eBook 9781501328794 • £86.99 / $107.99 Library eBook 9781501328787 Series: Animation: Key Films/Filmmakers • Bloomsbury Academic

UK January 2018 • US January 2018 • 224 pages • 15 bw illus HB 9781501329760 • £80.00 / $120.00 Individual eBook 9781501329746 • £86.99 / $107.99 Library eBook 9781501329739 Series: Animation: Key Films/Filmmakers • Bloomsbury Academic

Adapted by adaptor

Toy Story Edited by Susan Smith, Noel Brown, Liverpool Hope University, UK & Sam Summers, University of Sunderland, UK Adapted by adaptor

Toy Story (John Lasseter, 1995), Pixar’s first feature-length production and Hollywood’s first completely computer-generated animated film, is an international cultural phenomenon.

Bringing together a diverse range of scholars and practitioners, the collection explore the themes, compositional techniques, cultural significance and industry legacy of this landmark in contemporary cinema. Topics range from industrial concerns, such as the film’s groundbreaking use of computer generated imagery and the establishment of Pixar as a major player in the animation world, to examinations of its music, aesthetics, and the role of toys in both the film and its fandom.

UK January 2018 • US January 2018 • 256 pages HB 9781501324918 • £80.00 / $120.00 Individual eBook 9781501324932 • £86.99 / $107.99 Library eBook 9781501324925 Series: Animation: Key Films/Filmmakers • Bloomsbury Academic

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Cartoons in Hard Times The Animated Shorts of Disney and Warner Brothers in Depression and War 1932-1945 Tracey Mollet, University of Leeds, UK Adapted by adaptor

Cartoons in Hard Times provides a comprehensive analysis of the short subject animation released by the Walt Disney and Schlesinger Studios from 1932 and 1945, one of the most turbulent periods in Unites States history.

Through a combination of content analysis, historical understanding and archival research, this book sheds new light on a hitherto unexplored area of animation, suggesting the ways in which Disney and Warner Brothers animation engaged with historical, social, economic and political changes in this era.

UK October 2017 • US October 2017 • 216 pages • 100 bw illus HB 9781501328770 • £96.00 / $120.00 Individual eBook 9781501328756 • £86.99 / $107.99 Library eBook 9781501328749 Bloomsbury Academic

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Sound Design for Moving Image

The Art and Craft of Audio Post Production for the Moving Image

From Concept to Realization Kahra Scott-James Adapted by adaptor

John Avarese, Drexel University, USA Adapted by adaptor

Post Sound Design provides a practical introduction to the fascinating craft of editing and replacing dialog, creating Foley and sound effects, editing music, and balancing these elements to a final mix. Based on years of experience and teaching this material to students at Drexel University, award-winning film composer John Avarese offers user-friendly knowledge and stimulating exercises to help compose story, develop characters and create emotion through skillful creation of the sound track. Post Sound Design engagingly demonstrates the individual areas essential to creating a soundtrack that will enhance any media production. Visit postsounddesignbook. com.

UK June 2017 • US June 2017 • 144 pages • 129 bw illus PB 9781501327476 • £27.99 / $34.95 • HB 9781501327483 • £96.00 / $120.00 Individual eBook 9781501327506 • £24.99 / $30.99 Library eBook 9781501327490 Series: The CineTech Guides to the Film Crafts • Bloomsbury Academic

Sound Design for Moving Image offers a clear introduction to sound design theory and practice, to help you integrate sound ideas into your animation productions. This book, from award-winning Sound Designer Kahra Scott-James, encourages you to incorporate sound into your pre-production planning, to make the most of this powerful narrative tool. There are detailed and insightful interviews with leading sound designers, alongside practical projects to help you hone your skills using video and sound files available from the companion website, making this is a complete sound course to take you from novice skills to confident practitioner.

UK February 2018 • US March 2018 • 272 pages • 200 color illus PB 9781474235112 • £29.99 / $40.95 Individual eBook 9781474235136 • £29.99 / $31.99 Library eBook 9781474235129 Bloomsbury Visual Arts

The Science of Screenwriting Production Design for Screen Visual Storytelling in Film and Television Jane Barnwell, University of Westminster, UK Adapted by adaptor

The Neuroscience Behind Storytelling Strategies Paul Gulino & Connie Shears, Chapman University, USA Adapted by adaptor

Production Design for Screen provides filmmakers with an inspiring, yet practical look at the process of designing for screen. Using real-world projects as examples, five key design elements are explored in detail; namely light, colour, space, character positioning and set dressing. From constructing sets through to choosing locations, this book reveals how the designer is crucial in the creation of place, character and narrative. Includes case studies and interviews from designers such as Stuart Craig (Harry Potter, Notting Hill, The English Patient) and Eve Stewart (The King's Speech, Les Misérables).

UK April 2017 • US June 2017 • 224 pages • 200 colour illus PB 9781472580672 • £32.99 / $44.95 Library eBook 9781472580689 Series: Required Reading Range • Bloomsbury Visual Arts

Paul Gulino, author of the best-selling Screenwriting: A Sequence Approach, and Connie Shears, a noted cognitive psychologist, build an understanding of the human perceptual/cognitive process, from the 'control panel' of the frontal lobes through to the lower part of the brain controlling vital functions. They then provide case studies of various films - such as Top Secret, Some Like it Hot, and Adam's Rib - discussing their narrative strategies and demonstrating how these strategies intersect with the science of human perception. This book also covers currently controversial issues like audience attention span in light of the emergence of new distribution forms (streaming video) and new narrative forms (ultra-short Vine videos to webisodes to fullseason binge-watching).

F I L M P R O D U C T I O N & I N D U S T RY / S C R E E N W R I T I N G

Post Sound Design

UK January 2018 • US January 2018 • 192 pages • 61 bw illus PB 9781501327254 • £16.99 / $24.95 • HB 9781501327247 • £54.00 / $80.00 Individual eBook 9781501327216 • £17.99 / $21.99 Library eBook 9781501327223 Bloomsbury Academic

Hollywood Math and Aftermath The Economic Image and the Digital Recession J.D. Connor, Yale University, USA Adapted by adaptor

J.D. Connor's Hollywood Math and Aftermath proves a stimulating and original take on the relationship between economics and the Hollywood film industry since the 1970s. The industry maintains its preeminence by turning all types of crises into stories— in advance or after the fact. The recession gave the industry new themes to pursue—financial crisis (Arbitrage) and the housing bubble (Magic Mike)—but it also took away its usual funding sources. Every film is greenlit knowing that it will be released into a world that does not yet exist; every movie is a bet that the world in which it appears will be a world that wants it.

UK March 2018 • US March 2018 • 304 pages • 75 bw illus HB 9781501314384 • £80.00 / $120.00 Individual eBook 9781501314391 • £86.99 / $107.99 Library eBook 9781501314407 Bloomsbury Academic

The Marvel Studios Phenomenon Inside a Transmedia Universe Martin Flanagan, University of Salford, UK, Andrew Livingstone, University of Bolton, UK & Mike McKenny, University of Bradford, UK Adapted by adaptor

“The Marvel Studios Phenomenon presents an important industrial analysis and history for both fans of the Marvel Universe/Marvel Cinematic Universe and film and media studies scholars ... The text is suitable for wider audiences as well as for upper-level undergraduate and graduate courses.” Historical Journal of Film, Radio and Television UK December 2017 • US December 2017 • 288 pages • 20 bw illus PB 9781501338533 • £28.99 / $39.95 Previously published in HB 9781501311895 Individual eBook 9781501311864 • £86.99 / $107.99 Library eBook 9781501311857 Bloomsbury Academic

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GAME STUDIES

Approaches to Digital Game Studies Approaches to Digital Game Studies examines the social significance of digital games, bringing together a range of voices from different disciplines in order to advance ongoing conversations and initiate new areas of inquiry in the field of game studies. While conversant in digital game studies, titles in this innovate series bring approaches, theories, methods and questions from other disciplines to bear on the study of games. Each volume is organized around the examination of a single ludic, thematic, or functional game genre.

The World of Scary Video Games A Study in Videoludic Horror Bernard Perron, University of Montreal, Canada Adapted by adaptor

The World of Scary Video Games provides a comprehensive overview of the videoludic horror, dealing with the games labelled as “survival horror” as well as the mainstream and independent works associated with the genre. It examines the ways in which video games have elicited horror, terror and fear since Haunted House (1981). Bernard Perron combines an historical account with a theoretical approach in order to offer a broad history of the genre, outline its formal singularities and explore its principal issues.

UK March 2018 • US March 2018 • 304 pages • 40 bw illus PB 9781501316197 • £19.99 / $29.95 • HB 9781501316203 • £74.00 / $110.00 Individual eBook 9781501316210 • £20.99 / $25.99 Library eBook 9781501316227 Series: Approaches to Digital Game Studies • Bloomsbury Academic

Alternate Reality Games and the Cusp of Digital Gameplay Edited by Antero Garcia, Stanford University, USA & Greg Niemeyer, University of California, Berkeley, USA Adapted by adaptor

“Alternate Reality Games and the Cusp of Digital Gameplay is a rabbit hole into a wondrous world where everything we encounter is playable, every problem demands extreme-scale collaboration, and every story is open to co-creation. In this world, the virtual games we play threaten - or promise? - to blur the boundaries of our real lives and even become our lives. The volume is nothing less than a definitive history and the most significant theoretical examination … to emerge in our connected age.” Jane McGonigal, Alternate Reality Game Creator & author of Reality is Broken UK April 2017 • US April 2017 • 352 pages • 25 bw illus HB 9781501316241 • £86.00 / $130.00 Individual eBook 9781501316258 • £93.99 / $116.99 Library eBook 9781501316265 Series: Approaches to Digital Game Studies • Bloomsbury Academic

Jane Jensen

Social, Casual and Mobile Games

Gabriel Knight, Adventure Games, Hidden Objects

The Changing Gaming Landscape

Anastasia Salter, University of Central Florida, USA Adapted by adaptor

Jane Jensen’s work and landmark Gabriel Knight series brought a new darkness and personality to PC gaming, offering a first powerful glimpse of what games could be as they came of age. As an author and designer, Jensen brought her approach as a designer-writer hybrid to the forefront of game design, with an approach to developing environments through detailed research to make game settings come to life, an attention to mature dilemmas and complex character development, and an audience-driven vision for genres reaching beyond the typical market approaches of the gaming industry.

UK April 2017 • US April 2017 • 200 pages • 25 bw illus PB 9781501327469 • £16.99 / $24.95 • HB 9781501327452 • £54.00 / $80.00 Individual eBook 9781501327438 • £17.99 / $21.99 Library eBook 9781501327421 Series: Influential Video Game Designers • Bloomsbury Academic

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Edited by Michele Willson, Curtin University, Australia & Tama Leaver, Curtin University, Australia Adapted by adaptor

"This terrific and timely book is an invaluable guide to the profound ways in which gaming – in all its casual, mobile, and social glory – will never be the same again. Critical research for the rest of the (gaming) world has finally arrived." Gerard Goggin, Professor of Media and Communications, The University of Sydney, Australia With chapters discussing locative games, the new freemium economic model, and gamer demographics, as well as close studies of specific games (including Candy Crush Saga, Angry Birds, and Ingress), this collection offers an insight into the changing nature of games and the impact of mobile media.

UK August 2017 • US August 2017 • 288 pages • 20 bw illus PB 9781501320194 • £28.99 / $39.95 Previously published in HB 9781501310607 Individual eBook 9781501310584 • £17.99 / $21.99 Library eBook 9781501310577 Bloomsbury Academic

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Witness to Phenomenon

People, Politics, and Power

Group ZERO and the Development of New Media in Postwar European Art

Jenn Brandt, High Point University, USA & Callie Clare, Siena Heights University, USA Adapted by adaptor

Joseph D. Ketner II, Emerson College, USA Adapted by adaptor

What is popular culture? Why study popular culture in an academic context? In situating popular culture as lived experience through the practice of everyday life, the authors divide the text in three sections—myth, identity, and community—to broaden the understanding of culture beyond a focus on media texts, taking an interdisciplinary approach to analyze American culture, its rituals, beliefs, and the objects that shape its existence. This approach to the field of study explores all matters of culture in a way that is accessible and relevant to individuals in and outside of the classroom in depth.

UK January 2018 • US January 2018 • 288 pages PB 9781501320576 • £19.99 / $29.95 • HB 9781501320583 • £80.00 / $120.00 Individual eBook 9781501320590 • £20.99 / $25.99 Library eBook 9781501320569 Bloomsbury Academic

The History of the Provincial Press in England Rachel Matthews, Coventry University, UK Adapted by adaptor

Regional newspapers around the globe are fighting to survive in the face of challenges to their economic model, due to the constant influx of new technology. By focusing on provincial English newspapers, author Rachel Matthews makes the case for the larger issue of the future of local newspapers worldwide by categorizing four distinct stages: the local newspaper as opportunistic creation; the characterization of the local newspaper as fourth estate; the impact of New Journalism; the growth of chain control, the shock of the free paper and new technology and finally, the current picture, the search for a new business model.

UK May 2017 • US May 2017 • 256 pages • 4 bw illus PB 9781441162304 • £23.99 / $29.95 • HB 9781441156037 • £96.00 / $120.00 Individual eBook 9781441156464 • £20.99 / $25.99 Library eBook 9781441100160 Bloomsbury Academic

Media Control

Witness of Phenomenon articulates a fresh examination of the German Group Zero—Heinz Mack, Otto Piene, and Günter Uecker—and other new tendency artists, who rejected painting and introduced new art media in postwar Europe. They transformed the visual arts from the inanimate objet d’art to a sensory experience by adopting the ascendant philosophy of Phenomenology as their conceptual foundation. Drawing from a decade of research on unpublished archives of the artists and critics of this period, this publication positions Group ZERO as a catalytic art moment in the transition from modern to contemporary art.

MEDIA STUDIES

An Introduction to Popular Culture in the US

UK December 2017 • US December 2017 • 304 pages • 100 bw illus HB 9781501331176 • £102.00 / $130.00 Individual eBook 9781501331190 • £93.99 / $116.99 Library eBook 9781501331183 Series: International Texts in Critical Media Aesthetics • Bloomsbury Academic

Skepticism Films Knowing and Doubting the World in Contemporary Cinema Philipp Schmerheim, University of Bremen, Germany Adapted by adaptor

“Through an intensive application of the work of Stanley Cavell, David Bordwell, Gilles Deleuze, Thomas Elsaesser, and others, the author peels back the layers of these well-known films to reveal alternative thought systems that would not at first occur to even the most sophisticated viewer. A plethora of well-chosen frame grabs illuminates the text. Thoughtful and intriguing, this entry in Bloomsbury’s new 'Thinking Media' series will amply repay close attention. Summing Up: Recommended. Graduate students, researchers, faculty, professionals.” CHOICE UK June 2017 • US June 2017 • 352 pages • 100 bw illus PB 9781501320149 • £24.99 / $39.95 Previously published in HB 9781501310973 Individual eBook 9781501310980 • £27.99 / $34.99 Library eBook 9781501310997 Series: Thinking Media • Bloomsbury Academic

News as an Institution of Power and Social Control Robert E. Gutsche, Jr., Florida International University, USA Adapted by adaptor

“In contrast to books on modern media that examine control of media by financial elites and corporations, Gutsche's important study provides a rare look at how media collaborate with power elites in order to maintain social control … He builds his study on theory developed by cultural studies scholars Stuart Hall and James Carey and critical studies media scholar Robert McChesney … His analyses of the local media are helpful as a starting point for understanding the role of newspapers and radio and television stations sprinkled throughout the US. Summing Up: Recommended. Lower-division undergraduates through faculty and professionals; general readers.” CHOICE UK April 2017 • US April 2017 • 400 pages • 10 bw illus PB 9781501320132 • £28.99 / $39.95 Previously published in HB 9781628922967 Individual eBook 9781628922950 • £27.99 / $34.99 Library eBook 9781628922943 Bloomsbury Academic

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13

MEDIA STUDIES

Controversies in Digital Ethics

Film and Video Intermediality

Edited by Amber Davisson, Keene State College, USA & Paul Booth, DePaul University, USA

The Question of Medium Specificity in Contemporary Moving Images

Adapted by adaptor

Controversies in Digital Ethics offers multiple perspectives on the ways that digital technology and new media have changed contemporary ethical frameworks. Through both theoretical examination as well as specific case studies, the essays provide a vigorous examination of ethics in a highly individualistic and mediated world. The editors bring together multiple writers working from different ethical frameworks to represent the multiplicity of ethical thinking in the 21st century.

Accessible for students, but with robust analysis to provide contemporary scholarship in media ethics, this is the first and only collection to unite theory, case studies, and practice within one volume.

UK August 2017 • US August 2017 • 320 pages PB 9781501320200 • £28.99 / $39.95 Previously published in HB 9781501310560 Individual eBook 9781501310546 • £17.99 / $21.99 Library eBook 9781501310539 Bloomsbury Academic

Live Cinema Cultures, Economies, Aesthetics Edited by Sarah Atkinson, King's College, London, UK & Helen W. Kennedy, University of Brighton, UK Adapted by adaptor

Live Cinema provides new insights and conceptualisations into the spaces, bodies, technologies, temporalities and textualities of live cinema experiences. Including work into outdoor screenings, driveins, sing-a-longs, sensory augmentations, fully immersive experiences and event-led distribution, the contributions span the independent to the mainstream, capturing the over-arching current state-of-thefield, as well as offering unique and in-depth insights into the various manifestations of live cinema economies and cultures.

UK December 2017 • US December 2017 • 304 pages • 40 bw illus HB 9781501324833 • £102.00 / $130.00 Individual eBook 9781501324857 • £93.99 / $116.99 Library eBook 9781501324864 Bloomsbury Academic

Janna Houwen, Leiden University, The Netherlands Adapted by adaptor

In Film and Video Intermediality, Janna Houwen innovatively rewrites the concept of medium specificity in order to answer the questions “what is meant by video?” and “what is meant by film?” How are these two media (to be) understood? How can film and video be defined as distinct, specific media? In this era of mixed moving media, it is vital to ask these questions precisely and especially on the media of video and film. Mapping the specificity of film and video is indispensable in analyzing and understanding the many contemporary intermedial objects in which film and video are mixed or combined.

UK July 2017 • US July 2017 • 344 pages • 8 bw illus HB 9781501320972 • £102.00 / $130.00 Individual eBook 9781501320989 • £93.99 / $116.99 Library eBook 9781501320996 Bloomsbury Academic

Phase Media Space, Time and the Politics of Smart Objects James Ash, Newcastle University, UK Adapted by adaptor

In Phase Media, James Ash theorizes how smart objects, understood as Internet-connected and sensor-enabled devices, are altering users’ experiences of their environments. Rather than networks connected by lines of transmission, smart objects generate phases, understood as space-times that modulate the spatio-temporal intelligibility of both humans and non-humans. Examining a range of objects and services and drawing upon the work of Martin Heidegger, Gilbert Simondon, and Bruno Latour, Ash develops a conceptual vocabulary to contend that smart objects do more than just enable a world of increased corporate control and surveillance: they also provide the tools to expose and re-order the very logics and procedures that created them.

UK December 2017 • US December 2017 • 208 pages HB 9781501335600 • £96.00 / $120.00 Individual eBook 9781501335617 • £86.99 / $107.99 Library eBook 9781501335624 Bloomsbury Academic

Secular Magic and the Moving Image Mediated Forms and Modes of Reception Max Sexton, University of Surrey, UK Adapted by adaptor

Secular magic and the moving image have a history of affinity. Max Sexton attempts to determine the influence and status of secular magic within its various complex modes of delivery in contemporary cinema and on television, and to discover the interstices between them. Sexton provides a grounding in understanding magic's role as entertainment and spectacle, and offers a range of examples from the 2006 films The Illusionist and The Prestige, to Penn and Teller on TV, to the real-time magic of street performers, such as David Blaine and Dynamo.

UK December 2017 • US December 2017 • 192 pages HB 9781501320934 • £96.00 / $120.00 Individual eBook 9781501320965 • £86.99 / $107.99 Library eBook 9781501320958 Bloomsbury Academic

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On the Couch with Lucy, Basil and Kimmie D.T. Klika, Middlesex University, UK

The Comic Event Comedic Performance from the 1950s to the Present Judith Roof, Rice University, USA Adapted by adaptor

The Comic Event approaches comedy as dynamic phenomenon that involves the gathering of elements of performance, signifiers, timings, tones, gestures, previous comic bits, and other self-conscious structures into an “event” that triggers, by virtue of a “cut,” an expected/unexpected resolution. Using examples from mainstream comedy, The Comic Event progresses from the smallest comic moment—jokes, bits—to the more complex—caricatures, sketches, sit-coms, parody films, and stand-up routines. In seeing comedy as a gathering event, Roof creates a theory of comedy that explains the operation of a broad array of distinct comic occasions.

Adapted by adaptor

By putting the sitcom character on the analyst’s couch and closely examining the characters of Basil Fawlty, Lucy Ricardo and Kim from Australia’s Kath & Kim, D.T. Klika reveals the essential elements that must exist in a sitcom before even the first joke is written. Original in its approach Situation Comedy, Character and Psychoanalysis uncovers major findings about the sitcom as well as human behaviour and relationships that we find ‘arresting’ and even “familial”. It shines a light on what is at play in the sitcom that makes us laugh, and why we love the characters we do, only to discover that this form of comedy is more complex than we first thought.

MEDIA STUDIES

Situation Comedy, Character and Psychoanalysis

UK January 2018 • US January 2018 • 256 pages HB 9781501335723 • £96.00 / $120.00 Individual eBook 9781501335730 • £86.99 / $107.99 Library eBook 9781501335747 Bloomsbury Academic

UK January 2018 • US January 2018 • 224 pages • 12 bw illus HB 9781501327414 • £96.00 / $120.00 Individual eBook 9781501327391 • £86.99 / $107.99 Library eBook 9781501327384 Bloomsbury Academic

Newsworkers

News, Numbers and Public Opinion in a Data-Driven World

A Comparative European Perspective Henrik Örnebring, Karlstad University, Sweden Adapted by adaptor

Edited by An Nguyen, Bournemouth University, UK Adapted by adaptor

News, Numbers and Public Opinion examines only how data and statistics are gathered, used and represented in journalism, but also how they interact with individuals’ reasoning, knowledge acquisition and attitude formation in their public and private lives.

Even as the contributors interrogate these issues, they further explore what newsrooms and journalism schools can do to equip journalists with the essential knowledge and skills to competently assess and communicate statistics in today's data-driven world.

A comprehensive, must-read collection for anybody interested in researching the interplay between journalism, statistics and society.

UK December 2017 • US December 2017 • 240 pages • 10 bw illus HB 9781501330353 • £96.00 / $120.00 Individual eBook 9781501330360 • £86.99 / $107.99 Library eBook 9781501330377 Bloomsbury Academic

"This well-organized book reports the findings of an ambitious and thorough study of journalists in six European countries... It focuses on continuity and change in the technology, skills, autonomy, and professionalism of news people in these countries, using both quantitative and qualitative methods. It offers some unexpected insights, as well as support for previous studies, and should be of real value to anyone interested in European journalism." David H. Weaver, Distinguished Professor Emeritus of Journalism, Indiana University, USA UK November 2017 • US November 2017 • 272 pages PB 9781501338229 • £28.99 / $39.95 Previously published in HB 9781780931838 Individual eBook 9781780931845 • £94.99 / $102.99 Library eBook 9781780931852 Bloomsbury Academic

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33 1/3

33 1/3 Series editors: Kevin J. H. Dettmar, Pomona College, USA, Amanda Petrusich, New York University, USA, Gayle Wald, George Washington University, USA & Daphne Brooks, Princeton University, USA “The series is probably the most remarkable regular event in rock journalism today.” New York Times 33 1/3 is a series of short books about popular music, focusing on individual albums by a wide range of artists from Celine Dion to Neutral Milk Hotel. With over 100 volumes available, it has recently expanded to cover music from soundtracks and video game scores.

Arcade Fire’s The Suburbs Eric Eidelstein, Independent Scholar, USA Adapted by adaptor

The Suburbs made a heavy impact on fans and – to the surprise of many – won Album of the Year at the 2011 Grammy’s. Eric Eidelstein’s The Suburbs explores the weird, utopic recollection of youth represented in the album by comparing it to suburban scenes in film and television, such as Blue Velvet, Mad Men, The Americans, and Scenes from the Suburbs. Through the close examination of film depictions of the suburbs Eidelstein delves into the societal factors and artistic depictions that make the suburbs such a fascinating cultural construct, and uncovers why the album creates such a universal sense of reminiscence.

UK September 2017 • US September 2017 • 152 pages PB 9781501336461 • £11.99 / $14.95 Individual eBook 9781501336478 • £9.99 / $12.99 Library eBook 9781501336485 Series: 33 1/3 • Bloomsbury Academic

Bob Mould's Workbook Walter Biggins, Independent Scholar, USA & Daniel Couch, Chemeketa Community College, USA Adapted by adaptor

Workbook serves its title in two ways—as a map for musicians to follow into a new mode, and as a journal of Mould’s struggle toward adulthood.

It opens conversations about rock, identity, spirituality, authenticity, and the perils and promises of mainstream culture. Walter Biggins and Daniel Couch, two critics who grew up with Workbook, extend these conversations— through letters and emails to each other, and through correspondence with Mould and Workbook’s musicians and producers. That crosstalk leads to, through this seminal album, a deeper understanding of “alternative rock” at the moment of its inception, just before it took over the radio.

UK September 2017 • US September 2017 • 160 pages PB 9781501321351 • £9.99 / $14.95 Individual eBook 9781501321375 • £9.99 / $12.99 Library eBook 9781501321368 Series: 33 1/3 • Bloomsbury Academic

Björk's Homogenic Emily Mackay, Independent Scholar, UK Adapted by adaptor

In recent years, Björk’s artistry has become ever more ambitious and ever more respected.

The album that made all this possible, is 1997’s Homogenic, a turning point in Björk’s career and still among her finest musical achievements.

Produced under great strain, it moves beyond the stylistic magpie rush of Debut and the urbanophile future-pop of Post, to something darker, stronger and braver, full of dramatic assertions of independence, sharp, stuttering beats, rich strings and raw outbursts of noise. It created, as the Alexander McQueen designed sleeve clearly asserted, a new Björk, one who would never stop hunting.

UK October 2017 • US October 2017 • 160 pages PB 9781501322747 • £9.99 / $14.95 Individual eBook 9781501322754 • £9.99 / $12.99 Library eBook 9781501322730 Series: 33 1/3 • Bloomsbury Academic

Camp Lo's Uptown Saturday Night Patrick Rivers, University of New Haven, USA & William Fulton, LaGuardia Community College, USA Adapted by adaptor

As a tapestry of 1970s black popular culture, this volume details how the fantastic musical world of Uptown Saturday Night was borrowed from the films of that era—particularly the Sidney Poitier film from which the album’s name is derived—and positions the album as an essential example of Mark Anthony Neal’s post-soul aesthetic. The book is informed by interviews of Camp Lo, album producer Ski, autobiographical accounts by A&R/co-author Will Fulton, and musical and cultural analyses that details the development of the album and how its contents instigated a “remembering” of black culture.

UK September 2017 • US September 2017 • 160 pages PB 9781501322723 • £9.99 / $14.95 Individual eBook 9781501322709 • £9.99 / $12.99 Library eBook 9781501322693 Series: 33 1/3 • Bloomsbury Academic

The Pharcyde's Bizarre Ride II the Pharcyde Andrew Barker, Independent Scholar, USA Adapted by adaptor

As much an inner city cipher as a suburban boys gang, the foursome that made up The Pharcyde were the most relatable MCs to ever pass the mic.

Bizarre Ride II the Pharcyde represents the sound of four restless man-children fresh out of their teens, finding a perfect outlet in a form of music that was just as young and fertile. A touchstone for Kanye West, Drake, Lil B and a whole generation of off-center MCs, Bizarre Ride sketched out a whole strata of emotions that other rappers hadn't yet dared to tackle, and to a certain extent, still haven't.

UK May 2017 • US May 2017 • 152 pages PB 9781501321276 • £9.99 / $14.95 Individual eBook 9781501321290 • £9.99 / $12.99 Library eBook 9781501321283 Series: 33 1/3 • Bloomsbury Academic

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Jenn Pelly, Independent Scholar, USA Adapted by adaptor

"Rather than listening to them, I feel like I'm listening in on them," Kurt Cobain once wrote of The Raincoats' beloved 1979 self-titled record, a gem of classic post-punk that joyously embodied that era in sound and ideology. In this book, Jenn Pelly explores the brilliantly anti-commercial nature and D.I.Y. aesthetic of The Raincoats’ The Raincoats, and how the peculiar charms of this pioneering feminist punk band helped bolster the iconic Rough Trade label and ultimately create a timeless, almost spiritual music for Riot Grrrls, indie fanatics, and outsiders alike.

UK October 2017 • US October 2017 • 176 pages PB 9781501302404 • £9.99 / $14.95 Individual eBook 9781501302428 • £9.99 / $12.99 Library eBook 9781501302411 Series: 33 1/3 • Bloomsbury Academic

33 1/3 Japan Series editor: Noriko Manabe, Temple University, USA Part of the 33 1/3 Global series, the 33 1/3 Japan strand is devoted to in-depth examination of Japanese albums of the 20th and 21st centuries, spanning a range of genres including rock, J-pop, technopop and the music of classic anime series Cowboy Bebop.

Perfume's GAME Patrick St. Michel, Independent Scholar, Japan Adapted by adaptor

Released in 2008, J-pop trio Perfume’s GAME shot to the top of Japanese music charts and turned the Hiroshima trio into a household name across the country. It was also a high point for techno-pop, the genre’s biggest album since the heyday of Yellow Magic Orchestra. This collection of maximalist but emotional electronic pop stands as one of the style’s finest moments, with its influence still echoing from artists both in Japan and from beyond. This book examines Perfume’s underdog story as a group long struggling for success, the making of GAME, and the history of techno-pop that shaped it.

UK February 2018 • US February 2018 • 144 pages PB 9781501325908 • £18.00 / $22.95 • HB 9781501325892 • £64.00 / $80.00 Individual eBook 9781501325922 • £14.99 / $18.99 Library eBook 9781501325915 Series: 33 1/3 Japan • Bloomsbury Academic

Young Marble Giants' Colossal Youth Michael Blair, Independent Scholar, USA & Joe Bucciero, Independent Scholar, USA Adapted by adaptor

Welsh post-punk band Young Marble Giants released one LP and then, like their vanishing portraits on the album’s cover, disappeared. Yet their lasting appeal owes itself to the band’s singular approach to punk rock. Instead of using overt political ideologies, abrasive sounds, and antiestablishment appearances to rebel, Young Marble Giants used restraint, ambiguity, and silence, redefining the genre’s sense of rebellion. But where did these radical ideas come from?

By tracing Colossal Youth’s logistical, geographical, ideological, and 20th-century art historical origins, Colossal Youth is established as a brilliant record, a cult favorite, and a continuing influence on musicians today.

33 1/3 / POPULAR MUSIC

The Raincoats' The Raincoats

UK May 2017 • US May 2017 • 176 pages PB 9781501321146 • £9.99 / $14.95 Individual eBook 9781501321177 • £9.99 / $12.99 Library eBook 9781501321153 Series: 33 1/3 • Bloomsbury Academic

Supercell's Supercell featuring Hatsune Miku Keisuke Yamada, University of Pennsylvania, USA Adapted by adaptor

This book explores the circulatory culture of fan production and consumption, as embodied by Vocaloids (voice-synthesized virtual characters) and the DTM (desktop music) phenomena, through a close reading of Supercell (2009). This album features Hatsune Miku, the Vocaloid character. She is a virtual pop superstar, “singing” in over 100,000 songs uploaded by fans. The book examines these issues through the lenses of media and fan studies.

Supercell provides readers with a sense of how interactive new media and an empowered fan base combine to engage in the creation processes and enhance the circulation of DTM works.

UK August 2017 • US August 2017 • 128 pages • 1 bw illus PB 9781501325977 • £18.00 / $22.95 • HB 9781501325984 • £64.00 / $80.00 Individual eBook 9781501325946 • £14.99 / $18.99 Library eBook 9781501325960 Series: 33 1/3 Japan • Bloomsbury Academic

Yoko Kanno's Cowboy Bebop Soundtrack Rose Bridges, University of Texas-Austin, USA Adapted by adaptor

Cowboy Bebop is one of the most beloved anime series of all time, and if you ask its fans why, you can expect to hear about its music. Composer Yoko Kanno created an eclectic blend of jazz, rock, lullabies, folk and funk (to list just a few) for Cowboy Bebop's many moods and environments. This volume places the music in context of Kanno's larger body of work and analyzes how the music tells Spike, Faye, Jet and the rest of the crew's stories.

Cowboy Bebop and its music are like nothing else, and they deserve a guide to match.

UK November 2017 • US November 2017 • 128 pages PB 9781501325854 • £18.00 / $22.95 • HB 9781501325847 • £64.00 / $80.00 Individual eBook 9781501325878 • £14.99 / $18.99 Library eBook 9781501325861 Series: 33 1/3 Japan • Bloomsbury Academic

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POPULAR MUSIC

Tim Maia's Tim Maia Racional Vols. 1 & 2 Allen Thayer, Independent Scholar, USA

Nothing Has Been Done Before Seeking the New in 21st-Century American Popular Music

Adapted by adaptor

At the height of Tim Maia’s soaring fame, he joined a radical, extraterrestrial-obsessed cult and created two plus albums of some of Brazil’s—and the globe’s—best funk and soul music. Allen Thayer explores this strange, brief, yet incredibly prolific period of Maia’s life wherein the reigning soul and funk artist of Brazil produced two albums, an EP, and a recently unearthed tape containing funky jams laced with spiritual content and scripture.

This book will explore the career of the man often hailed as the James Brown or Barry White of Brazil, and the time of his radical transformation.

UK February 2018 • US February 2018 • 144 pages PB 9781501321535 • £18.00 / $22.95 • HB 9781501321528 • £64.00 / $80.00 Individual eBook 9781501321559 • £14.99 / $18.99 Library eBook 9781501321542 Series: 33 1/3 Brazil • Bloomsbury Academic

Robert Loss, Columbus College of Art and Design, USA Adapted by adaptor

Nothing Has Been Done Before instigates a fresh debate about music released since turn of the millennium: an era of repurposing, hyperconsumerism, and technology. The book follows a diverse cast of musicians as they seek the new, from the dusty roads of Bob Dylan's Love and Theft to the glamorous pop spectacle of the American Wow; from Kanye West's gilded techno-futurism to a Guided

By Voices tribute concert in a local dive bar. Nothing Has Been Done Before is a counter-orthodoxy to current music criticism and the perception of music as merely a product, arguing for a revitalized understanding of popular music.

UK November 2017 • US November 2017 • 256 pages PB 9781501322020 • £22.99 / $27.95 • HB 9781501322037 • £72.00 / $90.00 Individual eBook 9781501322044 • £19.99 / $24.99 Library eBook 9781501322013 Series: Alternate Takes: Critical Responses to Popular Music • Bloomsbury Academic

Beyond No Future Cultures of German Punk Edited by Cyrus M. Shahan, Colby College, USA, Seth Howes, University of Missouri, USA & Mirko M. Hall, Converse College, USA Adapted by adaptor

"This book does a wonderful job of both contextualizing punk’s place within German history and showing how punk musicians worldwide have engaged with German history and politics."

Priscilla D. Layne, Assistant Professor of German, University of North Carolina at Chapel Hill, USA Beyond No Future examines German punk’s representational strategies, anti-historical consciousness, and refusal of programmatic intervention into contemporary political debates. Focusing on punk politics and aesthetics in order to ask questions about German nationhood(s) in a period of rapid transition, these essays offers a unique view of the decade bookended by the “German Autumn” and German unification.

UK March 2018 • US March 2018 • 224 pages • 10 bw illus PB 9781501314124 • £24.99 / $39.95 Previously published in HB 9781501314087 Individual eBook 9781501314100 • £86.99 / $107.99 Library eBook 9781501314117 Bloomsbury Academic

The Clash Takes on the World Transnational Perspectives on The Only Band that Matters Edited by Samuel Cohen, University of Missouri, USA & James Peacock, Keele University, UK Adapted by adaptor

On their debut, The Clash famously claimed to be “bored with the USA,” but The Clash wasn’t a parochial record. Mick Jones’ licks on songs such as “Hate and War” were heavily influenced by classic American rock and roll, and the cover of Junior Murvin’s reggae hit “Police and Thieves” showed that the band’s musical influences were already wideranging. The Clash Takes on the World explores the transnational aspects of The Clash’s music, lyrics and politics, and it does so from a truly transnational perspective.

UK June 2017 • US June 2017 • 288 pages HB 9781501317330 • £96.00 / $120.00 Individual eBook 9781501317354 • £86.99 / $107.99 Library eBook 9781501317347 Bloomsbury Academic

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The Late Voice Time, Age and Experience in Popular Music Richard Elliott, Newcastle University, UK Adapted by adaptor

“Engagingly written, carefully thought through, and characterised by exemplary scholarship, Richard Elliott’s book navigates with great elegance some complex theoretical waters.

Through a selection of rich case studies, Elliott offers a powerful contribution to a growing body of work on ageing, nostalgia, and memory, particularly in relation to music.” - Freya Jarman, Senior Lecturer, Department of Music, University of Liverpool, UK The Late Voice seeks to connect age, experience and lateness with particular performers and performance traditions via the identification and analysis of a late voice in singers and songwriters of mid-late 20th-century popular music.

UK May 2017 • US May 2017 • 296 pages PB 9781501332142 • £24.99 / $39.95 Previously published in HB 9781628921182 Individual eBook 9781628920642 • £27.99 / $34.99 Library eBook 9781628920833 Bloomsbury Academic

Dylan's Autobiography of a Vocation A Reading of the Lyrics 1965-1967 Louis A. Renza, Dartmouth College, USA Adapted by adaptor

Many critics have interpreted Bob Dylan’s lyrics in the context of American folk, blues, and rock 'n’ roll, social, political and cultural relevance, or their status for discussion as “poems.” Dylan's Autobiography of a Vocationinstead focuses on how Dylan’s songs manifest traces of his ongoing, internal “autobiography” in which he continually declares and questions his relation to a self-determined existential summons. Louis Renza explores all of Bob Dylan’s lyrics composed during what many critics consider Dylan's most creative period, between 1965 and 1969, and places them in the context of Dylan's own life.

UK October 2017 • US October 2017 • 208 pages HB 9781501328527 • £96.00 / $120.00 Individual eBook 9781501328541 • £86.99 / $107.99 Bloomsbury Academic

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Music and the Road

Popular Music and English Identities

Essays on the Interplay of Music and the Popular Culture of the American Road

Edited by Lee Brooks, Mark Donnelly & Richard Mills, St Mary's University, Twickenham, UK Adapted by adaptor

Mad Dogs and Englishness connects English popular music with questions about English national identities, featuring essays that range across folk music, Bowie and Burial, to PJ Harvey, Bishi and Tricky. This book’s expert contributors use trans-national and transdisciplinary perspectives to provide historical and contemporary commentaries about pop’s complex relationships with Englishness.

Each chapter is based on original research, and the essays comprise the best single volume available on pop and the English imaginary.

UK October 2017 • US October 2017 • 224 pages HB 9781501311253 • £96.00 / $120.00 Individual eBook 9781501311277 • £86.99 / $107.99 Library eBook 9781501311260 Bloomsbury Academic

Over and Over Exploring Repetition in Popular Music Edited by Olivier Julien, Universite ParisSorbonne, France & Christophe Levaux, Université de Liège, Belgium Adapted by adaptor

The first edited volume on repetition in 20th- and 21st-century popular music, Over and Over explores the wide-ranging forms and use of repetition — from large repetitive structures to micro repetitions, and even to drones — in relation to both specific and large-scale issues and contexts. After decades of riffs, loops, vamps, reiterated rhythmic patterns, pervasive harmonic formulae and recurring structural units in standardised song forms, Over and Over gives these notions the recognition they deserve in the study of popular music.

UK March 2018 • US March 2018 • 192 pages HB 9781501324888 • £88.00 / $110.00 Individual eBook 9781501324901 • £79.99 / $98.99 Library eBook 9781501324895 Bloomsbury Academic

Gordon E. Slethaug, University of Waterloo, Canada Adapted by adaptor

In a collection of 13 essays, Music and the Road explores the origins of road music in the blues, country-western, and rock ’n’ roll; the themes of adventure, freedom, mobility, camaraderie, and love, and much more in this music; the mystique and reality of touring as an important part of getting away from home, creating community among performers, and building audiences across the country from the 1930s to the present; and the contribution of music to popular road films such as Bonnie and Clyde, Easy Rider, Thelma and Louise, and On the Road.

UK November 2017 • US November 2017 • 288 pages HB 9781501335266 • £96.00 / $120.00 Individual eBook 9781501335273 • £86.99 / $107.99 Library eBook 9781501335280 Bloomsbury Academic

Music/Video Histories, Aesthetics, Media Edited by Gina Arnold, Evergreen State College, USA, Daniel Cookney, University of Salford, UK, Kirsty Fairclough, University of Salford, UK & Michael N. Goddard, University of Westminster, UK Adapted by adaptor

This collection presents a comprehensive account of the music video from a contemporary 21st-century perspective. This entails revisiting key moments in the canonical history of the music video, exploring its articulations of sexuality and gender, examining its functioning as a form of artistic expression between music, film and video art, and following the music video’s dissemination into the digital domain, considering how digital media and social media have come to re-invent the forms and functions of the music video, well beyond the limits of “music television”.

POPULAR MUSIC / MUSIC, MEDIA & TECHNOLOGY

Mad Dogs and Englishness

UK August 2017 • US August 2017 • 328 pages • 22 bw illus PB 9781501313912 • £23.99 / $29.95 • HB 9781501313905 • £88.00 / $120.00 Individual eBook 9781501313936 • £20.99 / $25.99 Library eBook 9781501313929 Bloomsbury Academic

This is Not a Remix Piracy, Authenticity and Popular Music Margie Borschke, Macquarie University, Australia Adapted by adaptor

Widespread distribution of recorded music via digital networks affects more than just business models and marketing strategies; it also alters the way we understand recordings, scenes and histories of popular music culture. This Is Not a Remix uncovers the analog roots of digital practices and brings the long history of copies and piracy into contact with contemporary controversies about the reproduction, use and circulation of recordings on the internet.

UK August 2017 • US August 2017 • 192 pages PB 9781501318924 • £19.99 / $24.95 • HB 9781501318917 • £64.00 / $80.00 Individual eBook 9781501318948 • £17.99 / $21.99 Library eBook 9781501318931 Bloomsbury Academic

Critical Approaches to the Production of Music and Sound Samantha Bennett, The Australian National University, Australia & Eliot Bates, University of Birmingham, UK Adapted by adaptor

Who produces sound and music? And in what spaces, localities and contexts? As the production of sound and music in the 21st century converges with multimedia, these questions are critically addressed in this new edited collection by Samantha Bennett and Eliot Bates. Critical Approaches to the Production of Music and Sound features 16 brand new articles by leading thinkers from the fields of music, audio engineering, anthropology and media. Innovative and timely revisits established themes such as record production and the construction of genre with new perspectives, as well as exploring issues in cultural and virtual production.

UK December 2017 • US December 2017 • 256 pages • 10 bw illus HB 9781501332050 • £96.00 / $120.00 Individual eBook 9781501332067 • £86.99 / $107.99 Library eBook 9781501332081 Bloomsbury Academic

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SOUND STUDIES & SOUND ART

Audio Culture, Revised Edition Readings in Modern Music Edited by Christoph Cox, Hampshire College, USA & Daniel Warner, Hampshire College, USA

The Study of Sound Series editor: Michael Bull, University of Sussex, UK Each book in The Study of Sound series offers a concise look at a single concept within the field of sound studies, with an emphasis on the interdisciplinary nature of the topics at hand.

Adapted by adaptor

The groundbreaking Audio Culture: Readings in Modern Music maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. In this new and expanded edition, Audio Culture explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno via writings by philosophers, cultural theorists, and composers.

UK September 2017 • US July 2017 • 664 pages PB 9781501318368 • £31.99 / $39.95 • HB 9781501318351 • £102.00 / $130.00 Individual eBook 9781501318382 • £27.99 / $34.99 Library eBook 9781501318375 Bloomsbury Academic

Sirens Michael Bull, University of Sussex, UK Adapted by adaptor

Ideologies of the sirens embody both the protective and the dangerous elements of siren sounds—from the Cold War public training exercises in the US to the seductive power of the sirens entrenched in popular culture; from the music of Roxy Music to Tom O’Dell and in filmic representations of the ‘femme-fatale’ in film noir and beyond. This first volume in The Study of Sound series argues that we should understand ‘siren sounds’ both as myth and as materiality embodying both danger and protectiveness. Sirens then poses the question as to whether we can rely on the sirens in contemporary culture.

UK July 2018 • US July 2018 • 176 pages PB 9781501304996 • £19.99 / $24.95 • HB 9781501305009 • £60.00 / $75.00 Individual eBook 9781501305023 • £17.99 / $21.99 Library eBook 9781501305016 Series: The Study of Sound • Bloomsbury Academic

The Sound of Nonsense Richard Elliott, Newcastle University, UK Adapted by adaptor

The Sound of Nonsense highlights the importance of sound in understanding the ‘nonsense’ of writers such as Lewis Carroll, Edward Lear, James Joyce and Mervyn Peake, before connecting this noisy writing to works which engage more directly with sound, including sound poetry, experimental music and pop. By emphasizing sonic factors, Richard Elliott makes new and fascinating connections between a wide range of artistic examples to ultimately build a case for the importance of sound in creating, maintaining and disrupting meaning.

UK December 2017 • US December 2017 • 160 pages PB 9781501324543 • £19.99 / $24.95 • HB 9781501324550 • £50.00 / $75.00 Individual eBook 9781501324567 • £17.99 / $21.99 Library eBook 9781501324574 Series: The Study of Sound • Bloomsbury Academic

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The Sonic Persona

Caleb Kelly, University of New South Wales, Australia

An Anthropology of Sound

Adapted by adaptor

Increasingly, sound is deliberately placed into art exhibitions—from video art to floor talks, from performance to cash registers, sound fills the exhibition environment. Yet sound is a phenomenon that inevitably confounds boundaries, forever bleeding through walls and encroaching into other spaces. To date there has been minimal scholarship regarding sound within the bounds of the purportedly visual art gallery, and Gallery Sound aims to address this gap in knowledge. This book will listen to the deliberate inclusion of sound as well as the incidental sounds that have been mined for creative outputs in visual art.

UK August 2017 • US August 2017 • 176 pages • 11 bw illus PB 9781501304361 • £22.99 / $27.95 • HB 9781501304378 • £72.00 / $90.00 Individual eBook 9781501304392 • £19.99 / $24.99 Library eBook 9781501304385 Series: EX:CENTRICS • Bloomsbury Academic

The Process That Is the World Cage/Deleuze/Events/Performances Joe Panzner, Ohio State University, USA Adapted by adaptor

“This book is a dazzling achievement; Joe Panzner shows how Cage’s ideas are in dialogue with continental philosophy and, in so doing, offers important new perspectives on his work, its performance, and its overall significance.” Rob Haskins, Professor, University of New Hampshire, USA The vision of John Cage that emerges in this study is not just of the maverick composer or “inventor of genius,” but of a thinker responding to important insights about the world-as-process as it extends through the philosophical, artistic, and ethical registers: the world as potential for variance and permanent revolution.

UK June 2017 • US June 2017 • 240 pages PB 9781501334283 • £28.99 / $39.95 Previously published in HB 9781628925715 Individual eBook 9781628925739 • £27.99 / $34.99 Library eBook 9781628925722 Bloomsbury Academic

Holger Schulze, Humbolt University, Germany Adapted by adaptor

The Sonic Persona undertakes a critical study of some of the most influential studies in sound since the 19th century in the natural sciences, engineering and architectural theory. From this critique of recent sound theories and their anthropological concepts, Holger Schulze develops an alternate and more plastic and visceral framework for research in the field of a cultural anthropology of sounding and listening. With Schulze's anthropology of sound, the individual sonic persona is to be heard in dynamic and generative tension between predetermined auditory dispositives, miniaturized sound practices and its idiosyncratic sensory body: a critique of the senses.

UK February 2018 • US February 2018 • 320 pages PB 9781501305450 • £27.99 / $34.95 • HB 9781501305467 • £96.00 / $120.00 Library eBook 9781501305481 Bloomsbury Academic

SOUND STUDIES & SOUND ART

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Immanence and Immersion On the Acoustic Condition in Contemporary Art Will Schrimshaw, Edge Hill University, UK Adapted by adaptor

Immanence and Immersion takes a critical approach to the figures of immersion and interiority describing an acoustic condition in contemporary art. The variously phenomenological, correlational and mystical positions that support the predominance of the immersive are subject to critique before suggesting that a stronger distinction between the often confused concepts of immersion and the immanence might serve as a means of breaking with the figure of immersion and the circle of interiority towards attaining greater conceptual potency and epistemological efficacy within the sonic arts.

UK October 2017 • US October 2017 • 208 pages HB 9781501315855 • £96.00 / $120.00 Individual eBook 9781501315879 • £86.99 / $107.99 Library eBook 9781501315862 Bloomsbury Academic

Low End Theory Bass, Bodies and the Materiality of Sonic Experience Paul C. Jasen, Carleton University, Canada Adapted by adaptor

“We live in a world of vibrations. Sound envelops us, moves us, caresses or assaults us—especially in the lower frequencies that we cannot hear directly. In Low End Theory, Paul Jasen provides us with an ontology of bass. He works through the many ways— natural, social, and technological—that subsonic frequencies haunt us, affect us, and change us.” Steven Shaviro, DeRoy Professor of English, Wayne State University, USA Low End Theory asks what it is about bass that has always fascinated us. How does bass undulate and unsettle, incite, and draw bodily thought into new equations with itself and its surroundings?

UK August 2017 • US August 2017 • 296 pages PB 9781501335914 • £28.99 / $39.95 Previously published in HB 9781501309939 Individual eBook 9781501309953 • £86.99 / $107.99 Library eBook 9781501309946 Bloomsbury Academic

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MAJOR REFERENCE WORKS

Adaptations Three-Volume Set Edited by Deborah Cartmell, De Montfort University, UK & Imelda Whelehan, University of Tasmania, Australia The first major reference work on adaptations, compiled by two of the most prominent scholars in the field.

This reference resource brings together over 75 landmark texts in adaptation studies. Volume One covers the history of adaptation studies, by plotting the ‘prehistory’ of the field, beginning with Vachel Lindsay’s classic Art of the Moving Picture (1915), through to some of the most important critical and theoretical interventions up until the 1990s. Volume Two collects essays from the last 25 years, charting the process of critical and theoretical maturation. Volume Three covers key case studies, such as Christine Geraghty’s take on adapting Westerns and Ian Inglis’ understanding of the transformation of music into movies.

UK June 2018 • US May 2018 • 3 vols. • 1, 248 HB Set 9781501315404 • £495.00 / $669.00 Special introductory price of £445.00 / $600.00 available until 3 months after publication Series: Critical and Primary Sources Bloomsbury Academic Available for Sale: World English

Animation Four-Volume Set Edited by Chris Pallant, Canterbury Christ Church University, UK This is a multi-volume reference work that brings together seminal writings on animation studies.

Gathering historical and contemporary texts from a wide-ranging number of sources, the volumes provide a key resource in understanding and studying the past and future directions of animation studies. The four volumes thematically trace animation studies from its many definitions, to the institutional nature of animation production, to establishing greater space within animation discourse for the consideration of broadcast and interactive animation.

UK May 2018 • US April 2018 • 4 vols. • 1,664 HB Set 9781501305757 • £660.00 / $890.00 Special introductory price of £595.00 / $804.00 available until 3 months after publication Series: Critical and Primary Sources Bloomsbury Academic Available for Sale: World English

South Korean Film Three-Volume Set Edited by Hyon Joo Yoo, The University of Vermont, USA South Korean Film: Critical and Primary Sources is a reference collection representing three distinct phases in the development of South Korean national cinema. Volume I covers the “Golden Age”, referring to the cinematic era that covers the post-Korean War period from 1955 to 1972. Volume II comprises the phase that produced what critics sum up as New Korean Cinema produced since the 1990s, and which has led to the commercial and critical success of recent South Korean cinema. Volume III, while continuing the thematic and stylistic development distinct in New Korean Cinema, calls for a new epochal conceptualization that emphasizes South Korean film’s global location.

UK August 2018 • US July 2018 • 3 vols. • 1,248 HB Set 9781501322617 • £495.00 / $669.00 Special introductory price of £445.00 / $600.00 available until 3 months after publication Series: Critical and Primary Sources Bloomsbury Academic Available for Sale: World English

22

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OBJECTLESSONS Explore the hidden lives of ordinary things

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Bloomsbury Academic Collections Bloomsbury Academic Collections reissues classic titles from the historic and extensive backlist of Bloomsbury’s numerous imprints.

Film Studies: European Cinema - Bloomsbury Academic Collections Seven-Volume Set This set focuses on the development of European cinema throughout the last century. The seven facsimiles are chosen from our imprints Cassell and Continuum and offer a broad variety of viewpoints. Focusing on more than just the analysis of film, these titles range from the impact of gender and nationhood on filmmaking to the importance and influence of production and distribution. All titles are available as a set or as individual volumes.

UK October 2016 • US October 2016 • 7 vols. • 1,968 pages HB set 9781474293143 • £525.00 / $707.00 Series: Film Studies: Bloomsbury Academic Collections Bloomsbury Academic All individual volumes £75.00 / $101.00

TITLE

AUTHOR/EDITOR

HARDBACK

LIBRARY EBOOK

Brief Encounters: Lesbians and Gays in British Cinema 1930 - 1971

Stephen Bourne

9781474291330

9781474291347

Cinema and the Second Sex: Women's Filmmaking in France in the 1980s and 1990s

Carrie Tarr with Brigitte Rollet

9781474290777

9781474290784

Dissolving Views: Key Writings on British Cinema

Andrew Higson

9781474290647

9781474290654

Gaslight Melodrama: From Victorian London to 1940s Hollywood

Guy Barefoot

9781474290357

9781474290364

Heroines without Heroes: Reconstructing Female and National Identities in European Cinema, 1945-1951

Ulrike Sieglohr

9781474287913

9781474287920

Straight Acting: Popular Gay Drama from Wilde to Rattigan

Sean O'Connor

9781474288279

9781474288286

The State of European Cinema: A New Dose of Reality

Angus Finney

9781474290708

9781474290715

Film Studies: World Cinema - Bloomsbury Academic Collections Six-Volume Set This facsimile collection presents classic titles from our imprints Ungar, Cassell and Continuum and focuses on world cinema. The six titles explore the influence of literature and music on film as well as global distribution, gender and sexuality, and the influence of film on national and cultural identity. All titles are available as a set or as individual volumes.

UK October 2016 • US October 2016 • 6 vols. • 1,792 pages HB set 9781474293136 • £450.00 / $606.00 Series: Film Studies: Bloomsbury Academic Collections Bloomsbury Academic All individual volumes £75.00 / $101.00

24

TITLE

AUTHOR/EDITOR

HARDBACK

LIBRARY EBOOK

American History/American Film: Interpreting the Hollywood Image

John E. O'Connor and Martin A. Jackson

9781474281898

9781474281904

Cinema's Illusions, Opera's Allure: The Operatic Impulse in Film

David Schroeder

9781474291422

9781474291415

Daughters of Desire

Shameem Kabir

9781474290470

9781474290487

Screening the Novel: Rediscovered American Fiction in Film

Gabriel Miller

9781474291620

9781474291637

The Screening of America: Movies and Values from Rocky to Rain Man

Tom O'Brien

9781474287975

9781474287982

Transatlantic Crossings: British Feature Films in the USA

Sarah Street

9781474290678

9781474290685

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Clash Takes on the World, The................. 18

Global Genres, Local Films........................ 8

Adaptations........................................ 22

Cohen, Samuel.................................... 18

Goddard, Michael N............................... 19

Aesthetics of Displacement....................... 7

Comic Event, The................................. 15

Grace of Destruction, The......................... 6

Alternate Reality Games and the Cusp of Digital Gameplay.............................. 12

Connor, J.D......................................... 11

Greven, David....................................... 5

Controversies in Digital Ethics................. 14

Gulino, Paul........................................ 11

Animation.......................................... 22

Cookney, Daniel................................... 19

Gutsche, Jr., Robert E............................ 13

Animation – Process, Cognition and Actuality............................................. 9

Couch, Daniel...................................... 16

H

Arcade Fire’s The Suburbs....................... 16

Cox, Christoph..................................... 20

Arnold, Gina....................................... 19

Critical Approaches to the Production of Music and Sound............................... 19

Asava, Zélie.......................................... 8

Crossover Stardom.................................. 3

Ash, James......................................... 14 Atkinson, Sarah.................................... 14

D

Audio Culture, Revised Edition................. 20

Darren Aronofsky’s Films and the Fragility of Hope.................................... 2

Avarese, John...................................... 11

Davies Hayon, Kaya................................. 6

B

Davisson, Amber................................... 14

Barker, Andrew.................................... 16

del Rio, Elena........................................ 6

Barnett, Daniel...................................... 3

Denison, Rayna.................................... 10

Barnwell, Jane.................................... 11

Dillon, Mike.......................................... 8

Bates, Eliot........................................ 19

Divine Work, Japanese Colonial Cinema and its Legacy....................................... 7

Beatles on Screen, The............................ 3 Bennett, Samantha............................... 19 Beyond No Future................................. 18

Dobson, Nichola................................... 10 Donnelly, Mark..................................... 19

Hall, Mirko M....................................... 18 Harlap, Itay.......................................... 8 History of Italian Cinema, A...................... 6 History of the Provincial Press in England, The................................... 13 Hollywood and the Baby Boom................... 8 Hollywood Math and Aftermath................ 11 Horror Film.......................................... 3 Houwen, Janna.................................... 14 Howes, Seth....................................... 18

I Immanence and Immersion...................... 21 Introduction to Popular Culture in the US, An...................................... 13 Italian Style.......................................... 7

Dwyer, Tessa......................................... 5

J

Dylan’s Autobiography of a Vocation.......... 18

Jane Jensen........................................ 12

Blair, Michael...................................... 17

E

Jasen, Paul C...................................... 21

Bob Mould’s Workbook........................... 16

Eidelstein, Eric.................................... 16

Body in Contemporary Maghrebi Cinemas, The........................................ 6

Elliott, Richard................................18, 20

Biggins, Walter.................................... 16 Björk’s Homogenic................................ 16

Bollywood in Britain................................ 9 Bondanella, Peter................................... 6 Booth, Paul......................................... 14 Borschke, Margie.................................. 19 Bozung, Justin....................................... 2 Brandt, Jenn....................................... 13 Bridges, Rose...................................... 17

Exploiting East Asian Cinemas.................... 8

F Fairclough, Kirsty................................. 19 Film and Video Intermediality.................. 14 Film Music in ‘Minor’ National Cinemas........ 7 Film Studies: European Cinema - Bloomsbury Academic Collections............ 24

Jeong, Seung-hoon.................................. 2 Jermyn, Deborah.................................... 2 Jones, Matthew..................................... 3 Julien, Olivier..................................... 19

K Kelly, Caleb........................................ 21 Kennedy, Helen W................................. 14 Ketner II, Joseph D............................... 13 Klika, D.T........................................... 15

Brooks, Lee........................................ 19

Film Studies: World Cinema - Bloomsbury Academic Collections............ 24

Brown, Noel........................................ 10

Flanagan, Martin.................................. 11

Bucciero, Joe...................................... 17

Flisfeder, Matthew.................................. 5

L

Bull, Michael....................................... 20

Fremaux, Stephanie................................ 3

Late Films of Claude Chabrol, The.............. 2

Fulton, William.................................... 16

Late Voice, The................................... 18

C Camp Lo’s Uptown Saturday Night............. 16

G

Cartmell, Deborah................................ 22

Gallery Sound..................................... 21

Cartoons in Hard Times.......................... 10

Garcia, Antero..................................... 12

Cinema of Norman Mailer, The................... 2

Gil-Curiel, Germán................................. 7

Clare, Callie....................................... 13

Global Auteur, The................................. 2

INDEX

A

Koksal, Ozlem....................................... 7 Krämer, Lucia........................................ 9

Leaver, Tama....................................... 12 Leeder, Murray...................................... 3 Leigh, Jacob......................................... 2 Leotta, Alfio......................................... 2 Levaux, Christophe............................... 19 Live Cinema........................................ 14

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25

INDEX

Perron, Bernard................................... 12

Skorin-Kapov, Jadranka............................ 2

Lobalzo Wright, Julie............................... 3

Peter Jackson........................................ 2

Slethaug, Gordon E............................... 19

Loss, Robert........................................ 18

Pharcyde’s Bizarre Ride II the Pharcyde, The..................................... 16

Smith, Susan....................................... 10

Livingstone, Andrew.............................. 11

Low End Theory................................... 21 Luzzi, Joseph........................................ 6

Phase Media....................................... 14 Pixar with Lacan.................................... 9

M

Social, Casual and Mobile Games.............. 12 Sonic Persona, The............................... 21 Souch, Irina.......................................... 9

Mackay, Emily...................................... 16

Popular Tropes of Identity in Contemporary Russian Television and Film....................... 9

Mad Dogs and Englishness....................... 19

Post Sound Design................................ 11

Making Sense of Cinema........................... 5

Postmodern Theory and Blade Runner.......... 5

Marvel Studios Phenomenon, The.............. 11

Princess Mononoke................................ 10

Matthews, Rachel................................. 13

Process That Is the World, The................. 21

McKenny, Mike..................................... 11

Production Design for Screen................... 11

Media Control..................................... 13

Provencher, Ken..................................... 8

Supercell’s Supercell featuring Hatsune Miku...................................... 17

Mills, Richard...................................... 19

Q

Szaniawski, Jeremi................................. 2

Queer Theory and Brokeback Mountain......... 5

T

Mixed Race Cinemas................................ 8 Mollet, Tracey..................................... 10

Queering The Terminator.......................... 5

Sound Design for Moving Image................ 11 Sound of Nonsense, The......................... 20 South Korean Film................................ 22 St. Michel, Patrick................................ 17 Štoll, Martin......................................... 8 Summers, Sam..................................... 10

Tarancon, Juan A.................................... 8

Movement as Meaning in Experimental Cinema............................................... 3

R

Taylor-Jones, Kate.................................. 7

Music and the Road............................... 19

Raincoats’ The Raincoats, The.................. 17

Music/Video....................................... 19

Redmond, Sean...................................... 5

Television and Totalitarianism in Czechoslovakia................................... 8

N

Reinhard, CarrieLynn D............................. 5

Nancy Meyers........................................ 2

Renza, Louis A..................................... 18 Re-Viewing the Past................................ 3

News, Numbers and Public Opinion in a Data-Driven World.......................... 15

Rivers, Patrick..................................... 16

Newsworkers...................................... 15

Roof, Judith........................................ 15

Nguyen, An......................................... 15

Rösing, Lilian Munk................................. 9

Niemeyer, Greg.................................... 12

Russell, James....................................... 8

Norman McLaren.................................. 10

S

Nothing Has Been Done Before................. 18

Salter, Anastasia................................... 12

Television Drama in Israel......................... 8 Thayer, Allen....................................... 18 This is Not a Remix............................... 19 Tim Maia’s Tim Maia Racional Vols. 1 & 2.... 18 Tinkcom, Matthew.................................. 5 Torre, Dan............................................ 9 Total Art, The....................................... 6 Toy Story........................................... 10

W Warner, Daniel..................................... 20

O

Schmerheim, Philipp............................. 13

O’Reilly, Sean........................................ 3

Schrimshaw, Will.................................. 21

Oliete-Aldera, Elena................................ 8

Schulze, Holger.................................... 21

Olson, Christopher J................................ 5

Science Fiction Cinema and 1950s Britain...... 3

Oria, Beatriz......................................... 8

Science of Screenwriting, The.................. 11

Örnebring, Henrik................................. 15

Scott-James, Kahra............................... 11

Over and Over..................................... 19

Secular Magic and the Moving Image.......... 14

Y

P

Seeing into Screens................................. 5

Yamada, Keisuke.................................. 17

Sexton, Max........................................ 14

Yoko Kanno’s Cowboy Bebop Soundtrack...... 17

Shahan, Cyrus M................................... 18

Yoo, Hyon Joo..................................... 22

Shears, Connie.................................... 11

Young Marble Giants’ Colossal Youth.......... 17

Pacchioni, Federico................................. 6 Pallant, Chris...................................... 22 Panzner, Joe....................................... 21 Paulicelli, Eugenia.................................. 7 Peacock, James................................... 18 Pelly, Jenn......................................... 17 Perfume’s GAME.................................. 17

Whalley, Jim......................................... 8 Whelehan, Imelda................................ 22 Willson, Michele................................... 12 Witness to Phenomenon......................... 13 World of Scary Video Games, The.............. 12

Sirens............................................... 20 Sita, Jodi............................................. 5 Situation Comedy, Character and Psychoanalysis............................... 15 Skepticism Films.................................. 13

Perkins, Claire....................................... 5

26

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