Film & Media Studies Catalogue 2013

Film & Media Studies 2013

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Contents

Bloomsbury Head Offices and Distributors

Letter from the Editors

2

Film Production

3

Screenwriting

5

Film Theory & History

6

Global Cinema

8

Film Directors

11

Documentary Film

13

Television

13

Media Theory & History

15

Digital Arts & Animation

18

Journalism

21

Politics in Film & Media

23

Bloomsbury Academic 80 Maiden Lane, Suite 704, New York, NY 10038, USA Tel: +1 212-953-5858 Fax: +1 212-953-5944 askacademic@bloomsbury.com

Race in Film & Media

24

US Trade Orders

Literature in Film & Media

25

Philosophy in Film & Media

27

Religion in Film & Media

29

Celebrity Studies

30

Audience Representation

31

Index

33

Representatives, Agents & Distributors

35

UK, Europe and Rest of World Bloomsbury Publishing 50 Bedford Square, London, WC1B 3DP, UK Tel: +44 (0)207 631 5600 Fax: +44 (0)207 631 5800 academic@bloomsbury.com

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eBooks

Proposals

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See the website for details of vendors.

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EBook prices listed in this catalogue relate to the RRP, including UK VAT on the sterling price. Prices vary according to local tax, and are subject to change by individual vendors beyond the publisher’s control.

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Translation Rights Translation rights for all titles are available unless otherwise indicated.

Pricing and Availability Whilst we endeavour to ensure that prices, publication dates and other details in this catalogue are correct on going to press, they are subject to change without further notice.

textbook Books with this symbol are available on inspection / as exam copies and are particularly suitable for course use. You can request these online at www. bloomsbury.com via the Request Inspection / Examination Copy button on the paperback book record. If you would like to request any other paperback books on inspection please contact us at askacademic@bloomsbury.com (North and South America) or inspectioncopies@bloomsbury.com (UK and rest of world).

www textbook In addition to the above, books with this symbol also have a companion website or online resources.

Please see the website for our full inspection/exam/desk copy policy.

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1

L E T T E R F R O M T H E E D I TO R S

L E T T E R F R O M T H E E D I TO R S

Welcome to Bloomsbury Film & Media Studies Welcome to the new Film & Media Studies catalogue. As you will have noticed, for the first time this catalogue is coming out under the Bloomsbury name instead of the separate Continuum, Berg, AVA, Methuen Drama and Bloomsbury Academic imprints. We wanted to give you some background to this rebranding. In 2008, Bloomsbury decided to invest in building a new academic division. Growth since that decision took place has been very rapid: we now publish around 1,100 books each year, with a particularly big presence in the Humanities and Social Sciences, and our backlist comprises some 20,000 titles. The purchase of Continuum in 2011 was a key part of this growth.

We believe we are stronger as a group, which is why we have taken the strategic decision to adopt the Bloomsbury name for all academic titles that we publish. With effect from 1st September 2012, all new Continuum titles will be published under the Bloomsbury brand. The same applies to all Berg and AVA titles, as of 1st January 2013. This will make it easier for you to find quality publishing in film and media studies, rather than navigating across a number of imprints.

The values of Continuum, AVA, and our other imprints, which you have appreciated over the years, are already integral to the larger entity that is Bloomsbury. Much has changed over the past 12 months, but we remain as committed to our authors and to publishing the same high quality textbooks, course books, research monographs, reference works, professional and general interest books, journals and online resources.

Highlights With this catalogue, we launch a number of exciting titles and series. In media studies, the highlights include How to Launch a Magazine in the Digital Age, Understanding Machinima (replete with QR codes and a mobile companion site!), The Spectralities Reader, Television Aesthetics and Style, Understanding Fandom and Playing with the Past: Digital Games and the Simulation of History. Our International Texts in Critical Media Aesthetics series features two new contributions from the series editor himself, Francisco J. Ricardo, and from leading media theorist Lev Manovich (p.16). Topics and Issues in National Cinema also launches fresh this season with two titles: Revolution and Rebellion in Mexican Film and Ecology and Contemporary Nordic Cinema, spearheaded by Armida de la Garza, who aims to give a voice to those understudied nations’ cinematic output as it relates to historical, political and cultural concerns (p.9). In film studies, we launch our film and philosophy series, Thinking Cinema, with Thomas Elsaesser’s European Cinema and Contemporary Philosophy (p.28). You’ll note texts paying particular attention to filmmakers such as Steven Spielberg, Alfred Hitchcock, Lars von trier, Guillermo del Toro, Mike Leigh and Hal Hartley. And finally, a few new screenwriting tomes, dedicated to the psychology of screenwriting, the horror film genre (Writing the Horror Film) and one specifically on dialogue (Constructing Dialogue), both of which can be found on page 5.

New Website Finally, we are delighted to announce the launch of a new global Bloomsbury website: www.bloomsbury.com.

This site brings together everything under the Bloomsbury Group, including Continuum, Berg, Methuen Drama, Arden Shakespeare, T&T Clark, Bristol Classical Press, and A&C Black titles. The site features enhanced academic functionality such as online previews, digital inspection copies, textbook companion sites and online resources.

Go to www.bloomsbury.com/academic for more information.

We hope you enjoy reading our latest catalogue, Katie Gallof, Acquisitions Editor, New York katie.gallof@bloomsbury.com

@BloomsburyMedia

2

www.bloomsbury.com/filmandmedia

Laura Murray, Assistant Editor, New York laura.murray@bloomsbury.com

www.bloomsburyfilmandmedia.typepad.com

Making Short Films

textbook

The Complete Guide from Script to Screen

3rd

edition

Max Thurlow and Clifford Thurlow This fully updated guide for students and independent film-makers describes the whole process from creating an original or adapted script, through producing, directing and editing, to finance and distribution. A brand new edition, it has double the illustrations and more detailed information on digital and internet technologies for making, marketing and distributing your short film. It also includes: • Interviews with key filmmakers • A range of complete scripts for award-winning shorts with commentaries by the filmmakers • Insider tips on making deals, renting equipment, securing funding and getting your short shown • Details on all the major film festivals • An accompanying website with supporting information and access to the key films discussed: www.making-short-films.com MAX THURLOW is a journalist who has worked for the Daily Mail, the Sun and the Daily Mirror. CLIFFORD THURLOW is a writer and independent filmmaker.

Chris Jones This handbook includes flow charts with crystal-clear diagrams detailing every single aspect, no matter how small, of what it takes to make a film. This visual approach to the filmmaking process ensures that new (and established!) filmmakers get an instant overview of each and every discipline.

CHRIS JONES’s short “Gone Fishing” was Oscars shortlisted and won the prestigious Producers Guild of America’s Best Short Film. He also teaches new filmmakers and runs his business from the historic Ealing Film Studios in London.

UK July 2003 • US June 2003 608 Pages PB 9780826414533 • £34.99 / $44.95

The Guerilla Film Makers Pocketbook

bestseller

Chris Jones, Genevieve Jolliffe, and Andrew Zinnes Veterans of the indie film scene, the authors have produced numerous low budget feature films, sold projects to Hollywood studios, came perilously close to an Oscar nomination, and even ended up in prison!

You will learn:

textbook bestseller

Jane Barnwell “I am very impressed with the quality and content of this publication. It provides a very comprehensive and accessible introductory text on the subject.”

Andrew Kulman, Birmingham City University, UK This book maps out the practical, technical and creative aspects involved in making film, sets out the division of labour, and explains how each individual role combines to influence the final piece. Pre-production, production and post-production are covered through chapters dealing with each of the major departments: script; production; direction; production design; cinematography; sound and post-production. The book concludes with an examination of film analysis, providing context and connections between film theory and practice.

JANE BARNWELL is a Senior Lecturer at London Metropolitan University, UK. UK August 2008 • US September 2008 208 Pages • 200 images PB 9782940373192 • £22.95 / $39.95 Library eBook 9782940439010 • £69.00 / $111.00

bestseller

The Ultimate Guide to Digital Film Making

UK May 2013 • US July 2013 448 Pages • 100 Illustrations PB 9780857853875 • £14.99 / $24.95 HB 9780857853868 • £50.00 / $80.00 Individual eBook 9780857854339 • £14.99 / $22.99 Library eBook 9780857854322 • £45.00 / $72.00

The Fundamentals of Film-Making

Guerilla Film Makers Movie Blueprint

FILM PRODUCTION

FILM PRODUCTION

• How other young film makers made their first movie and found massive success • • • • •

How How How How How

to to to to to

take your great ideas and turn them into great films build a team to make your movie now harness cheap technology to make expensive looking films avoid hundreds of pitfalls many film makers fall into find audiences and even make money from your movie

CHRIS JONES is co-founder with GENEVIEVE JOLLIFFE of the production company Living Spirit Pictures. ANDREW ZINNES worked at Paramount Pictures, USA Networks, and Morgan Creek Productions. He also taught documentary at the NY Film Academy and is a founding partner of the film company Crazee Pictures.

UK May 2010 • US March 2010 320 Pages • 200 Illustrations PB 9781441180780 • £13.99 / $19.95 Individual eBook 9781441166128 • £13.99 / $21.99 Library eBook 9781441147059 • £42.00 / $67.00

The Documentary Film Makers Handbook

bestseller

A Guerilla Guide Andrew Zinnes and Genevieve Jolliffe Features interviews with dozens of industry professionals on subjects as diverse as interview techniques, the NBC News Archive, music rights, setting up your own company, the Film Arts Foundation, pitching your proposal, the Sundance Documentary Fund, the Documentary Channel, the British Film Council, camera hire, filmmaking ethics, working with kids, editing your documentary, and DVD distribution.

UK September 2006 • US November 2006 432 Pages • 100 Illustrations PB 9780826416650 • £32.99 / $49.95

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3

FILM PRODUCTION

FILM PRODUCTION AVA Basics Our Basics books offer both a theoretical and practical introduction to key topics, supported by examples and exercises . Individual titles can form the basis of specific modules, while the series as a whole functions as a comprehensive reference tool and can be called upon at any stage of a student’s education .

Basics Film-Making 01: Producing

textbook

Charlotte Worthington

CHARLOTTE WORTHINGTON is Course Leader in Film and Digital Media Production at London Metropolitan University, UK. UK December 2008 • US January 2009 176 Pages • 200 colour images PB 9782940373574 • £17.95 / $29.95 Library eBook 9782940439584 • £54.00 / $87.00

textbook

“Easy to read, accessible, covers all the main industry requirements.” Elaine Pierson, London Metropolitan University, UK Examines key areas such as dialogue, sound, setting, shots and structure. The book also provides advice to new film-makers on how to market their work. It draws on examples from historical and contemporary screenwriters and film-makers, independent directors and students.

ROBERT EDGAR-HUNT, JOHN MARLAND and JAMES RICHARDS lecture at York St John University, UK, where Robert is Programme Head of Film and TV Production, John is a Senior Lecturer in Film and TV Production, and James is a Lecturer in Screenwriting.

4

This book introduces the essential aspects of the directorial process, focusing on the requirements of short films while also drawing on classic examples from the world of feature films. It looks at the balancing act of art and business, offering helpful guidelines and basic principles rather than instructions. Divided into the three key stages of the film-making process, pre-production, production and post-production, this book provides readers with a framework to begin directing their own productions.

UK October 2009 • US November 2009 184 Pages • 200 colour images PB 9782940411009 • £17.95 / $29.95 Library eBook 9782940439393 • £54.00 / $87.00

Robert Edgar-Hunt, John Marland, and James Richards

UK May 2009 • US June 2009 208 Pages • 200 colour images PB 9782940373895 • £17.95 / $29.95 Library eBook 9782940439263 • £54.00 / $87.00

textbook

Robert Edgar-Hunt

Introduces the reader to the world of film producing by examining the many facets of the producer’s role, giving a dynamic overview of the realities of producing film today, and exploring the entire process from development through to post-production and distribution.

Basics Film-Making 02: Screenwriting

Basics Film-Making 03: Directing Fiction

Basics Film-Making 04: The Language of Film

textbook

Robert Edgar-Hunt, John Marland, and Steven Rawle Most films are a mosaic of fractured images and fragmented narratives, yet we have little problem piecing them together into a complete, meaningful sequence. The average audience is capable of following the most labyrinthine plots, feeling genuine emotion for characters, and believing that their worlds continue to exist even after the film has ended. This book discusses the stories films tell, the sign-systems they deploy, the interpretive contexts we are invited to place them in, and the range of aesthetic elements which contribute to the cinematic image. Visit the AVA Academia YouTube channel to view the student films that are referred to in the book.

UK May 2010 • US June 2010 192 Pages • 200 colour images PB 9782940411276 • £19.95 / $32.95 Library eBook 9782940439485 • £60.00 / $96.00

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302699 • orders@macmillan.co.uk

Writing the Horror Movie

Screenwriting

Marc Blake and Sara Bailey

bestseller

The Sequence Approach

“It’s important for people to understand that the screenplay’s essential role in film making is the same regardless of the genre of the film.”

John Landis

Paul Joseph Gulino

For the first time ever, this book offers a detailed analysis of the horror genre, including its subgenres, tropes and the specific requirements of the horror screenplay. Screenplays and genres discussed include the German Expressionism of Nosferatu to the Universal franchises of the 30s (Frankenstein), to Sci-Fi (Psycho), the Slasher film franchise (Friday 13th), Asian Horror, horror verite (Blair Witch) and torture porn (Saw). It also includes step-by-step writing exercises, annotated extracts from horror screenplays and interviews with seasoned writers/ directors/producers discussing budget restrictions, screenplay form and formulas and how screenplays work during shooting.

A screenplay can be understood as being built of sequences of about fifteen Pages each, and by focusing on solving the dramatic aspects of each of these sequences in detail, a writer can more easily conquer the challenges posed by the script as a whole. The sequence approach has its foundation in early Hollywood cinema and has been used effectively at such film schools as the University of Southern California, Columbia and Chapman University. This book provides a sequence analysis of eleven feature films: The Shop Around The Corner, Double Indemnity, Nights of Cabiria, North By Northwest, Lawrence of Arabia, The Graduate, One Flew Over the Cuckoo’s Nest, Toy Story, Air Force One, Being John Malkovich, and The Fellowship of the Ring.

SARA BAILEY is a Senior Lecturer at Southampton Solent University, UK. MARC BLAKE teaches horror film at Southampton Solent University, UK.

PAUL JOSEPH GULINO is Assistant Professor of Screenwriting at Chapman University, USA.

UK September 2013 • US July 2013 272 Pages PB 9781441196187 • £16.99 / $27.95 Individual eBook 9781441193476 • £16.99 / $26.99 Library eBook 9781441195067 • £51.00 / $82.00

UK July 2004 • US May 2004 224 Pages PB 9780826415684 • £14.99 / $22.95

The Psychology of Screenwriting

SCREENWRITING

SCREENWRITING

Constructing Dialogue textbook

Theory and Practice Jason Lee A comprehensive introduction to the craft of screenwriting, encompassing theory, practical tools, pedagogical features, and focusing heavily on examples from contemporary film that guides the student screenwriter through the stages of screenwriting. Chapters focus on core topics such as the purpose of screenwriting, genres, structure, the expression of ideas, character, awareness of the visual, and adaptations. Films analyzed in-depth include Rear Window, Short Cuts, Pulp Fiction, Crash, Moon, and Orlando.

Jason Lee is Head of Film, Media and Creative Writing at the University of Derby, UK.

Screenwriting from Citizen Kane to Midnight in Paris Mark Axelrod This book provides a more analytical treatment of certain individual scenes and how those scenes were constructed to be the most highly dramatic vis á vis their dialogue. In the art of screenwriting, one cannot separate how the scene is constructed from how the dialogue is written. Using case studies from the last 70 years, each chapter deals with how a particular screenwriter approached dialogue relative to that particular scene’s construction.

MARK AXELROD is a Professor of English & Comparative Literature at Chapman University, and Director of the John Fowles Center for Creative Writing, USA. UK December 2013 • US October 2013 192 Pages PB 9781441108517 • £14.99 / $24.95 HB 9781441174253 • £45.00 / $80.00 Individual eBook 9781441121912 • £14.99 / $22.99 Library eBook 9781441169808 • £45.00 / $72.00

UK Sepember 2013 • US July 2013 272 Pages PB 9781441128478 • £16.99 / $27.95 HB 9781441104984 • £45.00 / $80.00 Individual eBook 9781623564735 • £16.99 / $26.99 Library eBook 9781623562519 • £51.00 / $82.00

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5

F I L M T H E O RY & H I S TO RY

F I L M T H E O RY & H I S TO RY

Nazisploitation!

bestseller

The Orientation of Future Cinema Technology, Aesthetics, Spectacle

The Nazi Image in Low-Brow Cinema and Culture

Bruce Isaacs

Edited by Daniel H . Magilow, Elizabeth Bridges, and Kristin T . Vander Lugt The editors examine past intersections of National Socialism and popular cinema and the recent reemergence of this imagery in contemporary visual culture. In the late 1960s and early 1970s, films such as Love Camp 7 and Ilsa, She-Wolf of the SS introduced and reinforced the image of Nazis as master paradigms of evil in what film theorists deem the ‘sleaze’ film. More recently, Tarantino’s Inglourious Basterds, as well as video games such as Call of Duty: World at War, have reinvented this iconography for new audiences. In these works, the violent Nazi becomes the hyperbolic caricature of the “monstrous feminine” or the masculine sadist.

DANIEL H. MAGILOW is Assistant Professor of German at the University of Tennessee, Knoxville, USA. ELIZABETH BRIDGES is Assistant Professor of German at Rhodes College in Memphis, Tennessee, USA. KRISTIN T. VANDER LUGT is Adjunct Instructor of German, George Mason University, USA. US February 2012 • US December 2011 336 Pages • 30 Illustrations PB 9781441183590 • £17.99 / $29.95 HB 9781441110602 • £55.00 / $100.00 Individual eBook 9781441175021 • £17.99 / $27.99 Library eBook 9781441199652 • £54.00 / $87.00

“Essential reading for anyone interested in the fate of the image in the digital era.” Nicholas Rombes, University of Detroit Mercy, author of Cinema in the Digital Age This book reflects on the cinematic past, present and future, constructing a vision of cinema that is at once grounded in new technologies and new aesthetic practices. Examining in detail Cameron’s Avatar, Bay’s Transformers and Nolan’s The Dark Knight, the author argues that High Concept cinema fascinates audiences not because it can technologically produce the most perfect semblance of reality but because it gives us access to ‘impossible images’ that create powerful and profoundly emotional forms of film engagement.

BRUCE ISAACS is a Lecturer in Film Studies at the University of Sydney, Australia.

UK April 2013 • US February 2013 320 Pages HB 9781441184221 • £70.00 / $130.00 Individual eBook 9781441141590 • £69.99 / $107.99 Library eBook 9781623569136 • £210.00 / $337.00

Making Waves

bestseller

New Cinemas of the 1960s

Film and the Holocaust New Perspectives on Dramas, Documentaries, and Experimental Films Aaron Kerner

“An essential introduction to the breadth of films and the wide range of scholarship of what has become a major cinematic genre.” Jeffrey Skoller, Film Studies at UC Berkeley This wide-ranging book surveys and discusses the ways in which the Holocaust has been represented in cinema, covering a deep cross-section of both national cinemas and genres.

AARON KERNER is an Associate Professor in the Cinema Department at San Francisco State University, USA.

Emotional Dynamics in Film Studies Tarja Laine

UK June 2013 • US April 2013 192 Pages PB 9781623561505 • £33.99 / $29.95

6

The 1960s was famously the decade of sex, drugs and rock’n’roll. It was also a decade of revolution and counter-revolution, when traditional Hollywood was in decline, both artistically and commercially. The genres which had held audiences captive in the 1940s and 50s—musicals, Westerns, melodramas—were losing their appeal and their great practitioners were approaching retirement. The scene was therefore set for new cinemas to emerge to attract the young, the discriminating, the politically conscious and the sexually emancipated.

Common to most of them, however, was a political and aesthetic radicalism that broke with the traditions of studio filmmaking. This revised and expanded edition pays particular attention to a handful of remarkable talents (Godard, Antonioni, Oshima) that emerged during this period.

GEOFFREY NOWELL-SMITH is currently Senior Research Fellow in the Department of History at Queen Mary, University of London, UK.

UK July 2011 • US May 2011 352 Pages • 130 Illustrations PB 9781441124180 • £17.99 / $29.95 HB 9781441170927 • £55.00 / $100.00 Individual eBook 9781441183897 • £17.99 / $27.99 Library eBook 9781441108937 • £54.00 / $87.00

Feeling Cinema

2nd

edition

Geoffrey Nowell-Smith

bestseller

US August 2013 • UK June 2013 256 Pages PB 9781623565084 • £18.99 / $29.95 Individual eBook 9781623565626 • £18.99 / $29.99 Library eBook 9781623566913 • £57.00 / $92.00

new in PB

Stage and Screen

Adaptation Theory from 1916 to 2000

new in PB

Bert Cardullo

UK June 2013 • US April 2013 288 Pages PB 9781623563936 • £22.99 / $34.95

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302699 • orders@macmillan.co.uk

Monster Culture in the 21st Century

Film Genres

A Reader

Series Editors: Charles Acland, Concordia University, Canada and Mark Jankovich, University of East Anglia, UK

Edited by Marina Levina and Diem-My T . Bui In the past decade, our rapidly changing world faced terrorism, global epidemics, economic and social strife, new communication technologies, and climate change. These essays examine how monstrosity has been used to manage these rising fears and tensions.

Analyzing popular films and TV shows, such as True Blood, Twilight, Paranormal Activity, District 9, Battlestar Galactica, and Avatar, it argues that monstrous narratives of the past decade have become omnipresent specifically because they represent collective social anxieties over resisting and embracing change in the 21st century.

Covering all major film genres, each volume in this series presents a clear summary of the historical development of and the existing approaches to a genre .

Historical Film A Critical Introduction Jonathan Stubbs Combines a critical analysis of the Hollywood historical film with an examination of its generic dimensions and a history of its development since the silent period. This book is concerned not simply with the formal properties of the films at hand, but also the ways in which they have been promoted, interpreted and discussed in relation to their engagement with the past.

MARINA LEVINA is Assistant Professor in the Department of Communication at the University of Memphis, USA. DIEM-MY T. BUI is Visiting Assistant Professor in the Department of Communication at the University of Illinois at Chicago, USA.

UK July 2013 • US May 2013 352 Pages PB 9781441178398 • £22.99 / $39.95 HB 9781441187970 • £70.00 / $130.00 Individual eBook 9781441185372 • £22.99 / $35.99 Library eBook 9781441193261 • £69.00 / $111.00

JONATHAN STUBBS is Associate Professor in the Communications Faculty at Cyprus International University, Cyprus.

UK June 2013 • US April 2013 224 Pages PB 9781847884978 • £16.99 / $32.95 HB 9781847884985 • £50.00 / $110.00 Individual eBook 9781472520029 • £16.99 / $26.99 Library eBook 9781472520012 • £51.00 / $82.00 Series: Film Genres

Amateur Filmmaking The Social and Cultural History of Home Movies Edited by Laura Rascaroli, Barry Monahan, and Gwenda Young

Recent titles in the series:

This volume argues for and clarifies the importance of amateur cinema as a key object of interest and study for multiple disciplines.

The editors showcase the variety of amateur filmmaking, from home movies of Imperial India and film diaries of life in contemporary China, to the work of leading auteurs such as Joseph Morder and Peter Forgács. With contributions on the role of the archive and the impact of new technologies on amateur filmmaking, these 21 essays offer the first comprehensive survey on this growing field.

LAURA RASCAROLI, BARRY MONAHAN, and GWENDA YOUNG are Lecturers in Film and Media Studies at University College Cork, Ireland.

bestseller

The Authoritative Guide to the Landmark Movies in the National Film Registry Daniel Eagan “This valuable and highly readable book will serve equally well as a primer for newcomers to film history and a refresher course for more experienced viewers on the vast spectrum of American cinema.” Leonard Maltin Daniel Eagan worked for Warner Bros. and MGM as a researcher and story analyst and writes for Smithsonian and Film Journal.

UK February 2010 • US December 2009 848 Pages • 150 Illustrations PB 9780826429773 • £23.99 / $39.95 HB 9780826418494 • £70.00/ $130.00 Individual eBook 9781441175410 • £23.99 / $37.99 Library eBook 9781441116475 • £27.00 / $116.00

Science Fiction Film: A Critical Introduction Keith M . Johnston

PB 9781847884763 • £17.99 / $29.95 HB 9781847884770 • £55.00 / $99.95

Teen Film: A Critical Introduction Catherine Driscoll PB 9781847886866 • £17.99 / $29.95 HB 9781847886873 • £55.00 / $99.95

Fantasy Film: A Critical Introduction James Walters PB 9781847883087 • £17.99 / $29.95 HB 9781847883094 • £55.00 / $99.95

UK April 2014 • US February 2014 320 Pages PB 9781441191496 • £19.99 / $34.95 HB 9781441139054 • £65.00 / $120.00 Individual eBook 9781441106810 • £19.99 / $30.99 Library eBook 9781441101938 • £60.00 / $96.00

America’s Film Legacy

F I L M T H E O RY & H I S TO RY

F I L M T H E O RY & H I S TO RY

America’s Film Legacy, 2009-2010

bestseller

A Viewer’s Guide to the 50 Landmark Movies Added To The National Film Registry in 2009-10 Daniel Eagan Each of the 50 newest titles in the National Film Registry is covered in a detailed essay that includes cast, credits, and major awards, as well as screening information and film stills. Includes well-known movies like The Muppet Movie and Dog Day Afternoon, to more obscure films, like A Study in Reds and Hot Dogs for Gauguin.

UK February 2012 • US December 2011 224 Pages PB 9781441158697 • £11.99 / $17.95

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GLOBAL CINEMA

GLOBAL CINEMA

World Cinema and the Ethics of Realism

bestseller

French Cinema

bestseller

From its Beginnings to the Present Rémi Fournier Lanzoni

Lúcia Nagib Starting from the premise that world cinema’s creative peaks are governed by an ethics of realism, the author conducts comparative case studies picked from world new waves, such as the Japanese New Wave, the French nouvelle vague, the Cinema Novo, the New German Cinema, the Russo-Cuban Revolutionary Cinema, the Portuguese self-performing auteur and the Inuit Indigenous Cinema. Drawing upon Badiou and Rancière, the author revisits several fundamental concepts in film studies, such as illusionism, identification, apparatus, alienation effects, presentation and representation.

LÚCIA NAGIB is Centenary Professor of World Cinemas at the University of Leeds, UK.

UK April 2011 • US February 2011 312 Pages • 60 Illustrations PB 9781441165831 • £16.99 / $27.95 HB 9781441137838 • £50.00 / $85.00

This book surveys French film from the silent era, Surrealist influence, the Nazi Occupation, the glories of the New Wave, to the present. Directors such as Robert Bresson, Marcel Carné, Claude Chabrol, René Clair, Jean Cocteau, Abel Gance, Louis Malle, Jean Renoir, Eric Rohmer, and François Truffaut are covered in depth, as are stars like Brigitte Bardot, Maurice Chevalier, Catherine Deneuve, Max Linder, Jean Marais, Yves Montand, and Jeanne Moreau.

RÉMI FOURNIER LANZONI teaches Italian at Wake Forest University, USA. UK April 2004 • US April 2004 496 Pages PB 9780826416001 • £22.99 / $39.95 HB 9780826413994 • £25.00 / $35.00

A History of Italian Cinema

bestseller

Peter Bondanella

A History of Spanish Film

textbook

Cinema and Society 1910-2010 Sally Faulkner This survey of Spanish film from the beginnings of the industry to the present day considers a number of topics, which include some of the most exciting work taking place in film studies today and some of the most urgent questions which have preoccupied 20th-century Spain. These twin aims of the book, both a chronological survey and a discussion of topics such as the transnational dimension of contemporary Spanish cinema, or the experience of trauma in the transition period, will provide two avenues of study for the student.

SALLY FAULKNER is Associate Professor of Hispanic Studies and Film at the University of Exeter, UK. UK June 2013 • US April 2013 352 Pages PB 9780826416674 • £16.99 / $27.95 HB 9780826416667 • £50.00 / $90.00 Individual eBook 9781623567316 • £16.99 / $26.99 Library eBook 9781623567422 • £51.00 / $82.00

Portuguese Film, 1930-1960 The Staging of the New State Regime Patricia Vieira An analysis of Portuguese feature films produced during the New State, a right-wing totalitarian regime that lasted from 1933 to 1974. These films, sponsored by the National Propaganda Institute, convey a conservative image of both mainland Portugal and its overseas African colonies (Angola, Mozambique, Cape Verde, Guinea-Bissau and St. Thomas, and Principe). Films covered include Fatima, Land of Faith, Spell of the Empire, and Chaimite.

PATRICIA VIEIRA is Researcher at the Center for Comparative Studies, University of Lisbon, Portugal and Assistant Professor in the Department of Spanish and Portuguese at Georgetown University, USA. UK October 2013 • US August 2013 256 Pages HB 9781623568634 • £70.00 / $130.00 Individual eBook 9781623567354 • £69.99 / $107.99 Library eBook 9781623568993 • £210.00 / $337.00

8

Considers a huge range of work including both popular and ‘B’ genres, such as the sword and sandal epic or “peplum” film of the 1950s; the Italian horror film, the so-called spaghetti nightmare films, that began in the 1950s and continue to be made today; the giallo or Italian mystery thriller; and the poliziesco or Italian crime film from the 1970s to the present. This new book also examines the emergence of a “third wave” of new auteurs born in the 1950s as well as an even younger group of important directors born in the 1960s who have already made their mark on the direction of the Italian cinema in the third millennium.

PETER BONDANELLA is Distinguished Professor Emeritus of Comparative Literature, Film Studies, and Italian at Indiana University, USA. UK December 2009 • US October 2009 704 Pages • 150 Illustrations PB 9781441160690 • £19.99 / $32.95 HB 9780826417855 • £65.00 / $120.00

The Total Art Italian Cinema from Silent Screen to Digital Image Edited by Joseph Luzzi In this guide, some of the world’s leading scholars consider the issues, films, and filmmakers that have given Italian cinema its enduring appeal. Readers will explore the work of such directors as Federico Fellini, Michelangelo Antonioni, and Roberto Rossellini as well as a host of subjects including the Italian silent screen, the political influence of Fascism on the movies, lesser known genres like the giallo (horror) and Spaghetti Western, and the role of women in the Italian film industry.

JOSEPH LUZZI is an Associate Professor of Italian and Director of Italian Studies at Bard College, USA. UK February 2014 • US December 2013 288 Pages PB 9781441195616 • £19.99 / $34.95 HB 9781441174932 • £65.00 / $120.00 Individual eBook 9781441147561 • £19.99 / $30.99 Library eBook 9781441186423 • £60.00 / $96.00

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302699 • orders@macmillan.co.uk

Topics and Issues in National Cinema Series Editor: Armida de la Garza, Xi’an Jiaotong-Liverpool University, China Explores relevance of cinema in articulating, reflecting upon and making sense of diverse social issues now affecting national cinemas and their various consequences .

Ecology and Contemporary Nordic Cinemas From Nation-building to Ecocosmopolitanism Pietari Kaapa

Revolution and Rebellion in Mexican Film Niamh Thornton

Challenges the traditional socio-political rhetoric of national cinema by providing an ecocritical examination of Nordic cinema. The author uses a range of analytical approaches to interrogate how the national paradigm can be rethought through ecosystemic concerns, by exploring a range of Nordic films as national and transnational, regional and local texts, all with significant global implications.

‘Ecocinema’ involves the study of the relationship between films and the physical environment, including the study of the production and reproduction of life, the relationship between the human body and the ecosystem, and the controlling and administering of the human body in modern capitalist and socialist regimes.

Examines Mexican films of political conflict from the early studio revolutionary films of the 1930-50s to the campaigning Zapatista films of the 2000s. Mapping this evolution out for the first time, the author takes three key events under consideration: the Mexican Revolution (1910-1920); the student movement and massacre in 1968; and, finally, the more recent Zapatista Rebellion (1994-present). Analyzing films such as Vamanos con Pancho Villa, El Grito, and Corazon del Tiempo, the author uses the term ‘political conflict’ to refer to those violent disturbances, dramatic periods of confrontation, injury and death, which characterize particular historical events involving state and non-state actors that may have a finite duration, but have a long-lasting legacy on the nation.

PIETARI KÄÄPÄ is a research fellow for the Academy of Finland at the School of Film and Television Studies at the University of Helsinki, Finland.

NIAMH THORNTON is a Senior Lecturer in Hispanic Studies and Film at the University of Ulster, UK.

UK November 2013 • US September 2013 208 Pages HB 9781441192790 • £65.00 / $120.00 Individual eBook 9781623569143 • £64.99 / $100.99 Library eBook 9781441143211 • £195.00 / $313.00 Series: Topics and Issues in National Cinema

UK October 2013 • US August 2013 192 Pages HB 9781441168122 • £60.00 / $110.00 Individual eBook 9781441168542 • £59.99 / $92.99 Library eBook 9781441128683 • £180.00 / $289.00 Series: Topics and Issues in National Cinema

Masculinity and Gender in Greek Cinema 1949-1967 Achilleas Hadjikyriacou Between the end of the Civil War (1949) and the colonels’ military coup (1967) Greece underwent tremendous political, economic, and social transformations which influenced gender identities and relations. During the same period, Greece also witnessed an unparalleled bloom in cinema productions. Based on the recently established paradigm that cinema and popular culture viewed as social institutions can inform a historical study, this book explores the relationship between Greek cinema and the society within which it was created.

ACHILLEAS HADJIKYRIACOU is an instructor for the Certified Professional Managers Program at James Madison University, USA. UK December 2013 • US October 2013 288 Pages HB 9781441109385 • £70.00 / $130.00 Individual eBook 9781441144270 • £69.99 / $107.99 Library eBook 9781441185730 • £210.00 / $337.00

GLOBAL CINEMA

GLOBAL CINEMA

Cypriot Cinemas Memory, Conflict and Identity in the Margins of Europe Edited by Costas Constandinides and Yiannis Papadakis Cyprus is better known as a site of conflict between Greek and Turkey, rather than for its film output. The authors seek to rectify this dearth of information by discussing the work of a new generation of filmmakers striving to engage with the island’s traumatic legacies: anti-colonial struggles, post-colonial instability, interethnic conflict and war. Beginning from the cinema of the 1960s when the island became a republic, the study focuses on the recent decades and filmmakers currently exploring issues of conflict, memory, identity, nationalism, migration, gender and globalization, as well as the work of filmmakers who chose to cooperate across the ethnic divide.

COSTAS CONSTANDINIDES is Assistant Professor in the Communications Department at The University of Nicosia, Cyprus. YIANNIS PAPADAKIS is Associate Professor in the Department of Social and Political Sciences at the University of Cyprus.

UK April 2014 • US February 2014 224 Pages HB 9781623561314 • £65.00 / $120.00 Individual eBook 9781623560027 • £64.99 / $100.99 Library eBook 9781623564605 • £195.00 / $313.00 Series: Topics and Issues in National Cinema

www.bloomsbury.com • US, Canada, South America • 888-330-8477 • customerservice@mpsvirginia.com

9

GLOBAL CINEMA

GLOBAL CINEMA

Deeper than Oblivion Trauma and Memory in Israeli Cinema Edited by Raz Yosef and Boaz Hagin Israeli cinema has innovatively used trauma and memory to offer insights about Israeli society and to engage with cinematic experimentation and invention. Tracing a long line of films from as early as 1934, the contributors use close readings of these films to not only reconstruct the past, but to actively engage with it. Using films not usually studied, like A Film Unfinished, Happy Birthday Mr. Mograbi, and A Hole in the Moon, this book underlines the unique aesthetic choices many of these films make in their attempt to confront the difficulties, perhaps even impossibility, of representing trauma.

RAZ YOSEF is Associate Professor in the Department of Film and Television at Tel Aviv University, Israel. BOAZ HAGIN teaches in the Film and Television Department at Tel Aviv University, Israel.

UK August 2013 • US June 2013 368 Pages HB 9781441162199 • £70.00 / $130.00 Individual eBook 9781441199263 • £69.99 / $107.99 Library eBook 9781441174970 • £210.00 / $337.00

China’s iGeneration Filmmakers, Films, and Audiences in a New Media Age Edited by Matthew D . Johnson, Luke Vulpiani, Keith B . Wagner, and Kiki Tianqi Yu The first decade of the 21st century has seen wide-ranging transformations to Chinese film. Under what the editors are terming ‘iGeneration cinema,’ they conceptualize three key developments: commercialization, the ubiquity of digital technology, and the emergence of new producers and venues. Among Chinese youth, films are now predominantly disseminated via the internet, which represents a key medium through which productions both big and small are connected with viewers, potential investors, and critics.

MATTHEW D. JOHNSON is an Assistant Professor of Chinese History at Grinnell College, USA. LUKE VULPIANI is a PhD candidate at King’s College London, UK. KEITH B. WAGNER is a PhD candidate in Film Studies and Political Theory at King’s College, London, UK and a Lecturer at Hongik University, South Korea.

KIKI TIANQI YU is a PhD candidate at the Centre for Research and Education in Arts and Media (CREAM), University of Westminster, UK. UK March 2014 • US January 2014 352 Pages HB 9781623565954 • £75.00 / $140.00 Individual eBook 9781623568474 • £74.99 / $115.99 Library eBook 9781623563127 • £225.00 / $362.00

10

Politics, Porn and Protest

bestseller

Japanese Avant-Garde Cinema in the 1960s and 1970s Isolde Standish “Although this book is primarily about film, Standish has woven into it a vivid, and very gripping, social, political and cultural history of 1960s’ Japan. She places the development of the avant-garde within its contemporary intellectual context, (including the influence of French thought and literature), the complex politics of the left and the diversifications of the film industry as it faced economic decline.” Laura Mulvey, Professor of Film and Media Studies, Birkbeck University of London ISOLDE STANDISH is Senior Lecturer in Film and Media Studies at the School of Oriental and African Studies, University of London, UK. UK August 2011 • US June 2011 216 Pages • 10 Illustrations PB 9780826439017 • £17.99 / $29.95 HB 9780826444707 • £60.00 / $110.00 Individual eBook 9781441125187 • £17.99 / $27.99 Library eBook 9781441144393 • £54.00 / $87.00

Native Features

bestseller

Indigenous Films from Around the World Houston Wood This is the first book to look at feature films made by indigenous people, one of the world’s newest and fastest growing categories of cinema. The book shows how movies made by native peoples throughout the world often strengthen older cultures while they simultaneously correct stereotypes found in nonIndigenous films. The book focuses on well-known films, such as Rabbit-Proof Fence, Smoke Signals, and Whale Rider, as well as on many films seldom seen beyond the regions where they were made. Separate chapters trace the exemplary careers of Cheyenne and Arapaho director Chris Eyre and of Australian Aboriginal actor David Gulpilil.

HOUSTON WOOD teaches at Hawaii Pacific University, USA. UK June 2008 • US April 2008 240 Pages • 15 Illustrations PB 9780826428455 • £19.99 / $29.95 HB 9780826428448 • £65.00 / $90.00 Individual eBook 9781441174123 • £19.99 / $30.99 Library eBook 9781441172815 • £60.00 / $96.00

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302699 • orders@macmillan.co.uk

Darkness in the Bliss-Out

Politics as Form in Lars von Trier

A Reconsideration of the Films of Steven Spielberg

A Post-Brechtian Reading

James Kendrick While there has been a significant outpouring of scholarship on Spielberg over the past decade, his films are still frequently discussed as being paternalistic, escapist, and reliant on uncomplicated emotions and complicated special effects. Even those critics and scholars who are favorable toward his work still tend to view it as essentially optimistic, reassuring, and conservative. This book takes an alternate view of the director’s work and proposes that his films are significantly darker and more emotionally and ideologically complex than they are routinely given credit for.

JAMES KENDRICK is Associate Professor of Film and Digital Media at Baylor University, USA. UK January 2014 • US November 2013 240 Pages PB 9781441146045 • £17.99 / $29.95 HB 9781441188953 • £55.00 / $100.00 Individual eBook 9781441112507 • £17.99 / $27.99 Library eBook 9781441193070 • £54.00 / $87.00

Angelos Koutsourakis This book is the first study of Lars von Trier that employs a materialist framework to discuss the formal complexity that characterises the films of the Danish auteur. Through a detailed formal analysis of five films—The Europa trilogy (The Element of Crime, Epidemic and Europa), The Idiots and Dogville— Brecht is used as a methodological tool to discuss the shift from a dialectical cinema devoted to the production of knowledge effects, to a post-Brechtian one that brings together points of tension that remain unresolved.

F I L M D I R E C TO R S

F I L M D I R E C TO R S

ANGELOS KOUTSOURAKIS has taught at the University of Sussex, the University of Copenhagen and the University of Brighton, UK. UK January 2014 • US November 2013 272 Pages HB 9781623563455 • £70.00 / $130.00 Individual eBook 9781623561338 • £69.99 / $107.99 Library eBook 9781623560270 • £210.00 / $337.00

The Cinema of Hal Hartley Devised and Directed by Mike Leigh Edited by Marc DiPaolo and Bryan Cardinale-Powell Renowned for making films that are at once sly comedies and stark, ‘social realist’ dramas, British writer-director Mike Leigh challenges his viewers to see the unvarnished truth about modern-day society.

This collection features new essays that cover all phases of the BAFTA-award-winner’s career, from his early television work to his theatrical films, including Life is Sweet, Naked, Secrets & Lies, All or Nothing, Vera Drake, Happy-Go-Lucky, and Another Year. Contributions also cover many themes recurrent in many of his films: representations of politics, class, race, gender; the changing cultural and political landscape of Great Britain; the differentiation of Leigh from other British creators; and how Leigh’s real life informs his work.

MARC DIPAOLO is Assistant Professor of English and Film at Oklahoma City University, USA. BRYAN CARDINALE-POWELL is a Visiting Assistant Professor of the Moving Image Arts Program at Oklahoma City University, USA. UK September 2013 • US July 2013 336 Pages HB 9781623565992 • £75.00 / $140.00 Individual eBook 9781623565640 • £74.99 / $115.99 Library eBook 9781623569532 • £225.00 / $362.00

Sebastian Manley Hal Hartley is considered one of the most significant contributors to the American ‘independent’ cinema that flowered in the late 1980s and that now occupies a very important place in the American film landscape. Through a detailed discussion of all of Hartley’s short and feature-length films, from cult classics such as The Unbelievable Truth and Trust to oddball genre experiments such as No Such Thing and Fay Grim to shorts such as Opera No . 1 and Accomplice and of their cultural-economic contexts, this book looks at how Hartley’s cultural position has shifted as a result both of his bold career choices and of contextual changes in 1990s and 2000s American film.

SEBASTIAN MANLEY recently completed a PhD in Film Studies at the University of East Anglia, UK. UK May 2013 • US July 2013 272 Pages HB 9781623564322 • £70.00 / $130.00 Individual eBook 9781623568658 • £69.99 / $107.99 Library eBook 9781623568801 • £210.00 / $337.00

www.bloomsbury.com • US, Canada, South America • 888-330-8477 • customerservice@mpsvirginia.com

11

F I L M D I R E C TO R S

F I L M D I R E C TO R S

Vertov, Snow, Farocki

Dark Energy

Machine Vision and the Posthuman

Hitchcock’s Absolute Camera and the Physics of Cinematic Spacetime

David Tomas This book begins with a comprehensive and original anthropological analysis of Vertov’s film The Man With a Movie Camera. Tomas then explores the film’s various aspects and contributions to media history and practice through detailed discussions of selected case studies. The first concerns the way Snow’s La Région Centrale and De La extend and/or develops important theoretical and technical aspects of Vertov’s original film, in particular those aspects that have made the film so important in the history of cinema. The linkage between Vertov’s film and the works discussed in the case studies will also serve to illustrate the historical and theoretical significance of a comparative approach of this kind.

DAVID TOMAS is a Professor at the School of Visual Arts, University of Quebec, Montreal, Canada.

UK November 2013 • US September 2013 240 Pages HB 9781441169150 • £60.00 / $120.00 Individual eBook 9781441172273 • £59.99 / $92.99 Library eBook 9781441163936 • £180.00 / $289.00

Keith McDonald and Roger Clark A critical exploration of one of the most exciting, original and influential figures to emerge in contemporary film, this book offers an in-depth discussion of Del Toro’s output and investigates key ideas, recurrent motifs and subtle links between his movies. In addition, the book will identify the influences that Del Toro draws upon in order to create such a rich and complex body of work. This includes the literary influences on films such as Pan’s Labyrinth and The Devil’s Backbone, the cinematic influence on Cronos and Mimic and the filmmaker’s engagement with comic book culture with Hellboy and Blade II. KEITH MCDONALD is Senior Lecturer in Literature, Film and Media at York St. John University, UK. ROGER CLARK was Senior Lecturer at York St. John University, UK. UK May 2014 • US March 2014 208 Pages HB 9781441124494 • £55.00 / $110.00 Individual eBook 9781623560133 • £54.99 / $84.99

Scott Wilson

UK June 2013 • US April 2013 256 Pages PB 9781623563394 • £39.99 / $39.95

12

PHILIP J. SKERRY is Professor Emeritus at Lakeland Community College, USA.

Conversations with Clint

Inspirations and Techniques

David Cronenberg’s Cinema of Confrontation

Alfred Hitchcock demonstrated an early fascination with the new art of the cinema. He entered the film industry in 1920, and by 1925 he had directed his first feature-length film, The Pleasure Garden. His subsequent film career mirrored the phenomenal growth of the film industry during the years 1925 to 1976, the year of his last film. In the same way, Hitchcock’s films paralleled the technological and scientific discoveries and inventions of the film industry: sound, color, lightweight cameras and tape recorders, silent running cameras, wide screen technologies. The author applies the theories of dark energy and neurocinematics to Hitchcock’s technological genius and camera aesthetics.

UK September 2013 • US July 2013 256 Pages PB 9781441189455 • £17.99 / $29.95 HB 9781441184016 • £55.00 / $100.00 Individual eBook 9781623568696 • £17.99 / $27.99 Library eBook 9781623564216 • £54.00 / $87.00

Guillermo del Toro

The Politics of Insects

Philip J . Skerry

new in PB

bestseller

Paul Nelson’s Lost Interviews with Clint Eastwood, 1979-1983 Edited by Kevin Avery Foreword by Jonathan Lethem “Can a collection of interviews be called poignantly brilliant? This one is.” Ken Tucker, Entertainment Weekly Eastwood has forged a remarkable career as a movie star, director, producer and composer. These newly discovered conversations with legendary journalist Paul Nelson return us to a point when, still acting in other people’s films, Eastwood was honing his directorial craft on a series of inexpensive films that he brought in under budget and ahead of schedule. The interviews were conducted from 1979 through 1983.

Eastwood talks openly and without illusions about his early career as an actor, old Hollywood, and his formative years as a director, his influence and what he learned along the way as an actor—lessons that helped him become the director he is today.

KEVIN AVERY is the author of Everything Is an Afterthought: The Life and Writings of Paul Nelson.

UK December 2011 • US October 2011 288 Pages PB 9781441165862 • £12.99 / $19.95

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302699 • orders@macmillan.co.uk

A New History of Documentary Film

2nd

edition

bestseller textbook

Betsy A . McLane Building upon her 2005 edition, McLane keeps the chronological examination, factual reliability, ease of use and accessible prose style as before, while also weaving three new threads— Experimental Documentary, Visual Anthropology and Environmental/Nature Films—into the discussion.

She provides emphasis on archival and preservation history, present practices, and future needs for documentaries. Along with preservation information, specific problems of copyright and fair use, as they relate to documentary, are considered.

BETSY A. MCLANE is the Director Emerita of the International Documentary Association.

UK August 2012 • US June 2012 448 Pages • 103 Illustrations PB 9781441124579 • £19.99 / $34.95

Documentary Case Studies Behind the Scenes of the Greatest (True) Stories Ever Told Jeff Swimmer This book walks readers through the fixes and missteps that today’s documentarians dealt with at all stages to create their masterworks from development, fundraising and pre-production, through production and then post. This book will unlock the secrets of the craft, by meeting filmmakers who tackle production challenges in the most resourceful ways. Documentaries studied include Taxi To The Dark Side and Spellbound.

JEFF SWIMMER is Associate Professor at Chapman University’s Dodge College of Film and Media Arts, USA. UK March 2014 • US January 2014 160 Pages PB 9781623569433 • £16.99 / $27.95 HB 9781623566111 • £50.00 / $90.00 Individual eBook 9781623567552 • £16.99 / $26.99 Library eBook 9781623567293 • £51.00 / $82.00

The Environmental Documentary

Dreams in American Television Narratives From Dallas to Buffy Cynthia Burkhead The first comprehensive analysis of one of American television’s most frequently utilized tropes, the dream. Locating TV’s primary function as narrative, the author uses examples from American sitcoms and dramatic programs, analyzing the narrative functions of dreams using, as its frame, Carl Jung’s narrative stages of the dream: exposition, development, culmination, and conclusion. While television dreams are analyzed throughout, case studies of the television programs The Sopranos and Buffy the Vampire Slayer are included to show in detail how dreams function throughout a television series.

CYNTHIA BURKHEAD is an English instructor at the University of North Alabama, USA.

UK July 2013 • US June 2013 160 Pages HB 9781441198105 • £60.00 / $110.00 Individual eBook 9781441125231 • £59.99 / $92.99 Library eBook 9781441124173 • £180.00 / $289.00

Television Aesthetics and Style

D O C U M E N TA R Y F I L M / T E L E V I S I O N

D O C U M E N TA R Y F I L M / T E L E V I S I O N

textbook

Edited by Steven Peacock and Jason Jacobs The question of how television operates on a stylistic level has been critically underexplored, despite being fundamental to our viewing experience.

This significant new work redresses a vital gap in Television Studies by engaging with the stylistic dynamics of TV; exploring the aesthetic properties and values of both the medium and specific programmes; and raising important questions about the way we judge television as both cultural artifact and art form.

STEVEN PEACOCK is Senior Lecturer in Film at the University of Hertfordshire, UK. JASON JACOBS is Reader in Cultural History at the University of Queensland, Australia.

UK August 2013 • US July 2013 256 Pages PB 9781441157515 • £18.99 / $32.95 HB 9781441179920 • £55.00 / $100.00 Individual eBook 9781623562496 • £18.99 / $29.99 Library eBook 9781623569037 • £57.00 / $92.00

Cinema Activism in the 21st Century John A . Duvall Provides the first detailed coverage of the most important environmental films of the decade, including their approach to their topics and their impacts on public opinion and political debate. The text also examines the processes of production and distribution that have produced this explosion in documentaries. The films range from a high-profile Hollywood production with theatrical distribution like An Inconvenient Truth, to shorter independently produced films like The End of Suburbia, that have reached a small audience of activists through video distribution and word of mouth.

JOHN A. DUVALL is Assistant Professor of Communications at Dominican University of California, USA. UK March 2014 • US January 2014 256 Pages HB 9781441176110 • £70.00 / $130.00 Individual eBook 9781441197283 • £69.99 / $107.99 Library eBook 9781441122490 • £210.00 / $337.00

The HBO Effect Dean J . DeFino No advertisers to please, no censors to placate, no commercial interruptions every 11 minutes, HBO rewrote the rules of television and the result has been nothing short of a cultural ground shift. Their decision to focus on smaller markets made shows like Sex and the City, The Sopranos, The Wire, and True Blood, trigger basic cable networks to follow suit. This book examines The Home Box Office’s remarkable impact upon television and popular culture.

DEAN J. DEFINO is Associate Professor of English and Director of Film Studies at Iona College, USA. UK November 2013 • US September 2013 240 Pages PB 9780826421302 • £12.99 / $19.95 HB 9781441180438 • £45.00 / $75.00

www.bloomsbury.com • US, Canada, South America • 888-330-8477 • customerservice@mpsvirginia.com

13

TELEVISION

TELEVISION

The Last Western

Transmedia Television

Deadwood and the End of American Empire

New Trends in Network Serial Production

Edited by Paul Stasi and Jennifer Greiman “This timely volume goes a long way to redress the dearth of scholarship on one of the richest television dramas in recent years....Several of the chapters will be required reading for my course on contemporary American television.” Ted Nanicelli, Lecturer, Screen and Media Studies, University of Waikato, New Zealand By placing Deadwood among the other significant HBO shows that interrogate American iconography and culture at the turn of this century—The Sopranos and The Wire—Stasi and Greiman have produced a cohesive examination of what they call “The Last Western” through a variety of academic voices and disciplines. Grounding contemporary anxieties about race and class, domesticity and American exceptionalism in its 19th-century setting, Deadwood revises our understanding of a formative period for the American nation through a re-examination of one of the main genres through which this national story has been transmitted: the Western.

PAUL STASI is Assistant Professor of English at the University at Albany, USA. JENNIFER GREIMAN is Associate Professor of English at the University at Albany, USA. UK February 2012 • US December 2013 224 Pages PB 9781441126306 • £17.99 / $29.95 HB 9781441164582 • £55.00 / $100.00 Individual eBook 9781441151148 • £17.99 / $27.99 Library eBook 9781441126528 • £54.00 / $87.00

M .J . Clarke Faced with what many were calling a dying medium, U.S. network TV producers became much more aggressive in seeking out alternative business and artistic models. Many producers turned to the emerging field of transmedia (ancillary texts in comicbooks, novels and new media) for new content.

In this book, the author examines four such programs (24, Alias, Heroes and Lost) and investigates how transmedia was incorporated into TV production.

Split into two parts, the book first paints a picture of how transmedia producers were, or were not, incorporated into creative decisionmaking centers of these programs. The second section explains how the presence of off-site transmedia texts begins to alter the very narrative construction of the on-air series themselves.

M.J. CLARKE recently earned his PhD in Film and Television from UCLA, USA. UK February 2013 • US December 2012 224 Pages PB 9781441165527 • £17.99 / $29.95 HB 9781441183002 • £55.00 / $100.00 Individual eBook 9781441190598 • £17.99 / $27.99 Library eBook 9781441144133 • £54.00 / $87.00

Television on Demand Curatorial Culture and the Transformation of TV MJ Robinson

The Wire

bestseller

Urban Decay and American Television Edited by Tiffany Potter and C .W . Marshall The first collection of critical essays on HBO’s The Wire, the most brilliant and socially relevant television series in years. Over its five season run (2002-2008), the show presented several overlapping narrative threads, all set in the city of Baltimore. The series consistently deconstructed the conventional narratives of law, order, and disorder, offering a view of America that has never before been admitted to the public discourse of the televisual. By focusing on four main topics (Crime, Law Enforcement, America, and Television), this book examines the series’ place within popular culture and its representation of the realities of inner city life, social institutions, and politics in contemporary American society.

TIFFANY POTTER teaches in the Department of English at the University of British Columbia, Canada. C.W. MARSHALL is an Associate Professor of Classical, Near Eastern and Religious Studies in the Department of English at the University of British Columbia, Canada.

The rise of a curatorial culture where viewers create their own entertainment packages and select from a buffet of viewing options and venues has caused a seismic shift for the traditional TV industry.

While audiences clamor for more story-driven and scripted entertainment, their new viewing habits undermine the dominant economic structures that fund quality episodic series. This book examines how we have reached this present moment and considers the viable future(s) of this crucial culture industry. This leads to an understanding of an empowered audience that realizes its means of control of how it consumes media, as well as a new way of looking at the industry we call ‘television.’

MJ ROBINSON is a political economist/broadcast historian and an Assistant Professor of Communication Arts at Marymount Manhattan College, USA. UK November 2013 • US October 2013 224 Pages PB 9781441148094 • £17.99 / $29.95 HB 9781441193988 • £55.00 / $100.00

UK February 2010 • US December 2009 264 Pages PB 9780826438041 • £16.99 / $27.95 HB 9780826423450 • £40.00 / $75.00 Individual eBook 9780826434777 • £16.99 / $26.99 Library eBook 9781441182685 • £51.00 / $82.00

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www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302699 • orders@macmillan.co.uk

Mass Communications and Media Studies

bestseller

Peyton Paxson This primary text surveys the history of mass communication media, discusses the current state of each medium, and anticipates the future of mass media. Its focus is a broad survey of the mass media industry and the role it plays in society, which distinguishes it from books that focus solely on communications theory. Divided into 12 chapters, it can be used in either 16-week semesters or 12-week terms. Written in an accessible and wellorganized manner, and directed toward a distinct yet sizeable student population, this textbook should prove attractive to a great number of two-year college faculty members.

PEYTON PAXSON teaches at Middlesex Community College in Massachusetts, USA. UK January 2011 • US November 2010 264 Pages • 48 Illustrations PB 9781441108951 • £14.99 / $24.95

Kevin Williams

Steve Fuller

textbook

An Introduction

Understanding Media Theory

Media and the Power of Knowledge

2nd

edition

textbook

Traces the evolution of how media has transformed global and social knowledge by drawing a line from the printing press to the rise of electronic communication. Fuller points to the spread of publishing and the rise of technology such as telegraphy that allowed researchers to connect, and allowed the first forms of collective intelligence to flourish. With the invention of the internet, globally accessible information has become possible and has fundamentally altered how we form public opinion. Finally, he looks at the role of media moguls and the function of the critic, pundit and broadcaster, and investigates how the balance of power has shifted in recent years.

STEVE FULLER is Professor of Sociology at Warwick University, UK. UK October 2013 • US December 2013 208 Pages PB 9781780930923 • £19.99 / $29.95 HB 9781780930060 • £65.00 / $120.00 Individual eBook 9781780930084 • £19.99 / $30.99 Library eBook 9781780930091 • £60.00 / $96.00

Cultural Science The Evolution of Meaningfulness

Updated to account for the new technology and theory that emerged in the last decade, the author seeks to emphasize the importance of using theory not only to make sense of the role of media in society but also to understand particular aspects of mass communication.

KEVIN WILLIAMS is Professor of Media and Communication Studies and is Head of the School of Arts at Swansea University, UK. UK October 2013 • US December 2013 320 Pages PB 9780340983263 • £19.99 / $19.99 Individual eBook 9781780932750 • £19.99 / $30.99 Library eBook 9781780932767 • £60.00 / $96.00

Revolutions in Communication Media History from Gutenberg to the Digital Age

bestseller textbook

Bill Kovarik “An encyclopedic look at the way technological change has linked social and ideological communities....A stunning work of research.”

Maurine H . Beasley, Professor Emerita of Journalism, University of Maryland College Park, USA The rise of the Information Age, the fall of the traditional media, and the bewildering explosion of personal information services are all connected to the historical chain of communications’ revolutions. We need to understand these revolutions because they influence our present and future as much as any other trend in history. And we need to understand them not simply on a national basis—an unstable foundation for history in any event—but rather as part of the emergent global communications network.

BILL KOVARIK is a Professor of Communication at Radford University, USA. UK September 2011 • US July 2011 384 Pages • 80 Illustrations PB 9781441114600 • £19.99 / $34.95 HB 9781441194954 • £65.00 / $120.00

M E D I A T H E O RY & H I S TO RY

M E D I A T H E O RY & H I S TO RY

John Hartley and Jason Potts Brings together a range of scholarship from across disciplines to build a evolutionary approach to how we research, and study, our culture. Chapters are organised around a series of questions which look at what characterizes cultural science, what can be done with it, and how readers can adapt and adopt the approach to pursue their own discoveries.

JOHN HARTLEY is Professor of Cultural Science and Director of the Centre for Culture and Technology at Curtin University, Australia and professor at Cardiff University, Wales. JASON POTTS is Associate Professor and Principal Research Fellow in the School of Economics, Finance and Marketing at RMIT University, Melbourne, Australia.

UK October 2013 • US December 2013 208 Pages HB 9781849666022 • £50.00 / $90.00 Individual eBook 9781849666039 • £49.99 / $77.99 Library eBook 9781849666046 • £150.00 / $241.00

Beyond the Screen Future Fictions and Audiences Sarah Atkinson Within multi-platform films and dramas the fourth wall—the invisible barrier that separates the onscreen fictional world from the audience— has crumbled. The adoption of technologies such as mobile devices for digital media consumption and social networking, has led to the emergence of hybrid forms of fictions where stories are experienced across many platforms for prolonged periods of time. The boundary between reality and fiction blurs, cinematic and televisual genres merge and the audience is able to participate within the fictional world as never before. This book maps the development of these forms through the examination of various cutting-edge, international case studies of multi-platform fictions.

SARAH ATKINSON is Principal Lecturer in Broadcast Media at the University of Brighton, UK. UK February 2014 • US December 2013 256 Pages HB 9781623566371 • £65.00 / $120.00

www.bloomsbury.com • US, Canada, South America • 888-330-8477 • customerservice@mpsvirginia.com

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M E D I A T H E O RY & H I S TO RY

M E D I A T H E O RY & H I S TO RY International Texts in Critical Media Aesthetics Series Editor: Francisco J . Ricardo co-founded the Digital Video Research Archive at Boston University . He previously taught Digital Media Theory at the Digital + Media Department, Rhode Island School of Design, USA Transcending the hype that has accompanied—and distorted—popular understanding of the creative potential of new media, International Texts in Critical Media Aesthetics provides a critical perspective on electronic art, literature, performance, architecture, and film. The series examines the problem of how technology as a creative medium simultaneously relies upon and differs from conventional media for creative expression in these key humanistic disciplines .

Software Takes Command Lev Manovich

open

What was the thinking and motivation of people who in the 1960s and 70s created concepts that underlie contemporary media software such as InDesign, Illustrator, Maya, and Final Cut? How do their interfaces and tools shape the visual aesthetics of contemporary media and design? Manovich answeres these questions and supports his theoretical arguments by detailed analysis of key media applications such as Photoshop and After Effects, popular web services such as Google Earth, and the projects in motion graphics, interactive environments, graphic design and architecture.

LEV MANOVICH is a Professor at CUNY Graduate Center, USA, a Director of the Software Studies Initiative at California Institute for Telecommunications and Information Technology, USA, and a Visiting Professor at European Graduate School.

UK August 2013 • US July 2013 320 Pages PB 9781623567453 • £17.99 / $29.95 HB 9781623568177 • £55.00 / $100.00 Individual eBook 9781623562618 • £17.99 / $27.99 Library eBook 9781623566722 • £54.00 / $87.00 Series: International Texts in Critical Media Aesthetics

3D History, Theory and Aesthetics of the Transplane Image Jens Schroeter Appearing for the first time in English, Schroeter’s comprehensive study of the aesthetics of the 3D image is a major scholarly addition to this evolving field. Citing case studies from the history of both technology and the arts, this authoritative book charts the development in the theory and practice of three-dimensional images, which were widely used in the 20th century for military, scientific and medical applications, but now in the 21st century, being adopted by television and film.

The Engagement Aesthetic Experiencing New Media Art through Critique Francisco J . Ricardo Ricardo proposes an ‘engagement aesthetic’ as revealing certain commonalities in the practices of new media art and thus as providing a crucial critical framework. By examining specific works in multiple categories (performance and digital projection; kinetic sculpture and video; projection and text messaging, etc.), Ricardo implements the use of phenomenology in order to understand the processes necessary to complete these emerging types of works. He first examines specific works through structural description, moving to analysis of individual viewer perspectives, and ends with critical questions about the place of this perceptual experience in current ideological and institutional contexts.

FRANCISCO J. RICARDO is affiliated with the University Professors of Boston University, cofounder of the Digital Video Research Archive, and taught digital media theory at the Rhode Island School of Design, USA. UK July 2013 • US May 2013 240 Pages PB 9781623560409 • £19.99 / $34.95 HB 9781623561345 • £65.00 / $120.00 Individual eBook 9781623569280 • £19.99 / $30.99 Library eBook 9781623569617 • £60.00 / $96.00 Series: International Texts in Critical Media Aesthetics

Projected Art History The Biopic, Celebrity Culture, and the Popularizing of American Art Doris Berger Highlights the narrative structure and images created in the film genre of biopics, in which the artist’s life is being dramatized and embodied by an actor. Berger offers an analytical approach by concentrating on the two case studies: Basquiat and Pollock, but also looks at larger issues at play, such as how postwar American art history is being mediated in a popular format such as the biopic.

JENS SCHRÖTER is a professor of Theory and Practice of Multimedia Systems at the University of Siegen, Germany.

UK March 2014 • US January 2014 304 Pages PB 9781441167262 • £22.99 / $39.95 HB 9781441194084 • £70.00 / $130.00 Individual eBook 9781441148162 • £22.99 / $35.99 Library eBook 9781441129994 • £69.00 / $111.00 Series: International Texts in Critical Media Aesthetics

Recent titles in the series:

DORIS BERGER is a postdoctoral Fellow at the Getty Research Institute in Los Angeles, USA. UK February 2014 • US December 2013 336 Pages HB 9781623560324 • £75.00 / $140.00 Individual eBook 9781623566500 • £74.99 / $115.99 Library eBook 9781623567347 • £225.00 / $362.00 Series: International Texts in Critical Media Aesthetics

New Directions in Digital Poetry C .T . Funkhouser

PB 9781441115911 • £19.99 / $34.95 HB 9781441165923 • £65.00 / $120.00

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Cybertext Poetics

Creative Enterprise

The Critical Landscape of New Media Literary Theory

Contemporary Art between Museum and Marketplace

Markku Eskelinen

Martha Buskirk

PB 9781441107459 • £22.99 / $39.95 HB 9781441124388 • £70.00 / $130.00

PB 9781441188205 • £22.99 / $39.95 HB 9781441133397 • £70.00 / $130.00

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The Ethics of Emerging Media

bestseller

Information, Social Norms, and New Media Technology Edited by Bruce E . Drushel and Kathleen German

Critical Theory and Contemporary Society Series Editor: Darrow Schecter, University of Sussex, UK

“Should be required reading for any scholar interested in contemporary digital communication practices.” Cheryl E . Ball, Associate Professor of New Media Studies, Illinois State University, USA Centering on different new media forms from eBay to Wikipedia, each chapter raises questions about how changing media formats affect current theoretical understanding of ethics. By interrogating traditional ethical theory, we can better understand the challenges to ethical decision making in an age of rapidly evolving media.

Critical Theory and Contemporary Society is a series of monographs that explore the relation between contemporary society as a complex and highly differentiated phenomenon on the one hand, and critical theory as a correspondingly sophisticated methodology for studying and understanding it on the other .

Critical Theory and the Digital David M . Berry This volume offers an original analysis of the role of the digital in today’s society. It rearticulates critical theory by engaging it with the challenges of the digital revolution to show how the digital is changing the ways in which we lead our politics, societies, economies, media, and even private lives.

BRUCE DRUSHEL is Assistant Professor of Communication at Miami University, USA. KATHLEEN GERMAN is Professor of Communication at Miami University, USA. UK May 2011 • US March 2011 288 Pages • 15 Illustrations PB 9781441183354 • £19.99 / $34.95 HB 9781441118363 • £65.00 / $120.00 Individual eBook 9781441178237 • £19.99 / $30.99 Library eBook 9781441100252 • £60.00 / $96.00

DAVID M. BERRY teaches in the Department of Political and Cultural Studies at Swansea University, UK.

Internet, Society and Culture Communicative Practices Before and After the Internet Tim Jordan Traces how people who have nothing and everything to share in their everyday communications use the technologies at hand to sustain a fantasy of presence, even when communicating with remote others. By contrasting the letter writing practices of early Australian colonizers with the contemporary performative practices of gamers colonizing virtual spaces, the author explains how people play with matter, performativity and presence to tell stories that both stabilize and reinvent the place of the self at a given point in time.

TIM JORDAN is Senior Lecturer at King’s College, UK.

The Temporal Turn in Contemporary Art Christine Ross

UK December 2013 • US October 2013 336 Pages PB 9781623566753 • £27.99 / $49.95

UK February 2013 • US December 2012 192 Pages HB 9781441166395 • £65.00 / $120.00 Individual eBook 9781441173607 • £64.99 / $100.99 Library eBook 9781441118301 • £195.00 / $313.00 Series: Critical Theory and Contemporary Society

Recent titles in the series Critical Theory and Film Rethinking Ideology Through Film Noir Fabio Vighi

HB 9781441111425 • £65.00 / $120.00 Individual eBook 9781441124937 • £19.99 / $23.99 Library eBook 9781441139122 • £65.00 / $120.00

Communication in Modern Social Ordering

new in PB

History and Philosophy

UK March 2013 • US January 2013 176 Pages HB 9781441134875 • £60.00 / $110.00 Individual eBook 9781441154101 • £59.99 / $92.99 Library eBook 9781441147875 • £180.00 / $289.00

The Past is the Present, It’s the Future Too

M E D I A T H E O RY & H I S TO RY

M E D I A T H E O RY & H I S TO RY

Kai Eriksson

UK June 2013 • US April 2013 PB 9781623568382 • £19.95 / $34.95

new in PB

Media, Masculinities, and the Machine

new in PB

F1, Transformers, and Fantasizing Technology at its Limits Dan Fleming and Damion Sturm UK June 2013 • US April 2013 248 Pages PB 9781623565114 • £20.00 / $30.00

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D I G I TA L A R T S & A N I M AT I O N

D I G I TA L A R T S & A N I M AT I O N Bloomsbury New Media

Co-creating Videogames John Banks

Series Editors: Leslie Haddon, London School of Economics, UK and Nicola Green, University of Surrey, UK

Provides a thorough and nuanced theory of production in the maturing Web 2.0 era. Based on original ethnographic research, Banks convincingly shows how video production these days is the outcome of an evolutionary process between economic and cultural, commercial and noncommercial factors.

This series aims to provide students with historically-grounded and theoretically-informed studies of significant aspects of new media.

Digital Arts An Introduction to New Media Cat Hope A unique combination of writers brings depth to this volume, which begins with the historical context of digital arts, moves through to the flux of contemporary forms, and concludes with trends in distribution and archival processes. Starting from artists’ imperative to adopt new technologies creatively, the chapters of the book progressively present a study of the impact of the digital upon creative methodologies and upon the exhibition, distribution and archiving of arts networks.

CAT HOPE is head of composition and music technology at the Western Australian Academy of Performing Arts, Edith Cowan University, Australia.

UK April 2014 • US February 2014 224 Pages PB 9781780933238 • £17.99 / $29.95 HB 9781780933207 • £55.00 / $100.00 Individual eBook 9781780933214 • £17.99 / $27.99 Library eBook 9781780933290 • £54.00 / $87.00 Series: Bloomsbury New Media

Recent titles in the series: The Internet An Introduction to New Media Lelia Green PB 9781847882998 • £17.99 / $29.95 HB 9781847882981 • £55.00 / $99.95

JOHN BANKS is Senior Lecturer in the Creative Industries Faculty at Queensland University of Technology, Australia.

UK May 2013 • US July 2013 192 Pages HB 9781849664967 • £50.00 / $75.00 Individual eBook 9781849666640 • £49.99 / $77.99 Library eBook 9781849666657 • £150.00 / $241.00

Virtual Reality Representations in Contemporary Media Melanie Chan During the 1980s to the 90s, virtual reality and cyberspace were represented, particularly in fiction, as a wondrous technology that enabled transcendence from the limitations of physical embodiment.

The purpose of this critical historical analysis of representations of virtual reality is to examine how they might deny, repress or overlook embodied experience. Specifically, the author will contend that embodiment is a fundamental aspect of immersion in virtual reality, rather than something which is to be transcended.

MELANIE CHAN teaches on the BA Hons Media, Communication, Cultures course at Leeds Metropolitan University, UK. UK March 2014 • US January 2014 208 Pages HB 9781441175311 • £55.00 / $110.00 Individual eBook 9781623564742 • £54.99 / $84.99

Mobile Communications An Introduction to New Media Nicola Green and Leslie Haddon PB 9781845208141 • £16.99 / $29.95 HB 9781845208134 • £55.00/ $99.95

Games and Gaming An Introduction to New Media Larissa Hjorth

PB 9781847884916 • £17.99 / $29.95 HB 9781847884923 • £50.00 / $94.95

Playing with the Past Digital Games and the Simulation of History Edited by Matthew Wilhelm Kapell and Andrew B .R . Elliott The goal of this collection is to focus on the ways in which gamers engage with, play with, recreate, subvert, reverse and direct the historical past, and what effect this has on the ways in which we go about constructing the present or imagining a future. What can WWII strategy games teach us about the reality of this complex and multifaceted period? Do the possibilities of playing with the past change the way we understand history? Drawing these threads together, this book concludes by asking whether digital games alter the way we, today, understand history itself.

MATTHEW WILHELM KAPELL has graduate degrees in Biological Anthropology and History as well as a Ph.D. in American Studies. ANDREW ELLIOTT is a Lecturer in Media and Cultural Studies at the University of Lincoln, UK. UK January 2014 • US November 2013 320 Pages PB 9781623567286 • £22.99 / $39.95 HB 9781623566142 • £70.00 / $130.00 Individual eBook 9781623568245 • £22.99 / $35.99 Library eBook 9781623563875 • £69.00 / $111.00

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www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302699 • orders@macmillan.co.uk

AVA Basics Our Basics books offer both a theoretical and practical introduction to key topics, supported by examples and exercises . Individual titles can form the basis of specific modules, while the series as a whole functions as a comprehensive reference tool and can be called upon at any stage of a student’s education .

Basics Animation 01: Scriptwriting

textbook

Basics Animation 03: Drawing for Animation

textbook

Paul Wells

Paul Wells with Joanna Quinn and Les Mills

“This book is a must-have for the independent animator’s bookshelf.” Stop Motion Magazine

Drawing is a fundamental part of the preparatory stages of virtually all design-led projects; it is the core method by which ideas and concepts are envisaged and ultimately shared with collaborators, clients and audiences. This book introduces readers to the practice of drawing images for use in animation and examines the techniques involved with drawing characters, composition and movement, narrative and adaptation.

This book details the issues faced by the animation scriptwriter, and the techniques to overcome them.

It also seeks to promote the unique qualities of animation as a form of expression, using many images to illustrate and emphasise points made in the text. The author looks at genres in animation as a starting point for scripting, employing a range of case studies from feature films to public relations work to independent productions.

PAUL WELLS is Professor of Animation at Loughborough University, UK.

JOANNA QUINN’s work has received two Oscar nominations and won Emmys, Baftas, and Jury prizes worldwide. LES MILLS’ work has received an Oscar nomination and won three Emmys.

UK October 2007 • US November 2007 184 Pages • 200 colour images PB 9782940373161 • £17.95 / $29.95 Library eBook 9782940439829 • £54.00 / $87.00

UK October 2008 • US December 2008 192 Pages • 200 colour images PB 9782940373703 • £17.95 / $29.95 Library eBook 9782940439553 • £54.00 / $87.00

Basics Animation 02: Digital Animation

textbook

Andrew Chong “An excellent and contemporary survey of the genre.” Mark Owen, Kingston College, UK Digital technology has made the production of animation simpler, faster and more widely available than at any time in cinema history. The various tools available to novice and professional alike have broadened the palette of the animator so that the boundaries between media have blurred. This book is a comprehensive look at the history of the medium, its growth and development over the last fifty years.

ANDREW CHONG works at the Loughborough University Animation Academy, UK. UK June 2008 • US August 2008 176 Pages • 200 colour images PB 9782940373567 • £17.95 / $29.95 Library eBook 9782940439546 • £54.00 / $87.00

Basics Animation 04: Stop-motion

D I G I TA L A R T S & A N I M AT I O N

D I G I TA L A R T S & A N I M AT I O N

textbook

Barry Purves “A fine introduction to the craft....To say this book is a perfect companion for anyone interested in stop-motion at any level is a tremendous understatement.”

Mark Osborne, co-director of Kung Fu Panda Explores how all the elements of film-making— camera work, design, color, lighting, editing, music and storytelling—come together in this unique art form. Readers will learn to use the particular types of movement, characters and stories that typify stop-motion.

BARRY PURVES is a veteran stop-motion animator and director, the recipient of major awards, including Best Director, Best Film, and Oscar and BAFTA nominations.

UK April 2010 • US May 2010 184 Pages • 200 colour images PB 9782940373734 • £19.95 / $29.95 Individual eBook 9782940476251 • £19.95 / $30.99 Library eBook 9782940439515 • £60.00 / $96.00

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D I G I TA L A R T S & A N I M AT I O N

D I G I TA L A R T S & A N I M AT I O N

The Fundamentals of Animation

textbook

Essays on Filmmaking in Virtual Worlds Edited by Jenna Ng

Paul Wells “Beyond being a textbook, it strikes me as being a very rich resource for animators and film-makers.”

Thomas Castillo, University of Arizona, USA Discusses the key principles and processes involved in animation, exploring the entirety of the creative process from finding and researching a concept, through the preparation and techniques used, to the execution of the work. Each stage is presented in an engaging visual style, accompanied by examples and analysis of contemporary student and commercial animation.

PAUL WELLS is Professor of Animation at Loughborough University, UK. UK August 2006 • US June 2006 196 Pages • 300 colour images PB 9782940373024 • £19.95 / $29.95 Individual eBook 9781623564056 • £19.99 / $30.99 Library eBook 9782940439898 • £60.00 / $96.00

Bringing Imaginary Animal, Human and Fantasy Characters to Life

JENNA NG is currently a Newton Trust/Leverhulme Early Career Fellow at the Centre for Research in the Arts, Social Sciences and Humanities (CRASSH) at the University of Cambridge, UK.

Wag the Dog

Nancy Beiman “Packed with amusing illustrations, inspiring anecdotes and lively examples, Beiman’s book acts as the kind of teacher we all wish we had in school.” Ramin Zahed, Animation Magazine This illustratd guide, written by a former Disney animator, demonstrates how species, weight and design can affect character actions, so that no two character performances are ever alike. It also examines the ways in which a character’s movements vary with the emotional or narrative context. Hundreds of thumbnail drawings show how cloth, paper, wood, animal, invertebrate, winged, aquatic and mechanical beings can live and move without losing their non-human qualities.

NANCY BEIMAN is a Professor at the Sheridan Institute of Technology and Advanced Learning in Oakville, Canada.

UK September 2010 • US September 2010 232 Pages • 250 Illustrations PB 9782940373819 • £35.00 / $49.95 Library eBook 9782940439683 • £105.00 / $169.00

A History of Disney Feature Animation

Explores the unique and fascinating combination of cinema, animation and games. Machinima makes for a very cost- and time-efficient way to produce films, with a large amount of creative control, by combining the techniques of filmmaking, animation production and the technology of real-time 3D game engines.

With an opening preface by Henry Lowood, the leading academic studying Machinima, as well as a closing interview with Cao Fei, a Beijing-based artist who works mainly in Second Life, the collection features theoretical discussions addressing machinima from non-gaming perspectives.

UK September 2013 • US July 2013 304 Pages PB 9781441104489 • £19.99 / $34.95 HB 9781441140524 • £65.00 / $120.00 Individual eBook 9781441124531 • £19.99 / $30.99 Library eBook 9781441149626 • £60.00 / $96.00

Animated Performance

Demystifying Disney

Understanding Machinima

A Study on Film and Reality in the Digital Age Eleftheria Thanouli Wag the Dog is a film that became a media event because it inadvertently short-circuited the distance that is supposed to separate reality and fiction. The film’s narration challenges the established boundaries between the fiction and nonfiction tradition, as Barry Levinson, the director, embeds his interest in documentary filmmaking and complicates the issue of narrative agency in the way he frames the story.

The examination of the historical and social context in which it was produced, exhibited and received worldwide enables the author to illuminate a series of changes in the way a fiction film reflects and interacts with reality, urging us to reconsider some of our central and long-standing concepts or even paradigms in film theory.

ELEFTHERIA THANOULI is Assistant Professor in Film Theory at the Film Department at Aristotle University of Thessaloniki, Greece.

UK October 2013 • US August 2013 208 Pages HB 9781441189363 • £55.00 / $100.00 Individual eBook 9781441122810 • £54.99 / $84.99 Library eBook 9781441198716 • £165.00 / $265.00

new in PB

Chris Pallant

UK June 2013 • US April 2013 PB 9781623567446 • £33.99 / $29.95

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www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302699 • orders@macmillan.co.uk

Drawing Borders The American-Canadian Relationship during the Gilded Age David R . Spencer Canada has not always had the role of ‘friendly neighbour to the north.’ In fact, the seemingly peaceful history of relations between the United States and Canada is punctuated with instances of border disputes, annexation manifestos and trade disagreements. This book reveals the complexity of this relationship through a fascinating examination of political cartoons that appeared both in the U.S. and Canada from 1849 through the 1990s.

DAVID R. SPENCER is Professor of Information and Media Studies at the University of Western Ontario, Canada.

UK January 2013 • US November 2012 240 Pages • 141 cartoons HB 9781441199072 • £70.00 / $130.00 Individual eBook 9781441109125 • £69.99 / $107.99 Library eBook 9781441109125 • £210.00 / $337.00

A Right to Offend Brian Winston This book is an account of the current state of freedom of expression in the western world. The author analyses all the most pertinent cases of conflict during the last two decades including the fatwa against Salman Rushdie and the incident of the Danish cartoons of Muhammed. By examining cultural, legal and journalistic aspects of each case, Winston offers a deeper understanding of the increasingly threatening environment in which free speech operates and is defended, as well as how it informs and is central to journalistic practice and media freedom.

BRIAN WINSTON is Professor of Communications and holder of the Lincoln Chair at the University of Lincoln, UK. UK September 2012 • US November 2012 432 Pages PB 9781849660037 • £24.99 / $44.95 HB 9781849660150 • £75.00 / $140.00 Individual eBook 9781849664400 • £24.99 / $37.99 Library eBook 9781849664394 • £75.00 / $120.00

Arab Women in Arab News Old Stereotypes and New Media Amal Al-Malki, David Kaufer, Suguru Ishizaki and Kira Dreher “Turning the representational lens inward to the Arab world, Amal Al-Malki et al reveal complex and riveting images of Arab women in Arab news.”

Suad Joseph, University of California, Davis, USA

JOURNALISM

JOURNALISM

This book examines the portrayal of Arab women in current Arab news asking whether Western stereotypes are reinforced or complicated.

AMAL AL-MALKI is Assistant Teaching Professor of Literature at Carnegie Mellon University in Qatar. DAVID KAUFER is Professor of English at Carnegie Mellon University, USA. SUGURU ISHIZAKI is Associate Professor of English at Carnegie Mellon University, USA. KIRA DREHER is Visiting Instructor of English at Carnegie Mellon University, Qatar.

UK March 2012 • US April 2013 336 Pages PB 9781780930428 • £25.00 / $44.95 Individual eBook 9781780931258 • £24.99 / $37.99 Library eBook 9781780931241 • £75.00 / $120.00 World All Languages (excluding Middle East/North Africa)

News Media in the Arab World A Study of 10 Arab and Muslim Countries Edited by Barrie Gunter and Roger Dickinson This collection contains separately authored chapters produced by the researchers responsible for each original analysis: Bahrain, Egypt, Iraq, Kuwait, Libya, Oman, Qatar, Palestine, Saudi Arabia and United Arab Emirates. Based on original primary and secondary research, it blends perspectives from both the Western and Arab nations.

BARRIE GUNTER is Professor of Mass Communication and Head of the Department of Media and Communication at the University of Leicester, UK. ROGER DICKINSON is a Senior Lecturer in the Department of Media and Communication at the University of Leicester, UK. UK September 2013 • US July 2013 192 Pages PB 9781441174666 • £18.99 / $32.95 HB 9781441114075 • £60.00 / $110.00 Individual eBook 9781441144881 • £18.99 / $29.99 Library eBook 9781441102393 • £57.00 / $92.00

The Language of Journalism A Multi-genre Perspective Michael Higgins and Angela Smith This book explores the significance of a range of linguistic practices occurring in journalism, demonstrating and facilitating the use of analysis in aiding professional journalistic and media practice.

It also introduces the differences in language conventions that develop across media platforms, including sport, online and citizen journalism alongside the more standard chapters on magazine, newspaper and broadcast journalism.

MICHAEL HIGGINS is Director of the Journalism and Creative Writing programme at the University of Strathclyde, UK. ANGELA SMITH is Senior Lecturer at the University of Sunderland, UK. UK June 2013 • US August 2013 208 Pages PB 9781849660662 • £19.99 / $19.99 Individual eBook 9781780932279 • £19.99 / $30.99 Library eBook 9781780932286 • £60.00 / $96.00

www.bloomsbury.com • US, Canada, South America • 888-330-8477 • customerservice@mpsvirginia.com

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JOURNALISM

JOURNALISM

Trauma Journalism

bestseller

Magazine Movements Women’s Culture, Feminisms and Media Form

On Deadline in Harm’s Way

Laurel Forster

Mark H . Massé Witnessing acts of violence, destruction and terror has long been the professional responsibility of print and broadcast reporters and photographers. But what is new is a growing awareness of the emotional consequences of such coverage on the victims, their families, their communities, and on the journalists whose job it is to tell these stories. The author personalizes this movement with in-depth profiles of reporters, researchers and trauma experts engaged in an international effort to transform how the media work under the most difficult of conditions. Through biographical sketches concerning several traumatic events (Oklahoma City bombing, Columbine school tragedy, 9/11, Iraq War, the South Asian tsunami, Hurricane Katrina), readers will gain insights into the critical components of contemporary journalism practices affecting news judgment, news gathering techniques, as well as legal and ethical issues.

MARK H. MASSÉ is a Professor of Literary Journalism at Ball State University, USA. UK December 2012 • US October 2011 248 Pages • 15 Illustrations PB 9781441184634 • £14.99/ $24.95 HB 9781441105400 • £45.00 / $80.00 Individual eBook 9781441195203 • £14.99 / $22.99 Library eBook 9781441174727 • £45.00 / $72.00

LAUREL FORSTER is Senior Lecturer in Media Studies at the University of Portsmouth, UK. UK December 2013 • US October 2013 240 Pages PB 9781441177452 • £18.99 / $32.95 HB 9781441172631 • £60.00 / $110.00 Individual eBook 9781441106018 • £18.99 / $29.99 Library eBook 9781441117816 • £57.00 / $92.00

How To Launch a Magazine In This Digital Age

Newsworkers A Comparative European Perspective

Edited by John Jenkins

This book takes a broad range of European countries comparing in each how journalism as work has been affected by the changes in journalism institutions by looking at three pertinent issues: the role of technology in changing journalism work practice; the decline or not of professional values; and whether journalism is becoming more homogenous across national borders.

HENRIK ORNEBRING is Senior Research Fellow in the European Studies Centre, St Anthony’s College, University of Oxford, UK.

Adopts relevant pedagogical practices in order to guide students or editors through the process of setting up a a new publication be it digital, print or both. By using a combination of case studies, theoretical/critical insights, in addition to tests/exercises, this is the first how-to to embrace digital technologies, including a companion website with additional support with podcasts, web links, forums and timed live author chats.

MARY HOGARTH is Senior Lecturer in Journalism at Southampton Solent University, UK. JOHN JENKINS is a former Night Editor of the Daily Telegraph.

UK February 2014 • US December 2013 256 Pages PB 9781441177995 • £19.99 / $29.95 HB 9781441161901 • £65.00 / $120.00 Individual eBook 9781441111098 • £19.99 / $30.99 Library eBook 9781441148599 • £60.00 / $96.00

US February 2014 • UK January 2014 208 Pages HB 9781780931838 • £50.00 / $90.00 Individual eBook 9781780931845 • £49.99 / $77.99 Library eBook 9781780931852 • £150.00 / $241.00

2nd

edition

Edited by Robin Aitken The author, a BBC reporter and executive for 25 years, explores the recently unveiled scandals that have rocked the BBC. He argues that these most recent controversies are rooted in longstanding lapses and shortcomings in the BBC’s doctrine of impartiality, and considers how ‘public sector broadcasting’ might be affected now that public trust has been jeopardized.

ROBIN AITKEN is a former BBC reporter.

UK March 2013 256 Pages PB 9781472900890 • £10.99 Individual eBook 9781472900906 • £10.99 Library eBook 9781472900913 • £33.00 Bloomsbury Continuum

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textbook

Mary Hogarth

Henrik Ornebring

Can We Still Trust the BBC?

Looking at a range of women’s magazines and magazine programmes, this book not only extends our definition of a magazine, but most importantly, unearths the connections between women’s cultures, specific magazines and the implied reader. The author first outlines the existing field of magazine studies, and analyzes the methodologies employed in accessing and assessing the cultural competence of magazines. Each chapter then provides a case study of a different kind of magazine: different in media form or style of presentation or audience connection, or all three. By broadening the scope of magazine studies in this way, it will be seen what a powerful and pervasive form this is, and how important it is to students of historical and contemporary women’s culture.

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302699 • orders@macmillan.co.uk

Liberal Democracies at War

A State of Play

Conflict and Representation

British Politics on Screen, Stage and Page, from Anthony Trollope to The Thick of It

Edited by Andrew Knapp and Hilary Footitt Starting with WWI, the first major war fought by liberal democracies after the emergence of mass media, this book explores the relationship between representations of liberal violence and the ways in which the liberal state understands ‘rights’ in war.

ANDREW KNAPP is Professor of French Politics and Contemporary History at the University of Reading, UK. HILARY FOOTITT is Senior Research Fellow at the University of Reading, UK. UK August 2013 • US October 2013 224 Pages PB 9781441156051 • £19.99 / $34.95 HB 9781441146847 • £65.00 / $120.00 Individual eBook 9781441198679 • £19.99 / $30.99 Library eBook 9781441168719 • £60.00 / $96.00

Government Communication Cases and Challenges Karen Sanders and Mariá José Canel Government communication is a neglected area of discursive analysis. No considered examination of the subject exists which provides either an account of the contemporary governmental landscape or an explanation of the common and divergent themes on both a domestic and international basis. This volume provides a concise and illuminating case-study based review of government communication.

KAREN SANDERS is Professor of Communication and Humanities, San Pablo CEU University, Spain. MARIÁ JOSÉ CANEL is Professor in Political Communication and Public Relations at the University Complutense of Madrid, Spain.

UK June 2013 • US August 2013 224 Pages PB 9781849665087 • £21.99 / $32.95 HB 9781849666121 • £65.00 / $90.00 Individual eBook 9781849665049 • £21.99 / £33.99 Library eBook 9781849665025 • £66.00 / $106.00

The Trojan Horse The Growth of Commercial Sponsorship Deborah Philips and Garry Whannel Traces the growth of commercial sponsorship in the public sphere since the 1960s, its growing importance for the arts since 1980 and its spread into areas such as education and health. The authors argue that the image of sponsorship as corporate benevolence has served to routinize and legitimate the presence of commerce within the public sector. The central metaphor is of such sponsorship as a Trojan horse helping to facilitate the hollowing out of the pubic sector by private agencies and private finance.

open

Steven Fielding How has British democracy been represented in novels, plays and films during a century of political turbulence? Steven Fielding offers the first book-length study of the fictionalization of British politics during the rise, consolidation and apparent fall of party politics, covering work ranging from Robert Tressel’s The Ragged Trousered Philanthropists to Jeffrey Archer’s First Among Equals, and from Passport to Pimlico to David Hare’s Gethsemane.

STEVEN FIELDING is Professor of Political History in the School of Politics and International Relations at the University of Nottingham, UK. UK July 2013 • US September 2013 240 Pages PB 9781780933160 • £18.99 / $29.95 HB 9781849669788 • £60.00 / $110.00 Individual eBook 9781849669801 • £18.99 / $29.99 Library eBook 9781849669818 • £57.00 / $92.00

Teaching Politics Beyond the Book

POLITICS IN FILM & MEDIA

POLITICS IN FILM & MEDIA

textbook

Film, Texts, and New Media in the Classroom Edited by Robert W . Glover and Daniel Tagliarina To teach political issues such as political struggle, justice, and interstate conflict, educators rely mostly on textbooks and lectures. However, many other forms of narrative exist that can elevate our understanding of such issues. This innovative work seeks new ways to foster learning beyond the old model, by using creative and new media, including graphic novels, animated films, hip-hop music, Twitter, and more. Discussing the opportunities these media offer to teach and engage students about politics, the work presents concrete ways on how to use them, along with teaching and assessment strategies, all tested in the classroom.

ROBERT W. GLOVER is CLAS Honors Preceptor in the Department of Political Science at the University of Maine, USA. DANIEL TAGLIARINA is a Ph.D. candidate at the University of Connecticut, USA. UK January 2013 • US November 2012 304 Pages PB 9781441125118 • £22.99/ $39.95 HB 9781441105608 • £70.00 / $130.00 Individual eBook 9781441199119 • £22.99 / $35.99

DEBORAH PHILIPS is Professor of Literature at the University of Brighton, UK. GARRY WHANNEL is Professor of Media Cultures, and head of the Centre of Media Analysis, Research and Consultancy at the University of Bedfordshire, UK. UK July 2013 • US September 2013 256 Pages HB 9781472507389 • £55.00 / $100.00 Individual eBook 9781472512024 • £54.99 / $84.99 Library eBook 9781472508386 • £165.00 / $265.00

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RACE IN FILM & MEDIA

RACE IN FILM & MEDIA

Toms, Coons, Mulattoes, Mammies, and Bucks

4th

edition

bestseller

An Interpretive History of Blacks in American Films Donald Bogle “A well-researched and lively romp through the history of blacks in films. Far more inclusive and informative than previous books on the subject.”

The New York Times Updated to include the entire 20th century, this edition now includes films such as Summer of Sam, Jackie Brown, The Best Man, and The Hurricane.

From The Birth of a Nation—the groundbreaking work of independent filmmaker Oscar Micheaux—and Gone with the Wind to the latest work by Spike Lee, John Singleton, Denzel Washington, Halle Berry and Will Smith, the author reveals the ways in which the depiction of blacks in American movies has changed—and the shocking ways in which it has remained the same.

DONALD BOGLE is one of the foremost authorities on African Americans in film and the arts.

UK September 2003 • US September 2003 480 Pages PB 9780826412676 • £29.99/ $34.95 HB 9780826415189 • £30.00 / $40.00

Black Comics Politics of Race and Representation Edited by Sheena C . Howard and Ronald L . Jackson II

The Cultural Politics of ‘Race’ and Ethnicity in Animation Walter Santucci and Kelly J . Madison While animated cartoons are generally regarded as harmless cinematic diversions, they, like all art forms, have generated controversy. The authors discuss what constitutes racist content, the social and political climates that foster such content (and make it acceptable to some), resistance to such content and also consider the pleas of white content creators who claim their films were not racist.

Though many films are discussed, the authors focus on the 1940s and 1970s, as both are very fertile periods for racism in cartoons.

WALTER SANTUCCI is Animation Director at Klasky Csupo Animation and Professor of Animation History at California State University, USA. KELLY J. MADISON teaches in the Television, Film & Media Studies department at CSULA. UK June 2013 • US April 2013 208 Pages PB 9781441127549 • £17.99 / $29.95 HB 9781441181138 • £55.00 / $100.00 Individual eBook 9781441191342 • £17.99 / $27.99 Library eBook 9781441150967 • £54.00 / $87.00

Race and America’s Immigrant Press

How the Slovaks were Taught to Think Like White People Robert M . Zecker

UK April 2013 • US February 2013 360 Pages PB 9781623562397 • £22.99 / $29.95

Bringing together contributors from a wide-range of critical perspectives, this book is an analytic history of the diverse contributions of Black artists to the medium of comics. Covering comic books, superhero comics, graphic novels and cartoon strips from the early 20th century to the present, the book explores the ways in which Black comic artists have grappled with such themes as the Black experience, gender identity, politics and social media.

SHEENA C. HOWARD is Assistant Professor at Rider University, USA. RONALD L. JACKSON II is Dean of McMicken College of Arts and Sciences at the University of Cincinnati, USA. UK May 2013 • US March 2013 224 Pages PB 9781441135285 • £18.99 / $32.95 HB 9781441172761 • £60.00 / $110.00 Individual eBook 9781441138491 • £18.99 / $29.99 Library eBook 9781441168474 • £57.00 / $92.00

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www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302699 • orders@macmillan.co.uk

new in PB

Transnational Perspectives on Graphic Narratives

The Vagina A Literary and Cultural History Emma L . E . Rees

Comics at the Crossroads

From South Park to Kathy Acker, and from Lars Von Trier to Sex and the City, women’s sexual organs are demonized. Rees traces the fascinating evolution of this demonization, considering how calling the ‘c-word’ obscene both legitimates and perpetuates the fractured identities of women globally. Rees demonstrates how writers, artists, and filmmakers contend with the dilemma of the vagina’s puzzlingly ‘covert visibility.’

Edited by Shane Denson, Christina Meyer and Daniel Stein Exploring the tendencies of graphic narratives from popular comic book serials and graphic novels to manga to cross national and cultural boundaries, this book addresses a previously marginalized area in comics studies. Placing graphic narratives in the global flow of cultural production and reception, the author investigates controversial representations of transnational politics, examines transnational adaptations of superhero characters, and maps many of the translations and transformations that have come to shape contemporary comics culture on a global scale.

SHANE DENSON is Assistant Professor in American Studies at Leibniz University Hannover, Germany. CHRISTINA MEYER is Assistant Professor in American Studies at Leibniz University Hannover, Germany. DANIEL STEIN is Assistant Professor in American Studies at Georg-August-University Göttingen, Germany.

UK March 2013 • US April 2013 256 Pages HB 9781441185754 • £65.00 / $120.00 Individual eBook 9781441185235 • £64.99 / $100.99 Library eBook 9781441161468 • £195.00 / $313.00

Narcoepics A Global Aesthetics of Sobriety Hermann Herlinghaus “Through close reading of cultural narratives, Herlinghaus dramatizes the effects of the transnational narcotics trade on the body politic of the Global South.” Nancy D . Campbell, Professor, Rensselaer Polytechnic Institute (RPI), USA Dealing with literary works and films whose characteristics are linked to illicit global exchange, informal labor, violence, drug consumption, and ritualistic patterns of identity, this book argues for a new theoretical approach to better understand these “narratives of intoxication.” This comparative study looks at writers such as Gutiérrez, J. J. Rodríguez, Reverte, films such as City of God, and the narratives surrounding cultural villains/heroes such as Pablo Escobar.

HERMANN HERLINGHAUS is Professor of Latin American Literatures in the Institute of Romance Languages and Literatures at the University of Freiburg, Germany, and International Adjunct Professor of Latin American Literatures and Cultural Studies at the University of Pittsburgh, USA. UK March 2013 • US January 2013 272 Pages PB 9781441107787 • £17.99 / $29.95 HB 9781441121981 • £55.00 / $100.00 Individual eBook 9781623567019 • £17.99 / $27.99 Library eBook 9781623565176 • £54.00 / $87.00

EMMA L. E. REES is Senior Lecturer in the Department of English at the University of Chester, UK. UK October 2013 • August US 2013 320 Pages • 16 full color images HB 9781623568719 • £19.99 / $29.95 Individual eBook 9781623560669 • £19.99 / $30.99 Library eBook 9781623567897 • £60.00 / $96.00

L I T E R AT U R E I N F I L M & M E D I A

L I T E R AT U R E I N F I L M & M E D I A

The Drift Affect, Adaptation, and New Perspectives on Fidelity John Hodgkins This book offers a new perspective on the complex interrelations between literature and cinema. It does so by articulating an ‘affective turn’ for adaptation studies, a field whose traditional focus has been the critical castigation of film adaptations of canonical plays or novels. Drawing on theorists such as Gilles Deleuze, Brian Massumi, and Marco Abel,the author is able to re-conceive literary and cinematic works as textual engines generating and circulating affect, and the adaptive process as a drifting of those affective intensities from one medium to another. Works discussed include John Dos Passos, Don DeLillo, and Susanna Moore, the films of Dziga Vertov and Sergei Eisenstein, as well as recent cinematic adaptations by Jane Campion and Charles Burnett.

JOHN HODGKINS teaches English and film at York College and Manhattan Marymount College, USA. UK June 2013 • US April 2013 176 Pages HB 9781623560706 • £60.00 / $110.00 Individual eBook 9781623568986 • £59.99 / $92.99 Library eBook 9781623562649 • £180.00 / $289.00

Ovid’s Myth of Pygmalion on Screen In Pursuit of the Perfect Woman Paula James

new in PB

UK April 2013 248 Pages PB 9781472504951 • £18.99

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L I T E R AT U R E I N F I L M & M E D I A

L I T E R AT U R E I N F I L M & M E D I A Guides for the Perplexed

How to Read Texts

Clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging.

Concentrating specifically on what it is that makes the subject difficult to grasp, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material .

A Student Guide to Critical Approaches and Skills

Science Fiction A Guide for the Perplexed Sherryl Vint Drawing on literature as well as examples from film and television, this book explores the different answers that criticism has offered to the vexed question, ‘what is science fiction?’ Each chapter of the book includes case studies of key texts, annotated guides to further reading and suggestions for class discussion to help students master the full range of contemporary critical approaches to the field, including the scientific, technological and political contexts in which the genre has flourished.

SHERRYL VINT is Professor of Science Fiction Media Studies at the University of California, Riverside, USA. UK March 2014 • US April 2014 208 Pages PB 9781441194602 • £14.99 / $24.95 HB 9781441118745 • £45.00 / $80.00 Individual eBook 9781441102812 • £10.99 / $22.99 Library eBook 9781441119605 • £45.00 / $72.00 Series: Guides for the Perplexed

Recent titles in the series: McLuhan A Guide for the Perplexed W . Terrence Gordon

“This book offers an invaluable and expansive introduction to the often vexing worlds of avantgarde critical theory and literary interpretation.”

Kenneth Womack, Penn State Altoona, USA NEIL MCCAW is Senior Lecturer in English and Creative Writing at the University of Winchester, UK. UK October 2013 • US December 2013 192 Pages PB 9781441190666 • £14.99 / $24.95 HB 9781441174307 • £45.00 / $80.00

Post-Millennial Gothic Comedy, Romance and the Rise of ‘Happy Gothic’ Catherine Spooner Surveying the widespread appropriations of the Gothic in contemporary literature and culture, this book illustrates that contemporary Gothic is often romantic, funny and celebratory. Reading a wide range of popular texts, from Stephenie Meyer’s Twilight series through Tim Burton’s Gothic film adaptations of Sweeney Todd, Alice in Wonderland and Dark Shadows, to the appearance of Gothic in fashion, advertising and television, the author argues that conventional academic and media accounts of Gothic culture have overlooked this celebratory strain of ‘Happy Gothic’.

CATHERINE SPOONER is Senior Lecturer in English Literature at Lancaster University, UK. UK January 2014 • US March 2014 208 Pages PB 9781441101211 • £19.99 / $34.95 HB 9781441153906 • £65.00 / $120.00 Individual eBook 9781441170415 • £19.99 / $30.99 Library eBook 9781441160140 • £60.00 / $96.00

Strange Love

The Spectralities Reader

Warren Steele An exploration of the impact of the Cold War, and the atomic bomb project, on American science fiction, with special emphasis on the image of the cyborg. This book is about trauma and survival, about death, mourning, and the denial of death, and the work of unmourning in the nuclear age, as told through a recurring story of love. From La Jetée to the Terminator, from Vertigo to Neuromancer, this is the story of love as responsibility, of trauma, its transformation, and the work of memory.

WARREN STEELE is Assistant Professor in the Faculty of Information and Media Studies at the University of Western Ontario, Canada.

UK April 2014 • US February 2014 176 Pages HB 9781441134820 • £60.00 / $110.00 Individual eBook 9781623562076 • £59.99 / $92.99 Library eBook 9781441191977 • £180.00 / $289.00

Ghosts and Haunting in Contemporary Cultural Theory Edited by Maria del Pilar Blanco and Esther Peeren Gathering together the most compelling texts of the past twenty years, the editors transform the field of spectral studies with this first ever reader, employing the ghost as an analytical and methodological tool. Divided into six sections, the reader covers issues of philosophy, politics, media, spatiality, subject formation (gender, race and sexuality), and historiography. It anthologizes the previously published work from different disciplinary and cultural backgrounds, such as Jacques Derrida, Gayatri Spivak, and Giorgio Agamben, alongside work by literary and cultural historians such as Pheng Cheah, Jeffrey Sconce, and Roger Luckhurst.

MARÍA DEL PILAR BLANCO is Lecturer in Spanish American Literature, Santander Fellow and Tutor in Spanish, at Trinity College, and Associate Lecturer in Spanish at Worcester College, University of Oxford, UK. ESTHER PEEREN is Assistant Professor in Literary Studies at the University of Amsterdam.

UK August 2013 • US October 2013 496 Pages PB 9781441105592 • £24.99 / $44.95 HB 9781441138606 • £75.00 / $140.00 Individual eBook 9781441136893 • £24.99 / $37.99 Library eBook 9781441124784 • £75.00 / $120.00

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2nd

edition

Neil McCaw

PB 9781441143808 • £12.99 / $19.95 HB 9781441126290 • £50.00 / $80.00

Memory, Responsibility, and the Fictions of the Nuclear Age

textbook

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302699 • orders@macmillan.co.uk

Bloomsbury Revelations Bringing together books and thinkers that have opened up startling new ways of looking at the world, the Bloomsbury Revelations series celebrates the originality and excellence of Bloomsbury’s non-fiction publishing. Including books by the likes of Gilles Deleuze, Ronald Dworkin, Mohandas Gandhi, Konstantin Stanislavski, Theodor Adorno and Karl Barth, this is an essential library of the thinkers who have fundamentally shaped the way we see the modern world .

Anti-Oedipus Gilles Deleuze and Felix Guattari The collaboration of the philosopher Gilles Deleuze and the psychoanalyst Felix Guattari has been one of the most profoundly influential partnerships in contemporary thought. This book is the first part of their masterpiece, Capitalism and Schizophrenia.

Ranging widely across the radical tradition of 20thcentury thought and culture that preceeded them— from Foucault, Lacan and Jung to Samuel Beckett and Henry Miller—this revolutionary analysis of the intertwining of desire, reality and capitalist society is an essential read for anyone interested in postwar continental thought.

GILLES DELEUZE was a Professor of Philosophy at the University of Paris VIII. FELIX GUATTARI was a French psychoanalyst, philosopher, social theorist and radical activist.

UK April 2013 720 Pages PB 9781780936611 • £16.99 World English (excluding USA/Canada) Series: Bloomsbury Revelations

A Thousand Plateaus Gilles Deleuze and Felix Guattari This is the second part of the landmark philosophical treatise, Capitalism and Schizophrenia—a project that still sets the terms of contemporary philosophical debate. Written over a seven year period, this book provides a compelling analysis of social phenomena and offers fresh alternatives for thinking about philosophy and culture. Its radical perspective provides a toolbox for ‘nomadic thought’ and has had a galvanizing influence on today’s anticapitalist movement.

UK April 2013 664 Pages PB 9781780935379 • £16.99 World English (excluding USA/Canada) Series: Bloomsbury Revelations

PHILOSOPHY IN FILM & MEDIA

PHILOSOPHY IN FILM & MEDIA

Interrogating the Real Slavoj Žižek

Cinema I The Movement-Image Gilles Deleuze Translated by Hugh Tomlinson and Babara Habberjam A revolutionary work in the theory of cinema and begins Deleuze’s major reassessment of film, concluded in Cinema II. In it, Deleuze identifies three distinct principal types of ‘image movement’ and draws upon diverse examples from the work of such major filmmakers as Griffith, Eisenstein, Cassavetes and Altman.

UK October 2013 280 Pages PB 9781472508300 • £14.99 World English (excluding USA/Canada) Series: Bloomsbury Revelations

Edited by Rex Butler and Scott Stephens “The most formidably brilliant exponent of psychoanalysis, indeed of cultural theory in general, to have emerged from Europe in some decades.” Terry Eagleton SLAVOJ ŽIŽEK is Professor of Cultural Studies at the University of Ljubljana, Slovenia and Visiting Professor at the New School for Social Research, New York, USA. REX BUTLER is Associate Professor in Art History at the University of Queensland, Australia.

SCOTT STEPHENS is Researcher at the Centre for Theology and Politics, Brisbane, Australia.

UK October 2013 • US May 2013 392 Pages PB 9781472514936 • £14.99 / $19.95 Individual eBook 9781472510839 • £14.99 / $22.99 Library eBook 9781472512680 • £45.00 / $72.00 Series: Bloomsbury Revelations

Cinema II The Time-Image Gilles Deleuze “Deleuze’s reflection on the new ways the cinema enables us to think about time and movement, opening up insights into semiotics and our ideological construction of a world increasingly experienced through representational media....The main purpose of these books is to identify and explore the implications of a vital shift from classical, pre-World War II cinema of the movement-image to postWorld War II cinema.” Film International UK October 2013 352 Pages PB 9781472512604 • £14.99 World English (excluding USA/Canada) Series: Bloomsbury Revelations

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PHILOSOPHY IN FILM & MEDIA

PHILOSOPHY IN FILM & MEDIA Thinking Cinema Series Editors: David Martin-Jones, University of Glasgow, Scotland and Sarah Cooper, King’s College London, UK Publishes original, innovative monographs that explore encounters between film, philosophy, and theory. The series aims to promote research at the intersection of film and philosophical or theoretical ideas.

Deleuze, Japanese Cinema, and the Atom Bomb David Deamer Establishes the first ever sustained encounter between Gilles Deleuze’s Cinema books and post-war Japanese cinema, by exploring how Japanese films responded to and were transformed by the bombings of Hiroshima and Nagasaki. From the early days of the American occupation’s political censorship to the social and cultural freedoms of the 1960s and beyond, this book examines how images of these events permeate post-war Japanese cinema. Each chapter begins by focusing upon one of three key themes: taxonomy, history or thought, before going on to explore a broad selection of films from 1945 to the present day, including respected masterpieces (Akira Kurosawa’s Rashomon); popular and cult cinema (Godzilla; world renowned anime, Akira); the new wave (Nagisa Oshima’s Night and Fog in Japan); and modern classics (Hideo Nakata’s Ring).

DAVID DEAMER is Associate Lecturer on Cinema at Manchester Metropolitan University, UK. UK June 2014 • US March 2014 288 Pages HB 9781441178152 • £65.00 / $120.00 Individual eBook 9781441145895 • £64.99 / $100.99 Library eBook 9781441149091 • £195.00 / $313.00 Series: Thinking Cinema

Thinking Cinema as Post-Enlightenment Practice Thomas Elsaesser This groundbreaking inaugural volume for the ‘Thinking Cinema’ series focuses on the extent to which contemporary cinema contributes to political and philosophical thinking about the future of Europe’s core Enlightenment values. In light of the challenges of globalization, multi-cultural communities and post-nation state democracy, the book explores the borders of ethics and politics and roots itself in debates about post-secular, postEnlightenment philosophy. Discussing key filmmakers and philosophers like Claire Denis and Jean-Luc Nancy; Aki Kaurismäki, abjection and Julia Kristeva; Michael Haneke, the paradoxes of Christianity and Slavoj Zizek; Fatih Akin, Alain Badiou and Jacques Rancière, the author is able to approach European cinema and assesses its key questions within a global context.

THOMAS ELSAESSER is a Research Professor in the Department of Media and Culture at the University of Amsterdam, The Netherlands.

UK March 2014 • US January 2014 224 Pages PB 9781441182210 • £17.99 / $29.95 HB 9781441129499 • £55.00 / $100.00 Individual eBook 9781441162618 • £17.99 / $27.99 Library eBook 9781441110657 • £54.00 / $87.00 Series: Thinking Cinema

Posthumanism

Cinema and Agamben

A Critical Analysis

Ethics, Biopolitics and the Moving Image

Stefan Herbrechter What does it mean to be human today? The answer to this question is becoming less and less certain. Current technological developments increasingly erode our traditional humanist reflexes: consciousness, emotion, language, intelligence, morality, humour, mortality—all these no longer demonstrate the unique character and value of human existence. Instead, the spectre of the ‘posthuman’ is now being widely invoked as the ‘inevitable’ next evolutionary stage that humans are facing: Who comes after the human? This critical introduction understands posthumanism as a discourse and outlines the genealogy of the various posthuman ‘scenarios’ and engages with their theoretical and philosophical assumptions and social and political implications.

STEFAN HERBRECHTER is Reader in Cultural Theory in the Department of Media, School of Art and Design, Coventry University, UK. UK August 2013 • US October 2013 240 Pages PB 9781780936062 • £19.99 / $29.95 HB 9781780938370 • £65.00 / $120.00 Individual eBook 9781780936222 • £19.99 / $30.99 Library eBook 9781780936901 • £60.00 / $96.00

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European Cinema and Contemporary Philosophy

Edited by Asbjørn Grønstad and Henrik Gustafsson A collection of original essays that bring together a group of established and emerging scholars of film and visual culture for an innovative study of contemporary film theory and philosophy.

Refracting current conceptions of the moving image through the influential work of Italian philosopher Giorgio Agamben, these essays facilitate a unique multidisciplinary conversation that fundamentally rethinks the theory and praxis of cinema. In their resourceful analyses of the work of artists such as David Claerbout, Marcel Duchamp, JeanLuc Godard, Pier Paolo Pasolini, Jean Rouch, Richard Serra, Susanne Winterling and others, the authors put to use a number of the key concepts from Agamben’s rich body of work: biopolitics, de-creation, dispositif, gesture, the messianic, and profanation, to name a few.

ASBJØRN GRØNSTAD is Professor of Visual Culture in the Department of Information Science and Media Studies, University of Bergen, Norway. HENRIK GUSTAFSSON is a film scholar and postdoctoral fellow with the visual culture research group Nomadikon at the University of Bergen, Norway.

UK March 2014 • US January 2014 256 Pages HB 9781623564360 • £70.00 / $120.00 Individual eBook 9781623561253 • £69.99 / $107.99 Library eBook 9781623563714 • £210.00 / $337.00

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The Bloomsbury Companion to Religion and Film Edited by William L . Blizek “This volume includes essays from some of the most important voices in the newly established field of religion and film. The structure and organization make this an ideal text to utilize in religion and film courses.”

Rachel Wagner, Associate Professor of Religion and Culture, Ithaca College, USA Originally published as the The Continuum Companion to Religion and Film, this book covers all the most pressing and important themes in religion and film that have continued to attract interest historically as well as topics that have emerged more recently as active areas of research. The twenty-nine specifically commissioned essays from a team of experts reveal where important work continues to be done in the field and provide a map of this evolving research area.

WILLIAM L. BLIZEK is Professor of Philosophy and Religion and Chair of the Religious Studies Programme at the University of Nebraska at Omaha, USA.

Documentary as Exorcism Resisting the Bewitchment of Colonial Christianity Robert Beckford Beckford frames colonial theology in the Caribbean as a form of witchcraft that bewitched Africans and later black colonial subjects, and discusses the continued impact of this bewitchment, namely in politics and anti-intellectualism in contemporary Black Pentecostal Church life, especially in the UK. He explores the concept of Biblical exorcism, particularly as anticolonialism and transcodes this practice into visual culture analysing his own highprofile documentaries, Black Messiah, God is Black, Empire Pays Back and The Great African Scandal.

ROBERT BECKFORD is a Visiting Fellow in the Department of Sociology at the University of Warwick, UK. UK August 2013 • US October 2013 192 Pages PB 9781847063922 • £16.99 / $34.95 HB 9781847063915 • £65.00 / $130.00 Individual eBook 9781441127198 • £16.99 / $26.99 Library eBook 9781441120700 • £51.00 / $82.00

RELIGION IN FILM & MEDIA

RELIGION IN FILM & MEDIA

UK January 2013 • US March 2013 440 Pages PB 9781441107961 • £24.99 / $44.95 Individual eBook 9781441138781 • £24.99 / $37.99 Series: Bloomsbury Companions

Silver Screen Buddha Buddhism in Asian and Western Film Sharon A . Suh This is the first book to explore the representation of Buddhism in contemporary films directed by both Asian and non-Asian directors. It examines the cinematic encounter with Buddhism that has flourished in Asia and in the West in the past century—from images of Shangri-La in Frank Capra’s Lost Horizon to Kim Ki-Duk’s Spring, Summer, Fall, Winter . . . .and Spring. The book illustrates how these representations are often fraught with political, nationalistic, gendered and racist undertones that are missed and overlooked by viewers.

SHARON A. SUH is Associate Professor and Chair of the Department of Theology and Religious Studies at Seattle University, USA. UK October 2013 • US December 2013 224 Pages PB 9781441105363 • £19.99 / $34.95 HB 9781441189257 • £65.00 / $120.00

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29

CELEBRITY STUDIES

CELEBRITY STUDIES

In the Limelight and Under the Microscope

bestseller

Forms and Functions of Female Celebrity Edited by Diane Negra and Su Holmes This timely collection explores the politics of female celebrity across a range of contemporary and historical media contexts by forging a greater conceptual, theoretical and historical dialogue between celebrity studies and critical gender studies.

It takes as its starting point the understanding that female celebrity is a particularly fraught cultural phenomenon with ideological and industrial implications that warrant careful scrutiny. In moving across case studies from the 19th century to the present day, this book works from the assumption that the case study should play a crucial role in generating debate about the dialogue between ‘past’ and ‘present’, and the individual essays seek to reflect this spirit of enquiry.

DIANE NEGRA is Head of Film Studies, University College Dublin, Ireland.

SU HOLMES is a Reader in Television Studies, University of East Anglia.

UK May 2011 • US March 2011 352 Pages PB 9780826438553 • £19.99 / $34.95 HB 9781441154958 • £65.00 / $120.00 Individual eBook 9781441189172 • £19.99 / $30.99 Library eBook 9781441176929 • £60.00 / $96.00

Real Lives and Celebrity Stories Narratives of Ordinary and Extraordinary People Across Media Edited by Julia Round and Bronwen Thomas From reality television to celebrity gossip magazines, today’s technologies have enabled a vast number of personal narratives that document our existence and that of others. While news journalists still pursue the authentic narrative, advertising and politics might be accused of exploiting the narrative tendency, and across media the personal and public become increasingly merged. This volume collects research from professionals who discuss narratives of real people across cultures and history and in multiple media. It uses narrative theory to interrogate the processes by which we create, promote and consume these stories of real people, and the ways in which we construct our own stories of self. By bringing together different disciplines it offers a theory of the production(s) of self in public spaces such as music, literature, fanfic, television, cinema, comics, news media, journalism, and politics.

Fame Attack The Inflation of Celebrity and its Consequences Chris Rojek The follow up to Rojek’s Celebrity, this book assesses celebrity culture today. Exploring how the fads, fashions and preoccupations of celebrities enter the popular lifeblood, he explains what is distinctive about contemporary celebrity, and reveals the psychological, social and economic consequences of fame both upon the public and celebrities themselves. The book gives a new emphasis to the role of the media and public relations in engineering fame, and the psychological consequences of celebrity notably Narcissistic Personality Disorder and Celebrity Worship Syndrome.

CHRIS ROJEK is Professor of Sociology and Culture at Brunel University, UK. UK January 2012 • US April 2012 208 Pages PB 9781849660716 • £18.99 / $32.95 HB 9781849660723 • £65.00 / $120.00 Individual eBook 9781849668057 • £18.99 / $29.99 Library eBook 9781849668040 • £57.00 / $92.00

Beyond Black Ellis Cashmore

“Has America truly become a postracial society where achievement, ambition, talent, education, and, most importantly, celebrity trump race? In his provocative and groundbreaking book, Cashmore asks and answers that question by taking us on a revealing, at times painful, but always insightful look at the power and pain of black celebrity past and present.” Earl Ofari Hutchinson, author of How Obama Governed: The Year of Crisis and Challenge This book argues that the primacy of the market in celebrity-obsessed culture reveals a new variety of African American celebrities to be unreliable indicators of Black America.

ELLIS CASHMORE is Professor of Culture, Media and Sport at Staffordshire University, UK. UK August 2012 • US October 2012 176 Pages PB 9781780931494 • £18.99 / $29.95 HB 9781780938578 • £65.00 / $120.00 Individual eBook 9781780931470 • £18.99 / $29.99 Library eBook 9781780931487 • £57.00 / $92.00

JULIA ROUND is Lecturer in the Media School at Bournemouth University, UK. BRONWEN THOMAS is Senior Lecturer in the Media School at Bournemouth University, UK. UK March 2014 • US January 2014 224 Pages HB 9781441102386 • £65.00 / $120.00 Individual eBook 9781441197153 • £64.99 / $100.99 Library eBook 9781441146182 • £195.00 / $313.00

30

open

Celebrity and Race in Obama’s America

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302699 • orders@macmillan.co.uk

Understanding Fandom

textbook

An Introduction to the Study of Media Fan Culture Mark Duffett While fans used to be seen as an overly obsessed fringe audience, shifts in technology in the last few decades have made fandom a central mode of media consumption. This volume includes insights from research linked to many kinds of media, including television and popular music fandom. With a foreword by Matt Hills, this book introduces the emerging field of Fan Studies by looking at the history of debate, key paradigms and methodogical issues.

It draws together a range of debates from media studies, cultural studies and psychology to argue that fandom is particular kind of an engagement with the power relations of media culture.

MARK DUFFETT is Senior Lecturer in Media and Cultural Studies at the University of Chester, UK. UK October 2013 • US August 2013 288 Pages PB 9781441166937 • £17.99 / $29.95 HB 9781441158550 • £55.00 / $100.00 Individual eBook 9781623560867 • £17.99 / $27.99 Library eBook 9781623565855 • £54.00 / $87.00

Murders and Acquisitions Representations of the Serial Killer in Popular Culture Edited by Alzena MacDonald The ‘serial killer’ has become increasingly prevalent in popular culture, particularly through the media of film and television, since the term was coined

by Robert Ressler at the FBI in the mid-1970s. This collection argues that the serial killer performs a unique role, specifically within the genres of horror and detective/crime fiction, and that representations of the serial killer function to address contemporary concerns and preoccupations. Focusing on wellknown popular culture, such as The Wire, American Psycho, Monster, Criminal Minds, and Dexter, the collection engages with both relevant cultural theory and critical textual analysis of TV series, films, prose, and fan productions to examine the various sophisticated ways the serial killer is deployed to mediate and/or work through cultural anxieties and fears.

ALZENA MACDONALD is a Lecturer in Communication and Cultural Studies at Curtin University, Western Australia.

UK October 2013 • US August 2013 224 Pages PB 9781441192929 • £18.99 / $32.95 HB 9781441176301 • £60.00 / $110.00 Individual eBook 9781441154859 • £18.99 / $29.99 Library eBook 9781441177025 • £57.00 / $92.00

Moral Panics in the Contemporary World Edited by Julian Petley, Chas Critcher, Jason Hughes and Amanda Rohloff Represents the best current theoretical and empirical work on the topic, taken from the international conference on moral panics held at Brunel University in December 2010. The range of contributors helps to cover a wide range of moral panics, both old and new, and extend the geographical scope of moral panic analysis to previously underrepresented areas.

JULIAN PETLEY is Professor of Journalism and Screen Media, School of Arts, Brunel University, UK. CHAS CRITCHER is Visiting Professor in Media and Communications at Swansea University and Emeritus Professor of Communications at Sheffield Hallam University, UK. JASON HUGHES is Senior Lecturer in Sociology, School of Social Sciences, Brunel University, UK. AMANDA ROHLOFF was a PhD Candidate in Sociology, School of Social Sciences, Brunel University, UK. UK June 2013 • US May 2013 272 Pages • 15 illustrations HB 9781623568931 • £70.00 / $130.00 Individual eBook 9781623564056 • £69.99 / $107.99 Library eBook 9781623562090 • £210.00 / $337.00

A U D I E N C E R E P R E S E N TAT I O N

A U D I E N C E R E P R E S E N TAT I O N

Screen Fictions and Discourses of Disability Dodgy Discourse and the Moral Low Ground Margaret Montgomerie Political correctness often stifles discussion and diffuses the potential value of representations of disability to interrogate our prejudices and assumptions. Through an exploration of the impact of popular screen representations of disabled people, and a series of interviews with Disability Studies academics, activists and students, this book considers what is at stake in being entertained by, researching and writing about media representations of disabled people. This book promotes the study of disability as part of the media curriculum in much the same way as studies of race, gender, class and sexuality are seen as pivotal to the identity of the subject.

MARGARET MONTGOMERIE is a Senior Lecturer of Media Studies at De Montfort University, Leicester, UK. UK November 2013 • US October 2013 224 Pages HB 9781441156709 • £60.00 / $110.00

Kidding Around The Child in Film and Media Alexander N . Howe and Wynn Yarbrough A collection of essays generated by a conference held at the University of the District of Columbia in 2008. The works gathered examine a variety of children’s media, including texts produced for children (e.g. comic strips, children’s books, cartoons, animated films) as well as texts about children (e.g. feature-length films, literature, playground architecture, parenting guides).

ALEXANDER N. HOWE is an Associate Professor of English at the University of the District of Columbia, USA. WYNN YARBROUGH is an Assistant Professor of English and Co-director of the MFA Program at the University of the District of Columbia, USA. UK March 2014 • US January 2014 192 Pages HB 9781623560560 • £50.00 / $100.00 Individual eBook 9781623561208 • £49.99 / $79.99 Library eBook 9781623560546 • £150.00 / $241.00

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31

Rule of Thumb

This Much is True

Ebert at the Movies

14 Directors on Documentary Filmmaking

Todd Rendleman

James Quinn

This book explores the values, temperament, character, and style that have made Roger Ebert the most trusted and influential film critic in America.

This landmark volume explores the art of directing documentaries, with contributions from some of the most eminent documentary filmmakers working today, including Nick Broomfield, Andrew Jarecki, Kim Longinotto, Kevin Macdonald, James Marsh and Albert Maysles.

Todd Rendleman is Professor of Communication Studies at Seattle Pacific University, USA. UK June 2012 • US April 2012 232 Pages • 20 Illustrations PB 9781441192219 • £13.99 / $19.95 Individual eBook 9781441167668 • £13.99 / $21.99 Library eBook 9781441120267 • £42.00 / $67.00

Digital Prohibition Piracy and Authorship in New Media Art Carolyn Guertin This book explores the concept of authorship as a capitalist institution and posits the Marxist idea of the multitude as a new collaborative model for creation in the digital age.

Carolyn Guertin is Assistant Professor at the University of Texas at Arlington, USA. UK June 2012 • US April 2012 304 Pages • 12 Illustrations PB 9781441131904 • £19.99 / $34.95 HB 9781441106100 • £65.00 / $120.00 Individual eBook 9781441166432 • £19.99 / $30.99 Library eBook 9781441150585 • £60.00 / $96.00

Television, Sex and Society Analyzing Contemporary Representations Edited by Beth Johnson, James Aston, and Basil Glynn Focuses upon contemporary expressions and representations of televisual sex—discussing British, US and Asian television—to engage with ideas of gender, genre and dramatic politics.

Beth Johnson is a Lecturer in Television, Film and English Studies at Keele University, UK. James Aston is a Lecturer in Film at the University of Hull, UK. Basil Glynn has lectured in Film and Television Studies for the Open University, UK. UK August 2012 • US June 2012 208 Pages PB 9780826434982 • £17.99 / $29.95 HB 9781441179456 • £55.00 / $100.00 Individual eBook 9781441141316 • £17.99 / $27.99 Library eBook 9781441181787 • £47.00 / $87.00

A History of Greek Cinema

UK November 2012 • US January 2013 320 Pages PB 9781408132531 • £19.99 / $29.95 Individual eBook 9781408189467 • £19.99 / $30.99 Library eBook 9781472503862 • £60.00 / $96.00

An Introduction to Film Analysis Technique and Meaning in Narrative Film Michael Ryan and Melissa Lenos This innovative textbook combines an introduction to filmmaking technique with rigorous and comprehensive training in film interpretation.

Michael Ryan is Senior Associate Dean for Faculty and Academic Affairs in the School of Communications and Theater at Temple University, USA. Melissa Lenos is a Professor of Communication Media at Brookdale Community College, USA. UK October 2012 • US August 2012 288 Pages PB 9780826430021 • £22.99 / $39.95 HB 9780826430014 • £60.00 / $120.00

Directing Television A Professional Survival Guide Nick Bamford An insider’s guide to producing a TV show, from pre-production, development, casting, contributors, locations, programme structure, equipment, call sheets, scripting drama, planning the shoot, the importance of screen grammar and camera basics, through to the final edit.

Nick Bamford is Senior Lecturer of TV Production at Bournemouth Media School, UK. UK May 2012 • US July 2012 224 Pages PB 9781408139813 • £19.99 / $29.95

Give Me the Money and I’ll Shoot!

Finance your Factual TV/Film Project

Vrasidas Karalis

Nicola Lees

A detailed historical survey of Greek cinema from its very beginning in 1905 through 2010.

A guide to traditional, emerging and creative TV funding models that are being developed and exploited by social media-savvy documentary filmmakers.

Vrasidas Karalis is Associate Professor in Modern Greek Studies at the University of Sydney, Australia.

UK April 2012 • US February 2012 344 Pages PB 9781441194473 • £19.99 / $34.95 HB 9781441135001 • £65.00 / $120.00 Individual eBook 9781441112781 • £19.99 / $30.99 Library eBook 9781441180902 • £60.00 / $96.00

32

James Quinn is an award-winning documentary filmmaker and executive producer.

Nicola Lees has developed documentaries, docudramas, and reality programmes for the BBC, Travel Channel, National Geographic and TLC. UK May 2012 • US May 2012 448 Pages PB 9781408132968 • £24.99 / $39.95 Individual eBook 9781408157084 • £24.99 / $37.99 Library eBook 9781408170700 • £75.00 / $120.00

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302699 • orders@macmillan.co.uk

index

backlist highlights

backlist highlights

index

3D . . . . . . . . . . . . . . . . . . . . . . . . . .

16

A Aitken, Robin . . . . . . . . . . . . . . . . . . .

Al-Malki, Amal . . . . . . . . . . . . . . . . . .

Amateur Filmmaking . . . . . . . . . . . . . .

America’s Film Legacy . . . . . . . . . . . . . .

America’s Film Legacy, 2009-2010 . . . . . .

Animated Performance . . . . . . . . . . . .

Anti-Oedipus . . . . . . . . . . . . . . . . . . .

Arab Women in Arab News . . . . . . . . . .

Atkinson, Sarah . . . . . . . . . . . . . . . . .

Avery, Kevin . . . . . . . . . . . . . . . . . . .

Axelrod, Mark . . . . . . . . . . . . . . . . . . .

22 21 7 7 7 20 27 21 15 12 5

B Bailey, Sara . . . . . . . . . . . . . . . . . . . . .

Bamford, Nick . . . . . . . . . . . . . . . . . . .

Banks, John . . . . . . . . . . . . . . . . . . . .

Basics Animation 01: Scriptwriting . . . . . . . . . . . . . . . . .

Basics Animation 02: Digital Animation . . . . . . . . . . . . . . .

Basics Animation 03: Drawing for Animation . . . . . . . . . . .

Basics Animation 04: Stop-motion . . . . . . . . . . . . . . . . . .

Basics Film-Making 01: Producing . . . . . . . . . . . . . . . . . . . .

Basics Film-Making 02: Screenwriting . . . . . . . . . . . . . . . . . .

Basics Film-Making 03: Directing Fiction . . . . . . . . . . . . . . . .

Basics Film-Making 04: The Language of Film . . . . . . . . . . . .

Beckford, Robert . . . . . . . . . . . . . . . .

Beiman, Nancy . . . . . . . . . . . . . . . . . .

Berger, Doris . . . . . . . . . . . . . . . . . . .

Berry, David M. . . . . . . . . . . . . . . . . .

Beyond Black . . . . . . . . . . . . . . . . . . .

Beyond the Screen . . . . . . . . . . . . . . .

Black Comics . . . . . . . . . . . . . . . . . . .

Blake, Marc . . . . . . . . . . . . . . . . . . . . .

Blizek, William L. . . . . . . . . . . . . . . . .

Bloomsbury Companion to Religion and Film, The . . . . . . . . .

Bogle, Donald . . . . . . . . . . . . . . . . . .

Bondanella, Peter . . . . . . . . . . . . . . . . .

Bridges, Elizabeth . . . . . . . . . . . . . . . .

Bui, Diem-My T. . . . . . . . . . . . . . . . . . .

Burkhead, Cynthia . . . . . . . . . . . . . . .

5 32 18 19 19 19 19 4 4 4 4 29 20 16 17 30 15 24 5 29 29 24 8 6 7 13

D Dark Energy . . . . . . . . . . . . . . . . . . .

Darkness in the Bliss-Out . . . . . . . . . . .

Deamer, David . . . . . . . . . . . . . . . . . .

Deeper than Oblivion . . . . . . . . . . . . .

DeFino, Dean J. . . . . . . . . . . . . . . . . .

Deleuze, Gilles . . . . . . . . . . . . . . . . .

Deleuze, Japanese Cinema, and the Atom Bomb . . . . . . . . . . . . . del Pilar Blanco, Maria . . . . . . . . . . . .

Demystifying Disney . . . . . . . . . . . . . .

Denson, Shane . . . . . . . . . . . . . . . . . .

Devised and Directed by Mike Leigh . . . .

Dickinson, Roger . . . . . . . . . . . . . . . .

Digital Arts . . . . . . . . . . . . . . . . . . . .

Digital Prohibition . . . . . . . . . . . . . . . .

DiPaolo, Marc . . . . . . . . . . . . . . . . . .

Directing Television . . . . . . . . . . . . . . .

Documentary as Exorcism . . . . . . . . . .

Documentary Case Studies . . . . . . . . . .

Documentary Film Makers Handbook, The . . . . . . . . . . . . . . . . .

Drawing Borders . . . . . . . . . . . . . . . .

Dreams in American Television Narratives . . . . . . . . . . . .

Dreher, Kira . . . . . . . . . . . . . . . . . . . .

Drift, The . . . . . . . . . . . . . . . . . . . . .

Drushel, Bruce E. . . . . . . . . . . . . . . . .

Duffett, Mark . . . . . . . . . . . . . . . . . .

Duvall, John A. . . . . . . . . . . . . . . . . .

12 11 28 10 13 27 28 26 20 25 11 21 18 32 11 32 29 13 3 21 13 21 25 17 31 13

E Eagan, Daniel . . . . . . . . . . . . . . . . . . .

Ecology and Contemporary Nordic Cinemas . . . . . . . . . . . . . . . .

Edgar-Hunt, Robert . . . . . . . . . . . . . . . .

Elliott, Andrew B.R. . . . . . . . . . . . . . .

Elsaesser, Thomas . . . . . . . . . . . . . . . .

Engagement Aesthetic, The . . . . . . . . .

Environmental Documentary, The . . . . .

Eriksson, Kai . . . . . . . . . . . . . . . . . . .

Ethics of Emerging Media, The . . . . . . .

European Cinema and Contemporary Philosophy . . . . . . . . .

23 22 11 6 30 18 10 19 28 27 27 11 14 12 18 17 9 5 12 31

Fame Attack . . . . . . . . . . . . . . . . . . .

Faulkner, Sally . . . . . . . . . . . . . . . . . . .

Feeling Cinema . . . . . . . . . . . . . . . . . .

Fielding, Steven . . . . . . . . . . . . . . . . .

Film and the Holocaust . . . . . . . . . . . . .

Fleming, Dan . . . . . . . . . . . . . . . . . . .

Footitt, Hilary . . . . . . . . . . . . . . . . . .

Forster, Laurel . . . . . . . . . . . . . . . . . .

French Cinema . . . . . . . . . . . . . . . . . .

Fuller, Steve . . . . . . . . . . . . . . . . . . .

Fundamentals of Animation . . . . . . . . .

Fundamentals of Film-Making, The . . . . .

7 9 4 18 28 16 13 17 17 28

30 8 6 23 6 17 23 22 8 15 20 3

G German, Kathleen . . . . . . . . . . . . . . .

Give Me the Money and I’ll Shoot! . . . . . .

Glover, Robert W. . . . . . . . . . . . . . . . .

Government Communication . . . . . . . .

Greiman, Jennifer . . . . . . . . . . . . . . .

Grønstad, Asbjørn . . . . . . . . . . . . . . .

Guattari, Felix . . . . . . . . . . . . . . . . . .

Guerilla Film Makers Movie Blueprint . . . . . . . . . . . . . . . .

Guerilla Film Makers Pocketbook, The . . . . . . . . . . . . . . . .

Guertin, Carolyn . . . . . . . . . . . . . . . . .

Guillermo del Toro . . . . . . . . . . . . . . .

Gulino, Paul Joseph . . . . . . . . . . . . . . .

Gunter, Barrie . . . . . . . . . . . . . . . . . .

Gustafsson, Henrik . . . . . . . . . . . . . . .

14 28 27 3 3 32 12 5 21 28

H Hadjikyriacou, Achilleas . . . . . . . . . . . .

Hagin, Boaz . . . . . . . . . . . . . . . . . . . .

HBO Effect, The . . . . . . . . . . . . . . . . .

Herbrechter, Stefan . . . . . . . . . . . . . .

Herlinghaus, Hermann . . . . . . . . . . . . .

Higgins, Michael . . . . . . . . . . . . . . . . .

Historical Film . . . . . . . . . . . . . . . . . . .

History of Greek Cinema, A . . . . . . . . . .

History of Italian Cinema, A . . . . . . . . . .

History of Spanish Film, A . . . . . . . . . . .

Hodgkins, John . . . . . . . . . . . . . . . . .

Hogarth, Mary . . . . . . . . . . . . . . . . . .

Holmes, Su . . . . . . . . . . . . . . . . . . . .

Hope, Cat . . . . . . . . . . . . . . . . . . . . .

Howard, Sheena C. . . . . . . . . . . . . . . .

Howe, Alexander N. . . . . . . . . . . . . . .

How To Launch a Magazine In This Digital Age . . . . . . . . . . . . . .

How to Read Texts . . . . . . . . . . . . . . .

Hughes, Jason . . . . . . . . . . . . . . . . . .

9 10 13 28 25 21 7 32 8 8 25 22 30 18 24 31 22 26 31

I

F

C Canel, Mariá José . . . . . . . . . . . . . . . .

Can We Still Trust the BBC? . . . . . . . . .

Cardinale-Powell, Bryan . . . . . . . . . . .

Cardullo, Bert . . . . . . . . . . . . . . . . . . .

Cashmore, Ellis . . . . . . . . . . . . . . . . .

Chan, Melanie . . . . . . . . . . . . . . . . . .

China’s iGeneration . . . . . . . . . . . . . .

Chong, Andrew . . . . . . . . . . . . . . . . .

Cinema and Agamben . . . . . . . . . . . . .

Cinema I . . . . . . . . . . . . . . . . . . . . . .

Cinema II . . . . . . . . . . . . . . . . . . . . .

Cinema of Hal Hartley, The . . . . . . . . .

Clarke, M.J. . . . . . . . . . . . . . . . . . . .

Clark, Roger . . . . . . . . . . . . . . . . . . .

Co-creating Videogames . . . . . . . . . . .

Communication in Modern Social Ordering . . . . . . . . . .

Constandinides, Costas . . . . . . . . . . . . .

Constructing Dialogue . . . . . . . . . . . . . .

Conversations with Clint . . . . . . . . . . .

Critcher, Chas . . . . . . . . . . . . . . . . . .

Critical Theory and the Digital . . . . . . . 17 Cultural Politics of ‘Race’ and Ethnicity in Animation, The . . . . . . . 24 Cultural Science . . . . . . . . . . . . . . . . . 15 Cypriot Cinemas . . . . . . . . . . . . . . . . . 9

index

index

Internet, Society and Culture . . . . . . . .

Interrogating the Real . . . . . . . . . . . . .

Introduction to Film Analysis, An . . . . . .

In the Limelight and Under the Microscope . . . . . . . . . . .

Isaacs, Bruce . . . . . . . . . . . . . . . . . . . .

Ishizaki, Suguru . . . . . . . . . . . . . . . . .

17 27 32 30 6 21

J Jackson II, Ronald L. . . . . . . . . . . . . . .

Jacobs, Jason . . . . . . . . . . . . . . . . . .

James, Paula . . . . . . . . . . . . . . . . . . .

Johnson, Matthew D. . . . . . . . . . . . . .

Jolliffe, Genevieve . . . . . . . . . . . . . . . .

Jones, Chris . . . . . . . . . . . . . . . . . . . .

Jordan, Tim . . . . . . . . . . . . . . . . . . . .

24 13 25 10 3 3 17

K Kaapa, Pietari . . . . . . . . . . . . . . . . . . .

Kapell, Matthew Wilhelm . . . . . . . . . . .

Karalis, Vrasidas . . . . . . . . . . . . . . . . . .

Kaufer, David . . . . . . . . . . . . . . . . . . .

Kendrick, James . . . . . . . . . . . . . . . . .

Kerner, Aaron . . . . . . . . . . . . . . . . . . .

Kidding Around . . . . . . . . . . . . . . . . .

Knapp, Andrew . . . . . . . . . . . . . . . . .

Koutsourakis, Angelos . . . . . . . . . . . . .

Kovarik, Bill . . . . . . . . . . . . . . . . . . .

9 18 32 21 11 6 31 23 11 15

17 32 23 23

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L Laine, Tarja . . . . . . . . . . . . . . . . . . . . .

Language of Journalism, The . . . . . . . .

Lanzoni, Rémi Fournier . . . . . . . . . . . . .

Last Western, The . . . . . . . . . . . . . . .

Lee, Jason . . . . . . . . . . . . . . . . . . . . .

Lees, Nicola . . . . . . . . . . . . . . . . . . . .

Lenos, Melissa . . . . . . . . . . . . . . . . . . .

Levina, Marina . . . . . . . . . . . . . . . . . . .

Liberal Democracies at War . . . . . . . . .

Luzzi, Joseph . . . . . . . . . . . . . . . . . . .

6 21 8 14 5 32 32 7 23 8

Peeren, Esther . . . . . . . . . . . . . . . . . .

Petley, Julian . . . . . . . . . . . . . . . . . . .

Philips, Deborah . . . . . . . . . . . . . . . . .

Playing with the Past . . . . . . . . . . . . .

Politics as Form in Lars von Trier . . . . .

Politics of Insects, The . . . . . . . . . . . .

Politics, Porn and Protest . . . . . . . . . .

Portuguese Film, 1930-1960 . . . . . . . . . .

Posthumanism . . . . . . . . . . . . . . . . . .

Post-Millennial Gothic . . . . . . . . . . . . .

Potter, Tiffany . . . . . . . . . . . . . . . . . .

Potts, Jason . . . . . . . . . . . . . . . . . . .

Projected Art History . . . . . . . . . . . . .

Psychology of Screenwriting, The . . . . . .

Purves, Barry . . . . . . . . . . . . . . . . . .

26 31 23 18 11 12 10 8 28 26 14 15 16 5 19

M MacDonald, Alzena . . . . . . . . . . . . . . .

Madison, Kelly J. . . . . . . . . . . . . . . . .

Magazine Movements . . . . . . . . . . . . .

Magilow, Daniel H. . . . . . . . . . . . . . . . .

Making Short Films . . . . . . . . . . . . . . . .

Making Waves . . . . . . . . . . . . . . . . . . .

Manley, Sebastian . . . . . . . . . . . . . . . .

Manovich, Lev . . . . . . . . . . . . . . . . . .

Marland, John . . . . . . . . . . . . . . . . . . .

Marshall, C.W. . . . . . . . . . . . . . . . . . .

Masculinity and Gender in Greek Cinema . . . . . . . . . . . . . . . .

Mass Communications and Media Studies . . . . . . . . . . . . . .

Massé, Mark H. . . . . . . . . . . . . . . . . .

McCaw, Neil . . . . . . . . . . . . . . . . . . .

McDonald, Keith . . . . . . . . . . . . . . . . .

McLane, Betsy A. . . . . . . . . . . . . . . . .

Media and the Power of Knowledge . . . .

Media, Masculinities, and the Machine . . . . . . . . . . . . . . .

Meyer, Christina . . . . . . . . . . . . . . . . .

Mills, Les . . . . . . . . . . . . . . . . . . . . .

Monahan, Barry . . . . . . . . . . . . . . . . . .

Monster Culture in the 21st Century . . . .

Montgomerie, Margaret . . . . . . . . . . . .

Moral Panics in the Contemporary World . . . . . . . . . . . .

Murders and Acquisitions . . . . . . . . . . .

31 24 22 6 3 6 11 16 4 14 9 15 22 26 12 13 15 17 25 19 7 7 31 31 31

8 25 10 6 30 13 21 22 20 6

O Orientation of Future Cinema, The . . . . . 6 Ornebring, Henrik . . . . . . . . . . . . . . . . 22 Ovid’s Myth of Pygmalion on Screen . . . 25

P Pallant, Chris . . . . . . . . . . . . . . . . . . .

Papadakis, Yiannis . . . . . . . . . . . . . . . .

Past is the Present, It’s the Future Too, The . . . . . . . . . .

Paxson, Peyton . . . . . . . . . . . . . . . . .

Peacock, Steven . . . . . . . . . . . . . . . . .

34

Quinn, James . . . . . . . . . . . . . . . . . . . 32 Quinn, Joanna . . . . . . . . . . . . . . . . . . 19

R Race and America’s Immigrant Press . . .

Rascaroli, Laura . . . . . . . . . . . . . . . . . .

Rawle, Steven . . . . . . . . . . . . . . . . . . .

Real Lives and Celebrity Stories . . . . . .

Rees, Emma L. E. . . . . . . . . . . . . . . . .

Rendleman, Todd . . . . . . . . . . . . . . . . .

Revolution and Rebellion in Mexican Film . . . . . . . . . . . . . . . .

Revolutions in Communication . . . . . . .

Ricardo, Francisco J. . . . . . . . . . . . . .

Right to Offend, A . . . . . . . . . . . . . . .

Robinson, MJ . . . . . . . . . . . . . . . . . . .

Rohloff, Amanda . . . . . . . . . . . . . . . .

Rojek, Chris . . . . . . . . . . . . . . . . . . .

Ross, Christine . . . . . . . . . . . . . . . . . .

Round, Julia . . . . . . . . . . . . . . . . . . .

Rule of Thumb . . . . . . . . . . . . . . . . . . .

Ryan, Michael . . . . . . . . . . . . . . . . . . .

24 7 4 30 25 32 9 15 16 21 14 31 30 17 30 32 32

20 9 17 15 13

Sanders, Karen . . . . . . . . . . . . . . . . .

Santucci, Walter . . . . . . . . . . . . . . . .

Schroeter, Jens . . . . . . . . . . . . . . . . .

Science Fiction . . . . . . . . . . . . . . . . .

Screen Fictions and Discourses of Disability . . . . . . . . . .

Screenwriting . . . . . . . . . . . . . . . . . . .

Silver Screen Buddha . . . . . . . . . . . . .

Skerry, Philip J. . . . . . . . . . . . . . . . . .

Smith, Angela . . . . . . . . . . . . . . . . . .

Software Takes Command . . . . . . . . . .

Spectralities Reader, The . . . . . . . . . . .

Spencer, David R. . . . . . . . . . . . . . . . .

Spooner, Catherine . . . . . . . . . . . . . . .

Stage and Screen . . . . . . . . . . . . . . . . .

Standish, Isolde . . . . . . . . . . . . . . . . .

Stasi, Paul . . . . . . . . . . . . . . . . . . . . .

State of Play, A . . . . . . . . . . . . . . . . .

Steele, Warren . . . . . . . . . . . . . . . . . .

Stein, Daniel . . . . . . . . . . . . . . . . . . .

Strange Love . . . . . . . . . . . . . . . . . . .

Stubbs, Jonathan . . . . . . . . . . . . . . . . .

Sturm, Damion . . . . . . . . . . . . . . . . . .

Suh, Sharon A. . . . . . . . . . . . . . . . . . .

Swimmer, Jeff . . . . . . . . . . . . . . . . . .

Tagliarina, Daniel . . . . . . . . . . . . . . . .

Teaching Politics Beyond the Book . . . . .

Television Aesthetics and Style . . . . . . .

Television on Demand . . . . . . . . . . . . .

Television, Sex and Society . . . . . . . . . .

Thanouli, Eleftheria . . . . . . . . . . . . . .

This Much is True . . . . . . . . . . . . . . . . .

Thomas, Bronwen . . . . . . . . . . . . . . . .

Thornton, Niamh . . . . . . . . . . . . . . . . .

Thousand Plateaus, A . . . . . . . . . . . . .

Thurlow, Clifford . . . . . . . . . . . . . . . . .

Thurlow, Max . . . . . . . . . . . . . . . . . . . .

Tomas, David . . . . . . . . . . . . . . . . . . .

Toms, Coons, Mulattoes, Mammies, and Bucks . . . . . . . . . . . .

Total Art, The . . . . . . . . . . . . . . . . . . .

Transmedia Television . . . . . . . . . . . . .

Transnational Perspectives on Graphic Narratives . . . . . . . . . . .

Trauma Journalism . . . . . . . . . . . . . . .

Trojan Horse, The . . . . . . . . . . . . . . .

23 23 13 14 32 20 32 30 9 27 3 3 12 24 8 14 25 22 23

U Understanding Fandom . . . . . . . . . . . .

Understanding Machinima . . . . . . . . . .

Understanding Media Theory . . . . . . . .

31 20 15

V Vagina, The . . . . . . . . . . . . . . . . . . . .

Vander Lugt, Kristin T. . . . . . . . . . . . . . .

Vertov, Snow, Farocki . . . . . . . . . . . . .

Vieira, Patricia . . . . . . . . . . . . . . . . . . .

Vint, Sherryl . . . . . . . . . . . . . . . . . . .

Virtual Reality . . . . . . . . . . . . . . . . . .

Vulpiani, Luke . . . . . . . . . . . . . . . . . .

25 6 12 8 26 18 10

W

S

N Nagib, Lúcia . . . . . . . . . . . . . . . . . . . .

Narcoepics . . . . . . . . . . . . . . . . . . . .

Native Features . . . . . . . . . . . . . . . . .

Nazisploitation! . . . . . . . . . . . . . . . . . .

Negra, Diane . . . . . . . . . . . . . . . . . . .

New History of Documentary Film, A . . .

News Media in the Arab World . . . . . . .

Newsworkers . . . . . . . . . . . . . . . . . . .

Ng, Jenna . . . . . . . . . . . . . . . . . . . . .

Nowell-Smith, Geoffrey . . . . . . . . . . . . .

Q

T

23 24 16 26 31 5 29 12 21 16 26 21 26 6 10 14 23 26 25 26 7 17 29 13

Wagner, Keith B. . . . . . . . . . . . . . . . .

Wag the Dog . . . . . . . . . . . . . . . . . . .

Wells, Paul . . . . . . . . . . . . . . . . . . 19, Whannel, Garry . . . . . . . . . . . . . . . . .

Williams, Kevin . . . . . . . . . . . . . . . . .

Wilson, Scott . . . . . . . . . . . . . . . . . . .

Winston, Brian . . . . . . . . . . . . . . . . . .

Wire, The . . . . . . . . . . . . . . . . . . . . .

Wood, Houston . . . . . . . . . . . . . . . . .

World Cinema and the Ethics of Realism . . . . . . . . . . . . .

Worthington, Charlotte . . . . . . . . . . . . .

Writing the Horror Movie . . . . . . . . . . .

10 20 20 23 15 12 21 14 10 8 4 5

Y Yarbrough, Wynn . . . . . . . . . . . . . . . . 31 Yosef, Raz . . . . . . . . . . . . . . . . . . . . . 10 Young, Gwenda . . . . . . . . . . . . . . . . . . 7 Yu, Kiki Tianqi . . . . . . . . . . . . . . . . . . 10

Z Zecker, Robert M. . . . . . . . . . . . . . . . . 24 Zinnes, Andrew . . . . . . . . . . . . . . . . . . 3 Žižek, Slavoj . . . . . . . . . . . . . . . . . . . 27

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