Film, Media, Music & Sound Studies Catalogue 2018-19

FILM, MEDIA, MUSIC & SOUND STUDIES NEW BOOKS CATALOGUE

2018-19

FROM SCRIPT TO SCREEN, AND BEYOND

Comprising a diverse range of exceptional book and screenplay content from Bloomsbury and Faber & Faber, Screen Studies is a dynamic and expanding digital platform. It supports academics and students of film history, theory and practice.

Content Highlights • A growing number of iconic and contemporary screenplays, presented in industry-standard studio format and fully searchable, including Dunkirk, The Grand Budapest Hotel, and The Big Lebowski • Authoritative coverage of works by leading filmmakers such as Wes Anderson, Agnès Varda, and Christopher Nolan, providing insight into professional and creative practice • Instant access to over 230 critical and contextual books, on a diverse range of genres, regions, themes, and filmmakers — including practical instruction on screenwriting, and filmmaking techniques

Features and Benefits • Enhances contextual understanding of key events in film production, culture, and technologies, through an interactive History of Cinema timeline with links to related content across the resource • Discover, cite, share and save content relevant to your work with ease, using the powerful advanced search, tailored taxonomy, and personalization features • Browse by people; themes; films; genres, movements, and styles; or content types including screenplays or books— ideal for different approaches to research or independent study • Updated on an annual basis—new screenplays and books will be added to the launch module, as well as to future thematic modules, alongside content including reference articles, bibliographic guides, and lesson plans

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Contents Film Film Directors......................................................2 Film History and Genre.......................................3 Film Theory..........................................................6 World Cinema and Television..............................8 Animation Studies...............................................9 Production and Industry....................................10 British Film Institute...........................................11 Media Studies Media Studies....................................................16 Gender and Media............................................17 Media Theory....................................................18 New Media........................................................19 Game Studies....................................................20 Music & Sound Studies

This year, Bloomsbury Academic celebrates our 10th anniversary In our short history, we’ve become an award-winning publisher across the humanities, social sciences and visual arts and combined the incredible publishing histories of Methuen Drama, The Arden Shakespeare, T&T Clark and Fairchild Books in one place. And we’re still growing: Bloomsbury is now the publisher of British Film Institute's renowned list of books on film, and I.B. Tauris, a leading publisher in Middle East Studies, International Studies, History, Politics and Visual Culture joined Bloomsbury in 2018!

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Inspection / Exam Copies

33 1/3................................................................22 Popular Music....................................................23 Music and Media...............................................26 Sound Studies...................................................28 Major Reference Works..................................31

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Index..................................................................32

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Representatives and Agents..............................35

Open Access

Editorial Contacts..............................................36

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FILM DIRECTORS

The Cinema of Norman Mailer Film is Like Death

Edited by Justin Bozung, Freelance Writer, Georgia, USA

The Ironic Filmmaking of Stephen Frears

Lesley Brill, Wayne State University, USA

"Bozung’s collection represents a major advance in our understanding of Mailer’s films—their origins, creation, reception, relationship to his literary work, and enduring influence. His assiduous archival work, communication with almost everyone alive involved with Mailer’s filmmaking, the collection of previously published essays (including Mailer’s), and the commissioning of new ones, plus an extraordinary collection of photographs, makes The Cinema of Norman Mailer the definitive volume on Mailer’s film career." J. Michael Lennon, author of Norman Mailer: A Double Life (2013) and Emeritus Professor of English, Wilkes University, USA

"Can a case be made for the 'consistently inconsistent' Stephen Frears, who’s staunchly maintained, 'I’m just the bloke who gets hired,' as a cinematic auteur? Armed with a formidable appreciation of Frears’s direction of performers, an exquisite sensitivity to his visual design, and a deep sympathy with his representations of love in its many varieties, Lesley Brill presents compelling evidence why audiences who have enjoyed films as different as My Beautiful Laundrette, Dangerous Liaisons, The Queen, and Philomena can profit from closer attention to the endlessly resourceful ironist behind them all." Thomas Leitch, Professor, Department of English, University of Delaware, USA

UK March 2019 • US March 2019 • 336 pages • 83 bw illus PB 9781501325502 • £26.99 / $39.95 Previously published in HB 9781501325519 Individual eBook 9781501325533 Library eBook 9781501325526 Bloomsbury Academic

UK February 2018 • US February 2018 • 272 pages • 40 bw illus PB 9781501340161 • £28.99 / $39.95 Previously published in HB 9781501320330 Individual eBook 9781501320347 Library eBook 9781501320354 Bloomsbury Academic

The Films of Aki Kaurismäki Ludic Engagements

Edited by Thomas Austin, University of Sussex, UK The definitive book on Kaurismäki and the first anthology of the auteur to be published in English. This international collection of original essays provides a range of voices responding to Kaurismäki's politically and aesthetically compelling cinema.

UK September 2018 • US September 2018 • 240 pages • 16 bw illus HB 9781501325380 • £96.00 / $120.00 Individual eBook 9781501325403 Library eBook 9781501325410 Bloomsbury Academic

Lars von Trier's Women

Edited by Rex Butler, University of Queensland, Australia & David Denny, Marylhurst University, USA The Danish director Lars von Trier is undoubtedly one of the world's most important and controversial filmmakers, and arguably so because of the depiction of women in his films. He has been criticized for subjecting his female characters to unacceptable levels of violence or reducing them to masochistic self-abnegation, as with Bess in Breaking the Waves, ‘She’ in Antichrist and Joe in Nymphomaniac.

At other times, it is the women in his films who are dominant or break out in violence, as in his adaptation of Euripides' Medea, the conclusion of Dogville and perhaps throughout Nymphomaniac. Lars von Trier's Women confronts these dichotomies head on.

UK May 2018 • US May 2018 • 224 pages PB 9781501342097 • £28.99 / $39.95 Previously published in HB 9781501322457 Individual eBook 9781501322471 Library eBook 9781501322464 Bloomsbury Academic

Hitchcock's Appetites

The Corpulent Plots of Desire and Dread Casey McKittrick, Western Michigan University, USA In Hitchcock’s Appetites, Casey McKittrick offers the first book studying the relationship between Hitchcock’s body size and his cinema. Whereas most critics and biographers of the great director are content to consign his large figure and larger appetite to colorful anecdotes of his private life, McKittrick argues that our understanding of Hitchcock’s films, his creative process, and his artistic mind are incomplete without considering his lived experience as a fat man.

Hitchcock’s Appetites produces a new and compelling profile of Hitchcock's creative life, and a fuller, more nuanced account of his auteurism.

UK January 2018 • US January 2018 • 208 pages PB 9781501339561 • £28.99 / $39.95 Previously published in HB 9781501311659 Individual eBook 9781501311635 Library eBook 9781501311628 Bloomsbury Academic

Authoring Hal Ashby

The Myth of the New Hollywood Auteur Aaron Hunter, Maynooth University, Ireland "A very useful and lucid contribution to understanding of the films of Hal Ashby and the New Hollywood context in which they are situated. Makes a strong and valuable case for the benefits of an approach that acknowledges multiple contributions to authorship, both in this case and as a way of revisiting the films of the period more generally." Geoff King, Professor of Film and TV Studies, Brunel University London, UK Using Hal Ashby as a larger framework on multiple-authorship, Authoring Hal Ashby lays out a creative new approach to understanding one of Hollywood's most exciting eras and most vital filmmakers.

UK February 2018 • US February 2018 • 240 pages • 12 bw illus PB 9781501340192 • £28.99 / $39.95 Previously published in HB 9781501308437 Individual eBook 9781501308451 Library eBook 9781501308444 Bloomsbury Academic

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Pier Paolo Pasolini, Framed and Unframed

Warren Buckland, Oxford Brookes University, UK

Edited by Luca Peretti, Yale University, USA & Karen T. Raizen, Yale University, USA

A Semiotic Analysis

An academic investigation of what makes the films of Wes Anderson distinctive. Taking the polemical strategy of outlining and employing Claude LeviStrauss’ distinguished (and notorious) work on myth and kinship to analyze each of Wes Anderson’s films, Warren Buckland analyzes Anderson entire oeuvre. With the help of Levi-Strauss, Buckland unearths the peculiar symbolic structure of each film, plus the circuits of exchange, tangible and intangible gift-giving, and unusual kinship systems that govern the lives of Wes Anderson’s characters.

UK October 2018 • US October 2018 • 208 pages • 14 bw illus HB 9781501316524 • £74.00 / $110.00 Individual eBook 9781501316531 Library eBook 9781501316548 Bloomsbury Academic

The Films of Lenny Abrahamson A Filmmaking of Philosophy

Barry Monahan, University College Cork, Ireland The first comprehensive study of the films of the contemporary and highly critically-appraised Irish director Lenny Abrahamson. As well as considering the aesthetics, cultural reflections and philosophical concerns embedded within the cinema of this dynamic and profoundly original Irish filmmaker, it looks at his original short film – 3 Joes – and his four-part television series Prosperity. Barry Monahan sheds light on the aesthetic wealth of the artist and connects his visual stylistic innovations to the context of his projects’ sociocultural background, to his own influences in modern cinema and to a broader reflection on his philosophy of cinema, art, and human existence in the 21st century.

UK August 2018 • US August 2018 • 248 pages • 38 bw illus HB 9781501316111 • £80.00 / $120.00 Individual eBook 9781501316128 Library eBook 9781501316135 Bloomsbury Academic

The Hollywood Renaissance Revisiting American Cinema's Most Celebrated Era

Edited by Yannis Tzioumakis, University of Liverpool, UK & Peter Krämer, University of East Anglia, UK The Hollywood Renaissance investigates the changes in the American film industry and American culture of the mid-1960s which made the Hollywood Renaissance possible. Concluding with a look at the legacy of the Hollywood Renaissance on contemporary American cinema, the volume explores both its aftermath in the late 1970s and the emergence of the 'New New Hollywood' with its emphasis on the production of blockbuster by an increasingly conglomerated Hollywood majors and its impact on American independent/indie cinema.

UK June 2018 • US June 2018 • 288 pages • 15 bw illus PB 9781501337888 • £23.99 / $29.95 • HB 9781501337871 • £96.00 / $120.00 Individual eBook 9781501337895 Library eBook 9781501337901 Bloomsbury Academic

A Thinker for the Twenty-First Century

This cross-disciplinary volume explores and expands our understanding of Pasolini today, probing notions of otherness in his works, his media image, and his legacy.

40 years after his death Pier Paolo Pasolini continues to challenge and interest us, both in academic circles and in popular discourses.

Today his films stand as lampposts of Italian cinematic production, his cinematic theories resonate broadly through academic circles, and his philosophical, essayistic, and journalistic writings—albeit relatively sparsely translated into other languages—are still widely influential.

UK December 2018 • US December 2018 • 256 pages • 11 bw illus HB 9781501328893 • £98.00 / $125.00 Individual eBook 9781501328879 Library eBook 9781501328862 Bloomsbury Academic

History and Film

A Tale of Two Disciplines Eleftheria Thanouli, Aristotle University of Thessaloniki, Greece With case studies ranging from The Thin Red Line and Life is Beautiful, to United 93 and The Last Bolshevik, History and Film addresses the representation of history in the cinema, a muchargued debate on the need to understand cinematic history in its own terms and develop a certain vocabulary for discussing historical films, their relation to public history and their impact on public historical consciousness. Elefteria Thanouli does this by changing the agenda altogether - combining a macro-level perspective with a micro-level one in order to argue that cinematic history is the dominant form of historiography in the 20th century, as it succeeded in remediating and repurposing the key formal, rhetorical and ideological practices of 19th-century professional historiography.

FILM DIRECTORS / FILM HISTORY AND GENRE

Wes Anderson’s Symbolic Storyworld

UK October 2018 • US October 2018 • 288 pages PB 9781501340772 • £27.99 / $34.95 • HB 9781501340789 • £96.00 / $120.00 Individual eBook 9781501340796 Library eBook 9781501340802 Bloomsbury Academic

The "Disguised" Political Film in Contemporary Hollywood A Genre's Construction

Betty Kaklamanidou, Aristotle University of Thessaloniki, Greece The political film is not a clearly delineated object, but rather an elusive one and resistant to clear boundaries. Betty Kaklamanidou unpacks the problematic terms and ideas that go along with defining a new genre. She considers a different sub-genre per chapter, placing each group of films in their socio-historical context to reach conclusions about the production of political films in millennial Hollywood. In shifting the terms of the debate, this study provides a fresh, new approach to the subject of the political film.

UK April 2018 • US April 2018 • 224 pages PB 9781501341830 • £28.99 / $39.95 Previously published in HB 9781501322303 Individual eBook 9781501322327 Library eBook 9781501322310 Bloomsbury Academic

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FILM HISTORY AND GENRE

What's Eating You?

Let's Go Stag

Edited by Cynthia J. Miller, Emerson College, USA & A. Bowdoin Van Riper, Independent Scholar, USA

Dan Erdman, Media Burn Archive, Chicago, USA

Food and Horror on Screen

Monstrous “others” dine on forbidden fare; the tables of consumption are turned, and the consumer becomes the consumed. Overindulgence, as Le Grande Bouffe (1973) and Street Trash (1987) warn, can kill us, and occasionally, as films like The Stuff (1985) and Poultrygeist (2006) illustrate, our food fights back. From Blood Feast (1963) to Sweeney Todd (2007), motion pictures have reminded us that it is an “eat or be eaten” world. Divided into four thematic sections, What's Eating You? explores the deeper significance of such stories—the ways in which they reflect (or challenge) our deepest fears about consuming and being consumed.

UK August 2018 • US August 2018 • 256 pages • 40 bw illus PB 9781501343964 • £31.99 / $39.95 Previously published in HB 9781501322389 Individual eBook 9781501322419 Library eBook 9781501322396 Bloomsbury Academic

A History of Pornography on Film from Edison to Stonewall Let's Go Stag reveals the secrets of the underground world of hardcore pornographic "stag films". Using the archives of civic groups, law enforcement, bygone government studies and similarly neglected evidence, archivist Dan Erdman reconstructs the means by which stag films were produced, distributed and exhibited, as well as demonstrates the way in which these practices changed with the times, eventually paving the way for the pornographic explosion of the 1970s and beyond.

UK July 2019 • US July 2019 • 272 pages • 50 bw illus HB 9781501333019 • £96.00 / $120.00 Individual eBook 9781501333026 Library eBook 9781501333033 Series: Global Exploitation Cinemas • Bloomsbury Academic

The Environmental Documentary Cinema Activism in the 21st Century

Hollywood and the Invention of England Projecting the English Past in American Cinema, 1930-2017

Jonathan Stubbs, Cyprus International University, Cyprus Beginning with an overview of the social and cultural dimensions of the so-called 'special relationship' between Hollywood and Britain, each chapter features an extended case study examining a key production from each filmmaking cycle in greater detail. Written from an intercultural perspective and drawing on extensive archival research, Hollywood and the Invention of England examines the surprising affinity for British history in Hollywood cinema and asks what this can tell us about both British and American culture in general.

UK February 2019 • US February 2019 • 192 pages • 35 bw illus HB 9781501305870 • £80.00 / $120.00 Individual eBook 9781501305849 Library eBook 9781501305856 Bloomsbury Academic

John A. Duvall, Dominican University of California, USA "The Environmental Documentary should be in every college and public library as a handy reference work. It provides helpful material about films we have seen and points us in directions for future viewing." Charles Musser, Cineaste The text examines the processes of production and distribution that have produced this explosion in environmental documentaries. The films range from a high-profile Hollywood production with theatrical distribution like An Inconvenient Truth, to shorter independently produced films like The End of Suburbia that have reached a small audience of activists through video distribution, interviews with many of the filmmakers, and word of mouth.

UK November 2018 • US November 2018 • 368 pages • 31 bw illus PB 9781501347511 • £31.99 / $39.95 Previously published in HB 9781441176110 Individual eBook 9781441197283 Library eBook 9781441122490 Bloomsbury Academic

New Nonfiction Film Vocal Projections

Voices in Documentary Edited by Maria Pramaggiore, National University of Ireland at Maynooth & Annabelle Honess Roe, University of Surrey, UK This collection examines a previously neglected topic in the field of documentary studies: the political, aesthetic, and affective functions that voices assume. On topics ranging from the celebrity voice over to ventriloquism, from rockumentary screams to feminist vocal politics, these essays demonstrate myriad ways in which voices make documentary meaning beyond their expository, evidentiary, and authenticating functions.

UK October 2018 • US October 2018 • 272 pages • 20 bw illus HB 9781501331251 • £96.00 / $120.00 Individual eBook 9781501331268 Library eBook 9781501331275 Bloomsbury Academic

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Art, Poetics, and Documentary Theory Dara Waldron, Limerick Institute of Technology, Republic of Ireland "It is rare these days that a book delivers a new critical concept and category that completely transforms our understanding of cinema, but that’s precisely what Dara Waldron does in New Nonfiction Film.... Through a series of revelatory readings of films by John Akomfrah, Chantal Akerman, Abbas Kiarostami, Pat Collins, and Ben Rivers, among others, Waldron’s [study] identifies a poetics of the moving image that defines the boldest examples of contemporary filmmaking." Andrew Burke, Associate Professor, Department of English, University of Winnipeg, Canada UK August 2018 • US August 2018 • 224 pages • 29 bw illus HB 9781501322495 • £80.00 / $120.00 Individual eBook 9781501322525 Library eBook 9781501322501 Bloomsbury Academic

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we’re rolling!

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BFI books are now available from Bloomsbury Bloomsbury has been appointed as the BRITISH FILM INSTITUTE’s publishing partner from May 2018.

BFI books and resources are for everyone passionate about film and moving image – from students and scholars to industry practitioners and general film enthusiasts.

Covering all aspects of cinema, books include the flagship BFI Film Classics series, concise Screen Guides, bestselling introductory textbooks such as The Cinema Book, and scholarly works including the award-winning Cultural Histories of Cinema series.

See page 11 for recent highlights and bestsellers

Be first to hear!

Sign up to our Film & Media Studies newsletter for book alerts and offers on BFI products: www.bloomsbury.com/newsletter Order BFI books directly from Bloomsbury on www.bloomsbury.com/bfi or through your local sales representative.

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FILM THEORY

Thinking Cinema The Bloomsbury Thinking Cinema series publishes original, innovative monographs that explore encounters between film, philosophy, and theory. The series aims to promote research at the intersection of film and philosophical or theoretical ideas. Books in the series are distinguishable by their enhancement of knowledge by thinking with, about, or through cinema.

Editorial Board: Edward Branigan (University of California, Santa Barbara), Ian Buchanan (University of Wollongong), Warren Buckland (Oxford Brookes University), Robert Burgoyne (University of St Andrews), Jinhee Choi (King's College, University of London), Catherine Constable (University of Warwick), Gregory Currie (University of Nottingham), Paisley Livingstone (Lingnan University), Laura U. Marks (Simon Fraser University), John Mullarkey (Kingston University, London), Michele Pierson (King's College, University of London), Patricia Pisters (University of Amsterdam), Vivian Sobchack (University of California, Los Angeles), Thomas Wartenberg (Mount Holyoke College), Emma Wilson (University of Cambridge) For a full list of titles available in this series please visit: www.bloomsbury.com/series/thinking-cinema

European Cinema and Continental Philosophy

Non-Cinema

Thomas Elsaesser, University of Amsterdam, the Netherlands

William Brown, University of Roehampton, UK

Film As Thought Experiment

This groundbreaking volume focuses on the extent to which contemporary cinema contributes to political and philosophical thinking about the future of Europe's core Enlightenment values. In light of the challenges of globalization, multi-cultural communities and post-nation state democracy, the book interrogates the borders of ethics and politics and roots itself in debates about post-secular, post-Enlightenment philosophy.

UK November 2018 • US November 2018 • 320 pages PB 9781441182210 • £31.99 / $39.95 • HB 9781441129499 • £102.00 / $130.00 Individual eBook 9781441162618 Library eBook 9781441110657 Series: Thinking Cinema • Bloomsbury Academic

Auteur Theory and My Son John James Morrison, Claremont McKenna College, USA

"Morrison's book is the most illuminating discussion of French auteurism and its influence I've ever read. It's also a convincing defense of writing about movie directors as authors, capped by a brilliant analysis of Leo McCarey's seldomdiscussed My Son John. I couldn't put it down." James Naremore, Indiana University, USA UK July 2018 • US July 2018 • 200 pages PB 9781501311741 • £13.99 / $19.95 • HB 9781501311758 • £50.00 / $75.00 Individual eBook 9781501311727 Library eBook 9781501311710 Series: Film Theory in Practice • Bloomsbury Academic

Global Digital Film-making and the Multitude Non-Cinema: Global Digital Filmmaking and the Multitude provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of ‘Third Cinema’ and contemporary film theorists and filmphilosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded – the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence the title "non-cinema".

UK July 2018 • US July 2018 • 312 pages • 15 bw illus HB 9781501327292 • £102.00 / $130.00 Individual eBook 9781501327278 Library eBook 9781501327261 Series: Thinking Cinema • Bloomsbury Academic

Making Sense of Mind-Game Films

Narrative Complexity, Embodiment and the Senses Simin Nina Littschwager, Victoria University Wellington, New Zealand Mind-game films have been a prominent phenomenon of the cinematic landscape from 1990-2010, when films like The Sixth Sense and Fight Club became critical and commercial successes. With their unreliable narrators and ambiguous twist endings, these films challenge traditional ways of narrative comprehension. But how can we understand films that don’t always make sense in the way we are used to? While most scholarship has treated these complex films as puzzles that audiences solve with their cognitive skills, Making Sense of Mind-Game Films offers a fresh perspective by suggesting that they appeal to the body and the senses in equal measures. Through compelling in-depth case studies of popular mind-game films, Simin Nina Littschwager explores how these complex narratives take their (embodied) spectators with them into such crises.

UK June 2019 • US June 2019 • 272 pages HB 9781501337048 • £96.00 / $120.00 Individual eBook 9781501337055 Library eBook 9781501337062 Bloomsbury Academic

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American Eccentric Cinema

Kim Wilkins, The University of Sydney, Australia

Globalization and the Posthuman Object Elizabeth Ezra, University of Stirling, UK "Compelling at every turn, The Cinema of Things shows how the character of posthuman condition in which we live owes much to the seventh art.

From Méliès to Andrew Stanton, or Feuillade to Ridley Scott, cinema cheerfully turns human subjects into prosthetic devices, disposable commodities, or useless waste. In dazzling readings of classical and contemporary features, Ezra discerns the unspoken or disavowed dimensions of films that range from the Marx Brothers to Avatar. The book counts among the most powerful, courageously written, and urgently needed studies of cinema over the last decade." Tom Conley, Harvard University, USA

Since the late 1990s a new language has emerged in film scholarship and criticism in response to the popularity of American directors such as Wes Anderson, Charlie Kaufman, and David O. Russell.

Increasingly, adjectives like ‘quirky’, ‘cute’, and ‘smart’ are used to describe these American films, with a focus on their ironic (and sometimes deliberately comical) stories, character situations and tones. Kim Wilkins argues that, beyond the seemingly superficial descriptions, American Eccentric Cinema presents a formal and thematic eccentricity that is distinct to the American context. She distinguishes these films from mainstream Hollywood cinema as they exhibit irregularities in characterization, tone, and setting, and deviate from established generic conventions.

FILM THEORY

The Cinema of Things

UK February 2019 • US February 2019 • 256 pages • 80 bw illus HB 9781501336911 • £96.00 / $120.00 Individual eBook 9781501336928 Library eBook 9781501336935 Bloomsbury Academic

UK November 2017 • US November 2017 • 216 pages • 20 bw illus HB 9781501328855 • £96.00 / $120.00 Individual eBook 9781501328831 Library eBook 9781501328824 Bloomsbury Academic

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WORLD CINEMA AND TELEVISION

Global South Asia on Screen

John Hutnyk, Ton Duc Thang University, Vietnam "Hutnyk has written a book that keeps faith with the project of radical critique. Paying careful attention to relations between semiotic detail and socio-political context, he traverses a complex body of cultural production and cultural theory too often consigned to the margins. Global South Asia on Screen tests every term in its title, working through an array of films, TV series and other media with a forensic eye that disconcerts and excites. Hutnyk’s book challenges us to understand the reverb of colonial pasts and postcolonial critiques in networked, politically-narrowed presents." Scott McQuire, Professor of Media and Communications, University of Melbourne, Australia UK June 2018 • US June 2018 • 272 pages HB 9781501324963 • £96.00 / $120.00 Individual eBook 9781501324987 Library eBook 9781501324970 Bloomsbury Academic World All Languages (excluding India/Indian subcontinent)

Courtesans in Bombay Cinema

Ruth Vanita, University of Montana, USA "This is a spectacular reassessment of India's cinematic courtesans; it provocatively challenges reigning stereotypes concerning gendered and ideological collectives. If offers new insights into the interface between canonical texts and performance, between art and labor." Syed Akbar Hyder, Associate Professor of Asian Studies and the Director of the Hindi-Urdu Flagship at the University of Texas at Austin, USA UK February 2018 • US February 2018 • 232 pages HB 9781501334429 • £96.00 / $120.00 Individual eBook 9781501334436 Library eBook 9781501334443 Bloomsbury Academic World All Languages (excluding India/Indian subcontinent)

Screening the Red Army Faction Historical and Cultural Memory

Childhood and Nation in Contemporary World Cinema Borders and Encounters

Edited by Stephanie Hemelryk Donald, The University of Lincoln, UK, Emma Wilson, Corpus Christi College, UK & Sarah Wright, Royal Holloway, University of London, UK Childhood and Nation in Contemporary World Cinema recognizes that the range of films and scholarship is now sufficiently extensive to invoke the world cinema mantra of pluri-vocal and pluri-central attention and interpretation. This collection observes how and why and whether the cinematic child is indeed aligned to concepts of modern nationhood, to concerns of the State, and to geo-political organizational themes and precepts.

UK August 2018 • US August 2018 • 296 pages • 40 bw illus PB 9781501343988 • £31.99 / $39.95 Previously published in HB 9781501318580 Individual eBook 9781501318597 Library eBook 9781501318603 Bloomsbury Academic

Popular Music and the Moving Image in Eastern Europe

Edited by Ewa Mazierska, University of Central Lancashire, UK & Zsolt Gyori, University of Debrecen, Hungary The first collection to discuss the ways in which popular music has been used cinematically, from musicals to music videos to documentary film, in Eastern Europe from 1945 to the present day. It argues that during the period of state socialism, moving image was an important tool of promoting music in the respective countries and creating popular cinema. Yet despite this importance, filmmakers who specialized in musicals lacked the social prestige of leading 'auteurs' and received little critical attention. The resulting scholarly prejudice towards pop culture created a severe shortage of critical studies of the genre, which this volume now addresses.

UK December 2018 • US December 2018 • 256 pages • 1 bw illus HB 9781501337178 • £98.00 / $125.00 Individual eBook 9781501337185 Library eBook 9781501337192 Bloomsbury Academic

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Dancing with the Nation

Christina Gerhardt, University of Hawai’i at Manoa, USA Explores representations of the Red Army Faction (RAF) in print media, film and art, locating an analysis of these texts in the historical and political context of unfolding events. In this way, the book contributes both a new history and a new cultural history of post-fascist era West Germany that grapples with the fledging republic's most pivotal debates about the nature of democracy and authority; about violence, its motivations and regulation; and about its cultural afterlife. Looking back at the history of representations of the RAF in various media, this book considers how our understanding of the Cold War era, of the long '60s and of the RAF is created and re-created through cultural texts.

UK July 2018 • US July 2018 • 320 pages • 15 bw illus HB 9781501336676 • £102.00 / $130.00 Individual eBook 9781501336683 Library eBook 9781501336690 Bloomsbury Academic

Screening Bosnia

Geopolitics, Gender and Nationalism in Film and Television Images of the 1992-95 War Stephen Harper, University of Portsmouth, UK The Bosnian war of 1992-1995 was one of the most brutal conflicts to have erupted since the end of the Second World War. But although the war occurred in 'Europe's backyard' and received significant media coverage in the West, relatively little scholarly attention has been devoted to cultural representations of the conflict. Stephen Harper analyses how the war has been depicted in global cinema and television over the past quarter of a century. Focusing on the representation of some of the war's major themes, including humanitarian intervention, the roles of NATO and the UN, genocide, rape and ethnic cleansing, Harper explores the role of popular media culture in reflecting, reinforcing and sometimes contesting - nationalist ideologies.

UK September 2018 • US September 2018 • 184 pages PB 9781501346347 • £31.99 / $39.95 Previously published in HB 9781623564971 Individual eBook 9781623565923 Library eBook 9781623567071 Bloomsbury Academic

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.uk

Stop-Motion Filmmaking

Edited by Nichola Dobson, Edinburgh College of Art, UK, Annabelle Honess Roe, University of Surrey, UK, Amy Ratelle, University of Toronto, Canada & Caroline Ruddell, Brunel University, UK The Reader collates key writings within animation studies, as well as providing new material in emerging areas of the field. The first section collates key readings on animation theory, on how we might conceptualise animation, and on some of the fundamental qualities of animation.

The second section outlines some of the main forms that animation takes, which includes discussions of genre. The third section focuses on issues of representation and how the medium of animation might have an impact on how bodies, gender, sexuality, race and ethnicity are represented.

The Complete Guide to Fabrication and Animation Christopher Walsh, Sheridan College, Oakville, Canada Provides step-by-step instruction in everything from puppet making and studio set-up to animation and filmmaking. Reflecting exciting advancements in the medium, animator and educator Christopher Walsh focuses closely on digital filmmaking techniques, and offers specific instruction for creating 3D designed and printed puppet components as well as hand-crafted elements. The book is enriched by exclusive online content in the form of detailed tutorials and examples, and by dynamic sidebars and inserts.

A N I M AT I O N S T U D I E S

The Animation Studies Reader

Further accented by interviews with leading professionals from both independent and major studios to inspire dedicated students of the art form.

UK October 2018 • US October 2018 • 352 pages • 1 bw illus PB 9781501332609 • £23.99 / $29.95 • HB 9781501332616 • £96.00 / $120.00 Individual eBook 9781501332630 Library eBook 9781501332623 Bloomsbury Academic

UK February 2019 • US February 2019 • 384 pages • 394 colour illus PB 9781474268042 • £32.99 / $44.95 Individual eBook 9781350031623 Library eBook 9781474268059 Bloomsbury Academic

Hayao Miyazaki

Exploring the Early Work of Japan's Greatest Animator

Global Animation Theory

International Perspectives at Animafest Zagreb

Raz Greenberg, Hebrew University of Jerusalem, Israel "Raz Greenberg has produced a charming, thorough and accessible book, useful for anime aficionados, film students and the general reader. His overview of early works and exploration of influences is detailed, and the footnotes and bibliography open the door to further exploration. Most importantly, Greenberg anchors this erudite, curious and passionate creative powerhouse in the framework of world culture that informs and inspires his works as fully as his environmental activism, political views and profound love for the community in which he has lived and worked for eight decades." Helen McCarthy, Independent Scholar, UK, and author of A Brief History of Manga: The Essential Pocket Guide to the Japanese Pop Culture Phenomenon (2015) UK July 2018 • US July 2018 • 192 pages • 18 bw illus HB 9781501335945 • £96.00 / $120.00 Individual eBook 9781501335952 Library eBook 9781501335969 Series: Animation: Key Films/Filmmakers • Bloomsbury Academic

Scholar, Croatia

Edited by Franziska Bruckner, University of Vienna, Austria, Holger Lang, Webster Vienna Private University, Austria, Nikica Gilic, University of Zagreb, Croatia, Daniel Šuljic, Independent Scholar, Croatia & Hrvoje Turkovic, Independent

Scanning historical and current trends in animation through different perspectives including art history, film, media and cultural studies is a prominent facet of today’s theoretical and historical approaches in this rapidly evolving field. Global Animation Theory offers detailed and diverse insights into the methodologies of contemporary animation studies, as well as the topics relevant for today’s study of animation.

UK November 2018 • US November 2018 • 256 pages • 21 bw illus HB 9781501337130 • £96.00 / $120.00 Individual eBook 9781501337147 Library eBook 9781501337154 Bloomsbury Academic

OBJECTLESSONS Explore the hidden lives of ordinary things O B J E C T L E S S O N S

9781628922653

9781501338175

9781501338137

9781501325991

O B J E C T L E S S O N S

pill

potato

ROBERT BENNETT

R EBECC A EAR LE

9781501341946

9781501344312

9781501333408

Visit www.bloomsbury.com/objectlessons to browse the entire series

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PRODUCTION AND INDUSTRY

Directing Screen Performances

Robert Klenner, The Australian Film, Television and Radio School, Australia The core goal of Directing Screen Performances is to teach aspiring directors how to prepare and work with actors. Readers will learn how to analyze a script, brief the casting director, rehearse the actors, decide on the visual treatment that enriches their performances, direct effectively on set and finesse the character in the edit. Every step in the director’s process is clearly described and illustrated with photographs and graphics. There are also interviews with established screen practitioners and each chapter concludes with practical exercises to work through.

UK January 2019 • US January 2019 • 400 pages • 26 colour, 330 bw illus PB 9781474249591 • £24.99 / $33.95 • HB 9781350096363 • £75.00 / $102.00 Individual eBook 9781474249614 Library eBook 9781474249607 Bloomsbury Academic

The Aesthetics of Nostalgia TV

Podcasting

The Audio Media Revolution Martin Spinelli, University of Sussex, UK & Lance Dann, University of Brighton, UK Using some of today’s most popular listening experiences (Welcome to Night Vale, Serial, Radiolab, The Truth and others), Podcasting offers a springboard into a host of larger media-andsociety debates. It probes the ethics of digital journalism, cultural commitments to narrative and storytelling, evolving modes of listening and semantics, fandom and social media, intimacy and (erotic) listening pleasure, and youth cultures and the politics of production opportunities. Through close listenings, empirical audience analysis, and interviews with producers of some of the most well-known and influential podcasts, Podcasting studies what new genres are taking shape and shows how they function.

UK January 2019 • US January 2019 • 272 pages • 8 bw illus PB 9781501328688 • £19.99 / $29.95 • HB 9781501328695 • £80.00 / $120.00 Individual eBook 9781501328664 Library eBook 9781501328657 Bloomsbury Academic

Production Design and the Boomer Era Alex Bevan, The University of Queensland, Australia

Explores the aesthetic politics of nostalgia for 1950s and '60s America on contemporary television.

Specifically, it looks at how nostalgic TV production design shapes and is shaped by larger historical discourses on gender and technological change, and America’s perceived decline as a global power. Alex Bevan argues that the aesthetics of nostalgic TV tell stories of their own about historical decline and progress, and the place of the baby boomer television suburb in American national memory, using Mad Men, Ugly Betty, Desperate Housewives, and film remakes of 1950s and '60s family sitcoms as primary case studies.

UK February 2019 • US February 2019 • 272 pages • 29 bw illus HB 9781501331411 • £96.00 / $120.00 Individual eBook 9781501331435 Library eBook 9781501331428 Bloomsbury Academic

Mass Producing European Cinema StudioCanal and Its Works

Christopher Meir, University of the West Indies, St. Augustine, Trinidad and Tobago In this volume, Christopher Meir delves into StudioCanal, the foremost European company in the contemporary film and television industries, and chronicles its rise from a small production subsidiary of Canal Plus to being the most important global challenger to Hollywood’s dominance. Equal parts historical study, industrial analysis and critical survey of some of the most important films and television programs in recent European history, this book gives readers an overview of the development and output of this important company while also giving them a ringside seat for the latest round of the oldest battle in the film business.

UK February 2019 • US February 2019 • 208 pages • 30 bw illus HB 9781501327124 • £80.00 / $120.00 Individual eBook 9781501327100 Library eBook 9781501327094 Bloomsbury Academic

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The French Cinema Book

Edited by Michael Temple, Birkbeck, University of London, UK & Michael Witt, University of Roehampton, UK This revised and expanded new edition of a key textbook provides a comprehensive introduction to the richness and diversity of French film history and culture from the 1890s to the 2010s. Each chronological section addresses people, business, technology, forms, representations, spectators and debates, with updated and new contributions from 36 leading commentators on French cinema, examining a wide variety of film-making types, from the experimental and political traditions to art cinema, popular cinema and documentary.

"A must-read collection of essays written by some of the finest film scholars." Ludovic Cortade, New York University, USA UK January 2018 • US January 2018 • 370 pages • 90 bw illus PB 9781844574650 • £24.99 / $39.95 • HB 9781844574667 • £65.00 / $90.00 British Film Institute

The Cinema Book

Edited by Pam Cook, University of Southampton, UK The Cinema Book is widely recognised as the ultimate guide to cinema. The third edition has been extensively revised, updated and expanded in response to developments in cinema and cinema studies. Lavishly illustrated in colour, this edition features sections and in-depth case studies addressing Hollywood and other World cinema histories, key genres in both fiction and nonfiction film, issues such as stars, technology and authorship, and major theoretical approaches to understanding film.

“With excellent essays, close textual analysis of films and further reading lists from some of the leading lights in the area, the book has proved an invaluable asset for the study of film.” Laurence Boyce, Films and Festivals UK January 2007 • US December 2007 • 624 pages PB 9781844571932 • £32.99 / $49.95 • HB 9781844571925 • £110.99 / $159.00 British Film Institute

Silent Cinema

A Guide to Study, Research and Exhibition Paolo Cherchi Usai, George Eastman Museum, Rochester, USA This new and greatly expanded edition provides a comprehensive introduction to the study, research and preservation of silent cinema from its heyday in the early 20th century to its present day flourishing.

Leading silent cinema expert Paolo Cherchi Usai traces the history of the moving image in its formative years, from Edison and Lumière’s first experiments to the dawn of ‘talkies’; provides a clear guide to the basics of silent film technology; introduces the technical and creative roles involved in its production, and presents silent cinema as a performance event, rather than a passive viewing experience.

BRITISH FILM INSTITUTE

Bloomsbury is the British Film Institute's new publishing partner, from May 2018.

BFI books and resources are for everyone passionate about film and moving image - from students and scholars to industry practitioners and general film enthusiasts.

UK March 2019 • US March 2019 • 480 pages • 98 colour; 229 bw illus PB 9781844575282 • £28.99 / $39.95 • HB 9781844575299 • £90.00 / $122.00 Individual eBook 9781911239130 Library eBook 9781911239147 British Film Institute

Anime

A History Jonathan Clements, Author/Scriptwriter, UK "Historian Jonathan Clements traces the evolution of anime by exploring the history of its production and reception over the past 100 years, identifying periods in which cultural and technological developments ushered in new ways of thinking about the basic concept of 'moving pictures." Japan Times "This study is authoritative and detailed, and will be essential reading for anime fans and scholars alike.” PD Smith, the Guardian UK November 2013 • US December 2013 • 256 pages PB 9781844573905 • £23.99 / $28.95 British Film Institute

Remembering British Television Audience, Archive and Industry

The Television Genre Book

Edited by Glen Creeber, Aberystwyth University, UK This third edition of the key textbook on television genre provides a comprehensive introduction to the debates, issues and concerns of the field.

The contributors introduce the concept of 'genre' itself and how it has been understood in television studies, and then consider the main genres in turn: drama, soap opera, comedy, news, documentary, reality television, children's television, animation and popular entertainment. Case studies address classic and contemporary programming, ranging from The Simpsons to Buffy the Vampire Slayer and from The Only Way Is Essex to Game of Thrones.

UK August 2015 • US August 2015 • 256 pages • 56 bw illus PB 9781844575268 • £26.99 / $35.95 • HB 9781844575275 • £78.99 / $104.00 Library eBook 9781844578986 British Film Institute

Kristyn Gorton, University of York, UK & Joanne Garde-Hansen, University of Warwick, UK The authors address how, in an age of convergence, when 'television' no longer means a box in the corner of the living room that we sit and watch together, do we remember television of the past?

How do we gather and archive our memories? The authors explore these questions through interviews with tv producers, curators and archivists, and case studies of popular television series and fan communities such as Cold Feet and Doctor Who. Their discussion takes in museum exhibitions, popular televison nostalgia programming and 'vintage' tv websites.

UK March 2019 • US March 2019 • 224 pages • 7 bw illus PB 9781844576609 • £21.99 / $29.95 • HB 9781844576616 • £65.00 / $88.00 Individual eBook 9781844576630 Library eBook 9781911239055 British Film Institute

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BRITISH FILM INSTITUTE

BFI Film Classics The BFI Film Classics series introduces, interprets and celebrates landmarks of world cinema. Each volume offers an argument for the film’s ‘classic’ status, together with discussion of its production and reception history, its place within genre or national cinema, an account of its technical and aesthetic importance and, in many cases, the author’s personal response to the film.

For a full list of titles available in this series please visit: www.bloomsbury.com/series/bfi-film-classics

La dolce vita

Richard Dyer, King's College London, UK La dolce vita has been a phenomenon since before it was made, a scandal in the making and on release and a reference point ever since. Richard Dyer analyses Fellini's dazzling masterpiece from all angles, beginning with the inspirations and ideas that fed into the final film. He explores the making of La dolce vita, the film itself and its critical reception, providing engaging new insights into this mesmerising piece of cinema.

UK November 2017 • US November 2016 • 82 pages • 60 bw illus PB 9781844573929 • £12.99 / $26.95 Library eBook 9781844579464 Series: BFI Film Classics • British Film Institute

Alien

Aguirre, the Wrath of God

Eric Ames, University of Washington, USA Eric Ames' study offers fresh perspectives on Werner Herzog's breakthrough film, Aguirre, the Wrath of God (Aguirre, der Zorn Gottes), which portrays an expedition by Spanish conquistadors to find the legendary city El Dorado. The film is remembered boht for its breathtaking visual style and narrative power, and for Herzog's tense, behind-the-scenes relationship with star Klaus Kinski. Interweaving close analysis with archival research, Ames depicts the film as an experiment in visualising the past from the viewpoint of the present: not a history film in the narrow sense, but a film about the madness and hopelessness of Western striving.

In an appendix, he provides a new translation of an infamous, secretly recorded on-set argument between Herzog and Kinski.

UK July 2016 • US July 2016 • 96 pages • 60 colour illus PB 9781844577538 • £12.99 / $19.95 Series: BFI Film Classics • British Film Institute

Roger Luckhurst, Birkbeck, University of London, UK Roger Luckhurst's study of Ridley Scott's Alien (1979), a compelling fusion of science fiction and horror, traces the constellation of talents that came together to produce the film, its origins as a B-movie script, and its afterlife of sequels, prequels and elaborations. Suggesting that the film's famously visceral scenes act like a traumatic wound we seem compelled to revisit, and exploring the ways in which it compels us to think about otherness, Luckhurst discusses how and why this interstellar slasher movie came to coil itself around our darkest imaginings about the fragility of humanity.

UK October 2014 • US November 2014 • 96 pages • 60 colour illus PB 9781844577880 • £12.99 / $18.95 Series: BFI Film Classics • British Film Institute

Blade Runner

Scott Bukatman, Stanford University, USA Ridley Scott's dystopian classic Blade Runner, an adaptation of Philip K. Dick's novel, Do Androids Dream of Electric Sheep?, combines noir with science fiction to create a groundbreaking cyberpunk vision of urban life in the 21st century. In his innovative and nuanced reading, Scott Bukatman details the making of Blade Runner and its steadily improving fortunes following its release in 1982. He situates the film in terms of debates about postmodernism, which have informed much of the criticism devoted to it, but argues that its tensions derive also from the quintessentially 21st century, modernist experience of the city – as a space both imprisoning and liberating.

Dr. Strangelove or: How I learned to Stop Worrying and Love the Bomb Peter Krämer, University of East Anglia, UK

Providing close analysis informed by new research in the Stanley Kubrick Archive, Peter Krämer's study foregrounds the connections the film establishes between the Cold War and World War II, and between sixties America and Nazi Germany.

"Kramer was privileged to have been given access to Kubrick's private papers, and so is able to say for certain what was in the director's mind as well as chronicling the troubled history of its production with some authority. He also offers a comprehensive scene-by-scene analysis, including details of proposed alternatives which were never filmed or which didn't make the final cut, making this an essential book for the serious film student." The Good Book Guide UK October 2014 • US November 2014 • 120 pages • 50 bw illus PB 9781844577781 • £12.99 / $18.95 Series: BFI Film Classics • British Film Institute

UK July 2012 • US September 2012 • 112 pages • 24 colour illus, 6 bw illus PB 9781844575220 • £12.99 / $18.95 Series: BFI Film Classics • British Film Institute

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Chris Darke, University of Roehampton, UK Chris Darke draws on rare archival material, including previously unpublished correspondence and production documents, to examine the making of Chris Marker's haunting time-travel narrative.

He explores how Marker's only fiction film was influenced both by his early work as a writer and

by Alfred Hitchcock's Vertigo (1958), and considers how La Jetée's imagery can be seen to 'echo' throughout Marker's diverse oeuvre.

UK July 2016 • US July 2016 • 96 pages • 50 bw illus PB 9781844576425 • £12.99 / $19.95 Series: BFI Film Classics • British Film Institute

Pandora's Box

Pamela Hutchinson, freelance writer and critic, London, UK Pamela Hutchinson analyses this silent era classic act by act, explores the conflicted relationship between star Louise Brooks and the director GW Pabst, and examines the history of its reception, from its initial lukewarm reception to its establishment as a canonical film from the 1950s onwards. Hutchinson discusses in the film in its contemporary context, in Weimar Berlin, and in the present day, when it has become championed for the reasons that it was once unloved.

UK November 2017 • US November 2017 • 112 pages • 60 bw illus PB 9781844579662 • £12.99 / $17.95 Library eBook 9781844579686 Series: BFI Film Classics • British Film Institute

Pan's Labyrinth

Mar Diestro-Dópido, RCSSD, University of London, UK Immersing herself in the nightmarish world of Guillermo del Toro's cult masterpiece, Mar DiestroDópido explores the film's cultural and historical contexts in the aftermath of the Spanish Civil War and the repression and persecution that followed it. She discusses del Toro's ground-breaking use of mythology, how the film addresses ideas of memory and forgetting, and highlights the techniques, themes and cultural references that combine in Pan's Labyrinth to spawn an uncontainable plurality of meanings, which only multiply on contact with the viewer. This edition also features an exclusive interview with del Toro.

UK October 2013 • US November 2013 • 104 pages • 61 colour illus PB 9781844576418 • £12.99 / $18.95 Series: BFI Film Classics • British Film Institute

The Shining

Roger Luckhurst, Birkbeck, University of London, UK Roger Luckhurst's illuminating study of Stanley Kubrick's horror classic explores the film's themes, tropes and resonances through a detailed analysis of sequences and performances, and situates The Shining in the context of horror cinema at the end of the 1970s and early 80s. Luckhurst takes the maze of the haunted Overlook Hotel as a key motif, offering numerous threads with which to navigate the strange twists and turns of this enigmatic film.

UK October 2013 • US November 2013 • 100 pages • 62 colour illus PB 9781844576395 • £12.99 / $18.95 Series: BFI Film Classics • British Film Institute

BRITISH FILM INSTITUTE

La Jetée

The Man Who Knew Too Much

Murray Pomerance, Ryerson University, Canada Murray Pomerance offers an illuminating account of one of Hitchcock's most intriguing and successful films, The Man Who Knew Too Much (1956), starring James Stewart and Doris Day. Through a close reading of the film alongside analysis of its complex production history, Pomerance's analysis highlights its darkest nuances, and its themes of musicality, gendered power, and cultural strangeness. He proposes that, far from being a merely charming escapade, the film tells a strange story of doubling, spiritual presence, and the intricacies of social organisation.

UK November 2016 • US December 2016 • 96 pages • 50 colour illus PB 9781844579556 • £12.99 / $19.95 Library eBook 9781844579570 Series: BFI Film Classics • British Film Institute

Vertigo

Charles Barr, National University of Ireland in Galway, Ireland Vertigo (1958) is widely regarded as not only one of Hitchcock's best films, but one of the greatest films of world cinema. Although it can be seen as Hitchcock's most personal film, Charles Barr argues that, like Citizen Kane, Vertigo is at the same time a triumph not so much of individual authorship as of creative collaboration. He highlights the crucial role of screenwriters Alec Coppel and Samuel Taylor and, by a combination of textual and contextual analysis, explores the reasons why Vertigo continues to inspire such fascination.

UK July 2012 • US September 2012 • 104 pages • 24 colour illus, 41 bw illus PB 9781844574988 • £12.99 / $18.95 Series: BFI Film Classics • British Film Institute

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BRITISH FILM INSTITUTE

Localising Hollywood

Courtney Brannon Donoghue, Oakland University, USA Courtney Brannon Donoghue investigates the history and present day practices by which Hollywood studios produce, market and distribute their products in local media markets around the world. Starting with a history of international distribution from 1900 to the 1970s, Donoghue goes on to explore how Hollywood's global markets have been impacted by globalization, digitisation and convergence. Drawing on interviews with industry personnel, with a particular focus on Europe and Latin America, she considers such elements as designing franchises to appeal to local audiences and trade policies in relation to film production.

UK August 2017 • US July 2017 • 190 pages • 20 bw illus PB 9781844576876 • £24.99 / $39.95 • HB 9781844576883 • £68.99 / $99.00 Series: International Screen Industries • British Film Institute

Hollywood Soundscapes

Film Sound Style, Craft and Production in the Classical Era Helen Hanson, University of Exeter, UK Helen Hanson's original study restores sound and sound technicians to a central place in the creative history of Hollywood. Exploring a range of films from the early sound period (1931) through to the late studio period (1948), and drawing on a wide range of archival sources, Hanson reveals how and why Hollywood sound craft worked and demonstrates how sound technicians developed conventions designed to tell stories through sound, placing them within the production cultures of studio era filmmaking.

“This book makes a major contribution both to the history of film sound and to the methods that we use to understand it.” Neil Verma, Assistant Professor, Radio/TV/Film, Northwestern University, USA UK July 2017 • US July 2017 • 184 pages PB 9781844575046 • £24.99 / $39.95 • HB 9781844575053 • £68.99 / $99.00 British Film Institute

Spaces of Women's Cinema

Space, Place and Genre in Contemporary Women’s Filmmaking Sue Thornham, University of Sussex, UK Sue Thornham examines a wide range of films by contemporary women filmmakers to explore issues of space, place, time and gender. Considering how space itself has been gendered, she asks how representation functions in relation to space and time, and how this, too, is gendered, and how such questions might be considered in relation to women’s filmmaking. Thornham addresses the work of filmmakers including Jane Campion, Kathryn Bigelow, Julie Dash, Maggie Greenwald, Patricia Rozema and Carol Morley, and films including An Angel at My Table (1990), Daughters of the Dust (1991) The Ballad of Little Jo (1993), Winter's Bone (2010), Zero Dark Thirty (2012) and The Falling (2014).

UK March 2019 • US March 2019 • 256 pages • 31 bw illus PB 9781844579112 • £21.99 / $29.95 • HB 9781844579129 • £65.00 / $88.00 Individual eBook 9781844579143 Library eBook 9781911239178 British Film Institute

Paris in the Cinema Beyond the Flâneur

Edited by Alastair Phillips, University of Warwick, UK & Ginette Vincendeau, King's College London, UK “What could be better than a Michelin Guide that takes us not just to picturesque quartiers, but, thanks to the many films described, to earlier decades of everyone’s favourite city?” Dudley Andrew, Professor of Film and Comparative Literature, Yale University, USA Bringing together scholars from disciplines including film, history and architecture, the volume offers a new approach to understanding how Paris has been represented on screen. Contributors discuss both familiar sites and tropes of Parisian film - the lovers, the detective, the Eiffel Tower - and less familiar examples, such as the banlieues (suburbs), the building site and the concierge. Famous films such as Varda's Cleo de 5 a 7 are addressed, and the book includes an original interview with the director Jean-Pierre Jeunet.

UK November 2017 • US November 2017 • 286 pages • 50 bw illus PB 9781844578177 • £24.99 / $33.95 • HB 9781844578184 • £60.00 / $90.00 Library eBook 9781844578207 British Film Institute

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Series Editors: Martin Shingler and Susan Smith, both at the University of Sunderland, UK

Each book in this major series focuses on an international film star, tracing the development of their star persona, their career trajectory and their acting and performance style. The series ranges across a wide historical and geographical spectrum, from silent to contemporary cinema and from Hollywood to Asian cinemas, and addresses both child and adult stardom.

Deborah Kerr

Sarah Street, University of Bristol, UK Sarah Street reassesses Deborah Kerr's career, highlighting lesser-known aspects of her star persona, and highlighting the specific qualities of Kerr's screen performances, paying close attention to facial expression, gesture, voice and costume.

Discussing many iconic films, including The Life and Death of Colonel Blimp, Black Narcissus, From Here to Eternity, An Affair to Remember, The Innocents and Bonjour Tristesse, Street follows Kerr's trajectory from her image as an 'English rose' to her performances in roles in which she was cast against type.

UK March 2018 • US March 2018 • 150 pages • 30 colour & bw illus PB 9781844576753 • £16.99 / $22.95 Library eBook 9781844576777 Series: Film Stars • British Film Institute

Madhuri Dixit

Nandana Bose, FLAME University, India Nandana Bose's study traces Dixit's twenty-five year career, exploring her star persona and her indelible impact on Indian popular culture. With her unusual career trajectory, Dixit has upended pre-existing models of female stardom, by marrying at the peak of her career, withdrawing from the limelight for years, and then returning to extend her career into her late forties by reinventing herself as a transmedia celebrity for a new generation.

Bose examines Dixit's unique talent as a dancer and argues that she represents a traditional figure of femininity that resonated across class and cultural hierarchies at a time of great economic and social change in India.

BRITISH FILM INSTITUTE

Film Stars

UK March 2019 • US March 2019 • 144 pages • 30 bw illus PB 9781844576296 • £16.99 / $22.95 Individual eBook 9781911239154 Library eBook 9781911239161 Series: Film Stars • British Film Institute

Amitabh Bachchan

Sunny Singh, London Metropolitan University, UK Sunny Singh examines Amitabh Bachchan's film performances and his star persona in the context of cultural phenomena and global branding, and explores the reasons behind the longevity of his stardom. She assesses the full range of Bachchan's work, personality and influence - political, social, economic and technological. Singh provides in-depth analyses of key films and their social contexts, and considers the nature of Indian, Asian, and global stardom.

UK December 2017 • US December 2017 • 191 pages • 40 bw illus PB 9781844576319 • £16.99 / $22.95 Series: Film Stars • British Film Institute

Tony Leung Chiu-Wai

Mark Gallagher, University of Nottingham, UK Mark Gallagher investigates the rich, prolific career of the acclaimed leading man of Hong Kong and Chinese film and television: the star of more than 70 films and dozens of television series, and the only Hong Kong actor to earn the Cannes Film Festival’s Best Actor award. This unique study of Leung – who the New York Times calls “one of the world’s last true matinee idols” – illuminates challenges and opportunities for Chinese screen actors in local, regional and global screen cultures.

James Mason

Sarah Thomas, University of Liverpool, UK Sarah Thomas's study moves beyond the image of the brooding, destructive man at odds with employers and his own star status to explore the complexity of Mason’s career and star persona.

Thomas addresses the incredible range of Mason’s film performances – in 1930s ‘quota quickies’; 1940s Gainsborough melodramas; the desperate IRA man in Carol Reed’s Odd Man Out (1947); from the 1950s onwards, Hollywood classics including Hitchcock’s North by Northwest (1959) and playing Humbert Humbert in Kubrick’s Lolita (1962). She also considers Mason's post1962 career, off-screen celebrity status, non-film work, comic and vocal performances, and his own self-commentary.

UK January 2018 • US December 2016 • 146 pages • 30 bw illus PB 9781844576357 • £16.99 / $22.95 Series: Film Stars • British Film Institute

For a full list of titles available in this series please visit: www.bloomsbury.com/series/film-stars

"This book will be of enormous interest to anyone working on East Asian film, Pacific Rim celebrity culture, or Chinese masculinity in global media culture." Gina Marchetti, University of Hong Kong UK December 2017 • US December 2016 • 155 pages • 30 bw illus PB 9781844577811 • £16.99 / $22.95 Library eBook 9781844577835 Series: Film Stars • British Film Institute

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MEDIA STUDIES

International Communication Continuity and Change

Daya Kishan Thussu, University of Westminster, UK

Media and Society

Edited by James Curran, Goldsmiths, University of London, UK & David Hesmondhalgh, University of Leeds, UK

The third edition of International Communication examines the profound changes constantly occurring in international media and communication. Building on the success of previous editions, this book maps out the expansion of media and telecommunications corporations within the macro-economic context of liberalization, deregulation, and privatization, while also exploring the impact of such growth on audiences in different cultural contexts.

A new edition of this established textbook, popular worldwide for its insightful and accessible essays from leading international academics on the most pertinent issues in the media field today. With this updated edition, David Hesmondalgh joins James Curran and a leading team of international scholars to speak to current issues relating to media and gender, media and democracy, sociology of news, the political impact of the media, popular culture, cultural industries, media and emotion, and other staple topics. The media is in a state of ferment, and is undergoing far-reaching change. This sixth edition tries to make sense of the media’s transformation, and its wider implications.

UK December 2018 • US December 2018 • 352 pages • 45 bw illus PB 9781780932651 • £21.99 / $29.95 Individual eBook 9781780932668 Library eBook 9781780932675 Bloomsbury Academic

UK March 2019 • US March 2019 • 352 pages • 20 bw illus PB 9781501340734 • £26.99 / $32.95 Individual eBook 9781501340741 Library eBook 9781501340758 Bloomsbury Academic

“The level is just right ... it is very well written in a style that is both engaging and accessible.”

Anders Hansen, Senior Lecturer, Department of Media and Communication, University of Leicester

Mass Communications and Media Studies An Introduction

Peyton Paxson, Middlesex Community College, USA A comprehensive survey of the history of mass communication media, discussing the current state of each medium, and anticipating the future of mass media. Retaining the successful organization of the first edition, Paxson begins each chapter with a list of the current issues and trends concerning the chapter’s topic, followed by a brief history of that topic, its current state, predictions for the future, an assessment of career opportunities, and discussion questions for critical thinking. The second edition weaves in discussions of relevant contemporary issues, including crowdsourcing, going ‘viral’, interactive advertising, TV industry consolidation, ‘the internet of things’, conflicting ideas of net neutrality and their continuing implications in a more-connected world.

UK May 2018 • US May 2018 • 336 pages • 50 bw illus PB 9781501329982 • £18.99 / $27.95 Individual eBook 9781501329968 Library eBook 9781501329951 Bloomsbury Academic

Fear and Loathing Worldwide Gonzo Journalism Beyond Hunter S. Thompson

Edited by Robert Alexander, Brock University, Canada & Christine Isager, University of Copenhagen, Denmark In Fear and Loathing Worldwide, scholars from 14 countries discuss writers from Europe, the Americas, and Australia whose work bears unmistakable traces of the mutant Gonzo gene. In each chapter, “Gonzo” emerges as a powerful but unstable signifier, read and practiced with different accents and emphases in the various national, cultural, political, and journalistic contexts in which it has erupted. Each, however, is driven by the same fearless disdain for convention and profound commitment to rattling received opinion with which the “outlaw journalist” Thompson scorched his way into the American consciousness in the 1960s, ’70s, and beyond.

Matter Transmission

Mediation in a Paleocyber Age Nicolás Salazar Sutil, University of Leeds, UK Despite a distinctly iconoclastic history, the Paleo Movement has become a popular and commercialized lifestyle choice in recent years.

Inspired by the anti-industrialization philosophy of the movements, Nicolas Salazar Sutil develops a framework based on readings of Walter Voegtlin, often considered the founder of the Paleo Movement, and Gene Youngblood, who developed the idea of a “paleocybernetic age,” alongside Deleuze and Guattari’s utopian idea of a “paleolithic State.” In this context, Salazar Sutil offers a unique contribution to critical theory through the advancement of “brute materialism,” a novel theoretical perspective that probes the so-called new materialist turn to reveal the continued supremacy of an industrial sense of media communication.

UK May 2018 • US May 2018 • 320 pages • 10 bw illus HB 9781501339462 • £96.00 / $130.00 Individual eBook 9781501339479 Library eBook 9781501339486 Bloomsbury Academic

The Illusion of the Free Press

John Charney, Pontificia Universidad Católica de Valparaíso, Chile This book explores the relationship between truth and freedom in the free press. It argues that the relationship is problematic because the free press implies a competition between plural ideas, whereas truth is univocal. Based on this tension the book claims that the idea of a free press is premised on an epistemological illusion. This illusion enables society to maintain that the world it perceives through the press corresponds to the world as it actually exists. The book will be of great interest to anyone concerned in the role and value of the free press in the modern world.

UK January 2018 • 216 pages HB 9781509908875 • £55.00 Individual eBook 9781509908882 Library eBook 9781509908899 Hart Publishing

UK July 2018 • US July 2018 • 352 pages • 15 bw illus HB 9781501333910 • £102.00 / $130.00 Individual eBook 9781501333927 Library eBook 9781501333934 Bloomsbury Academic

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Representations of Fandom in Media and Popular Culture Edited by Lucy Bennett, Cardiff University, UK & Paul Booth, DePaul University, USA Seeing Fans analyzes the representations of fans in the mass media through a diverse range of perspectives. Branching out from a preface by noted actor and fan Orlando Jones (Sleepy Hollow), this text bridges the worlds of academia and the media industry. Essays examine such varied material as fictional representations of fans in television; representations of fans in film, comics, music and sport fandoms; and finally, representations of fans in documentaries and news reports.

Interviews throughout connect the scholarship presented with the worlds of film, television, and documentary directors.

UK January 2018 • US January 2018 • 336 pages • 5 bw illus PB 9781501339547 • £28.99 / $39.95 Previously published in HB 9781501318450 Individual eBook 9781501318467 Library eBook 9781501318474 Bloomsbury Academic

Gender and Media in the Broadcast Age

Women’s Radio Programming at the BBC, CBC and ABC Justine Lloyd, Macquarie University, Australia Gender and Media in the Broadcast Age demonstrates how women as media producers and audiences in three countries with public service broadcasters (UK, Canada and Australia) have contributed to changes in our understandings of public and private. Women’s participation in media continues to be a key challenge to notions of the public sphere and the book concludes that profound changes initiated in the broadcast era are unfinished in the age of digital media. Justine Lloyd offers rich and valuable evidence of the dynamic relationship between media texts, producers and audiences that is relevant to contemporary debates about a growing gender ‘apartheid’ in a mediated culture.

Gender in Post-9/11 American Apocalyptic TV Representations of Masculinity and Femininity at the End of the World

Eve Bennett, Université Sorbonne Nouvelle, France An investigation of gender in the many American science fiction, fantasy and horror TV series dealing with the theme of apocalypse that debuted in the post-9/11 period. It takes a broadly cultural studies approach, combining close textual analysis with clearly introduced theoretical concepts and discussion of socio-political contextual factors.

UK January 2019 • US January 2019 • 256 pages • 28 bw illus HB 9781501331084 • £96.00 / $120.00 Individual eBook 9781501331107 Library eBook 9781501331091 Bloomsbury Academic

Mastering Fear

Women, Emotions, and Contemporary Horror Rikke Schubart, University of Southern Denmark, Denmark Mastering Fear analyzes horror as play and examines what functions horror has and why it is adaptive and beneficial for audiences, including women. It takes a biocultural approach, and focusing on emotions, gender, and play - it argues that the audience engages not only with the negative emotions of fear and disgust - but with a wide range of emotions, both positive and negative, and the aim is for the audience to master these emotions. The book lays out a new theory of horror and analyzes female protagonists in contemporary horror from child to teen, adult, middle age, and old age.

MEDIA STUDIES / GENDER AND MEDIA

Seeing Fans

UK July 2018 • US July 2018 • 384 pages • 47 bw illus HB 9781501336713 • £102.00 / $130.00 Individual eBook 9781501336720 Library eBook 9781501336737 Bloomsbury Academic

UK March 2019 • US March 2019 • 176 pages • 10 bw illus HB 9781501318764 • £96.00 / $120.00 Individual eBook 9781501318788 Library eBook 9781501318795 Bloomsbury Academic

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MEDIA THEORY

Thinking Media Series Editors: Bernd Herzogenrath, University of Frankfurt, Germany and Patricia Pisters, University of Amsterdam, the Netherlands

The Thinking Media series publishes original, innovative, and transdisciplinary monographs and edited collections that advance debates in the nexus of media studies, philosophy, and the 'new sciences' (such as cognitive neurosciences and complexity theory).

For a full list of titles available in this series please visit: www.bloomsbury.com/series/thinking-media

Global Burnout

Pascal Chabot, Institute of Advanced Studies of Social Communications, Belgium "Burnout, stress, and depression have become worldwide epidemics. Calling burnout ‘civilization’s disease,’ Belgian philosopher Pascal Chabot has given us a fascinating and accessible history and theoretical framework of this modern crisis. He not only shows us how we got here, but also how we can use that knowledge to redefine success and truly thrive." Arianna Huffington, HuffPost Founder and Founder & CEO of Thrive Global Available for the first time in English and freshly adapted as the acclaimed documentary Burning Out, this book takes the phenomenon we call burnout as not just an individual problem that affects a few exhausted people, but rather 'a disease of civilization', connected to concepts of progress, technology, and desire.

UK February 2019 • US February 2019 • 144 pages PB 9781501334474 • £23.99 / $29.95 Previously published in HB 9781501334382 Individual eBook 9781501334399 Library eBook 9781501334405 Series: Thinking Media • Bloomsbury Academic

Sonic Thinking

A Media Philosophical Approach Edited by Bernd Herzogenrath, University of Frankfurt, Germany Sonic Thinking extends the burgeoning field of media philosophy, which so far is defined by a strong focus on cinema, to the field of sound.

The contributors urge readers to re-adjust their ideas of sound studies by attempting to think not only about sound [by external criteria, such as cultural meaning], but to think with and through sound. Series editor Bernd Herzogenrath's collection serves two interconnected purposes: in developing an alternative philosophy of music that takes music serious as a ‘form of thinking’; and in bringing this approach into a fertile symbiosis with the concepts and practices of ‘artistic research’: art, philosophy, and science as heterogeneous, yet coequal forms of thinking and researching.

UK August 2018 • US August 2018 • 344 pages • 15 bw illus PB 9781501343971 • £31.99 / $39.95 Previously published in HB 9781501327209 Individual eBook 9781501327186 Library eBook 9781501327179 Series: Thinking Media • Bloomsbury Academic

Eigenvalue

On the Gradual Contraction of Media in Movement; Contemplating Media in Art [Sound Image Sense] Hanjo Berressem, University of Cologne, Germany This volume provides the first history of 'eigenvalue', which roughly translates to proper value, by drawing an important a line of development across the hard and soft sciences sciences and through to contemporary cultural studies.

Hanjo Berressem's groundbreaking work is organized into two parts: an exploration of math, physics, cybernetics, literary studies and more, and a discussion of eigenvalues in sound, light and literature.

This thought-provoking philology is an important reference point for readers seeking an authoritative introduction to a term that unites key ideas in contemporary debate.

UK September 2018 • US September 2018 • 232 pages • 4 bw illus HB 9781501335181 • £96.00 / $120.00 Series: Thinking Media • Bloomsbury Academic

Electronic Literature Series Editors: Dene Grigar, Washington State University, Vancouver, USA, Helen J. Burgess, North Carolina State University, USA, María Mencía, Kingston University, London, UK and Rui Torres, University Fernando Pessoa, Portugal

Edited under the auspices of the Electronic Literature Organization (ELO), Electronic Literature explores the expansion and transformation of literature into digital environments. Emphasizing interdisciplinary approaches and problematics, volumes explore the medial/material frameworks of e-lit; institutional and regional issues; archaeologies and genealogies; questions of power and privilege; translation and global e-lit; disjunctive encounters with other fields (e.g. gaming, computation, poetics, etc.); and more.

Grammalepsy

Essays on Digital Language Art John Cayley, Brown University, USA "John Cayley has already had a deep and lasting influence on the fields of new media studies, electronic literature, conceptual writing, and poetics – and this long-awaited volume elegantly frames his most important critical essays as well as his artistic practice. No one has done more to theorize, and translate, the philosophical and aesthetic complexity of digital language art, and this volume will endure as the definitive compilation of Cayley’s work." Rita Raley, University of California, Santa Barbara, USA UK September 2018 • US September 2018 • 312 pages HB 9781501335761 • £96.00 / $120.00 Individual eBook 9781501335778 Library eBook 9781501335785 Series: Electronic Literature • Bloomsbury Academic

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The Moving Image in the Age of Bit-Sized Media Edited by Pepita Hesselberth, Leiden University, the Netherlands & Maria Poulaki, University of Surrey, UK

Between Film, Video, and the Digital

Hybrid Moving Images in the Post-Media Age Jihoon Kim, Chung-ang University, South Korea

The essays in this volume ask what this changed technical, socioeconomic and political situation entails for the aesthetics and experience of contemporary cinematics, and call attention to different concepts, theories and tools at our disposal to analyze these changes.

Bridging a range of visual forms, Jihoon Kim provides the essential scholarly text for understanding how digital processes, seen through both old and new forms of time-based media, have created a new aesthetic regime of the moving image. Grounding its study in interdisciplinary framework of film studies, media studies, and contemporary art criticism, Between Film, Video, and the Digital offers a fresh insight on the post-media conditions of film and video under the pervasive influences of digital technologies, as well as on the crucial roles of media hybridity in the creative processes of giving birth to the emerging forms of the moving image.

UK July 2018 • US July 2018 • 256 pages • 50 bw illus PB 9781501343933 • £31.99 / $39.95 Previously published in HB 9781501322266 Individual eBook 9781501322280 Library eBook 9781501322273 Bloomsbury Academic

UK February 2018 • US February 2018 • 416 pages • 60 bw illus PB 9781501339554 • £28.99 / $39.95 Previously published in HB 9781628922936 Individual eBook 9781628922929 Library eBook 9781628922912 Series: International Texts in Critical Media Aesthetics • Bloomsbury Academic

Compact Cinematics challenges the dominant understanding of cinema to focus on the various compact, short, miniature, pocket-sized forms of cinematics that have existed from even before its standardization in theatrical form, and in recent years have multiplied and proliferated, taking up an increasingly important part of our everyday multimedia environment.

Adaptations in the Franchise Era 2001-2016

Kyle Meikle, University of Baltimore, USA

Materializing Memories

Dispositifs, Generations, Amateurs Edited by Susan Aasman, University of Groningen, the Netherlands, Andreas Fickers, Luxembourg University, Luxembourg & Joseph Wachelder, Maastricht University, the Netherlands

This study reevaluates adaptation’s place in a popular culture marked by the movement of audiences across more media borders than ever before. While adaptation has historically been understood as the transfer of stories from one medium to another (e.g. novels to films), the increased range of media and the growing interconnectedness of media industries in the early 21st century have raised new questions about the forms and functions of adaptation. By looking both at the transmedia franchises in which adaptations have played a part and the fan activities surrounding those franchises, we may glean a clearer picture of adaptation in the first decade of the 2000s.

By taking the complex history of home movies as a starting point, Materializing Memories offers a sophisticated historical understanding of technologically mediated, mostly ritualized memory practices, from the early beginnings in the fin-de-siècle until today.

In analyzing these practices with the help of three key concepts— dispositifs, generations and amateurs—this collection offers a coherent theoretical and methodological approach to the study of past and present technologies of memory.

UK January 2019 • US January 2019 • 192 pages • 23 bw illus PB 9781501318726 • £19.99 / $29.95 • HB 9781501318719 • £66.00 / $100.00 Individual eBook 9781501318733 Library eBook 9781501318740 Series: Bloomsbury Adaptation Histories • Bloomsbury Academic

UK August 2018 • US August 2018 • 288 pages • 20 bw illus HB 9781501333231 • £96.00 / $120.00 Individual eBook 9781501333248 Library eBook 9781501333255 Bloomsbury Academic

Selling Social Media

Inhuman Networks

Daniel Faltesek, Oregon State University, USA

Grant Bollmer, North Carolina State University, USA

The Political Economy of Social Networking Facebook, Twitter, Snapchat, YouTube, LinkedIn, and dozens of other services have been described as the vanguard of creative destruction across the media industries—disruptors of established business, heroes of a new economic narrative that supposes that the attention of individual users can be measured, managed, manipulated, backing methods that securitized, patented, and litigated attention in ways impossible before. Selling Social Media catalogues the key terms and discourses of the rise of social media firms with a particular emphasis on monetization, securitization, disruption, and litigation.

UK May 2018 • US May 2018 • 240 pages HB 9781501319693 • £80.00 / $130.00 Individual eBook 9781501319709 Library eBook 9781501319716 Bloomsbury Academic

MEDIA THEORY / NEW MEDIA

Compact Cinematics

Social Media and the Archaeology of Connection "Part an archaeology of connectivity, part critical analysis of contemporary culture, Inhuman Networks offers an inspiring take for media studies. Grant Bollmer’s rich, multi-layered book shows that social media does not just mediate but performs a subtle yet effective moral code: the networks prescribe senses of the self, community, value and direction. The so-called human exists only if it routes."

Jussi Parikka, Winchester School of Art, UK author of Digital Contagions (2007) and Insect Media (2010) Inhuman Networks argues that the human nature revealed by social media imagines network technology and data as models for behavior online.

UK February 2018 • US February 2018 • 304 pages • 20 bw illus PB 9781501340178 • £28.99 / $39.95 Previously published in HB 9781501316159 Individual eBook 9781501316166 Library eBook 9781501316173 Bloomsbury Academic

www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com

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NEW MEDIA / GAME STUDIES

The Netflix Effect

Technology and Entertainment in the 21st Century Edited by Kevin McDonald, Cal State Northridge, USA & Daniel Smith-Rowsey, Sacramento State University, USA These essays are designed to critically explore the breadth and diversity of Netflix's effect from a variety of different scholarly perspectives: its inextricable links to new models of media production, distribution, viewer engagement and consumer behavior, its relationship to existing media conglomerates and consumer electronics, its capabilities as a web-based service provider and data network, and its reliance on a broader technological infrastructure.

UK February 2018 • US February 2018 • 272 pages • 7 bw illus PB 9781501340185 • £28.99 / $39.95 Previously published in HB 9781501309441 Individual eBook 9781501309434 Library eBook 9781501309427 Bloomsbury Academic

Playback – A Genealogy of 1980s British Videogames

Alex Wade, Birmingham City University, UK Through interviews with developers, gamers, and journalists examining the phenomena of bedroom coding, arcade gaming, and format wars, mapped onto enquiry into the seminal genres of the time including driving, shooting, and maze chase, Playback: A Genealogy of 1980s British Videogames examines how 1980s Britain has become the culture of work in the 21st century and considers its meaning to contemporary society. This crucial and timely work fills a lacuna for students and researchers of sociology, media, and games studies and will be of interest to employees of the videogames and media industries.

UK April 2018 • US April 2018 • 192 pages PB 9781501341847 • £28.99 / $39.95 Previously published in HB 9781628924893 Individual eBook 9781628924886 Library eBook 9781628924862 Bloomsbury Academic

Alternate Reality Games and the Cusp of Digital Gameplay Edited by Antero Garcia, Stanford University, USA & Greg Niemeyer, University of California, Berkeley, USA

"Alternate Reality Games and the Cusp of Digital Gameplay provides a timely critical exploration of the histories, terminologies, and tropes of the genre. Bringing together theory and example, with contributions from some of the foremost researchers in the field, this volume represents an essential overview of the scholarly state-of-the-art in alternate reality gaming." Nicola Whitton, Professor of Professional Learning, Manchester Metropolitan University, UK UK October 2018 • US October 2018 • 352 pages • 25 bw illus PB 9781501347191 • £31.99 / $39.95 Previously published in HB 9781501316241 Individual eBook 9781501316258 Library eBook 9781501316265 Series: Approaches to Digital Game Studies • Bloomsbury Academic

The Unpredictability of Gameplay

Mark R. Johnson, University of Alberta, Canada Explores the many forms of unpredictability in games and proposes the first ever theoretical framework for understanding and categorizing nondeterministic game mechanics. Rather than viewing all game mechanics with unpredictable outcomes as a single concept Mark R. Johnson develops a three-part typology for such mechanics, distinguishing between randomness, chance, luck in gameplay. He further explores situations in which incomplete information – uncertainty – resembles chance, but in fact remains distinct from the three forms of unpredictability.

UK December 2018 • US December 2018 • 256 pages • 6 bw illus HB 9781501321627 • £80.00 / $120.00 Individual eBook 9781501321610 Library eBook 9781501321603 Bloomsbury Academic

Every Game is an Island

Endings and Extremities in Video Games Riccardo Fassone, University of Torino, Italy "Every Game is an Island is a provocative and necessary book for game studies. In this book, Riccardo Fassone proposes an irreverent, wellread, and productive approach to many of the key topics in game studies, from immersion to nostalgia. Every Game is an Island delivers comprehensive readings and re-rereadings of games and game scholarship, encouraging us to think extremely about the extremes of games." Miguel Sicart, Associate Professor, IT University of Copenhage, Denmark UK August 2018 • US August 2018 • 208 pages PB 9781501343995 • £28.99 / $39.95 Previously published in HB 9781501316616 Individual eBook 9781501316623 Library eBook 9781501316630 Bloomsbury Academic

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Highlights from I.B. Tauris, a Bloomsbury Imprint  Dark Star A Biography of Vivien Leigh Alan Strachan October 2018 ■ 336 pages ■ 24 bw illus in 16pp plates HB 9781788312080 ■ £25.00 / $28.00  Marvel's Mutants The X-Men Comics of Chris Claremont Miles Booy March 2018 ■ 224 pages PB 9781788311526 ■ £12.99 / $18.99  Stairways to Heaven Rebuilding the British Film Industry Geoffrey Macnab April 2018 ■ 352 pages ■ 29 bw illus PB 9781788310055 ■ £14.99 / $25.00

In May 2018 Bloomsbury acquired I.B. Tauris, strengthening Bloomsbury’s commitment to serve the scholarly community with original, cutting-edge content. The I.B. Tauris catalogue aligns with Bloomsbury’s academic publishing in the humanities, and broadens their publishing in the social sciences, particularly in Middle East Studies, Politics and International Relations where I.B. Tauris has been a leader.

I.B. Tauris has an extensive programme in film, media and visual culture.

Here are just a few highlights.

 Doctor Who: Twelfth Night Adventures in Time and Space with Peter Capaldi Andrew O'Day October 2018 ■ 288 pages ■ 3 bw illus PB 9781788313636 ■ £12.99 / $17.95 Series: Who Watching  Hitchcock and the Spy Film James Chapman, University of Leicester January 2018 ■ 360 pages ■ 39 bw illus HB 9781780768441 ■ £20.00 / $28.00  Directing Behind the Silver Screen: A Modern History of Filmmaking Edited by Virginia Wright Wexman, University of Illinois November 2017 ■ 200 pages PB 9781788310383 ■ £14.99 ■ HB 9781788310376 ■ £72.00 Series: Behind the Silver Screen Not available in the US

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 Culture, Time and Publics in the Arab World Media, Public Space and Temporality Edited by Tarik Sabry & Joe Khalil December 2018 ■ 288 pages ■ 10 bw illus PB 9781788311922 ■ £16.99 / $30.00 HB 9781788311915 ■ £69.00 / $90.00 Series: International Media and Journalism Studies  Thai Cinema The Complete Guide Edited by Mary J. Ainslie, University of Nottingham, UK & Katarzyna Ancuta, King Mongkut’s Institute of Technology Ladkrabang (KMITL), Thailand May 2018 ■ 272 pages ■ 30 bw illus in 16pp plates HB 9781788311410 ■ £72.00 / $99.00 Series: Tauris World Cinema Series

TARIK SABRY AND JOE KHALIL

CULTURE, TIME AND PUBLICS IN THE ARAB WORLD

 Positive Images Gay Men and HIV/AIDS in the Culture of ‘Post Crisis’ Dion Kagan April 2018 ■ 320 pages ■ 33 bw illus HB 9781784534196 ■ £72.00 / $99.00 Series: Library of Gender and Popular Culture Series

MEDIA, PUBLIC SPACE AND TEMPORALITY

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I.B. Tauris books will join www.bloomsbury.com in late 2018.

In the meantime please order from www.ibtauris.com.

Booksellers please speak to your local agent (see p.35-36).

theibtaurisblog.com

facebook.com/ibtauris

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33 1/3

33 1/3 “The series is probably the most remarkable regular event in rock journalism today.” New York Times 33 1/3 is a series of short books about popular music, focusing on individual albums by a wide range of artists from Celine Dion to Neutral Milk Hotel. With over 130 volumes available, it has recently expanded to cover music from soundtracks and video game scores.

dc Talk’s Jesus Freak

Will Stockton, Clemson University, USA & D. Gilson, Texas Tech University, USA Late in the Reagan years, three young men at Jerry Falwell's Liberty University formed the Christian rap group dc Talk. The trio put out a series of records that quickly secured their place at the forefront of contemporary Christian music. But with their fourth studio album Jesus Freak (1995), dc Talk staked a powerful claim on the worldly market of alternative music, becoming an evangelical group with secular selling power. This book studies this mid-90s crossover phenomenon – a moment of cultural convergence between Christian and secular music and an era of particular political importance for American evangelicalism.

UK November 2018 • US November 2018 • 144 pages PB 9781501331664 • £9.99 / $14.95 Individual eBook 9781501331671 Library eBook 9781501331688 Series: 33 1/3 • Bloomsbury Academic

Fugazi's In on the Kill Taker Joe Gross, Independent Scholar, USA

By June 1993, when Fugazi released their third full-length album, In on the Kill Taker, the quartet was reaching a thunderous peak in popularity and influence. Fugazi chose an unsure moment to make In on the Kill Taker: as Nirvana and Sonic Youth were yanking the American rock underground into the media glare, and “breaking” punk in every possible meaning of the word. Despite all of this, Kill Taker is an alt-rock classic in spite of itself, even as its defiant, muscular sound stood in stark contrast to everything represented by the mainstreaming of a culture and worldview Fugazi held dear.

UK April 2018 • US April 2018 • 184 pages PB 9781501321399 • £9.99 / $14.95 Individual eBook 9781501321412 Library eBook 9781501321405 Series: 33 1/3 • Bloomsbury Academic

Drive-By Truckers’ Southern Rock Opera Rien Fertel, Independent Scholar, USA

Southern Rock Opera takes listeners on a road trip through the American South, with stops in Alabama steel towns and north Florida swamps, recording studios and tour buses, and even Heaven and Hell.

Along the way, the Truckers attempt to untangle the mess that is Southern history by exploring the contradictory, dualistic nature of the region. Like twin paths intersecting and diverging before meeting again, the opera’s libretto focuses on the lives of two bands: the fictional Betamax Guillotine, a stand-in for the Truckers themselves, and Southern Rock gods Lynyrd Skynyrd.

UK October 2018 • US October 2018 • 144 pages PB 9781501331787 • £9.99 / $14.95 Individual eBook 9781501331800 Library eBook 9781501331794 Series: 33 1/3 • Bloomsbury Academic

Jawbreaker's 24 Hour Revenge Therapy Ronen Givony, Independent Scholar, USA

Ronen Givony's 24 Hour Revenge Therapy is an extended tribute in the spirit of Nicholson Baker's U & I: a passionate, highly personal, and occasionally obsessive study of one of the great confessional rock albums of the '90s. At the same time, it offers a quizzical look back to the toxic authenticity battles of the decade, ponders what happened to the question of "selling out," and asks whether we today are enriched or impoverished by this authenticity debate becoming obsolete.

UK April 2018 • US April 2018 • 232 pages PB 9781501323096 • £9.99 / $14.95 Individual eBook 9781501323119 Library eBook 9781501323102 Series: 33 1/3 • Bloomsbury Academic

Lou Reed's Transformer

Ezra Furman, Independent Scholar, USA Transformer, Lou Reed's most enduringly popular album, is described with varying labels: a glam rock album, a proto-punk album, a commercial breakthrough for Lou Reed, and an album about being gay. Buried underneath the radio-friendly exterior lie coded confessions of the subversive, wounded intelligence that gives this album its staying power as a work of art. Lou Reed managed to make a fun, accessible rock'n'roll record that is also a meditation on the ambiguities, both sexual and musical, that defined his public persona and helped make him one of the most fascinating and influential figures in rock history. Through close listening and personal reflections, songwriter Ezra Furman explores the beguiling question of how Transformer pulls off this brilliant sleight of hand, and the secrets it challenges us to uncover.

UK April 2018 • US April 2018 • 184 pages PB 9781501323058 • £9.99 / $14.95 Individual eBook 9781501323072 Library eBook 9781501323065 Series: 33 1/3 • Bloomsbury Academic

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Merle Haggard's Okie from Muskogee

Rachel Lee Rubin, University of Massachusetts Boston, USA Every now and then, a song will grab the kind of attention that hosts conversations, debates, disputes, and brawls. Merle Haggard's "Okie from Muskogee," released in 1969, is a prime example of that important role of popular music. "Okie" immediately helped to frame an ongoing conversation about region and class, pride and politics, culture and counterculture. But the conversation, useful as it was, drowned out the song itself, along with the other songs on the live album—named for "Okie" and performed in Muskogee—that Haggard had carefully chosen to frame what has turned out to be his most famous song.

UK March 2018 • US March 2018 • 160 pages PB 9781501321436 • £9.99 / $14.95 Individual eBook 9781501321450 Library eBook 9781501321443 Series: 33 1/3 • Bloomsbury Academic

Siouxsie and the Banshees' Peepshow

Inspired by the 33 1/3 series, 33 1/3 Global takes the format of the original series of short, music-based books and brings the focus to music throughout the world, focusing on specific countries and regions. With initial sections focusing on Japanese and Brazilian music, the series will also include the popular music of Australia/ Oceania, Europe, Africa, the Middle East, and more.

Cornelius's Fantasma

Martin Roberts, Dartmouth College, USA In Tokyo in the early 1990s, an indie band called Flipper’s Guitar was at the forefront of a new wave in Japanese popular music known as Shibuya-kei.

The band’s founder, Keigo Oyamada, would go on to produce under the name Cornelius a series of albums that are among the most innovative in Japanese popular music of the past two decades. Oyamada’s third album under his Cornelius alter-ego, Fantasma (1997), played a key role in putting J-pop on the world map of Western music fans, and Oyamada himself is today one of the most respected figures in the Japanese music industry.

33 1/3 / POPULAR MUSIC

33 1/3 Global

UK August 2019 • US August 2019 • 80 pages PB 9781501330179 • £14.00 / $22.95 • HB 9781501330216 • £64.00 / $80.00 Individual eBook 9781501330186 Library eBook 9781501330193 Series: 33 1/3 Japan • Bloomsbury Academic

Samantha Bennett, Australian National University, Australia

Dona Ivone Lara's Sorriso Negro

Siouxsie and the Banshees were always an awkward musical fit, shoehorned into punk history as ‘also rans’ then lazily mislabeled post-punk ‘goths.’

In a last-ditch attempt to resurrect their flailing career, the self-proclaimed ‘non-musicians’ recruited a classically trained cellist to embellish their modern, experimental soundscapes.

Subsequently, in creating a record akin to a Hollywood film score, the Banshees ‘broke America,’ were adopted into the US alt-rock canon and scored a Billboard number-one hit. Starring Roger Corman, Bernard Herrmann, Walt Disney, and Louise Brooks, also featuring Hammer Horror and Hitchcock, Peepshow is the soundtrack to all the films Siouxsie and the Banshees ever saw. Or it might have been the soundtrack to the greatest film they never made.

More than simply a paragon of Brazilian samba, Dona (Lady) Ivone Lara’s 1981 Sorriso Negro is an album deeply embedded in the political and social tensions of its time. By looking at one of the most important samba albums ever recorded (that also happened to be composed by a black woman), Mila Burns explores the pathbreaking career of Dona Ivone, tracing the ways in which she navigated the tense gender and race relations of the samba universe to ultimately conquer the masculine world of samba composers.

UK October 2018 • US October 2018 • 160 pages PB 9781501321863 • £9.99 / $14.95 Individual eBook 9781501321870 Library eBook 9781501321856 Series: 33 1/3 • Bloomsbury Academic

UK February 2019 • US February 2019 • 144 pages PB 9781501324499 • £18.00 / $22.95 • HB 9781501324482 • £64.00 / $80.00 Individual eBook 9781501324512 Library eBook 9781501324505 Series: 33 1/3 Brazil • Bloomsbury Academic

Tori Amos's Boys for Pele

Amy Gentry, Independent Scholar, USA It’s hard to think of a solo female recording artist who has been as revered or as reviled over the course of her career as Tori Amos. Amy Gentry argues that these violent aesthetic responses to Amos’s performance, both positive and negative, are organized around disgust—the disgust that women are taught to feel. Released in 1996, Amos’s third album, Boys for Pele, represents the height of Amos’s willingness to explore the ugly qualities that make all of her music, even her more conventionally beautiful albums, so uncomfortably, and so wonderfully, strange.

UK November 2018 • US November 2018 • 144 pages PB 9781501321313 • £9.99 / $14.95 Individual eBook 9781501321337 Library eBook 9781501321320 Series: 33 1/3 • Bloomsbury Academic

Mila Burns, City University of New York, USA

João Gilberto and Stan Getz's Getz/Gilberto

Bryan Daniel McCann, Georgetown University, USA How did Getz/Gilberto become the Brazilian album known around the world, crossing generational and demographic divides? Bryan McCann traces the musical collaboration between leading figure of bossa nova João Gilberto and Philadelphia-born and New Yorkraised cool jazz artist Stan Getz. Yet in spite of the album’s namesake, it was more than just Getz and Gilberto who propelled the album’s international success. The less-understood contributors (Astrud Gilberto’s unrehearsed, English-language vocals; Creed Taylor’s immaculate production; Olga Albizú’s arresting, abstract-expressionist cover art) created a perfect balance of talents that led to not just a great album, but a global pop sensation that still deserves to be taken seriously today.

UK November 2018 • US November 2018 • 112 pages • 11 bw illus PB 9781501323959 • £18.00 / $22.95 • HB 9781501323966 • £64.00 / $80.00 Individual eBook 9781501323980 Library eBook 9781501323973 Series: 33 1/3 Brazil • Bloomsbury Academic

www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com

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POPULAR MUSIC

Kerouac on Record

This Thing Called Life

Simon Warner, University of Leeds, UK & Jim Sampas, Independent Scholar, USA

Joseph Vogel, Merrimack College, USA

A Literary Soundtrack

"Fresh approach to understanding the output of the On the Road novelist, which uses music to illuminate his written work." The Bookseller He was the king of the Beat Generation and the most dynamic novelist of his time, but Jack Kerouac had a lifelong passion for music. The novelist, most famous for his 1957 book On the Road, admired the sounds of bebop and attempted to bring something of their original energy to his own writing. In Kerouac on Record, contributors consider the writer's own recorded output, those rock tributes that have kept his memory alive, and the scores that have featured in a string of Hollywood adaptations of his fictional adventures.

Prince, Race, Sex, Religion, and Music "Vogel lets Prince's legacy shine in all its vague and erratic splendor." PopMatters Prince had the ability to attain mass, cross-racial popularity while doing so on his own terms and retaining his eccentric, often subversive individuality.

This Thing Called Life offers a vivid, multi-faceted look at the artist and demonstrates how profound his influence was and still is on American and global culture.

UK April 2018 • US April 2018 • 240 pages HB 9781501333972 • £19.99 / $24.95 Individual eBook 9781501333996 Library eBook 9781501334009 Bloomsbury Academic

UK March 2018 • US March 2018 • 480 pages HB 9781501323348 • £28.00 / $35.00 Individual eBook 9781501323379 Library eBook 9781501323362 Bloomsbury Academic

EPMOW The Bloomsbury Encyclopedia of Popular Music of the World, over 20 years in the making, is a landmark reference work in its field. Each volume, authored by top contributors from around the world, includes discussions on cultural, historical and geographic origins; technical musical characteristics; instrumentation and use of voice; lyrics and language; typical features of performance and presentation; historical development and paths and modes of dissemination; influence of technology, the music industry and political and economic circumstances; changing stylistic features; notable and influential performers; and relationships to other genres and sub-genres.

Bloomsbury Encyclopedia of Popular Music of the World, Volume 11

Bloomsbury Encyclopedia of Popular Music of the World, Volume 12

Edited by David Horn, Independent Scholar, UK, John Shepherd, Carleton University, Canada & Paolo Prato, John Cabot University, Italy

Edited by David Horn, Independent Scholar, UK & John Shepherd, Carleton University, Canada

Genres: Europe

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Genres: Sub-Saharan Africa

The EPMOW Genre volumes contain entries on the genres of music that have been or currently are popular around the world. This volume, on the music of Europe, features a wide range of entries and in-depth essays. Each concludes with a bibliography, discographical references and discography, with additional information on sheet music listings and visual recordings. Written and edited by a team of distinguished popular music scholars and professionals, this is an exceptional resource on the history and development of popular music.

The EPMOW Genre volumes contain entries on the genres of music that have been or currently are popular around the world. This volume, on the music of Sub-Saharan Africa, features a wide range of entries and in-depth essays. Each concludes with a bibliography, discographical references and discography, with additional information on sheet music listings and visual recordings.

Written and edited by a team of distinguished popular music scholars and professionals, this is an exceptional resource on the history and development of popular music.

UK November 2017 • US October 2017 • 936 pages HB 9781501326103 • £198.00 / $250.00 Individual eBook 9781501326127 Library eBook 9781501326134 Series: Encyclopedia of Popular Music of the World • Bloomsbury Academic

UK February 2019 • US January 2019 • 496 pages HB 9781501342028 • £198.00 / $250.00 Individual eBook 9781501342035 Library eBook 9781501342042 Series: Encyclopedia of Popular Music of the World • Bloomsbury Academic

www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.uk

An Architectural History of Popular Music Performance Venues Robert Kronenburg, University of Liverpool, UK This book examines in detail the design and form of popular music architecture and charts how it has been developed in ad-hoc ways by non-professionals, such as building owners, promoters, and the musicians themselves, as well as professionally by architects, designers, and construction specialists. From music halls and Vaudeville in the 1800s to large-scale multi-million-dollar area concerts, it explores the impact that the use of public space for performance has on urban identity and how it influences the city, and, to a lesser extent, how rural space is perceived and used.

UK March 2019 • US March 2019 • 240 pages • 40 bw illus PB 9781501319280 • £19.99 / $34.95 • HB 9781501319273 • £80.00 / $120.00 Individual eBook 9781501319303 Library eBook 9781501319297 Bloomsbury Academic

Joni Mitchell

New Critical Readings Edited by Ruth Charnock, University of Lincoln, UK This book recognizes the cultural importance and innovations of the musician and artist Joni Mitchell and the need for a collection that theorizes her work as musician and composer, cultural commentator and antagonist. Showcasing work from leading literary, cultural, and music studies scholars, this book's contributors respond to the entirety of Mitchell's work, looking at particular songs, albums, and performances to explore Mitchell's wider cultural significance.

UK January 2019 • US January 2019 • 224 pages • 2 bw illus HB 9781501332098 • £96.00 / $120.00 Individual eBook 9781501332111 Library eBook 9781501332104 Bloomsbury Academic

Mute Records

British Progressive Pop 1970-1980

Andy Bennett, Griffith University, Australia Positioned between the psychedelic and countercultural music of the late 1960s and the punk and new wave styles of the late 1970s, early 1970s British popular music is often overlooked. However, British popular music in the early 1970s was in fact highly diverse with many artists arguably displaying an eclecticism and flair for musical experimentation.This book considers the significance of early 1970s British pop-rock as a period during which the boundaries between pop and rock were periodically relaxed, providing a platform for musical creativity less confined by genre and branding.

POPULAR MUSIC

This Must Be the Place

UK May 2019 • US May 2019 • 224 pages HB 9781501336638 • £96.00 / $120.00 Individual eBook 9781501336645 Library eBook 9781501336652 Bloomsbury Academic

Music Radio

Building Communities, Mediating Genres Edited by Morten Michelsen, University of Copenhagen, Denmark, Mads Krogh, Aarhus University, Denmark, Steen Kaargaard Nielsen, Aarhus University, Denmark & Iben Have, Aarhus University, Denmark Why is music so important to radio? This anthology explores the ways in which musical life and radio interact, overlap, and have influenced each other for nearly a century. One of music radio’s major functions is to help build smaller or larger communities by continuously offering broadcast music as a means to create identity and senses of belonging. Music radio also helps identify and develop musical genres in collaboration with listeners and the music industry by mediating and by gatekeeping. Focusing on popular music from around the world, Music Radio discusses what music radio is and for what purposes it is produced.

UK December 2018 • US December 2018 • 304 pages • 17 bw illus HB 9781501343216 • £98.00 / $125.00 Individual eBook 9781501343223 Library eBook 9781501343230 Bloomsbury Academic

Artists, Business, History Edited by Zuleika Beaven, Middlesex University, UK, Marcus O’Dair, Middlesex University, UK & Richard Osborne, Middlesex University, UK Each chapter in this collection takes a distinctive approach to the wide-ranging impact of Mute Records, drawing from disciplines such as popular music studies, musicology, fan studies, art & design, and creative industries management. The book offers insight into artists such as Depeche Mode and Nick Cave, focuses on the musical output of art collectives such as Throbbing Gristle and the Residents, and exposes the significant work of lesser-known acts such as Arca and Ut. Mute Records places the label within the contexts of these performers, the creativity of their fans, and the operations of the music business in a period of tumultuous change.

UK December 2018 • US December 2018 • 224 pages • 15 bw illus HB 9781501340604 • £96.00 / $120.00 Individual eBook 9781501340611 Library eBook 9781501340628 Bloomsbury Academic

Popular Music in the Post-Digital Age

Politics, Economy, Culture and Technology Edited by Ewa Mazierska, University of Central Lancashire, UK, Leslie Gillon, University of Central Lancashire, UK & Tony Rigg, University of Central Lancashire, UK Popular Music in a Post-Digital Age explores how changes in economy and technology affect popular music for both the industry and culture at large. Citing Jacques Attali’s theory that “music runs parallel to human society, is structured like it, and changes when it does,” this book presents the required study of wider economic, political, and cultural changes under the impact of neoliberalism. This allows us to understand not only the future developments in the music industry but also the value in treating the state of popular music as a litmus test to assess what will happen in the economy and in society.

UK December 2018 • US December 2018 • 280 pages HB 9781501338373 • £96.00 / $120.00 Individual eBook 9781501338380 Library eBook 9781501338397 Bloomsbury Academic

www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com

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POPULAR MUSIC / MUSIC AND MEDIA

Transglobal Sounds

Music, Youth and Migration Edited by João Sardinha, Universidade Aberta, Portugal & Ricardo Campos, Universidade Aberta, Portugal "Transglobal Sounds is an exciting volume that focuses on an important demographic slice of the migrant pie - youth, and the particular importance of music in addressing the challenges of deterritorialization and return." Kimberly DaCosta Holton, Rutgers University, USA This book contemplates migrant youth and the impact of music on mobility, engaging with broader questions of how new modes of mobility, sociality, and identification are born out of the interfaces between youth, migration, and music.

UK February 2018 • US February 2018 • 248 pages PB 9781501340208 • £28.99 / $39.95 Previously published in HB 9781501311963 Individual eBook 9781501311987 Library eBook 9781501311970 Bloomsbury Academic

Creative Activism

Electronic Dance Music Festivals and Event-Cultures Edited by Graham St John, University in Fribourg, Switzerland and Griffith University, Australia "A genuinely international treatment of contemporary musical festivals, rooted in rich field work and sharp observation. It invites us to think in new ways about utopian spaces, collective experience and the nature of the musical commodity. Highly recommended." Will Straw, McGill University, Canada EDM festivals have become stages for the performance of transnational meta-cultural aesthetics (e.g. techno, psychedelic, baile funk) and their potential synthesis. Weekend Societies illustrates how a complex array of regional, economic, social, cultural and political factors combine to determine the fate of EDM festivals that transpire at the intersections of the local and global.

UK July 2018 • US July 2018 • 264 pages • 25 bw illus PB 9781501343773 • £28.99 / $39.95 Previously published in HB 9781501309311 Individual eBook 9781501309335 Library eBook 9781501309328 Bloomsbury Academic

Conversations on Music, Film, Literature, and Other Radical Arts Edited by Rachel Lee Rubin, University of Massachusetts Boston, USA "An indispensable compilation of oral histories— and an often-exhilarating exchange of ideas on the roles of artists on the front lines of activism today." Jeff Biggers, author of Resistance: Reclaiming an American Tradition (2018)

Sounds, Screens, Speakers

An Introduction to Music and Media Charles Fairchild, University of Sydney, Australia

What does it means for an artist to be “political”? Moving away from a narrow idea about the politics of elections, advocacy groups, or concrete manifestos, the subjects of Creative Activism do their work through song, poetry, painting, and other arts. The interviews take us from the Occupy movement to the fantasy worlds created by fascinating writers of spectacular fiction, challenging any notion that some other time was the golden age of political art.

At the advent of new forms of media, be it sound recording, film, television, or the Internet, music has been a crucial participant in the social changes brought about by new tools for making and listening to music. This book examines such changes from the late 19th century to the present. With readings at the end of most chapters, key questions to facilitate additional discovery and research, and direction to additional readings and resources on popular websites and news sources, this text serves as the ideal introduction to popular music and media.

UK May 2018 • US May 2018 • 360 pages HB 9781501337215 • £102.00 / $130.00 Individual eBook 9781501337222 Library eBook 9781501337239 Bloomsbury Academic

UK January 2019 • US January 2019 • 304 pages PB 9781501336232 • £23.99 / $29.95 • HB 9781501336249 • £88.00 / $110.00 Individual eBook 9781501336256 Library eBook 9781501336263 Bloomsbury Academic

Modern Records, Maverick Methods

Technology and Process in Popular Music Record Production 1978-2000 Samantha Bennett, Australian National University, Australia Modern Records examines a critical period in commercial popular music record production: the transformative digital age from the late 1970s until 2000. The book traces the development of significant music technologies through the 1980s and 1990s, reveals how changing attitudes and innovative techniques of recording personnel reimagined recording processes and, finally, exemplifies the impact of these technologies and techniques via six comprehensive tech-processual analyses. Bennett interprets the development of music technologies in the analogue and digital domains as not in opposition, but in confluence; this meticulously researched and timely book reveals the complexity of recordists’ responses to a technological landscape in flux.

UK December 2018 • US December 2018 • 256 pages PB 9781501344091 • £23.99 / $29.95 • HB 9781501344107 • £96.00 / $120.00 Individual eBook 9781501344114 Library eBook 9781501344121 Bloomsbury Academic

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Weekend Societies

Sonic Writing

Technologies of Material, Symbolic, and Signal Inscriptions Thor Magnusson, University of Sussex, UK Sonic Writing traces the material and symbolic conditions of composition and performance in contemporary musical media through three interconnected strands of inscription: 1) how the design of musical instruments and software systems encapsulates theory and thereby becomes a form of sonic writing, 2) how diverse systems of musical notation have evolved in alignment with new instruments, performance contexts and artistic ideologies, and 3) the genealogy of phonographic techniques, ranging from etching waves onto disks to machine listening, and how these have affected musical notation and interpretation.

UK February 2019 • US February 2019 • 224 pages • 45 bw illus PB 9781501313868 • £19.99 / $29.95 • HB 9781501313851 • £74.00 / $110.00 Individual eBook 9781501313882 Library eBook 9781501313875 Bloomsbury Academic

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MUSIC AND MEDIA / SOUND STUDIES

Between Air and Electricity

Sound Works

Cathy van Eck, Bern University of the Arts, Switzerland

Holger Schulze, University of Copenhagen, Denmark, Carla J. Maier, Leuphana University Lüneburg, Germany & Julia Krause, Humboldt University Berlin, Germany

Microphones and Loudspeakers as Musical Instruments

"This is a genuinely fascinating and underrepresented area of compositional research and activity, and the strongest portion of van Eck’s book is the riveting overview of the repertoire." TEMPO After the sound reproduction industry had claimed “perfect high fidelity” for sound recordings already at the beginning of the 20th century, composers and sound artists challenged this perfection by tweaking microphones and loudspeakers to make them act as a musical instrument instead of a mere sound reproduction device. This book explores the instrumental use of microphones and loudspeakers in music since the 1950s. The popular noise musician Merzbow and cult instrument inventor Hugh Davies, among others, made audible what was supposed to remain silent.

UK August 2018 • US August 2018 • 216 pages PB 9781501344718 • £28.99 / $39.95 Previously published in HB 9781501327605 Individual eBook 9781501327612 Library eBook 9781501327629 Bloomsbury Academic

A Cultural Theory of Sound Design

Sound Works provides a cultural theory of sound design founded on historical, empirical and critical analysis. When you turned on your computer this morning you had to listen to disjointed system sounds, start up chimes, alert noises and auditory warning signals, perhaps accompanied by your favorite music in the background or on your headphones. Through the prehistory of such functional sounds since the advent of mediatisation and electrification, this text introduces the selected practices, conflicts, and aporias of contemporary sound design.

UK December 2018 • US February 2019 • 256 pages HB 9781501330223 • £96.00 / $120.00 Library eBook 9781501330247 Bloomsbury Academic

Dangerous Mediations

Pop Music in a Philippine Prison Video Áine Mangaoang, University of Liverpool, UK

Music as an Art Roger Scruton

Bestselling author and philosopher Roger Scruton follows up his classic work of criticism, Understanding Music, by turning his immense critical faculties to contemporary and classical music. In this new book he turns again to the meaning of tonality and sound. His abstract, somewhat mystical, argument on these topics includes slashing attacks on Marxist reductionism, the authenticity of Early Music, on rival aestheticians such as Adorno, and on sentimentality and cliché in any form. As in Understanding Music, he also expounds his views on pop music, in a most satisfying and provocative new work.

UK August 2018 • 272 pages HB 9781472955715 • £25.00 / $32.00 Individual eBook 9781472955722 Library eBook 9781472955708 Bloomsbury Continuum

This text examines the interplay between Michael Jackson’s songs and music videos and how they have been interpreted and performed by a group of 1500 Filipino inmates at the Cebu Provincial Rehabilitation and Detention Centre, who achieved viral video fame after the release of their 2007 performance of Jackson’s Thriller. Reflecting on how Jackson’s performances pollinate across cultures and nations, this book demonstrates that audiovisual digital platforms such as YouTube play an important role in shaping collective understandings and experiences, while ultimately arguing for a deeper and more nuanced understanding of music’s power and affect in places of detention.

UK March 2019 • US March 2019 • 200 pages • 30 bw illus HB 9781501331534 • £96.00 / $120.00 Individual eBook 9781501331558 Library eBook 9781501331541 Series: New Approaches to Sound, Music, and Media • Bloomsbury Academic

Amplifications Sonic Rupture

A Practice-led Approach to Urban Soundscape Design Jordan Lacey, RMIT University, Australia "An honest and refreshing take on the urban side of the acoustic ecology equation … The book’s overall project is one that is grounded in an artistic inquiry, and much of its research content and knowledge is informed by the intuitive act of making by an urban dweller. It is an excellent example of research-creation, and a welcome addition to the growing body of work in sound studies." Soundscape: The Journal of Acoustic Ecology Sonic Rupture provides the domains of sound art, music, creative practice, urban design, architecture and environmental philosophy with a unique perspective for understanding those affective forces.

Poetic Migration, Auditory Memory Paul Carter, RMIT University, Australia Written by one of the most prominent thinkers in sound studies, Amplifications presents a perspective on sound narrated through the experiences of a sound artist and writer. A work of reflective philosophy, Amplifications sits at the intersection of history, creative practice, and sound studies, recounting this narrative through a series of themes (rattles, echoes, recordings, etc.). Carter offers a unique perspective on migratory poetics, bringing together his own compositions and life’s works while using his personal narrative to frame larger theoretical questions about sound and migration.

UK February 2019 • US February 2019 • 288 pages PB 9781501344480 • £19.99 / $24.95 • HB 9781501344473 • £64.00 / $80.00 Individual eBook 9781501344497 Library eBook 9781501344503 Bloomsbury Academic

UK December 2017 • US December 2017 • 208 pages • 57 bw illus PB 9781501338571 • £28.99 / $39.95 Previously published in HB 9781501309977 Individual eBook 9781501310003 Library eBook 9781501309991 Bloomsbury Academic

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Case Studies in Musical Temporality Richard Glover, University of Huddersfield, UK, Bryn Harrison, University of Huddersfield, UK & Jennie Gottschalk, Independent Scholar, USA In a highly accessible format using case studies, Being Time employs an ongoing dialogue to examine how various compositional concerns within experimental and minimal musics affect our sense of time and duration. Phenomenological lineage from Husserl through MerleauPonty to Clifton infuses the discussion to provide experiential arguments, rather than abstracted hypotheses.

An introductory chapter on experimental music is followed by studies of individual composers and artists, such as Morton Feldman, Manfred Werder, Bernhardt Günter, Richard Chartier, La Monte Young and Toshiya Tsunoda, who are embedded in the continuing discourse, along with issues of perception and memory in experimental music.

UK December 2018 • US December 2018 • 176 pages PB 9781623564940 • £19.99 / $29.95 • HB 9781623568955 • £80.00 / $120.00 Individual eBook 9781628927016 Library eBook 9781628922721 Bloomsbury Academic

The Political Possibility of Sound Fragments of Listening

Salomé Voegelin, London College of Communication, UK Eight independent yet thematically related essays explore listening as a sociopolitical practice of sound, raising current aesthetic and political questions. The themes of these essays emerge from and deepen discussions started in Voegelin’s previous books, Listening to Noise and Silence and Sonic Possible Worlds, and further engage the relationship between aesthetic practice and political possibility.

Continuing the methodological juxtaposition of phenomenology and logic, each essay represents a fragment of listening to sound art, music and the soundscape, to hear their possibilities and develop words for what appears impossible.

UK November 2018 • US November 2018 • 224 pages PB 9781501312168 • £19.99 / $29.95 • HB 9781501312151 • £66.00 / $100.00 Individual eBook 9781501312182 Library eBook 9781501312175 Bloomsbury Academic

Humming

Suk-Jun Kim, University of Aberdeen, UK The first sound studies book to explore the topic, Humming offers a unique and original examination of the polarising categories of hums, from hums that are performed only to oneself, that are exercised in religious practice, that claim healing, and that resonate with our bodies, to hums that can drive people to madness, that emanate from cities and towns, and that resound in the universe. By acknowledging the quirkiness of hums within the established discourse in sound studies, Humming takes a truly interdisciplinary view on this familiar yet less-trodden sonic concept in sound studies.

SOUND STUDIES

Being Time

UK December 2018 • US December 2018 • 128 pages PB 9781501324611 • £16.99 / $24.95 • HB 9781501324604 • £50.00 / $75.00 Individual eBook 9781501324628 Library eBook 9781501324598 Series: The Study of Sound • Bloomsbury Academic

Musical Encounters with Deleuze and Guattari Edited by Pirkko Moisala, University of Helsinki, Finland, Taru Leppänen, University of Turku, Finland, Milla Tiainen, University of Helsinki, Finland & Hanna Väätäinen, University of Helsinki, Finland

This is the first volume to mobilize encounters between the work of Gilles Deleuze and Felix Guattari and the rich developments in cultural studies of music and sound. Stretching from movement improvisation, vocal performance art, reality TV talent shows and deaf musicians to ethnographic fieldwork, artistic research and musical body studies, this book demonstrates how musical and sonic practices and expressions can be reconsidered as instances of becoming, actors in assemblages, and actualizations of virtual tendencies.

UK July 2018 • US July 2018 • 256 pages • 10 bw illus PB 9781501343780 • £28.99 / $39.95 Previously published in HB 9781501316746 Individual eBook 9781501316760 Library eBook 9781501316753 Bloomsbury Academic

Future Sounds

The Temporality of Noise Stephen Kennedy, University of Greenwich, UK "Kennedy has brilliantly shown how the nonlinearity and multi-temporality of noise has been productive of so-called digital culture. Key reading for anyone interested in the realities of the digital age and the most relevant philosophies of time and technology." Timothy Barker, University of Glasgow, UK What can the sounds of today tell us about the future? Can an analysis of sound and sonic practices allow us to make reliable predictions in relation to wider social phenomena? And what might they tell us about technology in a world where futurology is a frenzied and busy field? Future Sounds examines historical trajectories and conflicting ideas about time and the necessity to recontextualize and interpret them in the digital age.

UK July 2018 • US July 2018 • 176 pages HB 9781501321054 • £74.00 / $110.00 Individual eBook 9781501321078 Library eBook 9781501321061 Bloomsbury Academic

www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com

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Edited by Michael Richardson, Goldsmiths University of London, UK Surrealism is one of the most influential and popular art forms of the last century. It has shaped painting, literature, film, photography, music, theatre, architecture, fashion and design, as well as thinking about politics and culture. The Encyclopedia presents the first comprehensive and systematic overview of surrealism internationally, from its beginnings to the present day.

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MAJOR REFERENCE WORKS

The International Encyclopedia of Surrealism

31

INDEX

A

Brown, William. . . . . . . . . . . . . . . . . . . . . . . . . 6

Drive-By Truckers’ Southern Rock Opera . . . 22

Aasman, Susan . . . . . . . . . . . . . . . . . . . . . . . 19

Bruckner, Franziska . . . . . . . . . . . . . . . . . . . . . 9

Duvall, John A. . . . . . . . . . . . . . . . . . . . . . . . . 4

Adaptations in the Franchise Era. . . . . . . . . . 19

Buckland, Warren . . . . . . . . . . . . . . . . . . . . . . 3

Dyer, Richard. . . . . . . . . . . . . . . . . . . . . . . . . 12

Aesthetics of Nostalgia TV, The. . . . . . . . . . . 10

Bukatman, Scott . . . . . . . . . . . . . . . . . . . . . . 12

Aguirre, the Wrath of God. . . . . . . . . . . . . . . 12

Burns, Mila. . . . . . . . . . . . . . . . . . . . . . . . . . . 23

E

Alexander, Robert. . . . . . . . . . . . . . . . . . . . . 16

Butler, Rex. . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Alien . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

C

Environmental Documentary, The. . . . . . . . . . 4

Campos, Ricardo. . . . . . . . . . . . . . . . . . . . . . 26

Erdman, Dan. . . . . . . . . . . . . . . . . . . . . . . . . . 4

American Eccentric Cinema . . . . . . . . . . . . . . 7

Carter, Paul . . . . . . . . . . . . . . . . . . . . . . . . . . 28

European Cinema and Continental Philosophy. . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Ames, Eric. . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Cayley, John . . . . . . . . . . . . . . . . . . . . . . . . . 18

Amitabh Bachchan . . . . . . . . . . . . . . . . . . . . 15

Chabot, Pascal. . . . . . . . . . . . . . . . . . . . . . . . 18

Amplifications. . . . . . . . . . . . . . . . . . . . . . . . 28

Charney, John. . . . . . . . . . . . . . . . . . . . . . . . 16

Animation Studies Reader, The. . . . . . . . . . . . 9

Charnock, Ruth . . . . . . . . . . . . . . . . . . . . . . . 25

Anime . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Childhood and Nation in Contemporary World Cinema. . . . . . . . . . . . . . . . . . . . . . . . . 8

Alternate Reality Games and the Cusp of Digital Gameplay. . . . . . . . . . . . . . . 20

Austin, Thomas. . . . . . . . . . . . . . . . . . . . . . . . 2 Auteur Theory and My Son John. . . . . . . . . . . 6 Authoring Hal Ashby. . . . . . . . . . . . . . . . . . . . 2

Cinema Book, The. . . . . . . . . . . . . . . . . . . . . 11 Cinema of Norman Mailer, The. . . . . . . . . . . . 2 Cinema of Things, The . . . . . . . . . . . . . . . . . . 7

B

Clements, Jonathan. . . . . . . . . . . . . . . . . . . . 11

Barr, Charles . . . . . . . . . . . . . . . . . . . . . . . . . 13

Compact Cinematics. . . . . . . . . . . . . . . . . . . 19

Beaven, Zuleika. . . . . . . . . . . . . . . . . . . . . . . 25

Cornelius’s Fantasma. . . . . . . . . . . . . . . . . . . 23

Being Time . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Creative Activism. . . . . . . . . . . . . . . . . . . . . . 26

Bennett, Andy. . . . . . . . . . . . . . . . . . . . . . . . 25

Creeber, Glen . . . . . . . . . . . . . . . . . . . . . . . . 11

Bennett, Eve . . . . . . . . . . . . . . . . . . . . . . . . . 17

Curran, James. . . . . . . . . . . . . . . . . . . . . . . . 16

Bennett, Lucy. . . . . . . . . . . . . . . . . . . . . . . . . 17

D

Bennett, Samantha . . . . . . . . . . . . . . . . . 23, 26 Berressem, Hanjo . . . . . . . . . . . . . . . . . . . . . 18 Between Air and Electricity. . . . . . . . . . . . . . 28 Between Film, Video, and the Digital. . . . . . 19 Bevan, Alex. . . . . . . . . . . . . . . . . . . . . . . . . . 10 Blade Runner. . . . . . . . . . . . . . . . . . . . . . . . . 12 Bloomsbury Encyclopedia of Popular Music of the World, Volume 11. . . . . . . . . . . 24 Bloomsbury Encyclopedia of Popular Music of the World, Volume 12. . . . . . . . . . . 24 Bollmer, Grant. . . . . . . . . . . . . . . . . . . . . . . . 19 Booth, Paul . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Bose, Nandana . . . . . . . . . . . . . . . . . . . . . . . 15 Bozung, Justin. . . . . . . . . . . . . . . . . . . . . . . . . 2 Brannon Donoghue, Courtney . . . . . . . . . . . 14 Brill, Lesley. . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Dancing with the Nation. . . . . . . . . . . . . . . . . 8 Dangerous Mediations . . . . . . . . . . . . . . . . . 28 Dann, Lance. . . . . . . . . . . . . . . . . . . . . . . . . . 10 Darke, Chris. . . . . . . . . . . . . . . . . . . . . . . . . . 13 dc Talk’s Jesus Freak. . . . . . . . . . . . . . . . . . . 22 Deborah Kerr. . . . . . . . . . . . . . . . . . . . . . . . . 15

Eigenvalue. . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Elsaesser, Thomas. . . . . . . . . . . . . . . . . . . . . . 6

Every Game is an Island . . . . . . . . . . . . . . . . 20 Ezra, Elizabeth. . . . . . . . . . . . . . . . . . . . . . . . . 7

F Fairchild, Charles. . . . . . . . . . . . . . . . . . . . . . 26 Faltesek, Daniel. . . . . . . . . . . . . . . . . . . . . . . 19 Fassone, Riccardo. . . . . . . . . . . . . . . . . . . . . 20 Fear and Loathing Worldwide. . . . . . . . . . . . 16 Fertel, Rien . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Fickers, Andreas . . . . . . . . . . . . . . . . . . . . . . 19 Films of Aki Kaurismäki, The. . . . . . . . . . . . . . 2 Films of Lenny Abrahamson, The . . . . . . . . . . 3 French Cinema Book, The. . . . . . . . . . . . . . . 11 Fugazi’s In on the Kill Taker. . . . . . . . . . . . . . 22 Furman, Ezra. . . . . . . . . . . . . . . . . . . . . . . . . 22 Future Sounds. . . . . . . . . . . . . . . . . . . . . . . . 29

G Gallagher, Mark. . . . . . . . . . . . . . . . . . . . . . . 15 Garcia, Antero. . . . . . . . . . . . . . . . . . . . . . . . 20 Garde-Hansen, Joanne. . . . . . . . . . . . . . . . . 11 Gender and Media in the Broadcast Age. . . 17

Denny, David. . . . . . . . . . . . . . . . . . . . . . . . . . 2

Gender in Post-9/11 American Apocalyptic TV . . . . . . . . . . . . . . . . . . . . . . . 17

Diestro-Dópido, Mar. . . . . . . . . . . . . . . . . . . 13

Gentry, Amy. . . . . . . . . . . . . . . . . . . . . . . . . . 23

Directing Screen Performances. . . . . . . . . . . 10

Gerhardt, Christina . . . . . . . . . . . . . . . . . . . . . 8

“Disguised” Political Film in Contemporary Hollywood, The. . . . . . . . . . . . 3

Gilic, Nikica. . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Dobson, Nichola. . . . . . . . . . . . . . . . . . . . . . . 9 Dona Ivone Lara’s Sorriso Negro. . . . . . . . . . 23 Donald, Stephanie Hemelryk. . . . . . . . . . . . . 8 Dr. Strangelove or: How I learned to Stop Worrying and Love the Bomb. . . . . . . . 12

Gillon, Leslie . . . . . . . . . . . . . . . . . . . . . . . . . 25 Gilson, D.. . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Givony, Ronen. . . . . . . . . . . . . . . . . . . . . . . . 22 Global Animation Theory . . . . . . . . . . . . . . . . 9 Global Burnout . . . . . . . . . . . . . . . . . . . . . . . 18

British Progressive Pop 1970-1980. . . . . . . . 25

32

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Johnson, Mark R.. . . . . . . . . . . . . . . . . . . . . . 20

McCann, Bryan Daniel. . . . . . . . . . . . . . . . . . 23

Glover, Richard . . . . . . . . . . . . . . . . . . . . . . . 29

Joni Mitchell . . . . . . . . . . . . . . . . . . . . . . . . . 25

McDonald, Kevin. . . . . . . . . . . . . . . . . . . . . . 20

Gorton, Kristyn . . . . . . . . . . . . . . . . . . . . . . . 11

K

McKittrick, Casey. . . . . . . . . . . . . . . . . . . . . . . 2

Gottschalk, Jennie. . . . . . . . . . . . . . . . . . . . . 29 Grammalepsy . . . . . . . . . . . . . . . . . . . . . . . . 18 Greenberg, Raz. . . . . . . . . . . . . . . . . . . . . . . . 9 Gross, Joe. . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Gyori, Zsolt . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Kaklamanidou, Betty. . . . . . . . . . . . . . . . . . . . 3 Kennedy, Stephen. . . . . . . . . . . . . . . . . . . . . 29 Kerouac on Record . . . . . . . . . . . . . . . . . . . . 24 Kim, Jihoon. . . . . . . . . . . . . . . . . . . . . . . . . . 19 Kim, Suk-Jun. . . . . . . . . . . . . . . . . . . . . . . . . 29

H

Klenner, Robert. . . . . . . . . . . . . . . . . . . . . . . 10

Hanson, Helen. . . . . . . . . . . . . . . . . . . . . . . . 14

Krämer, Peter. . . . . . . . . . . . . . . . . . . . . . . 3, 12

Harper, Stephen . . . . . . . . . . . . . . . . . . . . . . . 8

Krause, Julia . . . . . . . . . . . . . . . . . . . . . . . . . 28

Harrison, Bryn . . . . . . . . . . . . . . . . . . . . . . . . 29

Krogh, Mads . . . . . . . . . . . . . . . . . . . . . . . . . 25

Have, Iben. . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Kronenburg, Robert. . . . . . . . . . . . . . . . . . . . 25

Hayao Miyazaki. . . . . . . . . . . . . . . . . . . . . . . . 9 Herzogenrath, Bernd. . . . . . . . . . . . . . . . . . . 18 Hesmondhalgh, David. . . . . . . . . . . . . . . . . . 16 Hesselberth, Pepita. . . . . . . . . . . . . . . . . . . . 19 History and Film . . . . . . . . . . . . . . . . . . . . . . . 3 Hitchcock’s Appetites . . . . . . . . . . . . . . . . . . . 2 Hollywood and the Invention of England. . . . 4 Hollywood Renaissance, The. . . . . . . . . . . . . . 3 Hollywood Soundscapes. . . . . . . . . . . . . . . . 14 Honess Roe, Annabelle. . . . . . . . . . . . . . . . 4, 9 Horn, David. . . . . . . . . . . . . . . . . . . . . . . . . . 24 Humming. . . . . . . . . . . . . . . . . . . . . . . . . . . . 29 Hunter, Aaron . . . . . . . . . . . . . . . . . . . . . . . . . 2

L La dolce vita . . . . . . . . . . . . . . . . . . . . . . . . . 12 La Jetée. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 Lacey, Jordan. . . . . . . . . . . . . . . . . . . . . . . . . 28

Inhuman Networks . . . . . . . . . . . . . . . . . . . . 19 International Communication . . . . . . . . . . . . 16

Merle Haggard’s Okie from Muskogee. . . . . 23 Michelsen, Morten. . . . . . . . . . . . . . . . . . . . . 25 Miller, Cynthia J. . . . . . . . . . . . . . . . . . . . . . . . 4 Modern Records, Maverick Methods . . . . . . 26 Moisala, Pirkko . . . . . . . . . . . . . . . . . . . . . . . 29 Monahan, Barry. . . . . . . . . . . . . . . . . . . . . . . . 3 Morrison, James . . . . . . . . . . . . . . . . . . . . . . . 6

Music Radio. . . . . . . . . . . . . . . . . . . . . . . . . . 25 Musical Encounters with Deleuze and Guattari. . . . . . . . . . . . . . . . . . . . . . . . . 29 Mute Records . . . . . . . . . . . . . . . . . . . . . . . . 25

Lars von Trier’s Women. . . . . . . . . . . . . . . . . . 2

Netflix Effect, The. . . . . . . . . . . . . . . . . . . . . 20

Leppänen, Taru. . . . . . . . . . . . . . . . . . . . . . . 29

New Nonfiction Film. . . . . . . . . . . . . . . . . . . . 4

Let’s Go Stag. . . . . . . . . . . . . . . . . . . . . . . . . . 4

Nielsen, Steen Kaargaard. . . . . . . . . . . . . . . 25

Littschwager, Simin Nina. . . . . . . . . . . . . . . . . 6

Niemeyer, Greg. . . . . . . . . . . . . . . . . . . . . . . 20

Lloyd, Justine . . . . . . . . . . . . . . . . . . . . . . . . 17

Non-Cinema . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Localising Hollywood . . . . . . . . . . . . . . . . . . 14 Lou Reed’s Transformer. . . . . . . . . . . . . . . . . 22 Luckhurst, Roger. . . . . . . . . . . . . . . . . . . 12, 13

M

Maier, Carla J.. . . . . . . . . . . . . . . . . . . . . . . . 28 Making Sense of Mind-Game Films . . . . . . . . 6 Man Who Knew Too Much, The . . . . . . . . . . 13

International Encyclopedia of Surrealism, The . . . . . . . . . . . . . . . . . . . . . . . 31

Mangaoang, Áine. . . . . . . . . . . . . . . . . . . . . 28

Ironic Filmmaking of Stephen Frears, The. . . . 2

Mass Communications and Media Studies. . . . . . . . . . . . . . . . . . . . . . . . 16

Isager, Christine. . . . . . . . . . . . . . . . . . . . . . . 16

Meir, Christopher. . . . . . . . . . . . . . . . . . . . . . 10

N

Magnusson, Thor. . . . . . . . . . . . . . . . . . . . . . 26

Illusion of the Free Press, The. . . . . . . . . . . . 16

Meikle, Kyle. . . . . . . . . . . . . . . . . . . . . . . . . . 19

Lang, Holger. . . . . . . . . . . . . . . . . . . . . . . . . . 9

Madhuri Dixit. . . . . . . . . . . . . . . . . . . . . . . . . 15

I

Media and Society. . . . . . . . . . . . . . . . . . . . . 16

Music as an Art . . . . . . . . . . . . . . . . . . . . . . . 28

Hutchinson, Pamela. . . . . . . . . . . . . . . . . . . . 13 Hutnyk, John. . . . . . . . . . . . . . . . . . . . . . . . . . 8

INDEX

Global South Asia on Screen. . . . . . . . . . . . . . 8

Mass Producing European Cinema. . . . . . . . 10

O O’Dair, Marcus. . . . . . . . . . . . . . . . . . . . . . . . 25 Osborne, Richard . . . . . . . . . . . . . . . . . . . . . 25

P Pan’s Labyrinth. . . . . . . . . . . . . . . . . . . . . . . . 13 Pandora’s Box . . . . . . . . . . . . . . . . . . . . . . . . 13 Paris in the Cinema. . . . . . . . . . . . . . . . . . . . 14 Paxson, Peyton . . . . . . . . . . . . . . . . . . . . . . . 16 Peretti, Luca. . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Phillips, Alastair. . . . . . . . . . . . . . . . . . . . . . . 14 Pier Paolo Pasolini, Framed and Unframed. . . . . . . . . . . . . . . . . . . . . . . . . 3

J

Mastering Fear . . . . . . . . . . . . . . . . . . . . . . . 17

Playback – A Genealogy of 1980s British Videogames. . . . . . . . . . . . . . . . . . . . 20

James Mason. . . . . . . . . . . . . . . . . . . . . . . . . 15

Materializing Memories. . . . . . . . . . . . . . . . . 19

Podcasting. . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Jawbreaker’s 24 Hour Revenge Therapy. . . . 22

Matter Transmission. . . . . . . . . . . . . . . . . . . . 16

Political Possibility of Sound, The. . . . . . . . . 29

João Gilberto and Stan Getz’s Getz/Gilberto . . . . . . . . . . . . . . . . . . . . . . . . 23

Mazierska, Ewa . . . . . . . . . . . . . . . . . . . . . 8, 25

Pomerance, Murray. . . . . . . . . . . . . . . . . . . . 13

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33

INDEX

Popular Music and the Moving Image in Eastern Europe. . . . . . . . . . . . . . . . . 8 Popular Music in the Post-Digital Age. . . . . 25 Poulaki, Maria . . . . . . . . . . . . . . . . . . . . . . . . 19 Pramaggiore, Maria. . . . . . . . . . . . . . . . . . . . . 4 Prato, Paolo. . . . . . . . . . . . . . . . . . . . . . . . . . 24

R Raizen, Karen T.. . . . . . . . . . . . . . . . . . . . . . . . 3 Ratelle, Amy . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Remembering British Television . . . . . . . . . . 11 Richardson, Michael . . . . . . . . . . . . . . . . . . . 31 Rigg, Tony. . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Roberts, Martin. . . . . . . . . . . . . . . . . . . . . . . 23 Rubin, Rachel Lee . . . . . . . . . . . . . . . . . . 23, 26 Ruddell, Caroline. . . . . . . . . . . . . . . . . . . . . . . 9

Stop-Motion Filmmaking. . . . . . . . . . . . . . . . . 9

Weekend Societies . . . . . . . . . . . . . . . . . . . . 26

Street, Sarah . . . . . . . . . . . . . . . . . . . . . . . . . 15

Wes Anderson’s Symbolic Storyworld. . . . . . . 3

Stubbs, Jonathan. . . . . . . . . . . . . . . . . . . . . . . 4

What’s Eating You? . . . . . . . . . . . . . . . . . . . . . 4

Šuljic, Daniel . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Wilkins, Kim. . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Sutil, Nicolás Salazar. . . . . . . . . . . . . . . . . . . 16

Wilson, Emma. . . . . . . . . . . . . . . . . . . . . . . . . 8

T

Witt, Michael. . . . . . . . . . . . . . . . . . . . . . . . . 11

Television Genre Book, The. . . . . . . . . . . . . . 11 Temple, Michael . . . . . . . . . . . . . . . . . . . . . . 11 Thanouli, Eleftheria. . . . . . . . . . . . . . . . . . . . . 3 This Must Be the Place . . . . . . . . . . . . . . . . . 25 This Thing Called Life . . . . . . . . . . . . . . . . . . 24 Thomas, Sarah. . . . . . . . . . . . . . . . . . . . . . . . 15 Thornham, Sue . . . . . . . . . . . . . . . . . . . . . . . 14 Thussu, Daya Kishan. . . . . . . . . . . . . . . . . . . 16 Tiainen, Milla. . . . . . . . . . . . . . . . . . . . . . . . . 29

S

Tony Leung Chiu-Wai . . . . . . . . . . . . . . . . . . 15

Sampas, Jim . . . . . . . . . . . . . . . . . . . . . . . . . 24

Tori Amos’s Boys for Pele . . . . . . . . . . . . . . . 23

Sardinha, João. . . . . . . . . . . . . . . . . . . . . . . . 26

Transglobal Sounds. . . . . . . . . . . . . . . . . . . . 26

Schubart, Rikke. . . . . . . . . . . . . . . . . . . . . . . 17

Turkovic, Hrvoje. . . . . . . . . . . . . . . . . . . . . . . . 9

Schulze, Holger. . . . . . . . . . . . . . . . . . . . . . . 28

Tzioumakis, Yannis. . . . . . . . . . . . . . . . . . . . . . 3

Screening Bosnia. . . . . . . . . . . . . . . . . . . . . . . 8

U

Screening the Red Army Faction. . . . . . . . . . . 8 Scruton, Roger. . . . . . . . . . . . . . . . . . . . . . . . 28

Wright, Sarah. . . . . . . . . . . . . . . . . . . . . . . . . . 8

Unpredictability of Gameplay, The. . . . . . . . 20 Usai, Paolo Cherchi. . . . . . . . . . . . . . . . . . . . 11

Seeing Fans. . . . . . . . . . . . . . . . . . . . . . . . . . 17 Selling Social Media . . . . . . . . . . . . . . . . . . . 19

V

Shepherd, John. . . . . . . . . . . . . . . . . . . . . . . 24

Väätäinen, Hanna. . . . . . . . . . . . . . . . . . . . . . 29

Shining, The. . . . . . . . . . . . . . . . . . . . . . . . . . 13

Van Eck, Cathy. . . . . . . . . . . . . . . . . . . . . . . . 28

Silent Cinema . . . . . . . . . . . . . . . . . . . . . . . . 11

Van Riper, A. Bowdoin. . . . . . . . . . . . . . . . . . . 4

Singh, Sunny. . . . . . . . . . . . . . . . . . . . . . . . . 15

Vanita, Ruth. . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Siouxsie and the Banshees’ Peepshow. . . . . 23

Vertigo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Smith-Rowsey, Daniel . . . . . . . . . . . . . . . . . . 20

Vincendeau, Ginette. . . . . . . . . . . . . . . . . . . 14

Sonic Rupture . . . . . . . . . . . . . . . . . . . . . . . . 28

Vocal Projections. . . . . . . . . . . . . . . . . . . . . . . 4

Sonic Thinking. . . . . . . . . . . . . . . . . . . . . . . . 18

Voegelin, Salomé. . . . . . . . . . . . . . . . . . . . . . 29

Sonic Writing. . . . . . . . . . . . . . . . . . . . . . . . . 26

Vogel, Joseph. . . . . . . . . . . . . . . . . . . . . . . . 24

Sound Works. . . . . . . . . . . . . . . . . . . . . . . . . 28

W

Sounds, Screens, Speakers. . . . . . . . . . . . . . 26 Spaces of Women’s Cinema . . . . . . . . . . . . . 14 Spinelli, Martin. . . . . . . . . . . . . . . . . . . . . . . . 10 St John, Graham. . . . . . . . . . . . . . . . . . . . . . 26 Stockton, Will . . . . . . . . . . . . . . . . . . . . . . . . 22

34

Wachelder, Joseph . . . . . . . . . . . . . . . . . . . . 19 Wade, Alex . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Waldron, Dara. . . . . . . . . . . . . . . . . . . . . . . . . 4 Walsh, Christopher . . . . . . . . . . . . . . . . . . . . . 9 Warner, Simon. . . . . . . . . . . . . . . . . . . . . . . . 24

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R E P R E S E N TAT I V E S , A G E N T S A N D D I S T R I B U T O R S − T H E A M E R I C A S / E D I T O R I A L C O N TA C T S 36

USA

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Editorial Contacts FILM & MEDIA

Katie Gallof, Senior Commissioning Editor katie.gallof@bloomsbury.com Rebecca Barden, Publisher (BFI books) rebecca.barden@bloomsbury.com

MUSIC & SOUND STUDIES

Leah Babb-Rosenfeld, Commissioning Editor leah.babb-rosenfeld@bloomsbury.com @333books

@BloomsburyMedia

@BloomsburyMus

bloomsburyfilmandmedia.typepad.com

333sound.com

Bloomsbury Academic

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This comprehensive digital library for global popular music brings together leading scholarship and interactive tools to hit the right note for research and learning within music and related disciplines.

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