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REVIEW friday, january 11, 2013
28 PAGEs
Landlord provides home to Richmond family in need Mother and three children to get fresh start in house for $1 per month by Martin van den Hemel Staff Reporter A local mom and her three children will have one less thing to worry about for the next six months after turning to Nova House in search of a refuge from domestic violence. Thanks to a generous local developer, who offered up a home he’s planning to demolish in six months, the family has a stable place to stay for just $1 per month. Furnishings at the home will be provided by Richmond Shares—a Richmond Women’s Resource Centre program that assists locals in need—while donations received by CHIMO, including bikes and bike helmets, will be provided to the family. Clive Alladin, of Balandra Development Inc., told The Richmond Review Thursday that he and his wife have long had a soft spot for victims of domestic violence. So during the Christmas holidays, it occurred to them that this home was sitting idle, whereas somebody could be using it. Alladin, who has been developing homes in Richmond for the past six years, reached out to Richmond Shares, who in turn connected him to the staff at CHIMO, who operate Nova House, a shelter for women and their children escaping violence in the home. “I can’t wait for somebody to get in there and make use of it,” said Alladin. “I hate to see it sit idle and not do anything.” Alladin said his company plans to redevelop the home and adjacent properties later this year, but those plans for making a subdivision could be delayed depending on the state of the real estate market, and if it continues to cool. See Page 4
Mark Glavina is hosting another life drawing marathon at Phoenix Art Workshop next weekend.
Artists, nude models to go the distance in Life Drawing Marathon Life drawing experiencing revival; artists prepare for Olympic-like feat by Matthew Hoekstra Staff Reporter
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marathon—a gruelling test of endurance—starts next Friday afternoon in Steveston. But instead of sweatbands and spandex, participants will be carrying pencils and paintbrushes.
Matthew Hoekstra photo Clive Alladin, from Balandra Development Inc., has donated the use of one of his Richmond properties for the next six months to a local family escaping domestic violence.
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Sandra Steier photo
The Phoenix Art Workshop is hosting a Life Drawing Marathon—25 hours of painting the naked human figure over three days. Nude models will pose in sessions ranging from 45 minutes to five hours, and props will set the mood of the marathon’s Dirty ‘30s theme. Artists will sketch, draw and paint models dressed—or in this case, undressed— as characters such as Charlie Chaplin, a vaudeville dancer, card shark, gangster
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moll and rum runner. Life drawing, as it’s known, is a long tradition in the art world that hasn’t lost its lustre. “There’s definitely a revival of this all around North America,” said Mark Glavina, owner of Phoenix Art Workshop. “We’re finding that there’s something to be said for the importance of that classical drawing and painting.” The human figure is the most drawn and painted subject matter in art history. Nothing else even comes close, said Glavina. For artists, the human figure continually offers new challenges. “It’s infinitely complicated in terms of muscle structure, body type, character,” said Glavina. “It’s always exciting and suitably challenging. If you can draw the human form, drawing landscape and still life are a little more academic.” Figure drawing can be gestural, impressionistic, classical or representational—depending on the artist and level of experience. And the marathon’s non-teaching format allows artists to develop skills while experimenting with different mediums. Glavina puts watercolour, oil and acrylic paint in his marathon toolbox, along with pencils and charcoal, while
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Life Drawing Marathon 2013 •Jan. 18 to 20 at Phoenix Art Workshop, 12211 First Ave. •Cost is $30 to $75 •Limited space; register by calling 604-448-1860 •More info at phoenixartworkshop. com
some participants are comfortable with drawing alone. Glavina approaches each of his works as an exercise, freeing himself of the pressure of producing. It’s something he also tells his students; once they’re finished with a piece they can throw it out if they so choose. For those signed up for the entire marathon, an endurance test awaits. Breaks are frequent, both for artists and models, but Glavina acknowledges after 25 hours of drawing, there are some sore bodies. “(Participants) said their work gets stronger and stronger as the weekend goes on, but their body gets weaker and weaker,” he smiled.
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