Othello Magazine

Desdemona was brutally murdered How and why?

OT LO Magazine HEL

The details about Cassio’s promotions

Othello’s story through and through. His rise and his fall.

Caitlin Basham

Natalie Maya

Raquel Curiel

Lucy Berggren

Four killed in complex scheme. Iago to face serious charges. 20

How the mighty have fallen. A highlight on the late Othello.

Welcome to Othello Magazine!

Hello citizens from far and wide! We welcome you to journey through the rise and fall of Othello: General of the Venetian Army.

At the start Othello rose to his position through an act of bravery. Later, he captured the heart of Senator Brabantio’s daughter; Lady Desdemona. And they were married. However, young love can only last for so long. The traitorous Iago killed many through his manipulation and obsession with becoming Lieutenant of the Venetian. Managing to convince the General to kill his wife. Iago is now on trial for his crimes with Four dead and Sir Michael Cassio as acting Governor of Cyprus. All happening the same week as the tempest and the Turk’s “attempted” attack on Cyprus.

This magazine is a Chaotic yet true retelling of the play Othello through articles written by: Caitlin Basham, Lucy Berggren, Raquel Curiel, Arianna Garza, and Natalie Maya. We hope you can enjoy the fruits of our labor, all 35 pages of it.

Natalie

Lucy B.

Raquel Curiel Arianna Garza

Caitlin B.

Why did they choose elopement?

Does love triumph over approval?

The Secret Wedding

The general Othello marries the love of his life

The Secret Wedding:

Ladies and gentlemen, do I have a juicy piece of gossip for you! Last night, I happened to stumble upon a secret wedding between General Othello and the beautiful and innocent Desdemona, and let me tell you, it was a sight to behold!

As an spectator to the secret marriage between Othello and Desdemona, I saw more than just the two lovers exchanging their vows. According to my sources, Iago and Roderigo were also present, but they seemed to be behaving questionably and creeping through the window. I overheard Iago whisper to Roderigo, "Call up her father, Rouse him. Proclaim him in the streets; incense her kinsmen, though he in a fertile climate dwell, plague him with flies.” Meanwhile, Roderigo appeared distressed, but his reasons were unclear to me. There's obviously something going on, and I'm determined to get to the bottom of it.

You may be curious to know why the two tied the knot in secret. Well, that’s the million dollar question, isn’t it? Some say it’s because Desdemona’s father, Brabantio, did not approve of their union. While others speculate that it’s because Othello is a Moor, and Desdemona is a white woman.

the senate that Brabantio remarked at Othello for his disapproval of this marriage “she is abused, stol’n from me, and corrupted by spells and medicines bought of mountebanks.” Despite the facts of their choice, Othello had “won his daughter” in an honorable manner. And as if that weren’t enough, right after Othello was going to have his first night with Desdemona, he received news that he had to leave immediately to lead his forces in defense of Cyprus from the Turkish fleet. That’s right, the esteemed general had to leave his new bride behind to go to war.

I couldn’t even imagine what Desdemona must have been feeling. Getting married in secret and then having your new husband whisked away to defend the country, that’s quite the turn of events. But you know what they say, love knows no bounds, and I’m sure Desdemona will stand by her husband through thick and thin.

So, my dear readers, join me in spreading the word about the juicy secret that’s just been discovered! The mighty Othello and his fair Desdemona have tied the knot in secrecy, and who knows what kind of drama this will cause in the future. Will Brabantio come after them? Will this news be used to manipulate and scheme by those who have discovered it? Only time will tell, but one thing’s for sure, keep your eyes and ears open because we’ll be sure to bring you all the juicy updates of this newlywed couple.

A New Lieutenant? Michael Cassio Rises in Rank!

I’ve received a statement from an anonymous witness who saw something interesting last night.

“I was taking a night stroll through the lovely streets of Venice when I heard a commotion. Seeing bright lights I followed them and saw a large group of people in fighting stances. It was General Othello and Senator Brabantio accompanied by a few soldiers.

Being late and dark it was hard to see everyone’s faces. However I was able to spot Michael Cassio, one of Othello’s close confidants. He appeared to be in A LIEUTENANTS UNIFORM. It seems he has received a promotion. Good for him! This is just the cherry on top for his career. But how did he get it?

Curious, I got closer and heard what they were talking about.

“O foul thief, where hast thou stow’d my daughter?.... subdue him at his peril” Said Brabantio to which Othello responded, “Where will you that I go to answer this your charge?”. Prison?

But then Cassio stated that the duke had sent for both Othello and Brabantio immediately. But why?

They started walking somewhere. Once again, I followed them. So much was happening. Othello married Desdemona? Brabantio accused him of Witchcraft. The Turks are going to Cyprus and Othello has to leave and stop him! But he just got back!?

I rushed home before I could be spotted but I couldn’t help but feel a pair of eyes on me as I left.”

More information on Michael Cassio and his career on page 7.

A Deeper Look: Michael Cassio

General Othello has finally made public his choice for the role of lieutenant. Michael Cassio, a young Florentine, has received the promotion. While many speculated that Ensign Iago would receive the title, The General stands solid in his decision. The promotion was made official this past weekend.

This new role denotes Michael Cassio as Othello’s second in command. This role is generally given to experienced soldiers; which lends to the intrigue as to the reasoning behind Othello’s reasoning, as well as the belief that Iago might have been better qualified. He’s served considerably longer under General Othello. On the other hand, Cassio has not had any practical military experience.

Michael Cassio, though young, has risen quickly through the ranks, and is highly respected amongst his peers. Iago, his competition for the position, can be quoted saying, “A great arithmetician, one Michael Cassio…”

Beyond his new role, Michael Cassio has a well developed reputation amongst Venetian high society. He had formerly courted Senator Brabantio’s daughter, Desdemona. The two ended the courtship amicably, and remain on good terms.

With tensions brewing with the Turks, all eyes now fall to the young Lieutenant. The Duke called for a Senate meeting late last night. We await further information,but one informant reports that General Othello will be returning to Cyprus with Cassio at his side. Will he be able to handle the responsibility? Or will it all come crashing down?

Strange Yellings In The Night At Brabantio’s House

to hear the two talking, brabantio from his window and rodrigo from the bushes. There are rumors of Rodrigo being desperate for the kind girl Desdemona for he is not ashamed and will confess his love for Brabantio's daughter in front of him. Even after Rodrigo's heartfelt message of how he feels about Desdemona, Brabantio says his daughter is

back? Stay tuned to find out more information with your most trustable source!

“not for thee”

The Expectation Of The Turks Attack and The Raging Storm

In 1570, General Othello won the battle against Cyprus, but as we have heard the Turks are planning and scheming. They have been expected to attack Cyprus very shortly and they presumably intend to suspend access to

The honest and yet trusted man Lieutenant Cassio has been elected to travel by Othello's side. Iago, one of Othello's friends, has been commanded to come along with them to protect and keep watch of Desdemona Othello’s newly wed.

the trading routes. Othello, who has been currently living in Venice, has been commanded by The Duke to return to Cyprus. The Duke explained how he could send “a substitute of most allowed sufficiency,” but he knows that “The fortitude of the place is known to him.”

The tragic reality is that, at this very moment the weather conditions are critical and the trip to Cyprus could end up in a disastrous turn out. Othello is following the Duke’s orders and is expected to leave right away, which risks not only his life but those who are traveling with him. This cyclone has been inching its way closer to their path and the people have been worrying if he will make it out alive. With General Othello's previous triumphs and successes we all have very high hopes in

OTHELLO HAS RETURNED!

Greetings Citizens of both Venice and Cyprus.

This tempest has struck an unwavering fear to the hearts of all. Tons of gallons of water rose from the sea and spun through our country like a tornado. It destroyed buildings on the waterfront, sunk cargo ships on their way to Cyprus, and flooded our streets for days. The people were in a constant panic, forced to stay inside due to that dreaded weather.

And yet, the storm has not sunk our soldiers' ships! Lady Venus has protected them and they have been spared by the high waters and harsh winds.

The people of Cyprus that had come to welcome Othello were confused when he was nowhere to be seen. They started to fear the worst.

However, to everyone’s relief, Lieutenant Cassio informed everyone that our General Othello had in fact arrived safe and sound to a port in Cyprus.

“He is not yet arrived: nor I know aught But that he’s well and will shortly be here.” Claimed the Lieutenant.

I am very proud to say there were no reported casualties.

After being welcomed, the General glanced through the crowd. Anticipation and slight worry was clearly shown as he paced a bit. Finally his eyes had stopped searching and a soft expression appeared. Following his gaze we soon saw Lady Desdemona, Daughter of Senator Brabantio, arrive by carriage. He was immediately comforted by the presence of his newlywed bride. She was who he was looking for.

It’s a blessing that everyone survived the storm. Well, everyone from Venice at least.

That is all the information we have currently but we will continue to update you in the near future.

May Venus bless you.

Here is a close up on the reunion of Desdemona and Othello. Their reunion was truly a sight to behold.

Once arrived, the General greeted his fellow soldiers. As well as Governor Montano, who seemed to be a good friend of his.

“O my fair warrior!” Yelled Othello, clearly ecstatic.

“My dear Othello!” Responded Desdemona.

Unrest in Cyprus: Brawl Amongst High Ranking Officials

On the eve of September 19th, a fight broke out amongst General Montano, former Lieutenant Cassio, and an unknown civilian. While celebrating the defeat of the Turks, several soldiers gathered to drink and revel before tackling the night watch. Michael Cassio was reported to have little control of his faculties, but still opted to take to the watch. One witness quoted him as saying, “I can stand well enough, and speak well enough.”

Moments after his departure, a cry arose from a civilian. While his identity remains unknown, he was cited as appearing distraught and bearded. He ran past General Montanto, hotly pursued by an angered Cassio. The General sought to end the fight, attempting to calm the inebriated Cassio. In his rage, Cassio lashed out and began a new fight with Montano.

General Othello then entered the fray, quickly ending the dispute. Cassio and Montano refused to give a report. Cassio has been quoted saying, “I pray you, pardon me; I cannot speak.” Montano stated that he was “hurt to danger” and suggested that Iago fill in Othello.

Iago, albeit hesitantly, informed General Othello of the evening's events, as we have reported here. It was at this point that the General made the formal decision to strip Cassio of his rank and title. Montano was escorted from the scene to have his wounds attended. Iago and Cassio remained on the site. Additionally, young Desdemona was roused by the parley and was briefly spotted. General Montano is recovering, and the damage should not have lasting impact. An uncertain future awaits the young Florentine. Whether or not Cassio will find a way to persuade General Othello to reinstate him remains to be seen. We cannot report on the state of the civilian, though eye witnesses say he seemed relatively unharmed at the time of his flight.

The civilian escaped, crying mutiny. Iago, who had been present the whole evening, attempted to stop the new fight. Witnesses say that he refrained from drawing his weapon, and opted to attempt to remind the gentleman of the time and place. It was during this, that Cassio managed to land a rather severe blow to the General.

“God’s will, lieutenant, hold! You will be shamed for ever.”

“Have you forgot all sense of place and duty?”

How to Get Your Job Back?

Michael Cassio was previously appointed as the lieutenant of Othello’s army, a position that he was proud to hold. However, during a night of celebration, Cassio got drunk and engaged in a flight with Roderigo. Unfortunately, this drunken brawl happened at a time when Othello was trying to maintain good relations with the local authorities, and Cassio's behavior was seen as inappropriate. Hence, Othello demoted Cassio from his position as lieutenant, causing him to lose his rank, his reputation, and his honor.

It might be difficult to know where to begin when attempting to reclaim a position after being demoted due to an embarrassing event. In Michael Cassio's case, he lost his reputation and position as lieutenant due to his drunken behavior, and he expressed his regret in Act 2, where he says, "Reputation, reputation, reputation! O, I have lost my reputation! I have lost the immortal part of myself, and what remains is bestial." Cassio could write a formal letter of apology to Othello by acknowledging his mistake and expressing his regret.

Before earning his position back, Cassio needs to first take ownership of his behavior and convey an expression of regret. He needs to approach Othello, his superior, and express his remorse and attempt to make amends. Cassio needs to improve his professional skills and understanding of his actions. In act 1, Scene 2, “Iago, I’ll do all my abilities on thy behalf”, Cassio is willing to learn and improve his skills as a lieutenant. He must demonstrate his willingness to make the sacrifices necessary to develop his abilities and become an asset to Othello.

One significant obstacle

Cassio may encounter is the difficulty of winning back the trust of his superiors. As Montano stated in Act 2, scene 3, “ The lieutenant tonight watches on the court of guard, First, I must tell thee, this Desdemona is directly in love with him”. This suggests that Cassio’s behavior has not only damaged his own reputation but has also impacted the perception of those around him.

Cassio must work on rebuilding his reputation. He needs to prove that he has matured from his past mistakes and is dedicated to being a dependable and responsible lieutenant. He can do so by demonstrating exemplary behavior in all his interactions with superiors and subordinates.

Cassio requests a meeting with those he has wronged, such as Othello, Roderigo, his fellow soldiers and apologizes in person.

As Othello tells Cassio in Act 3, “I have great pain to see you suffer; you have shown a goodly demeanor, that I highly commend”. He has to show that he is making efforts to earn back the trust and that he merits a second opportunity.

Cassio must be patient and persistent in his efforts to regain his position. It takes time to rebuild one's reputation and regain the lost trust. Even in the face of challenges and failures, he must keep on putting in an immense amount of effort, maintain his dedication and be optimistic.

In conclusion, while the road to redemption may be difficult, it is not impossible. Cassio’s story shows us that even after a mistake, it’s possible to regain one’s reputation and position through hard work, accountability, and a willingness to learn and grow. If anyone finds themselves in a similar situation as Cassio, remember to take responsibility for your actions. Seek out opportunities to improve your professional skills, and remain patient.

"Reputation, reputation, reputation! O, I have lost my reputation! I have lost the immortal part of myself, and what remains is bestial."

BUY! BUY! BUY!

getting ready for bed when I heard the loud cries of a woman. She came running through and continued yelling one thing over and over. “Help! Help-Ho! Help! The Moor hath killed my mistress! Murder! Murder!”

Her voice, distraught and cracking. The moor? She must've meant General Othello.

What’s White is Now Red

I rushed over to his chambers, shocked by the sight before me. It was the General’s wife, Lady Desdemona,, laid in her bed, lifeless.

She was perfectly intact, so how was she killed? Othello confessed, he strangled her. How cruel to kill such an innocent soul with your bare hands.

He is a monster.

But just then, Emilia revealed Iago’s sin. He caused Othello to believe his wife was untrue through false statements and manipulation of all parties. Jealousy is no cause for murder.

“O thou dull moor! That handkerchief thou speak’st of I found by fortune and did give my husband; For often, with a solemn earnestness, more than indeed belong’d to such a truffle, he begg’d of me to steal it.”

Iago clearly has been planning this for a while considering he knew just what would cause Othello to become insecure about his marriage.

Othello charged at Iago in anger but, Iago ran out. He stabbed Emilia as a distraction. I was appalled at the whole situation. And Desdemona’s family saw her in such a state. I couldn’t imagine the pain they must’ve felt.

I couldn’t bear seeing any more so I left. Praying the whole night for their safe passage to heaven.

I woke up the next morning to news of Iago’s trial for murder.

Citizens of Cyprus and Venice, I leave you with this: Do not make rash decisions before hearing the whole story. I wish you peace of mind, may Venus Bless you.

O Villainous: Four Dead in Complex Scheme

It’s been a tragic few days in Cyprus. General Othello has committed suicide. His recently wed, Desdemona has also passed, as has her friend Emilia. A civilian, Roderigo, was also slain.

On September 22nd, Governor Cassio was stabbed and seriously injured in a fight with a civilian. The civilian killed in the skirmish has been identified to be one Roderigo of Venice. Some speculation says he looks remarkably similar to the unidentified individual Cassio had been fighting not three nights prior, though these rumors remain unconfirmed.

This past eve, a cry went up from Emilia, the Lady in Waiting of Desdemona and wife of Iago. When authorities arrived on the scene, Desdemona was found dead in her bed and Othello confessed to being her killer, stating, “Nay, stare not, masters: it is true indeed.” The cause of death has been determined to be suffocation.

Shortly after Othello’s confession, Emilia was murdered by her husband, Iago. According to witnesses, Othello presented his reasoning for the crime, stating that Desdemona had been having an affair with Governor Cassio;

Continued from page 18

he then presented her missing handkerchief as proof of the crime. Emilia then went on to defend her mistress, despite the protests of Iago, informing the onlookers that “that handkerchief that speak’st of, I found by fortune and did give my husband…he begg’d me to steal it.”

After this confession, official reports state that Iago stabbed Emilia and fled the scene, leaving her to die by Desdemona’s side. Once Iago was apprehended, Othello and Iago were questioned and it was confirmed that they had conspired for the death of Cassio. Before the interrogation had proceeded, Othello did maim Iago, though the wound was not fatal.

Iago is to be taken to stand trial for conspiracy, first-degree murder, second-degree murder, aiding and abetting, and resisting arrest. Since the night of his arrest, he has refused to speak under any circumstances. His last recorded statement was,

Though reports conflict on how, Othello came into possession of a weapon and after a reportedly moving speech, he stabbed himself and died laying beside Desdemona.

It is a sad day in Cyprus and Venice. The dead have been attended to, and Governor Cassio has taken General Othello’s place in Cyprus. Iago awaits trial, and it is hoped that justice will be served swiftly. Respects to the dead may be paid to the friends and family of the deceased, as no official burial place has been established.

“Demand me nothing: what you know, you know: From this time forth I never will speak word.”

This article is a description of Othello’s success but also his downfall. In memory of Othello’s greatness we wrote a meaningful description of the person he once was.

Othello’s

Rise and Fall

Othello's :

death has been shocking news to us all and the gossip spreading around Venice and Cyprus has been running rampant. This is a time to set some things straight and to not only talk about Othello's rise to becoming a high-ranked general but his plummet to the very depths of the sea.

Othello was a man of great honor, who showed his loyalty and bravery through his accomplishments in battle. Though people thought of Othello as nothing but a moor he still proved to everyone around him that no matter the color of his skin he could still achieve greatness. A remarkable man who fought for his country and received the title of a great general was a hero to those who had little hope during the attack of the Turks.

The people of Venice praised Othello for his success in winning this bloody battle and not only the nobles but the senate. His skill on the battlefield was outstanding and the honor and respect received was greatly earned, but Othello’s greatness didn’t last forever.

The story of who Othello once was and who he is now..

With Othello being charged officially with the murder of his dear beloved newlywed Desdemona the senate would have had to take precautionary measures for him to stand trial, but shortly after the murder of Desdemona, he committed suicide. We all are caught in the wonder of why he would kill the love of his life, but we now have to face the fact of never knowing the reason.

With the devastation filling the entirety of everyone's hearts in Venice and Cyprus, we will now lie with the memory of Othello’s heroic deeds and his tragic downfall. With the request Othello has made we follow his word to “ Speak of me as I am; nothing extenuate, Nor set down aught in malice,” (Othello).

At the bottom of the sea lies the two lovers Othello and Desdemona. Leaving behind the world and forever being left in peace to lie together on the seafloor.

Speak of me as I am; nothing extenuate, Nor set down aught in malice,”

-Othello

Othello’s story lives on, and we will share both the achievements and mistakes

The fiery and fearless Emilia, who dared to reveal Iago's web of deceit, suffered a horrific death. Uncovering Iago's treachery, she bravely declared, "You told a lie, an odious, damned lie!" (Othello, Act V, Scene 2). However, her bravery ultimately proved fatal, a sad turn in this tragic event.

Othello died as a result of the significance of his actions, overcome with regret and despair. In his final moments, he whispered, "Killing myself to die upon a kiss" (Othello, Act V, Scene 2), a haunting farewell to a life that had crumbled before our eyes.

In the end, Cassio's meteoric rise to power was overshadowed by the devastating consequences of jealousy, manipulation, and unchecked passions. It acts as a warning to everyone, reminding us that when power is abused, horrible results can result.

Cassio's Unexpected Rise to Power

As the respected nobleman Lodovico reveals the shocking information to our unprepared Cassio, the tension is intense. With a gleam in his eye, Lodovico dramatically declared, "You are welcome, sir, to Cyprus. Goats and monkeys!" (Othello, Act V, Scene 1). Who would have imagined that the beloved Cassio would reach the prestigious office of governor.

A terrible and twisting turn in the action occurred just as Cassio was beginning to feel secure. Iago, that conniving troublemaker, set a diabolical plan into motion. Fueling Othello's jealousy and suspicion, Iago cunningly manipulated the truth to sow discord and despair. The tension reached its breaking point, and the consequences were catastrophic.

Othello had been tormented by his own demons, he cried moments before, "It is the cause, it is the cause, my soul!" (Othello, Act V, Scene 2), tragically killing his wife Desdemona.The love that once bloomed between them was now tainted by doubt and betrayal.

Iago's Trial

As many of you know Othello, Desdemona, and the defendants wife Emilia have been found dead. All bodies were found in the bedchamber of Othello and Desdemona. Emilia was Desdemona's close friend and attendant. All three victims were found lying next to each other on the victims bed.

Following the incident a man from Othello's own army is convictected of the crime. His name, Iago otherwise known as “honest Iago '' has committed the worst crime of all, Murder. Not only the murder of his bestfriends Othello and his wife Desdemona but his own wife Emilia. During his trial it can be stated that iago's last words to othello after the murder were

Demand me nothing. What you know, you know. From this time forth, I never will speak word.”

All witnesses of the trial stated that Iago spoke not one word for the entirety of the trial. He wasn't able to defend himself during his trial and the prosecutor had a lot of evidence against him. With no words said by iago the judges took his silence as him agreeing to his sentence and punishment. He was taken away to face his punishment and was later on sent to jail to suffer for many years to

Caitlin B. Reflection

The 1995 cinematic adaptation and the 2007 RSC adaptation of William Shakespeare’s Othello are equally fascinating with different strengths and weaknesses. While telling the same story, the two manage to achieve different effects on viewers. The acting, staging, scope, and interpretations lend themselves to this.

The most potent example can be found in the portrayal of the character Iago. Kenneth Branagh’s version of the character is quiet and carefully spoken, lending well to the “honest Iago” impression his peers have. Tim McInnerny’s version was brash and brazen, often coming across as degrading. While I appreciated the power and experience behind McInnerny’s Iago, I struggled to believe that this was someone people could trust and felt safe around. A central piece of Iago’s ability to manipulate comes from people’s unwavering faith in his goodness. Branagh did an excellent job drawing characters and audiences alike in and leading them in his schemes.

Another great character trait example is demonstrated by Irene Jacobs and Zoe Tapper in the role of Desdemona. While Irene Jacobs was very consistent and intentional with her characterization in the cinematic version, Zoe Tapper’s Desdemona felt more believable and more true to the character. Tapper believably portrayed the high society, strong willed woman that Desdemona needs to be, while carefully interweaving her naivety. Jacob’s version of the character lacked the ability to take up space and command respect.

To contrast the mediums, we can first look at scope. The theatrical production was limited to what can be placed in a confined space. Through this, they were able to create a very intimate environment that really welcomed the audience into the world. Having Iago able to speak directly to individual people helped the audience feel connected to the story, and since everyone was so close to the action, it was hard not to feel swept up in the action. On the contrary, the cinematic version allowed us to go beyond the individual characters and experience the world around them. Seeing the landscape of Cyprus and the streets of Venice immersed the audience in a different way, welcoming them into the lives the characters inhabit.

Another strength of the cinematic version was Iago’s soliloquies. Branagh spoke directly to the camera and brought his voice down. This choice as an actor and director led the audience to feel like they were being let in on an intimate secret. Contrastly, McInnerny’s soliloquies had to be projected out to a large group in a large space, which reduced the feeling of importance viewers might have.

All in all, I really appreciated both versions of the story. The emotion and intrigue of the theatrical version felt like an experience. The careful construction and flow of the cinematic version kept me on the edge of my seat. I will note that the stage version felt much more like an adaptation meant to please Shakespeare, and the film felt like an adaptation meant to please the audience. The subtle variations had a profound impact on the narrative as a whole.

Raquel C. Reflection

There are several versions of othello, but two are referred to the most often. One of them being the 1995 film version of othello and the other being the globe stage version. The differences between both can vary from the actors' depictions of the characters to the visual elements such as the cinematography and set design.

In the 1995 version of Othello the actor for desdemona (irene jacobs) portrays desdemona differently from the globe stage. In the movie Desdemona does not defend herself and accepts every punishment that she gets thinking that she deserves it and wouldn't second guess anything that Othello would do to punish her even death. In the globe stage desdemona (Zoe Tapper) portrays her as a confident and independent woman. She is well spoken and knows that she is her own individual until the film version where she is attached to othello.

Iago (Kenneth Branagh) is portrayed as a more trustable character in the movie compared to the global stage. His movements and his diaglege are more soft spoken which for the viewers would find more appealing and would make the viewer trust him. Iago ( Tim Mclnnerny) makes his character more brash and cocky which makes him seem more full of himself and not trustable.

Othello ( Lawrence Fishburne) also seems more soft spoken and very confident in who he is and his position. Othello ( Eamon Walker) seems to talk back more and have a certain attitude when talking to characters. For example othello talking to brabantio in the globe stage version, othello answers all of brabantio's questions and accusations with an attitude like he knows exactly what he's talking about with confidence.

In the film the director makes the setting a source of symbolism, for example in the film (scene five act 2) desdemona is shown in a white gown and surrounded by white bed sheets. This was set to represent desdemona purity and her innocence. The globe stage was set differently because it was in a theater so close up shots couldn't be made. The setting had to be seen by all of the audience so specific settings like the strange callings at brabantio's house were acted out in broad daylight.

In conclusion both the 1995 film and the globe stage performance are good in their own way and both highlighted different aspects of the film. Although all characters were very different compared to each other I think both did a really good job in representing their character.

Natalie Reflections:

TheGlobestageandthefilmadaptation offeruniqueinterpretationsofthecharacters,with theGlobestagerelyingonphysicality,vocal delivery,andstagepresence,whilethefilmuses close-upsandeditingforsubtlenuancesand expressions.Theactorsperformonastage, surroundedbytheaudience,enhancingtheintimate connectionbetweenactorsandviewers.Incontrast, thefilmadaptationtakesadvantageofcinematic techniques,showcasingdetailedsets,breathtaking locations,andintricatecostumedesigns. BoththeGlobestageproductionandthe movieadaptionplaceastrongemphasisonthe powerandcharmoftheconversation.Thedelivery andusageofthelanguagedovary,though.The Globeproductionadherestotheoriginaltextand appreciatesthesubtletiesofShakespearean language,incontrasttothefilmadaptation,which regularlymodifiesthedialoguetomakeitmore accessibletocontemporaryaudiences.TheGlobe stageperformancereliesoninventivepropuseand straightforwardsetdesigns,incontrasttothefilm version,whichusescinematicmethodstoboost storytelling.Byutilizingclose-ups,cameraangles, andediting,thefilmvisuallyunderscoresthe characters'emotionsandtheintensemoments.In ordertocapturethedepthofemotionandconflict feltbybothOthelloandIagoinwhichthedirector OliverParkerusedarangeofthesecinematic techniques.Forinstance,thecontrastbetweenlight anddarknesscouldstandinforOthello'sinner conflict,representinghisdescentintojealousyand madness.Byencouragingviewerstoactively participateinthecreationofthestory'svisuals,the Globeproduction,ontheotherhand,emphasizesthe valueofliveperformance.

In the dream sequence of Othello, the director uses an assortment of cinematic approaches to convey an unusual and alarming scene that mimics Othello's inner torment in the dream portion of Othello. An example worth highlighting is the scene where Othello envisions the unfaithfulness of Desdemona. The strategic use of dim lighting, shadows, and angles amplifies the feeling of discomfort and paranoia, enabling the audience to sense the disturbed state of Othello's mind. It is noteworthy that the handkerchief, a significant emblem in the play, also receives special attention from the director. The camera focus is trained on the handkerchief, elevating its importance to a visual centerpiece throughout the film. While Iago's soliloquies are effectively shown through cinematography, highlighting his cunning personality and complex motivations. For instance, the director uses close-ups that are quite near to Iago's face to capture his smirks and cold looks during the "I Hate the Moor" soliloquy. Additionally, the director emphasizes the contrast between light and darkness, which stands in for the concepts of innocence and corruption, using visual images. Scenes taking place in Desdemona's quarters are often set with warm, gentle light, signifying her innocence and purity. Iago's plans and deceptions, however, are frequently depicted in situations that are dark, emphasizing the darkness and deception that surround him.

Natalie Reflections:

KennethBranaghplayedtheroleofIagoin the1995movie,andhisinterpretationofthe characterisdistinguishedbyhischarismaticand cunningpersonality.Branaghcapturesthedeceiving appealofIago,captivatingtheaudiencewithhis expressivefacialexpressionsandtrustworthy presence.Iago'ssoliloquyinActI,sceneIII,where heconfesseshisintentionsandschemes,isone significantsequencethathighlightsBranagh's meanings.Iago'scunningnatureandthedepthofhis greedarewellconveyed.Hisabilitytoswitch betweengenuineemotionsandcalculateddeception giveshimdepth,whichincreaseshisappealand insecurity.TimMcInnerny,ontheotherhand, approachesIagoinadifferentway.McInnerny's performanceemphasizesIago'sevilandthepridehe takesfrominflictingdisaster,leaningtowardamore obviouslynegativecharacterdevelopment.Hisbody languageandfacialgesturesconveyafeelingof happinessanddespairthatperfectlycapturesthe character'sdelightinhisownschemes.WhileIagois showntobeamanipulativecharacterinboth interpretations,Branagh'srepresentationhasa strongerfocusondetailsandcharisma,while McInnernyportrayalismoreblatantlymalicious. LawrenceFishburneplaystheroleof Othello,andEamonnWalkerplaystheGlobestage. LawrenceFishburne'sinterpretationofOthellois distinguishedbyhisstrongpresenceanddeep emotions.Othello'simportanceasarenowned militaryleaderiscapturedbyFishburne'snobility andauthorityintheroleheplays.Othello'sspeechin ActIII,sceneIII,whereheconfrontsDesdemona aboutthehandkerchief,isamajorhighlightof Fishburne'sportrayal.Othello'sbattlewithjealousy andthelossofhissanityisshownthrough

Hisphysicalpresenceandvoicerangeperfectly portrayOthello'sdevelopmentfromacool-headed andconfidentgeneraltoatormentedandtragic figure.Bycontrast,Othello'sawarenessand emotionalissuesarebroughtoutinEamonn Walker'sportrayaloftherole.Othello'sinner struggleandweaknessarecapturedbyWalker's intenselypassionateandhonestperformanceinhis role.Hisportrayalcapturestheprotagonist'sascend intolustandinsanitywithafeelingofgenuineness andrawness.Whilebothperformersprovide Othello'scharacterdepth,Fishburne'sdelivery emphasizestheunfortunatehero'sdownfallfrom authoritywhileWalker'sinterpretationplacesmore emphasisonthecharacter'spassionandhumanity. People are introduced to a wide range of viewpoints and feelings by observing diverse performers portray Othello, Iago, and Desdemona, which influences our ability to interpret the play's themes. These variations offer an opportunity to explore the depths of personality traits, the impact of manipulation and jealousy, and the fragile nature of loyalty and affection. These variations present fresh perspectives and interpretations, enriching the entire experience and expanding our knowledge of the narrative's complexities. They serve as a reminder that Shakespeare's works are dynamic and open to new interpretations and innovations, allowing us to continually examine and reevaluate their enduring themes.

Fishburne'sdeliveryofthelines,whichmixes

Arianna G. Reflections:

Othello is a Shakespearean play with themes of jealousy and manipulation. This story has been performed theatrically as well as cinematically.

The set of the theatrical performance has a permanent layout. You really have to use your imagination because of the lack of background changes. Whereas in the film, the director gives each scene a different location: that way it’s easier to understand where the characters are and help with context.

In the play, Othello’s dreams/visions are shown rather than described. It is so you can see why he reacts the way he does, letting you see inside his head. Just like when he sees Desdemona having an affair in his mind.

Speaking of shown; the cinematography of the movie gives more insight on each character.

For Othello, it shows him being romantic and friendly with everyone and yet still keeping his image as a strong leader. He shows affection to Desdemona but then strips Cassio of his rank, giving his chartacter roundness and versatility. In the play we don’t see that side of him. He is shown to just be cold and unattached from his colleagues.

Othello is a Shakespearean play with themes of jealousy and manipulation. This story has been performed theatrically as well as cinematically.

The set of the theatrical performance has a permanent layout. You really have to use your imagination because of the lack of background changes. Whereas in the film, the director gives each scene a different location: that way it’s easier to understand where the characters are and help with context.

In the play, Othello’s dreams/visions are shown rather than described. It is so you can see why he reacts the way he does, letting you see inside his head. Just like when he sees Desdemona having an affair in his mind.

Speaking of shown; the cinematography of the movie gives more insight on each character.

For Othello, it shows him being romantic and friendly with everyone and yet still keeping his image as a strong leader. He shows affection to Desdemona but then strips Cassio of his rank, giving his chartacter roundness and versatility. In the play we don’t see that side of him. He is shown to just be cold and unattached from his colleagues.

Each piece represents a different character in Othello. The Black King represents Othello, the White Queen represents Desdemona, and the white Knight is Iago. He places the white knight in between the King and Queen to foreshadow that he will split them up.

Arianna G. Reflections pt.2:

Later in the film he flicks the king and queen into water floating apart. But, at the end, they are released into the ocean together, showing how Iago wasn’t able to stop them from being in love.

Which Iago do I prefer? I have to say that I prefer Kenneth Branaugh’s portrayal of Iago in the movie version. He seems more likable than Tim Mcinnerny’s version.

In the theatrical performance, Tim plays a harsh, bold, rude, and loud man. Someone like this could not have as many people confiding in him as Iago’s character should. The movie gives Iago a calm voice and sensible deliverance of statements. He gives great advice and relaxes people, just like Iago’s character should do. It just makes the reveal and betrayal even more shocking and painful.

I like the portrayal of Othello done by both Laurence Fishbourne and Eamon Walker for different reasons. On one hand, Laurence Fishbourne shows him as being in love and happy, as well as a dutiful General. Yet after Desdemona is dead he has little expression, and his emotions are held in causing him to look dejected instead of remorseful.

On the other hand, in Eamon Walker’s version he commands the room and you can definitely tell he’s a powerful general, but he has a barrier between him and his fellow soldiers. Though, when Desdemona died in his version, he screamed and cried, remorse and pain can be not just heard or seen, but felt too.

There is a clear winner on who plays the better Desdemona. Zoe Tapper. I loved her portrayal of Desdemona. It is exactly what Shakespeare imagined when creating her character. She is strong, independent enough to keep her composure and defend herself, and overall believable as being a real person.

Irene plays a submissive wife which makes sense for the time period but not the character itself. The film chose to keep her as what is expected of all wives at the time without thinking about Shakespeare’s thoughts on her. While she does a great job with her role Zoe does a better job at keeping it close to the original portrayals.

These two variants of Shakespeare’s Othello have given me much more insight on the characters and themes than just reading the script. My interpretation of the Play Othello is that the theme or moral of this story is to always do a fact check. Blindly trusting others without doing your own research can have dire consequences.

(Get it? Dire consequences?)

Anyway, they have influenced my understanding of Othello by showing how the characters react and interact in different ways and in different situations.

Lucy Berggren’s. Reflection:

Throughout history, Othello has been presented theatrically, cinematically, and as a modern film. The visual element given in the cinematic version of Othello really changes perspective, and allows us to see things differently. They have the ability to tell a beautiful or traumatic story, and one example would be the play Othello. The visual elements of Othello (the movie) changes our perspective and allows us to see things differently. The ways people can use a camera allows depth to the characters and impacts us in a variety of ways, but live theater is different. Theater is a fun, raw way of performance, and it has a powerful impact on the audience in a diverse way.

Iago, a character of mischief, has soliloquies speaking to the audience breaking the fourth wall. This allows the audience to feel connected as if he was actually speaking to the masses. The way the theatrical version displays these scenes comes from a different angle as the actor Tim McInnerny needs to project because the Globe Theater has no mics. McInnerny takes a more rash approach, making the audience not like him as much.

Cinematically the camera allows for a closer effect, and Iago played by Kenneth Branagh takes a calmer approach with his voice. In this version he does a very good job by coming across as calm and caring, and as everyone says “honest” Iago. He unfolded his inner thoughts giving an effect varying from theatrical performances. His development is more intricate and with the power the directors and camera men have, allowed us to get drawn into his schemes, and the plotting of his little seeds of doubt in Othello's mind.

Othello, a man of many words, is a difficult role to carry. However, both actors (Lawrence Fishburne and Eamon Walker) had significant differences that made it hard to choose between the two.

Fishburne was calm even amid his ultimate downfall but carried the confidence a high ranking general should have, but Walker was more defensive in his actions and showed the frustration of his plummet to the depths of despair. If you could take the calm confidence

Othello had in the film and the frustration and despair Walker showed in his portrayal, I think we would have the best of both worlds (not trying to quote Hannah Montana but here I am).

Lucy Berggren. Reflection: pt2

Now Desdemona is an innocent and confident young woman and straight off the bat, I’m going to say that I loved Zoe Tapper's theatrical take on Desdemona. This is because she displayed the strong virtues of a woman who knew she never wanted to be pushed around. She fought for her life when Othello suffocated her and that scene from the stage was more powerful than in the film. Irene Jacobs portrayed Desdemona as an innocent and submissive young girl, but that's not exactly how she is described in the play. Though the movie did a great job visually by creating the darkness and tension in the room while Othello did his monologue before killing Desdemona, they didn’t show how relentless she was with fighting Othello to save her life.

The visual elements given in the cinematic version of Othello change our perspective and allow us to see things differently, but the real-life experience of sitting and watching people on a stage or images on a screen keeps us tied into another world.I ultimately could never choose one or the other, because both live theater and movie theaters offer two different experiences. Those experiences allow us to explore the vast world through our thoughts, feelings, and emotions. As a result we can walk into a theater to watch a musical and buy tickets to see a movie, enjoying both theater and movies all in one.