Internship Portfolio (BArch Year IV)

PORTFOLIO

CIRRICULUM VITAE

DATE OF BIRTH

2060-04-24

CONTACT NUMBER

9865211100

E-MAIL

binisha.077.arch@gmail.com

ADDRESS

Permanent : Hetauda

Temporary : Rampur roadChitwan

SOCIAL

Behance: Binisha Raut

Binisha Raut

PROFILE

I am currently pursuing Bachelor in Architecture with a passion for transforming spaces into captivating stories. From the balance of lines on paper to the dance of light and shadow, architecture, for me, is not just about structures; it’s about weaving narratives. I am trying to take my design to a point where innovation meets practicality, and where my love for design meets the needs of the people who will inhabit these spaces.

EDUCATION

Bachelors In Architecture

Chitwan Engineering Campus/Chitwan/May,2020 - Present

Higher Secondary School

Hetauda School Of Mamagement/Hetauda/Apr, 2017 - Dec, 2019

Schooling up-to 10th

Baljagriti English Secondary School/Hetauda/Apr, 2005 - Apr, 2017

DRAFTING

AutoCad

Revit

MODELING

Sketchup

Revit

RENDERING

LANGUAGE

NEPALI(NATIVE)

Photoshop

Enscape

ENGLISH (FLUENT) OTHERS

I HOPE TO CONTRIBUTE TO YOUR FIRM THROUGH A POSITION WHICH ALLOWS UTILIZATION AND CONTINUAL GROWTH OF MY SKILL IN THE FIELD OF DESIGN AND SPACE MAKING.

Indesign

Ms Office

COMPETITIONS

» United Tech Fusion 2080 (Project Demonstration)

» “The Talk Room“ by HEX (Participation)

EXPERIENCES

» Social Media And IT Head (Sangraha, SARS)

CONCEPTUAL IDEAS

ORIENTATION

As the site was located in Bharatpur-4, a sub-tropical region, climate was very crucial factor while designing. Through proper orientation , my goal was to create a house which is responsive to the climate.

TRUE TO MATERIAL

Although brick has been used for millenia as a very basic material, I intended to demonstrate through this project that it can still be used in new and innovative way.

“SOLIDITY WITH OPENESS”

“RIGIDITY WITH VERSATALITY”

By uisng perforated wall in front facade, my objective was to balance the desire for natural light with needs for privacy and security.

FIRST

GROUND

In the heart of Bharatpur-4, where climate dictates form, each facet of this residence becomes a canvas for innovation. Oriented towards the challenging West, the facade orchestrates a dance of raw and perforated bricks, balancing thermal efficiency with aesthetic appeal. This design narrative seeks equilibrium – a delicate interplay between solidity and openness

01. ECO-LUMINA HUB

CONCEPTUAL IDEAS

HARMONY IN DIVERGENCE

The design was for the community library where people of all age group can interact and facilitate themselves. So by contrasting rectangular and circular form, i tried to symbolizes the harmonious coexistence of opposing forces ,a tribute to duality and the balance.

INTEGRATION OF NATURE ; CREATING ECO HUB

The circular courtyard in the middle was designed to be a flexible space,where people can sit and read .Also, it helps utilizing natural light,as the site is located in Bharatpur (abundant in daylight during summer season). Also it helps to make the landscape present and visible throughout the building.

CONCAVE ROOF FOR LIGHT PENETRATION

The middle part of the building is lowered to bring more light into the central spaces. The upper floor of the building was greater in height, so it could disrupt the light coming in the courtyard space. By lowering the roof in a direction to courtyard, it allowed the penetration of more natural light. Also, the part where the roof is lowered is used as an circulation space.

MASTER PLAN

Where rectangles converse with circles, stories unfold in courtyards, and connectivity becomes a masterpiece in harmonious design.”

LEGEND

1. ENTRANCE

2. LOCKER ROOM

3. ISSUE SECTION

4. PHOTOCOPY AND COFFEE

5. CATALOUGES

6. MAIN STACKS

7. SEATINGS

8. PERIODICAL STACKS

9. TOILET

10. CHILDREN SECTION

11. CAFETERIA

12. STAIRS

13. COURTYARD

14. COMPUTER ACCESS

15. ART GALLERY

16. PRIVATE STUDY ROOMS

GROUND FLOOR PLAN

FIRST FLOOR PLAN

NORTH

EAST

A dynamic oasis blending literature and life. An architectural balance where the pages of books flutter beneath the open sky, the community’s stories resonate, and the whispers of knowledge intertwine with the laughter of children. A timeless space, crafted for serenity, learning, and the harmonious dance of ideas.”

CONCEPTUAL IDEAS

“Without a front or back , the space is free.“

The circular amphitheater invites people for open engagement and will serve as a viewpoint.

Skylight are punctured through the amphitheater, embracing the greens and allowing natural light to penetrate into the pavilion.

The building material is mainly concrete to represent the shape, volume, and dynamics of the building clearly curve lines, of 12m radius, where visitors can walk and climb around. When visitors experience this pavilion, they feel at ease,that they feel conviviality. We introduced a circular interior glass space that is embraced by a concrete circular amphitheater and a green circular ramp like structure as a design element. The building as a whole represents a loop of memories and social interactions the pavilion is going to serve. Without a front or back, the building is free.

A canvas of concrete, where curves tell stories, and every corner resonates with the collective hum of meaningful conversations. The dynamics of light, materials, and purposeful space, for this is more than a structure – it’s an architectural ode to conviviality, memory, and the art of shaping human connection.”

CONCEPTUAL IDEAS

“ARCHITECTURE INSPIRED BY THE NATURE ADJACENT TO ITS SITE“

The site situated in khairahini,was a farming land surrounded by small water resources on and off the grid.So I intended to design a structure influenced and shaped by the natural elements around the site.By creating a harmonious integration between built environment and natural context,I aspire to create a living experience that resonates with calming and timeless allure of flowing water.

After mimicking the movement pattern of the water, mirroring the graceful curves, my next step was to create a separate pedestrian flow and circulation network.

To eliminate the dogma of vehicular congestion, a central pedestrian zone is created to cater the primary movement .

In the next step, I divided the programs into four different segments where each block would mold the character of water in different elements. Some in roof, other in form or facade

For form development, I tried connecting roofs of stadium and multipurpose hall creating a covering for the plaza where people can rest and wait.

The connection between roofs is created by using a transparent material that will allow penetration of light and will create a resonance to wave form.

"MULTIPURPOSE"

SECTION S-S (SECTION FOR STADIUM)

SECTION M-M (SECTION FOR MULTIPURPOSE HALL)

SECTION S1-S1 (SECTION FOR SWIMMING BLOCK)

Each structure, a tribute to water’s diverse elements—some in form, others in facade. Roofs connect, creating a sheltered plaza, where light penetrates like gentle waves. This is more than design; it’s a symphony of nature and architecture, where every line echoes the calming flow of the surrounding waters.”

Architectural echoes reaching new heights !

Amidst the majestic Himalayas at 4500 meter, concrete structures stand as resilient testaments to human ingenuity, harmonizing with nature’s grandeur. In this high-altitude valley , where mountains meet modernity, each dwelling narrates a story of design conquering peaks.

LOCATION : Kyanjin Gompa Valley

LIGHT AND SHADOW

As the sun sets behind the mountains, it’s like nature’s way of saying goodnight to the world. It’s a simple yet beautiful reminder sunset tells a story of another day gone by.”

LOCATION : Langtang Village

reminder that even in the quiet moments, there’s a special connection between the mountains and our homes, where each

SACRED AND WILD

“Amongst mountain realms, where temples reach for the heavens, the sun’s warm hug becomes a divine offering. In this ancient

ancient embrace, nature finds peace in sunlight’s gentle touch, weaving a beautiful balance between the sacred and the wild.”