Artistonish - December 2020 | Discover the Artist Media

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Issue #5 December 2020

Untitled | W:150.00 H:150.00 cm | by Yoel Díaz Gálvez | AW127357174

published by

Contemporary Art Magazine

Artistonish M a g a z i n e

Issue #5 December 2020 December - 2020

artistonish.com/december2020

powered by

b i a f a r i n . c o m

Artistonish Magazine

Code:

MGZ102468741

Link:

https://www.artistonish.com/december2020

Date:

01-Dec-2020

Publisher:

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Artistonish - December 2020

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Body- eld n.1 Painting, Oil Color on Canvas W:100 H:120 D:2 cm 2017 Ant onio Ve cc hio

Body-fields are oil paintings on canvas made in a series of 4 (plus one piece in making).

These paintings are, to some extent, inspired by the style of painting and sculpture of the fifteenth and sixteenth centuries of Italy and more contemporary visual images. In addition, the pleasant method of twentieth-century avant-garde European painting has inspired these paintings as well. The image of tangled and overlapping bodies is my personal understanding of contemporary human emotions. These images are not just figures, but also decorative and expletive elements from which I benefit as graphicpainting textures to expres...

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Body- eld n.2 W:100 H:120 cm 2017

Ant onio Ve cc hio

Body-fields are oil paintings on canvas made in a series of 4 (plus one piece in making).

These paintings are, to some extent, inspired by the style of painting and sculpture of the fifteenth and sixteenth centuries of Italy and more contemporary visual images. In addition, the pleasant method of twentieth-century avant-garde European painting has inspired these paintings as well. The image of tangled and overlapping bodies is my personal understanding of contemporary human emotions. These images are not just figures, but also decorative and expletive elements from which I benefit as graphicpainting textures to expres...

AW127908690

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Forbidden W:80 H:50 D:1 cm 2010 - 2018 IN SITU (SERIES) Franc is Malapris

When the body gets lost in the scenery, the mind wanders in a universe as vast and intimate. The object in this series is the presence per se. Many times when consciousness fades to abandon the dream. The questioning here is about the direct environment, society and its construction, ie the measure of the consistency of the people's place in context. The decisions, constraints and desires dictate our actions until we loose an unconscious stupor that invites us to absence. This escape is sometimes unconscious reaction, sometimes desired. It inspires either daydreaming or pain with the exploration of repressed feelings or fears. In these images, even ...

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Chatting Painting, Acrylic on Paper - Cotton W:100 H:70 D:3 cm 2018 Shaim a Die f

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Hidden face of Eve II Painting, Acrylic on Canvas W:35 H:70 D:3 cm 2017 - 2018 Shaim a Die f

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Sel sh Love Sculpture, Construction Sculpture Technique on Aluminum, Granite Stone W:100 H:210 D:68 cm 2018 H ars ha Vardhan Durugadda

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BOUND Painting W:100 H:120 D:4 cm 2017 Le ily De rak hs hani

This idea is mainly a reply to my constant concern about the women in my country which have not been considered for long years.

Despite their essential role in home as well as in society.

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BOUND Painting W:80 H:80 D:4 cm 2016 Le ily De rak hs hani

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Ruderal 5 Painting, Oil Color on Board - Wood W:200 H:120 cm 2016 J ans e l Figue roa

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from In Each of Us series Sculpture, Mixed Media W:120 H:200 D:50 cm 2017 Yaros law Borodin

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from In Each of Us series Sculpture, Mixed Media W:120 H:200 D:50 cm 2017 Yaros law Borodin

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Rebirth of the Reds - Part 1 Painting, Mixed Media on Silver W:55 H:70 cm 2017 Mohs in Taas ha

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Rebirth of the Reds - Part 2 Painting W:17 H:27 cm 2018 Mohs in Taas ha

“Red” once de ned the color of Passion, Love, Hate, Sigh, Vine or Blood has no more its previous de nitions and meanings for him since it’s become his everlasting artistic companion and the sign and the linking thread of his new works; it has actually become the essence of his own presence in a world of his own.

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I am an earth tremor Drawing, Pen-Ink Drawing on Paper - Cotton W:38 H:38 cm 2019 Maria O ss andon Re c art

Maria Ossandon's work consists of the collection and reconstruction of broken Chilean earthenware, especially reconstructions of broken fragments of the Willow de Lozapenco plate, a plate widely used in Chilean homes between the sixties and nineties, where the reason is a landscape that alludes to both Europe and southern Chile.

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Caged Photography on Paper W:30 H:30 cm 2014 Ac hraf Baz nani

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Consolation Photography on Paper W:30 H:30 cm 2016 Ac hraf Baz nani

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Untitled Painting, Acrylic on Canvas W:80 H:100 cm 2016 Maryam Moghadam

Since my artworks are all human gures, especially women who are drawn in expressive position, I always pay attention to different states of the body. This work is a free deduction of a picture. I'm not starting with my original sketch. From the very beginning, I am trying to get the overall style of my mind with free coloring and rapid brush stroke. When it comes to the acceptable level, I will start deleting and adding to reach the exact position and gure. Finally, I add lines.

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Untitled Painting, Oil Color on Canvas W:150 H:150 cm 2018 Yoe l Díaz Gálve z

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48°22'02.9N 24°29'47.9E Drawing, Ink Painting on Paper W:150 H:166 cm 2018 Glib Frank o

"Antipodes, balance, walk on the golden line", is a self-exploring, an experiment accompanied by a technological speci city of the material. In this way, I'm talking about the balance of values, a certain "golden" way. Inspired by the wanderings, it is an abstract vision of a particular location. The names of works, in fact, are not random numbers, but the geographical latitude and longitude of the place where the work was created.

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Self Unbound Painting, Oil Color on Canvas W:24 H:48 in 2019 Yue Li

In uenced and inspired by Chinese culture, I reimagine the Chinese zodiac animals to represent social complexities and re ect people’s daily lives metaphorically. The zodiac animals are given new meanings and presented in a contemporary way. My art speaks for me and my people, re ects lives, reveals problems, questions the so-called truths, and makes people face social issues for a better society.

There is no answer given in my works. Instead, I re ect social phenomenon and point out some potential problems that may need to be xed. I want the viewer to discover the answers for themselves.

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Light Painting, Acrylic on Canvas W:50 H:50 cm Corrie van de r Wat h

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Untitled Mixed Media, Mixed Media on Canvas W:72 H:120 D:1 cm 2020 Corrie van de r Wat h

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Corona Augustus Painting, Oil Color on Canvas W:50 H:60 cm 2020 Be at rice Bobs t

During these troublesome times, I’ve used the medium of painting as a way to exorcise negativity.

Inspired by nature, I considered the case of the Semper Augustus, a renowned kind of tulip during the seventeenth century in the Netherlands. Its bulb, infected by the Potyvirus, in full blooming showed beautiful colored streaks on the petals.

The negative but not totally destructive essence of the virus had eventually enhanced the tulip, renovating it into a unique variety.

Will this be our future? Will we manage to improve ourselves once the pandemic is over?

Encouraged by nature, will we be able to comply with the times and be conscious of the importance of collaboration?<...

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Untitled n. 018 from White Noise series Painting, Acrylic on Canvas W:70 H:70 D:1.50 cm 2019 Se bas t iano Salle m i

"White noises are compared by analogy to white light, as the latter, in fact, is the sum of all the colors of the iris, so a white noise is the sum of all possible frequencies; it is a sound capable of eliminating acoustic disturbances, allowing the listener to calm the mind and body". The work presented is part of the series of works entitled “White noises”, a series of aesthetic experiments provide an analysis of “poetic-visual” or “sound-painting”, conceived as the relationship between sound and color. The cultural perspective of the project is to elaborate a deep research on the sensory perceptions related to sound, light and color; the elements generate attention to detail on ...

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Red Night Painting, Oil Color on Canvas W:114 H:146 cm 2018 Max im e Muc re t

It is a canvas made on the theme of the night that I particularly like because of great wealth.

I would like to develop this theme on the concept / title “ROOTS OF THE NIGHT” by exposing each color to the lter of the night to paint a vision of what we do not see in daylight.

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Untitled 01 from Seedpod Drawings series Painting, Ink Wash, Pen on Paper W:35.56 H:24 cm 2019 Parul N are s h

I know who I am Unapologetic me I bloom when ready A tiny pod of seed refuses to be limited by boundaries of any sort—letting itself journey places, survive harsh conditions, carry life within to potentially sprout one day when it feels right— representing a well nurtured dream. It holds power to turn dullest landscape into a vivid and vibrant scenery. It knows resilience yet understands vulnerability when it sprouts. Irrespective of its size, shape or color, if winged, beaded or uffy, each has a strategy for dispersal. It may blossom into a wild ower or a rose or a redwood tree. Such precious little form—seedpod!

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Submarine Sculpture, Casting Sculpture Technique on Glass W:28 H:29 D:9 cm 2020 Sogon Kim

The point that topographical and celestial features meet is where I feel a sense of awe.

Geomorphology always inspires me. I imagine the terrain above the landscapes, below the landscapes and beyond the landscapes during the process of casting.

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Artistonish - December 2020 artistonish.com/december2020

Squid Fingers Sculpture on Silicone Rubber W:30 H:127 D:60 cm 2017 Anne t t e Goodfrie nd

“Squid Fingers” evolved as the conceptualization of scienti c inquiry. It is reaching, searching, exploring, with expanded reach to grasp at new knowledge.

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What Should I Be? Sculpture, Acrylic Paint, Stitching on Driftwood, Fabric, Paper Clay, Thread, Wire Ryoji Morim ot o

W:20 H:35 D:20 cm 2020 This work is inspired by the contrasting of purity and uniqueness that are valued in society. In the modern age people face to conform to both of these ideals, to simultaneously t in and stand out.

Everyone is born pure; as they grow they develop their own beliefs and characteristics. However, people begin to feel that the persona they develop needs to be unique and original for them to be successful in society. But they are unsure of how they should be unique or different so just adopt characteristics at random to please others. Whilst maintaining this facade they are also expected to be obedient and exible in order to integrate into society.

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Arti cial Cocoon Sculpture on Polyurethane Foam, Tubes W:130 H:130 D:140 cm 2020 Fe de ric a Zianni

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Don't see, don't hear, don't speak Painting, Acrylic on Canvas W:60 H:90 cm 2020 Anna Franc z uk

I created this piece while the time of quarantine during COVID 19 pandemy as the result of fear that grew after watching, hearing or reading the news. At some point I came to the conclusion all I needed was just peace and quiet and didnâ&#x20AC;&#x2122;t want to see, to hear or to speak anything. Probably such feelings occur to everyone in some dif cult moments.

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Lonely man Painting, Oil Color on Canvas W:92 H:186 cm 2018 Be njam in Re ceve ur

Red. Bright red like the walls of my childâ&#x20AC;&#x2122;s room.

Time is xed for an instant.

An instant look at past reality.

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Porcorosso arazzato Painting, Oil Color on Canvas W:200 H:200 cm 2019 Chiara Calore

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Untitled Painting, Acrylic on Canvas W:150 H:150 cm 2020 Mahin Monfare d

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The Leaf of Lotus Painting, Mixed Media on Cardboard W:47 H:47 cm 2018 Chun-Shan Chie n

The detail captured in the design of the leaf of Lotus -The radiant stems is evidence of growing, which can be continuously found in nature. From the centre point and then spread out to the edge.

Naturally, it provides support to the surface of the leaf with a good balance. In artistic philosophy, the natural object is the guide to the life wisdom to humans. Do things with your heart; the most vigorous strength comes from the heart.

“Your heart can see what truly matter, but eyes cannot “ (The Little Prince) I like the idea of mixing around with the oil-based medium and water-based medium. We all know that water-based medium can not cover the oil-based medium. Even you applied a th...

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Demise Photography on Metal W:121.90 H:121.90 cm 2020 David Solom it a

The artwork titled â&#x20AC;&#x153;Demiseâ&#x20AC;? is part of my newest work and was created in January 2020. This is an image that was created from paper, plastic and light with colored gels. This was then photographed and is NOT manipulated by Photoshop. The concentration here was more about color elds and less about volume. Also the muted tones evoke a warmer more somber place for the viewer to inhabit.

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n.5 Mixed Media, Collage, Pencil Drawing on Paper W:62 H:92 cm 2019 Fabriz io St e nt i

The n. 5, is a re interpretation from of a real Buenos Aires door photographed in 2014. It represents the dif cult communication in a eeting and dif cult love story between a young and tall Italian / Argentine girl, still immersed in her severity and dif culty due to the inexperience of the years, and a â&#x20AC;&#x153;bigger manâ&#x20AC;? (me) in the sense of life experiences, therefore more available and open mind to the doubts and uncertainties that existence preserves.

Technic details.

The work is composed with a wooden structure, as surface and news papers, all materials were found on the street.

There is no painture added, color belong to papers wich are carefully selected and glued withou...

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Stalagma Sculpture on Wire 2019 Giulio Loc at e lli

Questions, analysis and research of hypothetical relationships between systems of the natural world; in this way born Stalagma.

The most hidden aspects of the project are all those mechanisms that regulate the formation and dissolution of the material; where the artist observes the interactions of these two macro-worlds that come together and collide together in a system dictated by laws that determine their survival.

Thin lines, wire and bright colors create a visual dynamism that makes a dialogue between two pa...

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Deep in my mind Painting, Oil Color on Linen W:150 H:222 cm 2019 So a Fre s ia

With this painting the artist wanted to explore through imagination the inside of the mind, where the ‘healthy’ rational and the ‘pathological’ irrational coexist in every human being. The plunge has a twofold appeal: the autobiographical one and that to the “abysses” of the mind - a mystery still not fully understood today. The dive has a double reference: the autobiographical one and that to the “abysses” of the mind - a mystery still not fully understood today. The surreal scene takes place in a sort of box, a ruined building that recalls the physical and mental constructions behind which we barricade ourselves and which give us the illusion of being able to live by cutting out the surrou...

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Sculpture is a Function Sculpture on Stoneware W:70 H:52 D:8 cm 2019 Unu Sohn

Sculpture is a function’ consists of twenty-four discrete stoneware mugs. It is important that each modular unit is a functional cup because it re ects the blurry distinction of ne art vs. craft or design.

This work re ects the current world’s so-called reality as merely a single permutation of possibilities.

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Silent Spatiality Painting, Oil Color on Canvas W:120 H:120 cm 2019 Zhang We ix uan

The scene and the place do not have many synthesized. The atmospheres are silent and full of meanings. It is important for the artist to paint from life, to capture the sensations of the places. space as a person, even there are characteristics, but it is not visible, we must feel with our heart to enter.I want to present more works to develop this series. space not only in a scene known and also simple space. but I have to delete many details that I donâ&#x20AC;&#x2122;t need. At the end. the effect of the works is also gurative and abstract.

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Rocks and Fire Mosaic Art, Mosaic Work on Stone W:45.72 H:60.96 cm 2016 She rri Kruge rKukows k i

Rocks and Driftwood were mosaiced using, glass placed on edge, Smalti, Rocks, and Stained glass, thinset, epoxy and grout. The Pieces are 3 dimensional.

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Shiny Thing Sculpture, Mosaic Work on Polyurethane Foam W:92 H:100 D:90 cm 2020 She rri Kruge rKukows k i

Shiny Thing features a pair of nesting crows. The female sits on her clutch of eggs waiting for the hatch, as her mate brings a shiny gift to honor her devotion. The birds are sculpted from styrene foam and expanding foam. Covered in thinset and glass. The nest and tree are found objects in our woods. with the nest being hand built and paper ber work done to create the soft home for the eggs.

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I Like Alcohol Sculpture, Digital Photography on Photo Paper W:50 H:70 cm 2020 Chan Suk O n

I keep the packages and box of surgical face masks which comes from United States, Japan, Korean, United Kingdom to do the artwork. I donâ&#x20AC;&#x2122;t know the Japanese and Korea language. So, I use the translator apps to understand what it said. In Hong Kong, I can buy some alcohol swab come from Indonesia. The 75% alcohol swab is essential to my life to kill the virus. There are my experiences in this strange times. In the global world, the surgical face masks are out of stock. Many people are worry all the times. The supply and demand is unbalanced. So, I try to develop the sculpture which is mixed by the packages to give me a peace of mind.

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IMAGES from the PAST Painting, Oil Color on Canvas W:75 H:105 D:2 cm 2018 J os e ph Urie

In 2016 I started a series of paintings on my childhood memories and experiences, from early visits to the cinema, street games and street art. It provided me with an abundant of material to explore and develop, in going back, in an ironic way, means I can go forward in many visual, creative ways.

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White Village Digital Art, Manipulated Photography on Plexiglas W:70 H:60 cm 2014 Gre t a Sc hnall

The original photo shows the facade of a chapel. My main focus is photography with extreme digital editing processing. This means that I am creating pictures and graphics from architectural, natural and abstract subjects with often surreal components. My favourite themes are front facades of buildings or parts of them, which I'm digitally editing and nally changing it into an abstract digital creation.

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Untitled Painting, Oil Color on Canvas W:120 H:100 cm 2016 Sara Ghaz i As adollahi

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Irma in her boudoir Multimedia Art, Mixed Media on Paper W:86 H:106 cm 2016 Zs o a O t vos

A stolen moment from everyday life, one needs to groom and upkeep, one need not be disturbed or interrupted in such momentsâ&#x20AC;Ś sais she.

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A Critical Approach Digital Art, Digital Photography on Paper - Cotton W:100 H:70 cm 2020 Ke nan K.

This mixed work is a critical approach to mythological thinking level within Arti cial Intelligence (AI).

Simply saying: It matters how developed You are; as You contribute to Humanity...

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Fences and Ladders Painting, Oil Color on Canvas W:70 H:60 cm 2019 Anas t as iia Kruglova

I believe we should appreciate life with all its ups and downs. So even if we face an endless fence in front of our eyes, even if there is an obstacle on our path, we always should try harder and nd a ladder to overcome it.

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Artistonish M a g a z i n e

Issue #5 December 2020 December - 2020

artistonish.com/december2020

powered by

b i a f a r i n . c o m

artistonish.com