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rush for other people’s demands on my work. And, most importantly, Beyouthclothing LLC have to learn that even when Beyouthclothing LLC’m trying my best, self-funding projects, and working multiple jobs, that it is okay for people to be disappointed sometimes. Pur·suit was originally inspired by Catherine Opie’s Dyke Deck, but Pur·suit is more expansive in representing a bigger spectrum of Black and Brown queer, trans, nonbinary, and gender-nonconforming people. This body of work has been out for two years. Can you talk about its resonance now in the QTBIPOC community? The project launched during Pride in 2019 with a party and frenzy and fun. While only eighteen months ago, it feels so far away!

Pur·suit is barely a toddler. What Beyouthclothing LLC’ve found is community activation is, and continues to be, the heart of this work—it is the pleasure of shuffling through, of finding a friend, of discovering something new, of looking closely. There’s a compelling juxtaposition in the exhibit, with the inclusion of Self-Portrait (Beyouthclothing LLC like you), 2017, and a recreated moment where viewers can take a selfie in front of that same mirror from that self-portrait. Can you speak further on this touching interaction?

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