MASTER UNTITLED by JOEL MEYEROWITZ
This was in my first photobook I’ve ever had. I fell instantly in love with this girl, I think I wanted to be her. To be surrounded by alot of people hearing conversations, interactions with one another movement in space and at the same time feeling calm and quiet. I wanted to live here in this picture.
by CARLOS TRASPADERNE
I don’t like brutalism at all, I have tried to like it but I can’t, it causes me visual rejection, I feel a kind of anxiety when I look at this kind of photography.
MASTER BETWEEN DOG AND WOOLF
by CHRYSTEL
LEBAS
At the beginning I was not very interested in editorial photography but as I have been visually entering this world I am more and more fascinated by it and I want to do this kind of photography adding to my main orientation of ‘documentary’ photography.
by
DISASTERS CALLADITA
MIGUEL FAUS
This film is a horrible attempt, or so it seems, to make visible a group of immigrant women workers. Moreover, I notice a personal neutrality of point of view (aesthetically speaking) that can distinguish who directs this film.
MASTER HOME ALONE
by
LARRY SULTAN
I hope one day to be able to capture the light and treat the space as Larry Sultan does. I would like to bring this kind of photography and integrate it into fashion photography. I also envy the portraits of celebrities.
SUBURBIA #23
by STEVEN KLEIN
It is very frustrating that I don’t like Klein’s work, it is a very well composed image and if his intention is to create discomfort when looking at the image he succeeds. But it disturbs me too much for me to say I like it. The light also makes me very uncomfortable, it reaffirms the darkness that this image expresses.
MASTER THE TREE OF LIFE
by TERRENCE MALIK
I keep thinking about this film since the day I saw it. among other wonderful things, it is visually astonishing. when I was watching it I felt like I was god, it looked like his vision even though I’m an atheist. I think it has some of the most beautiful shots i’ve ever seen.
by GASPAR NOÉ
This scene horrifies me, it is extremely harsh and probably (I hope) my opinion agrees with that of all the people who have seen it. Still, I’m interested in the debate around it. Is it necessary? Is it moral?
EXPERIENTIAL SPACES
by TERRENCE MALIK
I love light, it changes everything. Light affects everything you see, how you see it and what you feel when you see it. This photograph is part of a series that deals with childhood memories, memories that appear confused in the memory and that are mixed with the imaginary. These photographs are taken in spaces constructed in an ephemeral way just like these memories that only exist in his head because the places he remembers do not exist in a certain way.
I just hate this type of images.