AGENDA
HISTORY
EXPERTIS E
BRAND PLATFORM
PRODUCT UNIVERSE
NEWS & HIGHLIGHTS
HISTORY
LIMOGES AND ITS WHITE GOLD
Since the discovery in 1768 of a kaolin deposit in Saint -Yrieix - la - Perche, an essential clay for hard - paste porcelain, Limoges has become the capital of French porcelain . Under the guidance of Turgot, the first manufactory was founded in 1771, combining artisanal savoir - faire with royal patronage as early as 1773, through the support of the Count of Artois . The exceptional quality of its decorations, particularly floral motifs and delicate gold lacework, soon became emblematic .
In the 19th century, François Alluaud modernized production and took control of local kaolin supplies, while new manufactories emerged and expanded into international markets .
The alliance of natural resources, technical innovation and artistic creativity has secured for Limoges a lasting worldwide reputation in the art of porcelain .
HISTORY
WHEN IT ALL STARTED
In 1838, David Haviland founded a faience and porcelain import business in New York . But it was a simple everyday accident that would change the family’s destiny : when a customer wished to replace a chipped saucer, David discovered Limoges porcelain and was immediately captivated, enchanted by its exceptional whiteness and delicate refinement .
In 1842, David Haviland crossed the Atlantic to settle in Limoges, the world capital of porcelain, where he established his own manufactory . It was a first : never before had an American chosen to found a factory in Europe . Situated close to the kaolin deposits of Saint -Yrieix - la - Perche, the precious “white earth” of the Limousin region, David brought an innovative perspective to local production . He sought to control the entire manufacturing process, from the paste to the decoration, in order to cater to American tastes and ensure impeccable quality .
DAVID HAVILAND
HISTORY
U.S PRESIDENTS
Haviland made its mark on American history by creating prestigious tableware for seven U.S. Presidents, including Abraham Lincoln in 1861 and Rutherford B. Hayes in 1879.
The Hayes service, comprising over 1,000 pieces, is remarkable for its elaborate decorations depicting American flora and fauna, with watercolors signed by the artist Théodore Davis . Every detail reflects symbols of power and national identity, which greatly contributed to the brand’s recognition at the White House .
These presidential commissions testify to the prestige and technical excellence of Haviland, combining artisanal tradition with innovation . The quality and richness of the decorations turn these services into true works of art, showcasing French porcelain in the United States .
16th President of the United States
ABRAHAM LINCOLN
HISTORY
AUTEUIL: A LEGENDARY WORKSHOP
In 1872, under the direction of Félix Bracquemond , an engraver and Impressionist painter, the Auteuil workshop in Paris became an avantgarde laboratory . Inspired by Japonisme , Impressionism, and Symbolism, this space encouraged innovation in porcelain decoration, with bold forms and asymmetrical patterns .
Bracquemond and his team revolutionized decorative techniques, notably through the application of colored liquid clay with a brush, allowing true artistic freedom . The workshop brought together major talents, including Édouard Dammouse , Ernest Chaplet, and Paul Gauguin, creating over 400 innovative designs .
At the same time, Haviland advanced technically with chromolithography, mechanical calibration, and new kilns, combining artisanal tradition with industrial modernity .
The Auteuil workshop became a symbol of the fruitful intersection between artistic experimentation and technical innovation, leaving a lasting mark on French decorative arts .
PRESTIGIOUS COLLABORATIONS
A LEGACY OF AWARDS
GRAND PRIX
HISTORY TODAY
At the end of the 20th century, the manufactory moved into a modern facility while preserving its ancestral savoir - faire . Haviland ensured the reissue of classic designs while also launching decidedly contemporary creations . Success continued, driven by constant innovation, relentless creativity, and an enduring passion for porcelain .
Today, the name Haviland still stands as a symbol of Limoges porcelain excellence .
HISTORY
CENTURY - OLD PARTNERSHIPS
EXPERTISE
FACTORY BASED IN LIMOGES SINCE
1842
EXPERTISE
THE ONLY FACTOR Y TO INTEGRATE ALL THREE PORCELAIN DISCIPLINES
MANUFACTURING DECORATION PRINTING
100% MADE IN FRANCE
1 EXCLUSIVE PASTE +3000 AVAILABLE SHAPES TRACEABILITY & LOCAL ROOTS, EXCLUSIVITY, DIVERSITY OF THE PRODUCT OFFER
BRAND VISION
Re- enchant daily life by resonating with french artistic richness of 19th & 20th century, so that beauty becomes an inspiring and constant presence in every moment of living.
BOLDNESS
AVANT GARDE
LOYAL
ARTISTIC DIRECTION
ATMOSPHERE
RECIPE
HERITAGE
TABLEWARE
3 ARTISTIC MOVEMENTS
CLASSICISM & NEOCLASSICISM
ORIENTALISM & EXOTICISM MODERNISM & ABSTRACTION
ARTISTIC VISION
CLASSICISM & NEOCLASSICISM
They share an admiration for Greco-Roman antiquity, emphasizing harmony, rigor, simplicity, and the pursuit of an ideal of beauty based on proportion and clarity. Both stand in opposition to the excessive or overly decorative styles of their time (Baroque for Classicism, Rococo for Neoclassicism) and advocate an art that embodies moral values, discipline, and balance, aimed at educating and elevating the viewer.
ORIENTALISM & EXOTICISM
They promote a taste for discovery and the depiction of foreign cultures, seen as sources of novelty, exoticism, and inspiration. Both reflect the Western fascination with the “other,” creating idealized or imagined images of distant worlds often far from reality to evoke wonder and a sense of escape.
MODERNISM & ABSTRACTION
They align with the desire to break away from past artistic traditions and to renew forms of expression. They favor experimentation, creative freedom, and the exploration of new ways to represent reality, often moving away from figurative representation to produce works where subjectivity, simplification of forms, and the autonomy of artistic language take center stage.
Impératrice Eugénie Louveciennes
MartheRitz Paris
Place Vendôme
Matignon Salon Murat
Dammouse Rêves du Nil green gold
Le Brésil
Cavalier Royal Oasis
Romane
Souffle d’or Infini
Portofino
Infini Or
Infini Platine
Vieux Paris
DamasséRitz Paris
Rêves du Nil platinum green
Ritz Impérial
Opéra or Stanislas
ICONIC COLLECTIONS
DAMMOUSE
IMPÉRATRICE
EUGÉNIE
LOUVECIENNES
TABLEWARE NEWSNESS
INFINI BLANC
Among the new additions, the Infini Blanc collection welcomes a teapot, a creamer, and a sugar bowl. Their rounder, resolutely contemporary curves reinforce the spirit of the Infini pattern and bring aesthetic unity to the ensemble. These new forms, designed to meet everyday needs, are distinguished by their modernity and elegance.
The collection is also expanding with dishes finely engraved offering a complete and refined line perfectly suited to today’s uses.
• Rim soup plate 9.1’’
• Large rim soup plate 10.6’’
• Diner + salad + bread
• Service plates 12.4’’ and 11.6’’
• Hot beverage server 27,1 oz L. 7.9’’ H. 5.4’’
• Creamer L. 3.9’’ H. 2.8’’
• Sugar bowl L. 3.2’’ H. 3.3‘’
• Tea cup and saucer 5.1 oz
• Coffee cup and saucer 2.7 oz
• Mug 10.1 oz H 3.6‘’
• Relish dish L. 8.7’’ l. 6.3‘’
• Oval platter L. 15’’ l. 11.8‘’
• Round tart platter D. 13.8‘‘
INFINI CUIVRE
An iconic collection from Maison Haviland, Infini
stands out with its delicately engraved hollow pattern. The sun-inspired design features rays that seem to stretch out forever, while small sparkles add movement and energy. A rich copper tone envelops each piece with intensity, creating a warm and contemporary glow.
DECORATION NEWSNESS
Infini Blanc is enriched with two new vases that feature the collection’s iconic motif. Their silhouette is defined by a rounded base, echoing the soft shapes of the teapot, creamer, and sugar bowl. The delicate engraving, highlighted by the subtle contrast between matte and glossy enamel, plays with light and gives depth to each piece. Both decorative and timeless, these vases embody the full mastery and elegance of the Maison’s craftsmanship.
• Small Vasel. 5,2’’H.8,7‘’
• Largevasel. 7,3’’H.13’’
RÊVES DU NIL POURPRE
Rêves du Nil Pourpre is inspired by the splendor of ancient Egypt and is expressed through a selection of decorative and functional objects. The intensity of reds, pinks, and golds evokes the light of the Nile at sunset.
Papyrus, palm leaves, and column capitals, highlighted by a hand-applied gold frieze, compose a collection where refinement meets functionality, elevating everyday gestures or offering an exceptional gift
• Small candy box D. 3.4’’ H. 2.8’’
• Large candy box ls D. 6.1’’ H. 2.2’’
• Tumbler D. 3.1’’ H. 3.5’’
• Rectangular tray L. 8.7’’ l. 7.5’’
• Medium tray L. 7.3’’ l. 7.3’’
RÊVES DU NIL POURPRE
SOUFFLE D’OR
Souffle d’Or shines with its radiant and airy aesthetic. The collection now includes new decorative pieces and gift items.
Tumblers, candy boxes and cylindrical vases are adorned with a pattern inspired by a constellation of fine golden and iridescent grey diamonds, like a shower of shooting stars. Each shape offers a poetic variation on light and movement, illustrating the technical mastery and decorative virtuosity of the collection.
• Cylindrical vase H. 11’’
• Tumbler D. 3.1’’ H. 3.5’’
• Large candy box ls D. 6.1’’ H. 2.2’’
• Small candy box D. 3.4’’ H. 2.8’’
• Medium tray L. 7.3’’ l. 7.3’’
DAMMOUSE
Dammouse draws its inspiration from the late 19th century, when painter and engraver Édouard Dammouse joined the Atelier d’Auteuil in Paris for Haviland and created a watercolor blending Orientalism with Japanese floral art.
True to this heritage, the collection is now expressed through new decorative pieces and gift items, all adorned with delicate floral patterns and golden accents inspired by Japanese prints and silks. Dammouse remains an ode to the precious and refined beauty of an idealized nature..
IMPÉRATRICE EUGÉNIE
An iconic collection, Impératrice Eugénie is enriched with new decorative pieces and gift items. Created by designer Léonce Ribière for the Empress herself, the design features a crown of violets in shades of blue, mauve, and purple, a refined tribute to the sovereign’s floral tastes.
The composition reflects the elegance of the Second Empire, while the swirling stems foreshadow Art Nouveau, extending the delicate and timeless spirit of the collection.
• Tumbler D. 3.1’’ H. 3.5’’
• Small candy box D. 3.4’’ H. 2.8’’
• Large candy box ls D. 6.1’’ H. 2.2’’
• Medium tray L. 7.3’’ l. 7.3’’
• Rectangular tray L. 8.7’’ l. 7.5’’
GINGKO
The Ginkgo vase is a piece directly inspired by our archives. A testament to the artistic savoir-faire of the late 19th and early 20th centuries, it reflects an aesthetic where the purity of lines meets the richness of botanical motifs.
Restyled today, its relief décor reinterprets the ginkgo leaf, a timeless symbol of elegance and longevity, in a naturalistic spirit reminiscent of Art Nouveau. A contemporary silhouette, blending respect for heritage with modernity.
• VaseH.9.1’’
JUNGLE
With its deep green background and luxuriant foliage enhanced with gold, bronze reflections, or the pure brilliance of white porcelain, the Jungle tray evokes an imaginary garden, suspended between dream and nature.
A singular creation, it stands apart from existing collections while perpetuating the decorative tradition in which nature plays a central role. Accented with golden touches and adorned with luxuriant foliage, this tray combines functionality with refinement, making it an ideal gift or a sophisticated detail to elevate everyday life.
ELEPHANTS
Elegant and iconic, these elephants created by Jules Desbois in the late 19th century combine strength and sensitivity in a naturalist style. Originally sculpted in bronze or plaster, they are part of the great tradition of French animal sculpture. Haviland then reinvents them in Limoges porcelain, preserving the spirit of the original model while magnifying the light and purity of the material.
Today, the collection is reborn thanks to the Maison’s artisanal expertise, faithful to the original archives. Two finishes are offered: white biscuit porcelain, with a luminous clarity; and tinted biscuit, reminiscent of bronze and emphasizing the volumes. Two complementary visions of a major work in Haviland’s heritage.
