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Bernard Ho’s Portfolio

Essence is the property or set of properties that make an entity or substance what it fundamentally is, and which it has by necessity, and without which it loses its identity.

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Bernard Ho’s Portfolio

Essence is the property or set of properties that make an entity or substance what it fundamentally is, and which it has by necessity, and without which it loses its identity.


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Content

Curriculum Vitae

A - Editorial Design

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04

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Graduate Studetns' Joint Exhibition Monograph

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A Volume of Sham Shui Po Community Culture on Infographic Design

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3

Dai Pai Dong Yum Yum Monster Zine

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4

Graduate School of Design Department Brochures

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5

Clinical Guideline Brochure

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Branding

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Graduate Studetns' Joint Exhibition

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2

Kawa Mountain Orchard

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3

Dai Pai Dong Yum Yum Monster Zine

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B-


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Content

C - Illustration & Poster

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1

Risograph Printed New Year Poster

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2

Mr. Wolf Illustration

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3

International Design and Art Joint Exhibition Poster Design

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4

Cultural and Creative Merchandise Design - Illistration

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5

Dai Pai Dong Yum Yum Monster Zine - Illistration

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D - Typography

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Alphabets of Academic Dicipline

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Logotype Design and Explore

80

3

Bei Wei Kai Shu Lettering Design

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Photography

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E-


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Curriculum Vitae

Email: bernard9001@gmail.com Behance: www.behance.net/bernard9001

Personal Information Bernard Ho was born on 18 jan 1992 in Hong Kong. He has a family of four which also based in Hong Kong. In 2008, he studied aboard in Taiwan to pursue his Bacehlor of Arts Degree and subsequently his Master Degree as graphic designer. Currently he is staying in Taipei.

Education & Experience Bernard Ho studied Foreign Languages and Literature in National Chung Cheng University as a Bachelor’s student in Taiwan. Due to the keen interest of art & design and the fruitfulness of educational resources, his enthusiasm and aim to be a designer were staunch. He then pursued his study as undergraduate student who major in Visual Communication Design in National Yunlin University of Science and Technology. During this period, he has worked as a designer of Design Research Center of Yuntech and also participated as a member of Identity Design Team of Graduate Students’ Joint Exhibition. His thesis foucused on community-cultural research and information design.


03 Chronicle 2004

Wah Yan College, Hong Kong

2009

Division of Preparatory Programs for Overseas Chinese Students

2010 2015

National Chung Cheng University

- Department of Foreign Languages and Liteature

National Yunlin University of Science and Technology

- Graduate School of Visual Communication Design

個人資料

何承恩,1992年生於香港,來自於一個四各成員的香港家庭。 2008年赴台灣繼續學業,就讀僑生先 修部,次年前往就讀國立中正大學外國語文學系。 其後在2015年於國立雲科技大學視覺傳達設計 系就讀碩士班,並於2018年通過口試並畢業,目前在台北生活。

學歷及經歷

就讀於國立中正大學外國語文學系,以僑生身分得到學士學位;在大學生涯中,由於喜愛繪畫及 修讀了相關通識課程,從此開始接觸設計理論與執行之知識,對其領域產生了莫大的興趣。在學 校豐富的館藏資源下,奠定相關知識的基礎以及報讀設計科系研究所的決心,在大學畢業後報考 研究所,考上國立雲林科技大學視覺傳達設計系碩士班。 在學期間曾擔任設計研究中心設計專員 以及碩士班聯展形象組。 畢業論文題目為資訊設計及深水埗社區文化研究。

Awards, Participation & Certificate 1. 2. 3. 4. 5. 7. 8. 9.

Semifinalist - Adobe Design Archievement Awards 2017. Finalist - Gain How Cup Calender Design Competition 2017. Identity Design Team of National Chair Professorships & the Academic Awards 2016. Identity Design Team of Graduate Students Joint Exhibition 2017. Designer of Design Research Center, Yuntech. Participant of Joint Exhibition of Kaohsiung Creators Association. Tutor and Designer of International Design Workshop of Local brands 2016. Toeic Score: 890 / Toefl ibt(26 Oct 2014) Score: 89.


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Editorial Design

Editorial Design


A1

05 National Yunlin University of Science and Technology Department of Visual Communication Design Graduate Studetns' Joint Exhibition Monograph

Graduate Students' Joint Exhibition Monograph / 200 x 200 mm / 124 pages

國立雲林科技大學 視覺傳達設計系 碩班聯展 成果專刊

Book Cover Design : Bernard Ho

Photography : Paul Chiu

Illustration : Athony Fook / Bernard Ho

Screen Printing : Paul Chiu / Bernard Ho

Layout Design : Paul Chiu / Bernard Ho

Text : Paul Chiu


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Editorial Design

! ʉ y o e v o e v a' ʉ!

y o e v o ! e ʉ v ' y a veo o e v a'

As the graduate students of Visual Communication and Design, we are responsible for paying close attention to the social issue and provide public service to help. We want to try out design-based approaches and methods to help people in the remote Tsou community - Laiji tribe. We use "a'veoveoyʉ!來吉" ("a'veoveoyʉ" means "greeting" in Tsou language) as the title of this social design plan to show our motivation in which to gain more attention from the society and resource besides proceeding our social design project. The achievement of this social design project has been published as monograph.


07 This social design project is divided into four main dimensions: Cultural Education, Tribal Tourism, Lifestyle and Environmental graphic design. Every dimension focus on different aspect of the community. We apply legendary creatures of Tsou culture to symbolise different dimension which each dimensions contain several subprojects conduct different design-based approaches towards local industries and people in Laiji tribe.

The cover design is originally printed in black and white on grey board paper and combines with screen-printing technique which logotype is printed in multi-layers (blue & red).

The four Dimension on this scoail Project.


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The process of screen-printing.

We hope our work will successfully benefit the Laiji community in various aspects and at the same time raise attentions from the society in order to generate more resource and assistance for them.


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Editorial Design

國立雲林科技大學涉視覺傳達設計系碩士班聯展為系所 年度計劃,透過設計導入並協助偏遠社區尋找改變的可 能。2017年碩士班聯展名為「 a'veoveoyʉ!來吉」;阿里

山鄒族原住民部落來吉社區經歷天災摧殘,需要社會更多

的關注以及援助。 「 a'veoveoyʉ!來吉」期望透過設計思考 幫助社區解決問題及為社區爭取曝光。 本次聯展形象為五

個鄒族神獸,分別象徵計劃中的不同面向,同時希望喚起部 落文化傳承的議題。

本專刊收錄了「 a'veoveoyʉ!來吉」中針對社區內不同問

題面向而進行的解決方式與呈現,一共四個面向、十八各組 別。 專刊封面以絹印方式製作,採用鄒族民族的代表性顏

色-紅色與藍色的顏料印製於灰卡紙上作為封面,表現鄒 族的民族色彩、工藝手製、原始的印象。


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Editorial Design

A Stroll Through the Century A Volume of Sham Shui Po Community Culture on Infographic Design

百年漫埗 深水埗社區文化歷史 資訊圖文刊物 Book Cover Design : Bernard Ho Layout Design : Bernard Ho

Information Design : Bernard Ho

A2

Binding : Bernard Ho

A Volume of Sham Shui Po Community Culture on Infographic Design / 287 x 410 mm / 24 pages


11 For the suppression of education of local and reginal history and the pressure under the globalization, most of the communities, old buildings and many historical inheritances in Hong kong have been changed, destroy and forgotten during and before the transfer of sovereignty over Hong Kong.

To maintain and reestablish cultural identiy by constructing cultural identiy with subjectivity through historical discourse of cultural experience, lifestyles and communities have been always a cultural issue for Hong Kong people since the hand-over.

This publication introduces historical events about Sham Shui Po which is a historical community and have witnessed the transition of history, economy and community from the colonial period of Hong Kong. This publication was made by sew binding to manifest the raw imagery of Sham Shui Po.


12 從香港回歸前後的政治體制對香港本土歷史教育與香

港文化的完整解讀不足以及全球化的趨勢之下,富有文 化與歷史意義的建築、社區以及遺產等舊有風貌受到不 斷的改變與破壞,維護與延續香港本土文化及建立身分 認同成為自回歸以來香港人共同面對的文化議題。

因為獨特的歷史背景之下,文化認同與身分政治的議題 自回歸以來一直引起不斷的爭論。如何開始從社區、生

活、文化經驗的本土歷史論述中建構是具有主體性的香 港身分論述是本土文化運動的主要議題。


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Editorial Design

Bookmark Design / 100 x 150 mm

深水埗有著久遠的歷史,見證香港本土歷史、經濟發展與 社區改革,本冊介紹香港深水埗社區從上世紀租借時期 開始之本土生活及社區文化傳統等資訊,透過資訊設計 記載與展現香港自英國政府殖民以來的歷史變遷。

本出版物使用線狀方式進行裝幀,透過此簡單直接的裝

訂方式對應深水埗社區文化中大眾層面的內涵與意象。


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Editorial Design


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Editorial Design


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Editorial Design

Dai Pai Dong Yum Yum Monster Zine

Yum Yum Monster Zine / 105 x 228 mm / 52 pages

大牌檔 食食獸Zine

Book Cover Design : Bernard Ho Layout Design : Bernard Ho

A3 Illustration : Bernard Ho Text : Bernard Ho


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YUMYUM ! Hong Kong food culture is likely to be the best portrayal of local lifestyle. In the past, to enhance efficiency, restaurants had invented a variety of special terms which became very common and widely used by local people. These special terms are the precious heritages that reflect the folk culture and great imagination of people in the past. Among the local food industries in Hong Kong, "Dai Pai Dong" is classic and particularly exciting; it includes various categories of food that you can think of which is the reason of why the special terms is relatively rich. However, traditional restaurants which preserves these precious cultures is vanishing. Meanwhile, for the popularity of computerized operation in restaurants, the use of special terms has been replaced and abandoned which makes them disappear due to the lack of use by generations. The illustrations can hopefully help promote the precious cultural heritage of food industry in Hong Kong to the people, and let them experience the nostalgic humour by introducing a variety of special terms. Therefore, the "Yum yum monster" ZINE was born.


Editorial Design

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More details in Illustration & Poster (C6) ...


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飲食文化可以說是香港庶民生活的真實寫照,過去經營 者為了提高營運效率,衍生出各種特殊術語並融入民間

日常當中,受到廣泛使用。從這些特殊用語中能夠反映民

間風情與想像力,是珍貴的文化遺產。其中「大牌檔」的經 營方式特別精彩;含括早市的粥品檔、午市的路邊茶座、 晚市和夜宵的小菜等等,特殊術語的應用也相對豐富。

Editorial Design


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24 隨著電腦化操作的普及,民間經營的餐營業捨棄了傳統

「口頭」的點餐模式,特殊術語的文化正面臨消失的危機; 同時,保存著這些珍貴文化的食肆日漸式微,這種特殊術 語的語言文化逐漸受到普羅大眾的遺忘。

期望透過插畫的方式,向大眾呈現飲食產業中彌足珍貴的 文化遺產,介紹各種特殊術語的過程中能讓大眾感受過去

的 飲 食 氛 圍,了 解 過 去 庶 民 生 活 的 文 化 底 蘊 。因 此,食 食 獸」ZINE 因此誕生。

Editorial Design


25 National Yunlin University of Science and Technology Graduate School of Design Department Brochures

Layout Design : Bernard Ho Photography : Paul Chiu Text : GSD 設計學研究所

Department Brochure / 208 x 297 mm / 5 pages - Tri Fold

國立雲林科技大學 設計學研究所 系所刊物

A4


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G - Graduate S - School of D - Design Graduate School of Design sustains the value of integration of international development which encourages people with different nationalities to join. In order to let people understand about the perspective and direction about GSD quickly and thoroughly, the brochure was designed requiring simplicity and intuition.


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Editorial Design


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設計學研究所以國際交流合作及多元整合研究為教育目 標;為能夠在系所刊物上能夠讓閱讀者迅速理解系所願

景、研究方向及課程規劃等等資訊,本刊物以簡潔的方式 進行設計,資訊內容能夠更直覺性地向閱讀者傳達。

Editorial Design


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Editorial Design

30 Indwelling Breathing, Nasogastric and Urinary Catheter Maintaince Clinical Guideline Brochure

Catheter Clinical Guidelines Brochure / 148 x 210 mm / 28 pages

氣切、鼻胃管、尿管 三管維護步驟 照護手冊

Book Cover Design : Bernard Ho Layout Design : Bernard Ho

A5 Information Design : Bernard Ho Text : GSD 設計學研究所


31 This clinical guideline brochure is designed especially for catheter maintaince carers. The brochure cover is inspired by the pattern from calender which symbolized the essentiality of the all-day-round tasks for carers and patients. Using the orange color emphasizes the details of the instruction which help the carers understand more instantly besides the diagram instruction.


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Editorial Design


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三管維護步驟照護手冊專為照護人士所設計之照護教

材。封面設計以日曆編排作為靈感,象徵照護為照護者與 病人的日常重要工作;以橘色應用為封面主色調以及內 文步驟說明內需要注意之內容重點。


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Branding

Branding


35 National Yunlin University of Science and Technology Department of Visual Communication Design Graduate Studetns' Joint Exhibition

國立雲林科技大學 視覺傳達設計系 碩班聯展

Identity Design : Paul Chiu / Anthony Fook / Bernard Ho Layout Design : Paul Chiu / Anthony Fook / Bernard Ho Photography : Paul Chiu / Anthony Fook

B1

Graduate Students' Joint Exhibition Identity


36 The Tsou, the seventh-largest indigenous group in Taiwan, has dwelt in the island for hundreds of decades. As an Austronesian ethnic group, they are spreaded across three administrative entities of Taiwan which include Nantou County, Chiayi County and Kaohsiung City. Laiji tribe, which is acknowledged by Tsou people to be the “Everlasting Tribe” as it rests at the foot of the Tsou’s “Holy Mountain”, located in Alishan Township, Chiayi County. According to legends, hunters from Fuye Settlement, one of the Largest Tsou tribe, discovered this place during a boar hunt several hundred years ago. Since it was a promising place to live in and farm, some Tsou people moved here and made boars as the symbol of Laiji.

Social Design for Remote Community


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Branding

In 2009, Typhoon Morakot, as the deadliest typhoon to impact Taiwan in recorded history, brought catastrophic damage in Taiwan. Laiji Tribe was severely damaged by mudflows and flooding which triggered by the extreme amount of rain. People in Laiji lost almost everything they had, and for the government’s limited assistance and resource, people in Laiji have been struggling to make a living since. As the graduate students of Visual Communication and Design, we are responsible for paying close attention to the social issue and provide public service to help. We use "a'veoveoyʉ!來吉" ("a'veoveoyʉ" means "greeting" in Tsou language) as the title of this social design plan to show our motivation in which to gain more attention from the society and resource besides proceeding our social design plan.


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Branding


Branding

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We want to try out design-based approaches and methods to help people in the remote community - Laiji tribe, and we aim to connect with and explore more about the culture of Tsou in Laiji tribe and help create better lifestyles through social design. This social design plan can be divided into four main dimensions: cultural education, tribal tourism, lifestyle and environmental graphic design. We used the mythical characters from Tsou to symbolise different aspects in our social project, We hope our work will successfully benefit the Laiji community in various aspects and at the same time raise the attention from the society in order to generate more resource and assistance. As the providers of such public service, we do not gain any profit or interest from this plan or exhibition.

Graduate Students' Joint Exhibition Working Card / 145 x 98 mm

Craft Industries

Cultural Education

Identity Design

Cultural Education

Environmental Graphic Design


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Graduate Students' Joint Exhibition Exhibition Poster / 841 x 1189 mm

國立雲林科技大學涉視覺傳達設計系碩士班聯展為系所 年度計劃,透過設計導入並協助偏遠社區尋找改變的可 能。2017年碩士班聯展名為「 a'veoveoyʉ!來吉」;阿里

山鄒族原住民部落來吉社區經歷天災摧殘,需要社會更多

的關注以及援助。 「 a'veoveoyʉ!來吉」期望透過設計思考 幫助社區解決問題及為社區爭取曝光。 本次聯展形象為五

個鄒族神獸,分別象徵計劃中的不同面向,同時希望喚起部 落文化傳承的議題。


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Graduate Students' Joint Exhibition Exhibition Pamphlet / 210 x 297 mm / 8 pages

Branding


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B2

佧佤山果園 識別設計

Logotype Design : Bernard Ho Layout Design : Bernard Ho

Kawa Mountain Orchard Identity Design


Branding

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The fruit shop was opened by a young Va couple in the Cingjing community named as “Kawa mountain Orchard� which was inspired by the Awa Mountain in Yunan, where they lived as a child. This branding project is based on helping the couples to build a brand new identity. The branding concept is based on the imagery of buffalo, which is a symbol of prosperity to Va people, combining with the style of Chinese painting. It symbolizes the couple's own unique background and the generosity to share the fruits they planted with guests in the Cingjing community and share the glorious stories about Va people.


46

在台灣清境社區一對年輕夫婦開創的水果店,取名為「佧 佤山果園」,靈感來自與以他們小時候的雲南住處-佧佤 山。本品牌建構以雲南佤族的豐收之神-水牛為概念發 想,融合中國水彩畫的風格,象徵著夫婦自身獨特的故

事,在台灣清境社區上與客人分享用心栽種的水果,訴說 著佤族燦爛的文化精神與故事。


Branding

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Yunlin Triangle Identity Design

雲林國立大學聯盟 識別設計

Identity Design : Bernard Ho Layout Design : Bernard Ho


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Branding

B3 This identity design focus on the triangle formed by three angles to symbolize the sustainable and mutually beneficial cooperative relationship between the National Taiwan University, National Formosa University and National Yunlin University of Science and Technology. The bond revolves around which stands for the three main aspects of the alliance's cooperation program; they represent agriculture and biotechnology, medical care and care, and the environment and renewable energy respectively; they combine and connect to each other which form as a "Yunlin Triangle".

雲林國立大學聯盟 YUNLIN TRIANGLE

雲林國立大學聯盟 YUNLIN TRIANGLE

雲林國立大學聯盟 YUNLIN TRIANGLE


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F al

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ien

本設計採用紐帶所形成之三角形作為主視覺,象徵台大、 虎科大與雲科大三校聯盟的合作關係,是永續、互利、緊 密的交流。三角紐帶圍繞著聯盟合作計畫中的三個主要 面向,分別代表農業與生物科技、醫療與照護、環境與再 生能源。三個面向形成的形狀,象徵聯盟所在的地理位 置,通過緊密合作帶給三校利益以及帶動當地發展。

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lY un an lin U dT n ec ivers hn olo ity o f gy


Branding

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Illustration & Poster

Illustration & Poster


C1

網點印刷 狗年賀年海報

Illustration : Bernard Ho

Printing : Dotdotdot Studio

53 Gong Hei Fat Choi Risograph Printed New Year Poster

Risograph Doggy Poster / 297 x 420 mm


Illustration & Poster

54

This New Year poster was designed for celebration of the year of dog. The offset-printing made each poster exceptional and unique as gifts to friends on Chinese New Year Festival. An extremely long dog filled with Chinese gold ingot which bring out the festive atmosphere and dynamic.


55 狗年賀年海報運用網點印刷技術生產,其四色印刷所產 生之誤差讓每一張海報變得獨特,適合作為親朋好友賀 年祝福的禮物。海報中以誇張的手法表現狗與元寶的插 畫也對應過年節慶的慶賀氛圍。


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C2

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此作品靈感源自電影名稱-「華爾街之狼」。擁有光線亮

麗的外表底下,實為惡名昭彰的衣冠禽獸。每個人都希望

能夠成為華爾街之狼的首領,獨享優厚的財富與名利,卻

懵然不知已經深陷狼群,不能逃離,跟隨部隊衝鋒陷陣。

Illustration & Poster

Mr. Wolf This work is inspired by the name of the movie - "The Wolf of Wall Street". Underneath a classy appearance, there is a infamous dressed animal. Everyone hopes to become the leader of Wall Street's wolves and enjoy the unique wealth and fame. However, they're unaware that they have already been traped in the collectives where cannot get way and follow the troops marching.


C3

58 Kaohsiung Creators Association 2017 International Design and Art Joint Exhibition Poster Design

New Year Poster Design / 841 x 1189 mm

2017 雞飛狗眺 高雄廣告協會 國際設計藝術聯展 海報設計

Illustration : Bernard Ho


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This poster was designed for 2017 International Design and Art Joinnt Exhibition of Kaohsiung Creators Association as New Year poster. The illustration was inspired by the main variety of chicken in Taiwan; using such combination was able to represent Taiwan and deliver the festive feeling about the New Year of chicken.

Illustration & Poster


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Illustration & Poster


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本海報創作為高雄廣告協會國際設計藝術聯展的參展海

報,題目為「雞飛狗眺」。為了能夠營造節慶的歡樂氣氛以 及切合具有代表台灣的原素。以台灣雞的九種主要品種

為發展;展翅、跳躍的動作展現了主題和樂的感覺,同時 也讓大家認識台灣雞的各種品種。


62 Kinmen Dadan Island Cultural and Creative Merchandise Design - Illustration

Illustration : Bernard Ho

C4 金門大膽島 文創商品設計 插畫

Postcard Design / 170 x 115 mm


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Illustration & Poster

These postcard designs were designed especially for Kinmen Dadan Island where government wanted to promote its tourism. The illustration on the postcard designs were inspired by the myth of Dadan island. Through this kind of portrayal people can be attracted by stories and the island. 此系列的明信片專為金門大膽島推廣旅遊而設計之文創 商品。每張明信片上的插畫均取材自金門大膽島的在地

傳說故事。以插畫的方式輕鬆地向吸引大眾,為大膽島進 行推廣。


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Illustration & Poster


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C5

Dai Pai Dong Yum Yum Monster - Illustration

大牌檔 食食獸插畫 Illustration : Bernard Ho

This project aims to help promote the precious cultural heritage of food industry in Hong Kong through illustration, and let people experience the nostalgic humour by introducing a variety of special terms in order to understand Hong Kong culture of the past. Each illustration inspired by the special term of the food in Hong Kong food culture. 以插畫的形式向大眾呈現飲食產業中彌足珍貴的文化遺 產,介紹各種特殊術語的過程中能讓大眾感受過去的飲

食氛圍,了解過去庶民生活的文化底蘊。每張插畫靈感都

來自特定的香港飲食術語;以強烈的顏色對比呈現,搭配 誇張的繪畫風格呈現飲食文化中的豐富內涵。


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生春

印度老舉

和尚跳海

擺尾 鬼佬肉


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單收

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腿通

玻璃

Illustration & Poster 敗家仔


飛邊

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常餐

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下火 牛意


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Illustration & Poster

夂06

雞屙屎

烘底

黑汁白汁 打爛


70 茶走

隊Q住

行街

咪嘔住

燒衣


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Illustration & Poster

兜亂

孖春

反春

制水 蘿柚


72 滾水

蛋河

老舉皇后


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肥妹

Illustration & Poster

靚女

靚仔


74 攬住

食丁

堂食

打壞

油炸鬼


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Illustration & Poster

攬面

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熟春


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Typography

Typography


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Alphabets of Academic Dicipline

學術英文字母 文字造形

D1

Typography Design : Bernard Ho Layout Design : Bernard Ho


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Typography

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The Alphabet of Academic Desciplines was designed as an assignment for the typography course during graduate school. Each alpahbet represents an academic discipline which combined elements from that academic. Trying out an old-fashioned illustration style met with the impression of western academic disciplines. 學術英文字母為碩士班期間的文字造形課作業。在創作

中,每個英文字母代表著不同的學術領域,並加入該學術

領域的代表原素進行襯托,以西方懷舊的插畫風格呈現, 對應主題氛圍。


Typography

標準字 設計與探索

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Logotype Design and Explore

These Logotypes were designed during the academic

years in graduate school, every logotype practice was designed through numerous attempts and explora-

tions in logotype design which helped me understand more about the importance of design process and execution.

Logotype Logo- Logotype type

D2


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於研究所學習期間進行的標準字設計與嘗試。 每款標準字

的設計都經過不斷的思考,嘗試以及相關作品的探索。 從不

同的練習中明白設計步驟與呈現手法的重要性,獲益良多。


Typography

香港 北魏楷書 書法字體設計

The Northern Weibei Calligraphy emphasizes the sharpness of strokes, tails, transitions and the thickness of the stroke which guarantees its recognition; as the result, they became a popular style in Hong Kong. This Typograohy design refered to the Northern Weibei Calligraphy from signboards in Hong Kong which applied to "A Stroll Through the Century" - A Volume of Sham Shui Po Community Culture on Infographic Design.

82 Hong Kong Bei Wei Kai Shu Lettering Design

北魏楷書在風格上凌厲的筆觸、誇張的收筆以及轉折,筆 畫粗細的對比較少,在遠距離閱讀時具有更高辨認性,成 為香港手寫招牌的風格潮流;筆畫之間的重疊較多、密

集,也是手寫招牌的特色之一。參考北魏碑書風格的招牌

後,經過拆解調整筆畫,進行造字,再進行調整校正,創造 出具有香港特色的書法文字,應用於創作論文「『百年漫 埗』-深水埗社區之資訊圖文創作」。


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Photography

Photography


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Photography


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Kyoto Kyoto Kyoto


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Photography


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Photography


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Bernard Ho’s Portfolio bernard9001@gmail.com

Bernard Ho's Portfolio - "essence 本色"  
Bernard Ho's Portfolio - "essence 本色"  
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