MASTERPIECES FROM THE BEN URI
FRANK AUERBACH
Frank Auerbach's painting Mornington Crescent, Summer Morning II exemplifies the artist’s deeply expressive, tactile style, employing vigorous impasto to capture the dynamism and immediacy of urban landscape Executed with thick, energetic brushstrokes, the work vividly conveys the bustling yet intimate atmosphere of
Mornington Crescent in Camden, London, an area Auerbach inhabited for nearly seven decades The artist’s method involved intensive observation and rigorous preparation, often creating numerous preparatory drawings to distill the essence of his subject This piece reflects his characteristic vibrant palette, dominated by luminous yellows, radiant blues, and earthy reds, articulating the warmth and brightness of a summer morning. The buildings and streets appear both abstracted and distinctly recognizable, testifying to Auerbach's ability to simultaneously convey the essence and physicality of place. Embedded within the painting’s tactile surface is a deeply personal response to his familiar surroundings, echoing his connection to the local environment that repeatedly inspired his oeuvre Auerbach’s painterly language, developed from his formative years under David Bomberg and alongside Leon Kossoff, demonstrates his enduring commitment to figurative painting amidst shifting artistic movements, contributing significantly to the legacy of the so-called 'School of London'
Painter Frank Auerbach was born to Jewish parents in Berlin, Germany on 29 April 1931 and, following the rise of Nazism, was sent to England in 1939 via a private scheme set up by the British-born writer Iris Origo his parents, who remained behind, subsequently perished in concentration camps. Auerbach spent his child-
hood at Bunce Court, a progressive boarding school in Kent for Jewish refugee children He attended St Martin’s School of Art (1948–52) and studied at David Bomberg’s evening classes at Borough Polytechnic together with Leon Kossoff, as well as at the Royal College of Art (1952–55) In 1956 Auerbach participated in a group show at Ben Uri Gallery, and in the same year was given his first solo exhibition by dealer Helen Lessore at the Beaux-Arts Gallery, where he exhibited regularly until 1963 The artist was for many years represented by the Marlborough Galleries in London, and then by Marlborough's former Director Geoffrey Parton. In 1976 Auerbach was one of a loose group of figurative painters selected by R. B. Kitaj for the exhibition 'The Human Clay', giving rise to the controversial label 'The School of London', although he stated that he did not feel part of this or any group
Auerbach occupied the same studio in Mornington Crescent (formerly occupied by Kossoff, and before him Gustav Metzger) in Camden for almost 70 years and the surrounding area was a frequent subject in his painting, executed in a characteristic vigorous impasto, for which he mades often hundreds of preliminary drawings. He focused on a close circle of family and friends as sitters including E. O. W. (Estella Olive West), Juliet Yardley Mills, his wife Julia (née Wolstenholme) and art historian and curator Catherine Lampert Auerbach had retrospectives at the Hayward Gallery (1978) and Tate Britain (2015) and numerous solo exhibitions including at the British Pavilion in the 1986 Venice Biennale and the Rijksmuseum, Amsterdam (1989) Frank Auerbach died in London, England on 11 November 2024 His work is included in numerous collections throughout the UK including Abbot Hall, the Arts Council, the Ben Uri Collection, the British Council, Pallant House Gallery, the National Gallery, the National Galleries of Scotland, the Royal College of Art, and Tate, as well as many international collections.
FOR FURTHER INFORMATION:
COLLECTION: https://benuri.org/collections/
BURU: https://www.buru.org.uk/
