Bendigo Magazine - Issue 79 - Winter 2025 by Bendigo Magazine

THE PRD

Experiencing the PRD Difference at PRD Real Estate, Bendigo.

In the competitive world of real estate, PRD Real Estate Bendigo sets itself apart through a commitment to community, market expertise, and a personalised client experience. More than just an agency, PRD Real Estate Bendigo is a trusted local partner, guiding buyers, sellers, and investors with genuine care and local knowledge.

R EAL ESTAT E

R EAL ESTAT E

What defines the "PRD difference" is the team’s deep connection to Bendigo and its surrounding regions. Their agents live and work locally, offering clients an insider’s view of the market and tailored advice to suit individual needs. Whether you're looking to buy your first home, sell a property, or grow a portfolio, the PRD team ensures your journey is smooth and well-informed.

R EAL ESTAT E

One of PRD Bendigo’s most distinctive traits is its commitment to giving back. The agency launched the PRD Bendigo Community First Fund in 2024—an initiative where a portion of every property sale is donated to local charities and community causes. Their first donation of $40,000 to Sunshine Bendigo reflects their promise to make a meaningful difference beyond real estate transactions.

Backed by the national PRD network, the Bendigo office has access to extensive resources, market research, and cutting-edge technology. Yet it maintains a down-to-earth, approachable culture. Clients benefit from professional photography, home staging, styling consultations, and utility connection services, all designed to enhance the property experience.

PRD Bendigo’s reputation for excellence is well-earned. The office has received multiple national awards, including their recent Platinum Sales Award & being named the number 2 office Australia Wide, underscoring its high performance, innovation, and dedication to client success.

Choosing PRD Real Estate Bendigo means working with a team that listens, supports, and delivers.

To explore the full range of services and see how they can make a difference in your property journey, visit www. prdbendigo.com.au. Experience the PRD difference for yourself.

Choosing PRD Real Estate Bendigo means working with a team that listens, supports, and delivers.

To explore the full range of services and see how they can make a difference in your property journey, visit www. prdbendigo.com.au. Experience the PRD difference for yourself.

Choosing PRD Real Estate Bendigo means working with a team that listens, supports, and delivers.

To explore the full range of services and see how they can make a difference in your property journey, visit www. prdbendigo.com.au. Experience the PRD difference for yourself.

PROVIDING

SUPPORT, COMFORT

PROVIDING SUPPORT, COMFORT AND CARE FOR PEOPLE AFFECTED BY CANCER

AND CARE FOR PEOPLE AFFECTED BY CANCER

BY CANCER

PROVIDING SUPPORT, COMFORT AND CARE FOR PEOPLE AFFECTED BY

CANCER

We’re going Dry this July to raise money for updates to our palliative care facilities.

Go Dry this July to improve outcomes for local cancer patients by enhancing the equipment and support available.

dear reader,

There’s something about winter that invites reflection — the quiet streets, the warm lights glowing behind shopfront windows, the scent of coffee drifting from your favourite café. It’s a season that encourages us to pause, connect, and immerse ourselves in the stories that shape our community. In this issue of Bendigo Magazine, we celebrate the richness of winter in central Victoria, from the powerful music of the Keys of Gold Classical Music Festival to the heartfelt legacy behind Central Deborah Gold Mine’s preservation. We step inside local artist studios during Open Studios weekend, share in moving stories of organ donation, and revel in a night of giving at the Gala Ball. Whether it’s a family day at the Sheep & Wool Show or a cosy breakfast at Percy and Percy, each feature is a snapshot of the creativity, compassion and culture that make this region shine. As always, it’s the people that bring these pages to life. So grab a blanket, pour yourself something warm, and take a moment to turn the pages. We hope you enjoy reading this issue as much as we’ve loved creating it.

The Bendigo Magazine Team

MANAGING EDITOR

Dustin Schilling

PHOTOGRAPHERS

Leon Schoots, AJ Taylor, Daniel Soncin, Bryanna Colliver, Olivia Johnson and Tyler O’Keefe WRITERS

Dianne Dempsey, Geoff Hocking, Lauren Mitchell, Raelee Tuckerman and Marina Williams

CONTRIBUTORS

Stephanie Dunne and Marie McNamara

PRINT MANAGER

Nigel Quirk

ADVERTISING advertising@bendigomagazine.com.au

PO Box 5003

Bendigo, VIC 3550 Phone: 0438 393 198

Bendigo Magazine takes all care but accepts no responsibility for unsolicited materials. Bendigo Magazine holds copyright to all content unless otherwise stated. ISSN 1833-1289. While every effort has been made to ensure the accuracy of the information in this publication, the publisher accepts no responsibility or liability for any errors, omissions or resultant consequences including any loss or damage arising from reliance on information in this publication. The views expressed are not necessarily endorsed by the editor or the publisher.

SCAN ME

BENDIGO VISITOR CENTRE

Open daily (except Christmas Day) 9am-5pm or freecall on 1800 813 153.

SHOWCASING THE BEST OF BENDIGO

Start your Bendigo experience by talking to a local at the Bendigo Visitor Centre.

Located in the historic post o ce building on Pall Mall:

• Book your accommodation and ﬁnd places to stay

• Buy tickets to events and our main attractions

• Explore with maps, guide books and local knowledge

• Collect unique gifts and souvenirs at Uniquely Bendigo

• Taste the region and purchase specialty produce

• Connect with local artists and creatives in the Living Art Space

• Discover culture in Djaa Djuwima, our First Nations Gallery

• Join a heritage building tour and uncover our unique history

Bendigo

ARTS & ENTERTAINMENT

16 Keys of

31 Forged in

- David Ruffell

48 Quiet breath of music

- Masahide Kurita

FOOD, WINE & HOME

54 Grapes, grit and generations - Sandhurst Ridge Winery

68 Red handed - Wine tasting

74 Boldly re-invented

- Recipe with Beau Cook 80 Home reimagined

- Home feature

Say hello to an investment for everyone BUM

There’s just one thing that truly connects everyone in Bendigo!

This year we’re embarking on a once-in-a-generation upgrade to the massive network of pipes, pumps, and plant that will ensure we continue to meet the needs of every ‘bum’ in Bendigo today, and tomorrow.

The Bendigo Water Reclamation Plant is a critical piece of community infrastructure. It’s vital for our health, for the lifestyle we love, our parks and gardens, and for Bendigo’s future growth and success.

So, why not follow the journey as your ‘business’ makes its way to what will be a more efficient and sustainable reclamation and recycling plant, delivering benefits for every... bum.

You can learn more at connect.coliban.com.au/bendigo-wrp-upgrade-project

Your ‘business’ is our business

Follow the project on social media

$82.6 million contract

metres3

One of the biggest infrastructure projects in Bendigo in recent years

Enough concrete to build a path from Bendigo to the top of Mt Hotham

Enough steel to rebuild our Rosalind Park poppet head 700 times

Enough fill material to cover the MCG to a depth of 14 metres

More of the sustainable alternative to fertiliser ready for reuse

seasons of story

Bendigo comes alive this winter with vibrant festivals, captivating performances, and rich traditions, celebrating the spirit of community through art, history and unforgettable experiences for all ages.

WOOLLY WONDERLAND RETURNS FOR 2025

Australia’s largest celebration of wool, meat and livestock is back as the Australian Sheep & Wool Show returns to Bendigo’s Prince of Wales Showgrounds from July 18–20, promising a weekend of fibre, fashion and farmyard fun.

More than 30,000 visitors are expected to descend on the city for the three-day event, which showcases over 3000 sheep from across 30 different breeds and welcomes 400 exhibitors from around the country.

Whether you’re a farmer, fashionista or simply curious, the show has something for everyone. See world-class shearers in action at the Northern Shears competition, browse high-end garments at the Australian Wool Fashion Parades, or explore hands-on displays in the Festival of Lamb marquee.

This year’s feature breed is the White Suffolk, marking 40 years of the Australian White Suffolk Association. Meanwhile, the everpopular Woolcraft competition will see artists interpret the theme “Where the road leads us” through stunning textile works. From kids’ entertainment and educational hubs to fine food, farm dogs and fibre art, the Australian Sheep & Wool Show delivers an immersive celebration of all things woolly. For tickets and event details, visit sheepshow.com

BIG BROTHER TAKES THE STAGE

George Orwell’s dystopian masterpiece 1984 comes to life in a bold and unforgettable production at Bendigo’s Ulumbarra Theatre on August 22.

Presented by the multi-award-winning team at Shake & Stir, known for their gripping adaptations of Frankenstein, Animal Farm and Jane Eyre, this electrifying take on 1984 thrusts audiences into a world of surveillance, control and resistance.

Follow Winston Smith, a quiet editor at the Ministry of Truth, as he dares to commit the ultimate act of rebellion by writing down his thoughts. As his defiance grows, so too does the grip of The Party and its ever-watchful leader, Big Brother. Captured and imprisoned in the Ministry of Love, Winston is pushed to the limits of mind and spirit in a chilling fight for freedom.

With powerful performances, immersive staging and razor-sharp direction, this stage version of 1984 is as timely as ever, offering a haunting reflection on power, truth and the resilience of the human will. Tense, thrilling and deeply provocative, the production will keep audiences on the edge of their seats as it explores the terrifying cost of individual thought in a world ruled by fear.

This one-night-only performance is expected to sell out quickly. Secure your seats now at gotix.com.au

WORDS THAT INSPIRE

The Bendigo Writers Festival returns from August 15–17, inviting readers, writers and thinkers to gather in the city for a weekend of big ideas, brilliant conversation and literary discovery.

Now in its 14th year, the festival continues to grow as one of regional Australia’s most anticipated cultural events, featuring more than 80 authors and over 60 sessions across key venues in Bendigo’s historic arts precinct.

From insightful panel discussions to lively debates and thoughtprovoking talks, the 2025 program will explore everything from climate and politics to food, storytelling and identity. Highlights include Indian artist Ita Mehrotra’s session on visual storytelling through graphic non-fiction, and the return of the ever-popular “In Conversation” series with leading Australian authors.

Families can also enjoy a dedicated kids’ program, while foodies will be treated to a special dinner event with Chin Chin chef Benjamin Cooper, reflecting on his culinary journey and new cookbook Still Hungry.

Whether you’re a page-turning book lover or simply curious about the world, the Bendigo Writers Festival offers a weekend of connection, creativity and inspiration.

For full program details, visit bendigowritersfestival.com.au

A new approach to dementia support

Caring for someone with dementia? You’re not alone.

GreenConnect offers nature-based activities and experiences that bring joy, connection, and support to people living with early to mid-stage dementia, together with their carers.

This free, government funded initiative provides a refreshing alternative to traditional dementia support. People living with dementia and their carers can enjoy nature-based activities, social connection, and engaging experiences in welcoming, dementiainclusive environments.

“[My partner] was relaxed and really happy on the day... He’s excited for the next trip too [and] I’m sleeping better at night now.”

– GreenConnect carer

For families and carers

Share meaningful experiences with your loved one in safe, natural settings.

For health professionals

Refer patients to a nature-based program that enhances wellbeing.

WINTER WARMERS AT PERCY AND PERCY

Cosy comforts and familiar favourites return to one of Bendigo’s most loved cafés.

As the chill sets in across Bendigo, Percy and Percy is once again proving why it remains a firm favourite with locals and visitors alike. Tucked into a quiet corner of Hargreaves Street, this café is steeped in history and buzzing with modern charm. Its newly launched winter menu is designed to warm you from the inside out.

The team at Percy and Percy continues to blend the best of comforting hospitality, inventive food, and community spirit. Named after the building’s former tenants, Percy Watts and Percy Forbes, the café balances nostalgia with creativity. This season’s menu is no exception.

For those with a sweet tooth, the Overnight Biscoff Oats or the indulgent Apple and Cinnamon Pancakes offer a deliciously cosy start to the day. If savoury is more your style, the Patatas Bravas deliver just the right amount of spice and comfort. Parents will also appreciate the kids breakfast board — a fun and thoughtful option designed to keep little ones happy and entertained while mum and dad enjoy their morning meals.

On the lunch menu, standouts include the hearty Buttermilk Fried Chicken Burger, flavour-packed House-made Zucchini Falafels and a winter-perfect Pan-fried Crispy Salmon.

Whether you’re catching up over coffee, enjoying a slow morning or looking for a satisfying lunch in a stylish yet relaxed setting, Percy and Percy’s winter offering is sure to hit the spot.

Percy and Percy is located at 110 Hargreaves Street, Bendigo. Visit percyandpercy.com.au or phone 5442 2997.

savour, celebrate, stay

Warm up with comfort food, dress up for a night of giving, or wind down by the river. Our local businesses bring flavour, elegance and relaxation to regional Victoria in equal measure.

WHERE THE WAVES BREAK

Bendigo author and wellbeing coach Gayle Wilson bares it all in her moving memoir Where the Waves Break, released in 2025.

A deeply personal account of family trauma, addiction and tragic loss, Gayle’s story offers raw insight into the complexities many families face in silence. Through heartbreak and healing, she discovers how the stillness of grief became the space she needed to reconnect - with herself, her purpose, and eventually, her family.

Told with honesty, humour and heart, this book is both a personal reckoning and a compassionate guide for others walking similar paths.

“Raw and tender, this book reminds you you’re not alone and that it’s still possible to choose life, even after the storm.” – Kat John, speaker, podcast host, and author of Authentic.

Where the Waves Break is a brave, hopeful offering that reminds us healing is always possible and that even after life’s darkest storms, we can learn to rise.

Available now at soulcarehealing.com.au

A NIGHT OF GIVING IN STYLE

The McKean McGregor Gala Ball dazzled Bendigo once again in 2025.

Bendigo’s Red Energy Arena was transformed into an elegant evening of generosity and celebration as the 2025 McKean McGregor Gala Ball unfolded on Saturday, June 14. A highlight of the city’s social calendar, the formal event welcomed more than 950 guests, all gathered in support of Bendigo Health’s Cancer Wellness Program.

The night began on a high note with a captivating performance by local violinist Evangeline Victoria, whose contemporary renditions set an elegant tone for the evening. Guests enjoyed a three-course fine dining experience, live entertainment by the Baker Boys Band and both silent and live auctions.

Among the standout auction items were a luxury getaway to Western Australia, a Toyota Hilux 4x4 SR5, VIP experiences at Flemington and Marvel Stadium and bespoke artworks donated by local artists.

Funds raised from the evening will support the Cancer Wellness Program, which provides free services such as counselling, massage, yoga and meditation to patients and their families.

Last year’s event raised over $254,000. This year, an outstanding $252,820 was raised for this vital cause, bringing the total raised from the event over the past four years to $935,436.

For more details or to support the program, visit mckeanmcgregor.com.au

STAY BY THE RIVER

Nestled in the heart of Mildura, the Commodore Motel offers a blend of comfort and convenience, making it an ideal choice for both business and leisure travellers. Situated at the corner of Deakin Avenue and Seventh Street, the motel is directly opposite the picturesque Murray River and within easy walking distance to the city’s vibrant shopping and dining precincts.

The Commodore Motel features a variety of modern rooms designed with contemporary décor and guest comfort in mind. Options range from Riverside Suites with views of the lush Seventh Street lawns and distant glimpses of the Murray River, to Poolside Suites that overlook the sparkling outdoor pool. For those seeking a touch of luxury, the Spa Suites offer spacious open-plan living with corner spas, perfect for relaxation.

Guests can enjoy amenities such as complimentary wi-fi, off-street parking, a guest laundry, and a large swimming pool. The motel also offers a conference room, catering to business needs.

With a reputation for cleanliness and friendly service, the Commodore Motel Mildura provides a welcoming base for exploring the region’s attractions, including the nearby Murray River and local entertainment venues.

For more information or to make a reservation, visit commodoremildura.com.au

Golden vision lives on

A powerful new book by Desmond Beer pays tribute to his late brother Ray, whose vision helped preserve Central Deborah Gold Mine as a lasting symbol of Bendigo’s golden heritage.

For Bendigonians, the Central Deborah Gold Mine isn’t just a tourist attraction, it’s the living, breathing heart of our golden city. And now, thanks to the heartfelt work of Desmond Beer, the story behind its rebirth is being told like never before.

In his soon-to-be-released book Ray Beer’s Vision: The Central Deborah Gold Mine Story, Desmond (known also by his pen name Danial Kenneth Mason) takes readers deep underground, not just into the mine’s labyrinthine tunnels but into the life of his late brother Ray Beer, the man whose vision ensured the mine’s stories would echo far beyond its working days.

For Desmond, this book is more than a historical account. It’s a deeply personal journey.

“Ray wasn’t just a mine manager to me, he was my brother, my hero. This book is my way of honouring his tireless work to keep Bendigo’s golden spirit alive,” says Desmond.

Through rare photographs, untold stories and the voices of miners and families who lived through the mining era, the book brings to life a city

forged by grit, community and a stubborn pride that never fades. It also traces Bendigo’s early golden beginnings in 1851, setting the stage for Central Deborah’s place in that enduring legacy.

But this isn’t only about the past. Desmond’s book ensures that Ray Beer’s dream for the mine’s future lives on, with all proceeds supporting the Bendigo Heritage Trust’s mission to preserve Central Deborah for generations to come.

This beautifully crafted volume is more than a keepsake; it’s an invitation to remember, reflect and reconnect with the golden heart of our city.

The publication has been made possible thanks to the generous support of principal sponsor Fosterville Gold Mine, with its commitment to preserving Bendigo’s living heritage deeply appreciated.

Speaker of the Legislative Assembly and Member for Bendigo West Maree Edwards, whose advocacy for regional stories and cultural heritage continues to inspire, has also endorsed the book.

Ray Beer’s Vision: The Central Deborah Gold Mine Story will be available soon at Bendigo Heritage Attractions, local bookstores and online.

Photographs supplied.

•

keys of gold

An upcoming festival explores the region’s historical churches and the gold-inspired instruments hidden within them.

By Dianne Dempsey - Photography by Leon Schoots

To appreciate the story of the inaugural Keys of Gold Classical Music Festival, you really must go to its heart – virtuoso concert organist Thomas Heywood. With an unparalleled reputation as one of the world’s best, he’s brought to Bendigo his love of organ music and a commitment to preserving our unique pipe organ heritage.

While based in Melbourne and pursuing his international career, Thomas nursed a vision of buying a historical property with the capacity to house a pipe organ. His intention was to host music recitals for the general public, all of which led him and wife Simone Heywood to purchase Bendigo’s Langley Estate in 2010.

Having bought the mansion, Thomas decided he ought to buy a church and moved the historic 1873 Lauriston Chapel onto the grounds at Langley. He was then able to have his very own, rather magnificent, 1875 pipe organ installed.

Last January, to celebrate the restoration of his organ with its 1300 organ pipes, Thomas gave a performance that acknowledged the most poignant aspect of Langley Estate – its function as a rehabilitation hospital caring for the broken soldiers of World War I. “I played Albinoni’s Adagio in G Minor, the music which haunts Peter Weir’s film Gallipoli,” Thomas says.

His choice of music provided a moving tribute to the soldiers and staff who once frequented the grounds of Thomas and Simone’s home. Operating as the Diggers’ Red Cross Convalescent Home, Langley was a place of peace and rest for the veterans from 1919 to 1926.

Thomas has now moved onto the final stage of his grand plan: the establishment of an annual festival of organ music.

Bendigo’s Keys of Gold Classical Music Festival features unique keyboard instruments, including a Steinway concert grand piano selected by Vladimir Ashkenazy. Each concert venue also features our glorious church buildings.

Inspired by the vision of the great Victorian architect William Vahland to make Bendigo the ‘Vienna of the South’, the festival will bring back to the city and its surrounds the sounds and sights of our rich history.

For the colonists, the epitome of civilisation was to be found in classical and sacred music, and the precious concerts held within the hallowed spaces of 19th century churches.

A fine example of where organ music flourished is Christ Church, on Agitation Hill in Castlemaine. Built from local sandstone in 1858, Christ Church overlooked the Camp Reserve and proudly announced to the colonists the supremacy of the Anglican faith.

In her history of Christ Church, Esma L. Carr quotes from The Mount Alexander Mail (August 1875): “Having become tired of the harmonium… the choir concluded negotiations with the leading organ builders in Melbourne for a first-class instrument.” Indeed, the leading installers were Robert Mckenzie and Co, who were also responsible for the installation of the magnificent and totally overwhelming Melbourne Town Hall organ. In 1888, the present Christ Church organ was installed by George Fincham, who followed on from Robert Mckenzie in his organ business. Since then, the organ has been rebuilt, enlarged and restored and is currently tuned four times a year.

Michael Bottomly took over his father’s role as Christ Church director of music in 2008. Today, in the dimly lit church with the sun shining through the stained-glass windows, Michael approaches the organ as a dear friend. He is proud to introduce me to its lovely features: the ornate paintwork on the pipes, the inner chamber into which we climb and peer around. The organ is a mysterious, beautiful and rare thing.

“It has often been a friend to me,” Michael says. “I have spent many hours here with it. During COVID, it was such a strange time, it really did give me some consolation.”

Both Michael Bottomly and Thomas Heywood have a firm belief that, as public spaces, the beautiful churches scattered throughout Central Victoria are underutilised. They would like to see them filled with more life; taken over by more people for singing, dancing and story-telling, as well as for listening to organ music.

Thomas also believes organs are the souls of the church and that the swelling, emotional chords are designed to give parishioners relief from the hard graft of everyday life. The music was for the workers of the parish as well as for the parsons and the petticoats.

Thomas’s mission is almost complete. Having uncovered the unique organs and keyboard instruments that are hidden in local churches, and mustered support from locals in the form of registered charity Bendigo Fine Music, Thomas will present the first Classical Music Festival in July. Inspired by the Cambridge Summer Music Festival in the UK, Thomas anticipates that the Classical Music Festival will also attract thousands of patrons each year.

Sixteen concerts will be held across four weekends in 11 venues in Bendigo, Castlemaine, Inglewood and Maldon, with 27 instruments and 45 performers. There will be opera singers and trumpets, cellos and flutes, but predominantly there will be the souls of the churches, the organs.

For further information, visit bendigofinemusic.com

POURING SUCCESS

In the heart of Bendigo, the community gathered for the ultimate showcase of the region’s thriving wine scene.

After another successful vintage, local wineries offered samples of their carefully crafted wines at the Strategem Bendigo Winemakers Festival. Rosalind Park was buzzing with energy during the festival, especially once the grape stomp challenge got under way.

Belinda, Tegan, Lucy and Leah

Michelle, Roz and Lesley

Anna, Rachel, Jessica and Jaime

Brodie, Fatima and Magnolia

Nick, Larissa, Beck and Troy

Kate, Laura, Bec, Jacqui and Mel

FRENCH FILM FRENZY

French cinema took centre stage as the 36th Alliance Française French Film Festival arrived in town.

Over three days, Star Cinema treated film fanatics to seven acclaimed contemporary movies as part of the festival’s national tour, kicking off with one of France’s biggest hits of the year, Monsieur Aznavour.

• Victorian Certificate of Education (VCE)

• VCE Vocational Major (VCE VM)

• VCE Vocational Education and Training (VCE VET)

• Year 10 acceleration encouraged

Enrolments due Thursday 31 July, 2025 for Years 10 – 12, 2026 2026 subject selections due 18 August 2025

Enrolment and tour enquiries: Audra Petri, College Registrar 5445 9100 | enrolment@cmc.vic.edu.au

Caroline and Damien

Greg and Lynne

Sally and Jason

Dianne and Pam

Mike, Jasmine and Adrienne

Shenoli, Carol, Sammi, Diana, Brad and Sarah

studio doors behind the

From forest hideaways to garden retreats, Bendigo Open Studios invites you inside the workspaces and minds of local artists. Witness creativity in action and discover the stories behind the art.

By Dianne Dempsey - Photography by Leon Schoots

Having laboriously designed and prepared a range of stencils, carefully chosen the colour and pressed that colour through the stretched texture of the fabric using a squeegee, the great moment of excitement occurs when the artist lifts the silk screen off the fabric, to finally reveal the printed image she has just created.

Screen printer Libby Noblet says: “I tell my students that creating screen prints is comparable to climbing to the top of a mountain slope, only to realise your exhilarating ski-run down the slope may only last for a few moments.”

Libby impresses upon her students that the thrill of the big reveal will often make up for those lonely hours of self-doubt and sheer, physical, hard work.

Having witnessed Libby demonstrating her technique, I can confidently say there is nothing quite like observing an artist create magic.

Now in its fourth year, and held over three days, the Bendigo Open Studios program features some 40 artists who annually prepare themselves for the curious gaze of the general public.

While the program mostly features individual studios, some of the artists, such as sculptors Yvonne George and Leanne Grylls, share their spaces; in their case, the Bendigo Pottery.

Most studios, however, are in the artists’ gardens. At the bottom of Libby Noblet’s garden, along with the fairies, you will find a building that is just as intriguing as her artwork. Built out of a variety of materials, including windows from the old Kennington primary school, it clearly signals that it is holding the tools of a creative designer.

“People love visiting here,” Libby says. “And visitors come from everywhere for the weekend. They make contacts here and gain further insights into their own practice.”

As well as sharing their skills, artists use the opportunity to sell their work, which can range from Terry Jarvis’s watercolours to Milton Long’s jewellery.

The other significant aspect of Bendigo Open Studios is the opportunity it affords the artists to enjoy a collegiate experience and talk about their respective careers. The program traditionally starts with a drinks party where participants enjoy socialising together.

Organising committee member Roz Effenberg says the program was initiated by sculptor Ian Dodd, who was looking for an artists’ collective when he arrived in Bendigo; a place where he could share ideas and adventures with colleagues. And of course, cultivate mutual support. As Libby says, somewhat ironically: “I love it when I connect with other artists – it inspires me to get back to work.”

Watercolourist Terry Jarvis, whose studio will also be opened to the public, says for the most part he connects with artists at gallery exhibitions, or at an opening or when he’s picking up after a show. “It is always good to catch up and maybe point out opportunities for each other, such as further exhibitions,” Terry says. He also enjoys painting ‘plein air’ with other artists, where they sit together in the landscape, in companionable silence.

Indeed, a trip to Terry’s studio will quickly inform the visitor of the essence of his work. Nestled in the heart of the Wellsford Forest, his gallery is brimming with artwork restating the forest about him.

“I am inspired every day by the kangaroos amongst the gum trees and the ever-changing beauty of the forest. I love the challenge that every watercolour painting brings, to catch the light and those special moments in time,” he says.

Of the Bendigo Open Studios program, he observes there are artists in Central Victoria with a national and international presence who are opening up their studios to share with our community.

“This is always an opportunity for both the public to understand art and the artists in a deeper and more meaningful way; and also for the artist to understand public perception towards artists and their practice,”

Terry says.

Partly funded by Rotary, the Open Studios program is run on a voluntary basis and is a demonstration of generous community activity. While the program doesn’t receive government funding, according to Roz Effenberg it boosts the local economy by attracting visitors who spend money on artworks, workshops, and other experiences.

“Additionally,” Roz says, “our program supports surrounding businesses, such as cafés, motels, restaurants and retail shops, benefiting the broader community.”

Artists on the organising committee include Roz Effenberg, Libby Noblet, Terry Jarvis, Liz McKenzie and Tony Day. “One of our important jobs is to make sure the studios meet safety standards and are attractively presented,” Roz says.

Open Studios will be held from Friday, October 10, through to Sunday, October 12. For more information, visit www.bendigoopenstudios.org

15 March – 13 July 2025

Featuring Kahlo’s personal belongings, clothing, make-up and art from the Museo Frida Kahlo for the first time in Australia. Bendigo International Collections

Book online prior to your visit: bendigoartgallery.com.au

Image: Frida Kahlo in blue satin blouse, 1939, photograph by Nickolas Muray

Nickolas Muray

forged in family

For 25 years, artisan jeweller David Ruffell has shaped memories in gold and stone. At Ruffell Jewellers in Bendigo, every piece tells a story – and his own is etched with craftsmanship, family and trust.

By Marina Williams - Photography by Leon Schoots

Step inside Ruffell Jewellers in the heart of Bendigo and you’ll notice more than the sparkle behind the glass. There’s quiet precision in the workshop, warmth in the welcome, and the steady rhythm of something time-honoured and evolving.

That’s where you’ll find David Ruffell, an artisan jeweller marking 25 years shaped by craftsmanship, relationships and meaningful design.

“I can’t think of a better word than romance,” David says, pausing between fittings. “There’s a romance in continuing what my dad started – doing something with your hands that lasts, that means something to someone.”

It’s a sentiment that hasn’t dimmed since he first joined the family business as a teenager. At 16, he began his apprenticeship under the watchful eye of his father, Martin Ruffell. Now semi-retired and living interstate, Martin remembers the early days well.

“He told his grandmother he was going to be a jeweller like me,” Martin recalls. “She said, ‘He’s just taking the easy way out’. But he’s long proven himself – to everyone. He’s a better businessman than I ever was. Technically, he’s my equal. Creatively, he’s carved his own path.”

That path has been shaped by a deep respect for both the traditional and the personal. “Jewellery is intimate,” David says. “It marks the

most significant moments in people’s lives – engagements, weddings, anniversaries, even loss. You can’t mass-produce that kind of meaning.”

While much of the work is hands-on – sketching designs, carving wax moulds, setting stones – David embraces new technologies where they add value. “CAD (computer-aided design) helps clients visualise a piece before it’s made,” David says. “But sitting down and sketching together – that connection matters just as much.”

That connection is what keeps clients coming back, many for decades.

Michaela is one such client. “I had my first ring made by David when I was 17 and still wear it to this day, some 24 years on,” she says. “His work has always been quality and his service second to none.”

Her diamond ‘floating moon’ engagement ring remains a standout. “My now-husband chose the stone with David,” she says. “A custom wedding band and diamond eternity ring sit either side perfectly. I get comments on the set daily.”

Brock, another long-time customer, speaks just as warmly. “David made my wife’s engagement ring and both our wedding bands,” he says. “We came in with ideas and a budget. He found the stones, helped refine the concept, and created something that was exactly right. And when you walk into the shop, it reflects who David is – everything has its place, everything is deliberate.”

That deliberate approach is something David learned early, and continues to refine. “You can’t rush this kind of work,” he says. “Sometimes a job needs to sit for a while. You look at it again with fresh eyes, or you talk it through with someone you trust. Dad and I still do that – we bounce ideas back and forth.”

Ruffell Jewellers first opened its doors in 1985, a partnership between Martin Ruffell and a fellow jeweller, before becoming a family-run business that has served generations of Bendigo locals.

The father–son collaboration has endured, even across state lines. “We still share jobs,” Martin says. “Sometimes he’ll call and say, ‘Dad, I think you’ll do a better job on this one,’ and I’ll do the same with him on business stuff.”

That blend of tradition and evolution has allowed Ruffell Jewellers to grow without losing its heart. “We’re not the kind of store where you’re sold to,” David says. “We’re the kind of place where you’re heard.”

Over the years, that philosophy has nurtured multi-generational loyalty. “We’ve had customers bring in their kids to get engagement rings, and I made the parents’ wedding rings decades ago,” he says. “There’s something really special in that.”

For Martin, who is now in his 50th year as a jeweller, watching David carry the torch is a point of pride. “He’s got all the skills – design, technique, business – and he’s brought a more modern take to the business without losing the essence of what it’s about,” he says. “I’m proud of what he’s built. And I know the clients are too.”

As for the next 25 years?

David smiles. “I still love what I do. It’s creative. It’s hands-on. It’s meaningful. There’s no better feeling than seeing someone put on a piece you made and watching their face light up.”

In a fast world of instant everything, slow, considered craftsmanship is worth celebrating – and in Bendigo, it’s found at the bench of a jeweller who sees every job as personal.

GOLD MEETS GLORY AT RACE DAY

People from Bendigo and beyond poured into the Bendigo Jockey Club for a thrilling day of country racing at its finest.

The 2025 Golden Mile Race Day saw gelding Regal Zeus take out the grand prize, cheered on by punters dressed in country casual, with the most stylish strutting their stuff for the Fashions on the Field contest.

We look forward to welcoming you seven days a week with our traditional opening hours. The Das Kaﬀeehaus & Coﬀee Basics Team

Alicia and Simone

Terri and Darrell

Alex and Meredith

Cooper and Sienna

Karen and Jason

Tyler and Ben

FRESHLY ROASTED IN CASTLEMAINE

EASTER ART EXTRAVAGANZA

The beautiful Bendigo Town Hall became even more spectacular over the Easter long weekend.

The Rotary Bendigo Easter Art Show transformed the space, exhibiting over 900 drawings and paintings masterfully created by artists from around the state. Patrons keen to find their dream painting attended a special preview and awards evening the night before the official opening.

Bec and Vern

Gabby and Kay

Lucia and Katarina

Corey, Lucas and Maia

Greg and Rhonda

Trudi and Helen

it begins with us

It only takes a few seconds to make a catastrophic mistake on the road. Marianne McNamara takes us into the heart of transformative seminars, and shares her own story.

Photography by Leon Schoots

He doesn’t want to be here. He waits until the very last minute before he enters the nondescript, brown brick building in Strathdale. He finds the nearest chair and slumps into it, bending his head over his phone. Tattoos crawl up his muscled forearms and neck and his legs are spread wide. One foot jiggles. I can smell his unease from where I sit.

Another arrives, and another, and none of them want to be here. Minimal eye contact, they murmur their names when asked and fold in upon themselves. They snatch quick, evaluative glances at us, trying to anticipate what’s to come.

Sometimes there are women, but more often they’re men, young and formerly brash. The police and the court have scrubbed off some of their boldness.

Soon, the road trauma seminar begins and an early question in a neutral tone from facilitator Natalie Stanway is, what choices brought you here?

Now wait for the almost inevitable minimising of facts: he was “a bit quick” (160kmh in a 50kmh zone); he was drink-driving, but only admits when pressed to multiple convictions; or he’d had “a couple of drinks” but actually, he was over 0.15.

Only occasionally is their remorse such that they give up their culpability readily, like the young tradie fresh from prison who admitted he’d lost home, family and business to drug-driving (methamphetamines).

They come to the road trauma awareness seminars run by Amber Community, a road incident support and education not-for-profit, because they’ve broken the rules and been caught. Or worse, they’ve harmed or killed someone.

Through these monthly seminars, the hope is for behavioural change. The Melbourne-based, statewide road organisation runs evenings like this in more than 20 locations across Victoria.

In the first 30 minutes, Natalie (an SES volunteer whose daytime job is in emergency management) explores some common misconceptions about road use.

For example, how many deaths have there been on Victorian roads this year? This is typically underestimated but as of May 12, 2025, it was 112. Or, are males or females more likely to lose their lives on the road? This is often guessed correctly, if bashfully, because it’s males, of course; they’re risk takers.

By now, attendees have fractionally dropped their guard. They’ve realised we’re not here to judge or punish them, we simply want them to make better choices. By the end of the evening, after hearing from me – the lived experience volunteer speaker – and the SES volunteer or the MICA paramedic, some leave swatting away tears.

My story is this: my sister Christine was seven and I was five when she was killed on a country road. It was witnessed by my then 11-yearold sister Erica. In the following year, our despairing mother tried to kill herself three times. When that failed, she took to her bed and prescription medications, and checked out of life.

Erica and I largely raised ourselves while our heartbroken father buried his grief, worked and provided for us as best he could. It was a home bereft of joy.

My mother blamed the driver, implying he was speeding, but otherwise, it was rarely mentioned.

More than 60 years later, after we had buried our parents, I trawled through public records and traced the driver. I discovered some surprising facts about the accident and my novel, Split Second, is the result.

It’s a work of commercial fiction inspired by what happened to my family, and the truth behind the fiction is in the author’s note at the end of the novel. I’m working with a mentor to polish it until it shines, and then I’ll offer it to publishers.

After me, next on the evening’s agenda is hearing from either SES veteran volunteer Russell Harley (by day a diesel mechanic) or MICA paramedic Matt Nadin, also an SES volunteer.

Russell is a sombre Scot with a thick accent. He’s seen too much on both European and Australian roads. Some seminar attendees may “turn up and breeze through”, but if he can help change the behaviour of one or two drivers, it’s all worthwhile. And he does believe it works.

Matt studies attendees with a quiet intensity and tailors his talk to make an impact. Sometimes he shares a personal story, that of his brother-inlaw. He was a young man who woke up one morning and made a series of bad decisions, including not driving to the conditions and probably not wearing a seatbelt. His life ended on the road that day.

Matt says he has been irreparably changed by the road trauma he’s seen. He doesn’t always sleep well.

By around 9pm, the evening is drawing to a close. Sometimes we know we’ve touched them: it’s in the way they glance our way, or a furtive swipe at a tear. Or it’s the charge in the atmosphere, a pulse of regret, suggesting an urge to do better. Sometimes they simply disappear into the night.

But based on their feedback, most attendees are changed by what they hear. They report improved knowledge of road safety and awareness of the consequences of risk taking.

Here’s one quote: “This session made me aware of the ripple effect… everyone that can be impacted by my bad decision. Everyone from friends and family to the emergency services involved. It’s not worth the risk of endangering everyone’s life, not just my own.”

Marie McNamara is a former daily newspaper journalist, now a palliative care social worker at Bendigo Health. Amber Community offers a range of services, including free counselling, workplace wellbeing and road safety sessions, and programs for young people to promote safe driving. For more information, phone 1300 367 797.

Dynamic Team of Real Estate Professionals

A dynamic team of real estate professionsals

Dynamic Team of Real Estate Professionals

For

Glenn

Michael

Glenn

Drew

the greatest gift

Right now, around 1800 Australians are on the organ waitlist and another 14,000 people on dialysis who could benefit from a kidney transplant. This DonateLife Week – July 27 to August 3 – we shine a light on three locals have been touched by organ and tissue donation in very different ways.

Photography by Leon Schoots

THE DONOR FAMILY

In 2019, much-loved Spring Gully Primary School teacher Mark Stevens had already been on dialysis for a year. Mark was battling end-stage kidney failure and needed a kidney transplant.

Mark and wife Lauren’s friendship circle rallied, and the couple were inundated with sympathetic people in their local community generously offering to donate a kidney to Mark. This kindness is something Lauren will never forget.

“He was an outstanding person in our community and people just jumped at it. So many people wanted to give him a kidney,” says Lauren.

Together, Mark and a close friend started the process with the Australian Paired Kidney Exchange program, with the intention that his friend would become a living donor for an anonymous person, and Mark would receive a kidney from an anonymous person.

Tragically, a week before their next round of testing, Mark suffered a catastrophic medical event that he sadly did not survive. Incredibly, Mark went on to become an organ and tissue donor.

“There’s so much irony in this for our family,” says Lauren. “That we were so close and yet so far, and in a blink of an eye we were on the other side of it.”

Drawing on her own experience, Lauren says it’s an incredibly challenging time for families who are desperately waiting for the gift of organ donation. There’s also the added heaviness that such a gift comes through another family’s loss.

In death, Mark saved one life and transformed two others.

His legacy brings some comfort and a great deal of pride for Lauren and their two daughters.

“I feel so proud of him because I knew organ donation was an incredibly important subject for Mark, and not just because he was on the transplant list himself,” says Lauren.

She wants everyone to know how important it is for people to talk to their family about their donation decision, as well as registering as an organ and tissue donor.

“You can’t underestimate the importance of those conversations because when your loved one is in ICU and you’re faced with having to make that decision in the moment, it’s hard. But it can be made easier if you know what they wanted,” she says.

“Understanding your loved one’s wishes is so important, so please have those conversations. In death, being able to gift somebody a second chance at life really is the ultimate gift.”

Around eight in 10 families say ‘yes’ to donation when you are registered, however this drops to four in 10 when they don’t know your wishes. It’s important to tell your family.

THE RECIPIENT

In a true act of altruism, North Bendigo resident Richard Betteridge would donate blood and plasma every fortnight. It was his way of doing something positive, as someone who enjoyed good health and happiness. Until a shock diagnosis changed everything.

Five-and-a-half years ago, Richard was diagnosed with end-stage, nonalcohol-related cirrhosis – a potentially fatal liver disease. In essence, his liver was failing.

As his condition worsened, he was placed on the organ waiting list. With a life expectancy of only a few months, a liver transplant would be his only hope of survival.

Richard’s deterioration was rapid: he could no longer breathe well, or sleep. He couldn’t garden or run around with his grandchildren.

“I was nauseous, confused and shaking all the time,” he says. “Life consisted of constant swelling, pain and trips to the hospital for procedures. I couldn’t manage very much at all. There was a time where people thought I wasn’t going to make it – including me.”

During Victoria’s COVID lockdown, however, Richard received the call he and his family had been waiting for. A donor liver had become available.

He knew this meant a family somewhere was grieving the loss of a loved one, yet had generously thought of others by donating that loved one’s organs. He will never forget this life-saving act of generosity.

Five years on from his liver transplant, Richard is fighting fit and remains filled with gratitude for his second chance at life.

“My donor is my hero – they saved my life. I am in awe, and I think about them every day.

“There are people all over the country, from babies to seniors, who are waiting for an organ who won’t make it,” Richard adds. “If it weren’t for my donor and their family, I would have been one of those people.

“Please decide to be a donor, discover the facts, and discuss your decision with your family. I can never thank my donor and their family enough for giving me a second chance at life.”

One organ donor can save the lives of up to seven people and change the lives of many more through eye and tissue donation.

THE DONATION NURSE

During a 23-year career as a nurse caring for patients in hospital intensive care units and emergency departments, there were many times Danielle Dobie witnessed tragedy and unimaginable loss. She also had the privilege of standing with families as they said their final goodbyes to their loved ones.

“After 23 years, it changes you,” Danielle says. “You carry those stories and those experiences, and it really teaches you about how fragile life is, the depth of human resilience, and the need for compassion in those moments.”

Danielle went on to join DonateLife Victoria as a nurse donation specialist with Bendigo Health. Transitioning into this specialist nursing role in organ and tissue donation felt like a natural progression.

“I saw this opportunity as a way for me to carry forward my previous experiences and turn them into something meaningful for families,” she says.

“I find it incredibly humbling to witness the strength it takes for families to say ‘yes’ to organ and tissue donation, knowing that it has a profound impact, and their decision can save multiple lives.”

Danielle finds it a great honour to support families through the process of organ donation. Families who, in their darkest hour, are looking at turning their loss into legacy.

“For donor families, it can offer some comfort and provide purpose during their grief. It’s a way for them to honour their loved one,” she says.

“For transplant recipients, it can give them a second chance at life. It might mean a mother gets the chance to watch their child grow, or a teenager gets to return to school, or a grandfather gets to hold his grandchildren.”

For Danielle, it’s also about being present, compassionate, and honouring the lives and the stories she learns about, as these are things she carries with her each day.

Organ donation is a rare and precious gift. Only about 2% of people who die in Australian hospitals meet the criteria required to be an organ donor. A person must die in a hospital ICU or ED in specific circumstances, as organs need to be functioning well to be considered for transplantation.

It only takes one minute to register as an organ and tissue donor at donatelife.gov.au

HUNTING FOR A FUN TIME

Kids of all ages couldn’t contain their excitement as they eagerly searched through piles of straw in pursuit of chocolate eggs.

On Good Friday, more than 85,000 eggs were hidden in Rosalind Park for the popular Vision Australia Easter Egg Hunt, with 23 hunts throughout the day –including an adults-only blindfolded hunt that brought plenty of laughs.

ARLO MACDONALD

“BSSC is bustling with lots of life and personality.”

TIFFANY WILLIAMS

“Balancing learning and freedom has really prepared me for university.”

TERRI FLAHERTY

“Respect is a big thing at BSSC— between students, and between students and teachers.”

ARDEN THACKER

“We have so much flexibility with managing our time in the way that works best.”

BSSC offers the greatest choice of subjects for senior secondary students in Victoria.

With a wide range of flexible learning options, BSSC is designed to create an environment that supports learners at every level.

BSSC OPEN DAY SUNDAY 10 AUGUST, 11AM – 2PM

Take a tour of the college, chat to staff and let us design a study program that’s right for you.

Benji, Alysha, Maddi and Havanah

Lauren and Izzy

Debrah, Reid and Iris

Harmony and Ruby

Quinn, Carter, Ruby, Ella and Addie

Sam, Madeleine, Angela and Eloise

A TORCHLIT TRIBUTE

A beloved Bendigo tradition this year honoured a local legend who gave endlessly to our town.

The La Trobe University Torchlight Procession illuminated the Bendigo CBD in commemoration of the late, great former mayor Rod Fyffe, OAM, with local emergency services, community groups and the Bendigo Chinese Association taking part in the Easter Festival event.

Brett and Aleesha

Dinah and Paul

Jaxson, Jamie, Tom, Mel, Olivia, Jamie and Marcus

Blue. Lucy, Missy and Starzy

Iresh, Pinki, Nishav, Rani, Ailesha and Raj

Lilian, Lana and Skyla

of music quiet breath

For this internationally acclaimed flautist, music has always been more than a career – it’s a calling shaped by discipline, devotion and the enduring power of beauty.

By Marina Williams - Photography by Leon Schoots

Each morning, in a modest studio at a home tucked among the gum trees of Castlemaine, the delicate strains of a flute rise and fall. With precise finger placement and controlled breath, Masahide Kurita coaxes sound from the keys with a fluency honed over decades – more conversation than performance.

It’s a welcoming daily ritual for the Japanese-born, Castlemaine-based flautist, who is artistic director of his own chamber music series.

After decades of performing recitals in Australia, Europe, New Zealand, the US and Japan to sell-out audiences in major concert halls and performance venues, Kuri, as he is affectionately known, says his days are now more balanced.

While the international travel is still there, it’s a gentler rhythm: music, plants, quiet. A walk into town. Rehearsals with chamber groups. Conversations about tone colour and breath control. On weekends, there are concerts to prepare for, or time spent with friends.

“It’s a full life,” he says. “It’s just not as hectic or as loud. I like playing

for people nearby, teaching, walking Bobbie.”

Bobbie is a loving Jack Russell terrier, known for his enthusiastic ‘singing’ during practise sessions, or when his master is recording video performances for his global audience on YouTube (@nokaoiflautist).

“Only when I play the flute,” Kuri laughs. “Maybe it’s the pitch, I don’t know, but he always howls along.”

Kuri shares his life with his partner, also a professional musician, in a home filled with tropical plants – a nod to Kuri’s love of Hawaiian warmth, even if Castlemaine’s frosts mean they stay indoors for now.

“I love that kind of tropical vibe,” he says, “but it’s hard here, very cold and frosty. They must be inside our studio, which makes it very green and lush.”

He practises every day, yet now in his 50s, Kuri says playing has become more instinctive.

“After 45, something changed. Before, I had to think about everything – the tone, the technique. Now I don’t have to think about the flute anymore. I can focus only on the music.”

That wasn’t always the case. Born in Utsunomiya, Japan, Kuri began playing the piano at five, then the trumpet, before falling in love with the flute after seeing a televised recital by Sir James Galway. “The sound, the gold flute – it was amazing,” he recalls. “I said, ‘Mum, I want to play that’.”

The family wasn’t wealthy, but his mother found a way. They bought a flute while his father was away on a work trip. There was a condition, though – he had to keep going to karate classes three times a week.

“My dad said I couldn’t stop until I got my black belt,” Kuri laughs. “It took six years. When I got it, I presented it to him. I was 12. He wanted me to continue but Mum persuaded him, and he could see music was my passion and interest. I never did karate again.”

He was just 15 when he won his first major music prize, and by 17 had secured a place at Tokyo National University of Fine Arts and Music –one of just five flautists admitted from more than 250 applicants. “You had to pass everything – flute, piano, composition, sight reading. It was very intense.”

He later studied at the Royal Academy of Music in London, and also joined James Galway’s International Flute Seminar in 1994-1995. That connection changed everything. “I asked him how to make that big, powerful tone,” Kuri says. “He taught me from the very beginning – just with the head joint – and built it back up.”

A gifted performer, Kuri developed an international reputation for his tone and technique. Critics compared his sound to Galway’s, noting its warmth and expressive control. He played with orchestras and in chamber concerts across Europe, Asia and the US. His career highlights include performing as a soloist with the Hungarian Flute Society and releasing multiple recordings.

In 2006, his world shifted. His mother, who had managed his early career, became terminally ill. Kuri returned to Japan to care for her full-time. “She eventually lost her sight and ability to speak,” he says. “But she could still hear. So, I played for her.”

To pay for her care, he sold his treasured gold flute – a gift from his grandfather.

“It was very hard. But I wanted her to be comfortable. That flute was part of my story, but she gave me everything.”

After her death, Kuri slowly returned to music. As the years passed, and with regular visits to the Goldfields region, he was increasingly drawn to its beauty – the soft hills, golden autumns, and gum-lined streets. Castlemaine offered more than just a picturesque setting; its strong creative community and slower rhythm resonated deeply. Close enough to Melbourne for work, yet far enough for stillness, it felt like the right place to begin again.

“We always enjoyed visiting the Goldfields region and we are now lucky to be living here, enjoying everything it offers – the people, the landscape, the food, the culture, everything.”

Kuri performs regularly across Central Victoria, founding chamber music series in both Castlemaine and Bendigo. On August 24, he will share his musical journey in a concert called Flute Traveller from Asia to Europe at Langley Estate.

“I get to perform with the extraordinary pianist Adam Przewlocki, reciting works inspired by the folk songs, landscapes and national musical traditions from Asia to Europe.

“I used to play music that was difficult, impressive. Now I choose pieces the audience will love.”

And each morning, in that green and quiet studio, Kuri lifts the flute to his lips, presses gently on the keys, and lets the breath of music begin again.

PARADE ROARS TO LIFE

Easter Sunday once again saw crowds excitedly line the streets of Bendigo for one of our longest-running events.

Local dancers, musicians, athletes, students and many more proudly participated in the Sherridon Homes Gala Parade, including the 120 people who brought the world’s longest imperial dragon, Dai Gum Loong, to life.

Adeline, Linda and Brielle

Janelle and Shae

Natalie, Karen, Donna and Troy

Grey and Nardia

Kintsho and Kinley

Ohka and Chloe

A MORNING TO REMEMBER

Not even the chilly morning air could stop the community from observing one of the country’s most important days.

As the sun rose on another Anzac Day, services to remember the fallen commenced in both Bendigo and Eaglehawk. Mid-morning services saw veterans and their descendants proudly marching through Pall Mall.

BENDIGO’S NEWEST AUTHOR

David, Peter, Glenn and Carl

Jack, Belinda and Harvey

Monica, Michele and Virginia

Emma and Ivy

Lyn, Jan, Jenny and Fay

Zoe, Russell, Xanthia, Jodi, Colin and Darci

& generations grapes, grit

Three generations. One bold move. At Sandhurst Ridge, a family trades city life for vines, vintage and a new kind of togetherness.

By Marina Williams - Photography Alli Campbell

It began with a dream – a desire for a slower pace, a tighter family bond, and a landscape that offered more than just views.

For a three-generation family, that dream took root in the heart of Myers Flat, just outside Bendigo, at a place they now call home: Sandhurst Ridge Winery.

In February 2025, they packed up their lives in the Yarra Valley and moved to the 30-acre property, with 18 acres of vineyard once stewarded by Paul and Karen Greblo. Paul, the last of four brothers who had run the winery for three decades, was ready to hand over the reins – and the land – to a new generation.

“It was a baptism of fire,” says Stacey Vanderzaag with a laugh, reflecting on their first week. “We settled on a Tuesday, and by Saturday we were into our first harvest. It was 37 degrees and we had friends and family helping us pick grapes in the heat.”

The family’s enthusiasm – and sweat – signalled the start of a steep but rewarding learning curve.

The winery is jointly operated by Stacey and her husband Andrew Vanderzaag, her parents Joanne and David Barnden, and her sister Rachel and brother-in-law Matthew Carnell, a French-trained chef who owns Bistro Terroir in Daylesford. Together, they form a diverse team: from real estate and retail to culinary arts and construction, with no formal winemaking background.

“We weren’t necessarily looking for a winery,” Joanne admits, “but we were looking for land and lifestyle. This was a happy complication.”

Though new to the industry, the family isn’t flying blind. They’ve partnered with Daylesford winemaker Chris Dilworth, who offered to help after hearing through the grapevine about the family’s plans.

“Chris has been amazing,” Stacey says. “He’s patient, generous with his knowledge, and gives us creative freedom to shape the wines with our own stamp.”

Their first vintage includes a Rosé, Sauvignon Blanc and Shiraz –three boutique expressions designed to reflect both the traditions of Sandhurst Ridge and the family’s fresh perspective. The Shiraz is ageing in oak; the white and Rosé wines will be released later this year or early next. The last vintage crafted by Paul Greblo, a 2024 Shiraz, will also be bottled and available by the end of the year, honouring the legacy that drew the family in.

That legacy, however, comes with weight. Sandhurst Ridge, once described as producing “great Australian wine with a European soul”, has a loyal following.

“We’re very aware we’re stepping into big shoes,” Stacey says. “But we’re doing this with a sense of reverence. We want to honour Paul’s legacy while evolving our own identity.”

The physical beauty of Sandhurst Ridge – its vines, stone cottages and striking views – isn’t lost on the new owners. They’ve begun revitalising the cellar door, offering cheese platters and tastings, with plans to expand. Stacey says plans are in motion for a food series later this year – an opportunity for guests to enjoy wines alongside seasonal dishes inspired by Matt’s menu.

Adds Joanne: “Matt’s involvement will be huge. We want to introduce a seasonal food menu, make use of the old-school pizza oven outside the cellar door, and eventually host more curated food-and-wine experiences.”

The property also offers boutique accommodation and camping options – two self-contained cottages and three Hipcamp sites for nature-loving visitors.

The camping initiative feels personal: “We’re campers ourselves, and we’ve stayed at places just like this,” Joanne explains. “We thought, why not open this up? It’s too special not to share.”

Community support has been strong. Although newcomers to Bendigo, the family has been warmly welcomed by local winemakers.

“At our first wine festival, everyone made a point of saying hello, offering help, sharing advice,” says Stacey. “It’s a tight-knit, generous community.”

And family is at the centre of it all. Stacey and Andrew live on-site with their children, as do Joanne and David. Rachel and Matthew remain in Daylesford to run the restaurant but stay closely involved. Even Joanne’s mother has a designated cottage for extended visits, recently spending six days immersed in vineyard life.

“She was out there helping clean glasses at the cellar door,” Stacey recalls. “We wanted her to feel part of this, too.”

For the youngest family members – Jackson and Elsie, Daphne and Harrison – the property is a playground of possibility.

“They ride motorbikes, kayak on the dam and chase kangaroos,” Stacey says. “It’s the sort of freedom we didn’t have in suburban Melbourne. And we hope, one day, they’ll look back and realise what a gift that was.”

While there are challenges, such as an exceptionally dry season and the realities of running a new business, the family takes it in stride.

“We’ve never talked about the weather so much in our lives,” Stacey laughs. “We even have a weather station now.”

The family has no illusions about the road ahead but is fuelled by a shared purpose.

“COVID made us reassess everything,” Joanne says. “We wanted something more meaningful, something together. This place gave us that.”

What started as a search for lifestyle has become a long-term commitment – a legacy in the making that will be shaped by the landscape of Sandhurst Ridge and sustained by a family with a shared determination to build something lasting together.

“We’re very honest with each other and everyone has their own role – that’s how we make it work,” Joanne says. “It’s a big shift, but we’re proud of what we’ve done together – and what we’ll achieve in the future.”

MEXICAN MAGIC IN MALL

The spotlight shone on Mexican culture as the Fiesta Bendigo Street Party took over Hargreaves Mall.

Hosted by the MexVic Association, attendees indulged in a joyous atmosphere full of authentic food, craft workshops, and live music and dance –

Al, Isabella and Ollie

Mel and Chase

Andrew, Amy and Chloe

Oakley and Lily

MEMORIES BUILT AT FESTIVAL

Keen to show off their LEGO® skills, fans of the beloved bricks flocked to the Bendigo Exhibition Centre in April.

A colourful celebration of creativity and imagination, Bendigo Bricks 2025 featured over 150 themed builds, with the expanded brick market allowing attendees to create their own masterpieces. The event served as a fundraiser for Fairy Bricks and the 1st Bendigo Scout Group.

FAMILY CRAFTED SINCE 1976

Just 9km from Bendigo, Mandurang Valley Wines is a family-owned winery run by three generations of the Vine family. Focused on varietal authenticity, custom-crafted wines, contract winemaking, in-house bottling and trusted export services.

Experience more than just wine at our cellar door — home to the Italian Test Kitchen, where chef Paul Sommerville prepares delicious meals using fresh regional ingredients. Pair his food with our award-winning wines and enjoy the best of Bendigo. Visit Mandurang Valley Wines to experience genuine family winemaking, exceptional food, and a legacy that continues to evolve.

Crystal and Finlay

Nora and Mehdi

Matthew and Samuel

Milo and Ruby

Tam and Amelia

Tara and Abagail

Lane, Mandurang

(9km South - East of Bendigo, Off Tannery Lane)

angels on call

Art often imitates life for actor and drug safety outreach worker Peta Brady, writes LAUREN

Photography by Leon Schoots

Peta Brady was first introduced to the realities of addiction and homelessness via fiction. She was 19 years old, fresh from drama school, and had landed her first lead role, in the ABC film Street Angels.

The 1991 drama centred on the challenges social workers faced supporting kids on the street, including Peta’s character of Chrissie.

“Doing the research for that for a character really opened my eyes,” Peta says. “It led me to break down, what does this character do, what’s a usual day for them, and what’s their life like?

“This character was homeless and was a drug user, so it opened up a couple of subjects to me – not that I wasn’t aware of that, growing up in Croydon and riding the train into the city as a rite of passage in my younger years. You got to see the bigger world.”

That first role was a precursor to the nature of Peta’s future in art and life and in the many touchstones between the two.

For the past 34 years, Peta, now of Castlemaine, has been a regular face on Australian prime-time TV, thanks to roles in Neighbours, Blue Heelers, Kath and Kim, Jack Irish, House Husbands, Fake, and many more much-loved dramas and comedies. Plus, she’s starred in or played pivotal characters in a host of acclaimed and indie films and plays.

But what’s little known, is her parallel career as a drug safety outreach worker, which she has dedicated the past 25 years to alongside acting.

Peta is the coordinator of Bendigo Community Health Services’ Needle and Syringe Outreach Program.

MITCHELL

She organises a team of seven, which provides a little-known, confidential and quiet service to the community, ensuring people using intravenous drugs are doing so safely, with big, yet hidden, flow-on effects to the community.

It’s a role Peta’s proud to perform, and one where she’s sometimes just as easily recognised.

“The acting does open up avenues of conversation for me, in an outreach position, because some people might recognise me. And if they do, it’s an ‘in’ for someone who wants to have a conversation, but doesn’t know how to start it,” Peta says. “Sometimes it can start there, and then we’re onto something else.”

The Needle and Syringe Program team members are on the street five evenings a week in Bendigo, on-call for whoever needs their support. They fill the city’s two free syringe vending machines, and hand-deliver clean injecting equipment and life-saving overdose reversal medication Naloxone to local people.

Peta began working in a drug safety outreach role in St Kilda, while in between acting work. A friend was managing a needle exchange for the Salvation Army and encouraged her to apply for a position supporting some of the beachside suburb’s most marginalised people.

“I wrote to the Salvation Army about the correlation between acting and NSP work,” Peta says. “About not judging people, because you can’t play a character if you’ve judged it too much, if you’ve got too many thoughts about who you are and what you should be and what you should think and what you should say.”

From her first shifts on the job, she found that correlation to be true.

“The skills complement well, because you’re having to chat and you’re having to coax conversation if you feel like there’s an opportunity to do so,” she says.

“I think when you want to go to someone’s space that they’ve invited you into, it’s very important what energy you take, because you don’t want to close them down. You’ve got to be a person that they feel really comfortable with and whatever that is, you’re trying to be it.”

Peta was a trusted, friendly and familiar face supporting drug users in St Kilda for 20 years, before moving to regional Victoria. She started as a casual at BCHS almost three years ago. She says it’s the conversations and interactions with clients that have kept her working in the industry.

“Some people would think it’s a dangerous job, but it’s so not dangerous, because it’s going to lovely people who are wanting your service and they just want to chat. It’s just like going to visit acquaintances that you know of, not deeply, but you know them, and you’ve got a service that can help and provide them with the function that they need.

“We have a confidential service. We’re very friendly. We’re giving the clients what they’re after. Sometimes that’s an opportunity for them to tell us what’s going on in their lives. And that could be domestic violence, it could be anything really that’s got to do with their functioning in life. So, we’re trusted people.

“It is an important job, I think, for linking people into other services,”

Peta adds. “It’s really important because there’s no one else that can get out there into those positions and have those conversations… And we’re doing a whole-of-community service.”

Peta says the Needle and Syringe Program is part of BCHS’s harmprevention model of drug and alcohol care. It prevents blood-borne viruses, and ensures used needles are disposed of safely. She says the program more than pays for itself in health benefits.

For Peta, the work has ensured a stable income alongside a career in Australia’s under-funded arts industry. And, one has sometimes informed the other. It’s easy to find threads from her outreach life in her choice of story and character.

Peta’s 2014 play Ugly Mugs, which she wrote and starred in, centred on violence against women. Two years later, she played one of three characters in the 2016 play Shit, which revealed stories of abuse, institutionalisation and incarceration. And in 2020, she starred alongside Mary Helen Sassman in the award-winning film Some Happy Day.

Peta played Tina, a homeless woman in search of a better life. It was written and directed by social worker Catherine Hill, who also worked with St Kilda’s marginalised people. Local clients from the exchange and residents from the boarding houses were invited to be in the film, to poignant effect, on both sides of the camera.

“I got to revisit the same sort of problems and difficulties that I did at 19 in Street Angels,” Peta says. “And in my mind, it felt very different, having known the extent of the issues after working in the field for 20 years. I don’t know if my acting was better, but it certainly resonated in my mind in a more considered way.”

Peta’s creativity drives her downtime. She’s a writer, including a playwright, plus has found an affinity working with foraged metal, forging ‘junk’ into sculptures in her home garage. “The rustier, the better,” she says of her ‘Junkettes’. “I love rust. I did go through a robot stage and have now entered the blacksmith stage. Bending metal is definitely an addiction.”

As for acting, she’s just turned down a part that didn’t suit her life or goals right now.

“I’ve got to time-manage things, and as I get older, I’m not just out for any kind of acting work,” she says. “I’m out for the ones that I feel passionate about. Something that’s got a heart. I’m looking for characters with an emotional journey.”

Her place at Bendigo Community Health Services is helping fulfil those aims.

“Everything’s fallen into place, so I’m very lucky,” she says of BCHS. “It’s a great place to be, working with great people. I’d like to acknowledge how incredible my senior leader, Lisa Walklate, has been to me. She’s really taken me under her wing.”

dust isn't fog

In 1950s Bendigo, dust clouds and sand dumps shaped a childhood playground. Amidst pampas grass and quartz ruins, memories of crushed rock and resilience linger where kids once ruled the heaps.

Words & Illustrations by Geoff Hocking

Sometimes when cycling home, heading west along Barnard Street towards mum and dad’s in Chum, I was forced to pass through such clouds of dust enveloping the short rise before the entrance to Fortuna that it was like cycling through one of those heavy fogs that would often settle on cold winter mornings in mid-1950s Bendigo.

But dust isn’t quite like fog.

These clouds of dust were thick and dry and tickled your nose and stuck to your throat, blanketing everything around with a fine grey powder. A kid could have caught miner’s phthisis (miner’s lung) cycling through that too often. Allan Chan’s road-metal works was the source.

Chan’s stone crusher was just along from the corner of Thistle and Barnard, where the day surgery premises now stands. It was a cobbled-together collection of corrugated iron sheds and huge steelmesh tumblers that had been relocated from some abandoned quartzcrushers from old mining sites. It stood by the roadside beside the old mullock heaps and sand dumps left over from Lansell’s 180 mine.

Low mountains of sand and piles of grey mullock bordered both sides of the road along this stretch of Barnard Street when I was cycling my way back and forth to the tech school in Hargreaves Street in the late 1950s.

These mounds of wasted earth were places where kids from the streets all around gathered to play.

We used to dig our way into them, making small caves and climbing the crumbling sides to the flat tops, where running battles with other ‘gangs’ of kids were fought with spears of pampas stalks. We slid down the sides on sheets of iron. We flew kites, tissue paper on bamboo stick kites, birds and fish and dragons resplendent with long, coloured tails bought for a shilling from one of the Chinese merchants in Bridge Street.

Of course, we were told to keep off the sand dumps because they were dangerous.

But these dumps of crushed quartz sand were our adventure playground, our ‘bush kindy’, our natural environment. No matter how dangerous the unstable sands, no one died, but most of us were bloodied at one time or another.

The old stone crusher was making the most of the broken rock, refuse left from the countless mines that once dotted the landscape. Piles of mullock and crushed quartz sand were everywhere from Sailors Gully, through Ironbark and Specimen Hill, down over the railway line to Golden Square, then stretching out following the lines of reef to Golden Gully.

It was all a very valuable resource and Allan Chan crushed rock on Barnard Street until the supply was exhausted, and the land was sought for other purposes.

The old brown weatherboard building on the corner of Thistle and Barnard was demolished and replaced with two small brick houses. On the opposite corner, on another sand dump, St John of God Hospital was under construction.

The original studios of BCV8 were built on the dumps that sat on the same ridge as Fortuna and, in time, the Day Surgery was built on the spot where the crusher had blown out its clouds of dust years before.

I drove up past there recently and it still surprises me that the large area of open ground that was once our battlefield – between Chum and MacKenzie, bounded on the east by Thistle and the west by Ophir –remains largely untouched, save for the removal of almost all sand and mullock.

Over the years, wattles and eucalypts have taken root, the ubiquitous peppercorns survive wherever humans once broke the ground and pampas grass has colonised any remaining pockets of sand.

I knew in my mind that it was Allan Chan who operated the crusher, but just to be sure I Googled his name and discovered an Allan Chan, who was the proprietor of the Toi Shan Café in Mitchell Street. My immediate thought was that this could not be the same man, so I emailed Dennis O’Hoy, my old teacher from Art School days.

Dennis is a depository of information about Chinese on the diggings and early Bendigo, and he assured me it was the same fellow. Allan, who

had come from China during WWII, bought the restaurant from Peter Louey Mow, who had relocated what had begun in the early 1900s as the On Loong cookshop from Bridge Street to Mitchell in 1942.

Allan Chan was quite entrepreneurial; he renamed the restaurant Toi Shan after his homeland in China and diversified from wontons and Peking duck to crushed rock and road metal.

In time, Allan sold the café to his brother Victor Chan and today it remains as possibly one of the oldest continually operating Chinese restaurants in the country.

I had painted a watercolour sketch of the crusher when I was still a student, but like the crusher itself, it too has gone. The crushing plant must have been shut down when I sat on the sand dump opposite, as there was no dust that day.

I could see quite clearly into the dusty shedding and I remember that is what my drawing looked like, mostly grey and chalky brown, just like the cloud that billowed over the road as I rode through, heading home one day many years ago.

RUN FOR A CAUSE

Making their way through the beautiful countryside between Bendigo and Heathcote, O’Keefe Challenge participants were on an important mission.

The 42.2km O’Keefe Rail Trail run celebrated fitness, nature and community spirit in the name of charity, raising vital funds for the Heathcote Dementia Alliance. Shorter races, including a Kids’ Superhero Dash, were also part of the fun.

Brendan, Tilly, Alex and Loki

Elsie, Kate and Matthew

Megan and Jonathon

Cate, Gayle and Charlie

Jack and Jess

Phoebe, Chloe, Eliza and Tori

MUMS ON THE MOVE

A wave of pink swept through Eaglehawk’s Canterbury Park on Mother’s Day, all for a good cause.

Joining thousands nationwide participating in the Mother’s Day Classic, Bendigo mums and their loved ones laced up their sneakers and dressed in pink for fun runs to raise money for breast and ovarian cancer research.

Lauren, Madison, Ivy and Lyn

Michelle and Erin

Marie and Kerrie

Ruby, Jess, Violet, Jenna, Lilly and Sophie

red handed

Winter arrived with a vengeance this year. Luckily, here at Bendigo Magazine headquarters, we had three of the best season’s warmers on hand to ease the entry to the icy months, where weekends at home and evenings in are totally on the menu.

Photography by Leon Schoots

MANDURANG VALLEY - 2020 OLD VINE

We’re intrigued by the name of this Bendigo blend; Old Vine conjures the return of a friend, with a shared past and much to ponder. Invite Old Vine to the fireside and pour a glass in honour of winter, of bunkering down to evenings at home with friends, both old and otherwise.

This five-year-old drop from the Vine family of the Mandurang Valley combines the triple threats of Shiraz, Malbec and Cabernet Sauvignon, aged for 12 months in new French oak barriques. Its bright cherry colour will cheer winter blues, while its complex flavours of berry, plum and chocolate will fill any lull in conversation.

SANDHURST RIDGE - 2015 CABERNET SAUVIGNON

Now is an opportune time to have such a bottle in your grasp. Not only is it the season to fully appreciate a local ‘cab sav’, after 10 years’ maturation, but this superb example from Marong has also entered the limelight.

Experience the true essence of the Bendigo wine region; a bouquet of blackcurrant and dark cherry, intertwined with hints of mint, cigar box, and subtle earthy notes. The winemakers promise rich flavours of ripe blackberry and cassis, complemented by finely structured tannins softened by French oak ageing. All in all, it’s a well-balanced, full-bodied wine with a long and elegant finish. Perfect to see you through the coming months.

TURNER’S CROSSING - 2022 ‘THE BENNETT’

Again, we’re loving the creative names now afforded many local wines. The Bennett takes its cue from the family that established, and continues to run, the certified sustainable Turners Crossing Vineyard by the lovely Loddon River.

A medium-bodied Cabernet Sauvignon, this fine wine will appeal to both seasoned lovers of Bendigo reds, and newcomers to the table. Bright and earthy, it borrows from the flavours of dark stone fruits and berries. It’s a welcome accompaniment to your best home-cooked winter roasts, stews and steaks.

SHINING A LIGHT ON PEACE

A vibrant crowd converged on the Great Stupa in May, excited for an evening brimming with culture and energy.

Commemorating the birth, enlightenment and death of Buddha, the ILLUMIN8: Festival of Light and Peace transformed the space through mesmerising light sculptures, roving performers, and a spectacular fireworks display to conclude the night.

- 9:00am to 2:00pm

Artemis and Ashlyn

Hugh, Nick, Owen and Eva

Veneta and Henry

Chloe and Connor

Jacquie, Matilda, Michael and Heidi

Ziva, Shakil and Anjali

LECTURE FOR A LEGACY

To celebrate National Volunteer Week, an inspiring evening was held at the Golden Dragon Museum.

An intimate audience was compelled by The Hon. John Brumby, AO, as he delivered the annual Sylvia and Jeffory Mander Memorial Lecture, honouring two cherished volunteers of the museum. Attendees also enjoyed an exclusive viewing of the current temporary exhibition, Changing Times.

Fiona and Tony

Doug, John and Hugo

Pam, Doug and Ashlee

Howard, Joyce, John, Marg and Brian

Leigh, Stephanie and Megan

Suzanne, Zoe and Ashlee

SYMPHONY OF FLAVOUR

A fusion of food and music was served up on the Ulumbarra Theatre stage through a unique collaboration.

Featuring songs handpicked by an Australian culinary icon, Orchestra Victoria’s Maggie Beer: Music and Me concert was a heartfelt celebration of the joy music brings, with the chef herself on hand to share the personal significance behind each selected piece.

Ann, Nicole and Angela

Clayton, Andrea and Kathryn

Maggie and Greta

Ashlee and Lauren

Jenny and Jane

Mathew and Robert

re-invented boldly

As seen on MasterChef Australia: Back to Win, Beau Cook elevates the timeless tiramisu with dark chocolate, crushed hazelnuts and a splash of Tia Maria. A decadent, make-ahead dessert perfect for sharing — or not.

By Beau Cook - Photography by Leon Schoots

TIRAMISU WITH DARK CHOCOLATE AND HAZELNUTS

Serves 6

Ingredients:

30 Savoiardi lady finger biscuits

Mascarpone Cream:

• 2 eggs yolks

• 2 egg whites

• ½ cup caster sugar

2 tbl vanilla bean paste

• 500g mascarpone

• 300ml room temperature coffee (stove top, plunger or long black)

• 100ml Tia Maria or similar

50g dark chocolate

100g roasted and crushed hazelnuts

• Cocoa for dusting

Method:

1. For the mascarpone cream: whisk together egg yolks, sugar and vanilla until smooth then add the mascarpone and gently whisk until soft peaks form.

2. In a separate bowl, whisk the egg whites until soft peaks form then gently fold into the mascarpone mix. Set aside in fridge.

3. In a small dish, mix the coffee and Tia Maria.

4. Choose a deep serving dish that is 20-30cm long, alternatively use multiple smaller dishes.

5. Assembly: Dip the biscuits two at a time into the coffee mix for five seconds, then place into the dish. Repeat until the bottom is completely covered.

6. Next, place half of the mascarpone mix over the biscuits and level out, scatter over hazelnuts and grated chocolate.

7. Repeat soaked biscuit layer, then top with remaining mascarpone cream. Level off and dust generously with cocoa, and set aside in fridge until ready to serve.

Tip: Make the Tiramisu the day before to allow flavours to develop.

Here at Bendigo Magazine, we couldn’t be prouder to see our long-time contributor, Beau Cook, back where so many Australians first met him, on the iconic MasterChef stage.

First appearing on Season 4 of MasterChef Australia in 2012, Beau instantly won hearts with his relaxed, no-fuss approach to cooking, his love of big flavours and his charming honesty. Now, more than a decade later, he returned for MasterChef Australia: Back to Win, bringing with him a wealth of life experience, fresh culinary insight, and the same down-to-earth attitude we’ve loved for years.

Beau has worn many hats since his first television appearance: firefighter, author and of course, local food champion. But his passion for food and sharing it with others has remained constant. For the past nine years, he has generously contributed to Bendigo Magazine, sharing seasonal recipes, cooking tips and thoughtful reflections on local produce and regional life. His stories have inspired our readers to get back into their kitchens, to grow their own herbs, to cook with purpose and most of all to find joy in feeding others.

His recent return to MasterChef was a thrill to watch. With the pressure on and the clock ticking, Beau’s talent shone through as he crafted bold, well-executed dishes that celebrated technique and flavour. A standout moment came during a mystery box challenge, where Beau created a clever prawn and noodle dish using XO sauce. He earned praise from the judges and showed he hadn’t lost his spark.

Reflecting on his experience, Beau said: “I walked away proud. I cooked food I believed in, stayed true to myself and gave it everything I had.”

What we love most is that Beau has remained true to his roots. He has continued to live in Central Victoria, grown much of his own food and brought that genuine, humble perspective to everything he does, whether on national TV or in the pages of this very magazine.

He’s now turning his passion to something refreshingly new. Launching this July, Wildpoint Hard Lemon is Beau and mates Quinn, Brent and Kye’s latest creation, an all-natural alcoholic drink made with Australian lemons and crafted right here in Central Victoria. Crisp, clean and made to enjoy straight from the can, Wildpoint is set to become the drink of the season. We can’t wait to crack one open.

Photograph courtesy of MasterChef Australia

www.turnerscrossing.com.au Single Vineyard, Premium Wines from the Goldfields Region of Victoria Enjoy the Summer months with a chilled glass of Turners Crossing’s delicious Viognier or Rosé Available now at your favourite Bendigo restaurant, wine store or online at:

RISING ARTISTS REWARDED

Showcasing the artistic spirit of our region’s youth, the 2025 RAW Arts Awards presentation filled The Capital theatre with creativity and triumph.

Outstanding works in visual arts, performing arts, literature, and short film were honoured at the event, awarding artists aged under 25 with cash prizes and the chance to have their talents shared with the community.

Bryce and Mia

Jaslyn and Jacob

Judy, Ben, Elouise, Catherine, Chris and Karen

George and Gabby

Jonah, Jobe, Ange and Darby

Sandra, Kayla and Harley

CARS FOR THE COMMUNITY

Chrysler owners seized the chance to show off their prized vehicles over the King’s Birthday weekend.

Cruising into the CBD, the Midstate Mopar event was the second-largest gathering of Chrysler vehicles in the Southern Hemisphere. Now in its 18th year, the event provided enthusiasts with a look at classic cars while raising funds for local organisations.

Adrian

Chris

Del

Anthony

Daniel Wyatt

home reimagined

From neglected cottage to cherished haven, this renovation is both a design triumph and a deeply personal journey.

By Marina Williams -

Photography by Leon Schoots

It’s taken years of dedication, an astute eye for detail and plenty of hard work, but a once-crumbling cottage now stands proudly as a lovingly restored, stylishly extended home – a labour of love and a heartfelt homage to Wim’s late wife, Fiona.

Part tribute to her impeccable taste, part statement of modern craftsmanship, this is a home where memory, design and dedication beautifully converge.

“The place was a dump,” Wim says with a grin. “It had rubble walls, falling bricks, and a roof ready to cave in. But Fiona was in real estate and she spotted the potential. She called me and said, ‘It’s cheap, it’s brick, and it’s in Golden Square. Buy it today.’ So, I did.”

The couple secured the property, snapping up an adjoining rear block soon after. Together, they began the enormous task of bringing it back to life. But before the work was complete, Fiona died from cancer.

Wim was devastated, but resolute. “She had such an eye for detail and style,” he says. “The planning, the vision – it was all there. I just had to finish what we started.”

And finish it he did. Today, the property stands as a light-filled, fourbedroom, four-bathroom home that gracefully blends history with modern comfort. Wim now lives in the newly built section at the rear, while the restored original cottage at the front is a serene selfcontained retreat for visiting friends and family.

From the outset, this was more than just a renovation – it was a resurrection. “We kept the roofline, the chimneys, even the tuckpointing was redone by hand,” Wim explains, pointing to the lovingly restored brickwork. “Each of the original bricks was turned around and reused. The restoration and build have taken years, but I wasn’t going to cut corners.”

Every inch of the house tells a story – of the people who lived there before, and of Wim and Fiona’s shared vision.

Along the way, Wim unearthed old treasures: a military button, a tin flute, fragments of a past life.

Inside, the layers of history mingle with materials carefully chosen and crafted by hand. There’s a 1962 rug from Wim’s mother, a reclaimed and restored fireplace surround in the rejuvenated original cottage, and an inspired choice of wallpapers that reflect Fiona’s flair for design and sense of wonder. “She sourced them from all over, including a stunning floral from Amsterdam that completely transformed the room,” Wim says. “Everyone comments on how exquisite they are.” The bold patterns bring life and warmth to the restored interiors and echo the home’s layered history.

“Most of the timber came from mates,” Wim says. “I bought it all, and one friend made every single window and door. They’re all doubleglazed. Another mate did the cabinetry. It’s been a community effort in so many ways.”

The timber stairwell connecting the original and new sections of the home is a visual highlight. Suspended above it is an extraordinary, handcrafted light fitting of colourful birds, imported from Thailand.

“It’s a real showstopper,” Wim says. “It fills the space beautifully, and the way it throws shadows across the walls is something special.”

In the heart of the kitchen is a striking slab of natural stone, sourced from Spain. “It was already out, just waiting,” Wim says. “The greens and greys in it were beautiful – Fiona would’ve loved it. It had to be part of the house.” It pairs effortlessly with the Stanley oven imported from Ireland – a hardworking centrepiece that heats the home and turns out a perfect roast, he says.

Outside, the garden is just as considered. Roses line the driveway –rescued from the couple’s former home in Heathcote.

“The new owners didn’t want them; they were going to the tip. I took 20. Fourteen survived.”

In the front garden, a fountain gently bubbles near an arbour of climbing blooms. “I found it at a nursery that was shutting down. I offered 800 bucks cash and walked away with it. It’s fitted with a rainwater tank and filled with goldfish and freshwater mussels.”

Although the project involved a team of trades, Wim supervised nearly every aspect, utilising his expertise as a commercial builder with meticulous attention to detail.

“We weren’t interested in just doing things quickly. We wanted to do them properly.”

The result is a home rich in soul and function. There are wide doorways and level transitions, and the home is thoughtfully future-proofed with a lift.

The house operates on hydronic heating and has thermal design principles built in. Automatic sprinklers keep the gardens green. Even the little touches of vintage light switches, ornate vent covers, and a pair of curved-glass paintings picked up for a song are part of the charm.

Above it all is a weathervane that was moved from their former home at Fiona’s request. “Don’t forget to take it when you go,” she had reminded Wim. “I was driving out and almost forgot,” he laughs, “but I turned back and grabbed it.”

The small, familiar object found a place atop the new house, a quiet reminder of the past as Wim embraces the present.

“It’s a big place for one person,” Wim concedes, “but it was always meant to be shared. Friends stay here; they’ve got their own space. It works.”

And the future? “Maybe a small apartment in Europe,” he muses. “But this place… this was about Fiona. About finishing what she started.”

He pauses, looking out toward the garden, the fountain burbling gently. “I won’t make money on it,” he says. “But I’ve added value. And I’ve made it beautiful again – for her.”

CONVERSATIONS FOR CHANGE

Bendigo’s newest author launched her latest chapter in a powerful evening highlighting community connection and mental health.

Wellbeing mentor Gayle Wilson’s memoir Where The Waves Break made its debut at Mackenzie Quarters, with the writer joined by psychotherapist Solitaire Meerman and host Caleb Maxwell, of Hebron Films, for a moving panel discussion. The event also supported Lifeline Loddon Mallee through ticket sales.

Celeste, Alex and Kaitlyn

Shantell, Evalina and Carolyn

Tiffany and Alisha

Neisha, Lauren, Sarah, Krystle and Hayley

Solitaire, Gayle and Caleb

Trilby and Kate

adventures boys' own

This charitable organisation connects boys with their local community – and the great outdoors – to help them grow into good young men.

Raelee Tuckerman - Photography by Leon Schoots

On an unassuming farm on the outskirts of Bendigo, life-changing events are unfolding. Through a combination of fun activities, mentoring sessions and community engagements, boys who might otherwise miss out on experiences others take for granted are learning about mateship, resilience and life skills that will set them up for future success.

“Many of our boys lack a positive male role model in their lives,” says Des Gilmore, the Bendigo location manager for Boys to the Bush, a charity delivering early-intervention strategies for vulnerable young males in the region. “Or they might have a role model but the financial constraints on their family might mean they can’t do the things that you and I did growing up.”

Des and his fellow mentors – Andrew Saladino, Shane Guerra and Dean

Hargreaves-Peita – take participants fishing, kayaking and camping. They provide work experience, financial literacy, fitness, gardening and everyday living skills. And by offering opportunities in a supportive environment, they hope the boys will defy disadvantage to become better men.

“The first thing we do is make the boys accountable by shaking our hands and looking us in the eye,” says Des. “And by the end of the program, we get some pretty strong handshakes! We are trying to teach them how to be respectful and just decent citizens. We look for small wins and if we get them, that’s a good start. As kids stay in the program, we can keep building on that.”

Boys to the Bush began in Albury in 2017 and has spread to more than

10 locations across regional Victoria and NSW, impacting an estimated 10,000 young lives. The Bendigo site launched in February 2024.

Des explains the organisation operates one-on-one mentoring for vulnerable boys aged 8-18, outdoor holiday camps and school programs (which can include a mix of disengaged students, quiet achievers and school leaders).

“In term two, we had four schools coming to us once a week for five weeks – Heathcote Primary, Holy Rosary Heathcote, Kalianna and St Peter’s,” he says. “We try and do some community-based things with them as well as ‘fun’ stuff like fishing or taking the kayaks out to Eppalock.

“For example, we go to Heathcote police station so the local kids build a relationship with them and understand the police are not bad people. They visit firefighters and ambos. The fireys are unreal and get them knocking over hats from 20m away with a water gun or go into a smokefilled room to extract a dummy.

“Andrew is taking some of them to a retirement village in Kangaroo Flat and it’s amazing the conversations the kids have with the older people and how much they both enjoy it.”

There are also 22 boys currently on the books for the Boys to the Bush ‘MENtoring’ program in Bendigo.

“It’s similar to the school program but on a more personal level,” says Des. “It includes resume-building, getting job ready. We take boys out to do some mowing for people, or help collect firewood to donate to those who might need it. It not only creates a service, but it teaches boys the skills to use the equipment.

“We often get asked why we don’t do this for girls, and I think head office would say they’d love to but it’s busy enough looking after the boys. And our hope is that we help make better boys, which then looks after girls in a different way.”

The Bendigo program is based in Axe Creek, on a 45-acre hobby farm owned by local business identity Paul De Araugo. While Boys to the Bush leases a small section of land, Paul generously allows them the

run of the property, and has refurbished an old hayshed with new cladding, a concrete floor and heating and cooling for their use.

The outbuilding houses an array of bikes, fishing gear, kayaks, couches, gardening tools and a ping-pong table, with a photo board of beaming smiles prominent on the wall.

“The most popular thing we’ve got in here is that ride-on mower,” laughs Des, pointing across the room. “The kids love getting on it, which is good because they’re learning how to use it!

“Paul is keen for us to restore an old windrow machine, so we’ve also got the kids working on that project and spray-painting it back to its original blue and yellow.”

A not-for-profit organisation, Boys to the Bush relies on fundraising and donations to support its activities, as well as funding from referring services. These include the Department of Families, Fairness and Housing, Department of Justice, Anglicare, Bendigo and District Aboriginal Co-operative, Njernda Aboriginal Corporation and the NDIS.

Fosterville mine operator Agnico Eagle sponsors the school program, subsidising 10 schools over the past financial year.

Des took on his current role after 20-plus years working at Malmsbury Juvenile Justice Centre and says it’s very rewarding because positive outcomes are more easily achieved with youth in a community setting, rather than behind bars.

“In Malmsbury, the kids didn’t like authority,” he says. “But this is not about authority. We are just regular blokes trying to do right by these boys and right by the community.

“I used to stress going to Malmsbury about what the day would bring and I’d hate Sundays because I knew I had to go to work on Mondays. But not now – I love going out and having a little bit of fun with the boys, talking to them about issues or problems they might have, trying to help resolve them or just offering advice.

“And that’s primarily what we do. The activities are always secondary to the conversations.”

For more information, or to financially support these programs helping boys to become better men, visit www.boystothebush.org.au

PARENTING STEALS THE SCENE

Seeking to support and inspire, Catholic Care Victoria’s special screening of transformative parenting documentary SEEN was a hit.

Local parents and carers packed the Star Cinema to watch the exploration of both the challenges and joy of the parenting experience, which also offered expert insights and fostered meaningful community connections.

AUCTION FOR ACTION

A lively evening showcasing community spirit, the 2025 McKean McGregor Community Gala Ball was once again a smashing success story.

Held at Red Energy Arena, all funds raised at the sold-out event benefited the Bendigo Health Cancer Wellness Program, with multiple auctions driving generous donations as attendees vied for the fantastic prizes available.

Brigette and Daniel

Andrew and Rachel

Cathy and Allan

Chloe, Stephanie and Kiarni

Mel, Amy and Jen

Shaun, Cindy, Jessica, Carlie and Janine

Carole, Belinda, Jenny, Carol, Sandra and Donna

Andy and Jenna

Lisa and Julia

Jodie, Brianna, Kayla, Nathan, Carmen and Olivia

Melissa and Conan

Todd and Aimie

BUNJA THAI

AUTHENTIC THAI FOOD | DINE IN | TAKEAWAY

Bringing fresh and delicious Thai food to Bendigo’s CBD with Thai chefs and table service in an amazing Gold Rush Architectural masterpiece. Fully licensed and open for lunch Mon-Fri and dinner from 5pm Mon-Sat. bunja.com.au

BENDIGO ERNEST HOTEL

Situated in the heart of the CBD, our new boutique offering provides holiday and business travellers a luxurious, modern and ambient getaway set against a grand heritage backdrop. Complimentary off-street parking. 100m from the Art Gallery. hotelbendigo.com.au STAY | DINE | SHOP | EXPLORE

DAS KAFFEEHAUS

VIENNESE COFFEE HOUSE | BREAKFAST | LUNCH

Let our baristas entice you with our freshly roasted coffee, sip on the local and Austrian beers and wines, feast on good, old-fashioned hearty meals and stay for the extensive range of cakes and pastries all made in haus daily! coffeebasics.com

STAR CINEMA

Plush couches, a licensed bar and an amazing programme BENDIGO’S ONLY BOUTIQUE CINEMA

PERCY & PERCY

Watch the world go by from the courtyard or settle inside amongst a cosy setting of wooden tables and low pan lighting. Our coffee is reason alone to make a visit - but after a peek at the menu, you won’t be able to resist staying longer. percyandpercy.com.au COFFEE | BREAKFAST | LUNCH | CATERING

freewheeling spirit

Adventure

is just a pedal away for ‘bikepackers’ – the worldwide community that combines their love of cycling with the simplicity of backpack tourism to explore the great outdoors.

By Raelee Tuckerman - Photography by Leon Schoots

With his trusty treadly and a likeminded mate for company, Peter Carr has quite literally ridden the length and breadth of Australia.

The 66-year-old retired teacher from Kangaroo Flat says the nation’s outback, where red dirt stretches as far as the eye can see, is his “happy place”. And he’s seen more of it than most, having last year cycled 4511km over 33 days from Perth to Cairns, via Uluru, along mostly unsealed roads and gravel trails. Why? Simply for the fun of it.

“It was the best thing I’ve ever done on a bike – such an amazing adventure,” says Peter of the Outback Way route, dubbed The Longest Shortcut. “I honestly loved just about every minute. It was incredible to experience that solitude, see that scenery and meet some amazing people – fellow ‘nutters’ like us, and people in the remote communities and roadhouses along the way.”

Peter was accompanied by fellow cycling enthusiast Mick Creati, a paediatrician with whom he had completed a 2100km bike trip in 2022 from Port Augusta, South Australia, to Karumba, Queensland, which included the famous Birdsville Track. They had a support crew for part of that journey but tackled their recent west-to-east course completely unsupported.

“That’s the difference between a true adventure and a bike ride – there has to be some uncertainty and some risk,” says Peter. “It’s the same in a lot of sports and hobbies, you have to go out on a limb a little bit. But ours was always a managed risk.”

The pair carried a satellite phone for emergencies, water purification tablets, a good first aid kit and had a carefully planned itinerary that considered riding distances, location of towns and Aboriginal

communities, road conditions and opening/closing times in remote areas, so they could top-up supplies. It’s no good arriving at 1pm on a Saturday if the shops all shut at noon.

“Having a bring-along doctor is very handy, too,” Peter says, though he laughs as he recalls asking his partner whether water from a particular bore would be safe to drink.

“Mick looked around and said, ‘well the cows look all right….’ I thanked him for his considered medical opinion on that!”

In keeping with the bikepacking philosophy of travelling light, but remaining self-sufficient, the pair carried their own tents, sleeping bags, cooking gear, food and water, tools and minimal clothing. Peter’s steel Soma bike weighed about 28kg fully laden.

Amazingly, he did not get a puncture the entire journey (“we prayed to the tyre gods daily”).

The trip provided plenty of memorable moments: riding through Alice Springs on its hottest August day ever, where Peter’s bike computer registered 48C in the sun; meeting a keen Italian cyclist who’d towed a 100kg trailer containing his hang glider up Mt Kosciuszko; running into a random Golden Square resident in the middle of nowhere; and sharing a meagre tin of spaghetti for Father’s Day dinner after running low on food.

“Sleeping in the bush was the absolute highlight,” says Peter. “We mixed it up a bit, staying in pubs occasionally and had a rest day at Uluru, which was fantastic to go around and see the sights and to eat three proper meals. We also stayed in the pub at Winton, had a pub meal and even watched the footy.”

Peanut butter sandwiches were their staple food, consuming up to 12 rounds a day each. “We knew from our first trip that bread and butter didn’t go off and (the spread) has a lot of energy, so that was usually our breakfast, lunch and snacks throughout the day.”

One of the few dramas they encountered occurred after Mick had overbalanced and fallen off his bike on the corrugations and sand of the Plenty Highway. Though uninjured, he forgot some of his water bottles, which were picked up by a well-meaning caravanner who drove 120km to the nearest town’s police station, saying a cyclist was stranded in the outback with no water. Police and ambulance officers raced out to find him none the worse for wear, then stuck around for a friendly chat with both riders and offered some welcome cool water and Hydrolyte.

Peter took up cycling not long after moving to Bendigo 24 years ago, first joining the local mountain bike club and later becoming a member of Audax Australia – a group that organises long-distance rides. It was there he met Mick and started gravel riding more seriously.

“Gravel riding (on unsealed roads and trails) has changed the whole landscape of riding – it’s become really popular in the last couple of years and I love it because there’s no traffic, it’s out in the country, and there’s often beautiful scenery, especially around Bendigo.”

Central Victoria is a hotspot for gravel riding and bikepacking because it is on or near several popular cycling routes. These include the 210km Goldfields Track (from Mt Buninyong to Bendigo); the 50km O’Keefe Rail Trail (Bendigo to Heathcote); the 1000km Mallee Blast loop (Torquay to Swan Hill and back); and the 206km Yellowbelly Track (Echuca to Tallarook).

Peter recently completed the Great Victorian Rail Trail in the High Country with a Bendigo-based cycling buddy, but “that was more ‘flashpacking’, where you take a few more clothes and stay in a pub, rather than tents”. He’s also ridden greenbelt tracks in France and Belgium, but says his heart belongs in the red dirt.

“The outback is where I really love. I wouldn’t mind following the Darling River on my next trip, somewhere like Wentworth up to Lightning Ridge… somewhere outback.”

Bikepacking.com has a raft of resources for those interested in taking to the trails on two wheels