Architecture Portfolio - BV

Page 1

portfolio arquitectura

academic projects 2021-2024

BEATRIZ VISIERS MORA

BEATRIZ VISIERS MORA

mail: bvisiers@gmail.com

tlf: +34605415022

Academic background

Sep. 2023 - Present (Jun. 2024) Professional Master’s Degree in Architecture

ETSAM - Higher Technical School of Architecture of Madrid

Universidad Politécnica de Madrid

Sep. 2017 - Jan. 2023

Bachelor’s Degree in Architectural Foundations

ETSAM - Higher Technical School of Architecture of Madrid

Universidad Politécnica de Madrid

2021 - 2023

2019 - 2021

2016 - 2021

Sep. 2014 - Jun. 2017

Bachelor’s Degree in Building Engineering

ETSEM - Higher Technical School of Building Engineering of Madrid

Universidad Politécnica de Madrid

Aug. y Sep. 2016

Cursos

Feb. 2024

Feb. 2024

Aug. 2023

Jan. 2021

Apr. 2020

Sep. 2018

Idiomas

Grasshopper Course

European School of Architecture

Revit Course

Rooftop by Zigurat

Artificial Intelligence Course

European School of Architecture

Advanced Rhinoceros and V-Ray Course

European School of Architecture

Adobe CC Courses (Photoshop, Illustrator, Indesign)

International E-learning Academy

Advanced Models Workshop

ETSAM - Higher Technical School of Architecture of Madrid

Spanish: Native English: B2.

Education in Ireland. British Council English test (Ene. 2020). Grade: 165/200.

French: Elementary.

Education in Chalon-sur-Saône.

Calle Azalea 173 - Alcobendas, 28109 Madrid www.linkedin.com/in/beatriz-visiers-mora-470a69116

Professional experience

El Navazo Hostelería

- Event organization and catering

Bestway Congresos y Azafatas

- Congress and event hostess

New Line Events

- Protocol hostess at Real Madrid CF, Santiago Bernabéu Stadium

- Translation hostess at international fairs and protocol hostess, IFEMA -

Sancara

- Aquatic lifeguard. Certification: August 2014. Professional Registry of Lifeguards of the Community of Madrid

Skills

2D DESIGN

Autocad / Rhinoceros

3D DESIGN

Rhinoceros + V-Ray / Sketch Up / Revit (basic) / Grasshopper

IMAGE DESIGN

Adobe CC (Photoshop, Illustrator, Indesign, Premiere) / Midjourney (IA)

COMPUTER SKILLS

Microsoft Office (Word, Excell, Powerpoint)

* ABILITIES

Model Making / Graphic Design / Hand Drawing / Artificial Intelligence / Teamwork Interés

- Elaboration of housing plans for real estate consultants and private individuals

- Attendance at construction projects by El Grupo FCC.

- Attendance at international architectural conferences. IFEMA.

- Extensive knowledge of existing generative AI applications.

- Private tutoring for students from secondary school.

index

I. “Natural Artifices” . Silk spa in La Palma, Canary Islands. Currently ongoing project, Master’s in Architecture, ETSAM. PFC Classroom Aparicio..

II. “Light and Artificial Intelligence”. Resources for the Construction of Architectural Form.

Bachelor’s Thesis [TFG], Bachelor’s in Architectural Fundamentals, ETSAM.

III. “The Limits of the Urban”. Research Center with Housing for Researchers, Temporary Foster Families, and Tourist Hotel in La Cuesta de la Vega, Madrid.

Project 8, Bachelor’s in Architectural Fundamentals, ETSAM.

IV. “Reencounters”.

-(1) with the earth: Pilgrims’ Hostel in Cercedilla, Madrid.

-(2) with the light Family Tomb in the Fuencarral Cemetery, Madrid.

-(3) with the past: Event Space in Segovia, Castile and León.

Project 7, Bachelor’s in Architectural Fundamentals, ETSAM.

V. “Tabarca Island”.

-(1) the countryside: Intervention on the old labor house.

-(2) the house:. Vivienda Single-family housing on an existing plot based on the initial plan by Javier Vellés.

Project 6, Bachelor’s in Architectural Fundamentals, ETSAM.

_ Personal Projects . Hobbies

I.
IV. II. V._ III.
summary of contents

I. Natural artifices

PFC Master’s in Architecture, ETSAM

Location: La Palma, Canary Islands.

Program: Silk Spa

Year: *Currently in development

Tutor: Jesús Donaire, Aula Aparicio

If we go back years ago, we find a story full of tradition, identity, and resilience: “Las Hilanderas” (The Spinners). A Silk Spa is planned [2031] near the town of El Paso on the island of La Palma, where the current Museum of Spinners is located, with the main silk producers, and at the edge of the lava flow from the Tajogaite volcano in 2021.

The project consists of a spiritual journey, through which the visitor experiences the place with awareness and is filled with calmness. During the journey, two circuits are traversed without strict order; one of silk and one of water, preparing the body and mind for the experience while passing through architectural pieces that create atmospheres according to the program they house inside.

It is a journey loaded with materiality, as the quality of the spaces and the ambiguity of their boundaries are defined by it. Silk, pine wood, and volcanic ash generate sustainable architectures that include new technologies and the use of existing local resources on the island. Transition spaces between exterior and interior and luminous atmospheres accompany the visitor on the way.

What started as a natural catastrophe becomes a place of healing, calm, and well-being, attracting visitors to live a unique experience full of value and identity in a clearly privileged environment.

natural artifices / context and situation

roof plan context and situation
section GG LP-2
ac accecess ss fro r m
2
550 m altitude
LP LP-2
MATERIA I - LAVA AND WOOD MATERIA II- WATER MATERIA III - SILK EL PASO
Natural island aquifer beneath the project location. G G´
horizon[ ars ubi materia vincitur ipsa sua ]

natural artifices / program, architecture

6. SERVICES

Lockers, changing rooms, and showers. This is where the thermal water circuit of the spa begins.

5. YOGA AND MEDITATION IN THE BUTTERFLY GARDEN

The visitor prepares for the experience, leaving behind any worries or intrusive thoughts. Consciousness III, with oneself. In the historic Arab baths, the greens of the vegetation in a preceding garden create a place of rest.

4.SILK CRAFT WORKSHOP AND ACTIVITIES

The tourist can experience firsthand the process of making “Las Hilanderas” (The Spinners) with their own hands. Awareness of the place II with materiality.

3. SILK CRAFT MUSEUM AND SHOP

Journey through history and culture. Awareness of the place I. Acquisition of unique artisanal objects made in La Palma. The structure is utilized for hanging information and artworks.

2. STATIC PLACES

Enjoy the outdoors, its lights, and shadows generated through the cones that protect from the sun.

1. VISITOR RECEPTION

Welcoming tourists, welcome lounge, and introduction to the place.

14. OUTDOOR ACCOMMODATION

Accommodations located outside the lava flow, providing environments amidst nature trails. They feature rooftop terraces with hanging elements to enjoy the atmospheres provided by the textiles.

7. COLD WATER POOLS

In this case, the body is prepared while the mind is already relaxed. This is the transitional space between cold/hot, indoor/outdoor, materialized in the journey towards the next space.

8. WARM WATER POOLS

The heart of experiences, the tepid room is a meeting place for body, water, and light. It injects time and connection with the sky, facilitating immersion in our senses, with light filtered through silk courtyards casting dynamic and subtle shadows.

9. HOT WATER POOLS

The liquid journey concludes in the hot bath. The traveler descends into the liquid, rests melted in water, and gazes at the sky. Silk, lightness; lava, heaviness; light and shadow traverse the space. They are heated with geothermal energy thanks to the presence of the volcano.

10. STEAM ROOM. THERMAL SAUNA

In the steam room, visitors experience a sensation of softness and the aroma of silk that relaxes them deeply, while water vapor penetrates the pores of the skin with therapeutic properties.

11. MASSAGE ROOM

To conclude the experience and personal care, the visitor culminates the journey in this room. Silk is integrated into every corner, materializing the sensation of mental and physical renewal.

12. RESTAURANT

Additionally, visitors can enjoy a restaurant with an oven heated by volcanic tubes to harness the heat in the preparation of dishes. Typical Canarian cuisine marks the end of the experience.

13. INDOOR ACCOMMODATION

Accommodations located within the volcanic lava flow area, rising within it to achieve privileged views. These accommodations offer greater privacy and independence. They feature a terrace at the entrance level, with the view of the lava sea at eye level.

1 2 2 2 3 4 5 6 7 7 8 8 9 10 11 12 13 13 13 13 14 14 14 14 14 S1 S2
ars
ipsa sua ]
plantageneral silk circuit water circuit
[
ubi materia vincitur
[ ars ubi materia vincitur ipsa sua ] natural artifices / architecture
S1
[ ars ubi materia vincitur ipsa sua ] natural artifices / architecture
S2
[ ars ubi materia vincitur ipsa sua ] natural artifices / architecture
alzado norte

II. Light and Artificial Intelligence

Bachelor’s Thesis

Year: January 2024

Tutor: Juan Francisco Padial

Grade: 9,4/10

This thesis aims to investigate a new way of generating architecture and deriving inspiration and composition of form through it, with light and shadow as fundamental values.

In other words, by using a series of prompts related to light and shadow in architecture - prompts that entail specific qualities and characteristics according to the desired lighting strategy - the AI is capable of generating spaces that “supposedly” meet these requirements.

We start with an idea of illumination and perception, where light and shadow sculpt and shape spaces, and translate it into an AI that provides its interpretation of architectural form.

The goal is to achieve a valuable tool for inspiration and composition in the world of architecture; a resource for constructing architectural form.

In-depth study has been conducted on the functioning of Artificial Intelligence (AI) and the image generation process in the Midjourney application to obtain the best results.

https://www.dropbox.com/scl/fi/nvs3hk2rjz8j29y87s06m/VISIERS_MORA_BEATRIZ_ TFG_23-24.pdf?rlkey=6zwilukuswbljuvsy4icdfn54&dl=0

1 2 3 4 5 6 7 8 9 10 11 12 12 14 15 16 17 18 19 20

case studies

prompts

house I church I museum I greenhouse

1234567891011121314151617181920

cenital light xxxx

hard light xxxx

mystical light xxxx

transversal light xxxx

light trough glass xxxx

evening warm light xxxx

light trough filters xxxx

intimate light xxxx

diffused light xxxx

light yard xxxx

invading light xxxx

natural cozy light xxxx

varied lights

reflected light xxxx

colored light xxxx

zenith eye shadow xxxx

cover shadow xxxx

marked shadow xxxx

shadows cast xxxx

diffused shadows xxxx

architectural shadows xxxx

vegetation shadows xxxx

human shadow xxxx

random shadow xxxx

moving shadows xxxx

house xxxxx

church

museum

greenhouse xxxxx

wood

stone

ceramic

steel and textile

modern residential xxxxx

stereotomic modern

contemporary

tectonic landscape

xxxx
xxxxx
xxxxx
xxxxx
xxxxx
xxxxx
xxxxx
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xxxxx

III. The Limits of the Urban

Project 8

Location: Cuesta de la Vega, Madrid

Program: Study Center + Housing

Año: 2023

Tutor: Emilio Tuñón, Ud. Tuñón

Grade: 9/10

Construction Project Professor: Óscar Liébana

Structural Project Professor: Miguel Gómez

The project stems from an attempt to find the limits of the site. It seeks balance between the urban and the organic, the public and the private, the beautiful and the true. It aims to be a project of connections, intersections, spaces within spaces, encounters, and thresholds.

It consists of a set of six buildings situated on a steeply sloped terrain, resolved through platforms at various levels connected by pedestrian ramps only, allowing for a large public common space filled with vegetation between the buildings. To achieve this, the site’s topography is modified to accommodate parking, which is also illuminated and ventilated by taking advantage of the natural situation between these platforms. The buildings in the nearby exterior environment generate light and shadow and provide protection from the wind.

In this way, the project aims to create sustainable spaces by developing innovative construction strategies using laminated wood structure with pillars and prefabricated CLT panels.

the
[ in between ]
limits of the urban / context and situation

the limits of the urban / situation plans

[ in between ] C T A D E L A V E G A .615 .618.5 .618.5 .634 .633 .632 .630 .629 .628 .624 .621 .620 .619 .618 .617 .616 .622 .625.5 .630 .624 .625 .626 .623 .622 .621 .617 .616 .620 .614 .611 .613 .612 .625 .622 .623 .611 .610 .609 .608 .626 .627 .615 .615 .627 .631 .635 C T A . D E R A M O N C A L L E M A Y O R C. D E S E G O V I A

the limits of the urban / modular housing floor plan, elevations

[
.622 .623 .625 .624 .618.5 .615 .620 .626 .627 .629 .621 .628 AHIJKLMNOPQR BC D E F G 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 8.00 3.13 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00
in between ]

the limits of the urban / compliance with CTE-DBSI - ev acuation of occupants in garage and commercial premises

V.I. V.I. V.I. V.I. V.I. V.I. V.I. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 4.00 4.00 4.00 4.00 3.13 8.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00

Ancho de puertas 0,85

O.E. 15m 0.86 O.E. 13m O.E. 20m O.E. 11m O.E. 10m O.E. 14m O.E. 22m 1.75 O.E. 24m

CONJUNTO RESIDENCIAL PARA ESTUDIANTES - CUESTA DE LA VEGA

Recorrido de evacuación

Salida a planta

Origen

Vestíbulo de independencia

Resistencia a fuego 1

Radios de giro accesibles Cta.

Formato DIN A1: 594 x 841 mm W A03 N

[ in between ] 49 42 30 29 37 6 5 8 31 47 3836 22 45 20 26 9 3 21 14 1 50 35 11 13 41 44 2325 10 33 43 28 48 17 4 18 32 40 7 39 16 2 15 34 29 2427 46 19 30 12 5.97 5.65 4.54 4.40 4.50 ASEO PMR 2.00 1.60 ASEO PMR 4.95 4.55 2.00 1.60 2.00 2.00 1.60 7.70 O.E. 13m O.E. 4m O.E. 19m O.E. 12m O.E. 34m O.E. 21m O.E. 18m O.E. 21m O.E. 36m O.E. 8m T7 T42 T4 T15 T16 T36 T37 ASEO PMR T10T12 T34 T3 T36 T31 T11 CUARTO DE BASURAS CUARTO DE INSTALACIONES CUARTO DE INSTALACIONES T18 T39 DESPENSA T6 CUARTO DE BASURAS T37 T33 T14T13 CUARTO DE INSTALACIONES ACCESO RESTAURANTE RECEPCIÓN c.615 T2 T5 CUARTO DE INSTALACIONES ACCESO GIMNASIO c.615 1.60 T1 T40 T37 ACCESO LAVANDERÍA c.615 T17 T8 T29T30 T40 CUARTO DE INSTALACIONES T9 T41 T32 T39 T37 CUARTO DE INSTALACIONES T35 M1M7M8 M6 M3M4 M2 5.92 M5M9 .617 .615 .618.5 .616 4.45 Escuela Técnica Superior de Arquitectura 10° PROYECTO DE ARQUITECTURA Sistemas constructivos tecnológicos.- Prof. Óscar Liébana Instalaciones Prof. Beatriz Arranz Estructuras - Prof. Miguel Gómez Navarro DB SI-III.01 – Evacuación de ocupantes DB SUA-I.01– Accesibilidad Garaje, Restaurante, Lavandería, Gimnasio. Planta conjunto Cota 615 Aseos accesibles PMR 5 m Plazas de aparcamiento accesibles PMR 10 m sección oeste - este
de evacuación sección oeste - este Beatriz Visiers Mor ESCALA 1/150
m MARZO 2023
E de Ramón, 3-1, 28005 Madrid Cuesta de la Vega
0
Ancho tramo de escalera 1,75 1.60 NÚCLEOS.
Circulación peatonal accesible 1.60
ESCALERAS PROTEGIDAS
Núcleo de escaleras especialmente protegidas
Núcleo de escaleras especialmente protegidas

the limits of the urban / elevations, modular housing floor plan

[ in between ]
VM 30x40 CLT 125 5s CLT 125 5s VM 30x40 VM 30x40 VM 30x40 VM 30x40 VM 30x40 CLT 125 5s CLT 125 5s
125 5s
PE15
CLT
PJ16 PJ18 PE17
PE16 30x40
VM PE13 125 5s
30x40
30x40
30x40
CLT
VM
VM
VM
PE18
PJ15
PJ17 125 5s
30x40
30x40
30x40
CLT
VM
VM
VM
PJ13
30x40 VM 30x40
CLT 125 5s VM 30x40 ESCALERAS LEYENDA UNIÓN FORJADO-MURO VISTA LONGITUDINAL Viga de madera laminada VM 30x40 Pilar de madera laminada 30x30 Hueco Dirección principal de forjado Panel de forjado EGO CLT 140 5s Biapoyado y triapoyado según disposición UNIÓN FORJADO-MURO VISTA TRANSVERSAL EN MUROUNIÓN DE PANELES CLT DE FORJADO SECCIONES TIPO ANCLAJES 3,80 KN / m2 1,40 KN / m2 0,40 KN / m2 2.00 KN / m2 5,50 KN / m2 ARGA TOTAL Qd : ARGAS MUERTAS : OBRECARGA DE USO : ESO PROPIO Vistaen planta Vistaen alzado UNIÓN VIGA - PILAR Vista axonometrica UNIÓN VIGA - PILAR Vista axonometrica ESTRUCTURA CONJUNTO UNIÓN VIGA - PILAR CARGAS PLANTAS 2,3,4,5,6 ARGA TOTAL Qk Muro EGO CLT 125 5s 13 14 15 16 17 18
4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00 4.00
PJ14 VM
PE14
EFGHIJ

the limits of the urban / construction section

[ in
]
between

the limits of the urban / models

[ in between ]

IV. Reencounters (1) with the earth

Project 7

Location: Cercedilla Madrid.

Program: Albergue para peregrinos

Year: 2022

Tutor: Alberto Morell. Ud. Morell

Grade: 9/10

The Cercedilla umbraculum in the Guadarrama mountain range is located in a reforested environment of Scots Pine, within a slope of grassland with beautiful views of the Guadarrama Valley, over a small stream at its bottom. For this project, the matrix is clearly the wild pine forest, trees that stretch their trunks up to the highest solar exposure level.

The project aims to value and take advantage of the construction of the umbraculum, expanding through the forest to further blur its boundaries, its horizon, and under these constructions to accommodate the spaces that will welcome pilgrims on their journey. The quality of the immaterial revealed by the pillars and roofs of the umbraculum dialogues with the heaviness of the stone walls that connect with the earth. Spaces charged with nature, environment; lights and shadows; fullness and emptiness are generated, providing a myriad of sensory experiences that provoke in each of its spaces a reunion with the earth.

The stone retaining walls create spaces with a very defined front and back in this project; therefore, the roof planes are pierced to create light courtyards that illuminate the interior spaces and enhance the idea of the place’s nature. This provides visitors with an experience of lights and shadows in which they are enveloped in the place, in the earth. The journey is fluid and full of light thanks to the courtyards.”

reencounters with the earth / roof plan and southwest elevation

the path ]
[

reencounters with the earth” / general plan and section: idea of perforated roofs [ the path ]

reencounters with the earth / plan, axonometry of pilgrim rooms, and cross-section [ the path ]

IV. Reencounters (2) with light

Project 7

Location: Fuencarral, Madrid.

Program: Family tomb

Year: 2022

Tutor: Alberto Morell. Ud. Morell

Grade: 9/10

The family tomb is projected in the Fuencarral Cemetery, Madrid. The sun and the Madrid mountains in the background of this privileged place are the generating reasons of the project, which aims to relate to them by creating an experience of reunion with light and sky in small fragments to flood the visitor with peace, life, and clarity, in a place that is initially conceived as sadness, death, and darkness.

The light merges with the stone, penetrating the interior through three holes located on the east-west diagonal of the tomb. The sun, in its trajectory, gradually fills the space with light.

The project aims to be a construction that preserves the memory of those who are no longer here, building a fair, exact, and happy memory.

reencounters with light / architecture

[ the path ]

IV. Reencounters (3) with the past

Project 7

Location: Segovia, Castilla y león

Program: Events space

Year: 2022

Tutor: Ud. Morell

Grade: 9/10

Journey to the origins: the Roman aqueduct. Here, in the surroundings of the aqueduct, an events space and accommodation for pilgrims following the route from Madrid to Santiago are projected.

The project stems from the study of the Azoguejo square and the closest ones to it. It is in this square where there is an intersection of elements (the aqueduct, the wall, the town hall, the most touristy shops and venues in the area, the aqueduct square on the other side of this...) Therefore, a block is projected that stitches together the Plaza de la Artillería with the Plaza de Día Sanz, running parallel to the aqueduct itself, in order to provide continuity to the squares by adapting to the terrain in the same way as the aqueduct, rising with it. The block takes on the traces of the aqueduct in its structure, relating to it. The construction of this space evokes an encounter with the past, a journey to the origins.

From the level of Plaza de Día Sanz, access to the roof is possible, which is conceived as an infinite plane to the horizon, from which one can contemplate the city and enjoy the aqueduct with an elevated view. This creates an outdoor events area of an ephemeral nature where markets and fairs can be held on sunny days, with the aqueduct always present.

reencounters with the past / architecture

[ the path ]

V. Tabarca island (1) the countryside

Project 6

Location: Tabarca island, Mediterranean Sea, Spain

Program: Intervention in the old farmhouse.

Year: 2021

Tutor: Ud. Martínez Santa-María

Grade: 8/10

Tabarca is a small island just 2 km long and 400 m wide located in the Mediterranean Sea off the coast of Alicante, Spain.

For many years, life for the residents of Tabarca has been unquestionably hard. The land was very infertile, and despite their efforts, they could barely sustain any crops or livestock. The only plant that survived the harsh climate and the dryness and salinity of the land were prickly pear cacti, so prevalent on the island that they are still deteriorated today due to being attacked by a bacterial plague.

The island’s old farmhouse dedicated to these functions is in a state of abandonment, so it is proposed to construct a building on it that allows to reclaim its history and value for the islanders, being visited by the many tourists who disembark in search of its beauty.

A shaded area is created to protect from the sun, a walk through the iconic prickly pear cacti of the island.

[ horizon ]
tabarca island, the countryside / architecture

V. Tabarca Island (2) the house

Project 6

Location: La Isla de Tabarca, España

Program: Vivienda

Year: 2021

Tutor: Ud. Martínez Santa-María

Grade: 8/10

A house is planned on a plot located in the old town, on the map of Nueva Tabarca, made by Javier Vellés after being commissioned for the restoration of the island’s walls.

In a clearly privileged location, the idea is to fill the house with air, salt, nature, light, and life. The existing plots are very narrow, so a house that opens vertically to provide light in every corner is proposed. Several skylights open to the sky and flood the house with interior vegetation. Multiple staircases traverse the space vertically to make the most of its height. A home flooded with greenery, with the scent of the sea, bathed in light, is created.

[ horizon ]
tabarca island, the house / context and situation
[ horizon ]
tabarca island, the house / architecture
[ horizon ]
tabarca island, the house / architecture

Personal projects

Sea of Textures

Acrylic and mixed media on canvas. 2 panels of 150x120 cm each.

“Sea of Textures” is a personal artistic project commissioned by request. The abstraction in relief of a wave breaking on the shore.

Personal projects

Architecture and Landscape

Watercolor, acrylic, and oil on paper. Various sizes (A5, A4, A3)

This is an academic project dedicated to experimenting with watercolor on architecture and landscape, which has been continued on a personal level.

It explores architecture in plan, in section, in perspective, on-site, in the emotions it conveys, in its colors and textures, in the light that bathes it, in its urbanistic relationship on a larger scale, and more.

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