PUTRAJAYA, An Architecture Travel Guide

“Putrajaya’s architecture is a captivating masterpiece that leaves visitors in awe. As the administrative centre of the Federal Government, each building not only exhibits breathtaking visuals but also fulfills a specific purpose, ensuring the efficient functioning of the government. What sets it apart is the seamless integration of Islamic, modern, and Malaysian influences, resulting in a harmonious blend of aesthetics and values.

In addition to innovative designs, Putrajaya places great emphasis on sustainability and green initiatives. The city is built with environmental considerations in mind, featuring energy-efficient buildings, green spaces, and sustainable infrastructure. The commitment to universal design is another notable aspect of Putrajaya’s architecture, aiming to create inclusive and accessible spaces that cater to people of all ages and abilities, including senior citizens and persons with disabilities.

Putrajaya’s architecture goes beyond its beauty; it serves as a testament to Malaysia’s rich legacy and cultural diversity. It exemplifies the successful marriage of traditional and modern elements, creating a truly remarkable experience. The city’s design inspires all who visit, reminding us of the significance of preserving our past while embracing creativity and innovation as we move towards the future.

In summary, Putrajaya’s architecture stands as a symbol of Malaysia’s commitment to honour its roots while embracing ingenuity and progress.”

Dato’ TPr Fadlun Mak Ujud, PRESIDENT, Perbadanan Putrajaya

Perdana Putra Page 007

Mercu Tanda Page 013

Istana Melawati Page 015

Parcel F Page 019

Dataran Putra Page 023

Masjid Putra Page 029

Jambatan Putra Page 041

Persiaran Perdana Page 045

Kementerian Kewangan Page 051

Suasana PjH Page 055

Suruhanjaya Tenaga Page 059

2Gs Page 063

Istana Kehakiman Page 067

Kompleks Perbadanan Putrajaya Page 073

Kompleks Islam Putrajaya Page 081

4Gs Page 085

Taman Persahabatan Malaysia-China Page 097

Putrajaya’s Southern Gateway Page 101

Jambatan Seri Gemilang Page 105

PICC Page 109

Heriot-Watt University Page 113

5Gs Page 115

Alam Warisan Page 117

Marina Putrajaya Page 121

Kompleks Sukan Air Page 123

Jambatan Seri Saujana Page 127

Masjid Tuanku Mizan Zainal Abidin Page 131

Monumen Alaf Baru Page 141

Jambatan Seri Wawasan Page 145

Istana Darul Ehsan Page 149

Kelab Tasik Putrajaya Page 151

Marina

Alam Warisan

Kompleks Sukan Air

Kelab Tasik

Perdana Putra

Istana Melawati

Parcel F

Putra Mosque

Istana Darul Ehsan

Jambatan Seri Wawasan

Monumen Alaf Baru

Suasana PjH

2Gs

Mercu Tanda

Dataran Putra

Jambatan Putra

Ministry of Finance

Suruhanjaya Tenaga

Tuanku Mizan Mosque

Perbadanan Putrajaya

Kompleks Islam

4Gs

Istana Kehakiman

Jambatan Seri Saujana

Taman

Persahabatan Malaysia-China

Persiaran Perdana

4Gs

Jambatan Seri Gemilang

Heriot Watt University

PERDANA PUTRA

Perdana Putra is the first office building to be constructed and completed in Putrajaya. The six-storey stone-clad building, with the distinguished glazed mosaic dome complex, is where the Prime Minister’s Office, the offices of the Deputy Prime Minister and Chief Secretary to the Government are located. Situated in Precinct 1, the complex’s outward extension is steep in its rich Malay traditional and compact designs.

As the office of the heads of government, the building reflects authority and grandeur to the masses and the world. Visitors will appreciate its symmetrical form which symbolises balanced and fair leadership.

Perdana Putra was designed by Aqidea Architects and has been accorded a platinum rating in the Green Building Index.

“The (then) Prime Minister wanted Putrajaya to look like an established civilisation - that the buildings will reflect a mature society.”

AQIDEA ARCHITECTS

The building houses three courtyards, a scented garden and a surrounding pool. The natural coloured stones that make up the building were brought in from Brazil.

The green onion-shaped dome, inspired by the dome of Masjid Zahir in Alor Setar in the northern state of Kedah, is a reminder to those in power that God will always be with them.

The traditional Malay intricacies on the facade and the ‘awan larat,’ the wooden carving motifs, will leave visitors in awe.

“The inspiration of Mercu Tanda comes from the unfurling or rising of the flag that captures the dynamic start of the nation.”

HIJJAS KASTURI ASSOCIATES

MERCU TANDA

The first stop for curious minds who wonder about Putrajaya’s early history has to be Mercu Tanda, a monument with a time capsule structure, built to commemorate the city’s formation. The monument is the first landmark in Putrajaya where the site of the federal administrative centre was established in 1995, and a strong focus on the axis of the city’s overall masterplan.

Mercu Tanda is located in Taman Putra Perdana, one of the highest points in Putrajaya with a panoramic view of the city. According to the architect, Hijjas Kasturi Associates, the monument was inspired by men raising the Federation flag on the day of Independence. The symbolic structure begins at the top with a globe and five points holding it, representing the five Rukun Islam. As it comes down, the 14 stripes signifying the 13 member states and the Federal Territories, a crescent symbolising Islam as the official religion, and a 14-pointed star depicting unity and cooperation between the states, are apparent on the stainless steel structure.

The time capsule that is buried in front of this monument contains a number of official documents on the history and development of Putrajaya. A plaque was also installed to commemorate the launch of the city on August 29, 1995. The surrounding area, known as Laman Mercu, is landscaped with water fountains and trees.

ISTANA MELAWATI

Istana Melawati or the Melawati Palace, located in Precinct 1, serves as a royal retreat for the Yang di-Pertuan Agong, the Malaysian monarch. The palace was given the name ‘Melawati’ by Sultan Salahuddin Abdul Aziz Shah of Selangor, the 11th Yang di-Pertuan Agong. It means “tower surveillance for city defence” in old Malay. Designed by Senibahri Arkitek

and completed in 2002, the palace consists of four main components, namely the royal wing, the reception wing, the banquet wing and the administrative block. The palace was constructed to take on the unique characteristics of the old palace, including the timber structure of the past. The three tall towers at the sides and the middle of the palace form a prominent framework which reflect old guard towers found in medieval Malay palaces. In May 2004, the Melawati Palace hosted the 199th meeting of the Conference of Rulers.

Istana Melawati in 2004.

The three-tiered roofs with intricate eaves and clay, or ‘buah butong’ (appendages at the corners) make an authentic attempt to recreate the East Coast’s traditional Malay roof designs.

A close-up picture of the spiky type finial or ‘penunjuk langit,’ as seen here on the rooftop of Alam Warisan (refer page 117). The ‘penunjuk langit’ resembles the spear or ‘lembing,’ a traditional Malay weapon used by the spearmen of kings, besides the well-known keris.

The name ‘Melawati’ means “tower surveillance for city defence” in old Malay.

KOMPLEKS KERAJAAN PARCEL F

The completion of Kompleks Kerajaan Parcel F, or Parcel F, in 2018, marks the end of the construction of government buildings in Putrajaya.

Consisting of 10 government office buildings ranging from four to 13 storeys and spread over a land area of 34 acres, Parcel F received a modern infusion of Islamic architecture style.The design motif of this building is interpreted from the traditional ‘songket’ costume where various threads are intricately intertwined to create the final component.

Block F1, F2 and F3’s songket facade faces the main road and gives the impression

of a glittering songket pattern as the sun moves throughout the day.

The planning for Parcel F was designed as a series of layers, building forms and traffic circulation. As visitors walk into the area, they will be treated to a variety of materials, colours and textures.

The project was completed in 42 months, seven months ahead of its schedule, and was handed over to its occupants in 2019. The designers involved were Pakatan Reka Arkitek, SNO Architects and Jafri Merican Architects & Associates. The buildings have been certified Gold on the Green Building Index.

Occupants of Parcel F include the Public Services Commission of Malaysia, the National Audit Department of Malaysia, the National Landscape Department and the Department of Statistics Malaysia.

“A minimalist and functional approach to create a timeless appeal - we want [it] to stay relevant even as fashions change.”

JAFRI MERICAN ARCHITECTS & ASSOCIATES

The screens on the facade act as a sunshading device for buildings in Parcel F.

Parcel F was designed as a series of layers, using various materials, colours and textures.

One of the building’s elegant designs is the veranda which receives abundance of natural light.

Block F5 was built as a landmark building on the western corner.

An aerial view of Parcel F from the southwest shows the vast 34-acre land area.

DATARAN PUTRA

Dataran Putra, Putrajaya’s ceremonial centrepiece, is another muchphotographed landmark for tourists visiting the city. This site is often described as a beautiful open space, surrounded by its impressive views. Designed by Kumpulan Senireka and completed in the year 2000, it is ideally located in Precinct 1, which comprises some of the city’s most prominent buildings. The 300-metre circular Dataran Putra which is bounded by Perdana Putra, Masjid

Putra and Jambatan Putra, is the venue of national-level celebrations and festivals, including the Merdeka Day parade. Its design incorporates an outer 11-pointed star representing the original 11 states that formed the Federation of Malaya when the nation first gained independence in 1957. The middle 13-pointed star symbolise the 13 states that made up an enlarged Malaysia formed in 1963, while the inner most 14-pointed star represent the inclusion of the unified Federal Territories of Kuala Lumpur, Labuan and Putrajaya as part of Malaysia

Masjid Putra

Jambatan Putra

Dataran Putra

today. On the outline, a water feature known as Chahar Bagh, a Persian garden divided with careful interplay of pathways, water channel, flower beds and trees, completes the entire look.

Smaller roads stretching out from the square lead to the offices of the Malaysian Prime Minister, Masjid Putra and Jambatan Putra. When the sun sets, the otherwise formal square turns into a recreational area ideal for skating, cycling or a leisurely stroll.

Perdana Putra

Arca Putrajaya, which stands beautifully in the middle of Dataran Putra in Precinct 1, is the newest landmark of Putrajaya, adding to the elegance of this already supreme area. The sculpture is an arrangement of nine letters that form the word “Putrajaya” and each letter is a graphic image that consists of patterned paintings created by selected artists. Arca Putrajaya is designed with colourful abstract images to portray Malaysia’s sense

of joy, peace and prosperity from then until now. The design of this sculpture, which has a width of 1.5 metres and a height of 2.4 metres and a total length of 22 metres, is constructed using stainless steel to ensure its toughness and durability. The artwork on the sculpture is changed every six months based on the significant events which occured during the period and is expected to be seen by as many as seven million tourists visiting Putrajaya every year.

MASJID PUTRA

Masjid Putra is one of the most distinctive landmarks in Putrajaya with its pink-coloured tinted dome. Named after Malaysia’s first Prime Minister, Tunku Abdul Rahman Putra Al-Haj, it is undoubtedly one of the most beautiful mosques in the world. Located on the edge of the scenic man-made Putrajaya Lake, the stunning building was designed by Kumpulan Senireka and completed in September 1999. Constructed with rose-tinted granite, Masjid Putra is an example of how mosque designs have grown in Malaysia where Islamic architecture artistically blends in traditional designs, local craftsmanship and the use of indigenous materials.

The prayer hall can accommodate some 10,000 worshippers and another 5,000 people in the sahn at any given time. The mosque is modelled after the Persian Islamic architecture of the Safavid period, with some design elements borrowed from mosques around the world.

The iwan or main entrance of Masjid Putra is special as it is designed to create a sense of awe and reverence for the Almighty God. To discerning eyes, the entrance is unique in its architecture and design. It features a massive archway that is adorned with intricate calligraphy.

The Quranic verse that is inscribed at the main entrance is from Surah Al-Jumu’ah verse 9. It emphasises the importance of attending Friday

prayer, leaving aside worldly engagements during that period of time. The verse highlights the significance of the prayer as a communal gathering for Muslims to unite in worship, seek spiritual guidance, and strengthen their connection with Allah.

Overall, the iwan of Masjid Putra is a fitting tribute to the mosque’s role as a place of worship and a centre for community.

The sahn, in the principles of Islamic architecture, is a courtyard located in front of the main prayer hall. Here, it acts as transition space between worldly activities, commonly held in Dataran Putra, and spiritual pursuits inside the mosque. The sahn can accommodate up to 5,000 worshippers.

To the left of the mosque entrance, a 116-metre-high minaret stands majestically in the shape of an eight-pointed star that further highlight the superiority of Islamic architecture and design. It is the third tallest minaret in the world, inspired by the minaret of Zubaida Mosque in Baghdad.

The 36-metre diameter main dome stretches upon its roof, surrounded by eight other minor domes that tops off the four corners of the structure. The main dome’s arabesque design is a plant-based

carving as found in the mosque’s dome in Egypt. Constructed on a 10-acre site, it can accommodate 10,000 worshippers in the main prayer hall and on the first floor.

The shadows of the Islamic geometric design on the marble floor are certainly mesmerising.

The mihrab, which is an ornamental indentation in the wall of a mosque, marks the ‘kiblat’ which is the direction of the Ka’aba. The Ka’aba, located in Mecca, is the most sacred site for Muslims and is known as the House of God.

The Islamic eight-point star pattern called Khatem Sulemani in the hanging light fixture is hard to miss. The Khatem Sulemani can be created geometrically with a circle and two squares. The two squares lay superimposed on each other, one rotated to 45 degrees, and are inscribed within the circle. The addition of squares and concentric circles to the basic Khatem Sulemani creates the beautifully intricate multipointed star which exist in patterns throughout the Islamic world.

At the top of the four corners of the mosque, the threedimensional carvings of the muqarnas or honeycomb vault, is a key component of Islamic architecture that makes the panoramic atmosphere very appealing and prominent.

The mimbar is a pulpit in the form of a staircase on which the Imam stands to deliver a sermon after Friday prayers. Elaborately carved and built to stand as tall as the mimbar at the Masjid Tuanku Mizan Zainal Abidin, its entire body is wooden based and the steps are decorated with the motifs of flowers and vines, blending in the universal strength of nature in its design.

The stained glass in Masjid Putra is special for several reasons. The stained glass windows are located all around the base of the dome where the square space transitions into the circular base of the dome. There are four large stained glass windows below the ring beam and 16 smaller stained glass windows at the base of the dome. The wall measures 77 feet in height and 98 feet in width, and the stained glass covers an area of 1,315 square metres. The sheer size of the stained glass makes it one of the largest in the world.

Inspired by Islamic art and architecture, the stained glass features intricate design and patterns. The windows are adorned with geometric shapes, known as Khatem Sulemani, which in this case is an eight-pointed star. The use of floral motifs and calligraphy of Quranic verses and Islamic teachings are further enhanced with vibrant colours such as blue, green, and gold, creating a stunning visual effect that

is both captivating and spiritually uplifting.

The stained glass in Masjid Putra was designed and crafted by some of the most skilled artisans and craftsmen in the world. The glass was imported from Germany, and the designs were created by a team of Malaysian artists who spent years planning and executing the project. The end result is a masterpiece Islamic art that is both beautiful and meaningful. Overall, the stained glass in Masjid Putra is special because of its size, intricate designs, and skilled craftsmanship. It is a true testament to the beauty and richness of Islamic art and culture.

“The design statement of the bridge’s four octagonal towers symbolises unity and harmony among Malaysians.” KUMPULAN SENIREKA

JAMBATAN PUTRA

Jambatan Putra connects the government precinct to the mixed development district and links Dataran Putra with Persiaran Perdana. The bridge, completed in the year 2000, was inspired by the architecture and design of the famous Khaju Bridge in Isfahan, Iran. Spanning 435 metres, this three-deck bridge provides vehicular and pedestrian access on the ground level and a monorail tunnel on the second deck. At the lowest level are four piers forming the main structural support of the curved beam and the decks above. There is a jetty on one of the piers where boats depart for a cruise around the lake. Recessed panels on the walls of the pier towers are designed as grilles with geometric patterns and arabesques motifs. Architect Kumpulan Senireka says besides acting as natural ventilation for the staircases inside, the grilles also project glowing effect from the lights at night.

The fusion of floral motif and Islamic geometry on the streetlights creates a unique blend of cultural elements that add to the bridge’s distinctiveness.

The design statement of the four octagonal towers symbolises unity as it represents the bond of different cultures and religions, thus promoting harmony among Malaysians.

The floral design incorporates the traditional Malaysian and Islamic floral motifs that holds the country’s cultural significance.

The designs of the panels incorporate patterns and motifs from traditional textiles, woodcarvings, and handicrafts, representing the coexistence of various cultures in the country.

PERSIARAN PERDANA

Persiaran Perdana or Putrajaya Boulevard is indeed Malaysia’s most admired avenue due to its location and significance in Putrajaya, the country’s administrative capital and power corridor. Its architecture and landscaping celebrate the diverse culture and rich Malaysian heritage, with beautiful traditional Malay songket motif expressed into its pavement and softscape design.

According to designer Hijjas Kasturi Associates, the avenue was inspired by boulevards in major cities like the Champs-Elysees in France. The Northern portion of Persiaran Perdana is designed for ceremonial parades and march-past, while the Southern stretch has a linear park with recreational facilities.

“Most projects in Putrajaya were driven by Malaysian architects and planners, which make them very unique.”

HIJJAS KASTURI ASSOCIATES

Its central spine links the four core precincts of Putrajaya, cutting through administrative buildings in Precincts 2 to 4, with Dataran Putra at one end and the Putrajaya International Convention Centre (PICC) at the other. Designed for ceremonial parades such as the Merdeka Day celebrations, the 4.2-kilometre stretch and 100-metre wide Persiaran Perdana boasts a Royal songket ceremonial motif

1. Dataran Gemilang

2. Dataran Rakyat

3. Dataran Putrajaya

4. Dataran Wawasan

5. Dataran Putra

on its pavement. It is punctuated by four major datarans or plazas, namely Dataran Gemilang, Rakyat, Putrajaya and Wawasan. Each was designed with a distinctive identity and complemented by impressive landscaping.

Careful thoughts were also given on street furniture and ‘bangau’ or stork-shaped lightings to avoid light pollution on the streets.

Dataran Putrajaya boasts traditional floral songket motif on its pavement and is the main spot for ceremonial parades and marchpast as well as Light and Motion Putrajaya (LAMPU) festival.

Dataran Wawasan celebrates the rich Malaysian heritage with beautiful songket motif on the pavement and is a favourite area for leisurely activities.

KEMENTERIAN KEWANGAN

When entering the core island of Putrajaya through Jambatan Seri Wawasan, the spectacular Kompleks Kementerian Kewangan seems to emerge suddenly before the eyes. The 12-storey building complex which was completed in August 2002, houses several departments that embody the Ministry of Finance, which is primarily responsible for taking care of the treasury and financial affairs of Malaysia.

The complex overlooks Persiaran Perdana and Dataran Wawasan, and is a reflection of a contemporary tropical architecture that features an elaborated façade, constructed with pre-cast panels, aluminium screens and sunshades.

The structural frames were designed to withstand lateral load induced from a high hill slope behind the building. To highlight its uniqueness, the Centre Tower is curved inwards

and supported on column frames inclined at 15 degrees in order to achieve the leaning effect.

The spectacular building also houses a theatre, a rooftop mini garden, a mini gallery, a surau or prayer hall, a library, an auditorium, and a multipurpose hall. It boasts an open-sky atrium with attractive landscaped garden and palm trees to promote greenery.

The mini garden is a nice addition to the building.

The view at the open-sky atrium is calming to the eyes.

SUASANA PjH

Suasana PjH is a magnificent mixed-commercial development that rises 14 storeys high in Precint 2. It was completed in 2017 and boasts two tower blocks with two basement levels, encompassing an impressive 77,837 square metres of gross floor area. The architectural style complements the Ministry of Finance, an important landmark in Putrajaya, with the latter’s style seamlessly integrated into the facade.

Covered with cantilevered vegetative balconies that create eye-catching patterns on the building’s facade, the double-skin facade attracts various fauna to the site, enhancing the local biodiversity and living quality. The cavity between the external and internal glass facades is naturally ventilated, reducing direct solar heat transfer.

The opening between the two towers of Suasana PjH enhances the axis from the Ministry of Finance and Monumen Alaf Baru.

“With the building, everything has a reason, it’s not superficial. We didn’t start out with a diamond building. We visited a lot of countries - not to copy, but to understand.” NR ARCHITECT

SURUHANJAYA TENAGA

The all-green Suruhanjaya Tenaga headquarters, also known as the Diamond Building, is one example of state-of-the-art buildings designed to suit Putrajaya. This uniquely-shaped building is located at Precinct 2 and is adjacent to Taman Pancarona, a public landscape garden.

Its designer, NR Architect says the diamond shape was specifically chosen because the prestigious “gem” symbolises transparency, value and durability. These features represent the role and mission of Suruhanjaya Tenaga or the Energy Commission as a regulatory body. Since it is surrounded by roads on all four sides, the designer decided to make the building all-frontage. Designed in 2005 and completed in 2010, it promotes the use of sustainable materials and green technologies in order to cut down energy and water wastage.

The energy-efficient structure is meant to use more natural light and to consume about one-third the amount of energy of a conventional building of its size. NR Architect was also entrusted to carry out interior design work, as the layout is important in achieving green building status.

The iconic building is regarded as the first office building without a ceiling. It also takes pride in its extensive water conservation techniques, which involve using rainwater for toilet flushing and combining it with water fittings including dual flush toilets, waterless urinals, and aerator-equipped water taps to minimise potable water use by more than 65 percent.

Much like being under the shade of a tree, every corner of the building is cool without the need for air-conditioning. The building receives no direct sunlight and glare. The Diamond Building, living up to its name, achieved Platinum rating under Malaysia’s Green Building Index.

MINISTRY OF DOMESTIC TRADE AND COST OF LIVING, MINISTRY OF PLANTATION INDUSTRIES AND COMMODITIES, JABATAN PENDAFTARAN NEGARA & MENARA USAHAWAN

Located on a sprawling 3,776-acre land, the four office blocks on lots 2G3, 2G4, 2G5, and 2G6 in Putrajaya’s Core Island showcase well executed architecture. Based on the masterplan by Akitek Urbanisma in April 1999, these blocks were designed together to ensure uniformity and harmony and are prominent landmarks on Persiaran Perdana.

Besides the tower building, a podium block with continuous street walls lines the main road. The site allocates 70% for office buildings and 30% for green spaces and

courtyards. The ground floor and lobby feature a prestigious granite finish, while tinted tempered glass windows with aluminium frames add to the aesthetic.

Designed by ARC Partnership, lot 2G3 is home to the Ministry of Domestic Trade and Cost of Living and several agencies under it. On lot 2G4, the Ministry of Plantation Industries and Commodities shares the 14-storey building with its several agencies. Designed by Arkitek Kitas, the project was completed in 2005 together with the other office blocks.

Lot 2G5 houses Jabatan Pendaftaran Negara, which design intends to provide a customer-friendly environment. This department holds significant importance as people visit it to register life events such as births, marriages, and citizenship status. For this building, designer Gerak Reka Arkitek pays homage to local culture and custom through intricate screen designs and emphasises on sustainable development.

Meanwhile on lot 2G6, Menara Usahawan designed by Khalid Johari Architect

The atrium in Jabatan Pendaftaran Negara is enclosed by a glass roof and surrounded by multiple storeys.

Menara Usahawan boasts a large open-air courtyard with tall trees and a landscaped garden.

focuses on open-air courtyard to portray “openness” in the government structure. The building was composed based on ‘neo-classical’ design, with granite stone coating for its base and the use of concrete with textured stone chipping for its main body.

Most of the designs on lot 2Gs incorporate courtyard spaces adorned with beautiful landscapes, and large open-air or skylight-covered atriums to provide light and ventilation to the interior.

Due to the site’s topography which slopes down from Persiaran Perdana, the developers have cleverly utilised the basement to accommodate public facilities like multipurpose hall and surau. Spacious walks, ranging from 2.5 meters to five meters wide around the buildings, were also constructed to ensure pedestrian comfort and safety while promoting the use of walkways.

The Jabatan Pendaftaran Negara building celebrates local culture and custom with its intricate screen designs.

The Ministry of Plantation Industries and Commodities has lace-like screens on its facade.

ISTANA KEHAKIMAN

Istana Kehakiman, or Palace of Justice, which houses the Malaysian Court of Appeal and Federal Court in a five-storey annexed building, is a remarkable infrastructure located in the heart of Precinct 3. The design incorporates classical Islamic culture of India’s Moorish features, often seen in iconic Malaysian landmarks like the Sultan Abdul Samad Building and the Kuala Lumpur Railway Station.

Designed by Aqidea Architects and completed in 2004, the structure gives visitors the palatial space, with the reinforced concrete clad with local granite. It bears the Muqarnas design, a form of ornamented vaulting in Islamic architecture, on top of its columns.

Istana Kehakiman, or Palace of Justice, which houses the Malaysian Court of Appeal and Federal Court in a five-storey annexed building, is a remarkable infrastructure located in the heart of Precinct 3. The design incorporates classical Islamic culture of India’s Moorish features, often seen in iconic Malaysian landmarks like the Sultan Abdul Samad Building and the Kuala Lumpur Railway Station.

True to its name, the Grand Dome on the lobby’s ceiling is a magnificent sight to admire.

The Judicial Museum takes visitors into the respected journey of Malaysian judiciary.

The staircase from the grand lobby looking resplendent with ornamented railings made from wrought iron.

The intricate design on the pillar is a sight to behold, with eight decorated marble columns that shape the lobby into an octagon.

The library located on the ground floor houses nearly 84,000 books.

KOMPLEKS PERBADANAN PUTRAJAYA

The elegant Kompleks Perbadanan Putrajaya is designed in such grandeur to reflect the image and identity of the governing authority in the Federal Territory of Putrajaya. Built based on the contemporary interpretation of

traditional Islamic architecture, its remarkable appearance makes the building a must-visit attraction amidst other prominent architecture designs in Putrajaya. The office designs were a collaboration work between Zon Design Rekabina and Arkitek Karya Budi, while Kumpulan Senireka and Aqidea Architects were in charge of its conference halls and auditorium, respectively.

The iwan functions as a distinctive gateway symbol as the colossal scale on the majestic gate signifies power, security and prosperity in the Islamic architectural tradition. The iwan defines the true

characteristics of Perbadanan Putrajaya as the city authority. There are elevators in both sides of the gate to take visitors up the observatory deck.

Dewan Seri Siantan offers a maximum capacity of 1,762 row seats and some 1,000 seats for banquette dining. The hall receives natural light via six lantern skylights.

Kiblat Walk serves as a pedestrian link between Kompleks

Perbadanan Putrajaya and Masjid Tuanku Mizan Zainal Abidin.

Dewan Seri Melati offers a maximum capacity of 900 row seats and 460 seats for banquette dining.

The space planning for the office blocks separates the public from the staff through a grand atrium. The discussion rooms are suspended in order to project a dynamic effect of the facade.

The Cempaka Sari auditorium was completed in July 2005. Designed by Aqidea Architects, the auditorium encourages visitors and Pjaya residents to appreciate various forms of performing arts held inside it. The auditorium is built in a hovering egg-like structure to increase the space from lobby area to the auditorium. This is to decrease the noise emanating from it. The double layer shell structure creates an air gap between the walls which acts as a sound insulation system that prevents sound from entering or escaping the auditorium.

“Originally called Bahtera Kayangan, the auditorium is shaped like a spaceship and meant to take you into another realm with its nebulae ceiling. We are showing the separation between the two worlds as visitors take the escalator up and into the hall.”

AQIDEA ARCHITECTS

KOMPLEKS ISLAM PUTRAJAYA

Kompleks Islam Putrajaya is one of the latest buildings in Putrajaya and is instantly recognisable due to its unique woven-like threedimensional roof with trellises and lace-crafted screens. It was completed in 2016 with a style that represents progressive Islam, open and welcoming to everyone. Interestingly, designer RSP Architects says the complex was inspired by the parable light in the Holy Quran, specifically in reference to ‘the light verse’

(An-Nur 24:35) where the source of light is described as enclosed in a crystal and illuminating, just like a star.

It is from this description that the idea to form a dynamic architecture where light penetrates through and into the building was born. Besides the distinctive roof, another strong feature of the complex is an umbrella-like water catchment that collects water and sends it straight to the landscaping area on the courtyard. The white marbles in the complex were also brought in from a foreign island and are similar to the ones in Masjidil Haram in Mecca.

Occupying an area slightly more than two hectares in Precinct 3, the complex comprises four blocks loathed on three different plots of land. Each plot is connected by pedestrian bridges and corridors. Housing the Malaysian Islamic Development Department (JAKIM), the Mufti office and Syariah court, among others, the complex complements government’s vision in making Putrajaya the capital administration centre, bringing together all the religious agencies under the Prime Minister’s Office in one central location.

WISMA TANI

Wisma Tani is the headquarters of the Ministry of Agriculture and Food Industries which combines heritage and sustainable Malaysian tropical architecture in its design. It is one of the four buildings built under the same development on four adjacent lots (4G1, 4G2, 4G3 and 4G4). The tower is intersected by the central Boulevard of Putrajaya based on concepts by the lead and coordinating architect, Veritas Architects. The construction of Wisma Tani and the adjacent blocks signal a shift in the architectural pattern of Malaysia.

From the boulevard, the entrance to the building has no steps and columns, making it a seamless transition.

This building that sits on lot 4G1 was designed by Almaz Architect. It was inspired by Malaccan shophouses with a public and private courtyard, water source, window shutters, and a sustainable arch to let daylights in. Grid designs and waterfall were also incorporated to denote hydroculture, while the Malaccan steps represent local heritage.

Here, sustainability and energy conservation influence the overall design, with elements and symbolisms reflecting the country’s culture and tradition. It is a way of moving forward without forgetting the past.

Malaccan steps are brought in as a sign of pride for local heritage.

The leaf-shaped tower interprets the transition of Peranakan Melaka elements to modern day architecture.

The palm trees in the courtyard represent the importance of agriculture, reflecting the government’s recognition of its vital role in the economy and national identity. Additionally, the use of palm trees in government building landscaping in Putrajaya is part of the city’s design concept of showcasing Malaysia’s natural heritage.

A gigantic hole was created on top of the atrium for daylight to come in from the middle rather than from the outside, allowing crossventilation in the courtyard.

The How Tong Fla, flowerpatterned mirrors commonly used in Malacca house design, are also incorporated in the lobby area to create a unique pattern formed by sunlight.

Carved timber screen work and shutters with flower motifs.

WISMA SUMBER ASLI

Home to the Ministry of Natural Resources and Environment, this building on 4G3 was built on a site that is slightly rectangular. Completed in 2005, the uniformity of the buildings in this cluster of four parcels is striking. The 18-storey tower is further complemented by a six-storey office podium upfront.

Like most buildings in Putrajaya, designer Veritas Architects says the challenge was to come up with designs that promote Malaysian cultural values and compatible with the occupants’ needs. A wealth of materials was used in each

zone to achieve a harmonious effect, while preserving the intrinsic value of locally identifiable image. This tower adheres to the spirit of traditional architecture forms over time: weather, cultural symbolism, way of life and symbiotic natural projections from the building facade. In traditional architecture, Malay carvings are normally found in sunshading screens which are functional and not merely decorative. For this building, the approach advocates the process of incorporating traditional symbolism into a functional form. The traditional motif used is the crossed pattern that can be seen on the songket, as well as various woven fabrics found in local culture. Materials and elements of modern design were also included to show the multilayer of architecture language.

The attached glass roof at the entrance protects visitors from rainy weather and invites natural light into the building.

The skylight-covered atrium is a vast open area, best for natural ventilation.

These sunshading screens are functional and not merely decorative.

MENARA KBS

Located in Precinct 4, Menara KBS is home to the Ministry of Youth and Sports. The site, which was originally a rubber tree plantation, is relatively a flat surface. This enabled the designer, W&W Architects, to consider a variety of building concepts. A progressive theme was then chosen for its 18-storey and two 5-storey and 6-storey podium blocks, respectively.

Significant developments such as Istana Kehakiman and Kompleks Perbadanan Putrajaya are situated near the buildings. This gives visitors an indication of continuity in terms of pedestrian paths and interface between one parcel to another. The nautical theme was picked as the key design concept as it represents success, more so since Malaysia had just celebrated the success of Datuk Azhar Mansor, the first

Malaysian who sailed solo around the world in 1999. The theme corresponds with the ministry, often seen as vibrant and evolving, as it corresponds to its responsibility in generating talent for sports and great leaders of future generations.

Completed in 2005, most of the building exterior is covered with solid aluminium, apart from granite panels and laminated glass for the open sections.

TAMAN PERSAHABATAN MALAYSIA-CHINA

The Malaysia-China Friendship Garden is a significant symbol of the excellent 40year diplomatic and bilateral relations between the two countries. It serves as a bridge to foster understanding and friendship between the people of both nations, continuing the historical relationship established since the time of the Malacca Sultanate and imperial China. This garden also shares a connection with a sister garden called “Zhi Yuan,” located in Dongguan prefecture, China.

Located in the promenade of Precinct 4, the 0.6-acre garden was officially opened on June 2, 2015, during the 8th Royal FLORIA Putrajaya Flower and Garden Festival. The inauguration was attended by the then Federal Territories Minister Datuk Seri

The garden’s design is based on the Lingnan style, which incorporates various elements such as a rockery, water features, decorative stones, traditional Southern Chinese architecture, calligraphy, artwork, and plants reminiscent of China. Many materials, including arches and furniture were imported from Dongguan, known for championing Lingnan culture. Among the remarkable features are the pair of 200-year-old lion artefacts that stand guard at one of the doorways.

The garden’s pathways are paved with coloured bricks and stones from Yingde County in Guangdong Province, further adding to its cultural authenticity. Visitors can enjoy leisurely strolls along winding pavements and walkways, surrounded by lush trees and vibrant flowers. The garden also includes exquisite courtyards and a pavilion reserved for renowned calligraphers and painters.

Tengku Adnan Tengku Mansor and former Deputy Mayor of the Dongguan Municipal Government, Mr. Yang Xiaotang.

A visit to this serene lakeside garden allows one to appreciate the unique flowers and plants, architecture, courtyards, pavilions, and scenery, all of which stand as a testament to the enduring friendship between Malaysia and China.

PUTRAJAYA’S SOUTHERN GATEWAY

Also known as 4Gs, lots 4G8, 4G9, 4G10 and 4G11 in Precinct 4 were one of the last sections developed on the Core Island of Putrajaya which have been reserved primarily for the construction of high-rise buildings. These are the headquarters of several ministries that have been adorned with beautiful landscaping. Completed in 2011, the office towers are home to the Ministry of Rural Development, the Ministry of Communications and Digital, the Ministry of Local Government Development and the Ministry of Women, Family and Community Development.

Viewed from a distance, their positioning structure seems parallel and reflects beautifully on the lake. Each building was constructed with the idea of a tower in a garden, mirroring Putrajaya as the garden city.

The Ministry of Rural Development building on lot 4G8 was designed by Juhari & Hashim Chartered Architects. It has 33 floors and its design is a combination of three basic shapes with rectangle as the main pillar and two petals of different heights. The petals help to soften the corners and the night-time lighting helps to emphasise them. The building has a sky garden as part of its green initiative. The 39-storey Ministry of Communications and Digital building on lot 4G9, designed by Jafri Merican Architects Associates, presents elements of Malay culture and tradition such as keris and songket.

The visual metaphor for the tower is based on traditional Malay artefacts and crafts, with the curved side elevations recalling the shapes of ancient stone artefacts, and the diagonal-shaped central facade pattern symbolising the ‘songket’.

On lot 4G10, the Ministry of Housing and Local Government borrows its concept from the nearby Bulatan Gemilang, where the building plan follows the shape of a semi-circle. Designed by Aqidea Architects, the 38-storey building is meant to look like two palms “scraping” the sky.

Lastly, the Ministry of Women, Family and Community Development building on lot 4G11 designed by Hijjas Kasturi Associates, was inspired by ‘songket’ fabric with the ‘Pucuk Rebung’ motif. As part of the passive design strategy, it uses eyelid apertures over its east-west facade in order to shade the building. The building has 39 floors.

A combination of three basic shapes on 4G8 with rectangle as the main pillar and two petals of different heights.

4G10 is meant to look like two palms “scraping” the sky.

The 4G11 uses eyelid apertures over its east-west facade in order to shade the building.

Interestingly, the Fibonacci series (a mathematical progression of numbers) was used on 4G9 to implement the values of nature.

These lots are adorned with beautiful landscaping to mirror Putrajaya as the garden city.

The lots on 4G were primarily reserved for high-rise buildings.

JAMBATAN SERI GEMILANG

The entire architecture of Jambatan Seri Gemilang is beautifully artistic, making it a distinguishing and notable attraction. The ceremonial bridge links Dataran Gemilang with the Putrajaya International Convention Centre and is one of the key landmarks in the city, thanks to its stunning appearance. It also acts as the main gateway for vehicles and pedestrians heading to the Core Island from the South. Designed by PJSI Consultants, the three-span

steel arch bridge depicts the architectural features and finishes from the Islamic and Malay architecture. The design of the bridge is meant to enhance the aesthetics, where the landscape and illumination blend in with the surroundings.

The bridge is further complemented by the first ever made-in-Malaysia cast alloy garland with floral pattern, painted in gold colour finish on its both sides. These made the bridge appears to be classical, especially when decorated with lanterns and street lightings.

The bridge spans 240 metres long with six traffic lanes, each 3.5 metres wide.

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The lamp posts and street lightings make the bridge appears classical.

The cast alloy garland with floral pattern, painted in gold colour finish, adorns both sides of the bridge.

grand staircase leading to the promenade captivates visitors with its wide space and ornaments.

The balustrade, handrails, column capitals, and claddings for this bridge use precast stone with mixture of white cement, selected washed sands and pigmentation.

Decorative design of flower and plant motifs such as this can be found in abundance in traditional wood carvings and Malaysian crafts.

PUTRAJAYA INTERNATIONAL CONVENTION CENTRE

The Putrajaya International Convention Centre or PICC is the epitome of international style aesthetics which promotes local heritage in the heart of its design. Proudly designed by Hijjas Kasturi Associates, the stately building located on the peak of Taman Puncak Selatan in Precinct 5, is meant to be a world class government- to-government

conference facility. Completed in 2003 just in time to host the 10th Organisation of Islamic Cooperation Summit, PICC is a symbol of a growing and successful modern Islamic nation. It has an impressive gross floor area of 135,000 square metres over seven floors, occupying a site of almost 1.3 million square feet. About 60% of the building is submerged into the hill slope while the rest is above the ground. The building takes its shape from the circular eye of the ‘Pending Perak,’ a traditional Malay Royal belt buckle. The success of PICC’s development will be remembered as it hosted Putrajaya’s first international event which attracted many world leaders.

“PICC was the first convention centre to be awarded the Best Practices in Energy Efficiency and Conservation Award by ASEAN in 2006.” HIJJAS KASTURI ASSOCIATES

The Plenary Hall is one of the main halls with a capacity of 3,000 people, ideal for large conferences and meetings. The hall is equipped with state-of-the-art audiovisual facilities, simultaneous interpretation system and other amenities that make it an excellent venue for international conferences and events.

The plenary hall ceiling in the shape of an eye is a masterpiece design that is decorated with over 14,000 individual piece of custom-made glass panel. The interior incorporates traditional Islamic motif and inspired Malay weaving of ‘songket,’ a traditional Malay fabric that is intricately woven with gold or silver threads. The wall is adorned with local timber while the floor is covered with locally handmade carpets.

About 60% of the building is submerged into the hill slope, giving PICC the biggest green roof in Putrajaya. The building’s roofs were influenced by vernacular Jack-arch roofs that allow warm air to escape through upper openings.

The garden that spans over 80 acres features a mixture of traditional Islamic and modern contemporary element, with beautifully designed landscape showcasing a diverse range of flora and fauna from different parts of the world. It also incorporates elements of sustainable design such as rainwater harvesting, solar power, and natural ventilation.

HERIOT-WATT UNIVERSITY

The award-winning Heriot-Watt University Malaysia that sits on a 4.8acre site overlooking the lake, basks itself in the natural surroundings of Precinct 5. It forms part of Putrajaya Lake and park’s “green continuum,” covering approximately 67% green landscape on the site. With the largest green roof in Malaysia at 755-foot-long, the arching roof acts as an insulating thermal and sun shading device, and collects

“Heriot-Watt is one of a few universities that has been qualified as green university. The green roof alone is the most recognisable sustainable feature of the campus.” HIJJAS KASTURI ASSOCIATES

rainwater. It covers about 403,650 square feet of campus spaces, including lecture halls, classrooms, a library, an auditorium, students’ facilities and administrative offices. Designer Hijjas Kasturi Associates says the sustainable approach is driven by a strong passive design approach, making its energy consumption 50% lower than the typical university building energy intensity. Its architectural volumes and fenestration are playfully articulated to convey a sense of confidence, relaxation, openness, and connectivity to the society. This property has been certified by the Malaysian Green Building Index and its contribution to green has been recognised by many, the latest being the EDGE-PAM Awards 2017 Green Excellence Award.

MINISTRY OF TOURISM, ARTS AND CULTURE & MINISTRY OF HIGHER EDUCATION

The Ministry of Tourism, Arts and Culture and the Ministry of Higher Education found a remarkable home on lot 5G2, located in Precinct 5. Originally designed by SeniBahri Arkitek, the two office blocks, adjacent to the DoubleTree by Hilton Putrajaya Lakeside Hotel, have appreciable architectural significance. Later, under the design and built contract, the contractor appointed Jafri Merican Architects & Associates to work closely with engineers, interior designers and landscape consultants to bring the designs to life.

The buildings’ intricate design, based on the theme of traditional Malay culture

and its heritage and artefacts, is a testament to the architects’ creativity and skill. The meticulous attention to detail is evident in the buildable details of the symbolic elements incorporated into the buildings’ design.

The building comprises of two 19-storey high towers, with three levels of shared split level basement. The heights of the towers are close to 81 metres to the highest floor, and almost 91 metres to the highest point.

The basement was designed as a water tight structure without the provision of any expansion or contraction joints. The superstructure floors were designed as post tensioned floor slab and beam framed to reinforced concrete columns.

ALAM WARISAN

Alam Warisan is a sprawling property that comfortably sits on an elevated plaza, instantly making it an eye-catcher. The grandiose structure was specially designed as a hotel building, previously operated as Pullman Hotel and Resorts Putrajaya and is now known as Double Tree by Hilton Putrajaya Lakeside. A collaboration between Senibahri Arkitek and Zon Design Rekabina, the elaborated

“This was one of the most complicated projects we’ve handled. With over 20 consultants and a JV between two architectural firms, the design part and management were equally challenging.”

project was completed in 2002. Its elegance leaves an impact on a four-acre landscape ground, standing majestically next to the Putrajaya Lake in Precinct 5. This hotel is distinctive due to its thematic design with culturally unique blocks and rooms with an excellent view of the lake. Each block has an individual cultural theme namely Malay, Chinese, Indian and Borneo, and a floating Malay water village was built over the lake as the extension to the Malay heritage block. A popular venue for all sorts of events, the resort-style hotel is conceived as a living museum aims to inspire visitors through various ethnic culture, heritage, craft, lifestyle and art.

ZON DESIGN REKABINA

The Chinese wing receives input from cultural experts who incorporate the elements of Feng Shui in its design.

The clock tower with elements of Malay architecture is an interesting addition to the area.

The Borneo block is connected to the Borneo pavilion and a walkway that leads to the lake.

The Malay block is very special with its distinguished Malay architecture and timber detailing, brought in from the state of Terengganu. The staircase with patterned tiles is famous in old Malay kampung houses, particularly in Malacca.

The Indian wing celebrates Indian culture and tradition in its design with beautifully carved balcony.

MARINA PUTRAJAYA

Putrajaya planners have given a great thought on how residents in the city can form a stronger connection with the mesmerising lake. This is how the idea to build Marina Putrajaya, the only facility in the city that serves as a one-stop leisure and recreational centre accessible to the public, was born.

Set on the lakeside of Precinct 5, the complex was conceived by Zon Design Rekabina with an emphasis on uniqueness and beauty,

and was completed in 2008. It offers facilities such as swimming pool, gymnasium, aerobic studio and sauna room, especially for the Putrajaya community and its neighbourhood. Visitors may also indulge in a wonderful gastronomic experience while enjoying stunning scenery from its cafe and take part in various indoor games such as snooker or pool and darts.

From a bird’s eye view, this complex uniquely forms the shape of a crescent. The contemporary design was chosen to provide connectivity to the lake, thus ensuring that from any given angle, visitors can enjoy an open view of the lake and observe all water activities that are held on it.

“Visitors can observe all water activities and enjoy spectacular view of the lake from any position they’re at.”

ZON DESIGN REKABINA

KOMPLEKS SUKAN AIR PUTRAJAYA

Putrajaya’s very own Kompleks Sukan Air has merged water sports into the long list of attractions offered by the city. Both local and foreign visitors only have good things to say about this water sports complex. Designed by Senibahri Arkitek, the complex, also the pride of the country among water sport enthusiasts, was completed in 2005.

Complete equipment and facilities are available in the complex located in the southernmost part of Putrajaya Lake, thus water sports activities, from rowing and paddling activities to water skiing and wakeboarding are all possible here.

The water quality of Putrajaya Lake, which is classified as Class IIB by National Water Quality Standards, is suitable for body contact, allowing the lake to host all water sports activities, including open water swimming. A stadium-like grandstand has been comfortably and beautifully built overlooking the lake, and from there visitors will have the best view to catch up on events and actions taking place on the lake in a relaxing environment.

JAMBATAN SERI SAUJANA

Jambatan Seri Saujana in Lebuh Sentosa which was completed in 2002, is a prominent attraction with its pair of parabolic arches and twin A-shaped pylons inclined towards each other. Designed by PJSI Consultants, the bridge design concept was a first of its kind, combining two supporting systems: an asymmetric cable-stayed support structure designed to bear the bridge’s self-weight load, and a slender arch designed to carry the superimposed loads. The designer devised the matrix formula to force the two systems to operate in unison to support the overall design loads and create an elegant, economically viable bridge shape that provides a solution for a long-span bridge.

This bridge is controlled by the main design parameters to reflect a transparent, elegant and futuristic slender looking structure, with an overall single span of 300 metres and a total width of 32 metres. Ultimately, this bridge is a marvel of engineering and has

won multiple accolades. This is one of the main bridges which illuminates Putrajaya’s night skyline, comprising dual threelane carriageways which acts as a link between Precinct 4 and Precinct 8.

“The mosque is a testament that Islam is a progressive religion, adaptable through time. It proclaims the presence and strength of Islam.”

MASJID TUANKU MIZAN ZAINAL ABIDIN

Masjid Tuanku Mizan Zainal Abidin, which sets contemporary standards in mosque design, is a striking sight with its metal-dome glistening in the dark. Completed in 2009, the mosque is popularly known as the Iron Mosque due to its 70% steel structure. It drew inspiration from the Mosque of Rome in Parioli, Italy, combining traditional religiousness with a modern sense of identity. Visitors will find themselves drawn into its calm presence as it shimmers next to the Putrajaya Lake. Designed to hold 20,000 worshippers, the building is divided into two main zones with a 20-metre reflecting pool surrounding the Main Prayer Hall. The pool acts as a continuing element of the lake and also functions as a rain catcher. Architect Kumpulan Senireka says the building characterises on three design principles: simplicity, airiness and transparency.

KUMPULAN SENIREKA

Inspired by Surah Al-Baqarah Verse 57 which states: “And we shaded you with clouds...”, the mosque was designed with a long cantilever roof to provide shade, metaphorically resembling the clouds. It also led to the ‘transparent’ and open idea of the building. Only large screens or ‘Mashrabiyah’ protect the Main Prayer Hall from the rain while allowing natural ventilation that helps create a comfortable environment within the prayer hall.

The sahn or courtyard outside the Main Prayer Hall, created as a transition space to avoid drastic change of atmosphere between the worldly activities and the religious-centred pursuit inside the mosque, was inspired from the garden in Alhambra.

Water feature to the left, right and front of the Main Prayer Hall acts to keep the air cool. With its infinity edge, it is perceived as an extension of the lake into the mosque.

The Main Entrance or ‘iwan’ is a grand and spacious foyer that is rich with natural light, allowing the building to use minimum energy at daytime.

Surah AlIsraa’ verse 80 inscribed on a 3D stainless steel box above the Main Prayer Hall entrance serves as a reminder and du’a while entering the mosque.

The elevated pedestrian plaza known as the Kiblat Walk connects the mosque to Persiaran Perdana and the nearby buildings.

The main entrance or iwan is made-up of a series of arches decorated with the 99 calligraphic names of Allah or Asmaul-Husna in Thuluth script.

Like most traditional mosques, a large central sahn or courtyard, which is surrounded by a riwaq or arcade on both sides and a pool with fountains in the middle, creates a soothing ambience leading towards the iwan.

The 48-metre diameter ribbed dome supported by steel structure is clad in stainless steel and aluminium, which makes it bright and shiny during the day. Symbolically, the character of the dome is to portray the essence of Islamic teachings and beliefs with the overall aesthetic values. The shape is in the right proportion with the overall design of the mosque. The dome is divided into 24 ribs which are known as the ‘structural leaf’. The ribs symbolise the numbers of ‘Rasul’ or Messengers, and the 25th Rasul, being the final Prophet Muhammad (pbuh), is placed in the circular shape that acts as the capping of the dome that ties all the ribs.

The high and lofty ceiling creates a feeling of awe towards the Almighty God. The vastness of the space makes worshippers feel humble, modest, weak and small in front of the Creator. It creates a tranquil and silent space which allow prayers to be done in full concentration or ‘khusyuk.’

Kalas or spire that holds a sphere symbolises the universe with the Creator’s name carved out.

“The Quranic verses ‘floating’ on the Mihrab Wall symbolise the ‘wahyu’ (revelation) coming down from the Almighty God to His Prophet.” KUMPULAN SENIREKA

Mihrab indicates the direction of Makkah which the congregation face during prayers. Unlike traditional mihrab, this Mihrab Wall is designed as a rectangular with 13-metre anti-reflective glass infill. Supported by cable net structures, Surah Ibrahim verses 40 to 47 and Surah Al-Baqarah verses 148 to 153 are etched on this wall. Shahada al-Tawhid or the Islamic declaration of Faith, written in Thuluth, is in the centre piece of the Mihrab.

MONUMEN ALAF BARU

Monumen Alaf Baru or the Millennium Monument, as its name reflects, represents the hope of this administrative capital as well as the nation, moving forward with remarkable progress based on Malaysia’s history, culture, Islamic influences and vision. Designed by T.R. Hamzah & Yeang, the monument was completed in the year 2005. It was built to respond to physical surroundings as well as the intellectual and spiritual dimensions of the country.

The cultural definition where the monument’s colour and texture derived from the Malay cultural object artefact called the ‘tepak sirih,’ while historical mapping is etched on the pole and glass on the ramp balustrade. Historian, the late Professor Emeritus Tan Sri Dr Khoo Kay Kim, was consulted to ensure that this historical mapping is accurate and based on true historical data. At night, this aluminium monument tower would, like a lighthouse, emit bright light, making it appear exclusive and stunning.

The monument, among others, summarises the concept of national symbolism where the national flower ‘Bunga Raya’ is used as a design metaphor to shape the structure of the monument’s ramp, The 68-metre-high monument was designed by T.R. Hamzah & Yeang and is located on the waterfront in Precinct 2.

The ascent is in the form of a veranda-style observation platform divided into four interconnected fractions to illustrate the period of preindependence Malaysia (before 1957), post-independence (19571970), Malaysia today (1971-2020) and Malaysia in 2020 and beyond.

JAMBATAN SERI WAWASAN

The breathtaking Jambatan Seri Wawasan is the most elegant of the bridges in Putrajaya. It was beautifully designed by PJSI Consultants and completed in 2001. The futuristic asymmetric cable-stayed bridge with a uniquely chosen inclined forward pylon resembles the sail pylon of a ship sailing into the future of developed Malaysia. The main span is supported by 30 pairs of front cable stays arranged in a fan form, with 21 pairs of cable backstays mounted to counterbalance this. Its curvaceous and slender profile is easily visible from various vantage points in the city.

Cables on the bridge deck

Tile works on the pedestrian lane

With a length of 240 metres and a height of 67 metres, Jambatan Seri Wawasan is the key link between Precinct 2 at the Core Island and the residential area of Precinct 8 and an important connection to the mixed-development precinct. The bridge also has fantastic views of Putrajaya, especially when one looks to the north, where both Masjid Putra and Perdana Putra could be seen.

“The mansion was designed to be ‘hugging’ the hill and from the top, the Sultan would have the sweeping view of Putrajaya.”

KUMPULAN SENIREKA

ISTANA DARUL EHSAN

Istana Darul Ehsan in Precinct 8 is one of the royal residences of the Sultan of Selangor, Sultan Sharafuddin Idris Shah.

Designed by Kumpulan Senireka and completed in November 2000 during the time of the former Ruler, Sultan Salahuddin Abdul Aziz Shah, this huge mansion

beside the Putrajaya Lake symbolises the appreciation from Malaysia’s Federal Government to the Selangor State for ceding Putrajaya to the federal government. As requested by the former Sultan, the mansion was inspired by French Classical design with a deep grey facade and an elegant interior. The six-storey mansion is meant to be the Royal Retreat for the Sultan and is not open to public. Certainly a sight to be adored, the mansion has a viewing gallery including guarded private spaces, personal library and a Grand Lobby.

KELAB TASIK PUTRAJAYA

Kelab Tasik Putrajaya is situated in Precinct 8 on a sliding valley at the edge of the charming Putrajaya Lake. Officially opened in 2001, the club was designed for international level regattas as it meets the specifications set by the International Canoe Federation. Thanks to the imagination of designer, Hijjas Kasturi Associates, the building’s shape brilliantly takes the elliptical form of a boat’s inverted hull, moulded from the perimeter and forming a dome anchored by the surrounding pillars.

The canopy above the viewing deck, constructed from a tensile sail-like material, punctuates the regularity of the main roof’s curvilinear wave. The tower of the club was built as a series of successively higher decks to provide direct visibility of the entire lake, mimicking a ship officer’s viewing deck which allows a simple race tracking, event filming and flag flying. The club also houses a cafe overlooking the lake and is a popular gathering place with a stunning view of Perdana Putra and Istana Melawati on the other side.

An Architecture Travel Guide MALAYSIA

Putrajaya

First Edition July 2023

Perbadanan Putrajaya Dato’ TPr. Fadlun Mak Ujud, Shamsul Bahrin Rahmat, Zainal Arifin Baseri, Amran Mohd Noor, Harisfazila Ahmad, Ar. Ahmadsyafi’ei Abdul Kudos, Mohd Rani Mohd Tahir, Amir Syafiq Mohd Sharif.

Thinking Eyes Bazuki Muhammad, Shuhada Elis, Samsul Said, Ahmad Yusni, Lili Ibrahim.

Attin Press Rashid Ngadiron, Nazren Zainal Abidin.

Additional photos RSP Architects, Almaz Architect, Jafri Merican Architect, Perbadanan Putrajaya, PICC, Chen Chit Chuang, Yong Kim Lian.

All rights reserved. This book, or parts thereof, may not be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage and retrieval system now known or to be invented, without written permission from Perbadanan Putrajaya and copyright holders. The authors’ moral rights have been asserted.

PERBADANAN PUTRAJAYA BOOKS

Putrajaya is a multifaceted city that serves as the administrative hub of the nation while also embodying the ideals of a model garden city. It has garnered recognition as an award-winning green city that seamlessly integrates modernity with its cultural roots. The city’s well-planned development, state-of-the-art infrastructure, magnificent architecture, and picturesque man-made lakes contribute to its allure.

The vision to establish Putrajaya emerged in the late 1980s with the aim of relocating the administrative capital from Kuala Lumpur. After careful evaluation, Prang Besar was chosen as the site for the development of Putrajaya in 1995, guided by the principle of harmonious coexistence between “man and God”, “man and man” and “man and nature.”

Presently, Putrajaya stands as an exemplary garden city and a successful administrative capital. It has gained recognition as the most elaborate and comprehensive administrative capital in Southeast Asia, evoking a sense of pride among Malaysians, especially those involved in its planning, including town planners, architects, engineers, and landscape architects. With its worldclass architecture and captivating landscapes, Putrajaya has not only become a sought-after residential area but also an enticing destination for tourists.

This guidebook encapsulates the essence and vibrant energy of Putrajaya’s architecturally significant places, showcasing aweinspiring scenes through expressive art that highlights the use of spatial design, environmental practices, and forms. It provides visitors with an introduction to the city’s most beautiful architectural sites and landmarks, each serving as a testament to the remarkable progress of the city’s development.

An Architecture Travel Guide, PUTRAJAYA, MALAYSIA.