Architecture Portfolio

ARCHITECTURE PORTFOLIO batool alqasas

“As an architect you design for the present, with an awareness of the past, for a future which is essentially unknown.”

– Norman Foster

CONTENTS 01 design 6 02 planting a seed 03 saldo 04 dance village 05 rooted 06 nia centre

DES IGN 6 Multi-media Museum Design 6 LOCATION PROGRAMS PROJECT TYPE CREDIT DATE

Church St, Toronto Revit, Grasshopper, Enscape, Ps, Ai Academic Individual Project Winter 2019 | Full Semester

Native Arts Society

Gallery Spaces

Courthouse square St. James Cathedral Community Spaces

SITE AXO

BAUHAUS INSPIRED Embedded Arrangement

Design6 is a space that gives Canadians the opportunity to witness the evolution of design that has come with the changing culture over the years. Situated within the rich history of Church Street, the design aims to reimagine the material world to reflect the unity of all the arts. It combines architecture, sculpture, and painting into a single creative expression. This is inspired by the Bauhaus Movement as it merges all artistic mediums into one unified approach.

Design 6 is home to many varying artifacts which inspires the abstract, angular and geometric characteristics of the building. The façade celebrates the permanent collection on the exterior as it is derived from the elements of pattern and repetition which are found in most of the objects being displayed.

Vertical Core

Interior Perspective: Ground Floor

Facade

2 1 3

4

Concept Floor Plan

10 9

Second Floor

1

Processional circulation is used as a method to direct people through the public spaces in the museum

Int de

11 8

7

A 1

12

6

13

A

2

5 4

Developed Floor Plan | First Floor

3

1. Lobby 2. Reception 3. Cafe 4. Retail 5. Lecture Room 6. Object Prep.

7. Woodshop 8. Lockers 9. Loading 10. Freight Elevator 11. Mechanical Shaft 12. Electrical Room 13. Communications Room

2 | Interior Perspective: chair gallery

terior Sketches: Linear arrangement of objects allows visitors to witness a chronological sequence of esign evolution

Museum Artifacts The objects displayed in the permanent gallery carry the elements of repetition, pattern and rhythm as a commonality - This is reflected on the exterior facade

250mm

10,000mm

2 Chair display is inspired by the silhouette of a couch

Exterior

Textile Gallery

350mm

Recycled Glulam fins covering South & West facades

Plan: fins bring in the element of linearity through light & shadow

Dimensions of fins

Section A-A

11 10 9

12

4 1

5 6 7 8

20 19 18 17 16 15 14 13

21 22

2

3

23 24

6

7

13

4 5 8 9

1 2

3

10 11 12

Wall Section

Wall to Roof

Wall to Slab

1. Glulam Fin 2. Steel Bracket 3. Bolt 4. Metal Flashing 5. Slab Edge Cover 6. Rigid Insulation 7. Vapor Barrier 8. Parapet 9. Soil 10. Plantings 11. Filter Fabric 12. Resevoir Layer 13. Moisture Retention Layer 14. Aeration Layer 15. 3 Layers of Rgid Insulation 16. Drainage Layer 17. Root Barrier 18. Protection Course 19. Air Barrier 20. Water & Vapor Barrier 21.Horizontal Mullion 22. Snap Cap 23.Glass Curtain Wall 24.Vertical Mullion

1. Vertical Mullion 2. Glass Curtain Wall 3. Pressure Plate 4. Snap Cap 5. Drainage Path 6. Horizontal Mullion 7. Vapor Barrier 8. Membrane Tie-in 9. Rigid Insulation 10. Metal base 11. Reinforced Concrete Slab 12. Grade

3 Interior Perspective: chair gallery

4 Interior Perspective: small appliances

P LANTI NG A SEED

CONCEPT

INFLATABLE STRUCTURE

School | Honourable Mention LOCATION PROGRAMS PROJECT TYPE CREDIT DATE

Wahnapitae, Ontario Revit, CAD, Enscape, Ps, Ai, Id Academic Competition Group Project Winter 2022 | 2 Months

The site is located on a remote Indigenous Reserve in Ontario, Canada (Wahnapitae Indian Reserve).

While the reserve is home to around 200 people, it lacks basic facilities such as a school, library or community centre due to government neglect. For this reason, the proposed design is created with replicability and adaptability in mind so that it can be implemented on numerous reserves.

C O N T R I B U T I O N | Developing concept, 3D modelling and Design Production Partner: Zarreen Khan All work produced individually unless otherwise specified

SITE

Tree

wigwam

gathering

widsom

The “tree” like columns symbolize wisdom in Indigenous central column culture

form

layout

structure

The diagrid structure mimics the interior of a wigwam

community

The indigenous symbol for “gathering” inspires the overall layout

A

Inflatable

B

Wire Structure

The inflatable has airlocks allowing it to retain its form and maintain indoor temperatures.

Zarreen Khan

EXPANSION OF STRUCTURE current module

possible expansion 1

possible expansion 2

1

A

2

inflatable is blown up during colder seasons

ONTARIO, CANADA

WAHNAPITAE RESERVE

MAP OF RESERVES

Learning spaces Floor Plan Library Community space

Semi-outdoor Design B

structure held down with fasteners attached to pavement

LEARN

ENGAGE

PLAY

INTERA

ACT

SKYLIGHT: central skylight deep reveal allows for daylight penetration WINDOW: triple glazed windows

BEAM TO BEAM CONNECTION: Aluminum concealed beam connector with full threaded screws

SKIN: timber facade panels STRUCTURE: horizontal and vertical members TREE COLUMN: column made from glulam members SLAB: concrete pavement at the base

GATHER

PREFABRICATED TIMBER DOME

FOOTINGS: concrete footings

Learning on the land is also an important part of Indigenous culture, which inspires this interstitial space within the domes that supports interactive learning and play.

The design promotes innovative activities that stimulate learning and development. It focuses on creating a fun and playful environment outside of the classrooms as an extension to the formal learning spaces. Education is used as a tool to reanimate communities that have been neglected and forgotten.

SALDO

1.

Meditation Cabin

LOCATION PROGRAMS PROJECT TYPE CREDIT DATE

Portugal Rhino, CAD, Enscape, Ps, Ai Competition Individual Project Summer 2021 | 3 Weeks

As one approaches Vale de Moses, different parts of the extensive landscape are slowly revealed one hill after the other, the gentle breeze filters through the trees and the singing birds provide a gentle rhythm that reminds one of the existence of mother nature. In the midst of all this, the ‘Saldo’ cabin – “balance” in Portuguese - gives guests the opportunity to escape their repetitive routines and complex lifestyles to relax and immerse themselves in the beauty of this natural and preserved environment. Balance is a crucial element in all existing things; light and darkness, solid and void, space and time. Consequently, guests are invited into a space that contrasts their daily life allowing them to leave ‘Saldo’ feeling whole and content.

Two opposites

Establishing heirarchy

Peaked roofs mimic surrounding architecture

Connecting forms

2.

SI T E M A P

3.

4.

5.

6.

Rainwater storage and reuse

Natural shading & heat minimizing system

Operable skylights for natural light and ventilateion

7.

8.

Connection between interior and exterior

Reduced landscpae impact & efficient stormwater movement

Roof form mimics surrounding architecture

9.

E XPL ODE D A

T ON GU E & GR OO VE F A ST EN I N G M ET HOD

LO CAL MATERI AL S: C O R K & TIM B E R These local elements reflect an aspect of the land’s sustainable and earthy resources. Cork posseses impermeability to water and air, thermal and acoustic insulation and ease in manufacturing.

A technique that eliminates the use of adhesives or screws.

Each block is carved in a way that allows for blocks to fit into each other like lego pieces.

10.

1. Skylights: Frames glazed glass 2. Charred wood cl 3. Timber exterior ar 4. Steel framing and glazed window 5. Recycled cork bl 6. Steel framing and glazed sliding doors 7. Entrance: Steel fr double glazed glas 8. Recycled interior cladding 9. Structure: Wood b columns 10. Recycled cork b concrete footings

XO and double

ladding rea d double

locks d double s rame and ss r timber

beams and

blocks and

DANCE V I LLAGE

CONTEXT PLAN

The Geometry of Dance

EXTENSION OF THE MILLENNIUM TRAIL EXTENSION OF CONSESSION ST. E

LOCATION PROGRAMS PROJECT TYPE CREDIT DATE

Warkworth, Ontario Rhino, Revit, Enscape, Ps, Ai Academic Individual Project Fall 2021 | 2 Months

The intent of the Dance house is to create a dialogue between the landscape, architecture and the human body through the lenses of movement and geometry. The dance village explores housing as a response to the movement of the human body in which dance is used as a vehicle to investigate body in space.

This proposal introduces a live-work environment in the midst of Warkworth’s fields by merging the private life of inhabitants with public and open program, generating exciting mixed-use spaces and making daily spatial distributions more complex.

SPROUT

DANCE + LIVE

RAMP

PERFORM

SITE AXO

GEOMETRY TO BUILT FORM

This LIGHTHOUSE acts as the main gathering hub for the dancers, offering multiple dance studios and a performance space for the community.

LIGHTHOUSE PERFORM

FRAGMENT LIVE

A | LIGHTHOUSE - PERFORMANCE RAMP 5 3

3 3

1

1

4

4

2 5 1. lounge 2. theatre 3. dance space 4. w/c 5. promenade

3

First floor

1. 2-bedroom dance studio 2. dance studio 3. green roof 4. w/c 5. bridge

2

2

Second floor

Longitudinal section

1. cafe 2. 1-bedroom a 3. 2-storey apar 4. 2-storey danc 5. 1-storey danc 6. atrium 7. outdoor mult

B | SPROUT

apartment rtment ce space ce space

ti-use area

circular layout

space distribution

envelope

Aluminum Shell Surface with Perforations Panels combine the natural warmth of timber with the durability and performance of aluminum

Longitudinal Structural Glulam Frame Downward force travels longitudinally through the strcture and to the foundation

Latitudinal Structural Glulam Frame The latitudinal frames transmit the force horizontally through the structure

5 7

3

4

2

6 1

3

3 2

2

2

1

3

1

4

Geometrical Layout

2

3

2

First floor

1. 1-bedroom apartment 2. 2-storey apartment 3. 2-storey dance space

Second floor

1

4

1. public Cafe 2. one-bedroom apartment 3. two-story apartment 4. dance studio

Exploded Structure Axo

C | DANCING CABIN

Geometric planes

Skewed surface

Trimming: skylight opening

Longitudinal Section

Illustration

First floor

Second floor

ROOTED Martin Road Estate Winery

LOCATION PROGRAMS PROJECT TYPE CREDIT DATE

Niagara-on-the-lake, Ontario Revit, CAD, Enscape, Ps, Ai Academic Individual Project Fall 2019 | 1.5 Months

Martin Road Estate Winery integrates the building into the landscape in order to echo the belief that the vineyard is of utmost importance.

As the building is approached, excavated land continues underground. This marks the beginning of the visitors journey of exploring the process of winemaking; Just as the first step of winemaking starts by digging beneath the earth. The building as well as the circulation pattern follow a linear arrangement, which is greatly inspired by the form of the site, where the vineyard runs strictly north to south. The building uses wood construction as a natural material relating to the overall concept of the project.

Vinyard arrangement creates a linear site

Form mimics site conditions

Building is embedded; appearing to emerge from the ground

Underground activity space is created

FLORA

SUN & WIND PATHS

sunset

Vines run north to south with trees & bushes mainly outlining the east side

Section A-A

TOPOGRAPHY

ACCESS POINTS

Relatively flat site with major downhill slope on the south end

Main enterance through QEW highway & minor path on the south end

PROGRAMME

LANDSCAP

sunrise

Sun hits site uninterruptedly from sunrise to sunset. Wind flows continuously from lake to escarpment

support spaces retail & cafe public/community administration wine-making

Landscaping greenery are b underground natural eleme starts at the ‘

PING

g and brought d as a ent that ‘root’.

CIRCULATION

2 1 3

Circulation is linear, mimicing the form of the site. Elevator and fire exits connect to both floors, including grade level.

1 main vehicle entrance from highway 2 pedestrian walkway 3 service pathway Pathways are set in place to serve the visitors’ experience and assist in the winemaking process

vinyard is enhanced & expanded to cover more ground area

7-meter excavation is implemented to establish building space

Ramp guides visitors to underground activity space as well as the winery’s main entry point

B 1

A

2

A

A

4 10 3

5

A

12

8 13

First Floor Plan 11 6

7

B

SITE PLAN

LEFT TO RIGHT: South Elevation Section A-A Section B-B

9

14

1 Ramp 2 Outdoor seating 3 Lobby 4 Shop 5 WC 6 Event space 7 Kitchen 8 Fermentation 9 Blending/Bottling 10 Storage 11 Offices 12 Cafe 13 Bar 14 Crushing/ Pressing

PRIMARY WINEMA

HARVESTING

AKING PROGRAM

CRUSHING

FERMENTATION

AGING

BOTTLING

NIA

SITE ANALYSIS

Centre for the Arts

LOCATION PROGRAMS PROJECT TYPE CREDIT DATE

Little Jamaica, Toronto Rhino, CAD, Enscape, Ps, Ai Academic Group Project Winter 2021 | Full Semester

VEHICLE BASED

CONSTRUCTION

STREET FURNITURE

N HA

UG VA RD

On-going construction along Eglintion Ave has narrowed down sidewalks, resulting in congestion and slower circulation. The site lacks facilities that contribute to the pedestrian experience. This proposal takes these elements into account by providing seating areas, gathering spaces and vegetation.

OAKWOOD AVE

The changes that have taken over the OakwoodVaughan neighborhood have left the area fragmented as the people struggle to maintain their culture and community. The expanded NIA Centre for the Arts is a space that restores the community by providing a safe space for black creatives. A light tunnel runs through the verticality of the building forming a central core which serves as the social heart of the building.

EGLINTON AVE

CONCEPT

C O N T R I B U T I O N | Developing concept, Site Analysis, 3D modelling and Design Production Partner: Zarreen Khan All work produced individually unless otherwise specified

The faceted form pieces together fragments, creating a “whole”, reflective of unifying the community once again.

SI TE

EXTEND ED NOD E f o r m o re o u tdo o r gath eri n g space

BUILDING CORE h ou s i n g i n f or ma l a c ti vi ti e s

NIA CENTRE f or th e A r ts

Artist studio (1)

Artist studio (2)

Event space

Lounge

TECTONIC DIAGRAM

Spaces are org to create in areas that connected t the public which interac different parts building

MEET

LEARN

4

7

7

6

OO KW

7

OA

7 7

5

8

6

3

1

2 1. Reception 2. Theatre 3. Stage 4. BOH 5. Open event 6. Retail 7. Art Gallery 8. Cafe 9. Security 10. Janitor Room 11. Loading 12. Coat check

6

7

D

AV

E

1

GATHER

5

ganized nterstitial are through realm cts with s of the

EXPRESS

2 3 4

10 9 11 First floor

1. Artist studio 2. Social Service 3. Classrooms 4. Lounge 5. Library 6. Meeting room 7. Offices 8. Private lounge 9. kitchen and dining 10.Office support 11. Media tech workshop

9

11

8 10

Second floor

LONGITUDINAL SECTION

INTERIO

EAST & WEST ELEVATIONS

PRELIM

OR PERSPECTIVE | GROUND FLOOR

MINARY PHYSICAL MODELS

WALL SECTION

ROOF

PERFORATED PANELS

HORIZONTAL

VERTICAL

CURTAIN WALLS

DIAGONAL

SHEER WALLS

FINAL ATRIUM

ATRIUM PIPING STRUCTURE

The space within the core is considered to be the public he building and is utilized as an open event area for the commun

The core uses a lattice structure with horizontal, vertical and members creating a triangulation system with thermal insulate

150mm Concrete Topping 40mm Corrugated Metal Deck 30mm Rigid Insulation 150mm Batt Insulation 30mm Rigid Insulation Air/ Water Barrier Interlocking Channel Rail 4mm Metal Panel

Vision Glass Horizontal Mullion

150mm Concrete Topping 40mm Corrugated Metal Deck 600mm OWSJ Fireproofing Foam Spray HVAC Hanger Wire Cross Tee 10mm Drop Ceiling

1.2mm Galvanized Sheet Steel Mineral Wool Firestop Hanger Wire

2x8 Steel Track Anchor

Cross Tee 10mm Drop Ceiling

4mm Metal Panel Interlocking Channel Rail Air/ Water Barrier 15mm Gypsum Sheathing 150mm Batt Insulation Steel Track 10mm Gypsum Board

6mm Aluminum Perforated Panel Steel Framing 4mm Aluminum Spandrel Panel 130mm Batt Insulation Metal Cap

eart of the nity.

d diagonal ed glass.

CANTILEVER TO WALL CONNECTION

ALUMINUM PANELS TO CURTAIN WALL CONNECTION

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