ARCHITECTURE batool alqasas
“As an architect you design for the present, with an awareness of the past, for a future which is essentially unknown.”
– Norman Foster
CONTENTS 04 dance village 01 design 6 06 nia centre 05 rooted 03 saldo 02 planting a seed
DESIGN 6
Multi-media Museum
LOCATION
PROGRAMS
PROJECT TYPE
CREDIT
DATE
Church St, Toronto
Revit, Grasshopper, Enscape, Ps, Ai
Academic
Individual Project
Winter 2019 | Full Semester
Design6 is a space that gives Canadians the opportunity to witness the evolution of design that has come with the changing culture over the years. Situated within the rich history of Church Street, the design aims to reimagine the material world to reflect the unity of all the arts. It combines architecture, sculpture, and painting into a single creative expression. This is inspired by the Bauhaus Movement as it merges all artistic mediums into one unified approach. Design 6 is home to many varying artifacts which inspires the abstract, angular and geometric characteristics of the building. The façade celebrates the permanent collection on the exterior as it is derived from the elements of pattern and repetition which are found in most of the objects being displayed.
Facade
Vertical Core
Embedded Arrangement
Community Spaces
Gallery Spaces
St. James Cathedral
Courthouse square
Native Arts Society
Design 6
BAUHAUS INSPIRED
Interior Perspective: Ground Floor
SITE AXO
Interior design Processional circulation is used as a method to direct people through the public spaces in the museum 1 2 3 4 1
Floor Concept Floor Plan Developed Floor Plan | First Floor 1. Lobby 2. Reception 3. Cafe 4. Retail 5. Lecture Room 6. Object Prep. 7. Woodshop 8. Lockers 9. Loading 10. Freight Elevator 11. Mechanical Shaft 12. Electrical Room 13. Communications Room 2 1 3 4 5 6 7 8 9 10 11 12 13 A A 2 | Interior Perspective: chair gallery
Second
Textile Gallery 2
Chair display is inspired by the silhouette of a couch
Interior Sketches: Linear arrangement of objects allows visitors to witness a chronological sequence of design evolution
Museum Artifacts
The objects displayed in the permanent gallery carry the elements of repetition, pattern and rhythm as a commonality - This is reflected on the exterior facade
250mm
Recycled Glulam fins covering South & West facades
Plan: fins bring in the element of linearity through light & shadow
Dimensions of fins
Exterior
350mm 10,000mm
Section A-A
Wall Section
3 Interior Perspective: chair gallery
4 5 7 1 2 3 8 9 11 12 13 14 15 16 17 18 19 20 21 22 23 24 10 6 1 2 3 4 5 8 9 6 7 13 10 11 12
4 Interior Perspective: small appliances
1. Glulam Fin
2. Steel Bracket
3. Bolt
4. Metal Flashing
5. Slab Edge Cover
6. Rigid Insulation
7. Vapor Barrier
8. Parapet
9. Soil 10. Plantings
11. Filter Fabric 12. Resevoir Layer
13. Moisture Retention Layer
14. Aeration Layer
15. 3 Layers of Rgid Insulation
16. Drainage Layer
17. Root Barrier
18. Protection Course
19. Air Barrier
20. Water & Vapor Barrier
21.Horizontal Mullion
22. Snap Cap
23.Glass Curtain Wall
24.Vertical Mullion
1. Vertical Mullion
2. Glass Curtain Wall
3. Pressure Plate
4. Snap Cap
5. Drainage Path
6. Horizontal Mullion
7. Vapor Barrier
8. Membrane Tie-in
9. Rigid Insulation
10. Metal base
11. Reinforced Concrete Slab
12. Grade
Wall to Roof Wall to Slab
CONCEPT PLANTING A SEED School | Honourable
Mention
LOCATION
PROGRAMS
PROJECT TYPE
CREDIT
DATE
Wahnapitae, Ontario
Revit, CAD, Enscape, Ps, Ai, Id
Academic Competition
Group Project
Winter 2022 | 2 Months
The site is located on a remote Indigenous Reserve in Ontario, Canada (Wahnapitae Indian Reserve). While the reserve is home to around 200 people, it lacks basic facilities such as a school, library or community centre due to government neglect. For this reason, the proposed design is created with replicability and adaptability in mind so that it can be implemented on numerous reserves.
CONTRIBUTION | Developing concept, 3D modelling and Design Production
Partner: Zarreen Khan
All work produced individually unless otherwise specified
Tree widsom central column
STRUCTURE
wigwam form structure
The “tree” like columns symbolize wisdom in Indigenous culture
Inflatable
The diagrid structure mimics the interior of a wigwam
gathering layout community
EXPANSION OF STRUCTURE
current module
The indigenous symbol for “gathering” inspires the overall layout
The inflatable has airlocks allowing it to retain its form and maintain indoor temperatures.
Zarreen Khan
possible expansion 1 possible expansion 2
inflatable is blown up during colder seasons
ONTARIO, CANADA WAHNAPITAE RESERVE
MAP OF RESERVES Learning spaces Library Community space Floor Plan Semi-outdoor Design
SITE
structure held down with fasteners attached to pavement 1 2
Wire Structure A B B A
INFLATABLE
INTERACT LEARN ENGAGE PLAY
BEAM TO BEAM CONNECTION: Aluminum concealed beam connector with full threaded screws
PREFABRICATED TIMBER DOME
SKYLIGHT: central skylight deep reveal allows for daylight penetration
WINDOW: triple glazed windows
SKIN: timber facade panels
STRUCTURE: horizontal and vertical members
TREE COLUMN: column made from glulam members
SLAB: concrete pavement at the base
FOOTINGS: concrete footings
INTERACT
GATHER
Learning on the land is also an important part of Indigenous culture, which inspires this interstitial space within the domes that supports interactive learning and play.
The design promotes innovative activities that stimulate learning and development. It focuses on creating a fun and playful environment outside of the classrooms as an extension to the formal learning spaces. Education is used as a tool to reanimate communities that have been neglected and forgotten.
LOCATION
PROGRAMS
PROJECT TYPE
CREDIT
DATE
SALDO Meditation Cabin
Portugal
Rhino, CAD, Enscape, Ps, Ai Competition
Individual Project Summer 2021 | 3 Weeks
As one approaches Vale de Moses, different parts of the extensive landscape are slowly revealed one hill after the other, the gentle breeze filters through the trees and the singing birds provide a gentle rhythm that reminds one of the existence of mother nature. In the midst of all this, the ‘Saldo’ cabin – “balance” in Portuguese - gives guests the opportunity to escape their repetitive routines and complex lifestyles to relax and immerse themselves in the beauty of this natural and preserved environment. Balance is a crucial element in all existing things; light and darkness, solid and void, space and time. Consequently, guests are invited into a space that contrasts their daily life allowing them to leave ‘Saldo’ feeling whole and content.
SITE MAP
Two opposites
Establishing heirarchy Peaked roofs mimic surrounding architecture
Connecting forms
Rainwater storage and reuse
Operable skylights for natural light and ventilateion
Natural shading & heat minimizing system
LOCAL MATERIALS: CORK & TIMBER
These local elements reflect an aspect of the land’s sustainable and earthy resources. Cork posseses impermeability to water and air, thermal and acoustic insulation and ease in manufacturing.
Connection between interior and exterior
Reduced landscpae impact & efficient stormwater movement
Roof form mimics surrounding architecture
TONGUE & GROOVE FASTENING METHOD
A technique that eliminates the use of adhesives or screws.
Each block is carved in a way that allows for blocks to fit into each other like lego pieces.
EXPLODED AXO
10.
1. Skylights: Frames glazed glass
2. Charred wood cladding
3. Timber exterior area
4. Steel framing and glazed window
5. Recycled cork blocks
6. Steel framing and glazed sliding doors
7. Entrance: Steel frame double glazed glass
8. Recycled interior cladding
9. Structure: Wood columns
Recycled cork blocks concrete footings
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
AXO
and double cladding area and double blocks and double doors frame and glass timber beams and blocks and
DANCE VILLAGE
The Geometry of Dance
LOCATION PROGRAMS
PROJECT TYPE
CREDIT
DATE
Warkworth, Ontario Rhino, Revit, Enscape, Ps, Ai Academic Individual Project Fall 2021 | 2 Months
The intent of the Dance house is to create a dialogue between the landscape, architecture and the human body through the lenses of movement and geometry. The dance village explores housing as a response to the movement of the human body in which dance is used as a vehicle to investigate body in space.
This proposal introduces a live-work environment in the midst of Warkworth’s fields by merging the private life of inhabitants with public and open program, generating exciting mixed-use spaces and making daily spatial distributions more complex.
SITE
CONTEXT PLAN LIGHTHOUSE PERFORM SPROUT DANCE + LIVE FRAGMENT LIVE RAMP PERFORM
AXO
This LIGHTHOUSE acts as the main gathering hub for the dancers, offering multiple dance studios and a performance space for the community.
GEOMETRY TO BUILT FORM
EXTENSION OF THE MILLENNIUM TRAIL EXTENSION OF CONSESSION ST. E
1 3 2 3 4
1. lounge
2. theatre
3. dance space
4. w/c
5. promenade
5
1. 2-bedroom dance studio
2. dance studio
3. green roof
4. w/c
1 2 2 3 3 4 5
5. bridge
First floor
Second floor
Longitudinal section
1. cafe
2. 1-bedroom apartment
3. 2-storey apartment
4. 2-storey dance
5. 1-storey dance
6. atrium
7. outdoor multi-use
A | LIGHTHOUSE - PERFORMANCE RAMP
Downward force travels longitudinally through the strcture and to the foundation
The latitudinal frames transmit the force horizontally through the structure
Panels combine the natural warmth of timber with the durability and performance of aluminum Geometrical Layout
Exploded Structure Axo
circular layout space distribution envelope apartment apartment dance space dance space multi-use area 1 2 2 3 3 4 5 6 7
1. 1-bedroom apartment
1 1 2 3 2 First
Second
2. 2-storey apartment 3. 2-storey dance space
floor
floor
1. public Cafe
2. one-bedroom apartment
3. two-story apartment
4. dance studio
Latitudinal Structural Glulam Frame
Longitudinal Structural Glulam Frame
1 2 3 4 2 3 4
Aluminum Shell Surface with Perforations
B | SPROUT
Illustration
Second floor
First floor
C | DANCING CABIN
Longitudinal Section
Geometric planes Skewed surface Trimming: skylight opening
ROOTED
Martin Road Estate Winery
LOCATION PROGRAMS
PROJECT TYPE
CREDIT
DATE
Niagara-on-the-lake, Ontario
Revit, CAD, Enscape, Ps, Ai Academic
Individual Project
Fall 2019 | 1.5 Months
Martin Road Estate Winery integrates the building into the landscape in order to echo the belief that the vineyard is of utmost importance. As the building is approached, excavated land continues underground. This marks the beginning of the visitors journey of exploring the process of winemaking; Just as the first step of winemaking starts by digging beneath the earth. The building as well as the circulation pattern follow a linear arrangement, which is greatly inspired by the form of the site, where the vineyard runs strictly north to south. The building uses wood construction as a natural material relating to the overall concept of the project.
Vinyard arrangement creates a linear site
Form mimics site conditions
Building is embedded; appearing to emerge from the ground
Underground activity space is created
PROGRAMME LANDSCAPING FLORA SUN & WIND PATHS TOPOGRAPHY ACCESS POINTS
Vines run north to south with trees & bushes mainly outlining the east side
Sun hits site uninterruptedly from sunrise to sunset. Wind flows continuously from lake to escarpment
Relatively flat site with major downhill slope on the south end
Main enterance through QEW highway & minor path on the south end
support spaces
retail & cafe
public/community administration
wine-making
Landscaping greenery are brought underground natural element starts at the
sunrise sunset Section A-A
Landscaping and brought underground as a element that ‘root’.
Circulation is linear, mimicing the form of the site. Elevator and fire exits connect to both floors, including grade level.
Pathways are set in place to serve the visitors’ experience and assist in the winemaking process
vinyard is enhanced & expanded to cover more ground area
LANDSCAPING CIRCULATION
7-meter excavation is implemented to establish building space Ramp guides visitors to underground activity space as well as the winery’s main entry point
1 2 3
1 main vehicle entrance from highway 2 pedestrian walkway 3 service pathway
LEFT TO RIGHT:
HARVESTING PRIMARY WINEMAKING South Elevation Section A-A Section B-B 1 Ramp 2 Outdoor seating 3 Lobby 4 Shop 5 WC 6 Event space 7 Kitchen 8 Fermentation 9 Blending/Bottling 10 Storage 11 Offices 12 Cafe 13 Bar 14 Crushing/ Pressing 1 2 3 4 5 6 7 8 9 10 12 13 14 11 A A B B
SITE PLAN
WINEMAKING PROGRAM
CRUSHING FERMENTATION AGING BOTTLING
NIA Centre for the Arts
LOCATION PROGRAMS
PROJECT TYPE
CREDIT
DATE
Little Jamaica, Toronto Rhino, CAD, Enscape, Ps, Ai Academic Group Project
Winter 2021 | Full Semester
The changes that have taken over the OakwoodVaughan neighborhood have left the area fragmented as the people struggle to maintain their culture and community. The expanded NIA Centre for the Arts is a space that restores the community by providing a safe space for black creatives. A light tunnel runs through the verticality of the building forming a central core which serves as the social heart of the building.
CONTRIBUTION | Developing concept, Site Analysis, 3D modelling and Design Production
Partner: Zarreen Khan
All work produced individually unless otherwise specified
On-going construction along Eglintion Ave has narrowed down sidewalks, resulting in congestion and slower circulation. The site lacks facilities that contribute to the pedestrian experience. This proposal takes these elements into account by providing seating areas, gathering spaces and vegetation.
CONCEPT
The faceted form pieces together fragments, creating a “whole”, reflective of unifying the community once again.
CONSTRUCTION VEHICLE BASED STREET FURNITURE
EGLINTON AVE
VAUGHANRD OAKWOOD AVE
SITE ANALYSIS
SITE EXTENDED NODE BUILDING CORE NIA CENTRE for more outdoor gathering space housing informal activities for the Arts
Artist studio (1)
Artist studio (2)
Event space
TECTONIC DIAGRAM
Spaces are organized to create interstitial areas that connected the public which interacts different parts building
Lounge
organized interstitial
1. Reception 2. Theatre 3. Stage 4. BOH 5. Open event 6. Retail 7. Art Gallery 8. Cafe 9. Security 10. Janitor Room 11. Loading 12. Coat check 1 2 3 4 5 6 7 8 9 10 11 2 3 4 6 6 7 7 7 7 7 5 8 9 11 10 1 1. Artist studio 2. Social Service 3. Classrooms 4. Lounge 5. Library 6. Meeting room 7. Offices 8. Private lounge 9. kitchen and dining 10.Office support 11. Media tech workshop First floor Second floor OAKWOOD AVE EXPRESS
are through realm interacts with of the
MEET LEARN GATHER
PRELIMINARY INTERIOR LONGITUDINAL SECTION EAST & WEST ELEVATIONS
PERSPECTIVE | GROUND FLOOR
WALL SECTION PRELIMINARY PHYSICAL MODELS INTERIOR
ROOF
HORIZONTAL VERTICAL
PERFORATED PANELS
CURTAIN WALLS
DIAGONAL
ATRIUM PIPING STRUCTURE
SHEER WALLS
FINAL ATRIUM
The space within the core is considered to be the public heart building and is utilized as an open event area for the community.
The core uses a lattice structure with horizontal, vertical and members creating a triangulation system with thermal insulated
heart of the community. and diagonal insulated glass.
ALUMINUM PANELS TO CURTAIN WALL CONNECTION CANTILEVER TO WALL CONNECTION
1.2mm
4mm Metal Panel Interlocking Channel Rail
150mm Batt Insulation
Deck
30mm Rigid Insulation Air/ Water Barrier 15mm Gypsum Sheathing 150mm Batt Insulation
Gypsum Board 4mm Metal Panel Interlocking Channel Rail Steel Track
Steel Track Anchor
Ceiling Cross Tee Hanger Wire
Framing
130mm
Metal
Hanger
600mm
HVAC
Air/ Water Barrier 30mm Rigid Insulation
40mm Corrugated Metal
150mm Concrete Topping
10mm
2x8
10mm Drop
6mm Aluminum Perforated Panel Steel
4mm Aluminum Spandrel Panel
Batt Insulation
Cap 10mm Drop Ceiling Cross Tee
Wire Fireproofing Foam Spray
OWSJ
40mm Corrugated Metal Deck 150mm Concrete Topping
Glass
Galvanized Sheet Steel Vision
Horizontal Mullion Mineral Wool Firestop
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