MArch Portfolio

ARCHITECTURE PORTFOLIO selected works batool alqasas

CONTENTS

01 design 6 02 planting a seed 03 saldo 04 dance village 05 rooted 06 nia centre

DE SIGN 6 Multi-media Museum

LOCATION PROGRAMS PROJECT TYPE CREDIT DATE

Church St, Toronto Revit, Grasshopper, Enscape, Ps, Ai Academic Individual Project Winter 2019 | Full Semester

Design 6

Design6 is a space that gives Canadians the opportunity to witness the evolution of design that has come with the changing culture over the years. Situated within the rich history of Church Street, the design aims to reimagine the material world to reflect the unity of all the arts. It combines architecture, sculpture, and painting into a single creative expression. This is inspired by the Bauhaus Movement as it merges all artistic mediums into one unified approach. Design 6 is home to many varying artifacts which inspires the abstract, angular and geometric characteristics of the building. The façade celebrates the permanent collection on the exterior as it is derived from the elements of pattern and repetition which are found in most of the objects being displayed.

Native Arts Society

Courthouse square

BAUHAUS INSPIRED

St. James Cathedral

Gallery Spaces

Interior Perspective: Ground Floor

Community Spaces

Embedded Arrangement

Vertical Core

Facade

Concept Floor Plan

10 9

11 8

7

A 1

12

6

13

A

2

5 4

Developed Floor Plan | First Floor

3

1. Lobby 2. Reception 3. Cafe 4. Retail 5. Lecture Room 6. Object Prep.

7. Woodshop 8. Lockers 9. Loading 10. Freight Elevator 11. Mechanical Shaft 12. Electrical Room 13. Communications Room

The objects displayed in the permanent gallery carry the elements of repetition, pattern and rhythm as a commonality. This is reflected on the exterior

Recycled Glulam fins covering South & West facades

Plan: fins bring in the element of linearity through light & shadow

10,000mm

Exterior

250mm

Dimensions of fins

2 1 3

4

1 textile gallery

2 chair display is inspired by the silhouette of a couch

second floor

Processional circulation is used as a method to direct people through the public spaces in the museum.

2 | Interior Perspective: chair gallery

Interior Sketches: Linear arrangement of objects allows visitors to witness a chronological sequence of design evolution

3 Interior Perspective: chair gallery

4 Interior Perspective: small appliances

Section A-A

11 10 9

12

4 1

5 6 7 8

20 19 18 17 16 15 14 13

21 22

2

3

23 24

6 7

13

4 5 8 9

1 2

3

10 11 12

Wall Section

Wall to Roof Detail

Wall to Slab Detail

1. Glulam Fin 2. Steel Bracket 3. Bolt 4. Metal Flashing 5. Slab Edge Cover 6. Rigid Insulation 7. Vapor Barrier 8. Parapet 9. Soil 10. Plantings 11. Filter Fabric 12. Resevoir Layer 13. Moisture Retention Layer 14. Aeration Layer 15. 3 Layers of Rgid Insulation 16. Drainage Layer 17. Root Barrier 18. Protection Course 19. Air Barrier 20. Water & Vapor Barrier 21.Horizontal Mullion 22. Snap Cap 23.Glass Curtain Wall 24.Vertical Mullion

1. Vertical Mullion 2. Glass Curtain Wall 3. Pressure Plate 4. Snap Cap 5. Drainage Path 6. Horizontal Mullion 7. Vapor Barrier 8. Membrane Tie-in 9. Rigid Insulation 10. Metal base 11. Reinforced WConcrete Slab 12. Grade

P LANTI NG A SEED School | Honourable Mention

LOCATION PROGRAMS PROJECT TYPE CREDIT DATE

Wahnapitae, Ontario Revit, CAD, Enscape, Ps, Ai, Id Academic Competition Group Project Winter 2022 | 2 Months

SITE

The site is located on a remote Indigenous Reserve in Ontario, Canada (Wahnapitae Indian Reserve). While the reserve is home to around 200 people, it lacks basic facilities such as a school, library or community centre due to government neglect. For this reason, the proposed design is created with replicability and adaptability in mind so that it can be implemented on numerous reserves.

C O N T R I B U T I O N | Developing concept, 3D modelling and Design Production | Partner: Zarreen Khan All work produced individually unless otherwise specified

CONCEPT

Tree

wigwam

ONTARIO, CANADA

WAHNAPITAE RESERVE

MAP OF RESERVES

EXPANSION OF STRUCTURE current module

gathering

widsom

form

layout

central column

The “tree” like columns symbolize wisdom in Indigenous culture

structure

The diagrid structure mimics the interior of a wigwam

community

The indigenous symbol for “gathering” inspires the overall layout

INFLATABLE STRUCTURE

possible expansion 1

possible expansion 2

1

2 Inflatable

inflatable is blown up during colder seasons

Wire Structure Learning spaces Floor Plan Library Community space

Semi-outdoor Design

The inflatable has airlocks allowing it to retain its form and maintain indoor temperatures.

Zarreen Khan

structure held down with fasteners attached to pavement

LEARN

Learning on the land is also an important part of Indigenous culture, which inspires this interstitial space within the domes that supports interactive learning and play.

The design promotes innovative activities that stimulate learning and development.

It focuses on creating a fun and playful environment outside of the classrooms as an extension to the formal learning spaces.

Education is used as a tool to reanimate communities that have been neglected and forgotten.

ENGAGE

PLAY

INT

TERACT

SKYLIGHT: central skylight deep reveal allows for daylight penetration WINDOW: triple glazed windows

BEAM TO BEAM CONNECTION: Aluminum concealed beam connector with full threaded screws

SKIN: timber facade panels STRUCTURE: horizontal and vertical members TREE COLUMN: column made from glulam members SLAB: concrete pavement at the base

GATHER

PREFABRICATED TIMBER DOME

FOOTINGS: concrete footings

S ALD O Meditation Cabin

LOCATION PROGRAMS PROJECT TYPE CREDIT DATE

Portugal Rhino, CAD, Enscape, Ps, Ai Competition Individual Project Summer 2021 | 3 Weeks

As one approaches Vale de Moses, different parts of the extensive landscape are slowly revealed one hill after the other, the gentle breeze filters through the trees and the singing birds provide a gentle rhythm that reminds one of the existence of mother nature. In the midst of all this, the ‘Saldo’ cabin – “balance” in Portuguese - gives guests the opportunity to escape their repetitive routines and complex lifestyles to relax and immerse themselves in the beauty of this natural and preserved environment. Balance is a crucial element in all existing things; light and darkness, solid and void, space and time. Consequently, guests are invited into a space that contrasts their daily life allowing them to leave ‘Saldo’ feeling whole and content.

SIT E MAP 1.

Two opposites

Establishing heirarchy

Peaked roofs mimic surrounding architecture

Connecting forms 2.

3.

4.

5.

LOCAL MATERI AL S: C O R K & TIM B E R These local elements reflect an aspect of the land’s sustainable and earthy resources. Cork posseses impermeability to water and air, thermal and acoustic insulation and ease in manufacturing.

6.

7.

8.

EX PL ODED A XO

9.

T ONGUE & GROO V E FA S TE N IN G M E TH O D A technique that eliminates the use of adhesives or screws as each block fits into the next like lego pieces

10.

1. Skylights: Frames and double glazed glass 2. Charred wood cladding 3. Timber exterior area 4. Steel framing and double glazed window 5. Recycled cork blocks 6. Steel framing and double glazed sliding doors 7. Entrance: Steel frame and double glazed glass 8. Recycled interior timber cladding 9. Structure: Wood beams and columns 10. Recycled cork blocks and concrete footings

Rainwater storage and reuse

Operable skylights for natural light and ventilateion

Connection between interior and exterior

Natural shading & heat minimizing system

Reduced landscpae impact & efficient stormwater movement

Roof form mimics surrounding architecture

DANCE V I LLAGE

The intent of the Dance house is to create a dialogue between the landscape, architecture and the human body through the lenses of movement and geometry. The dance village explores housing as a response to the movement of the human body in which dance is used as a vehicle to investigate body in space.

The Geometry of Dance

LOCATION PROGRAMS PROJECT TYPE CREDIT DATE

Warkworth, Ontario Rhino, Revit, Enscape, Ps, Ai Academic Individual Project Fall 2021 | 2 Months

This proposal introduces a live-work environment in the midst of Warkworth’s fields by merging the private life of inhabitants with public and open program, generating exciting mixed-use spaces and making daily spatial distributions more complex.

SITE AXO

CONTEXT PLAN

EXTENSION OF THE MILLENNIUM TRAIL EXTENSION OF CONSESSION ST. E

GEOMETRY TO BUILT FORM

This LIGHTHOUSE acts as the main gathering hub for the dancers, offering multiple dance studios and a performance space for the community.

SPROUT

DANCE + LIVE

RAMP

PERFORM

LIGHTHOUSE PERFORM

FRAGMENT LIVE

A | LIGHTHOUSE - PERFORMANCE RAMP

5

3

3 3

1

1

4

4

2

3

2

2

5 1. lounge 2. theatre 3. dance space 4. w/c 5. promenade

Longitudinal section

First floor

1. 2-bedroom dance studio 2. dance studio 3. green roof 4. w/c 5. bridge

Second floor

B | SPROUT

circular layout

space distribution

envelope

Aluminum shell surface with perforations Panels combine the natural warmth of timber with the durability and performance of aluminum.

5 7

3

4

6 1

Longitudinal structural glulam Frame

3 2

2

1. cafe 2. 1-bedroom apartment 3. 2-storey apartment 4. 2-storey dance space 5. 1-storey dance space 6. atrium 7. outdoor multi-use area

Downward force travels longitudinally through the strcture and to the foundation

First floor

Latitudinal sturctural glulam Frame The latitudinal frames transmit the force horizontally through the structure

2

3

3 1

1

Geometrical layout 3

2 1

1. 1-bedroom apartment 2. 2-storey apartment 3. 2-storey dance space

4

2

2

Second floor

4

1. public Cafe 2. one-bedroom apartment 3. two-story apartment 4. dance studio

Exploded Structure Axo

C | DANCING CABIN

Longitudinal Section

Geometric planes

First floor

Second floor

Illustration

Skewed surface

Trimming: skylight

ROOTED Martin Road Estate Winery

LOCATION PROGRAMS PROJECT TYPE CREDIT DATE

Niagara-on-the-lake, Ontario Revit, CAD, Enscape, Ps, Ai Academic Individual Project Fall 2019 | 1.5 Months

Martin Road Estate Winery integrates the building into the landscape in order to echo the belief that the vineyard is of utmost importance. As the building is approached, excavated land continues underground. This marks the beginning of the visitors journey of exploring the process of winemaking; Just as the first step of winemaking starts by digging beneath the earth. The building as well as the circulation pattern follow a linear arrangement, which is greatly inspired by the form of the site, where the vineyard runs strictly north to south. The building uses wood construction as a natural material relating to the overall concept of the project.

Vinyard arrangement creates a linear site

Form mimics site conditions

Building is embedded; appearing to emerge from the ground

Underground activity space is created

FLORA

SUN & WIND PATHS

sunset

Vines run north to south with trees & bushes mainly outlining the east side

TOPOGRAPHY

ACCESS POINTS

Relatively flat site with major downhill slope on the south end

Main enterance through QEW highway & minor path on the south end

PROGRA

sunrise

Sun hits site uninterruptedly from sunrise to sunset. Wind flows continuously from lake to escarpment

support sp

retail & ca

public/co

administra

wine-mak

Section A-A

MME

paces

afe

ommunity

ation

LANDSCAPING

CIRCULATION 2 1 3

1 main vehicle entrance from highway 2 pedestrian walkway 3 service pathway

Pathways are set in place to serve the visitors’ experience and assist in the winemaking process

Landscaping and greenery are brought underground as a natural element that starts at the ‘root’.

Circulation is linear, mimicing the form of the site. Elevator and fire exits connect to both floors, including grade level.

king

vinyard is enhanced & expanded to cover more ground area

7-meter excavation is implemented to establish building space

Ramp guides visitors to underground activity space as well as the winery’s main entry point

B 1

2

A

A

A

4 10 3

5

A

12

8 13

First Floor Plan 11 6

7

B

9

1 Ramp 2 Outdoor seating 3 Lobby 4 Shop 5 WC 6 Event space 7 Kitchen 8 Fermentation 9 Blending/Bottling 10 Storage 11 Offices 12 Cafe 13 Bar 14 Crushing/ Pressing

14

SITE PLAN

PRIMARY WINEMAKING PROGRAM

HARVESTING

LEFT TO RIGHT: South Elevation Section A-A Section B-B

CRUSHING

FERMENTATION

AGING

BOTTLING

NIA Centre for the Arts

LOCATION PROGRAMS PROJECT TYPE CREDIT DATE

Little Jamaica, Toronto Rhino, CAD, Enscape, Ps, Ai Academic Group Project Winter 2021 | Full Semester

The changes that have taken over the Oakwood-Vaughan neighborhood have left the area fragmented as the people struggle to maintain their culture and community. The expanded NIA Centre for the Arts is a space that restores the community by providing a safe space for black creatives. A light tunnel runs through the verticality of the building forming a central core which serves as the social heart of the building.

C O N T R I B U T I O N | Developing concept, Site Analysis, 3D modelling and Design Production | Partner: Zarreen Khan All work produced individually unless otherwise specified

SITE ANALYSIS

EGLINTON AVE

VEHICLE BASED

CONSTRUCTION

STREET FURNITURE

N

HA

UG

VA RD

OAKWOOD AVE

On-going construction along Eglintion Ave has narrowed down sidewalks, resulting in congestion and slower circulation. The site lacks facilities that contribute to the pedestrian experience. This proposal takes these elements into account by providing seating areas, gathering spaces and vegetation.

CONCEPT

The faceted form pieces together fragments, creating a “whole”, reflective of unifying the community once again.

SI TE

EXTEND ED NOD E f o r m o re o u tdo o r gath eri n g space

BUILDING CORE h o u si n g i n f o rm al acti vi ti es

NIA CENTRE f o r th e A r ts

Artist studio (1)

Artist studio (2)

Event space

TECTONIC DIAGRAM

Lounge

6 7

8

6

5

5

10

7

11

1

4

3 4

1. Reception 2. Theatre 3. Stage 4. BOH 5. Open event 6. Retail 7. Art Gallery 8. Cafe 9. Security 10. Janitor Room 11. Loading 12. Coat check

6

9

2

First floor

1. Artist studio 2. Social Service 3. Classrooms 4. Lounge 5. Library 6. Meeting room 7. Offices 8. Private lounge 9. kitchen and dining 10.Office support 11. Media tech workshop

7

7

7 7

Spaces are organized to create interstitial areas that are connected through the public realm which interacts with different parts of the building

3

11 10 2

9

8

1

Second floor

Wall Section

LONGITUDINAL SECTION

INTERIOR PERSPECTIVE | GROUND FLOOR

150mm Concrete Topping 40mm Corrugated Metal Deck 30mm Rigid Insulation 150mm Batt Insulation 30mm Rigid Insulation Air/ Water Barrier Interlocking Channel Rail 4mm Metal Panel

GATHER

2x8 Steel Track Anchor

Hanger Wire Cross Tee 10mm Drop Ceiling

EXPRESS

4mm Metal Panel Interlocking Channel Rail Air/ Water Barrier 15mm Gypsum Sheathing 150mm Batt Insulation Steel Track 10mm Gypsum Board

CANTILEVER TO WALL CONNECTION

Vision Glass Horizontal Mullion

150mm Concrete Topping 40mm Corrugated Metal Deck 600mm OWSJ Fireproofing Foam Spray HVAC Hanger Wire Cross Tee 10mm Drop Ceiling

1.2mm Galvanized Sheet Steel Mineral Wool Firestop

6mm Aluminum Perforated Panel Steel Framing 4mm Aluminum Spandrel Panel 130mm Batt Insulation Metal Cap

PRELIMINARY PHYSICAL MODELS

ALUMINUM PANELS TO CURTAIN WALL CONNECTION

THANK YOU batoolqasas@gmail.com (647) 244 - 7820