THE WORLD IS YOURS. THE WORLD IS THEIRS. THE WORLD IS OURS. YOURS THEIRS OURS A SEASON FOR EVERYONE MAR—JUN 2020
Season Sponsor:
THIS IS A SEASON FOR EVERYONE
Photos: Elena Olivo; Setor Tsikudo
WELCOME!
2020 is a critical year. So much is at stake. Everywhere we look, people are being silenced and disempowered. And so at BAM this spring, we’re stepping out, standing up, and inviting a diverse group of artists to share their stories. Many are making their BAM debut. They are local and global and their work is urgent and immediate. These artists ask: What do you do when your homeland turns on you? What do you do when you have no home? What is our place on a warming planet? How do we use technology to reshape the world for the better? How do we reframe the story? And how can art and activism unite at a historic moment? This spring, come to BAM for a season of work that challenges us with new ideas from new perspectives. Collectively they inspire and remind us all that the world is yours, the world is theirs, the world is ours. See you at BAM, David
Photo: Jesse Winter
DAVID BINDER BAM Artistic Director
MAR 23—JUN 21
P 30
MAR 27
P 16
PROTO
BLKNWS
Kahlil Joseph
Holly Herndon
MAR 25—APR 19
APR 1—JUN 29
P 34
P 32
LUNGS
The Old Vic, London Duncan Macmillan Matthew Warchus
TIONA NEKKIA MCCLODDEN
APR 24—26
P 36
MAY 2
P 20
MAY 21—JUN 13
100% BROOKLYN Rimini Protokoll
APR 29—MAY 2
P 10
LONG PLAY
Bang on a Can Art Ensemble of Chicago Steve Reich Dither Big Band
POWER
Reggie Wilson/Fist & Heel Performance Group
2
#YoursTheirsOurs
BAM.org/yours
718.636.4100
BABY REINDEER Richard Gadd Jon Brittain
P 40
Photos: Jake Michaels; Helen Maybanks; Boris Camaca; Tiona Nekkia McClodden; Tim Mitchell; Antoine Tempé; Peter Hundert; Moody Productions
YOURS THE
APR 9
APR 10 & 11
P 14
APR 3 & 4
P6
P 18
RIZ AHMED APR 23—25
MEETING IN THE LADIES’ ROOM: BLACK FEMME ENERGY FROM THE 80S, 90S, AND TODAY
P8
CANDOCO
Trisha Brown Yasmeen Godder
OPEN FOR EVERYTHING
Wesley Morris and Jenna Wortham
DorkyPark Constanza Macras
Photos: Ryan Pfluger/The New York Times; Hugo Glendinning; Helen Eriksson; Thomas Aurin; Tony Turner; courtesy of the artist; Marylene May; Tony Turner
EIRS OURS MAY 22—25
P 12
JUN 26—30
P 26
BREAKING THE WAVES
Opera Ventures/Scottish Opera Missy Mazzoli Royce Vavrek Yannick Nézet-Séguin Tom Morris The Metropolitan Opera Orchestra The Chorus of Scottish Opera
DANCEAFRICA 2020 Abdel R. Salaam
JUN 3—6
JUN 27
P 22
P 42
SPLIT TOOTH Tanya Tagaq Kaneza Schaal
EVERYBOOTY 3
TICKETS HOW TO BUY ONLINE
BAM.org BY PHONE
718.636.4100 IN PERSON Peter Jay Sharp Building 30 Lafayette Ave, Brooklyn, NY Note: Subscription packages cannot be purchased in person at the box office. Hours: Tue—Sat: 12—6pm Sun (performance days only): 12—4pm Mon (performance days only): 12—6pm Closed on holidays
DISCOUNTS FOR STUDENTS, SENIORS, AND MORE BAM believes audience members of all ages and incomes should have access to world-class performing arts and film. We have several programs to serve different communities: Students can sign up for BAM Pregame to take advantage of special discounts, social events, and other perks. BAM.ORG/STUDENTPREGAME We offer up to two discounted rush tickets to students (ages 29 and under), seniors, and US service members with a valid photo ID on the night of the show, subject to availability. BAM.ORG/RUSH BAM’s Ticket Assistance Program (TAP) offers free tickets to families who qualify for free or reduced-price school meals. BAM.ORG/TAP
SEE MORE, SAVE MORE
WHEN YOU GET HERE
Interested in seeing more than one show? Purchase a subscription package of three or more eligible events and save 15—25% (or 20—30% if you become a BAM Member.) Just add three or more shows to your cart and your discount will be automatically applied. BAM Members can also get first access to tickets by purchasing a subscription starting January 28.
Tickets are available for pickup at the Peter Jay Sharp Building anytime during box office hours. Tickets for shows at the Harvey Theater at BAM Strong and BAM Fisher can also be picked up at those venues’ respective box offices 90 minutes prior to the performance. BAM.ORG/FAQ
BAM.ORG/YOURS
CONNECT @BAMstage @BAM_Brooklyn @BAM_Brooklyn youtube.com/BAMorg blog.bam.org info@BAM.org
DON’T MISS YOUR CURTAIN TIME We encourage you to plan your visit in advance. Public transportation, walking, and biking are the fastest ways to get to BAM. Parking is extremely limited. Late seating is solely at the discretion of management and ticketed seat locations are not guaranteed past curtain time. BAM.ORG/VISIT
A WORD ABOUT FEES AND PRICES Ticket purchases are subject to handling and facility fees, and prices are subject to change after February 3. If your plans change after you buy, you can exchange your tickets for a different performance of the same show for an additional fee of $15 per ticket, plus any difference in price; the per-ticket fee is waived for subscribers and Level 3+ BAM Members. Advance notice is required. Want all the fine print? Visit our website, or give us a call. BAM.ORG/POLICIES
GET FIRST ACCESS TO THE NEW SEASON.
BE FIRST IN LINE FOR THE MOST IN-DEMAND TICKETS THIS SPRING.
ON SALE DATES BAM PATRONS (ALL TICKETS): Tue, BAM MEMBERS (SUBSCRIPTIONS): Tue, BAM MEMBERS (SINGLE TICKETS): Tue, GENERAL PUBLIC (ALL TICKETS): Tue,
Jan 28 at 12pm Jan 28 at 12pm Feb 4 at 12pm Feb 11 at 12pm
BAM Members and Patrons enjoy a 20—30% savings with a subscription package (3 or more shows). Make the most of the new season. BAM Members enjoy advance access to tickets, waived ticket fees, 20 to 30% subscription savings, 50% off movies, invitations to member events, and much more.
Get the best of BAM this season. BAM Patrons get access to premium orchestra seats, personalized concierge service, use of Patron lounges, invitations to VIP events, and much more.
BAM Membership starts at $85.
BAM Patrons starts at $2,000.
BAM.ORG/MEMBERSHIP
BAM.ORG/PATRONS
Photo: Setor Tsikudo
See page 47 for details on joining BAM Membership or BAM Patrons.
5
Photo: Hugo Glendinning
6
#YoursTheirsOurs
BAM.org/yours
718.636.4100
WHAT DANCE CAN BE
CANDOCO
“WHEN I CAME TO CANDOCO IT WAS CLEAR TO ME THAT I WAS COMING TO WORK WITH A COMMUNITY” —YASMEEN GODDER, CHOREOGRAPHER OF FACE IN
From the Bird’s Nest in Beijing to the London Paralympics closing ceremony to outdoor spaces that catch stray passers-by, Candoco has spent 28 years sharing its work all over the world. The
company has commissioned such preeminent choreographers as Siobhan Davies, Emanuel Gat, and Hofesh Shechter, building an expansive body of work to match its expansive vision.
APR 10 & 11 DANCE NY PREMIERE
Candoco BAM DEBUT
Choreography by Trisha Brown; Yasmeen Godder
Apr 10 & 11 at 7:30pm BAM Howard Gilman Opera House / Peter Jay Sharp Building 1hr 10min with intermission Tickets start at $25
SUBSCRIPTIONS (3 or more shows) Members & Patrons save 20—30% General Public save 15—25%
RELATED EVENT Member Mingle Apr 10
TRISHA BROWN YASMEEN GODDER
SET AND RESET/RESET
FACE IN
The first professional company in the UK dedicated to the integration of disabled and non-disabled dancers, Candoco is driven by worldclass artists committed to challenging what dance can be. They take on “the most beloved and irresistible work of postmodern dance” (The New York Times), Trisha Brown’s Set and Reset, originally commissioned by BAM for its first Next Wave in 1983. In collaboration with Trisha Brown Dance Company, Candoco restages Brown’s original guidelines and choreographic phrases to include disabled dancers for the first time. Israeli choreographer Yasmeen Godder worked closely with the company to create Face In, an uninhibited piece that’s sensual, disturbing, and ridiculous by turns—but always deeply personal.
Leadership support for dance at BAM provided by The SHS Foundation and
Leadership support for programming in the Howard Gilman Opera House provided by:
7
APR 23—25 DANCE-THEATER/MUSIC
★★★★★ ★★★★★
OPEN FOR EVERYTHING —THE STAGE (UK)
US PREMIERE
Open for Everything DorkyPark Direction and choreography by Constanza Macras BAM DEBUT
Apr 23—25 at 7:30pm Harvey Theater / BAM Strong 1hr 40min Tickets start at $25
SUBSCRIPTIONS (3 or more shows) Members & Patrons save 20—30% General Public save 15—25%
RELATED EVENT
—THE UPCOMING
WHO ARE THE TRUE NOMADS OF THE 21ST CENTURY?
Magdi wishes for a better life for her young daughter. Fatima is taking hormone injections as part of her transition. Adam, more than anything, just wants to dance. The Roma people are striving. Throughout Hungary, Slovakia, the Czech Republic, and beyond, they are stagnant, with a cultural identity that transcends their absence of a country they can call home.
CONSTANZA MACRAS & DORKYPARK
Opening Night Party Apr 23
Choreographer Constanza Macras folds these individuals and their unique stories into a big dance-theater spectacle, featuring 17 Roma performers and five members of Macras’ freewheeling, Berlin-based company DorkyPark sharing the stage. Dispelling the prevailing stereotypes—itinerant free spirits, gypsy fortune tellers, beggars—Open for Everything riffs playfully on Romani dance and music traditions with a live onstage band. The result is a messy, exuberant celebration of humanity.
Leadership support for dance at BAM provided by The SHS Foundation and
“WILD AND WONDERFUL” —TANZ.AT
8
#YoursTheirsOurs
BAM.org/yours
718.636.4100
9
Photo: Thomas Aurin
POWER
APR 29—MAY 2 DANCE NY PREMIERE
“WE FIND NO HARM IN DANCING”
POWER Reggie Wilson/Fist & Heel Performance Group Choreography by Reggie Wilson
Apr 29—May 2 at 7:30pm Harvey Theater / BAM Strong 1hr 10min Tickets start at $25
SUBSCRIPTIONS (3 or more shows) Members & Patrons save 20—30% General Public save 15—25%
REGGIE WILSON
Choreographer Reggie Wilson has traveled far and wide: to the Mississippi Delta, to research secular and religious ways of life; to Trinidad and Tobago, to understand the Spiritual Baptists and the Shangoists; to Southern, Central, West, and East Africa, to work with performance groups and diverse religious communities. Throughout his career, he’s sought out the varied histories and spiritual practices of Africa and its diaspora to guide his own personal movement style, which he calls “post-African/Neo-HooDoo modern dance.”
“REGGIE WILSON EMBODIES THE GHANAIAN AKAN SYMBOL OF SANKOFA, A BIRD THAT LOOKS BACKWARD, REVISITING THE PAST, TO SEEK THE EGG THAT WILL HATCH ITS FUTURE.” —DANCE MAGAZINE
POWER is the revelatory result of Wilson’s research of the Shakers in the Berkshire Mountains. In residencies at Jacob’s Pillow and Hancock Shaker Village, he found inspiration where he least expected it. Noting early in his study the Shakers’ extraordinary focus on dance and music, Wilson learned of their long history of welcoming free and enslaved African-Americans
Leadership support for dance at BAM provided by The SHS Foundation and
as early as the late 1700s—and also took inspiration from Mother Rebecca Cox Jackson, a free Black woman who became a Shaker Eldress and founded her own Shaker community in Philadelphia. Returning to BAM with Fist & Heel Performance Group for the fourth time, he offers his gift: a whirling, rhythmic, exalted expression of Black Shaker worship.
“ONE OF THIS COUNTRY’S MOST TALENTED CHOREOGRAPHERS” —THE NEW YORK TIMES
10
#YoursTheirsOurs
BAM.org/yours
718.636.4100
11
Photo: Antoine TempĂŠ
Photo: Tony Turner
12
#YoursTheirsOurs
BAM.org/yours
718.636.4100
“THERE IS, LITERALLY, NO OTHER DANCE CELEBRATION QUITE LIKE IT.”
—AMSTERDAM NEWS
AD N C E A F R I CA
BURKINA FASO
MAY 22—25 DANCE/MUSIC
DanceAfrica 2020 Artistic Director Abdel R. Salaam
May 22 at 7:30pm; May 23 at 2 & 7pm; May 24 & 25 at 3pm BAM Howard Gilman Opera House / Peter Jay Sharp Building Running time to be announced Tickets start at $25 Please note: Each person, regardless of age, must have a ticket to attend BAM programs. Lap seating will not be permitted without a ticket.
SUBSCRIPTIONS (3 or more shows) Members & Patrons save 20—30% General Public save 15—25%
“THROUGHOUT THE AFRICAN DIASPORA, DANCE HAS OFTEN BEEN A REFLECTION OF OUR CULTURAL, SOCIO-POLITICAL, AND ECONOMIC EXPERIENCE AS IT IS AND A VISION OF WHAT IT CAN BE.” —ABDEL R. SALAAM
The nation’s largest festival dedicated to African dance and music returns for its 43rd year. Under the leadership of artistic director Abdel R. Salaam, we join together with the entire community to honor the cultural traditions of Africa and its diaspora, spotlighting a new country every year. In addition to the mainstage performances on the Opera House stage, join us for a full weekend of activities, including an art exhibition, dance workshops, the annual FilmAfrica series, and an array of community events, including the one-and-only DanceAfrica Bazaar.
“THIS FESTIVAL HEALS, PUMPS UP, AND MOVES ONE TO TEARS.” —DANCE ENTHUSIAST This year we celebrate the rich movement and dance traditions of Burkina Faso, featuring Ballet Traditionnel du Burkina Faso alongside the return of the DanceAfrica Spirit Walkers and the beloved RestorationArt Dance Youth Ensemble.
Leadership support for dance at BAM provided by The SHS Foundation and
Leadership support for programming in the Howard Gilman Opera House provided by:
13
APR 9 TALKS
Meeting in the Ladies’ Room: Black Femme Energy from the 80s, 90s, and Today Wesley Morris and Jenna Wortham BAM DEBUT
Apr 9 at 7:30pm BAM Howard Gilman Opera House / Peter Jay Sharp Building
WESLEY MORRIS JENNA WORTHAM AND
ARE WORKING IT OUT.
MEETING IN THE LADIES’ ROOM:
BLACK FEMME ENERGY FROM THE 80S, 90S, AND TODAY
Approx 1hr 20min Tickets start at $25
SUBSCRIPTIONS (3 or more shows) Members & Patrons save 20—30% General Public save 15—25%
“SHARP AND INTELLECTUAL, GOOFY AND RAW” —THE ATLANTIC
The endlessly clever and charming co-hosts of the beloved podcast Still Processing come to you live for one night only. Wesley Morris and Jenna Wortham, culture writers for The New York Times, grace the Opera House stage for an evening of discussion about the last few decades of Black women in music—and their “fearless, free expression of bodacious badness and straight-up sex.” They trace an arc that begins with Cheryl Lynn, Vanessa Williams, Anita Baker, Rebbie Jackson, Jody Watley, Janet Jackson, Queen Latifah, MC Lyte, and Da Brat, with a specific focus on the masculine energy of the 1980s and 1990s to connect the distant past with the current moment. Special guests to be announced. Leadership support for programming in the Howard Gilman Opera House provided by:
“LIKE A DINNER PARTY WITH YOUR TWO SMARTEST FRIENDS.” —THE NEW YORK TIMES
14
#YoursTheirsOurs
BAM.org/yours
718.636.4100
15
Photo: Ryan Pfluger/The New York Times
Photo: Boris Camaca
16
#YoursTheirsOurs
BAM.org/yours
718.636.4100
“DIZZYING, SPIRITUAL, SCIENCE-FACT BEAUTY AND BRACING BEATS” —THE GUARDIAN (UK) From Berlin basement clubs to Stanford’s PhD program to an international tour with Radiohead, Holly Herndon’s electronic music, technology, and philosophy have led her on a boundary-breaking musical journey. In her latest album, PROTO, Herndon fronts and conducts an electronic pop choir composed of both human and AI voices. At BAM, she draws the audience into the mix of sonic ritual and cathartic frenzy, using digital interactions to ask how we can harness our incredible technological moment to reshape the world.
HOLLY HERNDON
MAR 27 MUSIC
PROTO Holly Herndon BAM DEBUT
Mar 27 at 8pm BAM Howard Gilman Opera House / Peter Jay Sharp Building Approx 1hr Tickets start at $25
SUBSCRIPTIONS (3 or more shows) Members & Patrons save 20—30% General Public save 15—25%
“WE HAVE AN OPPORTUNITY TO HIJACK REALITY AND MAKE OF IT WHAT WE PLEASE.” —HOLLY HERNDON While plenty of artists are interested in utilizing technology, few have gone to the lengths of creating an AI baby. Spawn, as Holly Herndon calls her, is her latest musical collaborator. Her attempts to mirror live singers—producing a mix of swelling harmonies and faltering phrases—
highlight the uneasy, ever-closer proximity between human and machine. As Spawn’s voice is interwoven with Herndon’s raw vocals, and complex electronic compositions meld with spiritual hymns, Herndon probes the depths of what it means to be human right now.
“LIKE IT’S 3AM IN SOME BERLIN BASEMENT AS THE BEATS AND HARMONIES HOVER ON THE EDGE OF DISINTEGRATION BEFORE BEAUTIFULLY COALESCING... A SWEATY VISION OF JOY AND HUMAN POTENTIAL”
Leadership support for programming in the Howard Gilman Opera House provided by:
—NME
17
APR 3 & 4 MUSIC
Riz Ahmed BAM DEBUT
Apr 3 & 4 at 9pm Secret location to be announced only to ticket buyers Running time to be announced Tickets start at $35
SUBSCRIPTIONS (3 or more shows) Members & Patrons save 20—30% General Public save 15—25%
“THEY PUT THEIR BOOTS ON OUR GROUND I PUT MY ROOTS IN THEIR GROUND I PUT MY TRUTH IN THIS SOUND I SPIT MY TRUTH AND IT’S BROWN”
RIZ AHMED Riz Ahmed is a music artist, storyteller, actor, and activist. He is the first Muslim to win an acting Emmy for his lead role in HBO’s The Night Of and also starred in Rogue One: A Star Wars Story, Venom, Four Lions, and Nightcrawler.
As a musician, he came up in the London music scene as a rap battle champion, going on to write and perform both as a solo artist and with Swet Shop Boys. His provocative solo release, “Post 9/11 Blues,” was banned before a viral groundswell forced it into radio. The Swet Shop Boys’ album Cashmere toured to sold-out crowds from Coachella to NYC’s Webster Hall. In a nod to their cultural impact, protestors against Trump’s “muslim ban” at Los Angeles International Airport protest were heard chanting their lyrics. In 2018, his release of “Mogambo,” a swaggering survival anthem for our fraught times, was followed by a series of incendiary, sold-out live shows in the US and UK.
Leadership support for off-site programs provided by:
“A COMPELLING BALANCE BETWEEN HIP-HOP AND AGITPROP... SONGS THAT ARE AS ENJOYABLE AS THEY ARE THOUGHT-PROVOKING” —PITCHFORK
18
#YoursTheirsOurs
BAM.org/yours
718.636.4100
19
Photo: Helen Eriksson
STEVE REICH
MAY 2 MUSIC
“THE MOST ORIGINAL MUSICAL THINKER OF OUR TIME”
Long Play Bang on a Can Art Ensemble of Chicago Steve Reich Dither Big Band
—THE NEW YORKER
May 2 at 7:30pm BAM Howard Gilman Opera House / Peter Jay Sharp Building Running time to be announced Tickets start at $35
SUBSCRIPTIONS (3 or more shows) Members & Patrons save 20—30% General Public save 15—25%
ART ENSEMBLE
OF CHICAGO GREAT BLACK MUSIC—ANCIENT TO THE FUTURE
Two musical forces unite. Although he avoids the term minimalism, Steve Reich is credited with helping to invent it, and his remarkable career includes the Pulitzer Prize, two Grammy Awards, and the Golden Lion at the Venice Biennale. The Art Ensemble of Chicago was born out of the uncompromising and ambitious vision of members of the Association for the Advancement of Creative Musicians. Making good on its motto, “Great Black Music— Ancient to the Future,” the group’s experimental works and extended improvisations redefined ideas of what jazz could be—and its place within the musical landscape. Bang on a Can’s Long Play festival offers a rare chance to experience these musical forces side by side, at the center of a celebration of new music that has been shaped by their influences.
LONG PLAY Bang on a Can began as a way to bring together the most innovative voices in music. The beloved tradition continues this year with Long Play, taking over spaces across Brooklyn. At BAM, the Art Ensemble of Chicago celebrates 50 years at the cutting edge of experimental music with a tribute to its original members. Bang on a Can presents rare, all-live performances of Steve Reich’s Electric Counterpoint, featuring 14 electric guitarists from the Brooklyn-based ensemble Dither, and the propulsive 2x5, scored for two rock bands and performed by the Bang on a Can All-Stars and friends.
Leadership support for programming in the Howard Gilman Opera House provided by:
20
#YoursTheirsOurs
BAM complements the festival with free concerts at BAMcafé on May 3, showcasing some of today’s rising musical stars. For a full listing of concerts and festival and ticket information, visit longplayfestival.org.
BANG ON A CAN
BAM.org/yours
PRODUCED BY
718.636.4100
21
Photo: Luciano Rossetti, © Phocus Agency
Photo: Jay Blakesberg
Photo: Courtesy of APTN
22
#YoursTheirsOurs
BAM.org/yours
718.636.4100
“THERE IS NOTHING IN THIS WORLD LIKE A TANYA TAGAQ PERFORMANCE.” —NPR
TA N YA TAGAQ
SPLIT TOOTH
JUN 3—6 THEATER/MUSIC NY PREMIERE
Split Tooth Tanya Tagaq BAM DEBUT
Directed by Kaneza Schaal Jun 3, 5 & 6 at 7:30pm Harvey Theater / BAM Strong Running time to be announced Tickets start at $25
SUBSCRIPTIONS (3 or more shows) Members & Patrons save 20—30% General Public save 15—25%
Musically aggressive. Aggressively political. In her art and in her actions, Tanya Tagaq never pulls punches. Split Tooth is an extraordinary union of Tagaq’s improvised musical performances and best-selling debut novel, created in collaboration with director Kaneza Schaal and visual artist Christopher Myers. Featuring the world’s first-ever Inuit throat singing choir featuring all-Inuit performers, this theatrical adaptation comes to life through Tagaq’s incisive voice and words. Art and action unite in a radical vision of Arctic Futurism—a conversation with the myths that have made us and the myths we have yet to write.
“GUTTURAL AND POWERFUL” —BROOKLYNVEGAN
Tanya Tagaq grew up in Cambridge Bay, Nunavut, above the Arctic Circle, but she first discovered Inuit throat singing in college, listening to tapes her mother sent to ward off homesickness. The musical tradition, Kattajjak—which Tagaq draws on, and transforms, in her wildly original improvisations and avant-garde compositions—was a game played between Inuit women, banned by Christian missionaries for decades as part
“DECOLONIZATION ISN’T ABOUT GOING BACK TO THE WAY THINGS WERE—IT’S ABOUT STITCHING TOGETHER THE KNOWLEDGE THAT WE STILL HAVE FROM THE PAST AND APPLYING IT TO TODAY.” —TANYA TAGAQ
of widespread efforts to erase indigenous cultures. A member of the Order of Canada, a Polaris Music Prize and JUNO Award winner, and recipient of multiple honorary doctorates, Tagaq is an original disruptor at the forefront of seismic social, political, and environmental change. Her radical work is not solely about sound, but about overturning deep-rooted assumptions and violations of indigenous culture.
Leadership support for theater at BAM provided by The Fan Fox & Leslie R. Samuels Foundation, Inc.; The SHS Foundation; and The Shubert Foundation, Inc.
23
Photo: Tinker Coalescing
JUN 26—30 OPERA
Breaking the Waves Opera Ventures/Scottish Opera Composed by Missy Mazzoli Libretto by Royce Vavrek Conducted by Yannick Nézet-Séguin Directed by Tom Morris The Metropolitan Opera Orchestra The Chorus of Scottish Opera
Jun 26 & 30 at 7:30pm; Jun 28 at 3pm BAM Howard Gilman Opera House Peter Jay Sharp Building Approx 2hrs 50min with intermission Tickets start at $35 Note: This show contains explicit language and sexual content.
SUBSCRIPTIONS (3 or more shows) Members & Patrons save 20—30% General Public save 15—25%
Leadership support for Breaking the Waves provided by Robert L. Turner Leadership support for programming in the Howard Gilman Opera House provided by:
Leadership support for opera at BAM provided by Aashish & Dinyar Devitre Major support for Breaking the Waves provided by Arthur F. & Alice E. Adams Charitable Foundation; The Francis Goelet Charitable Lead Trusts; and Virginia B. Toulmin Foundation Major support for Scandinavian programs at BAM provided by the Barbro Osher Pro Suecia Foundation Major support for opera at BAM provided by Sarah Billinghurst & Howard Solomon
26
#YoursTheirsOurs
“BROOKLYN’S POSTMILLENNIAL MOZART” —TIME OUT NEW YORK “THE 21ST CENTURY’S GATECRASHER OF NEW CLASSICAL MUSIC” —NPR Composer Missy Mazzoli has arrived. Growing up in small-town Pennsylvania, she taught tap dance to children and eventually found herself taking lessons in composition from a percussionist with the Philly Pops. Three operas later and a Grammy under her belt, Mazzoli recently made history when she became one of the first of two women composers to be commissioned by the Metropolitan Opera.
MISSY
MAZZOLI
BREAKING THE WAVES This season, BAM presents Mazzoli’s “dark and daring” (The New York Times) reimagining of Lars von Trier’s Breaking the Waves, the tale of Bess McNeill, a woman besieged by tragedy and the contradictions of the disparate figures in her life. Set in the remote Scottish Highlands, Mazzoli’s textured original score is a nuanced, intensely personal, and ultimately feminist take on Bess’ moral plight. What does it mean to be good when your agency is taken away from you?
YANNICK NÉZET-SÉGUIN
METROPOLITAN OPERA ORCHESTRA
BAM.org/yours
718.636.4100
27
Photo: Marylene May
BREAKING THE WAVES Opera Ventures/Scottish Opera Missy Mazzoli Royce Vavrek Yannick Nézet-Séguin Tom Morris The Metropolitan Opera Orchestra The Chorus of Scottish Opera Jun 26—30 (p 26)
28
29
Photo: James Glossop
Photo: Jake Michaels
30
#YoursTheirsOurs
BAM.org/yours
718.636.4100
“THE CREATOR OF INTELLECTUALLY AND EMOTIONALLY DENSE SHORT FILMS SHOWCASING BLACK EXCELLENCE, STRANGENESS, AND HISTORY.”
KAHLIL —HILTON ALS, THE NEW YORKER
JOSEPH Kahlil Joseph is either the savviest artist working today or the idealistic leader of a burgeoning media empire. He might be both. Known for his large-scale video installations and collaborations with Beyoncé, Kendrick Lamar, Arcade Fire, FKA twigs, and Shabazz Palaces, the Los Angeles-based artist and filmmaker muddies the divide between intellectual and commercial, avant-garde cinema and music video.
MAR 23—JUN 21 VISUAL ART
BLKNWS Kahlil Joseph BAM DEBUT
Mar 23—Jun 21 Devitre Lounge / Peter Jay Sharp Building (12—10pm daily) Campbell Lobby / BAM Strong (one hour before shows in the Harvey Theater) Weeksville Heritage Center (viewing hours to be announced) Free and open to the public
BLKNWS — 2019 VENICE BIENNALE — Joseph’s latest work, a two-channel video installation which made waves at the Venice Biennale last year, is his actualized vision of an un-whitewashed news media. Viewers can tune in to an uninterrupted stream of images both familiar and unfamiliar, manipulated and unmanipulated. Music videos, internet memes, and miscellaneous
YouTube footage are interspersed with uplifting commercials, talking heads-style debate, standup comedy, and human interest stories, all transmitted through a Black lens. With new updates continually being added, BLKNWS is at once a brilliant work of digital art and a compellingly viable business proposition.
“A BIT LIKE IF BET MERGED WITH CNN AND THEN MERGED WITH ARTFORUM AND THE NEW YORKER.”
Leadership support for BAM Visual Art provided by Toby Devan Lewis Leadership support for programming in the Howard Gilman Opera House and off-site programs provided by:
—ARTNET NEWS
31
Photo: Texas Isaiah
32
#YoursTheirsOurs
BAM.org/yours
718.636.4100
TIONA NEKKIA
MCCLODDEN Visual artist, filmmaker, and curator Tiona Nekkia McClodden is making waves. She recently had her first solo exhibition, titled Hold on, let me take the safety off, at Company Gallery in New York. She co-curated a major interdisciplinary festival at The Kitchen celebrating the life, work, and resurgent influence of the overlooked gay Black composer Julius Eastman. And she received wide acclaim, including the coveted Bucksbaum Award, for her participation in the 2019 Whitney Biennial.
APR 1—JUN 29 VISUAL ART
Tiona Nekkia McClodden BAM DEBUT
Curated by Larry Ossei-Mensah
Apr 1—Jun 29 (12—6pm Wed—Sun and one hour before shows in the Harvey Theater) The Rudin Family Gallery BAM Strong Free and open to the public
-2019 WHITNEY BIENNIAL“MY WORK EXPLORES SHARED IDEAS, VALUES, AND BELIEFS WITHIN THE AFRICAN DIASPORA, OR WHAT I CALL BLACK MENTIFACT.”
McClodden’s interdisciplinary approach traverses documentary film, experimental video, sculpture, and sound installation to explore the intersections of race, gender, sexuality, and social commentary. This season, she dives headfirst into the BAM Hamm Archives to inform her newest work, a series of video projections and images created specially for The Rudin Family Gallery at BAM Strong.
“A REMINDER THAT SOMETIMES ACTIVISM IS THE REPARATIVE ADVENTURE OF MAKING A PLACE YOU CAN BE” —ARTFORUM
Leadership support for BAM Visual Art provided by Toby Devan Lewis The Rudin Family Gallery is made possible by a generous gift from the May and Samuel Rudin Family Foundation, Inc.
33
CLAIRE
MAR 25—APR 19 THEATER NY PREMIERE
Lungs The Old Vic, London By Duncan Macmillan Directed by Matthew Warchus
Harvey Theater / BAM Strong Approx 1hr 20min Tickets start at $35
SUBSCRIPTIONS (3 or more shows) Members & Patrons save 20—30% General Public save 15—25%
“BRAVURA PERFORMANCES”
LUNGS DUNCAN MACMILLAN MATTHEW WARCHUS TEMPERATURES RISING. ICE CAPS MELTING. OVERPOPULATION. WAR.
RELATED EVENTS Opening Night Party Apr 2
DO YOU REALLY WANT TO BRING A CHILD INTO THIS WORLD?
Member Mingle Apr 10
Leadership support for theater at BAM provided by The Fan Fox & Leslie R. Samuels Foundation, Inc.; The SHS Foundation; and The Shubert Foundation, Inc.
#YoursTheirsOurs
FOY SMITH —THE TIMES (UK)
Mar 25—Apr 19 (see BAM.org for details)
34
MATT
Claire Foy and Matt Smith reunite in this hilarious and bracing look at love in the time of climate change, which sold out its critically acclaimed run at London’s Old Vic. Playwright Duncan Macmillan (People, Places & Things) carefully crafts the highs and lows of modern relationships into an emotional rollercoaster of humor and tenderness, sorrow and rage, featuring “minimalist to the extreme” (The Guardian) set and costume design by Rob Howell (The Ferryman, Matilda). As they contemplate bringing a child into a world torn apart by environmental and political disasters, Foy and Smith bring their enthralling chemistry to the stage in a deeply compelling and resonant tale about responsibility, idealism, and love.
“A PICTURE OF FLAWED LOVE, SET IN A FLAWED PLANET.”
BAM.org/yours
—THE GUARDIAN (UK)
718.636.4100
35
Photo: Helen Maybanks
Photo: Barbara Braun
36
#YoursTheirsOurs
BAM.org/yours
718.636.4100
ONE HUNDRED BROOKLYNITES TAKE THE STAGE.
Together, they reflect the makeup of the city, each selected because they mirror the demographics of 1% of the borough. 100% Brooklyn is the latest production in Rimini Protokoll’s internationally acclaimed series, made with citizens from Tokyo to São Paulo. Part experimental theater and part interactive event, the participants come together to share stories and give their opinions on a range of issues—from whimsical preferences to painful truths—painting a living picture of the city in all its complexities, contradictions, and unabashed attitude. It is Brooklyn, after all.
100%
APR 24—26 THEATER
100% Brooklyn Rimini Protokoll BAM DEBUT
Apr 24 & 25 at 7:30pm; Apr 26 at 3pm BAM Howard Gilman Opera House / Peter Jay Sharp Building Approx 1hr 30min Tickets start at $25
SUBSCRIPTIONS (3 or more shows) Members & Patrons save 20—30% General Public save 15—25%
BROOKLYN
A LIVING SNAPSHOT OF THE CITY
WHERE YOU’RE FROM. WHERE YOU LIVE. YOUR INCOME, AGE, RELIGIOUS BELIEFS. There are countless ways our identities get broken down into statistics. In 100% Brooklyn, experimental theater company Rimini Protokoll uses those numbers to build a community.
“ONE OF THOSE WERE-YOU-THERE? AND WHY-DIDN’T-I-KNOW-ABOUT-THIS? EVENTS THAT A MERE DESCRIPTION CANNOT DO JUSTICE TO.”
Leadership support for theater at BAM provided by The Fan Fox & Leslie R. Samuels Foundation, Inc.; The SHS Foundation; and The Shubert Foundation, Inc. Leadership support for programming in the Howard Gilman Opera House provided by:
—AUSSIETHEATRE.COM
37
Rimini Protokoll Apr 24—26 (p 36)
38
Photo: Trung Dung Nguyen
100% BROOKLYN
39
MAY 21—JUN 13 THEATER US PREMIERE
Baby Reindeer By Richard Gadd BAM DEBUT
Directed by Jon Brittain
May 21—Jun 13 at 7:30pm; May 23, 30 & Jun 6, 12 at 9:30pm Fishman Space / BAM Fisher 1hr 10min Tickets start at $35
SUBSCRIPTIONS (3 or more shows) Members & Patrons save 20—30% General Public save 15—25%
FROM THE ORIGINAL PRODUCER OF FLEABAG “I DID QUESTION WHETHER I DESERVED IT. WHERE DID MY WRONGDOING STOP AND HERS BEGIN?”
RICHARD GADD BABY REINDEER
★ ★ ★ ★ ★ ★ ★ ★ ★ ★ “A MAJESTIC PERFORMANCE— “DRAWS AUDIENCES INTO A
A RECKONING, AN EXORCISM” PSYCHOLOGICAL MAELSTROM”
RELATED EVENT Member Mingle May 28
—THE STAGE (UK)
—THE TELEGRAPH (UK)
WHEN RICHARD GADD OFFERS A WOMAN A CUP OF TEA, HE DOESN’T EXPECT HER TO COME BACK THE NEXT DAY. AND THE NEXT DAY. AND THE NEXT… In an electrifying, darkly comic show, the Edinburgh Comedy Award winner reveals the true story of his relationship with his stalker. Gadd paints a brutally honest portrait of two people—trapped by toxic ideas of gender, sexuality, power, and abuse—driven well past their breaking points. Filled with unexpected twists and shocking revelations, Baby Reindeer comes to BAM for Gadd’s US debut, following critically acclaimed runs in Edinburgh and London under original Fleabag producer Francesca Moody and Olivier Award-winning director Jon Brittain. Leadership support for theater at BAM provided by The Fan Fox & Leslie R. Samuels Foundation, Inc.; The SHS Foundation; and The Shubert Foundation, Inc.
40
#YoursTheirsOurs
★★“GRIPPING” ★★★ “COMPELLING ★★AND★DEEPLY★AFFECTING” ★
BAM.org/yours
—EVENING STANDARD
718.636.4100
—BRITISH THEATRE GUIDE
41
Photo: Andrew Perry
Photo: Tony Turner
42
#YoursTheirsOurs
BAM.org/yours
718.636.4100
PRIDE TAKES OVER BAM
EVERYBOOTY
JUN 27 BAM Presents
Everybooty Jun 27 at 9pm BAM Fisher Tickets start at $30 Note: This event is not eligible for subscription. Tickets go on sale Tuesday, May 12 at 12pm.
“THE ARTY-QUEER EVENT OF THE SEASON.” —OUT.COM
“THERE ARE ALL DIFFERENT KINDS OF ARTISTS, WHO ARE ALL DIFFERENT KINDS OF COLORS, AND ALL DIFFERENT KINDS OF QUEER, AND ONCE A YEAR WE SHOULD COME TOGETHER TO CELEBRATE THAT.” —VIVA VIDALIA, PERFORMER
Step into a shimmering world of pulsing beats and unbridled celebration, from basement to rooftop. Burlesque and piano bar, DJ sets and art installations, there’s no wrong way to revel. This all-inclusive, all-gender celebration of queer nightlife delights in putting on a show, breaking down barriers, and building community. Let’s do it with art. Let’s do it with dancing. Let’s do it until 2am.
“IT’S AN HONOR TO BRING THE RAUCOUS, UNAPOLOGETIC FLAMBOYANCE OF THE QUEER UNDERGROUND INTO THE HALLOWED HALLS OF BAM.” —ZOE ZIEGFELD, PERFORMER AND CURATOR
Inspired by the boundary-busting Pride festivities of San Francisco, Everybooty has earned its space as Brooklyn’s place to party in a city bursting with Pride. Now curated by a group of passionate members of BAM staff, the event has gotten more imaginative and home-grown over time. Last year drew on the local talent of worldclass performers including trendsetter Andre J. (curated and co-produced by 651 ARTS); the Brooklyn drag collective Switch n’ Play; drag queens Flower Tortilla, Lady Quesa’Dilla, Viva Vidalia, and Theydy Bedbug; and the legendary House of LaBeija.
Leadership support for BAM Community programs provided by The Thompson Family Foundation
43
SAVE THE DATE
MAY 13
BAM HOWARD GILMAN OPERA HOUSE
HONORING
CATE BLANCHETT JEANNE DONOVAN FISHER ZADIE SMITH For more information, please contact BAM Patron Services at PatronServices@BAM.org or 718.636.4182.
44
ALSO AT BAM
ELIGIBLE FOR SUBSCRIPTION
ROSE BYRNE
BOBBY CANNAVALE
“A RAW MASTERPIECE” —THE GUARDIAN (UK)
Photo: Caitlin Cronenberg
WRITTEN AND DIRECTED BY SIMON
THROUGH FEB 23
STONE
TICKETS START AT $35
PRODUCED BY BAM, INTERNATIONAAL THEATER AMSTERDAM, AND DAVID LAN
45
DEEPEN YOUR ENGAGEMENT WITH BAM
ON SALE DATES Tue, Jan 28 at 12pm
BAM MEMBERS (SUBSCRIPTIONS):
Tue, Jan 28 at 12pm
BAM MEMBERS (SINGLE TICKETS):
Tue, Feb 4 at 12pm
GENERAL PUBLIC (ALL TICKETS):
Tue, Feb 11 at 12pm
BAM Members and Patrons enjoy a 20—30% savings with a subscription package (3 or more shows).
46
Photo: Phil Provencio
BAM PATRONS (ALL TICKETS):
BAM MEMBERSHIP
BAM PATRONS
STARTING AT $85 ADVANCE ACCESS & DISCOUNTS
STARTING AT $2,000 BEST SEATS & SPECIAL EVENTS
BAM Membership is a community of adventurous art enthusiasts who enjoy advance access, waived fees, 20 to 30% subscription savings, 50% off movies, and invitations to member events.
BAM Patrons get the best of BAM and join a community of like-minded, passionate individuals who are committed to giving back to the arts.
As a BAM Member, you get access to the season weeks before the general public: January 28 for subscriptions and February 4 for single tickets.
As a BAM Patron, you get priority access to the season: January 28 for single tickets and subscriptions. BAM.org/patrons
BAM.org/membership
MEMBER MINGLES
DRESS REHEARSALS
OPENING NIGHT PARTIES
NEXT SOCIETY CELEBRATION
Meet fellow members at receptions with complimentary wine and snacks. Join us in conjunction with a performance or movie. Open to all BAM Members.
BAM Members (Level 3 and above) are invited for a sneak peek of select productions. Enjoy an introduction by the company and watch them put the finishing touches on the performance before opening night.
Celebrate with the cast, crew, and fellow BAM Patrons at exclusive post-show parties throughout the season.
($5,000+) Join fellow Next Society members for dinner, drinks, and an evening of conversation with a BAM artist.
APR 10 Candoco (p 6) Lungs (p 34)
BAM.org/memberevents
MAY 28 Baby Reindeer (p 40)
YOUNG PRODUCERS STARTING AT $500
Photos: Phil Provencio; Beowulf Sheehan; Elena Olivo
ARE YOU AN ARTS LOVER IN YOUR 20S, 30S, OR 40S? Join the dynamic community of young patrons who play an integral role in supporting the bold work presented at BAM. In addition to membership benefits, Young Producers receive invitations to special events that bring young arts supporters together and connect them with the adventurous art and artists on our stages and screens.
APR 2 Lungs (p 34) APR 23 Open for Everything (p 8)
PATRON PARTIES Join fellow BAM Patrons for pre-show toasts celebrating select productions throughout the season.
ARTIST CIRCLE EVENT ($10,000+) Artist Circle members enjoy a salon-style evening with BAM artists. Delve into the artistic process with these exclusive behind-the-scenes events. BAM.org/patronevents
BAM GALA & AFTER PARTY MAY 13 Join us for an exceptional evening benefiting BAM and its artists, featuring an open bar, DJ, and other special surprises (to be announced). BAM Members, Patrons, and Young Producers enjoy special ticket discounts to the after party. BAM.org/gala
Learn more and view upcoming events at BAM.org/youngproducers.
47
THANK YOU TO OUR SUPPORTERS Season Sponsor:
Lead Sponsor:
Official Airline of BAM:
Leadership support for BAM Access Programs provided by the Jerome L. Greene Foundation
Official Healthcare Provider of BAM:
Leadership support for programming in the Howard Gilman Opera House and off-site programs provided by:
Leadership support for theater at BAM provided by The Fan Fox & Leslie R. Samuels Foundation, Inc.; The SHS Foundation; and The Shubert Foundation, Inc. Leadership support for the BAM Hamm Archives, Film, Community, and Education programs provided by The Thompson Family Foundation Leadership support for BAM Visual Art provided by Toby Devan Lewis Leadership support for Breaking the Waves provided by Robert L. Turner
Leadership support for dance at BAM provided by The SHS Foundation and
Leadership support for the BAM Hamm Archives provided by:
Leadership support for opera at BAM provided by Aashish & Dinyar Devitre The Steinberg Screen at the Harvey Theater is made possible by The Joseph S. and Diane H. Steinberg Charitable Trust Leadership support for BAM’s programming and initiatives provided by Brookfield Properties; William I. Campbell & Christine Wächter-Campbell; Doris Duke Charitable Foundation; Robert and Mercedes Eichholz Foundation; Jeanne Donovan Fisher; Anne Hubbard & Harvey Schwartz; Robin & Edgar Lampert; Diane & Adam E. Max; Axel Stawski & Galia Meiri Stawski; Jonathan F.P. & Diana Calthorpe Rose; John L. & Eva Usdan; and Warner Media Group
Major Sponsor of BAM Community Programs:
Major Sponsor:
Major Sponsor:
Major support for Breaking the Waves provided by Arthur F. & Alice E. Adams Charitable Foundation; The Francis Goelet Charitable Lead Trusts; Virginia B. Toulmin Foundation
Major support for opera at BAM provided by Sarah Billinghurst & Howard Solomon
Programming in BAM’s Lepercq Space is supported by The Lepercq Charitable Foundation
Major support for BAM Hamm Archives provided by Charles J. & Irene F. Hamm
The Rudin Family Gallery is made possible by a generous gift from the May and Samuel Rudin Family Foundation, Inc.
Major support for Scandinavian programs at BAM provided by the Barbro Osher Pro Suecia Foundation
Major support for BAM’s programming and initiatives provided by American Express; Jonathan & Jessika Auerbach; brigittenyc; Charles Hayden Foundation; Natalia Chefer & Joel Tompkins; Suzy & Anthony Davis; Cheryl & Joe Della Rosa; The Gladys Krieble Delmas Foundation; Mark Diker & Deborah Colson; Epstein Teicher Philanthropies; Thérèse M. Esperdy & Robert G. Neborak; Barry M. Fox; Roberta Garza; Emily Davie and Joseph S. Kornfeld Foundation; Scott C. McDonald; James I. McLaren & Lawton W. Fitt; The Ambrose Monell Foundation; Barbara & Richard Moore; Henry and Lucy Moses Fund, Inc.; Laura Pels International Foundation for Theater; Donald A. Pels Charitable Trust; Rona & David Picket; The Jerome Robbins Foundation, Inc.; The Morris and Alma Schapiro Fund; Bart A. Sheehan & Sheila A. Cain; Simon Sinek; Brian Stafford & Céline Dufétel; Starry Night Fund; Doug C. Steiner; Pedro J. Torres & Cecilia Picon Febres; Nora Ann Wallace & Jack Nusbaum; and Joseph LeRoy and Ann C. Warner Fund
Additional support for BAM’s programming and initiatives provided by Sarah Arison; Anne H. Bass; Tony Bechara; Goldman Sachs Gives at the direction of R. Martin Chavez; Linda & Adam Chinn; Citi; Steven & Alexander Cohen Foundation; Constans Culver Foundation; Mark Diker & Deborah Colson; Elizabeth De Cuevas; Andre Dua; Steven & Susan Felsher; The Rita and Alex Hillman Foundation; Barbara Haws & William Josephson; Miriam Katowitz & Arthur Radin; Ann Tenenbaum & Thomas Lee; John Lipsky; Gary Lynch & Kate Hall; M&T Bank; David & Susan Marcinek; MetLife Foundation; Gabriel & Lindsay Pizzi; Marcel Przymusinski; William D. & Susan Kahan Rifkin; May and Samuel Rudin Family Foundation, Inc.; Bette & Richard Saltzman; Anna Kuzmik Sampas & George Sampas; Timothy & Julie Sebunya; Jennifer Small & Adam Wolfensohn; Edward & Virginia Spilka; The Tillary Hotel; Laurie Tisch Illumination Fund; Viacom; and Claire & Curtis Wood
The BAM facilities are owned by the City of New York and benefit from public funds provided through the New York City Department of Cultural Affairs with support from Mayor Bill de Blasio; the New York City Council including Council Speaker Corey Johnson, Finance Committee Chair Daniel Dromm, Cultural Affairs Committee Chair Jimmy Van Bramer, Council Majority Leader Laurie A. Cumbo, and the Brooklyn Delegation of the Council; and Brooklyn Borough President Eric L. Adams.
48
BAM would like to thank the Brooklyn Delegations of the New York State Assembly including Delegation Leader Joseph R. Lentol, and New York State Senator Velmanette Montgomery. Your tax dollars make BAM programs possible through funding from:
BAM HAS THREE LOCATIONS 1
2
3
PETER JAY SHARP BUILDING
BAM STRONG
BAM FISHER
30 LAFAYETTE AVE
651 FULTON ST
321 ASHLAND PL
n n n n n n
BAM Howard Gilman Opera House BAM Rose Cinemas Attic Studio Lepercq Space / BAMcafé Devitre Lounge Diker Gallery Café
n n n n n
Harvey Theater The Rudin Family Gallery Campbell Lobby Jessica E. Smith Patron Lounge Robert W. Wilson Sculpture Terrace
n n n n
Fishman Space Hillman Studio Leavitt Workshop Rooftop Terrace
Visit BAM.org /seatmaps for seating charts.
Sch
erm
Lafayette erh
orn
St
tbu e
St
Parking is extremely limited around BAM. See BAM.org/visit for the most up-to-date information.
Ave
Av
Lafayette
Av e
3
3rd
Hanson Pl ant
ic A ve Av e
Atl
4th
Photos: Courtesy of the BAM Hamm Archives; Elena Olivo; Francis Dzikowski
sh
te
Public transportation, walking, and biking are the fastest and greenest ways to get to BAM.
1
Fla
Sta
n d Av e S Portla
Fulton
l S Elliott P
nS t
e Pl Fort Green
Ful to
t St Felix S
Rockwell Pl
Nevins
Ashland Pl
2
FORT GREENE, BROOKLYN
Citi Bike
David Byrne Bike Rack
LIRR Atlantic Ave—Barclays Center
Building Entrance
PETER JAY SHARP BUILDING 30 LAFAYETTE AVENUE BROOKLYN, NY 11217
NONPROFIT ORGANIZATION US POSTAGE PAID BROOKLYN ACADEMY OF MUSIC
YOURS THEIRS OURS © Brooklyn Academy of Music, Inc. 2020. BAM®, Brooklyn Academy of Music®, EverybootyTM, Next Wave® and Teknopolis® are trademarks of Brooklyn Academy of Music, Inc.
This brochure was printed on Forest Stewardship Council®-certified paper using soy-based inks. FSC® is a global, not-for-profit organization dedicated to the promotion of responsible forest management worldwide.