THE SASSMANNSHAUS TRADITION
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Sassmannshaus Tradition EARLY START ON THE VIOLIN
The child-friendly and age-appropriate text underlying the music ena bles children to perceive melod ies as a whole and to understan d their singable qualities.
BA 9676 · Violin Book 1 BA 9677 · Violin Book 2 BA 9678 · Violin Book 3 BA 9679 · Violin Book 4 For more information on The Sassmannshaus Tradition please visit: www.violinmasterclass.com
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ION SHAUS TRADIT THE SASSMANN
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THE SASSMANNSHAUS TRADITION
The method is suitable for single instruction as well as for group and class lessons.
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Ensemble playing is encouraged from the very beginning.
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Sassmannshaus Sassmannshaus BÄRENREITER’S
EARLY START ON THE VIOLIN BÄRENREITER
BÄRENREITER: THE URTEXT PUBLISHER!
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Sassmannshaus Violin Book 1 Musical Sample, page 11
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ĂĂ™ IaaÂ—Â– Â§uauĂ’Ă’IĂ? kĂ™ Ă?Â—Ă›uĂ™ Ă›Â”uĂ™ Â”uĂ™Ă’uaÂŤÂ§ uĂ™ ĂŤÂ—ÂžÂžĂ™ĂŤ Â˘uĂ’Ă™Â‚ÂŤĂ?Ă™Ă› ÂŤĂŤĂ™ÂŤÂ§Ă™ ĂŤ Â§I Ă™Â§ uĂ™ uĂ™hĂ™ Â˘ Ă›Â” Ă?ÂŤ uĂ™ Â§Ă™ ÂŤĂ?Â—Ăą uĂ?Â˝Ă™ÂŤ Ă›Â” uĂĂ’ÂżĂ™ uÂ˘ Â§ÂŒ Ă™Â? Ă™Â˘ Ă™Â† Â§Ă› Ă›ĂŒĂ’ Ă?u Â—Ă?k Âžu Ă›Â” Ă›hĂ™ Ă?uuĂ™ kÂ—Âƒu Ă›Ă™Ă›ÂŤĂ™Ă›Â”uĂ™ Ă›uÂ˘ÂżĂ™Â—Ă?Ă’ ÂşÂžIĂĂ™Â—Â§Ă™Ă›Â” Â—Ă›Â—ÂŤÂ§Ă™ÂźÂ§uĂŹ Ă’Ă›IÂƒĂ™Ă’ĂĂ’ IÂžĂ?uIkĂĂ™ ÂŤÂ‚Ă™uIaÂ”Ă™ Â”Â—ÂŒÂ”Ă›Ă™ÂşÂŤĂ’ AuĂ™ aIÂ§Ă™ ÂŒÂ—Â§Â§Â—Â§ÂŒĂ™ ukĂ™Â—Â§Ă™Ă›Â”uĂ™ Â—Â§Ă™Ă›Â”uĂ™Wu Ă›Ă™WuĂ™ÂşÂžIĂ Ă¤Ă’ Â˘ kuÂ§Ă›IÂžĂ’Ă™ ĂĂ™ Ă?ÂşĂ’ÂżĂ™6Â”u Â†Â§ÂŒuĂ?Ă™Ă’Â”I Â§ÂŒĂ’Âż Ă?ÂşĂ™Âź Â˝g Ă™Ă’Ă›Ă?Â— ĂľhĂ™IÂ§kĂ™ Ă’Ă™IÂ§Ă™Â–Ă’Â”I Ă?Â—Â§ÂŒĂ™ÂşÂžIĂ Ă›Â”uĂ™Ă™Ă’Ă› Â§Ă™ Ă™ÂŤ uĂ? Â§ÂŒ Ă™Â† Â§k 6Â”uĂ™Ă’uaÂŤ Â–Â˘IÂœÂŤĂ?
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Musical Sample, page 20
The fourth volume introduces various positions as well as new bowing techniques. These are practiced in increasingly demanding classical duets. From here students can embark on the journey of standard repertoire â€“ Concerti such as Vivaldi, Accolay etc. are now within reach.
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Musical Sample, page 21
The third volume emphasises duet playing in a great variety of keys and rhythms and musical styles. Different ďŹ nger patterns and strokes are thoroughly practiced.
For a listing of appropriate material visit: www.violinmasterclass.com
His son, the violinist Kurt Sassmannshaus, is currently chairman of the string department at the University of Cincinnati College-Conservatory of Music. A prize winning student of Igor Ozim and Dorothy DeLay, he had been a teaching associate to Dorothy DeLay for a quarter century. He published the pioneering website www.violinmasterclass.com in 2004. The UKâ€™s Strad Magazine calls him the â€œKing of on-line violin tutorialsâ€?. One of the most important violin teachers of his generation, Kurt Sassmannshausâ€™ students have won major international competitions and occupy important positions in the music world across the globe. In 2005 he founded his own summer school for outstanding young string players, the Great Wall International Music Academy in Beijing, China. (www.greatwallacademy.org)
Sassmannshaus Violin Book 4
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The combined knowledge and experience of father and son make the four volumes of the Sassmannshaus Tradition the most thoroughly researched and thought-through beginner violin method in the world.
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The original German violin method was ďŹ rst published in 1976. The author Egon Sassmannshaus is one of the most experienced and renowned violin pedagogues in Germany. For the new English edition his son Kurt Sassmannshaus worked as co-author and adapted his fatherâ€™s successful method for English-speaking children.
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Sassmannshaus Violin Book 3
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Note reading is introduced from the beginning, and accidentals are explained in the easiest way in the ďŹ rst volume. By the end of the ďŹ rst book, many English childrenâ€™s songs using all ďŹ ngers have been played and note values from whole to eighth notes have been introduced. Even the easiest exercises are underlaid with text so that melodies can be perceived as a whole.
â€œThe early emphasis on ensemble playing and the many duos in this method are so much fun for the kids. They pick up important chamber music skills right from the beginning!â€? Peter Winograd and Laurie Carney, American String Quartet
The second volume already presents classical violin duets. The childâ€™s knowledge and technique is expanded by dotted rhythms, sixteenths notes, and ďŹ rst double stops. And here is the most revolutionary aspect of the method: different ďŹ nger patterns can be connected and combined to create any major and minor scale without the use of open strings. This creates the ability to practice scales in any position, often within the ďŹ rst year of playing! With this skill, songs learned in ďŹ rst position are easily transposed to other keys and higher position. Coupled with beginning shifting exercises this sets a foundation for an early virtuoso technique not available in any other method.
The most successful Tried and Tested German Violin Method now available in English.
le â€œThe simplicity of the sca to en ldr chi ws patterns that allo ost alm ns itio pos h play in hig t from the beginning is jus ham brilliant!â€? Gil Sha
Musical Sample, page 60
For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner violin methods in German-speaking countries. More than half a million students have successfully learned to play the violin using this publication.
The best selling violin method that gave generations of European musicians their foundation is now available in English, with content and songs newly adapted for todayâ€™s English speaking children.
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Sassmannshaus Violin Book 2
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The author Egon Sassmannshaus studied with the eminent German-American violinist Walter Schulze-Priska, who had been a student of Otokar Sevcik, the ďŹ rst truly systematic violin pedagogue. Egon Sassmannshausâ€™ keen interest in child psychology as applied to the teaching of young children, coupled with an impeccable background in technical violin expertise and pedagogy led him to publishing his violin method â€œFrĂźher Anfang auf der Geigeâ€? (The Sassmannshaus Tradition) in 1976. This method quickly became the most popular and best selling beginner method for violin teaching in German speaking countries. Egon Sassmannshausâ€™ own students have excelled to become leading teachers and musicians all over Europe.