From Ana Laura Aláez to Prototipoak In 2021 the exhibition programme transits through the review of Mabi Revuelta’s career (Bilbao, 1967) via Acromática. Una Partida Inmoratal (Achromatic. An Immortal Game), to the first monographic exhibition of another Bilbao artist, Ana Laura Aláez (Bilbao, 1964). It will be presented in her home town under the title Todos los conciertos, todas las noches, todo vacío (All the concerts, every night, everything empty).
Ana Laura Aláez. Todos los conciertos, todas las noches, todo vacío
Curated by Bea Espejo in a co-production with Centro de Arte Dos de Mayo, CA2M, the exhibition is billed as a return to the
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artist’s origins, to the starting point, working between the fissures of the themes that have accompanied her work over the last twenty years: the body as a base, the base as a sculpture, sculpture as song, night as material, identity as conflict, imposture as possibility. The title of the exhibition is taken from one of her installations and evokes the vestiges of an event, with its apparent downtime, illusions and expectations as opposed to realizations and disappointments.
