Portfolio / Augusto Scavone by augustoscavone

A U G U S T O S C A V O N E

Mitchell Giurgola Architects

1 2 3 5 6

Mitchell Giurgola Architects

STALLER CENTER RENOVATION

STONY BROOK UNIVERSITY

Stony Brook, NY

While working at Mitchell Giurgola Architects, I played a key role in the Staller Center project, which involved both MEP (Mechanical, Electrical, and Plumbing) renovation and window replacement. From the project’s outset, I was tasked with designing the optimal layout for mechanical equipment on the rooftop dunnage, ensuring its seamless integration with the campus landscape. To thoroughly evaluate this integration, we utilized a combination of renderings created with Sketchup and Enscape, alongside detailed graphics.

Photo of Staller Center for the Arts.

Aerial view of Staller Center with the proposed MEP roof design.

MEDIA: SketchUp, Enscape, Photoshop.

MEP ROOF REDESIGN

Mitchell Giurgola Architects implemented a design approach involving the use of dunnage and screening to conceal the mechanical equipment on the roof. This endeavor required extensive internal coordination within our team, as well as collaboration with structural and mechanical engineers, to achieve the desired outcome. Specifically, in the Theater Wing, the mechanical equipment was strategically positioned above the building’s long-span structure, while in the Music Wing, it was carefully situated between the classroom skylights. These decisions were made with meticulous consideration for both functionality and aesthetic harmony within the architectural context of the building.

Theater Wing Equipment

THEATER WING

MUSIC WING

MEDIA: SketchUp, Enscape, Photoshop.

DOAS

RTU-I N

RTU-I S

Actual photo the Music Wing from the bus dropoff stop.

View of the Music Wing with the proposed roof MEP from the bus dropoff stop.

MEDIA: SketchUp, Enscape, Photoshop.

Actual photo the Music Wing looking North.

North view of the Music Wing with the proposed roof MEP.

MEDIA: SketchUp, Enscape, Photoshop.

Actual photo the Music Wing looking Southeast.

Southeast view of the Music Wing with the proposed roof MEP.

Mitchell Giurgola Architects

WALL PANEL REPLACEMENT

RUTGERS UNIVERSITY

New Brunswick, NJ

Graphics and technical drawings were prepared to showcase a range of options for the replacement of black panels at Rutgers Business School. After thorough consideration, the design team and client mutually agreed upon the Grid with Recessed Accent as the optimal choice, inspired by its exterior.

MEDIA: Illustrator.

Pattern in the exterior of the building.

OPTION 1C - TYPICAL ELEVATION

During this project, paying close attention to technical details was key. It was crucial to carefully develop the specifics for the panel replacement as they played a vital role in the project’s successful installation.

Equitone [linea] LT85

Equitone [tectiva] TE85

EXISTING GWB WALL ONE LAYER 5/8” GWB BOTH SIDES, 25GA. 3 5/8” STUD 16” O.C.

EMBEDDED CONCELALED ANCHOR

TYPICAL FIBER CEMENT FLAT PANEL

EXISTING GWB WALL ONE LAYER 5/8” GWB BOTH SIDES, 25GA. 3 5/8” STUD 16” O.C.

EMBEDDED CONCELALED ANCHOR

EMBEDDED CONCELALED ANCHOR TYPICAL FIBER CEMENT FLAT PANEL

EXISTING GWB WALL ONE LAYER 5/8” GWB BOTH SIDES, 25GA. 3 5/8” STUD 16” O.C.

EMBEDDED CONCELALED ANCHOR

EXISTING GWB WALL

ONE LAYER 5/8” GWB BOTH SIDES, 25GA. 3 5/8” STUD 16” O.C.

EMBEDDED CONCELALED ANCHOR

EXISTING GWB WALL ONE LAYER 5/8” GWB BOTH SIDES, 25GA. 3 5/8” STUD 16” O.C.

EMBEDDED CONCELALED ANCHOR

TYPICAL FIBER CEMENT RIBBED PANEL

EXISTING TERRAZZO BASE TO REMAIN

TYPICAL FIBER CEMENT FLAT PANEL

TYPICAL FIBER CEMENT RIBBED PANEL

EXISTING TERRAZZO BASE TO REMAIN

FIBER CEMENT BAFFLE

TYPICAL FIBER CEMENT FLAT PANEL

EXISTING GWB WALL ONE LAYER 5/8” GWB BOTH SIDES, 25GA. 3 5/8” STUD 16” O.C.

EMBEDDED CONCELALED ANCHOR

TYPICAL FIBER CEMENT FLAT PANEL

EXISTING GWB WALL ONE LAYER 5/8” GWB BOTH SIDES, 25GA. 3 5/8” STUD 16” O.C.

CLIP AND RAIL HANGER SYSTEM

EMBEDDED CONCELALED ANCHOR

TYPICAL FIBER CEMENT FLAT PANEL

FIBER CEMENT BAFFLE

SKIM+PAINT EXISTING GWB

EXISTING TERRAZZO BASE TO REMAIN

EMBEDDED CONCELALED ANCHOR

TYPICAL FIBER CEMENT FLAT PANEL

EMBEDDED CONCELALED ANCHOR

FIBER CEMENT BAFFLE

TYPICAL FIBER CEMENT RIBBED PANEL

EXISTING TERRAZZO BASE TO REMAIN

EMBEDDED CONCELALED ANCHOR

TYPICAL FIBER CEMENT RIBBED PANEL

EXISTING GWB WALL ONE LAYER 5/8” GWB BOTH SIDES, 25GA. 3 5/8” STUD 16” O.C.

CLIP AND RAIL HANGER SYSTEM

EXISTING TERRAZZO WALL BASE TO REMAIN EXISTING

EMBEDDED

5/8” STUD 16” O.C.

EXISTING GWB WALL ONE LAYER 5/8” GWB BOTH SIDES, 25GA. 3 5/8” STUD 16” O.C.

EMBEDDED CONCELALED ANCHOR

CLIP AND RAIL HANGER SYSTEM

EMBEDDED CONCELALED ANCHOR

TYPICAL FIBER CEMENT FLAT PANEL

FIBER CEMENT BAFFLE

TYPICAL FIBER CEMENT FLAT PANEL

TYPICAL FIBER CEMENT RIBBED PANEL

FIBER CEMENT BAFFLE

EXISTING TERRAZZO WALL BASE TO REMAIN

TYPICAL FIBER CEMENT RIBBED PANEL

EXISTING GWB WALL ONE LAYER 5/8” GWB BOTH SIDES, 25GA. 3 5/8” STUD 16” O.C.

CLIP AND RAIL HANGER SYSTEM

TYPICAL FIBER CEMENT FLAT PANEL

EMBEDDED CONCELALED ANCHOR

TYPICAL FIBER CEMENT FLAT PANEL

FIBER CEMENT BAFFLE FIBER CEMENT BAFFLE

EXISTING TERRAZZO WALL BASE TO REMAIN

TYPICAL FIBER CEMENT RIBBED PANEL

TYPICAL FIBER CEMENT FLAT PANEL

Mitchell Giurgola Architects

MEDIA: SketchUp, Enscape, Photoshop. Educational project

PS 121 SHELLEY AVE

SCA

Staten Island, NY

For this project, I was in charge of all Furniture, Fixtures, and Equipment (FFE) drawings. Throughout our iterative design process, our team engaged in frequent consultations with the client to refine and adjust our design direction. To effectively convey our evolving concepts and design intent, I leveraged my expertise in graphics and rendering to create a series of detailed illustrations and renderings showcasing the proposed interiors. These visual aids played a crucial role in facilitating productive discussions, fostering a deeper understanding of the project vision, and ultimately guiding the client towards informed decision-making.

TYPICAL 4-5 CLASSROOM PLAN

Typical 4-5 Classroom.

CORRIDOR PLAN

MEDIA: SketchUp, Enscape, Photoshop.

MEDIA: Revit, Illustrator.

Third floor corridor.

THIRD FLOOR

SECOND FLOOR

FIRST FLOOR

MEDIA: SketchUp, Enscape, Photoshop.

Mitchell Giurgola Architects

DIAGRAMS

CORNELL VETERINARY RESEARCH TOWER

Ithaca, NY

These diagrams illustrate Mitchell Giurgola’s methodology for the renovation design of the Veterinary Research Tower at Cornell University. They were presented alongside proposed HVAC systems and phasing diagrams as part of the comprehensive project overview.

FLOORS TO BE RENOVATED

NEW INFRASTRUCTURE (MECHANICAL)

8TH-9TH(NEWFIT-OUT)

6TH-7TH(COMPLETED)

2ND-5TH(NEWFIT-OUT)

1ST(COMPLETED)

11TH(MECHANICAL)

10TH(MECHANICAL)

8TH-9TH(NEWFIT-OUT)

6TH-7TH(COMPLETED)

2ND-5TH(NEWFIT-OUT)

1ST(COMPLETED)

BASEMENT (MECHANICAL)

Mitchell Giurgola Architects proposed a strategy to infuse natural light into the laboratory space by opening up the sides and repurposing the underutilized mechanical zone at the rear to maximize daylight penetration. Additionally, MGA

CIRCULATION CORE / INFRASTRUCTURE

LABORATORY / LAB

recommended integrating equipment within the corridor, seamlessly blending it with the lab support spaces for improved functionality and aesthetic coherence.

NATURAL LIGHT

EXISTING

OPPORTUNITIES

• Introduce Natural Light into Laboratory.

• Capture Underused Mechanical Zone.

• Integrate Equipment / Lab Support.

CIRCULATION CORE / INFRASTRUCTURE

LABORATORY / LAB SUPPORT

RENOVATION

NATURAL LIGHT

MEDIA: Illustrator.

HVAC

SYSTEMS DIAGRAMS

PROPOSED HVAC SYSTEMS EXISTING HVAC SYSTEMS

11TH(MECHANICAL) FHExhaust Stacks

10TH(MECHANICAL)

11TH(MECHANICAL) ExistingStacks Removed

10TH(MECHANICAL)

MECHANICAL PENTHOUSE (PROPOSED HVAC SYSTEMS)

ExistingStacks Removed

ArrayFanExhaustNew

AirNewSupply Bypass

11TH(MECHANICAL)

10TH(MECHANICAL)

MEDIA: Illustrator.

PHASING DIAGRAMS

PHASE 1 OPTION 1 (42-48 MONTHS)

PHASE 1 OPTION 2 (21-24 MONTHS)

SURGE #1

9TH FLOOR (7-8 months)

SURGE #2

8TH FLOOR (7-8 months)

SURGE #3

5TH FLOOR (7-8 months)

SURGE #4

4TH FLOOR (7-8 months)

SURGE #5

3RD FLOOR (7-8 months)

SURGE #6

2ND FLOOR (7-8 months)

9TH 8TH 5TH 4TH 3RD 2ND

SURGE #1 9TH - 8TH FLOORS (7-8 months)

SURGE #2 4TH - 5TH FLOORS (7-8 months)

SURGE #3 2ND - 3RD FLOORS (7-8 months)

9TH 8TH 5TH 4TH 3RD 2ND

PHASE 2 (6 MONTHS)

ExistingStacks Removed

New FanExhaust Array ERUNew ERUNew

11TH(MECHANICAL)

10TH(MECHANICAL)

MEDIA: Illustrator.

F I R C R E S

FIRCREST COMMUNITY CENTER

Fircrest, WA

During my time at ARC Architects in Seattle, I was primarily involved in the development of the Fircrest Community Center. This project served as phase 2 following the construction of the Fircrest Pool and Bathhouse. Commissioned by the city of Fircrest, the Community Center included facilities such as a gymnasium, exercise room, multipurpose space, and classrooms. In 2022, I had the chance to visit Seattle and observe the progress of this project in person, gaining valuable insights into its execution and impact on the community.

Photo from the Multipurpose Room overlooking the backyard.

Rendering of the West Entrance.

Rendering of the Gymnasium.

MEDIA: Revit, Lumion.

LEED SILVER CERTIFIED

In 2022, the U.S. Green Building Council awarded the Fircrest Community Center a Silver LEED (Leadership in Energy and Environmental Design) certification. Throughout the duration of this project, my colleagues and I engaged in numerous meetings to strategize on earning additional points to ensure the Fircrest Community Center met the criteria for green building certification. The primary challenge we faced was persuading the client, the City of Fircrest, to allocate resources towards enhancing the building’s long-term efficiency for environmental benefits.

Photo of the Lobby.

Rendering of the Multipurpose Room during Bidding (top), Actual photo of the Multipurpose Room (bottom).

Hand-drawn project

CAMP ADIRONDACKS

HAND-DRAWN PROJECT AT KANSAS STATE UNIVERSITY

Camp Adirondacks is a hand-drawn project conceived during the second year of my architecture studies. At Kansas State University, the architecture program emphasized manual design techniques before introducing students to software. This project exemplifies the level of skill and dedication required to craft architectural projects without relying on computer software.

NORTH ELEVATION

SOUTH ELEVATION

Plywood and museum board physical model.

FLOOR PLANS

M O D E L S

Basswood and chipboard physical model.

Olivetti Staircase physical model.

Museum board physical model.

MEDIA: SketchUp, Enscape, Photoshop.

LOS ANGELES RESIDENCE

As my passion for residential architecture continued to flourish, I dedicated additional time outside of my regular work hours to delve deeper into the intricacies of home design, leveraging the expertise I had gained through software applications. Conceptualizing this Los Angeles residence, I was inspired by the perennially pleasant Southern California climate. My goal was to create a dwelling that seamlessly integrates with its natural

surroundings, offering inhabitants a continuous connection to the vibrant hues of the Pacific Ocean and the serene beauty of nature.

View from the front door.

Living room.

MEDIA: SketchUp, Enscape, Photoshop.

Looking at the kitchen from the Living Room.

Ocean view from the Primary Bedroom.

MEDIA: SketchUp, Enscape, Photoshop.

Dining Room.

The design incorporates contrasting surface textures between the floor and ceiling. Inside, the floor boasts a light wood texture, while outside, the overhang ceiling features a matching wood finish. This deliberate juxtaposition, coupled with the expansive glass sliding doors that seamlessly open up to the backyard, blurs the boundary between

indoor and outdoor spaces, fostering a harmonious integration of the interior and exterior.

View from the Kitchen.

MEDIA: SketchUp, Enscape, Photoshop.

Looking at the Kitchen from the Living Room. Kitchen.

The corridor skylight bringing natural light into the interiors.

MEDIA: SketchUp, Enscape, Photoshop.

Primary Bedroom.

View of the house from the pool area.

S K E T C H E S

Personal Work

MEDIA: graphite, watercolors.

SKETCHES

I decided to start adding some sketches to my work because I believe it’s one of my greatest skills. Drawing has been a passion of mine since I was young, and it’s what initially drew me to architecture. It’s been incredibly useful throughout college and in my personal projects. In today’s world of constant technology, I think we sometimes overlook the power of getting back to pen and paper, and the spontaneity they offer.

Especially in the context of residential architecture, where personal connection and trust are paramount, the ability to swiftly translate ideas into sketches can serve as a powerful tool for fostering meaningful dialogue. By visually articulating concepts in real-time, whether during client meetings or collaborative sessions, sketches not only communicate design intent with clarity but also invite stakeholders to actively participate in the creative process, fostering a sense of ownership and collaboration.

Airport inspired by the Pacific Northwest landscape.

MEDIA: graphite, pen.

WATERCOLORS

In 2019, during my study abroad experience in Orvieto, Italy, I embarked on the journey of mastering watercolor painting. Under the guidance of our professor, we were tasked with conducting a comprehensive analysis and documentation of the public spaces within Orvieto. This medieval city provided an ideal setting for studying the intricacies of the Public Realm and the profound connection it fosters among its inhabitants. Our primary focus centered on the piazzas; that serve as vibrant hubs of social interaction and cultural exchange.

Engaging in prolonged periods of observation and documentation while stationed in a single location for an entire semester provided me with invaluable insights into the significance of attentive observation. Through meticulously recording the nuances of my surroundings and their intricate details, I gained a deeper understanding of the spatial dynamics at play and the relationships between people and their environment.

Tower of Collegiata di Santi Andrea e Bartolomeo. Orvieto, Italy.

Buildings in Piazza Duomo. Orvieto, Italy

Piazza della Repubblica. Orvieto, Italy.

MEDIA: graphite, watercolors.

View from Piazza Duomo looking towards Via Lorenzo Maitani. Orvieto, Italy.

MEDIA: graphite, watercolors.

IDEAS IN WATERCOLORS

After acquiring proficiency in watercolor techniques during my time in Italy, I made a deliberate choice to integrate this newfound skill into my creative toolkit. The ensuing collection of watercolor compositions showcased here embodies my imaginative interpretations of various architectural elements and landscapes. Drawing inspiration from a myriad of buildings and locales encountered throughout my life, these pieces reflect my ability to vividly conceptualize and translate complex scenes onto paper. Notably, these watercolors were meticulously crafted without reliance on external references, underscoring my capacity for original and uninhibited expression.

Megacity inspired by a mix of Miami and Dubai.

Inspiration from New York City

Hill House overlooking Los Angeles.

Beach front apartment complexes.

Inspiration from Chicago and Lake Michigan.

MEDIA: graphite, watercolors.

Apartment complex in the Balearic Islands.

Apartment overlooking New York City.

Modern cabin inspired by Pacific Northwest Architecture.

Inspiration from Seattle.

MEDIA: graphite, watercolors.

SKETCH + MARKERS

Concrete apartments surrounded by nature.

Beach houses in Southern California.

New York City Walk-Up Apartments.

MEDIA: graphite, markers.

DIGITAL SKETCHES

I used Procreate to create detailed sketches illustrating design concepts. Working on an iPad allowed me to achieve a level of detail that would be difficult with traditional tools like pen or graphite. I was particularly pleased with how I could achieve this level of detail without cluttering the page.

MEDIA: Procreate.

PARIS APARTMENT

I developed several sketches using Procreate to design the interior of a high-end apartment in Paris. My goal was to showcase classical interior architecture through a unique and innovative approach. Specifically, I aimed to create a striking contrast by designing room openings with wood, juxtaposed against white walls with molding.

MEDIA: Procreate.