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WOOLLEY & WALLIS

WOOLLEY & Wallis SALISBURY SALEROOMS

P aintings W ednesday 7 th M arch 2018

www.woolleyandwallis.co.uk

Old Masters, British & European Paintings Wednesday 7th March 2018


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Auction Calendar

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20Th CEnTury DEsign Michael Jeffery Zoe Smith asian arT John Axford mrics asfav Jeremy Morgan Marta Olszewska ChinEsE painTings Freya Yuan-Richards

424505 329477 424506 +44 (0)7812 601098 424591 424589

English & EuropEan CEramiCs & glass Clare Durham

424507

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424583

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painTings Victor Fauvelle Jo Butler Hollie Grubb

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424500

boarD oF DirECTors Paul Viney asfav Chairman

Clive Stewart-Lockhart frics frsa Managing Director

assoCiaTE DirECTors Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting fga

Tribal arT & anTiquiTiEs 21st February 2018 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk 20Th CEnTury DEsign 21st March 2018 – Clarice Cliff, Art Deco & Design 20th June 2018 – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk FurniTurE, Works oF arT & CloCks 11th April 2018 4th July 2018 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk silvEr 24th & 25th April 2018 – Fine Silver & Objects of Vertu 18th & 18th July 2018 – Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWEllEry 26th April 2018 – Fine Jewellery & Watches 19th July 2018 – Jewellery & Watches Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk

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Company sECrETary Natalie Milsted fcca

English & EuropEan CEramiCs & glass 20th February 2018 – Fine Porcelain & Pottery 2nd May 2018 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk

424599

WaTChEs 26th April 2018 – Fine Jewellery & Watches Adrian Hailwood +44 (0) 7775 788500 • ah@woolleyandwallis.co.uk mEDals & Coins, arms & armour 3rd May 2018 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk asian arT, ChinEsE painTings & JapanEsE Works oF arT 22nd & 23rd May 2018 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0) 1722 424589 • fyr@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk painTings 6th June 2018 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk

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• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk


Old Masters, British & eurOpean paintings Wednesday 7th March 2018 at 10am

ViEwinG TimEs Saturday 3rd March Monday 5th March Tuesday 6th March Wednesday 7th March

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 8.30am – 9.45am ArTisT’s rEsALE riGHT / DrOiT DE suiTE

EnquiriEs

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for this lot – please see our Terms & Conditions, Section 21, for details CiTEs

Victor Fauvelle Tel: 01722 424503 vf@woolleyandwallis.co.uk

Jo Butler Tel: 01722 424592 jb@woolleyandwallis.co.uk

λ This symbol indicates that Cites regulations may apply. Please see the auction information page GLOssArY OF TErms Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings

nB. THE PiCTurE DEPArTmEnT HAs mOVED TO CAsTLEGATE COLLECTiOn OF LOTs ALL lots will be moved from the saleroom back to Castlegate on 8th and 9th March - collection of lots on these days and Saturday 10th MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable.

Hollie Grubb Tel: 01722 424592 hg@woolleyandwallis.co.uk

From 12th March collection will be from the nEw PiCTurE DEPArTmEnT OFFiCEs at unit 1B Castlegate Business Park, Old sarum, salisbury sP4 6qX. Payment is still made at Castle Street. Collection of sold and unsold lots must be within 21 days of the sale - failure to collect within this time may result in storage fees. BuYEr’s PrEmium NEW RATE: Each lot is subject to a Buyer’s Premium of 25% plus VAT. TELEPHOnE BiDDinG

iLLusTrATiOns Front cover: Lot 333 Back cover: Lot 376 Overleaf: Lot 492 Extra images, a catalogue word search facility and condition reports are available at www.woolleyandwallis.co.uk Catalogue: £12.00 (£15.00 by post)

Please note that requests for telephone bids cannot be accepted after 5pm on 6th March LiVE BiDDinG

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INDEX Miniatures

1-43

A Private Collection

44-63

The Property of a Lady

64-122

The Property of a Gentleman

123-182

The Property of a Gentleman

183-208

From the estate of the late Geoffrey Harley of Corsham

209-222

Prints and Other Properties

222A-233

Watercolours

234-316

Oil Paintings

317-508

Member of The Society

of Fine Art Auctioneers


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MINIATURES Lots 1 to 21 - The Property of a Lady

1. λ D.m (British c.1664) Portrait miniature of a gentleman, head and shoulders, with long hair, grey jacket and lace collar Signed with initials and dated 1664 Oval in a gilt frame 60 x 50mm £800-1,200 2. λ English school 17/18th Century Portrait miniature of a gentleman thought to be the Duke of Hamilton, head and shoulders wearing armour Oval, in a gilt frame 48 x 38mm £300-500

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3. λ English school late 18th Century Portrait miniature of a lady, bust length wearing a purple dress Signed S Oval, in a gilt metal frame 35 x 28mm £200-300 4. λ richard Bull (fl.1777-1809) Portrait miniature of a gentleman, head and shoulders in a blue coat and white stock Signed and dated 1785 Oval in a gilt frame, with paste diamonds 52 x 37mm £600-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


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Lots 1 to 21 - The Property of a Lady 5. λ sampson Towgood Roche (1759-1847) Portrait miniature of a gentleman, head and shoulders in a brown coat and white ruff Signed and dated 1797 Oval, in a gilt frame, the reverse with an opaline glass panel set over guilloche containing the initials JJ surrounded by a blue glass border, mounted on a rectangular ebonised outer frame 70 x 54mm £500-800

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6. λ Jean-Baptiste Augustin (French 1759-1832) Portrait miniature of a lady, half length, wearing a blue dress, a white ribbon in her hair Oval in a gilt metal frame 70 x 60mm £400-600 7. λ English school 19th Century Portrait miniature of a gentleman, head and shoulders, wearing a black coat and bow tie In a rectangular red leather case 53 x 40mm £300-500

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8. λ Ozias Humphrey (1742-1810) Portrait miniature of Lady Louisa Lennox, eldest daughter of William Henry 4th Marquis of Lothian and wife of Lord George Lennox, 2nd son of Charles 2nd Duke of Richmond Head and shoulders wearing a green dress Oval, in a gilt surround and rectangular ebonised frame 58 x 50mm £600-800

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 1 to 21 - The Property of a Lady

9 9. λ Charles Jenour (fl.1825-1850) Portrait miniature of David Reid aged 30 in 1819 Inscribed verso: Atatis suae 30/ David Reid/ Natus 1789/ Mr Jenour/ pinxit 1819 In a gilt frame and red leather case 80 x 60mm £400-600

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10 10. λ French School c.1810 Portrait of a French Officer, in black uniform wearing the order of the Legion of Honour Oval, in a gilt metal frame 96 x 76mm £700-1,000

11. λ H.V. (French 1806) Portrait miniature of a gentleman, bust length, in a blue coat and white stock Signed and dated 1806 Oval, in a gilt mount and rectangular red leather surround 51 x 43mm £300-500

11 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

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12. λ English school early 19th Century Portrait miniature of a lady, head and shoulders wearing white Oval, in a gilt surround and a rectangular ebonised frame 71 x 58mm £400-600


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Lots 1 to 21 - The Property of a Lady 13. λ Attributed to richard Cosway (1742-1821) Portrait miniature of a lady, head and shoulders wearing a white dress tied with a yellow waistband Oval, in a gilt frame 74 x 55mm £700-1,000 14. λ shinager (Continental c.1865) Portrait miniature of a lady, head and shoulders in a pink dress with a white lace trim and an ermine robe Signed indistinctly and dated 1865 Oval in a gilt frame 42 x 36mm £200-300

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15. λ J.s. Penny (fl.1793-1813) Portrait miniature of a girl, half length, in a white dress with a blue sash Signed and dated 1794 Oval, in a gilt frame with a hair back 78 x 60mm £150-250

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16. λ English school 19th Century Portrait miniature of a lady in 18th century dress, bust length Oval, with a hair braid surround and hair back 40 x 30mm £120-180 17. λ English school 19th Century Portrait miniature of a gentleman, head and shoulders, in a black jacket and bow tie Rectangular, in a red leather case 50 x 40mm £100-150

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17 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 1 to 21 - The Property of a Lady 18. λ m. Herman (British 1840) Portrait miniature of Lady Catherine Maunsell, daughter of the Earl of Listowel Signed and dated 1840 Rectangular, gilt metal mount, and outer giltwood frame 90 x 65mm £150-250

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20 19. λ Vernet (French 1808) Portrait miniature of a gentleman, head and shoulders, wearing a blue coat Signed and dated 1808 Oval, in a gilt slip frame and rectangular ebonised frame 63 x 53mm This may be an early work by Jules Vernet (French 1792-1843) £400-600

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21 20. λ English School 19th Century Portrait miniature of a lady holding her baby Rectangular, in a leaf and berry gilt metal surround and an ebonised frame 68 x 55mm With another of a lady in a bonnet, an oval of a gent and 18th century style portrait of a genteman on a porcelain plaque (4) £150-250

22 21. λ English School 1830 Portrait miniature of Captain Henry Vaughan (1757-1833) in 1830 Half length in uniform Rectangular, in a gilt and ebonised frame 85 x 68mm £150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

22. λ Florence Hannam (fl.1890-1898) Portrait miniature of a lady, bust length Signed Oval, in a gilt frame, blue glass reverse 90 x 70mm £300-500

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23. Continental school 18th Century Portrait miniature of a gentleman in profile wearing an order Oil on card Circular, 70mm diameter £150-250 24. λ After Angelica Kauffman r.A. Portrait miniature of Rebecca Lady Rushout and her daughter Oval, in a rectangular gilt frame 140 x 110mm £150-250 25. λ George Engleheart (1752-1829) Portrait miniature of a lady, half length, wearing a white dress Oval, in a gilt frame 67 x 55mm £1,500-2,500

25 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


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26. λ Henri-Joseph Hesse (French 1781-1849) Portrait of a lady, half length in a blue and white dress Signed and dated 1839 inscribed in pen verso: My dear mother: given by her kind sister Mrs Dougal late of Baths Park W. Ed...... Weddington 1872 Brackridge Hall Oval, in a gilt surround and wooden frame 150 x 115mm £2,000-3,000 27. E. W. Thompson (1770-1847) Portrait miniatures of a gentleman, seated wearing black and a lady wearing white with pink ribbons and a bonnet A pair, the first signed and dated 1831 Both watercolour on card, oval Each 160 x 130mm (2) Provenance: Christie’s, 3rd March 1993, Lot 115 £400-600

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27 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


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28 28. λ French School 19th Century Portrait miniature of Emile Chevilley (2nd June 1797-14th April 1823) Inscribed verso Rectangular in a gilt frame 44 x 35mm With another of a gentleman in blue, 58mm diameter (2) £100-150

29 29. λ English School c.1900 Portrait miniatures of a lady and gentleman Both head and shoulders 73 x 62mm and similar With a further circular miniature of a lady, late 19th century set into a walnut box (3) £80-120

30. λ Karl Teibler (Austrian 1821-1895) Portrait miniature of a child, full length seated Signed and dated 1860 Oval, in a gilt slip frame with rectangular red velvet surround 90 x 70mm With another of a lady, English c.1810 and another of a gentleman in Roman costume (3) £100-150 31. λ English school c.1820/30 Portrait miniature of Edward Burrell, head and shoulders in blue Inscribed verso: Edward Burrell Ind (father) married Millicent Laughton? of Ann Dyson (Mildenhall) Oval, in a gilt frame 68 x 52mm £100-150

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31 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


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32. λ French school 18th Century Portrait miniature of a lady seated by a tree in a landscape holding a book Rectangular, in a gilt slip frame with later scrolling foliate and floral gilt metal decoration 70 x 50mm £150-350

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33. λ Continental School 19th Century Classical scenes A pair, both in gilt and ebonised frames Each 70 x 88mm (2) £200-300 34. λ After Peter Paul rubens Self portrait; Portrait of Susanna Lunden, Le Chapeau de Paille A pair, both watercolour with gum arabic, in gilt frames with deep sections 115 x 75mm (2) £150-250

34 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


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35 35. λ w. Hatton c.1851 Portrait miniature of a Miss Atkinson with ringlets, wearing pink Inscribed on a label verso Miss Atkinson by W. Hatton, 1851 95 x 72mm £300-500

36. English School 19th Century Portrait miniature of Mrs Lonsdale, wife of John Lonsdale, Bishop of Lichfield in 1816 Pencil heightened with watercolour Oval 250 x 193mm £100-150

37. λ Nasir-ud-din Haidar, India, early 19th Century Portrait miniature of an Indian Prince, head and shoulders Oval white metal frame with a beaded edge 70 x 60mm The second King of Oudh, in formal dress with emerald and pearl collet necklace and orange coloured headdress, set with pearls and orange gemstone, and bearing a label ‘Indian Prince from the Collection’ and ‘Burdett-Coutts Collection’, H. Blairman & Sons. £100-150 38. λ Jean Baptiste Thevenet (French 1800-1867) A double portrait miniature of a mother and daughter One signed and dated 186… Ovals, both in a pierced gilt metal scrolling foliate frame Each 35 x 25mm £150-200

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38 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


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39. λ English School 19th Century Portrait miniature of a lady, head and shoulders Rectangular in a gilt frame 123 x 77mm £100-150 40. λ J.W. (c.1900) Portrait miniature of Horatio Lord Nelson, head and shoulders in uniform Oval, in a rectangular frame 80 x 63mm With 7 more miniatures, 2 printed (8) £100-150

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41. Auguste Edouart (1788-1861) Cut out silhouette of George Frederick Muntz (1794-1857) Signed and dated 1838 and inscribed President, after Mr Atwood of the Birmingham Political Union 24 x 18cm; 9½ x 7in With two further cut out silhouettes of gentleman, one standing and one seated at a table (3) Muntz was an industrialist in Birmingham and was M.P. for Birmingham from 1840 to his death. £120-180

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42. A Florentine carved wood frame with a scrolling foliate and shell pierced section containing a reproduction print after S. E. Wallen. Overall size 68 x 93cm; 27 x 36½in and rebate size 48.5 x 74.5cm; 19 x 29½in £300-500 43. A small 20th Century wooden easel with swan neck tops 81cm; 32in high £100-200

43 42 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


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Lots 44 to 63 Recently removed from Gavelacre House, Longparish

44 44. Samuel Howitt (1755-1822) Partridge shooting; Woodcock shooting; Pheasant shooting Signed (lower right) Oil on canvas 65 x 85cm; 23½ x 33½in (3) Provenance: Leggatt Brothers, 1932 for £235 and thence by descent Recently removed from Gavelacre House, Longparish £12,000-18,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


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Lots marked ‥ may be subject to an additional fee - please see ARR information on page 183


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45 45. Circle of matthias witthoos Roses, a peach and a bowl of frais du bois on a ledge with grapes, butterflies and a snail Oil on panel 46 x 40.5cm; 18 x 16in Provenance: Recently removed from Gavelacre House, Longparish ÂŁ1,000-1,500

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


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46 46. Benjamin Killingbeck (fl.1769-1783) A dark bay hunter held by a groom with The Fourth Viscount Galway’s beagles, by a stable block Oil on canvas 55 x 66cm; 21½ x 26in Provenance: Col. The Viscount Galway D.S.O., O.B.E., Legatt Brothers, September 1934 as George Stubbs £500 and thence by descent Recently removed from Gavelacre House, Longparish Sir Robert Monckton-Arundell, the 4th Viscount Galway (1752-1810), was a British politician, M.P. for Pontefract and later York. £8,000-12,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


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47 47. Follower of George stubbs A.r.A. A dark bay hunter in a wooded lake landscape, painted for a member of the Peyton Family Oil on canvas 68 x 89cm; 27 x 35.5in Provenance: The collection of Sir Algernon Peyton, Bart. W. H. Savill, Esq., The Old Manor House, Upton Grey, 21 July 1936, Lot 100, 40gns and thence by descent Recently removed from Gavelacre House, Longparish ÂŁ6,000-8,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


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48 48. Attributed to James Barenger (1780-1831) A sportsman with pointers, shooting partridge in a landscape Oil on canvas 72 x 105cm; 28½ x 41½in Provenance: Leggatt Brothers, 1924, £170 and thence by descent Recently removed from Gavelacre House, Longparish £6,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


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49. Circle of Constantijn netscher A young sportsman with a whippet in a landscape Oil on canvas 56 x 43cm; 22 x 17in Provenance: G. D. Thomson, Moseley, Birmingham Christie’s, 3rd July 1931, Lot 127 to Crawley (21gns) Recently removed from Gavelacre House, Longparish £3,000-5,000 50. Attributed to William Mulready R.A. (1786-1863) Ludgate Hill in early times Signed indistinctly (lower left) Oil on canvas 49 x 90cm; 19 x 35¼in Provenance: Leggatt Brothers, 1932 and thence by descent Recently removed from Gavelacre House, Longparish £2,000-3,000

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50 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


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51 51. Attributed to Pieter Casteels (1684-1749) Carnations, peonies, narcissi, a sunflower and morning glory, in a sculpted urn on a ledge Oil on canvas, formerly an oval 70 x 56cm; 27½ x 22in Provenance: Leggatt Brothers, 1925, £250 and thence by descent Recently removed from Gavelacre House, Longparish £5,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


22 52. Charles Towne (1763-1840) A farm boy with carthorses Signed (lower centre) Oil on panel 15 x 20cm; 6 x 8in Provenance: Recently removed from Gavelacre House, Longparish £1,500-2,500

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53. Follower of James Pollard Chances of the Steeplechase: Mr. Seffert and Grimaldi at Aylesbury Oil on canvas 34 x 47cm; 13½ x 18½in Provenance: Leggatt Brothers, 1928, £65 and thence by descent Recently removed from Gavelacre House, Longparish Mr. Seffert and Grimaldi ran in an Aylesbury Steeplechase where Grimaldi won as his opponent crashed into a gate. This scene was later part of a set of aquatints by C. Rosenburg, George and Charles Hunt £700-1,000 53

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


23 54. Thomas weaver (1774-1843) A bay racehorse with a jockey up, in the colours of John Tomes of Long Marsden, on Chester racecourse Signed and dated 1820 (lower right) 71 x 90cm; 28 x 35½in Provenance: Leggatt Brothers, December 1932, £200 for a pair with lot 55 and thence by descent Recently removed from Gavelacre House, Longparish £5,000-7,000

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55. Thomas weaver (1774-1843) John Tomes with a bay racehorse and his jockey, on Chester racecourse Signed and dated 1823 (lower centre) Oil on canvas 69 x 89cm; 27 x 35in Provenance: Leggatt Brothers, December 1932, £200 for a pair with lot 54 and thence by descent Recently removed from Gavelacre House, Longparish £5,000-7,000

55 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


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56 56. Follower of Peter Tillemans Evelyn Pierrepoint, 2nd Duke of Kingston-upon-Hull and suite with the celebrated pack of pointers which were presented by the court of France at Versailles, 1725, with Thoresby Hall, Nottinghamshire beyond Oil on canvas 40.5 x 70cm; 16 x 27½in Provenance: W. H. Savill, Esq., The Old Manor House, Upton Grey, 21 July 1936, Lot 116, 145gns and thence by descent Recently removed from Gavelacre House, Longparish This is the first Thoresby Hall before it was destroyed by fire in 1746, the same year that the Duke fought at Culloden. A second house, completed in 1772 was demolished in 1864 and the current Gothic Victorian house was built. The contents were sold by Sotheby’s, 31st May, 1st and 2nd June 1989 £4,000-6,000

57. Charles Cooper Henderson (1803-1877) A mail coach before a farmstead; A cart and horses and a mail coach before an inn Signed with a monogram (lower left) Oil on board 19 x 29cm; 7½ x 11½in (2) Provenace: Recently removed from Gavelacre House, Longparish £1,500-2,500

57 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


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58 58. william Cave (fl.1794) A mail coach on Farnham High Street Signed and dated 1794 and inscribed and dated Designed and Painted by William Cave 1794 (lower right) Oil on canvas 66 x 86cm; 26 x 33¾in Provenance: Leggatt Brothers, 1933, £130 and thence by descent Recently removed from Gavelacre House, Longparish £5,000-8,000

59. Attributed to Charles Hancock (1802-1877) Sir Joseph Hawley’s Fernhill a dark bay racehorse with jockey up Oil on canvas 47 x 61cm; 18½ x 24in Provenance: Leggatt Brothers, 1935, £120 and thence by descent Recently removed from Gavelacre House, Longparish Fernhill won the Northamptonshire Stakes (£1225) and the Great Metropolitan (£1640) in 1849 Sir Joseph Hawley was a Wiltshire trainer who won all 5 of the British Classic flat races £2,500-4,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

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60 60. After Gabriel metsu The Old Game Dealer Oil on panel 44 x 34cm; 17¼ x 13½in A copy of the original in the Gemäldegalerie, Dresden Provenance: Recently removed from Gavelacre House, Longparish £600-800

61. renard and Jules Cesar savigny (1777-1851) Plates from Histoire Naturelle, Description de L’Egypte, Gasteropodes (2); Zoophytes; Annelides; Coquilles Five, all aquatints, published by Imprimerie Impériale, Paris 1809-1829 Each 60 x 43cm; 23½ x 17in (5) Provenance: Recently removed from Gavelacre House, Longparish £300-500

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62 62. Archibald Thorburn (1860-1935) Birds of prey A set of 12, all signed and stamped All reproductions, published by A. Baird Carter, London, 1919 Each 25 x 17cm; 9¾ x 6¾in (12) Provenance: Recently removed from Gavelacre House, Longparish £1,200-1,800

63. ‡ Bill Jackson (20th Century) A roebuck in winter Signed and dated 1984 Watercolour 24 x 33cm; 9½ x 13in Provenance: Recently removed from Gavelacre House, Longparish £50-70

63 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


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Lots 64 to 122 - The Property of a Lady 64. English school 18th Century Classical figures in a glade Oil on panel 25 x 19cm; 10 x 7½in £150-250

65. Frederick Walker (1840-1875) The Good Samaritan Oil on board 27 x 22.5cm; 10½ x 9in £800-1,200

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66. English School 19th Century Elegant ladies in costume Two, both oil on board Each 23 x 17.5cm; 9 x 7in £400-600

67. English School 19th Century A child sleeping watched by angels Oil on canvas 31 x 35cm; 12¼ x 14in £200-300 66

68. John Hayter (1800-1891) Paris and the Apple Oil on board 24.5 x 29cm; 9½ x 11½in £400-600

67 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

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Lots 64 to 122 - The Property of a Lady

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69. Continental School early 19th Century A young boy in ecstasy Oil on canvas 23.5 x 18cm; 9¼ x 7¼in £120-180

70. After sir Joshua reynolds The Strawberry Girl Oil on panel 25 x 20cm; 9¾ x 8in A copy after the original in the Wallace Collection £200-300

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71. English School early 19th Century The Fallen Climber Watercolour with scratching out 21.5 x 14.5cm; 8½ x 5¾in £80-120

73 72. English school early 19th Century Rustics chatting by a gate, a ruin and farmhouse beyond Pen, ink and watercolour 31.5 x 45.5cm; 12½ x 17¾in £200-300

73. robert Hills (1769-1844) A family milking cattle, a farmstead beyond Watercolour 9.75 x 13cm; 3½ x 5in £200-300

74. Philip mitchell (1814-1896) A figure on a path in a river landscape Signed and dated 1864 Watercolour 22.5 x 32cm; 9 x 12½in £100-150

74 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 64 to 122 - The Property of a Lady

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77 75. Follower of Philips wouwerman Travellers outside an inn Oil on panel 15 x 19.5cm; 6 x 7¾in Provenance: Sir V. Wellesley bequest label verso dated 1st Dec. 1954 £300-400 76. English School mid 19th Century Two gentlemen resting in a moorland landscape Oil on panel 23 x 30.5cm; 9 x 12in £200-300

78 78. English School 19th Century A figure in a wooded landscape, a castle and windmill beyond Oil on board 22.5 x 30.5cm; 9 x 12in £120-180 79. Samuel Shelley (1750-1808) Portrait studies of a lady with a harp Later inscribed indistinctly Lady …, by another hand Pen and ink 17 x 14.5cm; 6¾ x 5¾in £200-300

77. Dutch School 18/19th Century A river landscape Oil on panel 21.5 x 30.5cm; 8½ x 12in £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

79

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80 80. Continental School 19th Century Studies of a female and a male worker A pair, both signed with initials indistinctly Pencil 19 x 14.5cm; 7½ x 5¾in and 16.25 x 16.25cm; 6½ x 6½in (2) £80-120

81 81. Frederick Thomas Baynes (1824-1874) Still life of grapes and and apple on a forest floor Signed Watercolour with bodycolour 31 x 23cm; 12½ x 9in £250-350 82. Frederick R. Spencer (1806-1875) Still life of Grapes, cob-nuts and apples on a forest floor Signed Watercolour 17 x 27.5cm; 6¾ x 11in £150-200

83. H. Eastwood (mid 19th Century) Three ladies by a garden bower Signed and dated Nov. 3, 1849 Watercolour 30 x 36cm; 12 x 14in £100-150 84. Henry Alexander Bowler (1824-1903) An interior scene with a dog chasing a cat and kittens Signed Oil on card or paper 17.5 x 19.5cm; 7 x 7¾in £120-180

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83

84 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 64 to 122 - The Property of a Lady

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86

85. French School c.1800 A marriage witnessed by angels and gods Pencil with grisaille wash 24 x 22cm; 9½ x 8½in £200-300 86. Follower of John Glover A train in a lake landscape Oil on canvas 21 x 33cm; 8¼ x 13in £600-800 87. English school 18th Century The Statue of Charles II at Charing Cross Pencil and watercolour 7.5 x 12cm; 3 x 4¾in This statue was cast in 1633 and was positioned on this site, where it still stands today, in 1675. Hidden for the duration of the commonwealth by the metalsmith John Rivet, he had been ordered to destroy it by the parliamentarians. It stands on the site of the most elaborate of the crosses erected by King Edward I to commemorate Queen Eleanor, destroyed by parliament in 1647. £200-300

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88

89 88. W. W. B. (19th Century) A view of York Minster Signed with initials, inscribed York and dated 1890 Watercolour over pencil heightened with silver paint 19 x 27cm; 7½ x 10½in £80-120

90 89. Rev. J. Gardner (c.1773) Durham Cathedral from the river Later inscribed and dated 1773 verso by another hand Oil on canvas 42.5 x 58cm; 16¾ x 23in £250-450

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

90. Follower of william Payne A landscape with a castle, possibly Bothal Castle, Northumberland Watercolour 21.5 x 35cm; 8½ x 13¾in £100-150

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Lots 64 to 122 - The Property of a Lady 91. Charles Leslie (American/British 1794-1859) At the Tomb Signed and dated 1857 Oil on canvas 46 x 58.5cm; 18 x 23in £400-600 92. Attributed to Hercules Brabazon Brabazon (1821-1906) St. Pierre en-port, 1896 Watercolour on buff paper 16.5 x 27.5cm; 6½ x 10¾in £120-180 93. Edouard Frère (French 1819-1886) Evening, Ecouen, near Paris Signed and dated 79, also signed and titled Ecouen on the stretcher verso Oil on canvas 33 x 27cm; 13 x 10½in Provenance: Part Thomas Agnew & Sons label verso £300-500

91

94. Follower of Petrus van schendel The market by lamplight Signed indistinctly Watercolour 33 x 24cm; 13 x 9½in £150-250 95. Richard Corbould (1757-1831) Langhorne; Hanley Two, both titled and inscribed Both pencil and watercolour 12 x 7cm; 4¾ x 2¾in (2) £120-180

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95 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


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96. Henry Robertson (1848-1930) Vincent Square, London with cricket pavilion Dated 1899 Watercolour 16 x 30cm; 6¼ x 12in £120-180 97. George Adolphus Storey (1834-1919) The Golden Barn Signed with a monogram Watercolour with gum arabic 24 x 34cm; 9½ x 13¼in £200-300 96

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98

99 98. English School 19th Century A ruined abbey by a river, possibly Fountains Abbey Watercolour 22 x 30.5cm; 8¾ x 12in £100-150

100 99. Wilmot Clifford Pilsbury R.W.S. (1840-1908) Cattle in a meadow by a river with willows Signed, also titled Near Porlock, Somerset, on a label verso Watercolour 18 x 27.5cm; 7 x 11in Provenance: (Part) Royal Watercolour Society label verso £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

100. Edouard Frère (French 1819-1886) A lakeland landscape Signed and dated ‘72 Oil on canvas 25 x 31cm; 10 x 12in £200-300


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Lots 64 to 122 - The Property of a Lady 101. J. Burton (19th Century) Fish seller with families on the beach Signed, also indistinctly dated 1824? Oil on board 17.5 x 23cm; 7 x 9in £200-300 102. Frederick R. Spencer (1806-1875) Library books Signed Watercolour 16 x 27cm; 6¼ x 10½in £200-300 103. J. L. Roger (19/20th Century) Bridlington Old Church Signed and dated 1867 Watercolour 29 x 50cm; 11½ x 18¾in £200-300

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102

104 104. English School 19th Century Children playing at Christmas, with children boxing and cooking Watercolour over pencil 6.5 x 15cm; 2½ x 6¼in £120-180

103

105 105. Arthur Gilbert (1919-1895) Sunset landscape with crescent moon Signed Oil on board 19 x 36cm; 7½ x 14in £200-300 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 64 to 122 - The Property of a Lady 106. Walter Field (1837-1901) The curfew tolls the knell of parting day Signed and dated 1863 Oil on canvas 57.5 x 38cm; 22½ x 15in £1,000-1,500 107. English School mid 19th Century A view of city on a river, possibly London Watercolour with bodycolour 9 x 22cm; 3½ x 8½in £100-150 108. Henry Stacey Marks (1829-1898) In the orchard Signed on a label verso 8 x 26cm; 3¼ x 10in £150-200

109. Ebenezer Wake Cook (1843-1926) A herbaceous border with trees beyond Signed with initials and dated 25.6.81 Watercolour 22.5 x 14.5cm; 9 x 5½in £150-200 110. John Phillipp Emslie (1839-1913) A contemplative moment Signed Watercolour 19.5 x 9cm; 7 x 3½in £150-200 111. Edwin P. Corin (19/20th Century) A flower stall, possibly Paris Signed Oil on board 35 x 27cm; 13¾ x 10½in £80-120 106

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110

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111

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113

115 112. ‡ R. F. Abraham (1846-1953) A country garden Signed with initials Watercolour and gouache 37 x 32.5cm; 14½ x 12¾in £150-250

116 113. Charles Rowbotham (1856-1921) Life drawing of a young lady Signed, dated May 1875 and inscribed from life, Langham [Art Club] Pencil 17 x 12.25cm; 6 x 5in £80-120

115. ‡ Archibald standish Hartrick (1864-1950) Study of three boys playing Signed Watercolour over pencil 16.5 x 21.25cm; 6½ x 8½in £150-200 117

114

114. Mortimer Menpes R.I., R.B.A. (1860-1938) The Duchess of Sutherland Signed in pencil and with monogram in the plate Etching 25 x 20cm; 10 x 8in £70-100

116. English school 20th Century Still life of flowers and a jug on a mantelpiece Signed indistinctly Dsinc? Watercolour with bodycolour 21.5 x 28cm; 8½ x 11in £200-300

117. English school 19th Century Study of a resting hand Pencil 9.5 x 13cm; 3¾ x 5in £100-150

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119

118 118. George Bernard O’Neill (1828-1917) The Garland of Daisies Signed indistinctly Oil on canvas 30.5 x 25cm; 12 x 10in £800-1,200 119. Helen Allingham (1848-1926) Studies of chickens Watercolour 16.5 x 14cm; 6½ x 5½in £300-400

120. Helen Allingham (1848-1926) Study of trees Watercolour 17.5 x 13.5cm; 7 x 5¼in £200-300

120 121. English School 19th Century A view of Chelsea, 1870 Signed indistinctly Wiseman? partly below mount, also signed with initials and inscribed Chelsea verso Pastel and chalk, on buff paper 14.5 x 29cm; 5¾ x 11½in £80-120

121 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

122. George Chambers (1830-c.1890) View over a busy river or estuary harbour town Signed Pen, ink and watercolour 24.5 x 34cm; 9½ x 14in £100-150

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Lots 123 to 182 - The Property of a Gentleman 123. walter Greaves (1846-1930) Swan Tavern by the Old Bridge and Toll House, Battersea Watercolour 35 x 48cm; 13¾ x 19in £1,000-1,500 124. French School c.1900 A flower seller in a market town Watercolour 24 x 34cm; 9½ x 13¼in £300-400

125. william (Anslow) Thornley (act.c.1857-1898) River scene Signed Oil on canvas 25.5 x 41cm; 10 x 16in £400-600 126. william Henry Kearney (c.1800-1858) View of Monmouth Signed with initials Pencil and watercolour 15 x 23cm; 6 x 9in Provenance: Michael Spratt, Guildford Dr. J. Percy collectors stamp verso £200-300

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124

125 127. Follower of richard Parkes Bonington View of Paris Inscribed and dated 1832 Watercolour 9.5 x 16.5cm; 3¾ x 6½in £200-300

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127

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 123 to 182 - The Property of a Gentleman 128. James Duffield Harding (1798-1863) Panoramic landscape with distant mountains Signed Watercolour 24 x 37cm; 9½ x 14½in £800-1,200 129. John Ruskin (1819-1900) An Alpine scene with a castle Sepia washes heightened with white on grey paper 10.5 x 12cm; 4 x 4¾in Provenance: Martyn Gregory, London £400-600 130. John scarlett Davis (1804-1845) Entrance to a house Signed and dated 1830 Pencil and grey washes 19 x 24cm; 7½ x 9½in Provenance: Newall Collection £300-500

128

131. Circle of Henry Pether Moonlit scene with boats on a river, a windmill beyond Oil on panel 22 x 34cm; 8¾ x 13¼in £400-600 132. Samuel Owen (1768-1857) Unloading the catch Watercolour 14 x 19cm; 5½ x 7½in £500-700

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131

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132

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Lots 123 to 182 - The Property of a Gentleman 133. samuel Austin (1796-1834) A river valley with boats and figures by cottages Watercolour 49 x 67cm; 19¼ x 26¼in £800-1,200

133

134 134. William Alexander (1767-1816) A study of Chinese figures Inscribed on backing paper, possibly another hand Watercolour 19.5 x 10.5cm; 7¾ x 4in Alexander was the artist in 1792 for Macartney’s Embassy in China to the Qianlong Emperor £300-500

135

136

135. Samuel Prout (1783-1852) Continental street scene Watercolour 30 x 21cm; 12 x 8¼in £300-400

136. Henry Thomas Schafer (1854-1915) Fecamp, Normandy Signed and titled Watercolour 26 x 20.5cm; 10 x 8in £300-500

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 123 to 182 - The Property of a Gentleman 137. Thomas, Lieutenant Yates r.n. (1765-1796) Sailing vessels off Dover Signed and dated 1791 Watercolour 26.5 x 37cm; 10¼ x 14½in Provenance: Frank T. Sabin, London £1,000-1,500

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138. Thomas Luny (1759-1837) Coastal scene at low tide with numerous fishermen on a beach Signed and dated 1833 Oil on panel 31 x 46cm; 12 x 18in £1,500-2,500

138 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

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Lots 123 to 182 - The Property of a Gentleman

139

139. Thomas rowlandson (1756-1827) The Wigsteads: A Christening Pen, ink and watercolour 17 x 30cm; 6¾ x 13in Provenance: Chris Beetles, Summer Show, 2001, No. 16 £1,500-2,000 140. Thomas rowlandson (1756-1827) Chamber Council Titled, also initialed lower right, possibly a collector’s mark Pen, ink and watercolour 15 x 19cm; 6 x 7½in £1,200-1,800

140

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 123 to 182 - The Property of a Gentleman 141. Thomas Rowlandson (1756-1827) Oakhampton, Cornwall Signed and dated 1816 Pen, ink and watercolour 16.5 x 24cm; 6½ x 9½in £800-1,200 142. Thomas Rowlandson (1756-1827) An elderly man with nurse Signed Pen, ink and watercolour 16.5 x 11.5cm; 6½ x 4½in £600-800 143. Thomas Rowlandson (1756-1827) Outside the Oyster Room Pen, ink and watercolour 13 x 9.5cm; 5 x 7¾in Provenance: Thomas Agnew & Sons, London, No. 28716 Sotheby’s, London, 10th July 1980, lot 72 £800-1,200

142

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

141

143

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Lots 123 to 182 - The Property of a Gentleman 144. Thomas Rowlandson (1756-1827) How to halt a carriage Signed and titled Pen, ink and watercolour 9 x 14cm; 3½ x 5½in £600-800

144 145. Thomas Rowlandson (1756-1827) The seaside promenade Pen, ink and watercolour 11 x 18cm; 4¾ x 7in £600-800

145 146. Attributed to Joseph Farington (1747-1821) Rustics near a castle Dated Apr. 27, 1843 Grisaille wash over pen and ink 19 x 30cm; 7½ x 12in £300-500

146 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 123 to 182 - The Property of a Gentleman 147. David Cox snr. O.w.s. (1783-1859) Landscape with cottage and footbridge Watercolour 18.5 x 26cm; 7¼ x 10in Provenance: From the collection of the Hon. Mrs Verey The Fine Art Society, June 1941, No. 11 £800-1,200 148. David Cox snr. O.w.s. (1783-1859) Snowdon from the Vale of Llanberis, Wales Watercolour 13 x 22cm; 5 x 8¾in Provenance: J. S. Maas & Co. Ltd., London, Christmas Exhibition, 1965, No. 38 £600-1,000

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148

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

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Lots 123 to 182 - The Property of a Gentleman 149. David Cox Snr. O.W.S. (1783-1859) The old gateway, Dudley Castle Signed Watercolour 15 x 23cm; 6 x 9in £600-800

149 150. Thomas Miles Richardson R.W.S (1813-1890) Lake scene Watercolour over pencil 32 x 23cm; 12½ x 9in £200-300

150

151. Thomas Miles Richardson R.W.S (1813-1890) Near Llangollen, North Wales Signed with initials, inscribed and dated 1839 Watercolour 25 x 37cm; 10 x 14½in Provenance: Christie’s, London, 9th July 1980?, lot 127 £300-400

151

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 123 to 182 - The Property of a Gentleman 152. William Clarkson Stanfield R.A. (1793-1867) The Hamoaze, Plymouth Watercolour 10 x 15cm; 4 x 6in Provenance: Peter Arnold, Aylesbury Original drawing for 1832 publication Coastal Scenery by the artist, opp. p.55 £600-800

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153 153. William Clarkson Stanfield R.A. (1793-1867) Franz Wallensladt, Trieste Gulf of Venice, Signed, titled and dated 1830 Watercolour 25 x 20cm; 10 x 8in £400-600

154 154. John Frederick Lewis (1805-1886) An Italian strolling musician, pifferaro Watercolour and bodycolour over pencil 41 x 28cm; 16 x 11in £1,000-1,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

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156 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 123 to 182 - The Property of a Gentleman 155. William Callow R.W.S. (1812-1908) Ischl, Saxon Switzerland, 1876 Signed Watercolour 24.5 x 34.5cm; 9½ x 13½in £1,500-2,500

156. William Callow R.W.S. (1812-1908) The Watermill at Lee, North Devon Signed and dated 43? Watercolour 25.5 x 35.5cm; 10 x 14in £600-800

157. William Callow R.W.S. (1812-1908) Porta Romana, Siena Signed and dated 1882 Watercolour 37 x 27cm; 14½ x 10½in Provenance: The Collection of Mrs Douglas, Clitheroe, 14th December 1959 Richard Haworth, Blackburn £2,000-3,000

157

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

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Lots 123 to 182 - The Property of a Gentleman 158. Paul Sandby R.A. (1730-1809) A landscape with a castle Inscribed verso Thomas Paul Sandbys/My father’s doing Watercolour 13 x 18cm; 5 x 7in £1,000-1,500

158 159. Paul Sandby R.A. (1730-1809) View of a castle by a river Signed, inscribed Miss Bentinck from P. Sandby, Portsmouth and dated July 2, 1794 verso Watercolour 12 x 18cm; 4¾ x 7in £600-800

159

160. Attributed to Paul Sandby R.A. (1730-1809) Rustics and cattle by a river and cottage Watercolour over pen and ink 15.5 x 19cm; 8 x 7½in £400-600

160

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 123 to 182 - The Property of a Gentleman 161. Samuel Hieronymus Grimm (1733-1794) The Watermill Pen, ink and watercolour 18 x 23.5cm; 7 x 9¼in £500-800

161

162. Samuel Hieronymus Grimm (1733-1794) A woman washing clothes, a ruined building beyond Pen, ink and watercolour 14 x 19.5cm; 5½ x 7¾in Provenance: Anthony Reed, London £400-600

162

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

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Lots 123 to 182 - The Property of a Gentleman

163 163. John Varley O.W.S. (1778-1842) A lady with children near Walton Bridges Signed Watercolour 29 x 45cm; 11½ x 17¾in £3,000-5,000

164. John Varley Snr. O.W.S. (1778-1842) Snowdon from Capel Curig Watercolour and pencil 17 x 24.5cm; 6 x 9½in Provenance: Sotheby’s, London 5th June 2008, lot 219 £2,000-3,000

165. John Varley Snr. O.W.S. (1778-1842) Helmsley Castle, Yorkshire c.1810 Watercolour and pencil 13.5 x 22cm; 5¼ x 8¾in £800-1,200

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 123 to 182 - The Property of a Gentleman

164

165 Lots marked ‥ may be subject to an additional fee - please see ARR information on page 183

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Lots 123 to 182 - The Property of a Gentleman

166 166. John Varley (1850-1933) View of boats on a river Signed and dated 91 Watercolour 18 x 39.5cm; 7 x 15½in The profile of the ship in the foreground has lead to a suggestion that this may be near Hong Kong £800-1,200 167. John Varley Snr. O.W.S. (1778-1842) At Hawick, Northumberland Watercolour and pencil 13 x 16.5cm; 5 x 6½in £600-800

167

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 123 to 182 - The Property of a Gentleman 168. Charles James Lewis R.I., R.O.I., (1830-1892) Waiting for Father Signed Oil on canvas 45 x 35cm; 17¾ x 13¾in Provenance: David Messum, Beaconsfield £1,500-2,000 169. ‡ Charles Spencelayh (1865-1958) British courage Signed with initials Oil on canvasboard 25 x 17cm; 10 x 6¾in £1,500-2,000 170. ‡ Charles Spencelayh (1865-1958) An Unlikely Customer Signed with initials Oil on board 14.5 x 8.5cm; 10¾ x 3¼in £800-1,200

168

169 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

170

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Lots 123 to 182 - The Property of a Gentleman 171. Myles Birket Foster R.W.S. (1825-1899) West front of the Cathedral at Burgos Signed, also inscribed with titled verso Watercolour 12.5 x 10cm; 5 x 4in Provenance: Chris Beetles, London, Summer Show 1998, No. 49 £600-1,000

171 172. Myles Birket Foster R.W.S. (1825-1899) Milan Cathedral Signed with a monogram Watercolour 13 x 16cm Provenance: M. Newman Ltd., London Sotheby’s, 14th July 1988, lot 213 £600-800

172 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 123 to 182 - The Property of a Gentleman 173. Myles Birket Foster R.W.S. (1825-1899) Basle Signed with a monogram Watercolour 12 x 16cm; 4 x 6¼in Provenance: M. Newman Ltd., London Sotheby’s, 14th July 1988, lot 212 £500-700

173 174. Myles Birket Foster R.W.S. (1825-1899) Truro, the building of the Cathedral Signed with a monogram Watercolour 9.5 x 14cm; 3¾ x 5½in Provenance: Mawson, Swan & Morgan Ltd., Newcastle-upon-Tyne £500-800

174 175. Myles Birket Foster R.W.S. (1825-1899) On the Rhine at Oberwesel Signed with a monogram Watercolour 13 x 17cm; 5 x 6¾in Provenance: Polak Gallery, London, Ref. 885/5 £500-700

175 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

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Lots 123 to 182 - The Property of a Gentleman 176. Myles Birket Foster R.W.S. (1825-1899) Hastings Signed with a monogram Watercolour 9.5 x 14cm; 3¾ x 5½in Provenance: M. Newman Ltd., London Sotheby’s, 14th July 1988, lot 211 £500-800 177. Myles Birket Foster R.W.S. (1825-1899) A mountainous landscape c.1850 Watercolour 11 x 18cm; 4¼ x 11in Provenance: Fanny Foster Gallery £800-1,200 176

177 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 123 to 182 - The Property of a Gentleman

178 178. Albert Goodwin R.W.S. (1845-1932) Venice in grey weather Signed with a monogram and titled Watercolour, with bodycolour 16 x 24.5cm; 6¼ x 9½in Provenance: Christie’s, London, 3rd June 2004, lot 158 £2,000-3,000 179. Albert Goodwin R.W.S. (1845-1932) St. Mark’s Venice Signed and titled Watercolour with bodycolour over pen and ink 26 x 36cm; 10¼ x 14in £1,000-1,500

179 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

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181 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 123 to 182 - The Property of a Gentleman

182 180. Albert Goodwin R.W.S. (1845-1932) Military Procession, York Signed and inscribed Watercolour, gouache, pen and ink 20.5 x 27cm; 8¼ x 10½in £800-1,200

181. Albert Goodwin R.W.S. (1845-1932) The rowing club, Windsor Signed and inscribed Watercolour and gouache over pencil 24 x 34cm; 9½ x 13¼in £1,000-1,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

182. Albert Goodwin, R.W.S. (1845-1932) High Street, Salisbury, Wiltshire Signed and dated ‘95 Oil on paper/card 30 x 38cm; 11¾ x 15in £1,000-1,500

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Lots 183 to 208 - The Property of a Gentleman 183. William Huggins (1820-1884) Lions at Rest Signed and dated 1872 Coloured chalks and watercolour on buff paper 28 x 53cm; 11 x 21in Provenance: Richard Green Gallery London, No M778 £500-700

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184

184. Alfred de Dreux (French 1810-1860) A runaway horse being caught; A gentleman leading a horse One with collector’s stamp A pair, both pencil and watercolour heightened with bodycolour on buff paper Each 23 x 33cm; 9 x 13in (2) Provenance: Marquis J. de Bailleul (Lugt 335) Exhibited: Hazlitt, Gooden & Fox, London, Nineteenth Century French Drawings, June-July 1979, No. 37 & 38, from where purchased by current owner 13th June 1979 £800-1,200

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 183 to 208 - The Property of a Gentleman 185. Alfred William Strutt (1856-1924) Study of a male lion; Study of tigers Two, both signed and dated Sept 18, 1895 and Sept 7th 1889, the first inscribed Royal repose Both pencil and watercolour on buff paper 17 x 25.5cm; 6¾ x 10in and 16 x 29cm; 6¼ x 11½in (2) £500-800

186. Alfred William Strutt (1856-1924) Studies of deer Two, both signed and dated Sept. 4th 1880 Both pencil, one with wash 20 x 25cm; 8 x 10in and 18 x 28cm; 7 x 11in (2) £400-600

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186

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Lots 183 to 208 - The Property of a Gentleman 187. Jean Achille Bénouville (French 1815-1891) View of Tivoli, Italy Signed, inscribed and dated 1859 Watercolour heightened with white 32 x 46cm; 12½ x 18in Provenance: Althorp collection stamp Exhibited: Hazlitt, Gooden & Fox, London, Nineteenth Century French Drawings, 19th June-18th July 1986, No. 18 £1,000-1,500

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188

188. Charles Chateauverd (French 19th Century) Le Tréport Signed, titled and dated 1888 Watercolour 20.5 x 31cm; 8 x 12¼in £200-300

189

189. Paul Huet (French 1803-1869) Figure and cattle in a landscape Stamped with the cachet de vente (Lugt 1268) Watercolour 11.5 x 16.5cm; 4½ x 6½in Provenance: Vente Huet, Paris, 15th-16th April 1878 Exhibited: Stefanie Maison, London Hazlitt, Gooden & Fox, London, Nineteenth Century French Drawings, 20th May-18th June 1976, No. 9 £200-300

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 183 to 208 - The Property of a Gentleman

190

191 190. Attributed to Jacques Fouquières (French c.1580-1659) Hunters in a mountainous lake landscape Oil on panel 19 x 33cm; 7½ x 13in Provenance: Sotheby’s 31st March 1971, Lot 265 as Flemish School Richard Green, London, 1972?, No. H668 £3,000-5,000

191. Edmund John Niemann (1813-1876) View of Cliveden from the Thames Signed Oil on canvas 41 x 66cm; 16 x 26in Provenance: Richard Green Gallery, London F105 30th June 1969 £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

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192 192. Follower of Willem Schellinks A church on a hill Pen, ink and wash 17.5 x 22cm; 7 x 8½in £150-250

193

193. Anton Huber (Austrian 1763-1840) Study of a man with arm raised Red chalk 12.5 x 15.25cm; 5 x 6in £150-250

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194. Hermanus van Brussel (Dutch 1763-1815) Study of a lady seated Black chalk heightened with white, on buff paper 24 x 18cm; 9½ x 7in £150-250

195. Ludwig Pfleger (1726-1795) Mistletoe Titled Apfel und Biern Mispel Watercolour 47 x 30cm; 18½ x 12in Exhibited: Hazlitt, Gooden & Fox, London, Ludwig Pfleger, 10th March-6th April 1977, No. 62 £300-500

195 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 183 to 208 - The Property of a Gentleman 196. French School c.1895 A lady in a plumed hat and a gentleman in a cap Oil on paper laid down on board 11.5 x 18.5cm; 4½ x 7¼in Provenance: Hazlitt, Gooden & Fox, London £200-300 197. Louis-Marie Lanté (French 1789-1871) Luxe et Indigence Signed, inscribed Bon Genre, no. 104 Luxeet Indigence, titled and dated 1789 verso Pencil with pen, ink and watercolour, with further pencil studies of figures verso, window mounted 19 x 26cm; 7½ x 10in £200-300 198. ‡ John Sergeant (1937-2010) Study Sheet I Pencil heightened with chalk on buff paper 16 x 24cm; 6¼ x 9½in Provenance: The Fine Art Society plc., London, John Sergeant Recent Drawings, October 2002 £200-300

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199. Anglo Chinese School 19th Century A Chinese Screen Watercolour 20 x 22cm; 8 x 8¾in Provenance: Hazlitt Gooden and Fox £100-200

197

198 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

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Lots 183 to 208 - The Property of a Gentleman

200 200. French School c.1889 The Sculpture Section at the Exposition Universelle of 1889 Pencil with grisaille watercolour and bodycolour on grey paper 21 x 33cm; 8¼ x 13in Provenance: Hazlitt, Gooden & Fox, London £500-800

201

201. ‡ Georges Edmond Dargouge (French 1897-1990) La Sortie en Voiture Signed Pencil and chalk on buff paper heightened with white 35 x 54cm; 13½ x 21in Exhibited: Hazlitt, Gooden & Fox, London, Nineteenth Century French Drawings, 13 June-12 July 1985, No. 40 £400-600

202. ‡ Georges Edmond Dargouge (French 1897-1990) La Promenade au Bois Pencil and chalk on buff paper heightened with white 33 x 51cm; 13 x 20in Exhibited: Hazlitt, Gooden & Fox, London, Nineteenth Century French Drawings, 13 June-12 July 1985, No. 41 £400-600

202 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 183 to 208 - The Property of a Gentleman 203. Attributed to Théodore Valerio (French 1819-1879) Jeune fille de Polla Province di Principato Citra, R. de Naples Titled Oil on paper laid down on canvas 40 x 27cm; 15¾ x 10½in Provenance: Hazlitt Gooden and Fox London, The Lure of Rome, 1979, No. 39 £600-800 204. Charles Milcendeau (Frence 1872-1919) Jeune Paysanne Signed and dated 07 Wax crayon on linen 20 x 12.5cm; 8 x 5in Provenance: Edouard Sarradin, 17 Quai Voltaire, Paris Exhibited: Stefanie Maison, London Hazlitt, Gooden & Fox, London, Nineteenth Century French Drawings, 20th May-18th June 1976, No. 70 £150-250

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205. Henry Somm (French 1844-1907) Une Elegante Signed with initials Pen, ink and watercolour 11.5 x 5.75cm; 4½ x 2¼in Provenance: Hazlitt, Gooden & Fox, London £200-300 206. Félicien Rops (Belgian 1833-1898) Buveuse d’Absinthe Signed with initials, dated mai 70 and inscribed Paris Pencil with chalk 23 x 12cm; 9 x 4¾in Provenance: E. Deman, Brussels Henri Béraldi Exhibited: Hazlitt, Gooden & Fox, London, Nineteenth Century French Drawings, 10th June-10th July 1981, No. 48 Literature: La Plume, Paris, 15th June 1896, illustrated p.495 C. Lemmonier, Félicien Rops, Paris, 1908, p.204 £800-1,200

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

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Lots 183 to 208 - The Property of a Gentleman

207 207. Vasili Fedorovich (Wilhelm George) Timm (Russian 1820-1895) Portrait of Alphonse Clairin, Versaille Signed, dated 1845 and inscribed à son ami Clairin, also inscribed in French on a label verso Portrait of Alph. Clairin painted by Timm in the Atelier of Horace Vernet in Versaille, the celebrated painter did some retouching? ..... perfect 1847 Versaille Oil on canvas 27 x 21.5cm; 10½ x 8½in £2,000-3,000 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 183 to 208 - The Property of a Gentleman

208 208. Theobald Chartran (French 1849-1907) Portrait of a gentleman, full length, seated with his dog and holding a newspaper Signed, titled indistinctly K. Kihin?, and dated 1883 Oil on panel 55 x 39cm; 21½ x 15¼in Provenance: Purchased by current owner 27th June 1977 £2,000-3,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

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Lots 209 to 222 From the estate of the late Geoffrey Harley of Corsham 209. ‡ English School 18/19th Century Portrait of George Buchanan, Historian, poet and tutor to James IV (1506-1582) Inscribed in Latin Oil on canvas 62 x 55cm; 24½ x 21½in £600-800

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210. English School 17th Century Portrait of Joseph Caryl (1602-1673) Oil on canvas laid down on panel 37 x 31cm; 14½ x 12in £400-600 211. English School late 18th Century Portrait of a lady in profile wearing a red dress Pastel 50 x 42cm; 19¾ x 16½in £300-500 212. English School late 19th Century Study of Pineapples Oil on canvas 37 x 28cm; 14½ x 11in £300-400

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212

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 209 to 222 - From the estate of the late Geoffrey Harley of Corsham

213 213. English School 19th Century Portrait of John Haseman, aged 18 years, 1834 Oil on canvas laid down on panel 52 x 40cm; 20½ x 16in £100-150

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214 214. ‡ Manner of Sir Anthony van Dyck Portrait of a lady Inscribed verso Oil on canvas 53 x 43cm; 21 x 17in £200-300

215. English School 19th Century A grey hunter in a stable Oil on canvas 43 x 53cm; 17 x 21in £200-300

215 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

216. Follower of Sir Edwin Landseer P.R.A. Dogs in a round kennel Oil on canvas 18 x 23cm; 7 x 9in With a small oil of cattle by a barn (2) £200-300

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Lots 209 to 222 - From the estate of the late Geoffrey Harley of Corsham

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218

219 217. ‡ Jane Bennett Constable (1865-?) A bay hunter Signed with initials Watercolour 26 x 36cm; 10¼ x 17in With an oil by the same hand (2) £300-500

218. English Naive School 19th Century Bull and cow in landscapes A pair, both oil on canvas Each 63 x 78cm; 24¾ x 30¾in (2) £500-700

219. English School 19th Century Six paintings depicting prize bulls, a Gloucester Old Spot, a fox and a sheep in a meadow All oil on canvas or panel Various sizes (6) £600-800

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 209 to 222 - From the estate of the late Geoffrey Harley of Corsham 220. J. C. Salmon (19th Century) A prize bull in a barn Signed and dated 1842 Oil on canvas 45 x 62cm; 17¾ x 24½in £400-600 221. Dutch School 19th Century Cattle by a stream and cows on a hill A pair, both oil on panel Each 19 x 23cm; 7½ x 9in (2) £300-500

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221

222. C.L.M., English School 19th Century Six various scenes, river landscapes with castles and two of deer All watercolour Various sizes (6) £100-150 222

PRINTS - AND OTHER PROPERTIES

222A 222A. William Hogarth (1697-1764) A large collection of unframed engravings including The Rakes progress, The Harlot’s progress, Industry and Idleness Approx 60 prints, various sizes, contained in a wooden print case £700-1,000

222B 222B. William Hogarth (1697-1764) Marriage a-la-mode The set of six, engravings by B. Baron Each 39 x 46cm; 15¼ x 18in (plate size) (6) £300-500

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76 223. After Louis de Carmontelle (French 1717-1806) Mozart and his family Coloured stipple engraving 32 x 19.5cm; 12½ x 7¾in £200-300 224. After Thomas Stothard R.A. Sailors in Port Mezzotint by William Ward 55 x 45cm; 21¾ x17¾in £100-200 223

225. ‡ Sydney E. Wilson After Thomas Gainsborough Mrs Richard Brinsley Sheridan Signed Colour mezzotint, published 1913 by Vicars Brothers 30 x 25.5cm; 12 x 10in £100-200

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227. After Rev. Matthew William Peters (1742-1814) The Gamesters Engraved by William Ward, 1786 Mezzotint 37.5 x 43cm; 14¾ x 17in £150-250 228. After George Morland Children Nutting; Children Bird-nesting; Evening or The Post Boy’s Return; Outside an ale house Four, three mezzotints and one aquatint by various hands, two c.1788/9 All 43 x 54cm; 17 x 21¼in and similar (4) £300-500

226. ‡ Malcolm Osborne R.A. (1880-1963) Portrait of Maggie Signed, also signed and dated 1905 in the print Etching 12.5 x 6.25cm; 5 x 2½in With an etching by Horace Mann Livens (2) £80-120

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229. John Crome (1768-1821) Mousehold Heath, c.1812 Etching 22.5 x 30cm; 9 x 12in Provenance: William Weston Gallery, London, No. 1208 The Collection of the late Dr Peter Mangold £200-300 230. After Karel Dujardin (Dutch 1626-1678) The Three Pigs Etching 15 x 13.5cm; 6 x 5¼in With three further etchings after Adriaen Van Ostade, R. Rogman, Van de Velde (4) £150-250

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231. Adolphe Appian (French 1818-1898) L’Etang Neuf pres de Creys, 1864 Signed in the plate Etching, C & P 11 - 3rd state 19 x 28.5cm; 7½ x 11¼in Provenance: William Weston Gallery, London, 7.12.1972, No. 1918 The Collection of the late Dr Peter Mangold £100-150

232. Giovanni Battista Piranesi (1720-1778) Veduta di un Ingresso al Masso Sepolcrale d’Elio Adriano Imp. Etching 39 x 47cm; 15¼ x 18½in £300-400

233 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

233. Italian School 19th Century Classical scenes Three, all hand-coloured engravings, one by Nic.Vanni, mounted, unframed Each 35 x 24.5cm; 13¾ x 9½in (plate size) With two further small prints (5) £200-300


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WATERCOLOURS

234 234. After Hans Holbein Head of Sir Nicholas Carew (c.1496-1539) Charcoal 43 x 30.5cm; 17 x 13¾in Provenance: W. Lambshead Sold for 36gn to Canterburys Christie’s, 11th July 1958, Lot 6 £300-500

235 235. Manner of Girolamo Parmigiano The Holy Family with Saints Inscribed and with a collectors mark Pen and ink heightened with red 26 x 20cm; 10¼ x 8in With a further drawing depicting Tobias and the Angel (3) £250-300

236. Italian School 17th/18th Century Full length study of a saint Red chalk 41 x 26cm; 16 x 10¼in With two further unframed red chalk studies of an interior scene with muscians and a Florentine School study of a Nobleman, 16th Century (3) £300-500

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79 237. Attributed to Lucas Van Uden (Flemish 1595-1762) The Road through the Trees Later inscribed in latin verso Pen ink and grisaille washes 58 x 43cm; 22¾ x 17in £300-500

238. Peter Monamy (1681-1749) Two frigates at anchor and skiffs in an estuary Black chalk, pen and brown ink and grey wash 11.5 x 18.5cm; 4½ x 7¼in Provenance: Christie’s London Old Master Drawings 9th December 1986 lot 336 The collection of Commander David Joel £200-300 237

239

239. Follower of François Boucher The Holy Family Bears signature Pen ink and sepia washes 24 x 17cm; 9½ x 6¾in Provenance: Wildenstein and Co., New Bond Street, London £300-500

240. A large folio of drawings and sketches by various artists, c.65 £200-300 238

240 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


80 241. Manner of François Boucher A lady seated with cherubs and doves in a landscape Red chalk heightened with white 23 x 25.5cm; 9 x 10in £150-250

242. Dutch School 17th/18th Century Salome recieving the head of St John the Baptist on a plate Black chalk on blue paper 21 x 34cm; 8¼x 13½in £150-250

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243. John Glover (1767-1849) River landscape with distant hill Grisaille washes over pen and ink 8 x 14cm; 3 x 5½in Provenance: J.S. Maas and Co Ltd London, Christmas 1961 No. 46 With an unframed watercolour, French School of two figures by a Chateau 14 x 12cm (2) £200-300

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243 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


81 244. Attributed to Salvator Rosa (Italian 1615-1673) Apollo and Daphne with the River God Peneus, Daphne’s father With collector’s seal and monogram Pen and brown ink and charcoal on laid paper 28 x 28cm; 11 x 11in Provenance: The Collection of the late Dr Peter Mangold £2,000-3,000 245. Attributed to Wenceslaus Hollar (Bohemian 1607-1677) Landscape study Pen and brown ink on laid paper 8.5 x 31cm; 3¼ x 12in Provenance: The Collection of the late Dr Peter Mangold £200-400

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Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


82 246. Paul Sandby R.A. (1731-1809) Figures on a shore watching horses at work Pencil, pen, ink and watercolour 9.5 x 16.5cm; 3¾ x 6½in Provenance: Admiral Sir. James Hawkins (1762-1849) Whitshed collection Mrs. Le Blond of Aldeburgh 1951 £1,000-1,500

246 247. Paul Sandby R.A. (1730-1809) Figures and horses Watercolour 6.5 x 16cm; 2½ x 6¼in Provenance: The Ruskin Gallery, Stratford-on-Avon £200-300

248. Attributed to John Thomas Serres (1759-1825) Men o’ War on a high sea Watercolour 41 x 62.5cm; 16 x 24½in £150-250 249. William Hay (fl.1776-1797) View of the Rame Head Lighthouse Inscribed verso: Taken at sea for Captain Saunders of the North Gloster Reg. then encamped at the Rame Head Watercolour over pen and ink 15 x 20cm; 6 x 8in Painted c.1840 Provenance: The collection of Commander David Joel £300-500

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83 250. John White Abbott (1763-1851) Exeter Signed with initials, titled and dated Nov 1794 on a label verso Watercolour over pen and ink 19 x 27cm; 7½ x 10½in £1,500-2,500

250 251. Charles Vacher (1818-1883) Etna from Taormina, Sicily Signed with initials and dated 1869 Watercolour 75 x 135cm; 29½ x 53in Provenance: Original label with title verso Violet Dorothea Brownley-Wilson (née Cecil) Sold to Edith Celandine Kennington 1958 Eric Henry Kennington, the artist And thence by descent £600-800

251

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252 252. Thomas Rowlandson (1756-1827) Interior scene with gentlemen and ladies discoursing Signed Pen, sepia ink and watercolour, in an arched mount 10 x 17.5cm; 4 x 7in £800-1,200 253. Thomas Rowlandson (1756-1827) The Singer and the Violinist Watercolour 21 x 19.5cm; 8¼ x 7¾in Provenance: St Helier Galleries Ltd, Jersey £400-600

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Lots 254 to 262 From a Private Collection in St. John’s Wood, London 254. Thomas Rowlandson (1756-1827) At the cottage door Pen, ink and wash 14.25 x 9.5cm; 4½ x 3¾in Provenance: Leger Galleries, London, May 1987 £800-1,200 255. Edward Dayes (1763-1804) Durham Cathedral Signed and dated 1793 on a label verso Watercolour over pencil 16 x 21cm; 6½ x 8¼in Provenance: The Fine Art Society Ltd., London, Oct 1945 Leger Galleries, December 1986 £2,000-3,000

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255 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


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Lots 254 to 262 - From a Private Collection in St. John’s Wood, London

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256. John Webber R.A. (1750-1793) View of a cascade at Wookey Hole Signed and dated 1788 Grisaille washes 29.5 x 41cm; 11½ x 16¼in Provenance: The Leger Galleries Purchased by the present owner in March 1992 £700-1,000

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257. Samuel Howitt (c.1765-1822) Going to Market Watercolour 12.5 x 18.5cm; 5 x 7¼in Provenance: The Leger Galleries December 1986 £300-500 258. Anthony Thomas Devis (1729-1817) Travellers in a stormy landscape Pen ink and grisaille washes 13.5 x 20cm; 5¼ x 8in £200-300 259. Chinese School 19th Century A lady seated and sewing on a terrace with birds and pets Reverse glass and mirrored painting 25 x 18cm; 19 x 7in £200-300

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Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


Lots 254 to 262 - From a Private Collection in St. John’s Wood, London 260. Sampson Towgood Roche (Irish 1759-1847) after Sir Peter Paul Rubens The Peasant Dance Signed Watercolour 20 x 30cm; 8 x 12in Roche was a portrait miniature painter, born in Carrick-on-Suir, Waterford. Born deaf and dumb he showed an aptitude for art at an early age so was sent to Dublin to study the masters and do copies. This work is possibly from that period. He later established a thriving portrait miniature practice in Bath. £600-800

260

261. Hercules Brabazon Brabazon (1821-1906) A Rose Signed with initials, also titled on mount Watercolour with bodycolour 24 x 17.5cm; 9½ x 7in £1,000-1,500 262. Hercules Brabazon Brabazon (1821-1906) Ships in a storm after Turner Signed with initials Pencil and watercolour with coloured chalks 15 x 23cm; 6 x 9in £300-500

262 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

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Other Properties 263. Hercules Brabazon Brabazon (1821-1906) St. Michael’s Mount, Cornwall Signed with initials Watercolour over pencil 15.5 x 18.5cm; 6 x 7¼in £400-600

264. Attributed to William Samuel Howitt (c.1765-1822) A huntsman and hounds on the scent Pen, ink and watercolour 30.5 x 37cm; 12 x 14½in £300-500 265 265. Samuel Henry Alken (1810-1894) Hunting adventures A pair, both pencil heightened with watercolour Each 19 x 29cm; 7½ x 11¼in (2) £200-300

266. Henry Alken Sen. (1774-1850) Hunting scenes A pair, both signed and dated 1847 Both watercolour Each 25 x 35cm; 10 x 13¾in (2) £200-300

266 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


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267 267. Sir Edwin Henry Landseer R.A. (1802-1873) A setter in a landscape Pencil 13.5 x 22cm; 5¼ x 8¾in With 6 further sketches by Landseer, 4 of dogs including a deer hound and terriers and one titled The Wolf, (provenance Thomas Agnew and Sons No 25348), another of a peasant woman in Bruges (provenance Thomas Agnew and Sons no. 24116) and one of a big cat and studies of paws (7) £1,500-2,500 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


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268 268. René Pierre Charles Princeteau (French 1843-1914) Race to the finish Pencil and coloured chalks 30.5 x 53.5cm; 12 x 21in Provenance: Galerie Schmit, Paris, Exposition René Princeteau, Chevaux et Cavaliers, 4-25th March 1965, No. 49 titled Etude pour le tableau No. 25 (le prix du Jockey-club en 1892) £700-1,000 269. René Pierre Charles Princeteau (French 1843-1914) Racehorses lining up, unfinished Oil on canvas 33 x 46.5cm; 13 x 18in £1,000-1,500

270. René Pierre Charles Princeteau (French 1843-1914) Chevaux de course Pencil heightened with watercolour Provenance: Galerie Schmit, Paris, Exposition René Princeteau, Chevaux et Cavaliers, 4-25th March 1965, No. 53 £600-800

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270 Lots marked ‥ may be subject to an additional fee - please see ARR information on page 183


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272

274 271. Indian School 19th Century A scene of Indian life with hunting, jousting and leisure Bodycolour, unframed 38 x 26cm; 15 x 10¼in £150-250 272. Indian School 19th Century Three scenes of Indian life and a study of an elephant Four, three inscribed All bodycolour, unframed 27 x 18cm; 10½ x 7in and smaller (4) £200-300

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273. Indian School 19th Century Scenes of Indian life with tiger hunting and a nocturnal scene of angels and warriors in the sky Three, two inscribed All bodycolour, unframed 18 x 28cm; 7 x 11in and smaller (3) £200-300 274. Indian School 19th Century Scenes of Indian life with hunting in the foreground Three, all inscribed All bodycolour, unframed Each 31 x 24cm; 12¼ x 9½in (3) £200-300 275. Indian School 19th Century A tournament within a castellated arena with horsemen jousting Bodycolour, unframed 26 x 38cm; 10¼ x 15in £200-300

275 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


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276 276. Edward Lear (1812-1888) El Tainel, a view on the Lower Nile Dated 4 p.m. Janr. 5. 1854, numbered 38 and inscribed with colour notes Pencil, pen and brown ink with watercolour on buff paper 9 x 35.5cm; 3½ x 14in Lear left Cairo after Christmas 1853 with a large party of English, some twelve boats in all. They travelled up the Nile at a leisurely pace, dropping anchor every night. They started their return journey from Philae on February 8th, 1854 (see Edward Lear, Vivian Noakes, London 1985, p.97) £2,000-3,000

277 277. Edward Lear (1812-1888) Abu Simbel, Nubia, Egypt Titled Abu Simbl, dated 9-10AM, 9 Feby 1867, and numbered 382 once in pencil and once in ink, also inscribed with artist’s notes Pen, brown ink, pencil and watercolour 25.5 x 54cm; 10 x 21¼in Provenance: Agnews Mid 1960s The collection of Captain R. Gordon Canning Ian Cook, Exeter Christie’s, London, 10th December 2008, Lot 49 Edward Lear arrived at Abu Simbel on 8th February 1867 on his 2nd tour of Egypt. This view is of the large Temple of Abu Simbel on the left and to the right the Facade of the small temple dedicated to Nefertari with Lake Nasser in the foreground £3,000-5,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


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278 278. Ettore Simonetti (Italian 1857-1909) In the Souk Signed and dated 1880 Watercolour 82 x 53cm; 32¼ x 20¾in £400-600

279. George Cattermole (1800-1868) An antique dealer in a 17th century setting Watercolour 17 x 25cm; 6¾ x 9¾in £150-250

280. English School 19th Century A male Red Cardinal bird Watercolour 18 x 14cm; 7 x 9½in With another of two finches in a tree (2) Provenance: Charles Plante Fine Art £150-250

280 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


95 281. Fanny Corbaux (1812-1883) Jour a Gauche Two, both signed and dated 1838, also both titled on mount Both watercolour, in carved William Biggs rococo frames 52 x 41cm; 20½ x 16in and 41 x 30cm; 16 x 12in (2) Provenance: Lord Swansea labels verso £200-300

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282. French School 19th Century Portrait of Jerome Bonaparte Pencil on buff paper 10.75 x 8.5cm; 4¼ x 3¼in Inscribed verso: Le Roi Jerome, Frere de Napoleon 1er and with a Napoleonic cockade hat in red ink. With an impressed mark lower right in a roundel, possibly a bee, a Napoleonic symbol £200-300 283. Continental School 19/20th Century Study of a woman in traditional costume Pastel 41.5 x 31.5cm; 16¼ x 12¼in £100-150

282

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285 284. Kate Greenaway (1846-1901) The Waits A set of three, all inscribed verso Design No 1841 and one dated 18th Feb 1887/ 3 in set, all three also numbered 34179 in pencil, with some further numbering verso all pen ink and watercolour, framed together Each 9 x 13.5cm; 3½ x 5¼in (3) £2,000-3,000

285. Armand Guillaumin (French 1841-1927) Studies of a dog, lion, elephant and a doe Four, the first signed All pencil 18 x 11cm; 7 x 4¼in and smaller (4) Provenance: Lord Foley £200-300

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286. Attributed to James Abbott McNeill Whistler (American 1834-1903) Landscape Nocturne with boats on the shores of a lake Inscribed with a device Pastel and pen and ink on blue paper 12 x 18cm; 4¾ x 7in Provenance: Nordness Madison Gallery, New York £150-250

287. Attributed to James Abbott McNeill Whistler (American 1834-1903) Landscape Nocturne 17 and 4 Two, one inscribed with a device Both pastel 9 x 21cm; 3½ x 8¼in; 10 x 13.5cm; 4 x 5¼in (2) Provenance: Nordness Madison Gallery, New York £150-250

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288 288. Josef Wolf R.I. (1820-1899) Roedeer; Wild Cat Stalking Hares Two, one signed with initials One watercolour, one charcoal and chalk 20 x 26cm; 8 x 10¼in and 33 x 25cm; 13 x 9¾in (2) Provenance: The Tryon Gallery £700-1,000

289. Henry John Kinnaird (1861-1929) View of Salisbury Cathedral from the meadows Signed and titled Watercolour 35 x 53cm; 13¾ x 21in £1,000-1,500

289 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


98 290. Thomas J. Watson (1847-1912) Woodland scene with a woman gathering firewood Signed Watercolour 49 x 70cm; 19¼ x 27½in £150-250 291. William Wyld (1806-1889) Entrance to the Bois de Boulogne Signed and numbered 91 Watercolour on buff paper 11 x 20cm; 4¼ x 8in Provenance: The Ruskin Gallery, Stratford-on-Avon, No. 24 £100-150 290

292. James Thomas Watts R.C.A., R.B.S.A. (1853-1930) Late autumn woodland Signed and dated /80 Watercolour 35.5 x 25.5cm; 14 x 10in £300-500 293. John Sturgess (fl.1869-1903) The unscheduled stop Signed Watercolour and bodycolour over pen and ink 39 x 28cm; 15¼ x 11in £150-250

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99 294. ‡ John Sanderson Wells (1872-1955) Leaving the theatre Signed Watercolour 58 x 70cm; 23 x 27½in £600-800 295. Joseph Edward Southall (1861-1944) Portrait of a lady in profile Signed with a mongram and dated twice 22-26 XII 1898 Pencil and white heightening 35.5 x 23cm; 14 x 9in Provenance: Peter Nahum at the Leicester Galleries £600-800 296. Barbara Regina Dietzsch (German 1706-1783) Roses and Morning Glory with a moth and red beetle Watercolour with bodycolour 27.5 x 19.5cm; 10¾ x 7¾in Provenance: Lady Luttrell East, Quantoxhead, Exmoor £100-200

295 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

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100 297. James Burrell Smith (1822-1897) Guy’s Cliffe House, Warwickshire Signed and dated 1848 Watercolour 35 x 51cm; 13¾ x 20in £200-300

298. William Wood Deane (1825-1873) Hever Castle Signed Watercolour 17 x 26.5cm; 6¾ x 10½in £200-300

297

299. Thomas Nicholson Tyndale (1860-1930) Views of Tyntesfield, Wraxall, Somerset A pair, both signed, unframed Each 23 x 33cm; 9 x 13in With a framed watercolour view of Cottages in Clyst St. George built c.1860 (3) £200-300

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300 300. Guglielmo Giusti (Italian 1824-1916) Marina de Vietri sul Mare; Capri, Marina Piccola A pair, both signed Both gouache Each 27 x 42.5cm; 10½ x 16½in (2) £400-600

301. H. Finden (c.1839) View from the Bridge of the Louvre [Paris] Signed, titled and dated 1839 Watercolour on buff paper 19 x 27cm; 7½ x 10½in With a print of a bridge in Florence after André Durand (2) £150-300 301

302. Continental School 19/20th Century Church interior Watercolour 45 x 29cm; 17¾ x 11½in £120-180

303. Richard Phene Spiers (1838-1916) Figures by a church, thought to be Cairo Signed Watercolour 35 x 24.5cm;13¾ x 9½in £150-250

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303


102 304. Arthur Wilde Parsons (1854-1931) A brig and a coastal steamer in choppy seas; The same brig with fishing boats A pair, both signed and dated 1902 Both watercolour Each 49.5 x 75cm;19½ x 29½in (2) £500-700

304 305. George Stanfield Walters (1838-1924) Fishing boats off the Dutch coast; A sailing ship at sea A pair, one signed with initials and dated 80 Watercolour over pencil Each 16.5 x 12cm; 6½ x 4¾in (2) £100-200

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306

306. Archibald Thorburn (1860-1935) A setter and grouse in a landscape, said to be Thorburn’s dog called Dot or Doll Signed Grisaille watercolour 20 x 35cm; 8 x 13¾in Provenance: The Tryon Gallery Ltd. label inscribed Given to Malcolm Lyell by Aylmer Tryon 1961 £1,000-1,500

307. ‡ Edward Horace Thompson (1879-1949) Evening light on the Moors of Ross-Shire Signed, titled verso Watercolour 25 x 40cm; 10 x 16in £200-300

307

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308. Samuel Philips Jackson (1830-1904) Rocks near The Lizard, Cornwall Signed and dated 1857, also inscribed on a label verso Watercolour 49 x 74cm; 19¼ x 29in Provenance: F. Newcombe, Bristol £200-300

308


104 309. Frederick Elliott (Australian 1864-1949) Looking up Sydney Harbour Signed and titled Watercolour 33 x 59cm; 13 x 23in This is a view of the harbour before Sydney Harbour Bridge was built £250-400 310. Frederick Elliott (Australian 1864-1949) Sydney Harbour Bridge Signed Watercolour 16.5 x 32cm; 6½ x 12½in £150-250 309

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311. Frederick Elliott (Australian 1864-1949) Shipping in Sydney Harbour, probably near the Naval Dockyard Signed Watercolour 33 x 59cm; 13 x 23in £250-400 312. Rebecca Martens (Australian 1838-1909) The Eagles Nest, Sydney Signed and dated 1891, also signed, titled and dated on a label verso Watercolour 21 x 36cm; 8¼ x 14¼in Rebecca Martens was the daughter of artist Conrad Martens £200-300

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313 313. Louise Rayner (1834-1934) View of Guildford High Street Watercolour 49 x 68cm; 19¼ x 26¾in This unfinished view of Guildford High Street is typical of Louise Rayner’s bustling street scenes. In a few areas the final detail is missing but the painting is, as always, a faithful record of the architecture and city life of the period. Louise Rayner’s brother Richard Manser Rayner (1848-1908) lived for a time at Sheere near Guildford and it is possible that this painting was painted when she was visiting. He was also a painter, as was their sister Margaret and all three travelled together in the 1860s and 70s, throughout Britain on painting expeditions that often lasted a couple of months. The Shop front on the right side was that of the grocery store started by the Gates family in 1771. Charles and Leonard Gates expanded the business in 1888 into the dairy trade and named it The West Surrey Central Dairy. They were amongst the first retailers of cream and butter and their containers had the image of a cow looking through a gate, the best-selling cream became known as Cow and Gate. In 1900 they invested in newly invented milk drying equipment from America and they began to produce powdered milk. By 1908 Cow and Gate powdered baby milk was being sold nationally and it was a huge step forward in combating the high child mortality from summer fever which was spread by cow’s milk being fed to children as there was no alternative. £6,000-8,000

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314 314. J. Gilfoy (19th Century) Coach designs for Hooper & Co., coach builders - Four in hand step piece Barouche, 1840; Town coach, 1828 Two, both signed Both pen, ink and watercolour with gum arabic, one with a Hooper label applied 14.5 x 24cm; 5¾ x 9½in and similar (2) £500-700 315. M. de P. c.1915 L. Blériot arrives Dover; 07.30 Nr. Rye to Capel le Ferne Two both signed with initials and inscribed, the second dated 1915 and inscribed verso Mr. Willows Mk. 4. Army Airship, Nr. Rye to Romney - R.N.A.S. Capel le Ferne Folkstone, 7.30am.11.12.15 Both watercolour, mounted, unframed Each 25 x 18cm; 10 x 7in (2) £200-300

315

316. G.E.C. (20th Century) Alec and the dog food Signed with a monogram Pen, ink and watercolour heightened with white on buff paper 20 x 27cm; 8 x 10½in With an etching by Ernest Smythe titled In full cry (2) £100-150

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107

OIL PAINTINGS 317. English School 16th Century Portrait of Frances Howard Countess of Essex, full length, wearing an elaborate dress with pearl necklace, lace bonnet and ruff Inscribed with identity of sitter Oil on panel, unframed 46 x 27cm; 18 x 10½in £800-1,200

317

318

318. Follower of Gerrit van Honthorst, c.1670/80 Portrait of a lady, half length, wearing red and holding a portrait miniature Oil on canvas, oval 78 x 63cm; 31 x 25in £800-1,200

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319 319. After Tiziano Vicellio, called Titian Titian and his mistriss Watercolour and gum arabic in a florentine frame 33.5 x 26.25cm; 13 x 10½in Inscribed on a label verso purchased for W. Cunliffe Brooks Esqr. by Thos. Agnew and Sons at Messrs. Christies Sale, Nov. 4. 1867 £600-800

320 320. Follower of Giovanni Battista Salvi (Il Sassoferrato) Madonna Oil on canvas 50 x 40.5cm; 19¾ x 16in £800-1,200

321. Continental School 17/18th Century Salvator Mundi Oil on panel 14 x 11.5cm; 5½ x 4½in £150-250 322. Russian School 18th Century Madonna and Child Oil on panel 33 x 24cm; 13 x 9½in With a further icon of Christ 30 x 26cm; 12 x 10in £300-500

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109 323. Attributed to Sebastian Vrancx (Flemish 1573-1647) The blind leading the blind Oil on panel 65 x 49cm; 25½ x 19¼in Provenance: Christie’s, London, 17th December 1999, Lot 146 £1,500-2,500

324. ‡ Lauritz Sörensen (Danish 1882-1968) after Titian Sacred and profane love Signed and inscribed Kop. n. Tizian Oil on board 55 x 115cm; 21½ x 45¼in £800-1,200

323

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110 325. Italian School 18th Century A Saint crowned with flowers by the Christ child Oil on canvas 86 x 60cm; 34 x 23½in £1,000-1,500

326. Follower of Jacob Duck Portrait of a gentleman seated smoking a long stemmed clay pipe Oil on canvas laid on board, unframed 36 x 29cm; 14 x 11½in £200-400

327. Italian School 18th Century Madonna and Christ with St. John the Baptist Oil on copper 27 x 20cm; 10½ x 8in £300-500 325

326

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328 328. Continental School 19th Century Hermes protecting Odysseus from Circe Oil on canvas 28 x 43cm; 11 x 17in From the Odyssey: Circe has turned Odysseus’s men into pigs and when he goes to confront her, Hermes gives him a herb to protect him from her spells £800-1,200 329. Flemish School 18th Century A capriccio with figures in a garden with a fountain Oil on canvas 40.5 x 45cm; 16 x 17½in In composition this has been thought to be similar to a painting by Claes Jacobsz. van der Heck £300-500

329 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


112 330. Dutch School 17th Century A tavern interior with two men at a table Oil on panel 45 x 59cm; 17½ x 23¼in £600-800 331. Follower of Aert van der Neer Fishing boats on a river near a town in moonlight Oil on panel 28 x 37cm; 11 x 14½in £600-800 332. French School 18th Century Hunting scenes with huntsmen and dogs finding stags Two, both oil on canvas 57 x 70cm; 22½ x 27in and similar (2) £600-800 330

333. Giovanni Odazzi (Italian 1633-1731) The Temptation of St. Anthony Oil on canvas 72 x 96cm; 28 x 37¾in Provenance: Christie’s, Paris, 26th June 2002, Lot 33 It is possible that this painting remained in the painters studio after his death, number 176 in the inventory of his work, listed as La Tentazione di S. Antonio Abb.e in M. Trimachi, Giovanni Odazzi, Rome, 1979, p.103 £3,000-5,000 334. Italian School 18th Century Madonna della Carmine Oil on canvas 97 x 197cm; 38 x 77½in £1,500-2,500

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333

334

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335

336 335. Cuzco School 18th Century Crowned Madonna and child Oil on canvas 47 x 36cm; 18½ x 14in £600-800 336. Spanish Colonial School 19th Century Madonna Gloria Oil on canvas 60 x 45cm; 23¾ x 17¾in £600-800 337. Cuzco School 18/19th Century Madonna and Child wearing crowns Oil on canvas, unframed 68 x 53cm; 27 x 21in £300-500

337 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


115 338. Balthasar Ommeganck (Flemish 1755-1826) A milkmaid at dusk Oil on panel 34 x 43cm; 13½ x 17in £1,500-2,500

338 339. Continental School 18th Century A river landscape with a capriccio of buildings and a monument with a clock Oil on canvas 64 x 79cm; 25 x 31in Previously a clock picture £800-1,200

339

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116 340. Follower of Adriaen Brouwer Three figures in an interior drinking Oil on panel 23 x 18cm; 9 x 7in £800-1,200 341. Follower of Adriaen Brouwer A man at a window with a beer tankard Oil on panel 12 x 10.5cm; 4¾ x 4in £300-500 342. Follower of Adriaen Brouwer A man and woman reading Oil on panel 18 x 13.5cm; 7 x 5¾in £300-500

344. Hendrik de Valk (Dutch act.1693-1717) An interior scene with a man and woman watched by a servant Signed and dated 1696 Oil on panel, in an adapted carved wood frame 27 x 22.5cm; 10½ x 9in £1,500-2,000 345. Dutch School 19th Century Figures fishing and figures on a bridge in a landscape Oil on canvas, circular 37cm; 14½in diameter £800-1,200

343. Dutch School 18th Century A busy interior scene with numerous figures making merry Oil on canvas, in a carved wood frame 65 x 80cm; 25½ x 31½in £3,000-5,000 340

341

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343

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345


118 346. Flemish School 17th Century Rebecca and Eliezer at the well Oil on copper 47 x 62cm; 18½ x 24¼in Provenance: Christie’s, 3rd May, 1957, Lot 124 A similar composition was Attributed to Andries Snellinck at Sotheby’s, London, 5th July 2007, Lot 112 £1,000-1,500

346

347 347. Attributed to Richard Wilson (1714-1782) A drover, cattle and sheep before a ruin in an Arcadian landscape Oil on canvas 47 x 63cm; 18½ x 25in £700-1,000

348 348. Studio of Domenico Fetti Adam and Eve at work Oil on canvas, with a carved wood frame 84 x 67cm; 33 x 26¼in This is a version of the work in The Courtauld Collection, London £1,000-1,500 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


119 349. Studio of Carlo Dolci Saint John the Evangelist Oil on canvas 74 x 64cm; 29 x 25in Provenance: Ambrose Auctioneers, Loughton Essex, 29th October 1986 lot 25, sold for £4,500 Private collection £4,000-6,000

349 350. Attributed to Jean-Germain Drouais (French 1763-1788) Christ blessing the children - a modello Oil on paper laid down on canvas laid down on board 52 x 42cm; 20½ x 16½in Provenance: Christie’s, London, 16th April, 1999, Lot 73 £2,000-3,000

350 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


120 351. Follower of Bartolomé Esteban Murillo the Virgin Mary with hands clasped Oil on canvas, oval 63 x 48cm; 24¾ x 19in Provenance: Label verso inscribed Murillo, From the collection of the Marquis Aldrovan[d]i, Bologna, Purchased of Him by I.H.V. at Bologna Oct. 1830 £300-500

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354 352. Attributed to the studio of Giovanni Battista Salvi (Il Sassoferrato) (Italian 1609-1985) The Madonna at prayer With the stamp of the liner Francis Leedham on the stretcher Oil on canvas in a carved wood frame 51 x 41cm; 20 x 16in Provenance: Private Collection, Poland Private Collection, England £700-1,000

353. Scottish School c.1600 Portrait of a Calvinist Minister, holding a bible and a staff Oil on canvas 94 x 71cm; 37 x 28in The Bible is the emblem of the vocation of the minister and the staff the indication that he was travelling to Geneva at that time a centre for Protestantism £300-400

354. Attributed to Nicholas Condy (1793-1857) Interior scenes with gentlemen reading a newspaper and a woman reading a story to two children A pair, both oil on canvas Each 30 x 25cm; 11¾ x 9¾in (2) £300-400 355. Russian School A group of 4 icons with one part icon, of various dates, all on panel 28 x 21cm; 11 x 8¼in and various sizes (5) £200-300

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356 356. Abraham Danielsz Hondius (Flemish c.1625-1693/5) A boy feeding numerous dogs by a barn, a woman and a child beyond Oil on canvas in a carved wood frame 62 x 76cm; 24½ x 30in The attribution to Hondius has been confirmed by Dr Luuk Pijl £6,000-8,000 357. Pieter Van Bloeman (Flemish 1657-1720) Soldiers with a blacksmith shoeing a horse, a fort beyond Signed with a monogram Oil on canvas 119 x 97cm; 43 x 38in Inscribed by a later hand on an old label verso: This picture by the Dutch artist Pieter Van Bloeman (1657-1719) - and a good example of his work hung at Vale Royal in the days of the 1st … Delamere It was given by the 2nd Lord Delamere to his brother Rev. Henry Pitt Cholmondeley Rector of Adlestrop Rectory in the county of Glocs. Having remained at Adelstrop some 60 years ago it passed in1937 into the possession of Henry Arthur Cholmondeley Esq of Shotton Hall, Salop, who had picture and frame thoroughly restored by Miss Clarke and Sons, Jermyn Street London £2,000-3,000

357 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


122 358. Follower of Richard Wilson Rural landscape with a rustic and his dog, a distant country house and church Oil on canvas 45 x 60cm; 17¾ x 23¾in £800-1,200

358 359. Dutch School 18th/19th Century Extensive village scene in Winter with numerous figure and skaters on the canal Oil on canvas 69 x 83cm; 27 x 32¾in £1,000-1,500

359

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123 360. Attributed to Francesco Albani (1578-1660) Putti in a landscape with a basket of flowers Oil on canvas laid on panel, oval 44 x 60.5cm; 17¼ x 24in £800-1,200 361. After Sir Anthony van Dyck The Rest on the Flight into Egypt Oil on canvas, unframed 136 x 115cm; 53½ x 45¼in A 19th century copy of the original in the Alte Pinakothek, Munich £500-800 362. Circle of Caspar Netscher A young boy in a chariot pulled by doves Oil on canvas 50 x 40cm; 19¾ x 16in £1,000-1,500 360

361

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362


124 363. Follower of of Giovanni Battista Salvi (Il Sassoferrato) Madonna and child Oil on canvas 79 x 61cm; 31 x 24in £1,000-1,500

364. Dutch School 18th Century A satyr and maenads Oil on copper 33 x 25cm; 13 x 10in £800-1,200

365. Italian School 18th Century Rebecca at the Well Oil on canvas 64 x 52cm; 25¼ x 20½in £300-400 363

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366 366. Daniel Turner (act.1782-1820) The Palace of Westminster from the river Oil on thin panel 32 x 51cm; 12½ x 20in Provenance: Inscribed on a label and paper verso by a later hand Bought from Clare Priory in Suffolk in early January? 1950, a present from Michael Behems to Peter Simpson, Wool House, Codford St. Peter, Wiltshire £1,200-1,800 367. Attributed to John Paul (c.1830-c.1890) A busy scene at Temple Bar Oil on canvas 71 x 91cm; 28 x 36in £800-1,200

367

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368. Studio of Sir Thomas Lawrence P.R.A. (1769-1830) Portrait of Anna Allnutt (1774-1819) Oil on canvas 76 x 64cm; 30 x 25in Provenance: By descent in the family of the sitter until sold in 2015, along with other family portraits, by a direct descendant Anna Allnutt was the sister of John Allnutt (1773-1863) of Clapham, who was one of Lawrence’s most importrant patrons. When Lawrence died he owed John Allnutt £5,000 (the equivalent to around £300,000 today). Lawrence painted or drew almost every member of Allnutt’s family including himself, both his wives, their children and his mother in law and also the sitter’s daughter, Maria Woodgate and daughter in law, Harriott West. The Victoria & Albert museum has dated the portrait by the sitter’s attire to c.1810-15. Lawrence was in Paris for several weeks in 1815 and the portrait may have been completed in his absence. £2,000-3,000

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127 369. Follower of William Beechey Portrait of a girl, three quarter length, wearing a white dress and coral necklace, standing in a landscape Oil on canvas laid down on board, unframed 128 x 102cm; 50¼ x 40in £700-1,000

370. Follower of John Opie Portrait of a girl, en decolleté, reclining and wearing a pink ribbon on her cap Oil on canvas 64 x 77cm; 25 x 30¼in £600-800

371. English School 18th Century Portrait of a Naval Officer Three quarter length, standing Oil on canvas 91 x 70cm; 36 x 27½in £2,000-3,000

371 372. Circle of John Thomas Serres A British warship in Naples harbour, Vesuvius beyond Oil on canvas 26 x 36cm; 10¼ x 14¼in £800-1,200

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374 373. Follower of William Hogarth Portrait of a gentleman Head and shoulders, wearing a pink waistcoat and brown coat Oil on canvas, in a painted oval 80 x 67cm; 31½ x 26¼in £1,000-1,500 374. Attributed to Willem Verelst (c.1700-c.1760) Portrait of Hammond Crosse Esq. (1705-1785), High Sheriff of Bedfordshire, 1744 Inscribed with details of the sitter Oil on canvas 128 x 102cm; 50 x 40in £1,500-2,500 375. Follower of Sir Peter Lely Portrait of a lady, three quarter length, seated with a grey dress with pearl necklace and sash and a blue gown Oil on canvas, unframed 126 x 100cm; 49½ x 39½in £1,500-2,500

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376 376. Joseph Farington R.A. (1747-1821) View of Tewkesbury Signed Oil on canvas 84 x 93cm; 33 x 36½in Provanance: Lady Louis Mountbatten, Broadlands Mrs E.S. Borthwick-Norton, by whose executors offered for sale, Christie’s 18th November 1988 lot 73 Bequeathed by her executors to the Royal Scottish Academy Sotheby’s London, Important British Paintings, 5th June 2005 lot 49 Private Collection This view of Tewkesbury shows the Abbey in the background with its large Norman tower. Tewkesbury developed at the confluence of the Rivers Severn and Avon and the bridge beyond the weir could be King John’s Bridge which led to the Manor House when the King was Lord of the Manor of Tewkesbury. £8,000-12,000

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130 377. After Philips Wouwerman A landscape with a sporting party Oil on panel 38 x 43cm; 15 x 17in A copy of the original in the Fitzwilliam Museum, Cambridge £700-900 378. Adriaen Cornelisz. Beeldmaker (Dutch 1618-1709) Huntsmen and hounds Signed and dated 1699 indistinctly Oil on canvas 46 x 60cm; 18 x 23½in £600-800 377

379. J.B. (Continental 19th Century) Winter view in the Tyrol Signed with initials Oil on board 19 x 23cm; 7½ x 9in £150-250 380. English School early 19th Century Figures on a path in a wooded lake landscape Oil on panel 23.5 x 30cm; 9¼ x 11¾in £50-70

381. Thomas Beach R.A. (1738-1806) Portrait of George John Audley, Merchant of Liverpool in 1793 Three quarter length standing Signed and dated 1793 Oil on canvas 127 x 102cm; 50 x 40in Provenance: Sotheby’s London, 12th May 1993, Lot 14 £1,000-1,500 382. English School 18th Century Portrait of a lady with a parrot Oil on canvas 118 x 91cm; 46.5 x 35¾in £600-800 383. After Sir Thomas Lawrence 19th Century Portrait of Henry, Viscount Lascelles, 2nd Earl of Harewood (1767-1841) of The Hill, Lutterworth, Leics. Oil on canvas 38 x 32cm; 15 x 12½in £400-600 384. Attributed to John Michael Wright (c.1617-1694) Portrait of a gentleman, possibly Rupert of the Rhine Oil on canvas 60 x 50cm; 23½ x 19½in £2,000-3,000

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381

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387 385. Johan Lodewijk van Leemputten (Belgian 1840-1910) Sheep grazing in a summer pasture A pair, both signed and dated 1875 Both oil on panel Each 24 x 34cm; 9½ x 13¼in (2) £400-600

387. Alfred Dawson (act.1858-1922) The Evening Breeze Signed and dated 1879, also signed, titled and dated verso Oil on board 22 x 30.5cm; 8½ x 12in £400-600

386. James John Hill (1811-1882) Workers taking a rest from logging Signed Oil on canvas 46 x 69cm; 18 x 27in £400-600

388. Edwin Young (1831-1913) Pastoral scene with farm hands unloading hay in a farmyard Oil on canvas 30 x 40cm; 12 x 16in Provenance: Woolley & Wallis, 2nd April 2008, Lot 445 £400-600

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389. Sir Thomas Lawrence P.R.A. (1769-1830) Portrait of a gentleman, possibly William Scott, Baron Stowell (1745-1836) Oil on canvas in a gilded period frame topped with a detachable coronet of a Baron 77 x 63cm; 30 x 25in Provenance: Private Collection, Lincolnshire William Scott, Baron Stowell was a famous English judge who was knighted in 1788, made a Fellow of the Royal Society in 1793 and judge of the High Court of Admiralty in 1798. He was raised to the peerage in 1821 as Baron Stowell taking his title from the name of his estate, Stowell Park, Gloucester. Stowell married for the second time in 1813 at the age of 68 and this present portrait may have been painted to celebrate this event with the detachable Coronet added to the frame in 1821. Sir Thomas Lawrence is also recorded as having painted Stowell in c.1823. £4,000-6,000

389 390. Circle of Sir Thomas Lawrence P.R.A. Portrait of a Gentleman wearing a white stock and black coat seated before a column with a landscape beyond Oil on canvas, in a period gilt frame 91 x 70cm; 35¾ x 27½in £1,500-2,500 391. English School c.1800 Portrait of an officer Oil on canvas 77 x 63cm; 30¼ x 25in £300-400 390 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

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393 392. English School 19th Century Thames view with boats Bears signature Oil on canvas 26 x 36cm; 10¼ x 14in £180-220 393. James Arthur O’Connor (Irish 1792-1841) Lady on a path with a cottage and a river beyond Signed indistinctly Oil on panel 28 x 36cm; 11 x 14in £400-600

394. Follower of Richard Wilson A figure seated in a landscape reading, with cattle watering and a castle beyond Oil on canvas, circular 33 x 33cm; 13 x 13in £300-500

395. Follower of William Shayer A couple with horses on a wooded country path Bears signature Oil on canvas 40 x 60cm; 15¾ x 23¾in £300-500 396. Follower of George Morland Gloucester Old Spot pigs by a barn and cottage Oil on canvas 27 x 35cm; 10½ x 13¾in £200-300

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135 397. George Morland (1763-1804) The Homestead Signed Oil on canvas 36 x 44.5cm; 14 x 17½in Provenance: Thomas Agnew & Sons, London Sir Joseph Buchan Collection 1917 P. Huth Collection 1917 £2,000-3,000

397 398. George Morland (1763-1804) Horses, a pig and a dog in a farmyard Oil on canvas 63.5 x 76cm; 25 x 30in £1,000-1,500

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399 399. Narcisse Virgile Diaz de la Pena (French 1808-1876) A figure and a dog by a pool in a woodland clearing Signed Oil on panel 44 x 67cm; 17¼ x 26¼in £2,000-3,000

400. Thomas Couture (French 1815-1879) Study for ‘The Thorny Path’ Signed with initials Oil on canvas 29 x 41cm; 11½ x 16in Provenance: Possibly the artist’s family. With Shepherd Gallery, New York. Sotheby’s, New York, 29th October 1987, Lot 64 Christie’s, New York, 26th October 2005, Lot 149 Exhibited: Paris, Palais de l’Industrie, Catalogue des oeuvres de Thomas Couture esposés au Palais de l’Industrie, 1880, probably no. 112 or 113. Couture’s Thorny Path of 1873 was commissioned by Henry C. Gibson and is now at the Philadelphia Museum of Art. The painting, for which this is a study, is a satire of decadent French Society, with a courtesan driving her carriage pulled by four male captives representing youth, riches, courage and poetry. The figure at the rear with the wine bottle pre-shadows her future. £800-1,200

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401 401. Frederick Richards Pickersgill R.A. (1820-1900) The Enchanted Forest Signed, also signed and titled on a label verso Oil on board 41.5 x 59cm; 16 x 23in £1,500-2,500 402. Follower of William Edward Frost R.A. Bacchus and Ariadne in a landscape Oil on canvas 35.5 x 31.5cm; 14 x 12½in £1,000-1,500

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138 403. ‡ Frank Moss Bennett (1874-1953) Portrait of a cavalier Signed and dated 1909 Oil on canvas 92 x 71cm; 36 x 28in £1,000-1,500 404. James Hayllar (1829-1920) Portrait of a lady wearing a ruff and pearls Signed with a monogram and dated 1865 Oil on board 17.5 x 15cm; 7 x 6in £200-300 405. Attributed to John Astley (1724-1787) Portrait of a gentleman wearing armour Oil on canvas 36 x 30cm; 14 x 12in £150-250

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406

407

406. Circle of Henry William Pickersgill R.A. Portrait of a lady with flowers and a fan seated before a red curtain Oil on canvas 92 x 71cm; 36 x 28in £200-400 407. English School c.1860 Portrait of a young lady, seated, wearing a blue jacket with lace collars and cuffs Oil on canvas 92 x 71cm; 36 x 28in A similarity to Matilda Blanche CrawleyBoevey, the wife of William Gibbs of Tyntesfield, Wraxall, Somerset has been noted £700-1,000 408. English School 19th Century 408 Portrait of a Clergyman, possibly Rev. Joseph Sortain (1809-1860) Oil on canvas 76 x 64cm; 30 x 25in Provenance: Private collection, Bristol The Rev. Joseph Sortain was a famous British non-conformist minister, born in Clifton, Bristol. He was a widely known and highly respected preacher of his time and was called The Dickens of the pulpit £600-800 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

409

409. English School 19th Century Portrait of a child, in a green shirt with a lace collar Oil on canvas 46 x 35cm; 18 x 13¾in £300-400


140 410. William Webb (1790-1846) Poole harbour Signed and titled Oil on canvas 30 x 61cm; 12 x 24in £800-1,200 411. Circle of George Morland Study of a hedgehog Oil on canvas 25 x 33cm; 10 x 13in £200-300 410

411

412

413 412. George Armfield (1808-1893) Setters in a landscape with game birds Oil on canvas 31 x 41cm; 12 x 16in £120-180

414 413. English School 18th Century Still life of dead game on a table Oil on panel 38 x 32cm; 15 x 12½in £200-300

414. John Frederick Pasmore (1820-1881) A pair of leghorn chickens and a fox Signed and dated 1853 Oil on canvas 30.5 x 40.5cm; 12 x 16in £200-300

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


141

415

416 415. Charles Martin Powell (1775-1824) Fishing boats and a ship in calm seas Signed Oil on panel 33 x 43cm; 13 x 17in £1,000-2,000

417 416. Attributed to William G. Meadows Shipping off the coast on a breezy day Signed indistinctly Oil on canvas 40.5 x 61cm; 16 x 24in £400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

417. A. K. Blanden c.1900 An ocean going Racing Yawl, The Leah Signed Oil on canvas 56 x 81cm; 22 x 32in Provenance: Frost & Reed, London, No. 41192 £600-800


142 418. Alfred William Strutt (1856-1924) The state of art in the country Signed and inscribed Wadhurst Sussex Oil on canvas 33 x 37cm; 13 x 14½in £300-500

419. English School 19th Century A figure by a cottage, a bridge beyond Oil on panel 15.5 x 20cm; 6 x 8in £150-250

418

420. Circle of George Lambert Sheep in a rural landscape Oil on canvas 26 x 35cm; 10¼ x 13¾in Provenance: J.H. Wyatt, Oxford Street, London (part label verso) £150-250

421. George D. Callow (act.1858-1873) The path by the wood Signed and dated 1854 Oil on panel 20.5 x 30.5cm; 8 x 12in Provenance: M. Newman Ltd., London, 1st September 1965 £300-500

422. No lot

419

420

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143

423

424 423. Henry William Banks Davis (1833-1914) The waning Year Signed and dated 1904 Oil on canvas 84 x 154cm; 33 x 60½in Provenance: Christie’s London, 29th June 2011 lot 52 £2,000-3,000

424. Henry Mark Anthony (1817-1886) Thinking of the future, an Irish scene Oil on canvas 54 x 86cm; 21¼ x 34in

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

Provenance: Royal Academy, London 1845, no. 49 Christie’s London 26th November 2002, lot 122 £2,000-3,000


144 425. English School 19th Century Rural landscape with a couple on a road by a fallen tree Oil on canvas 64 x 77cm; 25¼ x 30¼in £800-1,200 426. Scottish School 19th Century Figures on a river, a castle beyond possibly Borthwick Castle Oil on canvas 25.5 x 32cm; 10 x 12½in £400-600

427. Follower of James Pollard The Exeter to London mail coach Oil on canvas 46 x 69cm; 18 x 27in £300-500 428. William Henry Gore (1857-1942) Sheep herding at dusk Signed Oil on canvas 61 x 91cm; 24 x 36in With another oil by the same hand of workhorses watering in a landscape, 36 x 53.5cm (2) Provenance: Newbury District Museum, May 1988, Nos 14 and 23 £400-600

425

426

427

428

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145

429

430

429. John Bell (1811-1895) A capriccio view of an Italian lake, c.1880 Oil on canvas 65 x 101cm; 25½ x 39¾in £1,500-2,500

431

430. Thomas Luny (1759-1837) A beached fishing boat by a cliff with fishermen and women Signed and dated 1837 Oil on metal 19 x 25.5cm; 7½ x 10in £600-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

431. Edward William Cooke R.A. (1811-1880) A pilot boat off the North Foreland Signed, also signed and titled verso Oil on board 18 x 29cm; 7 x 11½in Literature: John Munday, E. W. Cooke 1811-1880 A Man of his Time, Woodbridge, 1996, p.320 £600-800


146 432. Carl Adolf Senff (1785-1863) Still life of nasturtiums, poppies, a rose and nigella Oil on canvas 40 x 29cm; 15 x 11¼in £2,000-3,000

433. John Henry Dolph (1835-1903) A new found friend Signed Oil on canvas 51 x 41cm; 20 x 16in £1,000-1,500

434. Manner of Abraham Mignon Still life of flowers in a glass vase on a stone ledge Oil on canvas 61 x 49cm; 24 x 19¼in £400-600

432

433

434 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


147 435. Guido Phillip Schmitt (German 1834-1922) Portrait of a young girl holding heather Signed and dated 1867 Oil on canvas, in a pierced and mounted gilt frame 68.5 x 56cm; 27 x 22in £2,000-3,000

436. Jacob Hart Lazarus (1822-1891) Portrait of Mary Sargent (1829-1912) Signed and dated 1865 Oil on canvas 71 x 58cm; 28 x 20in Mary Sergent was a society beauty and a distant relative of the painter John Singer Sargent £800-1,200

437. John Bagnold Burgess (1830-1897) Evening Prayer Signed and titled indistinctly on a label verso Oil on panel 23 x 18cm; 9 x 11in Provenance: Gavin Graham Gallery, London, Oct. 1992 £600-800 435

436 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

437


148 438. John Christopher Bell (act.1841-1892) Two red squirrels with cobnuts watched by a blue tit on a forest floor Signed and dated 1865 Oil on canvas 46 x 60cm; 18 x 24in £800-1,200 439. Henry Foley (1848-1874) A view of Antwerp, Belgium Signed Oil on canvas 50.5 x 76cm; 20 x 30in £300-500

438 440. Follower of Abel Hold Song thrush nest with three eggs Oil on panel 20 x 22cm; 8 x 8½in £120-180 441. F. Hall (19th Century) Portrait of a horse in a stable Signed and dated 1880 Oil on canvas 56 x 76cm; 22 x 30in £200-400 439

440

441 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


149 442. George William Mote (1832-1909) View of Box Hill near Dorking, Surrey Signed and dated 1868 Oil on canvas 37 x 51cm; 14½ x 20in £400-600

442 443. After Thomas Faed R.A. Morning reapers going out Oil on canvas 76 x 101cm; 30 x 39¾in Provenance: The original was sold at Christie’s, London, 26th October 1979 A copy of the catalogue is included in this lot. £600-800

443 444. William James Muller (1812-1845) A barn with cattle by a river, ducks on the shore Signed and dated 1841 Oil on panel 27 x 39cm; 10½ x 15½in £600-800

444 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


150

445

446

447 445. David Payne (c.1843-1891) An English homestead; Happy Times A pair, both signed, also both signed, titled and dated 1877 verso Both oil on canvas 31 x 56cm; 12 x 22in (2) £600-800

446. Thomas Morris Ash (1851-1935) On the Blythe near Hampton-in-Arden Signed, also signed and titled verso Oil on panel 19 x 33cm; 7½ x 13in With another small oil of Rydal Lake with cattle watering by John Gunson Atkinson (2) £200-300

447. ‡ Percy Leslie Lara (1870-1950) Sunny harvest scene; Harvesting with storm approaching A pair, both signed Both oil on canvas Each 61 x 91cm; 24 x 36in (2) £200-400

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


151

448

449 448. Frederick William Whitehead (1853-1938) Sultry Morning, Salisbury Signed, also signed, titled and inscribed on a label verso Oil on canvas 30 x 46cm; 12 x 18in £800-1,200

450 449. English School 19th Century Salisbury Cathedral from the meadows with figures and cattle Oil on canvas 46.5 x 64cm; 18 x 25in £600-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

450. Joseph Farington R.A. (1747-1821) Salisbury Cathedral from the meadows Oil on canvas 40 x 54cm; 15¾ x 21¼in £600-800


152 451. Adolf Heinrich Mackeprang (Danish 1833-1911) Cattle on a hillside Signed Oil on canvas 60 x 79cm; 24 x 31in £800-1,200

451 452. English School 19th Century Lost in thought Oil on canvas 46 x 35cm; 18 x 13¾in Provenance: Christie’s, London, 5th October 2005, Lot 961 £300-500

452

453. Alexandre Claude Louis Lavellay (French 1862-1927) A Cythere Oil on canvas laid down on board, oval in a carved wood frame 49.5 x 39cm; 19½ x 15¼in (72 x 64cm; 28¼ x 25¼in frame size) £1,000-1,500

453

454. Augustus Jules Bouvier (1825-1881) The Anglers Oil on canvas laid on panel 19.5 x 15cm; 7¾ x 5¾in £300-500

454

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153 455. Follower of John Constable Wayfarers by a rural church in Suffolk Signed with a monogram RJS, also titled on a part label verso; … lingham Church, Suffolk Oil on canvas 84 x 130cm; 33 x 51in The Church depicted is likely be Shelley Church, not Framlingham Church £1,500-2,500

455 456. Gruber (20th Century) Portrait of a lady in a hat and purple scarf; A bearded gentleman in a hat holding a glass Both signed Both oil on panel Each 21 x 16.5cm; 8¼ x 6½in (2) Provenance: Omell Galleries, London £200-300

457. William John Wainwright (1855-1931) Portrait of a gentleman with a beard and hat; A gentleman in Van Dyck costume Two, one oil on canvas, the other oil on panel 13 x 10cm; 5 x 4in and 17 x 20cm; 6½ x 8in (2) Provenance: The 2nd only: W. J. Cross, Handsworth £120-180

456 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

457


154

458 458. William Penny (1834-1924) Swatting the Wasp Signed and dated 1866 Oil on board 38 x 31cm; 15 x 12in £600-800

459 460. ‡ Gyula Bubarnik (Hungarian b.1936) Still life of a pewter flagon and fruit in a basket on a ledge Oil on panel 50 x 74cm; 20 x 29in £600-800 461. Manner of Claude Lorrain Figures with boats on the shore of a lake, a tower beyond Oil on canvas 30 x 40cm; 12 x 15¾in £150-200

459. H.W. (19th Century) Boats on an estuary at dusk A pair, both signed with initials Both oil on canvas Each 38 x 17cm; 15 x 6½in (2) £200-400

460

461 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


155 462. W. R. Robinson (19th Century) A view of Venice with the Doge’s Palace Signed Oil on panel 22.5 x 30.5cm; 9 x 12in Provenance: Christie’s, London, 23 May 2002, Lot 229 £400-600

462 463. Thomas Staunton St. Clair C.B., K.H. (1785-1847) Bolera Dance near Malta; Fisherman and girl of Naples Two, both signed Both oil on canvas 22 x 29cm; 8½ x 11½in (2) £200-300

464. Thomas Staunton St. Clair C.B., K.H. (1785-1847) Costume studies for Germany; Switzerland; Tyrol; Rome and Naples Four, all signed All oil on canvas Two at 22 x 28cm; 8½ x 11in and two smaller (4) £400-600

463 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

464


156 465. John Hayter (c.1800-1891) Portrait of the children of John Henry Vivian Esq. seated in a landscape, the boy holding an archers bow Signed and dated indistinctly, also signed, inscribed and numbered No. 5 verso Oil on panel 35 x 38cm; 13½ x 15in £700-1,000 466. English School 19th Century Miss Barlow reading with her mother, a church spire beyond Oil on canvas, oval 56 x 46cm; 22 x 18in £300-500 467. English School c.1800 Young boy with a horse and groom Oil on panel 56 x 42cm; 22 x 16½in £250-350

465

466

467 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


157

468

469 468. Giovanni della Rocca (Italian 1788-1858) Fisherfolk playing cards on the shore in the Bay of Naples with Vesuvius beyond Signed Oil on canvas 35 x 76cm; 13¾ x 30in £3,000-5,000

469. Gian Gianni (Italian 1837-?) An extensive view over the bay of Naples Oil on canvas 72.5 x 104cm; 28½ x 41in Provenance: E. Stacey Marks Ltd., London, 13 October 1976, No. G268 £1,500-2,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


158 470. Eden Upton Eddis (1812-1901) Portrait of a young girl with a bird’s nest, an allegory of Spring Inscribed indistinctly on an old label verso by another hand Oil on canvas, circular 48cm; 19in diameter £2,000-3,000

471. Eden Upton Eddis (1812-1901) Boy with a fishing rod Signed and dated 1875 Oil on canvas 92 x 6cm; 36 x 25½in £2,000-3,000

470

472. William Clarkson Stanfield R.A. (1793-1867) In the Gulf of Venice Signed with initials and dated 1856 Oil on canvas 36 x 61cm; 14 x 24in £800-1,200

473. Alfred Pollentine (1836-1901) The Rialto Bridge, Venice Signed Oil on canvas 50 x 75cm; 19½ x 29½in £800-1,200

471 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


159

472

473

Lots marked ‥ may be subject to an additional fee - please see ARR information on page 183


160

474

476

475

477

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161 474. Herbert Clayton Desvignes (1831-1863) A milkmaid and cattle in a landscape Signed Oil on canvas 76 x 63.5cm; 30 x 25in Provenance: Sir Lewis Amherst Selby-Bigge, 1st Bt, KCB, Edith Katherine Bowes-Lyon (d.1971) and Captain Geoffrey Francis Bowes-Lyon (1886-1954) Mrs Ross Llewellyn, nee Caroline Anne Lindsey Bowes-Lyon £400-600

475. James Isiah Lewis (c.1861-1934) Views of the Thames near Richmond A set of four, all signed All oil on canvas Each 20.5 x 30.5cm; 8 x 12in (4) £300-500

476. Thomas Tayler Ireland (fl.1880-1927) Children fishing by a lake in a autumn woodland Signed Oil on canvas 61 x 46cm; 24 x 18in £200-300

477. William Frederick Hulk (1852-1906) Cattle watering by a river Signed Oil on canvas 35.5 x 30.5cm; 14 x 12in £100-200 478 478. Lady Laura Theresa Alma Tadema (1852-1909) A summer afternoon Signed Oil on canvas laid on panel 26 x 18cm; 10 x 7in £1,500-2,500

479. Victor Pierre Huguet (French 1835-1902) Collecting water Signed Oil on canvas 35 x 49cm; 13¾ x 19¼in £700-1,000

479 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


162 480. Henry Moore R.A. (1831-1895) Whitesand Bay, Cornwall Signed and dated 1890 Oil on canvas 41 x 66cm; 16 x 26in £800-1,200

480 481. Ferdinand Victor Leon Roybet (French 1840-1920) A musketeer in an interior Signed Oil on panel 61 x 37cm; 24 x 14½in £800-1,200 482. J.A.B. Jay (act.1878-1880) Old Champion Turk, a mastiff; Peter, possibly an Irish red and white setter A pair, one signed and dated 1881, one also signed on a [part] label verso Both oil on canvas 61 x 46cm; 24 x 18in (2) £300-500

481

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163

483

484

483. Charles Edouard Boutibonne (French 1816-1897) Une élégante au chien Signed and dated 1880 Oil on canvas 78 x 43cm; 30 x 17in £700-1,000 484. August Pollak (Austrian b.1838) A cat and pipe Signed and indistinctly dated Oil on canvas 58 x 37cm; 23 x 14½in £500-700 485. English School 19th Century A white terrier sitting on a red chair Oil on board, oval 35 x 29cm; 13¾ x 11½in £600-800

485 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


164

486 486. Heinrich Johann von Zügel (German 1850-1941) A farmhand with horses watering at a stream Oil on canvas 99 x 158cm; 39 x 62in This alluring oil by Zügel is typical of his large rural scenes, which nearly always featured farm animals and livestock. He started his training in Stuttgart in 1867 and it was at this point that he discovered his desire to specialise in painting animals and the countryside. After two years he moved to the Academy of Fine Arts in Munich, but later decided to pursue his own direction and moved to Vienna. On returning to Munich he discovered impressionism and after visiting Paris he changed his style to reflect the atmospheric lighting of the impressionist movement. He later joined the Munich Secession movement as one of their first members. A theme to which he returned frequently was the heavy horses of agriculture. He was not alone in this regard as many artists became preoccupied with the debt humans owed to these hard working animals, who kept farms and the food chain working year in and year out. He painted many of his large canvasses on this theme and this work is a delightful depiction of a team of horses watering after a hard days work on the farm, the farmhand capable of controlling the whole team. It is painted on a large scale which reflected the respect that Zügel felt for these creatures. He worked into his eighties and he was unusual in that he mastered the art of painting on a very large and also very small scale with equal skill and success. £4,000-6,000

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487 487. ‡ Edouard Cortès (French 1882-1969) The July column, Place de la Bastille, Paris at night Signed Oil on canvas 50 x 85cm; 19¾ x 33½in Edouard Cortès was the son of the Spanish painter Antonio Cortès and was destined to be a painter from an early age. He became a member of the Salon des Artistes Français in 1907 and developed his own style of depicting Parisian life. He seemed to relish all that the Parisian climate could throw at him and many of his best Parisian scenes depict the city in poor weather. Here he shows the city at dusk with the shops and cafés lit up as cosy refuges from the rain. £15,000-20,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


166 488. Charles James Lewis R.I., R.O.I., (1830-1892) Cattle in a sunny river landscape, Fovant, Wiltshire Signed, inscribed Fovant and dated May 1878 Oil on board 25 x 35cm; 9¾ x 13¾in £500-800 489. Frederick Golden Short (1863-1936) New Forest landscape Signed and dated 1926, also inscribed indistinctly verso Oil on canvasboard 15 x 30cm; 6 x 12in £150-250

488

489

490 490. Frederick Golden Short (1863-1936) Coastal scene with fishing boats in a cove below the cliffs Signed and dated 1909 Oil on canvas, unframed 41 x 54cm; 16 x 21in £300-500

491

491. Daniel Sherrin (1868-1940) Sunset on the sea Signed Oil on canvas 41 x 102cm; 16 x 40in £150-200 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%


167

492 492. Henry Moore R.A. (1831-1895) The clearness after rain Signed and dated 1887, also signed, titled and inscribed with artist’s address on a label verso Oil on canvas 122 x 183cm; 48 x 80in Provenance: Louis Huth of Hawkhurst, Sussex and Mayfair by 1888 His sale, Christie’s 30th May, 1905, Lot 62 Where purchased by Thomas Agnew & Sons, London For Thomas Pilkington And by descent to his grandson Exhibited: Royal Academy, 1887, No. 659 Glasgow, 1888, No. 80 Exposition Universelle, Paris 1889, No. 108 Loan Collection of Works by the ‘Moore’ family of York, York, 1912, No. 135

This work by Moore was considered by the critics as one of his masterpieces when it was exhibited at the Royal Academy in 1887. Two years later it was exhibited at the Exposition Universelle in Paris and the French were astounded by the quality of the picture. Moore was awarded a Médaille d’honneur – one of only two awarded to British artists and then he was awarded the Chévalier of the Legion d’honneur, the highest honour for a French citizen and rarely awarded to foreigners. Although he was always a difficult character Moore, in the end, had to be accepted as a full member of the Royal Academy, as the praise for his work was so extensive. In France he was considered to be one of the finest painters in Europe and the blue that was the hallmark of his sea paintings was named ‘la note bleu de Moore’. The studies for this painting were made at sea, as he often did, on a voyage from Cherbourg to the Isle of Wight and the conditions that day were especially clear and atmospheric. He would often produce numerous small studies to complete one picture and strove to depict nature as exactly as possible. He is still regarded as one of the greatest sea painters of any era. £12,000-18,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


168 493. José Maria Sert (Spanish 1876-1945) Sinbad and the birds - figures with exotic birds in a tropical landscape Black and gold paint on panel 186 x 76cm; 73 x 30in Provenance: Collector’s label verso £2,000-3,000

494. Charles Knighton Warren R.C.A. (fl.1876-1892) Reading the Koran Signed Oil on panel 29 x 25cm; 11½ x 9¾in Provenance: The Fine Art Society, London, August 1984 No. 10730 £300-500

493

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495

496 495. Henry Woods (1846-1921) A Venetian Canal scene Signed and dated 1886 Oil on panel 47 x 73cm; 18½ x 28¾in Provenance: M. Newman, Ltd., London Exhibited: M. Newman, Ltd., London, June 1975, No. 17 £3,000-5,000

497 496. Augustus Tulk (19/20th Century) The beach at Capri Signed and dated 90, also signed, titled and inscribed with artist’s address on a label verso Oil on canvas 48 x 78cm; 19 x 30¾in £500-700

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183

497. British School 19th Century Classical scene with musicians and ladies Signed with a monogram H.M.E 1880-81 Oil on canvas 21.5 x 39cm; 8½ x 12in £150-250


170

498 498. ‡ Frederick Hall (1860-1948) Sunny Morn, Bossington Signed Oil on canvas 51 x 61cm; 20 x 24in £3,000-5,000

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499 499. Frederick William Jackson (1859-1918) Faraway Thoughts Signed and dated 1895 Oil on canvas 51 x 76cm; 20 x 30in £5,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 183


172 500. ‡ Frank O. Salisbury C.V.O. (1874-1962) The Magic Crystal Signed Oil on canvas 103 x 77cm; 40½ x 30¼in Provenance: Mrs Sylvia Crighton, Folkestone on a J. Bourlet label verso £1,000-1,500 501. Circle of Luc Olivier Merson Rest on the flight into Egypt Oil on canvas 42 x 73cm; 16½ x 28¾in £400-600 502. Louis Cruveilhier (French c.1913) Arabs in the medina under the light of the moon Signed, inscribed Affectueux souvenir à mon bon suduc(?) and dated 1913 Oil on canvas 33 x 42cm; 13 x 16½in £300-500

500

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173 503. Allan Douglas Davidson (1873-1932) A standing female nude Signed Oil on panel 37 x 15.5cm; 14½ x 6in £1,800-2,500 504. Hans Hammer (German 1878-1917) Two elegant ladies on the coast, gazing out to sea Signed and dated 1907 Oil on canvas 68 x 89cm; 26¾ x 35in Provenance: Royal Exchange Art Gallery, London £700-1,000

504

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503


174

505 505. Attributed to Carl Gehrts (German 1853-1898) A hunt of the imagination Oil on canvas 131 x 121cm; 51½ x 47½in £800-1,200

506

506. ‡ François Charles Baude (French 1880-1953) Ligurian peasants crossing a bridge Signed and dated 1934, also inscribed Scène Champêtre en Ligure verso Oil on canvas 100 x 80cm; 39½ x 31½in £700-1,000

507

507. ‡ Clément Castelli (Italian 1870-1959) Le Mont Blanc, Les Bossons, Vu de Merlet Signed, also titled, stamped, dated and inscribed Chamonix 1937 Oil on panel, unframed 27 x 34.5cm; 10½ x 13½in £200-300

508. ‡ Joseph Victor Communal (French 1876-1972) Alpine landscape near Val D’Isere Signed Oil on panel 61 x 50cm; 24 x 20in £600-800

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175

INDEX OF ARTISTS A Abbott, John W Abraham, R F Albani, Attrib. to F Alexander, William Alken, Henry Alken, Samuel H Allingham, Helen Alma Tadema, Lady L T Anglo Chinese School Anthony, Henry M Appian, Adolphe Armfield, George Ash, Thomas M Astley, Attrib. to J Augustin, Jean-Baptiste Austin, Samuel B Barenger, Attrib. to J Baude, Francois C Baynes, Frederick Thomas Beach, Thomas Beechey, Foll. Of W Beeidmaker, Adriaen C Bell, John Bell, John C Bennett, Frank M Benouville, Jean A Blanden, A K Bloeman, Pieter van Bonington, Foll. Of R P Boucher, Foll. Of F Boucher, Manner of F Boutibonne, Charles E Bouvier, Augustus J Bowler, Henry A Brabazon, Hercules B British School Brouwer, Foll. Of A Brussel, Hermanus van Bubarnik, Gyula Bull, Richard Burgess, John B Burton, J C C.L.M. Callow, George D Callow, William Carmontelle, After L de Casteels, Attrib. to P Castelli, Clement Cattermole, George Cave, William Chambers, George Chartran, Theobald Chateauverd, Charles Chinese School Communal, Joseph V Condy, Attrib. to N Consable, Foll. Of J Constable, Jane B Continental School Cook, Ebenezer W Cooke, Edward W Corbaux, Fanny

250 112 360 134 266 265 119, 120 478 199 424 231 412 446 405 6 133 48 506 81 381 369 378 429 438 403 187 417 357 127 239 241 483 454 84 92, 261, 262, 263 497 340, 341, 342 194 460 4 437 101 222 421 155, 156, 157 223 51 507 279 58 122 208 188 259 508 354 455 217 23, 33, 69, 80, 283, 302, 321, 326, 339 109 431 281

Corbould, Richard Corin, Edwin P Cortes, Edouard Cosway, Attrib. to R. Couture, Thomas Cox, David Crome, John Cruveilhier, Louis Cuzco School

95 111 487 13 400 174, 148, 149, 229 502 335, 337

D D.M. 1 Dargouge, Georges E 201, 202 Davidson, Allan D 503 Davis, Henry W B 423 Davis, John S 130 Dawson, Alfred 387 Dayes, Edward 255 Deane, William W 298 Desvignes, Herbert C 474 Devis, Anthony T 258 Dietzsch, Barbara R 296 Dolci, Studio of C 349 Dolph, John H 433 Dreux, Alfred de 184 Drouais, Attrib. to J-G 350 Duck, Foll. Of J 326 Dujardin, After K 230 Dutch School 77, 221, 242, 330, 343, 345, 359, 364 Dyck, After A van 361 Dyck, Manner of A van 214 E Easel 43 Eastwood, H 83 Eddis, Eden U 470, 471 Edouart, Auguste 1 Elliott, Frederick 309, 310, 311 Emslie, John P 110 Engleheart, George 25 English School 2, 3, 7, 12, 16, 17, 20, 21, 29, 31, 36, 39, 64, 66, 67, 71, 72, 76, 78, 87, 98, 104, 107, 116, 117, 121, 209, 210, 211, 212, 213, 215, 218, 219, 280, 317, 371, 380, 382, 391, 392, 407, 408, 409, 413, 419, 425, 449, 452, 466, 467, 485 F Faed, After T Farington, Attrib. to J Farington, Joseph Fetti, Studio of D Field, Walter Finden, H Flemish School Foley, Henry Folio Foster, Myles B

443 146 376, 450 348 106 301 329, 346 439 240 171, 172, 173, 174, 175, 176, 177 Fouquieres, Attrib. to J 190 Frame 42 French School 10, 28, 32, 85, 124, 196, 200, 282, 332 Frere, Edouard 93, 100 Frost, Foll. Of W 402 G GEC

316

Gardner, Rev. J Gehrts, Attrib. to Carl Gianni, Gian Gilbert, Arthur Gilfoy, J Giusti, Guglielmo Glover, John Goodwin, Albert Gore, William H Greaves, Walter Greenaway, Kate Grimm, Samuel H Gruber Guillaumin, Armand

89 505 469 105 314 300 243 178, 179, 180, 181, 182 428 123 284 161, 162 456 285

H H. W. H.V. Haidar, Nasir-ud-din Hall, F Hall, Frederick Hammer, Hans Hancock, Attrib. to C Hannam, Florence Harding, James D Hartrick, Archibald Standish Hatton, W. Hay, William Hayllar, James Hayter, John Henderson, Charles C Herman, M Hesse, Henri-Joseph Hill, James J Hills, Robert Hogarth, Foll. Of W Holbein, After Hans Hold, Foll. Of A Hollar, Attrib. to W Hondius, Abraham D Honthorst, Foll. Of G van Howitt, Attrib. to S Howitt, Samuel Huber, Anton Huet, Paul Huggins, William Huguet, Victor P Hulk, Wiliam F Humphrey, Ozias I Indian School Ireland, Thomas T Italian School

459 11 37 441 498 504 59 22 128 115 35 249 404 68, 465 57 18 26 386 73 373 234 440 245 356 317 264 44, 257 193 189 183 479 477 8

271, 272, 273, 274, 275 476 233, 236, 325, 327, 365

J J. B. J. W. Jackson, Bill Jackson, Frederick W Jackson, Samuel P Jay, J A B Jenour, Charles

379 40 63 499 308 482 9

K Kauffman, After Angelica Killingbeck, Benjamin Kinnaird, Henry J

24 46 289


176

INDEX OF ARTISTS L Lambert, Circle of G Landseer, Foll. Of Sir E Landseer, Sir Edwin H Lante, Louis-M Lara, Percy L Lavellay, Alexandre C L Lawrence, After Sir T Lawrence, Circle of Sir T Lawrence, Sir Thomas Lawrence, Studio of Sir T Lazarus, Jacob H Lear, Edward Leemputten, Johan L van Lely, Foll. Of Sir P Leslie, Charles Lewis, Charles J Lewis, James I Lewis, John F Lorrain, Manner of C Luny, Thomas

420 216 267 197 447 453 383 390 389 368 436 276, 277 385 375 91 178, 488 475 154 461 138, 430

M M de P Mackeprang, Adolf H Marks, Henry S Martens, Rebecca Meadows, Attrib. to W G Menpes, Mortimer Merson, Circle of Luc O Metsu, After Gabriel Mignon, Manner of A Milcendeau, Charles Mitchell, Philip Monamy, Peter Moore, Henry Morland, After G Morland, Circle of G Morland, Foll. Of G Morland, George Mote, George W Muller, William J Mulready, Attrib. to W Murillo, Foll. Of B E

315 451 108 312 416 114 501 60 434 204 74 238 480 228 411 396 397, 398 442 444 50 351

N Neer, Foll. Of A van der Netscher, Circle of C Niemann, Edmund J

331 49, 362 191

O O’Connor, James A Odazzi, Giovanni Ommeganck, Balthasar O’Neill, George B Opie, Foll. Of J Osborne, Malcolm Owen, Samuel

393 333 338 118 370 226 132

P Parmigiano, Manner of G Parsons, Arthur W Pasmore, John F Paul, Attrib. to J Payne, David Payne, Foll. Of William Pena, Narcisse V D de la

235 304 414 367 445 90 399

Penny, J. S. Penny, William Peter, Circle of H Peters, Rev. M W Pfleger, Ludwig Pickersgill, Circle of H W Pickersgill, Frederick R Pilsbury, Wilmot C Piranesi, Giovanni B Pollak, August Pollard, Foll. Of J Pollentine, Alfred Powell, Charles M Princeteau, Rene P Prout, Samuel R Rayner, Louise Reynolds, After Sir J Richardson, Thomas M Robertson, Henry Robinson, W R Rocca, Giovanni della Roche, Sampson T Roger, J L Rops, Felicien Rosa, Attrib. to S Rowbotham, Charles Rowlandson, Thomas Roybet, Ferdinand V L Rubens, After Peter P Ruskin, John Russian School Russian School S Salisbury, Frank O Salmon, J C Salvi, Attrib. to studio of Salvi, Foll. Of G B Sandby, Attrib. to P Sandby, Paul Sanderson, John Savigny, Renard & J C Schafer, Henry T Schellincks, Foll. Of W Schendel, Foll. Of P van Schmitt, Guido P Scottish School Senff, Carl A Sergent, John Serres, Attrib. to J T Serres, Circle of J T Sert, Jose Maria Shayer, Foll. Of W Shelley, Samuel Sherrin, Daniel Shinager Short, Frederick G Simonetti, Ettore Smith, James B Somm, Henry Sorensen, Lauritz Southall, Joseph E Spanish School Spencelayh, Charles

15 458 131 227 195 406 401 99 232 484 53, 427 473 415 268, 269 270 135 313 70 150, 151 96 462 467 5, 260 103 206 244 113 139, 10, 141, 142, 143, 144, 145, 252, 253, 254 481 34 129 322 335 500 220 352 320, 363 160 158, 159, 246, 247 294 61 136 192 94 435 353, 426 432 198 248 372 493 395 79 491 14 489, 490 278 297 205 324 295 336 169, 170

Spencer, Frederick R Spiers, Richard P St. Clair, Thomas S Stanfield, William C Storey, George A Stothard, After T Strutt, Alfred W Stubbs, Foll. Of George Sturgess, John T Teibler, Karl Thevenet, Jean B Thompson, E H Thompson, E. W. Thorburn, Archibald Thornley, William A Tillemans, Foll. Of P Timm, Vasil F Titian, After Towne, Charles Tulk, Augustus Turner, Daniel Tyndale, Thomas N U Uden, Attrib. to Lucas van

82, 102 303 463, 464 152, 153, 472 97 224 185, 186, 418 47 293 30 38 307 27 62, 306 125 56 207 319 52 496 366 299 237

V Vacher, Charles 251 Valerio, Attrib. to T 203 Valk, Hendrik de 344 Varley, John 163, 164, 165, 166, 167 Verelst, Attrib. to Willem 374 Vernet 19 Vrancx, Attrib. to S 323 W WWB Wainwright, Willem J Walker, Frederick Walters, George S Warren, Charles K Watson, Thomas J Watts, James T Weaver, Thomas Webb, William Webber, John Whistler, Attrib. to J A M Whitehead, Frederick W Wilson, Attrib. to R Wilson, Foll. Of P Wilson, Foll. Of R Wilson, Sydney E Witthoos, Circle of M Wolf, Josef Woods, Henry Wouwerman, After P Wouwerman, Foll. Of P Wright, Attrib. to J M Wyld, William

88 457 65 305 494 290 292 54, 55 410 256 286, 287 448 347 358 394 225 45 288 495 377 75 384 291

Y Yates, Lt. Thomas Young, Edwin

137 388

Z Zugel, Heinrich J

486


Fine Silver & Objects of Vertu Tuesday 24th & Wednesday 25th April 2018 Closing date for entries, 2nd March 2018

By Fabergé, a silver model of a snail, with work master’s mark of Henrik Wigstrom, St. Petersburg, circa 1911. Estimate: £3,000-5,000

Enquiries: Rupert Slingsby | +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | +44 (0)1722 424594 | lc@woolleyandwallis.co.uk


Fine Jewellery & Watches Thursday 26th April 2018 Closing date for entries, 28th February 2018

An Art Deco brooch by Georges Fouquet, set with turquoise and onyx on ivory. Signed and numbered. Estimate: ÂŁ20,000-30,000

Enquiries: Charlotte Glyde | +44 (0)1722 424586 | cg@woolleyandwallis.co.uk


engliSh & eurOpean ceramicS & glaSS Wednesday 2nd May 2018 Closing date for entries, 16th March 2018

A rare German ruby glass bottle by Johann Friedrich Bรถttger, circa 1720, with silver mounts. Estimate: ยฃ2,800-3,500

EnquiriEs: Clare Durham | +44 (0)1722 424507 | cd@woolleyandwallis.co.uk


aSian art, chineSe paintingS & japaneSe art Tuesday 22nd & Wednesday 23rd May 2018 Closing date for entries, 2nd March 2018

A Chinese He Xu ren style ‘Winter Landscape’ vase, republic period, 24cm. Estimate: £15,000-25,000

EnquiriEs: John Axford | Tel:+44 (0)1722 424506 | jea@woolleyandwallis.co.uk


mOdern britiSh & 20th century art Wednesday 6th June 2018 Closing date for entries, 17th April 2018

Frederick Gore CBE RA (1913-2009) Battersea Bridge signed and dated 1964 Oil on canvas, 65 x 128cm Estimate: ÂŁ8,000-12,000

EnquiriEs: Victor Fauvelle | Tel:+44 (0)1722 424503 | vf@woolleyandwallis.co.uk Jo Butler | Tel:+44 (0)1722 424592 | jb@woolleyandwallis.co.uk


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Auction Information OPEninG HOurs Monday to Friday 9am – 5.30pm and 10am to 1pm on saturdays. ViEWinG All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BiDDinG in THE rOOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. rEGisTErinG WiTH us All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address

LiVE OnLinE BiDDinG Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom. com, subject to approval. There is a 3% + VAT charge for this service. in completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis salisbury salerooms Ltd, you: 1. authorise Woolley and Wallis salisbury salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis salisbury salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis salisbury salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

COnDiTiOn rEPOrTs The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

PLEAsE nOTE: registering with the-saleroom.com or through our website does not automatically register you with us.

The colours printed in the catalogue are not necessarily true.

COMMissiOn BiDDinG if you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHOnE BiDDinG it is usually possible to bid on the telephone by prior arrangement with the office. BuYEr’s PrEMiuM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

sALE rEsuLTs These will be posted on our website shortly after the sale. PACKinG AnD sHiPPinG Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.


183

PAYMEnT AnD CLEArAnCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar row, salisbury sP1 1DB. Account no. 00957707 sort code 30-97-41 iBAn no. GB20LOYD30974100957707 BiC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, switch, Connect Where practical, payment can be made and purchases collected during the auction. storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. LOT sYMBOLs VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the Eu and are subject to VAT at 5% on the hammer price and the buyer’s premium. in online catalogues, the sales Tax % column indicates the rate of VAT on hammer price.

CiTEs rEGuLATiOns Please note that lots marked λ may be subject to CiTEs regulations when exported. The CiTEs regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ArTisT’s rEsALE riGHT / DrOiT DE suiTE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. royalties for Droit de suite are as follows: 4% up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% in excess of €500,000 up to a maximum levy of €10,000 FirEArMs Lots marked ƒ in the catalogue are subject to the uK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact ned Cowell.


184

Valuations PrOBATE VALuATiOns We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount. insurAnCE VALuATiOns Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. in addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Amanda Lawrence 01722 424509 FrEE AuCTiOn VALuATiOns Free verbal valuations of items for sale are available at our Castle street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley and Wallis valuations are accepted by all leading insurance companies.

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DirECTiOns FrOM WOOLLEY & CASTLE WALLisSTREET CAsTLE sTrEET DIRECTIONS FROM WOOLLEY & WALLIS TO SALT LANE TO sALT LAnE

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Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street.

AUCTION TECHNOLOGY GROUP


185

Woolley & Wallis Absentee Bid Form Old Masters, British & European Paintings Wednesday 7th March 2018 PW070318

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot number in numerical order

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/ or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing name (please print) ���������������������������� ���������������������������������������������������� Address �������������������������������������������� ���������������������������������������������������� ���������������������������������������������������� ������������������������� Postcode ����������������� Daytime Telephone ���������������������������������� Email����������������������������������������������� All accounts must be settled within 21 days. iD is required for all first time bidders. signature �������������������������������������������

salisbury salerooms, 51-61 Castle street, salisbury, Wiltshire sP1 3su Tel: 01722 424500 Fax: 01722 424508

Brief Description

Price excluding buyer’s premium & VAT


186

sOCiETY OF FinE ArT AuCTiOnEErs AnD VALuErs and the rOYAL insTiTuTiOn OF CHArTErED surVEYOrs CONDITIONS OF BUSINESS

INFORMATION FOR BUYERS 1.

Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4.

The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

5.

VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European union and is not operating the Dealers Margin scheme or because VAT is due at 20% on importation into the uK. The symbol (Ω) indicates that the lot has been imported from outside the European union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6.

We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of sale. neither the seller nor we, as the auctioneers, accept any responsibility for their condition. in particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7.

Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8.

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9.

Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. if two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of sale state about collection and storage. it is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1.

Interpretation. in these Terms the words ‘you’, ‘yours’, etc. refer to the seller and if the consignment of goods to us is made by an agent we assume that the seller has authorised the consignment and that the consignor has the seller’s authority to contract. similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2.

Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3.

Removal costs. items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4.

Loss and damage waiver. We are not regulated by the FsA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. if the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5.

Illustrations. The cost of any illustrations is borne by you. if we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7.

We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8.

Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9.

Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (interference with Goods) Act 1977, schedule 1, a copy of which is available for inspection on request.


187 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. if an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of sale. in particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2.

3.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. subject to our normal trading conditions, payment will be made by BACS or cheque five weeks after the sale unless the buyer has not paid for the goods. in this case no settlement will then be made but we will take your instructions in the light of our Conditions of sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE Woolley & Wallis salisbury salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1.

DEFINITIONS

in these Conditions: (a) ‘auctioneer’ means Woolley & Wallis salisbury salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis salisbury salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4.

THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of sale and any interest earned on the sale proceeds until the date of settlement.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

5.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘information for Buyers’ for a brief explanation of the VAT position).

6.

PAYMENT

(a) (i) (ii) (b)

immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7.

TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (iF LATEr) after which you shall be responsible for any COLLECTiOn, storage and insurance charges. (c) no purchase MAY be COLLECTED AnD WE sHALL nOT rELEAsE AnY LOT TO YOu Or YOur AGEnT until it has been paid for. 8.

REMEDIES FOR PURCHASES

NON-PAYMENT

OR

FAILURE

TO

COLLECT

(a) if any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;


188 (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS in accordance with long standing practice in Fine Art sale rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary

(a)

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: in our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: in our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. studio of Edward Lear: in our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. style of ...; Follower of Edward Lear: in our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: in our opinion a work in the style of the artist and of a later date. After Edward Lear: in our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width. Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. royalties for Droit de suite are as follows: 4% up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% in excess of €500,000 up to a maximum levy of €10,000


Specialist Departments

Auction Calendar

Please dial +44 (0)1722 followed by the number listed below

20Th CEnTury DEsign Michael Jeffery Zoe Smith asian arT John Axford mrics asfav Jeremy Morgan Marta Olszewska ChinEsE painTings Freya Yuan-Richards

424505 329477 424506 +44 (0)7812 601098 424591 424589

English & EuropEan CEramiCs & glass Clare Durham

424507

FurniTurE, Works oF arT & CloCks Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 411854

JapanEsE arT Alex Aguilar Doméracki

424583

JEWEllEry Marielle Whiting fga Jonathan Edwards fgaa (Consultant) Charlotte Glyde

424595 424504 42458

mEDals & Coins, arms & armour Ned Cowell Gemma Bush

341469 341469

painTings Victor Fauvelle Jo Butler Hollie Grubb

424503 424592 424592

silvEr & obJECTs oF vErTu Rupert Slingsby Lucy Chalmers

424501 424594

Tribal arT & anTiquiTiEs Will Hobbs Gemma Bush

339752 339752

WaTChEs Adrian Hailwood

valuaTions For insuranCE & probaTE Paul Viney asfav Clive Stewart-Lockhart frics frsa

424509 424598

markETing Ilona Pichler Tamzin Corbett

424590 424590

aCCounTs Janice Clift (Office Manager)

424500

gEnEral oFFiCE Sharon Ringwood Pauline Jones Nicola Young salEroom managEr David Jordan

424500

424500

boarD oF DirECTors Paul Viney asfav Chairman

Clive Stewart-Lockhart frics frsa Managing Director

assoCiaTE DirECTors Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting fga

Tribal arT & anTiquiTiEs 21st February 2018 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk 20Th CEnTury DEsign 21st March 2018 – Clarice Cliff, Art Deco & Design 20th June 2018 – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk FurniTurE, Works oF arT & CloCks 11th April 2018 4th July 2018 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk silvEr 24th & 25th April 2018 – Fine Silver & Objects of Vertu 18th & 18th July 2018 – Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWEllEry 26th April 2018 – Fine Jewellery & Watches 19th July 2018 – Jewellery & Watches Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk

John Axford mrics asfav Deputy Chairman

Company sECrETary Natalie Milsted fcca

English & EuropEan CEramiCs & glass 20th February 2018 – Fine Porcelain & Pottery 2nd May 2018 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk

424599

WaTChEs 26th April 2018 – Fine Jewellery & Watches Adrian Hailwood +44 (0) 7775 788500 • ah@woolleyandwallis.co.uk mEDals & Coins, arms & armour 3rd May 2018 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk asian arT, ChinEsE painTings & JapanEsE Works oF arT 22nd & 23rd May 2018 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0) 1722 424589 • fyr@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk painTings 6th June 2018 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk

+44 (0)7775 788500

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk


WOOLLEY & WALLIS

WOOLLEY & Wallis SALISBURY SALEROOMS

P aintings W ednesday 7 th M arch 2018

www.woolleyandwallis.co.uk

Old Masters, British & European Paintings Wednesday 7th March 2018

Profile for Auction Technology Group

Woolley & Wallis Old Masters, British & European Paintings  

Wednesday 7 March 2018

Woolley & Wallis Old Masters, British & European Paintings  

Wednesday 7 March 2018