Sworders Modern and Contemporary Prints 1 November at 10am

Modern and Contemporary Prints Wednesday 1 November 2017 at 10am

MODERN BRITISH AND 20TH CENTURY ART MONDAY 13 NOVEMBER AT 10AM

Sir Eduardo Paolozzi RA (1923-2005) SELF PORTRAIT WITH A STRANGE MACHINE Bronze 85cm high £30,000-50,000

Enquiries Amy Scanlon | amyscanlon@sworder.co.uk | 01279 817778

www.sworder.co.uk Sworders Fine Art Auctioneers | Cambridge Road | Stansted Mountfitchet | Essex CM24 8GE | 01279 817778 | E auctions@sworder.co.uk

MODERN AND CONTEMPORARY PRINTS at the Stansted Mountfitchet Auction Rooms Wednesday 1 November 2017 at 10am ORDER OF SALE Lots 1000 - 1133

Modern British

Lots 1134 - 1231

Modern

10 minute break

Lots 1232 - 1454

Contemporary

VIEWING TIMES Friday 27 October By appointment Sunday 29 October 10am - 1pm Monday 30 October 9am - 5pm Tuesday 31 October 9am - 5pm Wednesday 1 November From 9am Highlights will be on view at The Club House, 50 Grosvenor Hill, Mayfair, London W1K 3QT Thursday 19 October from 10am to 2pm

ONLINE BIDDING via www.sworder.co.uk

FURTHER INFORMATION: Contact: Shane Xu Telephone: 01279 817778 Email: auctions@sworder.co.uk

To obtain more images and condition reports for lots in this catalogue, please visit our website www.sworder.co.uk

1000 Lot 1000 *Edward Ardizzone (British, 1900-1979) THE SHELTER Lithograph printed in colours, 1941, printed

by The Baynard Press, published by the National Gallery, together with ‘The Wreck’ by the same artist, both on wove paper, the full sheet sheet overall 76 x 10.2cm, unframed (2) £200 - 300

Lot 1001 *Edward Ardizzone (British, 1900-1979) BARMAIDS OLD AND NEW; GIRLS FIGHTING AT THE WASHINGTON Two lithographs printed in colours, 1939/1980, printed at the Curwen Press, London, each on wove paper, with margins image 19.5 x 14cm and 17 x 27cm, framed (2) £100 - 150

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Lot 1002 *Edward Ardizzone (British, 1900-1979) ST PAUL’S SCHOOL, THE FRONT Lithograph, c.1964, signed and inscribed ‘Artist’s Proof’ in pencil, from the artist’s series of lithographs of public schools, together with ‘The Porter’s Lodge, Trinity College, Oxford’ offset lithograph, 1954, from the edition of 50, both on wove paper, the full sheets each image 38 x 58.2cm, framed (2) £200 - 300

1000-1133 MODERN BRITISH Lot 1003 Ivor Abrahams (British, 1935-2015) OXFORD GARDENS Four screenprints with embossing printed in colours, 1977, from ‘The Oxford Gardens’, signed and dated in pencil, the edition was 250, printed at Advanced Graphics, London, with their blindstamp, published

by Bernard Jacobson Ltd., London, on Crisbrook wove paper, full sheet sheet 26.5 x 38cm, framed (4) £700 - 900

1003 Lot 1004 *Norman Ackroyd (British, b.1938) JACKSON’S POND Etching, 1982, signed, titled, dated and numbered 20/50; together with an etching by Michael Vaughan titled ‘Hard Times’, 1982, signed, titled, dated and inscribed H.C., both on wove paper, with full margins plate 24 x 27cm and 26 x 23.5cm, unframed (2) £150 - 200

1004

Lot 1005 *Gillian Ayers (British, b.1930) CRYSTAL FIELDS Lithograph printed in colours, 1987, from ‘The Artist’s Choice Portfolio’, signed, dated and numbered 35/48 in pencil, printed and published by The Royal College of Art, London, on wove paper, the full sheet sheet 30 x 30cm, framed £200 - 300

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MODERN BRITISH 1000-1133 Lot 1006 *Sandra Blow (British, 1925-2006) ABSTRACT Screenprint in colours, 2000, signed, dated and numbered 90/100, from ‘The Royal Academy of Arts Members’ Portfolio’, on thick wove paper, with full margins sheet 51 x 64.2cm, unframed £300 - 500

Lot 1007 *John Brunsdon (British, 1933-2014) SALT HOUSE CHURCH, NORFOLK; NORFOLK BEACH; ESTUARY Three etchings with aquatint printed in colours, each signed, titled and numbered from the editions of 150 or 55, each on wove paper, with full margins largest image 44.5 x 60cm, framed (1) unframed (2) £200 - 300

Lot 1008 *Graham Clarke (British, b.1941) TWO BROTHERS UNLOADING Screenprint with linocut printed in colours, c.1960, signed and titled in pencil, from the edition of 75, on wove paper, the full sheet image 63 x 47.5cm, framed £100 - 150

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Lot 1009 *Lynn Chadwick (British, 1914-2003) SITTING ELEKTRA Lithograph printed in colours, 1969, signed, dated and numbered in pencil, on wove paper, full sheet sheet 60 x 80cm, framed £300 - 500

Lot 1010 *Stephen Cox (British, b.1946) TORSO II & III Two lithographs, one printed in colours, 2009, both signed and dated in pencil, numbered from the edition of 55, on wove paper, with full margins sheets 61 x 41cm and 55.5 x 43.5cm, framed (2) £600 - 800

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Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1000-1133 MODERN BRITISH Lot 1011 *Beryl Cook (British, 1926-2008) HEN NIGHT Offset lithograph, printed in colours, 1994, signed in pencil, the edition was 850, published

by Alexander Gallery, Bristol, on woven paper, with full margins, image 46.5 x 37.5cm framed £250 - 350 Lot 1012 *Beryl Cook (British, 1926-2008) THE BIRTHDAY CAKE Offset lithograph printed in colours, signed and numbered 488/650 in pencil, published by Alexander Gallery Publications, Bristol, with Certificate of Authenticity, on wove paper, the full sheet image 50 x 36.5cm, framed £200 - 300

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Lot 1013 *Liz Coulter (British) LANDSCAPES Two etchings with aquatint printed in colours, both signed, inscribed and numbered 5/20 and 6/20 respectively, on wove paper, with full margins sheet 54.6 x 41.5cm and 50.5 x 34cm, unframed (2) £100 - 150

Lot 1015 *Anthony Frost (British, b.1951) RED TOTEM Screenprint in colours, 2001, signed, dated and numbered 10/75, published by Stoneman Graphics, Cornwall, on wove paper, the full sheet image 77 x 20.5cm, mounted £200 - 300

Lot 1014 *Harvey Daniels (British, 1936-2014) CICADA NECKLACE Lithograph printed in colours, 1984, signed, dated and numbered 8/12 in pencil, on wove paper, with full margins image 54 x 73cm, framed £200 - 300

Lot 1016 *Mary Fedden (British, 1915-2012) STILL LIFE Lithograph printed in colours, 2009, signed and inscribed ‘P/P1’ in pencil, on wove paper, the full sheet image 22.5 x 25.5cm, mounted £350 - 450

1015

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1018 Lot 1017 *Elisabeth Frink (British, 1930-1993) I FLEW THROUGH A BLACK CLOUD AND THE WINDS CAME UP FROM THE HILLS BELOW ME (Wiseman 138) Etching, 1987, from ‘The Artist’s Choice Portfolio’, signed, dated and numbered 35/48 in pencil, printed and published by The Royal College of Art, London, on wove paper, the full sheet sheet 30 x 30cm, framed £200 - 300

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Lot 1018 *Elisabeth Frink (British, 1930-1993) CORIOLANUS Lithograph printed in colours, 1964, signed and numbered 45/60, printed and published by the Royal College of Art, London, on RCA watermarked wove paper, with full margins sheet 62 x 49cm, unframed £400 - 600

Lot 1019 *Elisabeth Frink (British, 1930-1993) SMALL HORSE AND RIDER Lithograph printed in colour, 1970, presumably a proof aside from the signed and numbered edition of 40 without the wide margin, on wove paper, with narrow margins sheet 25.7 x 32.2cm, unframed £100 - 150

Lot 1020 *Elisabeth Frink (British, 1930-1993) THE MILLER’S TALE; THE PARDONER’S TALE Two etchings with aquatint, 1972, from The Canterbury Tales, the edition was 300, published by Leslie Waddington Prints Ltd., each on wove paper, with full margins each sheet 65 x 46cm, unframed (2) £200 - 300

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

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1021

Lot 1021 *Barry Flanagan (British, 1941-2009) KILLARNEY HARBOUR Two linocuts printed in colour, 1979-83, signed, titled, dated and numbered 1/30 and 4/30 in pencil, printed by Colin Dyer, Published by Waddington Graphics, London, with their blindstamp, each on cream Vélin d’Arches paper, the full sheet image 27 x 32cm, framed (2) £200 - 300

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1022

Lot 1022 *Barry Flanagan (British, 1941-2009) ATLANTIC MOON; WELSH LIGHTS Two linocuts printed in colours, 1977-1983, signed, numbered 26/45 and 20-30 in pencil respectively, printed by Colin Dyer, Published by Waddington Graphics, London, with their blindstamp, both on cream Vélin d’Arches paper, the full sheets image 19 x 14.8cm and 36.3 x 25.2cm, framed (2) £200 - 300

1025

Lot 1023 *Barry Flanagan (British, 1941-2009) McBRAYNE’S FERRY Linocut printed in colour, 1977/1983, signed, titled and numbered 18/35 in pencil, printed by Colin Dyer, Published by Waddington Graphics, London, with their blindstamp, on cream Vélin d’Arches paper, the full sheet image 30 x 35cm, framed £150 - 200 Lot 1024 Spare lot

Lot 1025 *Alistair Grant (British, 1925-1997) UNTITLED I; BOULE DE SUCRE Two lithographs printed in colours, both signed in pencil, inscribed AP and numbered 37/50 respectively, both on wove paper, the full sheets sheet 56 x 74cm and 50 x 66cm, framed (2) £150 - 200

Lot 1026 *Anthony Gross (British, 1905-1984) SIXE IDYLLIA OF THEOCRITUS The book, 1971, containing eight etchings, this copy is numbered 25 from the edition of 270, published by Chilmark Press Inc., New York, each sheet on wove paper, bound as issued with hard cover, housed within paper-covered board slipcase overall 36 x 24.5 x 2cm £100 - 150

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Lot 1027 Eric Gill (British, 1882-1940) AUSTEN ST BARBE HARRISON Woodcut, 1935, on smooth wove paper sheet 7.7 x 6.4cm, framed £100 - 150

Lot 1030 Eric Gill (British, 1882-1940) THREE NUDE STUDIES Three wood engravings, 1938, from the book ‘25 Nudes’, printed

by Hague & Gill Ltd., published by J M Dent & Sons Ltd. each on wove paper, the sheets printed to the edges each sheet 22.5 x 14cm, unframed (3) £150 - 200

Lot 1028 Eric Gill (British, 1882-1940) THE NUN’S PRIEST’S TALE Wood engraving, 1934, from an edition of 300, published by Faber Editions, London, printed on wove paper, with full margins image 18.5 x 12.5cm, framed £100 - 150 Lot 1029 Eric Gill (British, 1882-1940) THREE NUDE STUDIES Three wood engravings, 1938, from the book ‘25 Nudes’, printed by Hague & Gill Ltd., published by J M Dent & Sons Ltd. each on wove paper, the sheets printed to the edges each sheet 22.5 x 14cm, unframed (3) £150 - 200

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Lot 1031 Eric Gill (British, 1882-1940) THE YEOMANS TALE; THE MONEY BAG; THE BEHEADING OF JOHN THE BAPTIST Three wood engravings, 1934, two from ‘The Canterbury Tales’, published

by Golden Cockerel Press, the other from ‘The Four Gospels’, printed by Hague & Gill Ltd., published by Faber and Faber, London, each on wove paper, with margins largest sheet 31.5 x 24.5cm, unframed (3) £150 - 200

1030 Lot 1032 Eric Gill (British, 1882-1940) THE NUN’S PRIEST’S TALE; THE FRIAR’S TALE Two wood engravings, 1934, from The Canterbury Tales, printed by Hague & Gill Ltd., published by Golden Cockerel Press, London, each on wove paper, with margins each sheet 31.5 x 24.5cm, unframed (2) £100 - 150

1032 Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

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1034 Lot 1033 Eric Gill (British, 1882-1940) BORDERS; AND, HERALD’S FEAST Two wood engravings, 1934, one from Troilus and Criseyde, published by Golden Cockerel Press, London; the other from The Four Gospels, printed by Hague & Gill Ltd, published

by Faber and Faber, London, each on wove paper, with margins sheets 31.5 x 24.5cm and 29 x 25cm, unframed (2) £100 - 150

Lot 1034 Eric Gill (British, 1882-1940) SAFETY FIRST; AMNON Two wood engravings, 1934, from the editions of 300, printed and published

by Faber, London, both on wove paper, the full sheets images 15.5 x 16.5cm, framed (2) £150 - 200

1037

1035 Lot 1035 Eric Gill (British, 1882-1940) OPENING PAGE VOL.2; THE DANCER Two wood engravings, 1934, from the editions of 300, printed and published

by Faber, London, both on wove paper, the full sheets images 15 x 13cm, 14 x 11cm, framed (2) £150 - 200

Lot 1036 Eric Gill (British, 1882-1940) THE BEE STING; VENUS Two wood engravings, 1934, from the editions of 300, printed and published by Faber, London, on wove paper, the full sheet images 12.5 x 4.8cm and 13.3 x 4.5cm, framed (2) £150 - 200

Lot 1037 Eric Gill (British, 1882-1940) NATURE AND NAKEDNESS; ARTIST AND THE MIRROR Two wood engravings printed in black, 1934, from the editions of 300, printed and published by Faber, London, on wove paper, the full sheet images 13.5 x 7.2cm and 11.7 x 6.5cm, framed (2) £150 - 200

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Lot 1038 *John Hoyland (British, 1934-2011) UNTITLED Lithograph printed in colours, 1973, from ‘The Rothko Portfolio’, signed, dated and numbered 37/75, on wove paper, with full margins sheet 76.9 x 57.9cm, framed £250 - 350

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1042

Lot 1039 *John Hoyland (British, 1934-2011) SPACE BORNE Screenprint with woodcut in colours, 1993, signed, dated, titled and numbered 21/90 in pencil, published by Advanced Graphics, London, on wove paper, full margins image 84 x 59cm, framed £300 - 500 Lot 1040 *John Hoyland (British, 1934-2011) MEMPHIS BLUE Etching with aquatint and carborundum printed in colours, 1980, signed, dated and numbered 5/60 in pencil, printed at Kelpra Studios, London, published at Waddington Graphics, London, on wove paper, with full margins image 69.2 x 54.3cm, framed £400 - 600 Lot 1041 *John Hoyland (British, 1934-2011) DIDO Etching and aquatint printed in colours, 1979, signed, dated and numbered 28/50 in pencil, printed by J C Editions, London, co-published by Waddington Graphics, London, and Bernard Jacobson, London, on wove paper, full margins image 67.6 x 53.3cm, framed £400 - 600 Lot 1042 *John Hoyland (British, 1934-2011) SPIRIT SIDE Screenprint with woodcut printed in colours, 1997, signed, dated and numbered 55/75 in pencil, on wove paper, with full margins image 38 x 28.5cm, framed £250 - 350

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Lot 1043 *John Hoyland (British, 1934-2011) 25.12.71 Screenprint in colours, 1971, signed and dated in pencil, a proof aside from the original edition, on wove paper, with full margins sheet 155.5 x 105cm, framed £700 - 900 Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

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Lot 1044 *Patrick Hughes (British, b.1939) STARDUST Screenprint in colours, 1983, signed, dated and numbered 5/150 in pencil, on wove paper, with full margins image 47 x 60.3cm, framed £200 - 300

Lot 1047 *Patrick Hughes (British, b.1939) WITH LOVE Screenprint in colours, 1985, signed, titled, dated and numbered 45/60 in pencil, on wove paper, with full margins image 42.5 x 31.5cm, framed £200 - 300

Lot 1045 *Patrick Hughes (British, b.1939) REGISTERED RAINBOWS Screenprint in colours, 1980, signed, titled and numbered 98/150 in pencil, on wove paper, with full margins sheet 88.3 x 76cm, framed £200 - 300

Lot 1048 *Paul Huxley (British, b.1938) NO.8 Screenprint in colours, 1973, signed, titled, dated and numbered 2/150 in pencil, on wove paper, with full margins sheet 73 x 73cm, unframed £300 - 500

Lot 1046 *Patrick Hughes (British, b.1939) FEAR ITSELF Screenprint in colours, 1975, signed, titled, dated and inscribed ‘AP’, and artist’s proof aside from the edition of 100, on wove paper, with full margins image 22 x 25cm, framed £150 - 200

Lot 1049 *Jo Hincks (British) CHRISTMAS PRINT Lithograph printed in colours, signed in pencil, together with ‘Cat Nap’ by Glynis Mills, and ‘Woman and Bottle’, all on wove paper, the full sheets image 17.5 x 12.5cm, unframed (2) mounted (1) £150 - 200

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MODERN BRITISH 1000-1133 Lot 1050 *Josef Herman (British, 1911-2000) THE RED SUN Lithograph printed in colours, 1975, signed and numbered 46/100 in pencil, on wove paper, with full margins sheet 50 x 63cm, framed £100 - 150

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1052 Lot 1051 *Albert Irvin (British, 1922-2015) DEPTFORD l Screenprint and woodcut in colours, 2000, signed, dated, titled and numbered 15/125 in pencil, published by Advanced Graphics, London, with their blindstamp, on wove paper, full margins image 60 x 86.5cm, framed £300 - 500

Lot 1052 *Barbara Jones (British, 1912-1978) FAIRGROUND Lithograph printed in colours, 1946, printed

by The Baynard Press for School Prints Ltd., London, on thin wove paper, the full sheet sheet 49.5 x 76cm, framed £150 - 200

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Lot 1053 *David Jones (British, 1895-1974) FISHERS OF MEN (Cleverden E81); OUR LADY WAS A MILKMAID (Cleverden E30) Two wood engravings, 1923/1981, from the edition of 446, published by Douglas Cleverdon, Bristol, each on wove paper, with full margins image 7 x 10cm and 10.5 x 5.7cm, framed (2) £150 - 200

Lot 1054 *David Jones (British, 1895-1974) THE CRUCIFIXION (Cleverdon E155); CHRIST SENDING FORTH HIS DISCIPLES (Cleverdon, E46) Two wood engravings, 1924/1981, from the edition of 446, published by Douglas Cleverdon, Bristol, each printed on wove paper, with full margins image 16.3 x 11.5cm and 5 x 10cm, framed (2) £150 - 200

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1000-1133 MODERN BRITISH Lot 1055 *Norman Jaques (British, b.1922) LANDSCAPES Four etchings with aquatint mostly printed in colours, c.1973, three signed in pencil, each on wove paper, with full margins each sheet 75 x 56.5cm, unframed (4) £150 - 200 Lot 1056 *Tess Jaray (British, b.1937) UNTITLED Screenprint with lithograph printed in colours, 1973, signed, dated and numbered 43/50 in pencil, on wove paper, with full margins image 65.6 x 55cm, framed £150 - 200

1055

Lot 1057 *Ken Kiff (British, 1935-2001) WOMAN, WAVES AND FLOWERS Woodcut printed in colours, 1991, signed and numbered 25/50 in pencil, on wove paper, with full margins sheet 65.3 x 88.5cm, framed £400 - 600

1056

Lot 1058 *Edwin La Dell (British, 1919-1970) ST JOHN’S COLLEGE; TRINITY GREAT COURT; CAIUS GATE OF HONOUR Three lithographs printed in colours, 1963, two signed and all numbered from the edition of 75 in pencil, from the Oxford and Cambridge series, each on wove paper, with full margins largest sheet 48 x 56.5, unframed (3) £250 - 350

1058

1057 Lot 1059 *Edwin La Dell (British, 1919-1970) SHAKESPEARE’S BIRTHPLACE Lithograph printed in colours, signed, titled and numbered 15/50 in pencil, on wove paper, with full margins sheet 62.5 x 59.5, unframed £100 - 150

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MODERN BRITISH 1000-1133 Lot 1062 *After L S Lowry (British, 1887-1976) GOING TO WORK Offset lithograph printed in colours, 1959, numbered 208/850 in pencil, published by The Henry Donn Galleries, on wove paper, with full margins image 43.5 x 58.5cm, framed £250 - 350

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Lot 1060 *After L S Lowry (British, 1887-1976) WOMAN WITH A BEARD Offset lithograph printed in colours, 1924, from the edition of 750, printed by Cherley and Pickersgill Ltd., published by The Adam Collection Ltd. in 1975, with the Fine Art Trade Guild blindstamp, on wove paper, with full margins image 27 x 36.5cm, framed £100 - 150

Lot 1061 *After L S Lowry (British, 1887-1976) GROUP OF CHILDREN Offset lithograph printed in colours, 1924, signed by the printer, from the edition of 850, printed by Cherley and Pickersgill Ltd., published by The Adam Collection Ltd. in 1975, with the Fine Art Trade Guild blindstamp, on wove paper, with full margins image 17.5 x 19.2cm, framed £150 - 200

Lot 1063 *After L S Lowry (British, 1887-1976) THE ORGAN GRINDER Offset lithograph printed in colours, 1937, numbered 610/850 in pencil, published by Magnus Prints in 1975, with the Fine Art Trade Guild blindstamp, on wove paper, with full margins image 52.5 x 39cm, framed £200 - 300 Lot 1064 *After L S Lowry (British, 1887-1976) PUNCH AND JUDY Offset lithograph printed in colours, 1943, from the ‘School Prints’ series, on wove paper, the full sheet image 43.2 x 67.4cm, framed £300 - 500

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Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

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1065 Lot 1065 *After L S Lowry (British, 1887-1976) MAN HOLDING CHILD Offset Lithograph printed in colours, 1974, signed in pencil, the edition was 350, printed by Chorley and Pickersgill, Leeds, published by The Adam Collection Ltd., with the Fine Art Trade Guild blindstamp, on wove paper with full margins image 45cm x 71cm, framed £1,500 - 2,000

Lot 1066 *After L S Lowry (British, 1887-1976) TOWN HALL AND ST. HILDA’S CHURCH Offset lithograph printed in colours, 1958, numbered 207/850 in pencil, published by The Adam Collection with their blindstamp, on wove paper, with full margins image 39 x 29.5cm, framed £200 - 300

Lot 1067 *After L S Lowry (British, 1887-1976) THE TALL MAN Offset lithograph printed in colours, 1972, numbered 163/249 in pencil, published for the Mottram Memorial Exhibition, June 1977, on wove paper, with full margins image 41.5 x 29.3cm, framed £200 - 300

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1071 Lot 1069 *After L S Lowry (British, 1887-1976) THE AUCTION Offset lithograph printed in colours, 1976, numbered 330/850 in pencil, published by Michael Stewart Fine Art with their blindstamp, on wove paper, with full margins image 33 x 65.5cm, framed £250 - 350

1072 Lot 1068 *After L S Lowry (British, 1887-1976) LANCASHIRE CRICKET MATCH Offset lithograph printed in colours, 1976, numbered 368/850 in pencil, printed by the Cavendish Press, published by the Adam Collection in 1976, on wove paper, with full margins image 33 x 65.5cm, framed £150 - 200

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Lot 1070 *After L S Lowry (British, 1887-1976) STREET SCENE Offset lithograph printed in colours, 1922, from the edition of 550, printed by Cherley and Pickersgill Ltd., published by The Adam Collection Ltd., with the Fine Art Trade Guild blindstamp, on wove paper, with full margins image 33.5 x 24.2cm, framed £100 - 150 Lot 1071 *After L S Lowry (British, 1887-1976) OUTSIDE THE MILL Offset lithograph printed in colours, 1921, from the edition of 550, printed by Cherley and Pickersgill Ltd., published by The Adam Collection Ltd., with the Fine Art Trade Guild blindstamp, on wove paper, with full margins image 27 x 36.5cm, framed £100 - 150

1073 Lot 1072 *After L S Lowry (British, 1887-1976) BANK FAILURE Offset lithograph printed in colours, 1924, from the edition of 550, printed by Cherley and Pickersgill Ltd., published

by The Adam Collection Ltd., with the Fine Art Trade Guild blindstamp, on wove paper, with full margins image 27 x 36.5cm, framed £100 - 150 Lot 1073 *After L S Lowry (British, 1887-1976) MAN TAKEN ILL III Offset lithograph printed in colours, 1924, from the edition of 550, printed by Cherley and Pickersgill Ltd., published by The Adam Collection Ltd., on wove paper, with full margins image 35 x 25.7cm, framed £100 - 150

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1000-1133 MODERN BRITISH Lot 1074 *After L S Lowry (British, 1887-1976) THE FEVER VAN Offset Lithograph printed in colours, 1972, signed in blue ink, from an edition of 700, printed by Botton Fine Arts, India, published

by Mainstone Print, Norfolk, with the Fine Art Trade Guild blindstamp, on wove paper, with full margins image 41 x 54cm, framed £1,500 - 2,000

Lot 1075 *After L S Lowry (British, 1887-1976) THE PARK Offset lithograph printed in colours, 1974, numbered 712/850 in pencil, published

by Henry Donn, Lancashire, with their blindstamp, the full sheet image 44.5 x 62.2cm, unframed £250 - 350

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1075 Lot 1076 *After L S Lowry (British, 1887-1976) OUTSIDE THE MILL Offset lithograph printed in colours, 1930, from the edition of 850, printed

by The Cavendish Press, published by The Adam Collection in 1976, on wove paper, with full margins image 31 x 49cm, framed £200 - 300

1076 Lot 1078 *After L S Lowry (British, 1887-1976) ON A PROMONADE Offset lithograph printed in colours,1971, numbered 453/750 in pencil, on wove paper, with full margins image 29 x 39.5cm, mounted £150 - 200

Lot 1077 *After L S Lowry (British, 1887-1976) FAMILY DISCUSSION Offset lithograph printed in colours, 1968, numbered 636/850 in pencil, published by Henry Donn in 1975, with their blindstamp, on wove paper, with full margins image 34 x 24cm, framed £100 - 150

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MODERN BRITISH 1000-1133 Lot 1079 *Reginald James Lloyd (British, b.1926) UNTITLED Two screenprints in colours, 1970, each signed, dated and numbered from the edition of 15, on wove paper, with full margins image 39 x 51cm and 45 x 42cm, framed (2) £250 - 350 Lot 1080 *Nicholas Monro (British, b.1936) LOBBY Screenprint in colours, 1972, signed and inscribed ‘A/P’ an artist’s proof aside from the original edition, printed by Kelpra Studio, London, on wove paper, with full margins sheet 70 x 102cm £100 - 150 Lot 1081 *Henry Moore (British, 1898-1986) EIGHT RECLINING FIGURES (Cramer 81) Lithograph printed in colours, 1966, from the ‘Shelter Sketchbook Portfolio’, signed and numbered 43/75 in pencil, printed at Wolfensberger, Zurich, published by Marlborough Fine Art and Rembrandt Verlag GmbH, London and Berlin, on Japan Nacre paper, full sheet image 27 x 23cm, framed £800 - 1,200

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Lot 1082 *Henry Moore (British, 1898-1986) TWO RECLINING FIGURES IN YELLOW AND GREEN (Cramer 74) Lithograph printed in colours, 1967, from the portfolio ‘Meditations on the Effigy’, signed, dated and inscribed ‘Artist’s Proof’ in pencil, printed by Curwen Prints Ltd., London, published by Marlborough Fine Art, London, on wove paper, the full sheet sheet 79 x 56.5cm, framed £700 - 900

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Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1000-1133 MODERN BRITISH Lot 1083 *Henry Moore (British, 1898-1986) THREE CHALKED FIGURES II (CRAMER 355) Lithograph, 1974, signed and numbered 12/30 in pencil, printed by Lacouriere et Frelaut, Paris, published by Gerald Cramer, Geneva, on BFK Rives wove paper, with full margins sheet 45.6 x 56cm, mounted £1,000 - 1,500

Lot 1084 *Henry Moore (British, 1898-1986) SEATED FIGURE (CRAMER 578) Lithograph printed in colours, 1980, a printer’s proof aside from the edition of 50, stamped ‘CURWEN STUDIO PROOF’, printed by Curwen Studio, London, published by Raymond Spencer Ltd. For the Henry Moore Foundation, on TH Saunders wove paper, with full margins sheet 46.5 x 56.5cm, unframed £300 - 500

1083

Lot 1085 *Henry Moore (British, 1898-1986) THE ARTIST’S HAND III (CRAMER 555) Lithograph printed in colours, 1979, stamped ‘SAMPLE COPY’, a printer’s proof aside from the edition of 50, printed by Curwen Studio, Chilford, with their blindstamp, on wove paper, with full margins sheet 51 x38cm, unframed £300 - 500

Lot 1086 *Henry Moore (British, 1898-1986) STONE lV (Cramer 464) Etching and aquatint printed in colours, 1977, from the ‘Dante Stones Portfolio’, signed and numbered 38/50 in pencil, printed at J C Editions Ltd., London, published by Raymond Spencer Company Ltd., Much Hadham, on wove paper, with margins image 29 x 19cm, framed £1,000 - 1,500

1084

1085

Lot 1087 *After Henry Moore (British, 1898-1986) HENRY MOORE, 30 YEARS OF GRAPHICS Offset lithograph printed in colours, 1984, signed and inscribed ‘Best Wishes, Henry Moore’, produced for the exhibition at Christie’s Contemporary Art, London, on wove paper, the full sheet sheet 83 x 61cm, framed £100 - 150

1086

1087

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MODERN BRITISH 1000-1133 Lot 1088 *Tessa Newcomb (British, b.1955) CAT (+ three others) Four lithographs printed in black, all initialled and three inscribed ‘AP’ in pencil, printed and published by Curwen Chilford, London, with their blindstamp, all on wove paper, the full sheets largest sheet 28 x 23cm, unframed (4) £200 - 300

1088

1090

Lot 1089 *Tessa Newcomb (British, b.1955) BOATS Lithograph printed in colours, initialled and inscribed ‘AP’ in pencil, together with two others by the same hand, both printed and published by Curwen Chilford, London, with their blindstamp, all on wove paper, the full sheets largest sheet 37 x 42.5cm, unframed (3) £200 - 300

Lot 1090 *Tessa Newcomb (British, b.1955) HIS MOTHER’S DOG (+ 4 others) Five lithographs printed in black, all initialled in pencil, printed and published by Curwen Chilford, London, with their blindstamp, all on wove paper, the full sheets largest sheet 22 x 30cm, unframed (5) £200 - 300

Lot 1091 *Brendan Neiland (British, b.1941) PIMLICO; CONCOURSE; HAMPTON COURT Three screenprints in colours, 1975-1984, each signed and numbered in pencil respectively, all on wove paper, with full margins sheet overall 73 x 98cm, unframed (3) £300 - 500

1089

Lot 1092 *John Nash (British, 1893-1977) UNTITLED Wood engraving, 1927, from the book Poisonous Plants, initialled and inscribed ‘to PN - proof’ in pencil, a rare proof for the dust cover of the book, published by Elchells and Macdonalds, London, on thin wove paper, the full sheet image 7.5 x 4cm, framed £100 - 150

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1092 Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1000-1133 MODERN BRITISH

1093

1094

Lot 1093 *John O’Connor (British, 1913-2004) UNTITLED Wood engraving, 1992, from ‘The Oldie’ magazine, signed, dated and numbered 81/100 in pencil, printed and published by Jonathan Stephenson at The Rocket Press, Oxfordshire, on wove paper, with full margins image 7.5 x 10cm, framed £100 - 150

Lot 1094 *Victor Pasmore (British, 1908-1998) UNTITLED Screenprint in colours, 1988, initialled, dated and numbered 49/70 in pencil, printed by Kelpra Studios, London, on wove paper, with full margins image 57 x 84cm, framed £600 - 800

1095 Lot 1095 *John Piper (British, 1903-1992) FROM THE BOOK ‘ENGLISH, SCOTTISH AND WELSH LANDSCAPES’ Eleven lithographs printed in colours, 1944, printed by Curwen Press, published by Frederick Muller, London, each on wove paper, with full margins each plate 12.5 x 18.5cm, mounted (11) £300 - 500

Lot 1096 *John Piper (British, 1903-1992) LEWKNOR, OXFORDSHIRE (Levinson 133) Lithograph printed in colours, signed and numbered 36/70 in pencil, printed by Curwen Studio, published by Marlborough Fine Art, London, on wove paper, with full margins sheet 59 x 82cm, unframed £500 - 700

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1097

1098

1099

1100

Lot 1097 *John Piper (British, 1903-1992) LLANGLOFFAN (Not in Levinson) Offset lithograph printed in colours, 1980, signed in pencil, the edition was 750, printed by the Cavendish Press, Lancaster, England, published by the Cavendish Collection, with the Fine Art Trade Guild blindstamp, on wove paper, with full margins 39 x 58cm, framed £200 - 300 Lot 1098 *John Piper (British, 1903-1992) ST HELEN’S HALL (Levinson 325) Screenprint in colours, 1981, signed and numbered 31/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, on Arches wove paper, with full margins image 58.4 x 70.5cm, framed £600 - 800

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Lot 1099 *John Piper (British, 1903-1992) WADDESDON (Levinson 423) Lithograph printed in colours, 1977, signed and numbered 40/75 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, on wove paper, with full margins plate 101.5 x 67.8cm, framed £800 - 1,200 Lot 1100 *John Piper (British, 1903-1992) FOLIATE HEAD (Levinson 315) Lithograph printed in colours, 1979, from ‘John Piper’ by Anthony West, signed and numbered 36/100 in pencil, printed at Curwen Studio, London, published by Martin Seker and Warburg, London, on wove paper, the full sheet sheet 25 x 18.5cm, framed £300 - 500

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1000-1133 MODERN BRITISH

1101

1103 Lot 1101 *John Piper (British, 1903-1992) FOLIATE HEADS ll (Levinson 246) Screenprint in colours, 1975, signed and inscribed ‘A/P’ in white pencil, an artist’s proof aside from the edition of 75, printed by Curwen Studio, London, on wove paper, the full sheet printed to the edges sheet 58.4 x 76.8cm, framed £500 - 700 Lot 1102 *John Piper (British, 1903-1992) EASTNOR CASTLE, HEREFORD (LEVINSON 353) Screenprint in colours, 1983, signed and numbered 7/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, on wove paper, with full margins sheet 54.5 x 75cm, unframed £600 - 800

1102

1104 Lot 1103 *John Piper (British, 1903-1992) BOISSY-EN-DRONAIS (Levinson 433) Screenprint in colours, 1990 for ‘The Hope and Optimism Portfolio’, bearing the stamp signature as issued, inscribed ‘A/P’ in pencil, an artist proof aside from the edition of 200, published by The Hope and Optimism Foundation, Oxfordshire, on Arches wove paper with full margins image 42 x 52cm, framed £600 - 800 Lot 1104 *John Piper (British, 1903-1992) DUCHENE FOUNTAIN, BLENHEIM (Levinson 418) Screenprint in colours, 1989, signed and inscribed ‘A/P’ in pencil, an artist proof from an edition of 100, printed by Kelpa Studio, London, published by CCA Galleries, London, on wove paper, with full margins image 42 x 59.5cm, framed £600 - 800

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MODERN BRITISH 1000-1133 Lot 1105 *John Piper (British, 1903-1992) PYRTON MANOR (Levinson 432) Screenprint in colours, 1990, bearing the stamp signature as issued and numbered 71/70 in pencil, on Arches wove paper, full margins image 42 x 71cm, framed £700 - 900

1105

Lot 1106 *John Piper (British, 1903-1992) SCOTNEY CASTLE, KENT (Levinson 265) Lithograph printed in colours, 1976, signed and numbered in pencil 95/120, printed by Curwen Studio, London, published by CCA Galleries, London, on T H Saunders wove paper, with full margins image 44 x 56cm, framed £600 - 800

Lot 1107 *John Piper (British, 1903-1992) GEFFRYE MUSEUM (Levinson 379) Screenprint in colours, 1985, signed and numbered 58/100 in pencil, printed by Kelpro Studio, London, published by The Friends of Geffrye Museum, on Arches wove paper, full margins image 46 x 63cm, framed £400 - 600

Lot 1108 *John Piper (British, 1903-1992) LLANGLOFFAN, PEMBROKESHIRE: THE BAPTIST CHAPEL (LEVINSON 140) Lithograph printed in colours, 1964, from ‘A Retrospective of Churches’, signed in pencil, a proof aside from the edition of 70, printed by Curwen Studio, London, published by Marlborough Fine Art, London, on wove paper, with full margins image 51.5 x 70cm, mounted £500 - 700

1106

1107

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1108 Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1000-1133 MODERN BRITISH

1109 Lot 1109 *John Piper (British, 1903-1992) EXTON, RUTLAND: MONUMENT BY GRINLING GIBBONS, 1686 (LEVINSON 126) Lithograph printed in colours, 1964, from ‘A Retrospective of Churches’, signed in pencil, a proof aside from the edition of 70, printed

by Curwen Studio, London, published by Marlborough Fine Art, London, on wove paper, with full margins image 74 x 51cm, mounted £500 - 700

1110 Lot 1111 *John Piper (British, 1903-1992) FOTHERINGHAY, NORTHAMPTONSHIRE MEDIEVAL STONE (LEVINSON 135) Lithograph printed in colours, 1964, from ‘A Retrospective of Churches’, signed in pencil, a proof aside from the edition of 70, printed by Curwen Studio, London, published by Marlborough Fine Art, London, on wove paper, with full margins image 48.5 x 68.5cm, mounted £500 - 700

Lot 1110 *John Piper (British, 1903-1992) GEDNEY, LINCOLNSHIRE: A TOWER IN THE FENS (LEVINSON 139) Lithograph printed in colours, 1964, from ‘A Retrospective of Churches’, signed in pencil, a proof aside from the edition of 70, printed

by Curwen Studio, London, published by Marlborough Fine Art, London, on wove paper, with full margins image 77 x 51cm, mounted £500 - 700

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MODERN BRITISH 1000-1133 Lot 1112 *Garrick Palmer (British, b.1933) HARBOUR SCENE Wood engraving, 1993, signed, dated and inscribed ‘AM Proof’, a proof aside from the original edition; together with another wood engraving, both on wove paper, with full margins each plate 16.3 x 13.8cm, framed (2) £100 - 150 Lot 1113 *Patrick Procktor (British, 1936-2003) LILY Lithograph printed in colours, unsigned proof aside from the edition of 150, on wove paper, the full sheet sheet 76 x 57cm, unframed £100 - 150

1112

1113

Lot 1114 *Patrick Procktor (British, 1936-2003) LAKE TAI-HU, WUSIH Etching with aquatint printed in colours, 1980, from ‘The China Series’, signed and numbered 48/75 in pencil, on wove paper, with full margins image 45.4 x 60cm, framed £400 - 600 Lot 1115 *Alison Read (British) COWS Three linocuts and one aquatint, 1994, each signed and dated in pencil, each on wove paper, with full margins largest sheet 76.8x 57cm, unframed (4) £200 - 300 Lot 1116 *Gwen Raverat (British, 1885-1957) A COLLECTION Three wood engravings, each on wove paper overall sheet 15 x 19.5cm, framed (3) £150 - 200

1114

1115

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1116

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1000-1133 MODERN BRITISH

1117

1118

Lot 1117 *Graham Sutherland (British, 1903-1980) FOSSIL WITH ROCKS AND FLAMES Lithograph printed in colours, 1975, signed and number 35/99 in pencil, printed

by Fernand Mourlot, Paris, published by Ediciones Poligrafa SA, Barcelona, on BFK Rives wove paper, with full margins image 27.5 x 55cm, framed £500 - 700 Lot 1118 *Richard Slater (British, b.1927) NIGHT GARDEN; WHEAT FIELD Three lithographs printed in colours, each on wove paper, with full margins each sheet 52 x 67cm, unframed (3) £150 - 200

1119

Lot 1119 *Ruskin Spear (British, 1911-1990) THE PIANO LESSON Lithograph printed in colours, 1944/1945, printed by The Baynard Press, published

by CEMA (Council for the Encouragement of Music and the Arts), on wove paper, the full sheet image 76 x 101.5cm, framed £100 - 150 Lot 1120 *William Scott (British, 1913-1989) IONA Lithograph printed in colours, 1961, signed, dated and numbered 62/300 in pencil, from the portfolio Europäischen Grafik, printed at Atelier Mathieu, Zurich, published by Kestner Gesellschaft, Hanover, on Arches wove paper, the full sheet printed to the edges sheet 50.2 x 62cm, unframed £1,800 - 2,200

1120

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1121

Lot 1121 Various Artists THE PENWITH PORTFOLIO The complete portfolio of twelve lithographs and screenprints in colours, 1973, by Robert Adams, Alan Davie, Merlyn Evans, Duncan Grant, Barbara Hepworth, Peter Lanyon, Bernard Leach, F E McWilliam, Henry Moore, Ben Nicholson, John Piper and Michael Rothenstein, each signed in pencil with the exception of the Lanyon, which is authenticated by his widow (as issued), each inscribed ‘HC XII/XII’, Hors de Commerce impressions aside from the edition of 90, with title page, printed at the Curwen Studio, London, published by Penwith Galleries Ltd., St Ives, Cornwall, the full sheets, each on wove paper, loose in individual paper folder, housed in the linen covered portfolio case overall 77.4 x 82.5cm £4,000 - 6,000

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Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1000-1133 MODERN BRITISH

1122

1123

Lot 1122 *William Tillyer (British, b.1938) UNTITLED Etching printed in colours, 1970s, signed and numbered 17/60 in pencil, on wove paper, with full margins sheet 71 x 105cm, unframed £200 - 300 Lot 1123 *William Turnbull (British, 1922-2012) UNTITLED Screenprint in pink, 1968, signed, dated and numbered 89/100 in pencil, on wove paper, with full margins image 49 x 48.5cm, framed £200 - 300 Lot 1124 *Robert Tavener (British, 1920-2004) POPPIES AND DOWNS; HORSEGUARDS’ PARADE NO. 3 WINTER Two lithographs printed in colours, c.1970, both signed and titled in pencil, numbered 33/75 and inscribed Artists Proof respectively, both on wove paper, with full margins image 45.5 x 37.5cm and 41 x 54.5cm, framed (2) £150 - 200 Lot 1125 *Robin Tanner (British, 1904-1988) WREN AND PRIMROSE Etching, 1936, signed in pencil, printed by the artist, on wove paper, with full margins image 9.5 x 11cm, framed £200 - 300

1124

1126 Lot 1126 *Valerie Thornton (British, 1931-1991) URBINO Etching with aquatint printed in colours, 1987, signed, titled, dated and numbered 31/70 in pencil, on wove paper, with full margins plate 45 x 64cm, framed £100 - 150

1125

1127 Lot 1127 *David Tindle (British, b.1932) GARDEN EAST HADDON Etching, signed, titled and numbered 12/75, on France Arches wove paper, together with two offset lithographic posters, signed in black ink, on smooth wove paper, the full sheets sheets 76 x 57cm and 61 x 72.5cm, unframed (3) £100 - 150

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1128

1129

Lot 1128 *Julian Trevelyan (British, 1910-1988) DOWNING COLLEGE Lithograph printed in colours, 1959/1962, from ‘Julian Trevelyan’s Cambridge Collection’, signed and numbered 5/70 in pencil, printed by George Devenish, published by Paul Cornwall Jones, on handmade J Whatman wove paper, with full margins image 39 x 45cm, framed £300 - 500

Lot 1129 *Julian Trevelyan (British, 1910-1988) VILLA GAMBERAIA, CAIUS COLLEGE Lithograph with etching and aquatint printed in colours, 1959/62, signed and inscribed Artist’s Proof in pencil, published by Editions Alecto, London, on wove paper, with full margins sheet 56.5 x 70.5cm, unframed £300 - 500 Lot 1130 *Julian Trevelyan (British, 1910-1988) NEOLITHIC TEMPLE Etching with aquatint printed in colours, 1959, from ‘The Malta Suite’, signed in pencil, presumably a rare proof with no margin aside from the edition of 50, printed by John Brunsdon, Kent, published by St. Georges Gallery, London, on wove paper laid on board sheet 37.4 x 49.4cm, framed £300 - 500 This print is accompanied by a typed note from the artist to the original owner, regarding the background of the print.

1130

Lot 1131 *Carel Weight (British, 1908-1997) RUNNING MAN Screenprint in colours, signed and inscribed ‘VII/XV AP’, an artist’s proof aside from the edition of 85, on wove paper, with full margins image 50.5 x 50.7cm, framed £100 - 150

Lot 1132 *Kyffin Williams (British, 1918-2006) VENICE Linocut printed in colours, initialled and numbered 2/45 in pencil, on wove paper, the full sheet image 24 x 30.5cm, framed £200 - 300

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1132 Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1000-1133 MODERN BRITISH

Lot 1133 Various Artists A COLLECTION OF LYONS LITHOGRAPHS Seven lithographs printed in colours, 1944-50s, by L S Lowry, John Piper, John Nash, Barnett Freedman, Edward Ardizzone, John Lake and Clifford Frith, printed by Chromoworks Ltd., London, published by J. Lyons Co, Ltd., each on thin wove paper, with margins each sheet 74 x 99cm, unframed (7) £1,200 - 1,800 Works include: I ndustrial Scene; Elizabethan Dance; Landscape with Bathers; People; The Railway Station; Les Lecques and Fun Fair.

1133

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MODERN

Lots 1134-1140 This collection is from a descendant of the artist.

1134-1231

Lot 1134 Alvin Langdon Coburn (American/British,1882-1966) TRAFALGAR SQUARE FROM BENEATH NELSON’S COLUMN Photogravure adhered to original paper at top left and right corner, c.1900-9, signed in pencil on paper, inscribed ‘Christmas Greetings to Connie & Cecil from Alvin & Edith Coburn’, dated1956 in ink on the reverse image 21.8 x 17cm paper 25.3 x 19cm, unframed £800 - 1,200

1134 Lot 1135 Alvin Langdon Coburn (American/British,1882-1966) SCENE AT WAPPING Photogravure adhered to original paper at top left and right corner, c.1900-9, signed in pencil on paper, inscribed ‘Happy Christmas to Douglas from Alvin & Edith’ in ink on the reverse image 21.8 x 17cm paper 25.3 x 19cm, unframed £800 - 1,200

1135

1134-1231 MODERN

1136

1137 Lot 1136 Alvin Langdon Coburn (American/British, 1882-1966) THE TIROL Photogravure adhered to original paper at top left and right corner, 1909, inscribed ‘Happy Christmas from Alvin & Edith’ in ink on the reverse of the paper image 17.1 x 20.1cm paper 19 x 25.3cm, unframed £800 - 1,200

1138

1139

1140

Lot 1137 Alvin Langdon Coburn (American/British, 1882-1966) BRIDGE OVER PADDINGTON CANAL Photogravure, 1909, on laid paper sheet 21.5 x 17cm, unframed £300 - 500

Lot 1139 Alvin Langdon Coburn (American/British, 1882-1966) THE GATEWAY, DINKELSBUHL Photogravure, signed in pencil sheet 38.8 x 29.5cm, unframed £800 - 1,200

Lot 1138 Alvin Langdon Coburn (American/British, 1882-1966) ISLE OF MARKEN Photogravure, c.1910, signed in pencil sheet 30 x 41cm, unframed £800 - 1,200

Lot 1140 Alvin Langdon Coburn (American/British, 1882-1966) UNTITLED (LANDSCAPE) Photogravure, c.1910-19 sheet 39 x 28.2cm, unframed £400 - 600

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1141

1142 Lot 1141 Yaacov Agam (Israeli, b.1928) MIDNIGHT LIGHT Polymorph printed in colours, 1980, signed and numbered 42/170 in pencil, both on wove paper, with full margins image 52.5 x 70.5cm, framed £500 - 700

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Lot 1142 Yaacov Agam (Israeli, b.1928) COORDINATION Screenprint in colours, 1975, signed and numbered LXXVII/CLIII in pencil, from an edition of 153, on wove paper, with full margins image 66 x 134.5cm, framed £600 - 800

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1134-1231 MODERN

1143

Lot 1143 Yaacov Agam (Israeli, b.1928) TRIBE SIMON; GAD AND LEVI Two screenprints in colours, 1970, from the ‘12 Tribes of Israel’ series, both signed and numbered 48/99 in pencil, both on wove paper, with full margins image 50 x 37cm, framed (2) £200 - 300

Lot 1144 Yaacov Agam (Israeli, b.1928) FROM THE MENORAH SERIES Five screenprints in colours, c.1985, each signed and numbered from the edition of 200 in pencil, on stiff wove paper, the full sheets printed to the edges each sheet 133.5 x 49.5cm, unframed (5) £2,000 - 3,000

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MODERN 1134-1231

1145 Lot 1145 *Horst Antes (German, b.1936) UNTITLED Two lithographs printed in colours, both signed and numbered in pencil respectively, each on wove paper, with full margins sheet 64 x 83.5cm and 69 x 53cm, unframed (2) £200 - 300 Lot 1146 *Georges Braque (French, 1882-1963) STILL LIFE WITH APPLES (Spitzer P.14) Collotype in colours, 1955, signed and numbered 147/300 in pencil, after an early painting by the artist, published by Guy Spitzer Editeur, Paris, on Arches wove paper, with full margins plate 23.5 x 35cm, unframed £1,500 - 2,000

1147

Lot 1147 *Georges Braque (French, 1882-1963) THE GLASS AND THE APPLE FROM TEN WORKS (Vallier 189) Lithograph printed in colours, 1963, signed and numbered 96/120 in pencil, printed

by Mourlot, Paris, published by Phoebe Editions, Basel, and Oldbourne, London, on Arches wove paper, the full sheet image 16 x 25cm, framed £1,000 - 1,500

1146

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Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1134-1231 MODERN

1148 Lot 1148 Horace Asher Brodzky (Australian, 1885-1969) TWELVE LINOCUTS A rare collection of twelve linocuts, 1989, three signed including ‘The Wash Basin’, ‘Builders’ and ‘Making Up’, eight numbered from the edition of 25 (XXV) with ‘SPECIAL EDITION 1989 WEP’ blindstamp, printed by Katie Clemson after the original linocuts from the ‘Portfolio of linocuts’ by the artist, 1914-19, published by Egmont Arens in 1920, which included Brodzky’s highly regarded New York prints in this technique, each on wove paper, with full margins largest image 28 x 20cm, framed (12) £800 - 1,200 Lot 1149 Horace Asher Brodzky (Australian, 1885-1969) STREET WITH TREES Etching, signed in pencil, on wove paper, with full margins image 15 x 10cm, framed £100 - 150 Lot 1150 Horace Asher Brodzky (Australian, 1885-1969) A RECLINING WOMAN Etching, signed in pencil, on wove paper, with full margins image 12.2 x 7.5cm, framed £100 - 150

1149

1150

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MODERN 1134-1231 Lot 1153 *Marc Chagall (French/Russian, 1887-1985) THE MASSACRE OF THE CANDIDATES Lithograph,1975, from The Odyssey of Homer suite, from the edition of 250, printed by Claude Garamont, published by Fernand Mourlot, Paris, on Arches wove paper, with full margins image 41 x 31cm, framed £600 - 800 Lot 1154 *Marc Chagall (French/Russian, 1887-1985) BANQUET OF THE PALACE OF MENELAUS Lithograph,1975, from The Odyssey of Homer suite, from the edition of 250, printed by Claude Garamont, published by Fernand Mourlot, Paris, on Arches wove paper, with full margins image 41 x 31cm, framed £600 - 800

1151 Lot 1151 Bronislaw M Bak (American, 1922-1981) ONE-HUNDRED VIEWS OF CHICAGO IN WOODCUTS The complete portfolio of 100 woodcuts, 1967, numbered 237 from the edition of 500, with title page and justification, printed at the Studio Press Chicago, published by Bronislaw M Bak and Hedi Bak, each sheet loose, on off-white wove paper, within the cardboard case designed and produced by the Creative Container Corporation, Chicago overall 47 x 32 x 5.5cm £200 - 300

1153

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1152 Lot 1152 Leonard Baskin (American, 1922-2000) THISTLE AND YELLOW FLOWER RED FLOWER Two etchings printed in colours, 1970, both signed and inscribed A/P in pencil, artist proofs aside from the edition of 130, published by CFA Graphics, New York, on Vélin d’Arches wove paper, with full margins each sheet 78 x 56.5cm, unframed (2) £200 - 300

1154

Lot 1155 *Marc Chagall (French/Russian, 1887-1985) PENELOPE AND ULYSSES BOW Lithograph,1975, from ‘The Odyssey of Homer, Suite Number Vl of XX’, from the Hors Commerce edition aside from the main edition of 250, printed by Claude Garamont, published by Fernand Mourlot, Paris, on Arches wove paper, with full margins image 41 x 31cm, framed £600 - 800

1155

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1134-1231 MODERN

1157

1156 Lot 1156 *Marc Chagall (French/Russian, 1887-1985) RENCONTRE D’UN PAYSAN Etching, 1923/1948, from Gogol’s ‘The Dead Souls Suite’, inscribed on plate, from an edition of 368, published by Teriade, Paris, printed on Arches wove paper, with full margins image 21.5 x 27.5cm, framed £300 - 500 Lot 1157 *Marc Chagall (French/Russian, 1887-1985) APPARITION DE TCHITCHIKOV AU BAL Etching, 1923/1948, from Gogol’s ‘The Dead Souls Suite’, inscribed on plate, from an edition of 368, published by Teriade, Paris, printed on Arches wove paper, with full margins image 22 x 27.5cm, framed £300 - 500

1158

1159 Lot 1158 *Marc Chagall (French/Russian, 1887-1985) CHICHIKOV ON HIS BED Etching,1927/1948, from Gogol’s ‘The Dead Souls Suite’, from an edition of 368, published by Teriade, Paris, printed on Arches wove paper, with full margins image 19.5 x 28cm, framed £300 - 500 Lot 1159 *Marc Chagall (French/Russian, 1887-1985) PETRUSHKA TAKES OFF HIS BOOTS Etching, 1927/1948, from Gogol’s ‘The Dead Souls Suite’, inscribed on plate, from an edition of 368, published by Teriade, Paris, printed on Arches wove paper, with full margins image 28 x 22cm, framed £300 - 500

1160 Lot 1160 *Marc Chagall (French/Russian, 1887-1985) NOZDRIOV Etching, 1923/1948, from Gogol’s ‘The Dead Souls Suite’, inscribed on plate, from an edition of 368, published by Teriade, Paris, printed on Arches wove paper, with full margins image 28.5 x 23cm, framed £300 - 500

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Lot 1161 *Marc Chagall (French/Russian, 1887-1985) CHRIST IN THE CLOCK Lithograph printed in colours, 1957, published by Jacques Laissaigne’s Chagall, Paris, on wove paper, with full margins image 22.5 x 19.5cm £100 - 150

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1161

1162

1163

1164

Lot 1162 *Marc Chagall (French/Russian, 1887-1985) SPRING Llithograph printed in colours, 1938, from the ‘Verve Vol. I, No.3’, printed by Mourlot, published by E Teriade, Paris, on wove paper, the full sheet printed to the edges sheet 35.5 x 26.5cm, unframed £200 - 300

Lot 1163 *Marc Chagall (French/Russian, 1887-1985) GOD REBUKES EVE; JEREMIAH Two lithographs printed in colours, 1956, from the portfolio ‘Bible’, printed at Mourlot Freres, Paris, published by Editions de la Revue Verve, Paris, together with another lithograph by the same hand, all on wove paper, the full sheet largest image 34.5 x 25cm, framed (3) £200 - 300

Lot 1164 *Marc Chagall (French/Russian, 1887-1985) RACHEL HIDES HER FATHERS HOUSEHOLD GODS; JEREMIAH Two lithographs printed in colours, 1956/1960, from the portfolio ‘Bible’, printed at Mourlot Freres, Paris, published

by Editions de la Revue Verve, Paris, both on wove paper, the full sheet images both 34.5 x 25cm, framed (2) £150 - 200

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1134-1231 MODERN

1165 Lot 1165 *Marc Chagall (French/Russian, 1887-1985) L’ACCORDÉONISTE (MOURLOT 204) Lithograph printed in colours, 1957, signed and inscribed ‘épreuve d’artiste’ in pencil, an artist’s proof aside from the edition of 90, published by Maeght, Paris, on wove paper, with full margins sheet 39.5 x 56.3cm, framed £3,000 - 5,000

Lot 1166 *After Marc Chagall (French/Russian, 1887-1985) SELF-PORTRAIT AS THE YOUNG ARTIST Offset lithograph printed in colours, c.1962-64, signed and dedicated to Madame Sourlier with a little drawing of a flower dated 1.8.1965 in pencil, on wove paper, with full margins sheet 55.8 x 39.7cm, unframed £1,500 - 2,000

1166

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1167 Lot 1167 *After Marc Chagall (French/Russian, 1887-1985) JERUSALEM WINDOWS Seven lithographs printed in colours, 1962, printed by Charles Sorlier at Mourlot Freres, Paris, published by Andre Sauret, Monte Carlo, on wove paper, the full sheet image 29.5 x 21cm, framed (7) £400 - 600

1168

Lot 1168 *After Marc Chagall (French/Russian, 1887-1985) LE COUPLE DEVANT L’ARBRE DEVANT LE TABLEAU Two lithographs, 1960, from the portfolio ‘Bible’, printed at Mourlot Freres, Paris, published by Andre Seuret, Paris, together with another lithograph by the same hand, all on wove paper, the full sheet images 23.5 x 31cm, 23.5 x 31cm and 32.5 x 45cm, framed (3) £250 - 350

Lot 1169 *Giorgio de Chirico (Italian, 1888-1978) THE ARCHAEOLOGIST’S REST Lithograph printed in colours, 1972, signed and numbered XI/XXX in pencil, the edition was 125, printed at the Alberto Caprini Atelier, Rome, with the artist’s blindstamp on vellum paper, with full margins sheet 69 x 49.3cm, unframed £1,000 - 1,500

1170 Lot 1170 *Paul Delvaux (Belgian, 1897-1994) LA CHAMBRE (THE ROOM) (JACOB 29) Etching, 1969, signed and inscribed ‘H/C’ in pencil, a Hors Commerce impression aside from the edition of 50, printed by Lacouriere, Paris, published by Galerie Le Bateau Lavoir, Paris, with their blindstamp, on Japan Hodomura paper, with full margins plate 38 x 51cm, framed £1,500 - 2,000

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Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1134-1231 MODERN

1171 Lot 1171 *Jean Dubuffet (French, 1901-1985) JEUX ET TRAVAUX (Webel 385) Lithograph printed in colours, 1953, signed, titled and numbered 44/60 in white pencil, printed by Mourlot, Paris, published by the artist, on Arches wove, with full margins image 66 x 49cm, framed ÂŁ3,000 - 5,000

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1172

1174 Lot 1172 *Raoul Dufy (French, 1877-1953) TWO ANTILLEAN WOMEN (JOHNSON 35) Etching, c.1930, published by Ambroise Vollard, Paris, on laid paper with the publisher’s watermark, with full margins sheet 49.5 x 64.4cm, unframed £300 - 500 This print was commissioned

by Vollard for a portfolio which was never editioned and only a limited number of proofs were printed.

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1173

1175

1176

Lot 1173 *Salvador Dali (Spanish, 1904-1989) THE FIGHT WITH MORHOULT Etching printed in colours, 1970, from the ‘Tristan et Iseult’ book, French edition, initialled in pencil, the edition was 125, the plate appears on the right side of a double page with text printed opposite, on Arches wove paper, with full margins plate 40 x 26.5cm, unframed £200 - 300

Lot 1175 *Salvador Dali (Spanish, 1904-1989) BROTHER OGRIN, THE HERMIT Etching printed in colours, 1970, from the ‘Tristan et Iseult’ book, French edition, initialled in pencil, the edition was 125, the plate appears on the right side of a double page with text printed opposite, on Arches wove paper, with full margins plate 40 x 26.5cm, unframed £200 - 300

Lot 1174 *Salvador Dali (Spanish, 1904-1989) THE GIANT BELIAGOG Etching printed in colours, 1970, from the ‘Tristan et Iseult’ book, French edition, initialled in pencil, the edition was 125, the plate appears on the right side of a double page with text printed opposite, on Arches wove paper, with full margins plate 40 x 26.5cm, unframed £200 - 300

Lot 1176 *Salvador Dali (Spanish, 1904-1989) TRISTAN’S TESTAMENT Etching printed in colours, 1970, from the ‘Tristan et Iseult’ book, French edition, initialled in pencil, the edition was 125, the plate appears on the right side of a double page with text printed opposite, on Arches wove paper, with full margins plate 40 x 26.5cm, unframed £200 - 300

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1134-1231 MODERN

1177 Lot 1177 *Salvador Dali (Spanish, 1904-1989) TRISTAN THE MAD Etching printed in colours, 1970, from the ‘Tristan et Iseult’ book, French edition, initialled in pencil, the edition was 125, the plate appears on the right side of a double page with text printed opposite, on Arches wove paper, with full margins plate 40 x 26.5cm, unframed £200 - 300

1178 Lot 1180 *After Salvador Dali (Spanish, 1904-1989) SHIP AND FRUITS Lithograph printed in colours, 1986, numbered 170/2500, on wove paper, with full margins image 71 x 47cm, framed £150 - 200

1179 Lot 1181 *After Salvador Dali (Spanish, 1904-1989) SHIP AND FLOWERS Lithograph printed in colours, 1986, numbered 472/2500, on wove paper, with full margins image 71 x 47cm, framed £150 - 200

Lot 1178 *Salvador Dalí (Spanish, 1904-1989) KING OF ARAGON Etching with mezzotint printed in colours, 1971, signed and numbered 10/250 in pencil, published by Christie’s Contemporary Art, London, on their watermarked wove paper, with full margins sheet 67 x 51cm, unframed £300 - 500 Lot 1179 *Salvador Dalí (Spanish, 1904-1989) LE PORTRAIT DE LA FONTAINE Drypoint with etching, 1974, from Le Bestiaire de la Fontaine Dalinise, signed and numbered 54/250, on Arches wove paper, with full margins plate 58.8 x 40.5cm, unframed £250 - 350

1180

1181

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1182 Lot 1182 *Piero Dorazio (Italian, 1927-2005) UNTITLED Two lithographs printed in colours, 1977-91, signed and dated in pencil, both on wove paper, the full sheets folded image 20.5 x 11cm and 18 x 11cm, framed (2) £200 - 300

1185 Lot 1183 *Piero Dorazio (Italian, 1927-2005) UNTITLED Lithograph printed in colours, 1969 signed, dated and numbered 4/86 in pencil, published by Erker-Presse St.Gallen, Zurich, with their blindstamp, together with another by the same hand, signed, dated 1987 and numbered 38/120, published by Grafica d’Arte Lombardi, Rome, with their blindstamp, both on wove paper, the full sheets images 33.5 x 67.5cm and 56 x 43cm, framed (2) £300 - 500

Lot 1184 *Piero Dorazio (Italian, 1927-2005) UNTITLED Two lithographs printed in colours, 1968, signed, dated and numbered 11/100 and 12/100 in pencil, both on wove paper, the full sheets images 50.5 x 80cm and 51 x 80cm, framed (2) £300 - 500

Lot 1185 *Piero Dorazio (Italian, 1927-2005) UNTITLED Lithograph printed in colours, 1976, signed, dated and numbered 55/90 in pencil, on wove paper, the full sheet image 58 x 58cm, framed £200 - 300

1183

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1184

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1134-1231 MODERN

1187 Lot 1188 Shoichi Hasegawa (Japanese, b.1929) CORAIL EN MER DU SUD; LE ROYAUME DES PERLES; LE PETIT TRAIN Three etchings with aquatint and engraving printed in colours, each signed, titled and numbered from the edition of 110, each on wove paper, with full margins each plate overall 59.5 x 49cm, framed (3) £150 - 200

1186 Lot 1186 *Max Ernst (French/German, 1891-1976) PLATE 32, FROM LEWIS CARROLL’S ‘WUNDERHORN’ Lithograph printed in colours, 1970, signed and numbered from the edition of 69 in pencil, published by Manus Presse, Stuttgart, on Japan paper, the full sheet sheet 32 x 24.5cm, framed £500 - 700

1188

Lot 1187 *Leonor Fini (Argentine/French, 1908-1996) LE TOUNG-SOK Etching printed in colour, 1976, signed and numbered 100/136 in pencil, printed by Atelier Rigal, France on Japon paper, with full margins sheet 39.3 x 29.5cm, unframed £100 - 150

1189

Lot 1189 Shoichi Hasegawa (Japanese, b.1929) REFLÊTS CÉLESTES; HYMNE AU PRINTEMPS Two etchings with aquatint and engraving printed in colours, both signed, titled and numbered from the edition of 110, both on wove paper, with full margins each plate overall 59.3 x 49cm, framed (2) £100 - 150 Lot 1190 Shoichi Hasegawa (Japanese, b.1929) JEUX DU SOLEIL; NAVIRES EN MER EGÉE Two etchings with aquatint and engraving printed in colours, both signed, titled and numbered from the edition of 110, both on wove paper, with full margins each plate overall 48.2 x 59.5cm, framed (2) £100 - 150

1190

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1191

Lot 1191 Yozo Hamaguchi (Japanese, 1909-2000) CLOUD Mezzotint, 1958, signed and numbered 20/50 in pencil, published by Chuokoron Bijutsu Shuppan, Tokyo, on Marais wove paper, with Purfil Marais watermark, with full margins sheet 49.5 x 65.5cm, unframed £1,000 - 1,500

1192

50

Lot 1192 Tom Holland (American, b.1936) NEVIN Lithograph printed in colours with trace paper stapled, 1971, signed, titled, dated and numbered 3/60, on BFK Rives paper, with full margins sheet 42 x 75cm, unframed £150 - 200

Lot 1193 *Oskar Kokoschka (Austrian/British, 1886-1980) Two etchings in black, 1969/1970, from the ‘Penthesilea’ portfolio of 10 etchings illustrating the drama by Heinrich von Kleist, both signed and numbered 55/100 in pencil, published

by Edition de Beauclair, Frankfurt, with their blindstamp, both on wove paper, the full sheet images 19.5 x 29cm and 13 x 15cm, framed (2) £200 - 300

1193

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1134-1231 MODERN

1194

1195

Lot 1194 Paul Klee (Swiss/German, 1879-1940) WINTER Lithograph printed in colours, 1938, from the ‘Verve Vol. I, No.3’, printed by Mourlot, published by E Teriade, Paris, on wove paper, the full sheet sheet 35.5 x 26.5cm, unframed £100 - 150

Lot 1195 Wassily Kandinsky (Russian, 1866-1944) BERGE; ORIENTALISCHES; KLANGE ll Three woodcuts, two printed in colours, 1975, printed by XXE Siecle, Paris, each on Arches wove paper, with full margins images 12 x 17.5cm, 12.5 x 19cm and 19 x 12.5cm, framed (3) £200 - 300

Lot 1196 Wassily Kandinsky (Russian, 1866-1944) COMET Lithograph printed in colours, 1938, from Verve magazine, published by Terriande, Paris; together with another lithograph by the same artist from DLM art magazine, printed in 1951 from the original woodblocks from 1913, both on wove paper, with full sheets image 26.5 x 23.5cm, framed (2) £200 - 300

1196

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1197 Lot 1197 Wassily Kandinsky (Russian, 1866-1944) ZWEITE RADIERUNG FÜR DIE EDITIONS CAHIERS D’ART (ROETHEL 196) Etching, 1932, signed in pencil, an impression from the edition of approximately 100, published by Editions Cahiers d’Art, Paris, on wove paper, with full margins sheet 40.2 x 31.6cm, unframed £4,000 - 6,000

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Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1134-1231 MODERN Lot 1198 *Karolina Larusdottir (Icelandic, b.1944) BUS STOP Etching with aquatint, 1990, signed, titled, dated and numbered 5/75 in pencil, on wove paper, with full margins plate 25.5 x 30cm, framed ÂŁ100 - 150

1198

Lot 1199 Andre Mason (French, 1896-1969) TERRE EROTIQUE Lithograph, signed and numbered 87/125 in pencil, printed on wove paper with Atelier Andre Masson blindstamp, with full margins image 45 x 59cm, framed ÂŁ100 - 150

1199

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1200 Lot 1200 *Joan Miró (Spanish, 1893-1983) LA SÉANCE DE MUSIQUE FROM ALLEGRO VIVACE (MOURLOT 1230) Lithograph printed in colours, 1981, signed and inscribed ‘EA’, a proof before the edition of 100, published by Daniel Le Long, Paris, on Arches wove paper, with full margins sheet 89.6 x 61cm, framed £5,000 - 7,000

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1134-1231 MODERN

1201

1203

1202 Lot 1201 *Joan Miró (Spanish, 1893-1983) FROM MIRO SCULPTEUR Lithograph printed in colours, 1974, signed in plate, the edition was 1500, published by Bijutsu Shuppan-sha, Tokyo, on thick wove paper, the full sheet sheet 20 x 40cm, unframed £100 - 150 Lot 1202 *Joan Miró (Spanish, 1893-1983) SUMMER Lithograph with pochoir in colours, 1938, from the ‘Verve Vol. I, No.3’, printed by Mourlot, published

by E Teriade, Paris, on wove paper, the full sheet printed to the edges sheet 35.5 x 26.5cm, unframed £500 - 700 Lot 1203 *Joan Miró (Spanish, 1893-1983) FROM THE LITHOGRAPH Three lithographs printed in colours, 1972/1975, from the Spanish edition, published by Weber Genf, Geneva, all on wove paper, with full margins images all 48.5 x 31cm, framed (3) £250 - 350

1204 Lot 1204 *Joan Miró (Spanish, 1893-1983) FROM THE LITHOGRAPH Two lithographs printed in colours, 1972/1992, from the French edition, published by Maeght Editeur, Paris, both on wove paper, with full margins images both 31 x 48.5cm, framed (2) £200 - 300 Lot 1205 *Joan Miró (Spanish, 1893-1983) MIRÓ ENGRAVER VOLUME I: 1928-1860 The book, 1984, containing three woodcuts (one served as wrapper) printed in colours, this copy numbered 1569 from the edition of 2700, published by Daniel Lelong Editeur, Paris; together with portfolio ‘La Melodie Acide’, signed by Miro and the author Patrick Waldberg in pencil on the numbering page, all lithographs missing; and the book ‘Andre Beaudin’, containing eight lithographs (including the cover) largest size 36 x 27.5cm (3) £200 - 300

1205

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Lot 1206 *Henri Matisse (French, 1869-1954) UNTITLED Lithograph printed in colour, 1948, from Ronsard’s love poems ‘Florilege des Armours’, from an edition of 300, printed by Mourlet Freres, Paris, published by Skira, Paris, together with another lithograph from Verve, both on wove paper, the full sheets image 30 x 22cm and 30.5 x 16.5cm, framed (2) £200 - 300

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1206

1207

1208

1209

Lot 1207 *Henri Matisse (French, 1869-1954) TRISTESSE DO ROI (Sorrow of the King); NU BLUE VI; LA NEGRESSE Three lithographs printed in colours, 1954, from the book ‘Last Works of Henri Matisse’, 1950-54, Verve Magazine 35/36, printed

by Mourlet Freres, published by Harcourt, Brace and Co., New York, all on wove paper, the full sheets image 32 x 44cm, 33 x 25.5cm and 33.5 x 50cm, framed (3) £250 - 350

Lot 1208 *Henri Matisse (French, 1869-1954) LA CITE, NOTRE DAME (D. 248) Etching, 1937, numbered 82/300 in pencil, on wove paper, the full sheet image 33.5 x 26cm, framed £300 - 500 Lot 1209 *Henri Matisse (French, 1869-1954) TEENY (Duthuit 723) Linocut, 1938, from the edition of approximately 1500, published in XXe Siecle No 4, Christmas 1938, on wove paper, the full sheet image 30.7 x 23.4cm, framed £400 - 600

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1134-1231 MODERN

1210 Lot 1210 *Pablo Picasso (Spanish, 1881-1973) YOUNG WOMAN ON A BED, PROCURESS AND GENTLEMAN (Bloch 1802) Drypoint with etching, 1968, signed and numbered 5/50 in pencil, from La Suite 347, printed by Crommelynck Brothers, France, published by Galerie Louise Leiris, Paris, on Rives wove paper, with full margins plate 14.7 x 20.9cm, framed £4,000 - 6,000

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1211 Lot 1211 *Pablo Picasso (Spanish, 1881-1973) REMBRANDT AND WOMEN’S HEADS (BAER 405) Etching, 1934, signed in pencil, from La Suite Vollard, the edition was 250, published by Ambroise Vollard, Paris, on Montval laid paper with Montval watermark, with full wide margins sheet 38.7 x 49.8cm, unframed £8,000 - 12,000

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Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1134-1231 MODERN Lot 1212 *Pablo Picasso (Spanish, 1881-1973) NÈGRE PORTRAIT D’AIMÉ CÉSAIRE (BLOCH 633) Etching with drypoint, 1949, signed in pencil, a proof on a larger sheet aside from the edition of c.200, published by Éditions Fragrance, Paris, on a double-paged Montval paper with watermark ‘Corps Perdu’, with uncorrected title-page, the full sheet sheet 39.3 x 56.5cm, unframed £2,000 - 3,000

Lot 1213 *Pablo Picasso (Spanish, 1881-1973) A LOS TOROS The book, 1961 comprising four lithographs, one printed in colours, with the title-page, text and justification, published by André Sauret Editeur, Monte Carlo, the German edition, on wove paper, bound as issued in the grey linen-covered boards and red paper covered slipcase overall 26 x 33cm £1,000 - 1,500 Lot 1214 Spare lot

Lot 1215 *After Pablo Picasso (Spanish, 1881-1973) FEMME NUE I AND VI Two lithographs, 1969, printed by Mourlot, Paris, with their stamp verso, both on Arches paper, the full sheets each sheet 40 x 50cm, unframed (2) £300 - 500

1213

1212

1215

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1216

1217

1218 Lot 1216 Lucien Pissarro (French, 1863-1944) AU CAFÉ CONCERT Wood engraving, 1957, presumed to be from the edition of 500, reprinted from the original block in the Ashmolean Museum for ‘Notes on the Eragny Press’, privately printed at the University Press, Cambridge, on laid paper, with margins plate 10 x 8cm, unframed £100 - 150

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1219 Lot 1217 *Julio Le Parc (French/Argentinian, b.1928) ESPACE Screenprint in colours, signed and numbered 98/100 in black ink, on wove paper, with full margins image 34 x 25cm, framed £150 - 200

Lot 1218 *Julio Le Parc (French/Argentinian, b.1928) COULEURS COMPOSITION 523 NO 11-7 Screenprint in colours, signed and numbered 171/200 in pencil, published by Editions Denise Rene, Paris, with their blindstamp, on wove paper image 74 x 74cm, framed £200 - 300

Lot 1219 Lucy Qinnuayuak (Inuit, 1915-1982) FAMILY GROUP Stone cut printed in colours, 1967, signed, titled, dated and numbered 45/50 in pencil, the full sheet image 32 x 47cm, framed £200 - 300

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1134-1231 MODERN

1220 Lot 1220 *Georges Rouault (French, 1871-1958) FACE A FACE, PLATE XL Aquatint, 1948, from the ‘Miserere’ series, the edition was 425, printed by Editions de l’Etoile Filante, Paris, on Ambroise Vollard wove paper, together with an etching with aquatint, 1932, from ‘Réincarnations du Père Ubu’, on wove paper, both with full margins plate 57 x 43cm and 26.5 x 16.5cm, unframed (2) £250 - 350

Lot 1221 Pierre-Auguste Renoir (French, 1841-1919) BAIGNEUSE DEBOUT (Delteil 23) Etching, 1910, from the first edition of ‘Manet and the French Impressionists’, published by Theodore Duret, the full sheet plate 17 x 11cm, framed £250 - 350

1221

Lot 1222 *Maria Simonds-Gooding (Irish, b.1939) ROAD ON THE BLASKET ISLAND Etching, signed, titled and numbered 7/85 in pencil, on wove paper, with full margins plate 36 x 56.5cm, framed £200 - 300

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1223 Lot 1223 *Chu Teh-Chun (Chinese/French, 1920-2014) VILLAGE IN A RED RAIN Lithograph printed in colours, 1960, signed in both Chinese and English, and numbered 16/60 in pencil, on BFK Rives wove paper, the full sheet sheet 50.7 x 66cm, unframed £2,000 - 3,000

Lot 1224 *Jean Tinguely (Swiss/French, 1925-1991) 12TH NEW YORK FILM FESTIVAL Screenprint in colours, 1974, designed for the 12th Annual New York Film Festival presented by the Film Society of Lincoln Center, on thick wove paper, with full margins sheet 107 x 107cm, unframed £150 - 200 Lot 1225 *Theo Tobiasse (French, 1927-2012) AGAR ET ISMAEL CHASSIS PAR ABRAHAM Lithograph printed in colours, signed and numbered 106/135 in pencil, on wove paper, the full sheet image 65 x 49cm, framed £150 - 200

1224

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1225 Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1134-1231 MODERN Lot 1226 *Jacques Villon (French, 1875-1963) LA FEMME AU HAMAC Aquatint printed in colours, c.1924, after Marie Laurencin, on wove paper, with margins plate 43 x 54.5cm, framed £150 - 200

Lot 1227 *Ossip Zadkine (French, 1890-1967) UNTITLED Etching, signed and numbered 6/50 in pencil, on wove paper, with full margins plate 35 x 25cm, framed £200 - 300

1226

1227

Lot 1228 *Ossip Zadkine (French, 1890-1967) LA LUTTE (THE FIGHT) Etching, 1964, signed, inscribed and dedicated in ink, an artist’s proof aside from the edition, on wove paper, with full margins plate 28 x 84cm, framed £250 - 350

1228 Lot 1229 *Victor Vasarely (French, 1906-1997) SANS TITRE Screenprint in colours, 1984, signed in black ink, a proof for the poster design of the artist’s exhibition at Musée Didactique Château de Gordes, on wove paper, the full sheet image 46 x 35cm, unframed £300 - 500

1229

Lot 1230 *Victor Vasarely (French, 1906-1997) TENNIS PINK Screenprint in colours, 1977, signed and numbered 110/300 in pencil, on wove paper, with full margins image 34 x 25cm, framed £300 - 500

1230

Lot 1231 *Wolf Vostell (German, 1932-1998) CHAQUE HOMME EST UN OEUVRED’ART Lithograph printed in colours, 1983, signed, titled and inscribed ‘EA/11’, in white crayon, published by the artist, on wove paper, the full sheet image 84 x 48.5cm, framed £200 - 300

1231

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Lot 1232 After Arman (American/French, 1928-2005) LA PARADE DES OBJETS RETROSPECTIVE 1955-1983 Offset lithographic poster printed in colours, 1983, signed in black marker pen, on wove paper, the full sheet sheet 85 x 59cm, unframed £100 - 150

Lot 1233 Alexander Calder (American, 1898-1976) BEASTIE; CONVECTION Two lithographs printed in colours, 1974, from ‘Flying Colours’, each on wove paper, with full margins each sheet 51 x 66.5cm, unframed (2) £150 - 200

1232

Lot 1234 Adrian Wiszniewski (British, 1958) CIRCUS Monotype printed in colours, 1987, signed, dated and titled in pencil, on wove paper, with full margins sheet 117.2 x 88.4cm, framed £300 - 500

1233

CONTEMPORARY 1232-1454

1234

1232-1454 CONTEMPORARY Lot 1235 Ingrid Baars (Dutch, b.1969) UNTITLED Screenprint in colours, signed and numbered 177/250 in pencil, on wove paper with full margins image 30 x 40cm, framed £100 - 150

1235 Lot 1236 Jim Dine (American, b.1935) SYBIL IN HER DRESSING ROOM Lithograph printed in colours, 1968, signed in pencil, printed and published by Petersburg Press, London and New York, on wove paper, with full margins image 25 x 25cm, framed £400 - 600

1236

Lot 1237 R B Kitaj (American, 1932-2007) LET US CALL IT ARDEN AND LIVE IN IT Screenprint in colours, 1966, from the ‘Mahler Becomes Politics, Beisbol’ portfolio, signed, titled and numbered 39/70, printed at Kelpra, London, published by Marlborough Fine Art Ltd., London, on wove paper, the full sheet image 70 x 46cm, framed £300 - 500

1237

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CONTEMPORARY 1232-1454 Lot 1238 Peter Blake (British, b.1932) STUDIO TACK BOARD 2 Offset lithograph printed in colours, 1972, signed and numbered 91/350 in pencil, for Curwen Studio’s 40th anniversary, referring back to the print ‘Studio Tack-Board’ which the artist did in the 1960s and was printed at the same studio, on wove paper, with full margins image 59 x 38.5cm £250 - 350

1238

Lot 1239 Peter Blake (British, b.1932) UNION FLAG Screenprint with glitter printed in colours, 2016, to celebrate the Queen’s 90th birthday, signed and numbered 3/75 in pencil, printed at Coriander Studio, Isleworth, published by CCA Galleries, London, on wove paper, the full sheet image 55 x 83cm, framed £1,000 - 1,500

1239

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1232-1454 CONTEMPORARY

1240

1241

Lot 1240 Peter Blake (British, b.1932) QUEEN Screenprint in colours, 2002, signed and numbered 115/150 in pencil, on wove paper, with full margins image 27 x 17cm, framed £600 - 800

Lot 1241 Peter Blake (British, b.1932) I LOVE YOU Giclée printed in colours, 2013, signed and numbered 187/200 in pencil, from The Art Car Boot Sale, London, on wove paper, with full margins image 29.5 x 41.7cm, framed £300 - 500

Lot 1242 Peter Blake (British, b.1932) FAG PACKETS (BOULE) Screenprint in colours, 2004, signed and numbered 84/95 in pencil, published by CCA Galleries, London, on wove paper, the full sheet sheet 101.6 x 76cm, framed £2,000 - 3,000

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CONTEMPORARY 1232-1454 Lot 1244 Peter Blake (British, b.1932) BRICK LAYNE Giclée printed in colours, 2010, signed and numbered 72/200 in pencil, from the Art Car Boot Sale, London, on wove paper, with full margins image 28 x 19.5cm, framed £150 - 200 Lot 1245 Peter Blake (British, b.1932) A SOUVENIR OF THE ART CAR BOOT FAIR 2012 Giclée printed in colours, 2012, signed and numbered 74/250 in pencil, from the Art Car Boot Sale, London, on wove paper, with full margins image 29 x 21cm, framed £150 - 200

1243

1244

Lot 1243 Peter Blake (British, b.1932) ART CAR BOOT 2011 Giclée printed in colours, 2011, signed and numbered ‘A/P’ in pencil, an artist’s proof aside from the edition of 200, from The Art Car Boot Sale, London, on wove paper, with full margins image 27.4 x 19cm, framed £150 - 200

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Lot 1246 Peter Blake (British, b.1932) COSTUME LIFE DRAWING, YELLOW HAT Offset lithograph printed in colours, 1972-1979, signed and numbered 474/500 in pencil, published by Waddington Graphics, London, with their blind stamp, on wove paper, the full sheet image 42 x 22cm, framed £200 - 300

1246

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY Lot 1247 Francis Bacon (British, 1909-1992) PORTRAIT OF HENRIETTA MORAES Lithograph printed in colours, 1966, from DLM art magazine No. 162, from an edition of approximately 1000, published by Galerie Maeght, France, on wove paper, with margins image 33.5 x 24.5cm, framed £100 - 150 Lot 1248 Francis Bacon (British, 1909-1992) GEORGE DYER CROUCHING Lithograph printed in colours, 1966, from DLM art magazine No. 162, from an edition of approximately 1000, published by Galerie Maeght, France, on wove paper, with margins image 33.5 x 24.5cm, framed £100 - 150 Lot 1249 Paula Rego (British/Portuguese, b.1935) BITING Lithograph printed in colours, 2002, signed in pencil, a proof aside from the edition of 35, from the series ‘Jane Eyre The Guardians’, printed at the Curwen Studio, Chilford, on wove paper, with full margins sheet 90 x 62cm, unframed £600 - 800

1250

1247

1248 Lot 1250 Paula Rego (British/Portuguese, b.1935) MULHER COM SALAMANDRA Painted ceramic tile, 1989, with the stamped signature, numbered 125/150, produced

by Ratton Ceramica, Portugal, within the original folder 14 x 14cm £100 - 150

1249 Lot 1251 Paula Rego (British/Portuguese, b.1935) MULHER COM A TOCHA Painted ceramic tile, 1989, with the stamped signature, numbered 146/150, produced

by Ratton Ceramica, Portugal, within the original folder 14 x 14cm £100 - 150

1251

Lot 1252 Paula Rego (British/Portuguese, b.1935) MATADOR COM PAPAGAIO E ANJO Painted ceramic tile, 1989, with the stamped signature, numbered 116/150, produced by Ratton Ceramica, Portugal, within the original folder 14 x 14cm £100 - 150

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1253

1254

Lot 1253 Christopher Cook (British, b.1959) DÉJÀ VU Giclée print, 2007, signed, dated and numbered 1/5 in black ink, on wove paper, the full sheet printed to the edges sheet 72 x 101cm, framed £400 - 600 Lot 1254 David Suff (British, b.1955) MARCH; SEPTEMBER; OCTOBER; DECEMBER Four hand coloured etchings, 1991, all signed, dated and numbered in pencil from an edition of 100, each on wove paper, with full margins image 20 x 20cm, framed (4) £300 - 500

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Lot 1255 Philip Sutton (British, b.1928) SAN FRANCISCO; VANCOUVER Two screenprints in colours, 1966, signed and numbered 117/250 and 233/250 respectively in pencil, printed at the Curwen Studio, London, on wove paper, with full margins image 50.5 x 51cm, unframed (2) £300 - 500 Lot 1256 Philip Sutton (British, b.1928) HAWAII; PACIFIC Two screenprints in colours, 1966, signed and numbered 166/250 and 154/250 respectively in pencil, printed at the Curwen Studio, London, on wove paper, with full margins image 50.5 x 51cm, unframed (2) £300 - 500

1256

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY Lot 1257 Patrick Caulfield (British, 1936-2005) BLACK AND WHITE CAFE (Cristea 31) Screenprint in colours, 1973, from the ‘Mark Rothko Memorial Portfolio’, signed and inscribed A/P in pencil, an artist’s proof aside from the edition of 75, printed at Kelpra Studios, London, published by Matthews, Miller and Dunbar, London, on wove paper, the full sheet image 71 x 59.5cm, framed £1,000 - 1,500

Lot 1258 Patrick Caulfield (British, 1936-2005) VASE ON DISPLAY (Cristea 23) Screenprint in colours, 1971, signed and inscribed A/P in pencil, an artist’s proof aside from the edition of 100, printed at Kelpra Studios, London, published by Leslie Waddington Prints, London, on wove paper, the full sheet image 64.5 x 55cm, framed £1,000 - 1,500

Lot 1259 Patrick Caulfield (British, 1936-2005) SIXTH BRITISH INTERNATIONAL PRINT BIENNALE Screenprint in colours, 1979, printed by Kelpra Studio, London, published by Bradford Art Galleries and Museum, Bradford, on thick wove paper, the full sheet printed to the edges sheet 83.5 x 59.5cm, unframed £100 - 150

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CONTEMPORARY 1232-1454 Lot 1260 Patrick Caulfield (British, 1936-2005) YOU’LL BE SICK IF YOU SPEND ALL YOUR TIME INDOORS (Cristea 38/f); SHE’LL HAVE FORGOTTEN HER SCARF (Cristea 38/q) Two screenprints in colours, 1973, from ‘The Poems of Jules Laforgue’, from the edition of 200, printed by Frank Kicherer, Stuttgart, on Neobond synthetic paper, the full sheet each image 34 x 39.5cm, framed (2) £300 - 500

1260

1261

Lot 1261 Patrick Caulfield (British, 1936-2005) MAKING CIRCLES ON PARK LAGOONS (Cristea 38/i); SHE’LL HAVE FORGOTTEN HER SCARF (Cristea 38/q) Two screenprints in colours, 1973, from ‘The Poems of Jules Laforgue’, the edition was 200, printed by Frank Kicherer, Stuttgart, on Neobond synthetic paper, the full sheets each image 34 x 39.5cm, framed (2) £300 - 500 Lot 1262 Patrick Caulfield (British, 1936-2005) RED AND WHITE STILL LIFE Offset lithograph in colours, 1966, signed and numbered 87/100 in black pen, published by Robert Elkon Gallery, London, with their rubber stamp showing exhibition details to the reverse, on thin wove paper, the full sheet image 41 x 55cm, framed £1,000 - 1,500

1262

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Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY Lot 1263 Robert Cottingham (American, b.1935) EVERYBODY’S BOOK SHOP - EVERYBODY’S BOOKS Lithograph printed in colours, 1975, signed, titled, dated and numbered 20/200 in pencil, on wove paper, the full sheet sheet 58.3 x 46cm, unframed £300 - 500 Lot 1264 The Connor Brothers (American, b.1968) REAL EXCITEMENT Giclée print in colours with silkscreen varnish, 2014, signed, titled, dated and numbered 8/30, from the ‘True Love Stories’ series, on wove paper, with full margins sheet 119.5 x 77.5cm, unframed £400 - 600 Lot 1265 The Connor Brothers (American, b.1968) THRILLING NEWS! Giclée print in colours with silkscreen varnish, 2014, signed, dated and inscribed ‘A/P’, an artist’s proof aside from the edition of 30, from the ‘True Love Stories’ series, on wove paper, with full margins sheet 120 x 78cm, unframed £400 - 600

1263

1264

1265

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1266

1267 Lot 1266 Guy Denning (British, b.1965) UNTITLED (A MAN LOOKING LEFT) Screenprint in colours, 2009, signed and numbered 9/50 in pencil, on wove paper, with full margins image 49 x 39cm, framed £200 - 300

Lot 1267 Guy Denning (British, b.1965) UNTITLED (A MAN LOOKING DOWN) Screenprint in colours, 2009, signed, and numbered 9/50 in pencil, on wove paper, with full margins image 49 x 39cm, framed £200 - 300

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Lot 1268 Jeremy Deller (British, b.1966) I BLAME THE INTERNET Screenprint in colours, 2014, signed and numbered 32/150 in blue ink on the reverse, on mirrored cardstock paper, the full sheet printed to the edges sheet 45 x 64cm, unframed £500 - 700

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY

1269

1270

1271

Lot 1269 Stanley Donwood (British, b.1968) BOREALIS Giclée print in colours, 2006, signed, dated and numbered 22/50 in pencil, published

by Eyestorm, London, on wove paper, the full sheet image 50 x 50cm, framed £200 - 300

Lot 1270 Stanley Donwood (British, b.1968) MANHATTEN Screenprint in colours, 2009, signed, dated and numbered 70/100 in pencil, on wove paper, the full sheet image 50 x 50cm, framed £300 - 400

Lot 1271 Stanley Donwood (British, b.1968) REALISTIC Giclée print in colours, 2006, signed, dated and numbered 22/50 in pencil, published by Eyestorm Limited, London, on wove paper, the full sheet image 50 x 50cm, framed £200 - 300

Lot 1272 Dolk (Norwegian, b.1980) CHE Screenprint in colours, 2006, signed and numbered 498/750 in pencil, published

by Pictures On Walls, London, with their blindstamp, on wove paper, with full margins sheet 69.5 x 50cm, unframed £250 - 350

Lot 1273 Dolk (Norwegian, b.1980) GIRL WITH A TEDDY BEAR Screenprint in colours, 2007, signed, dated and numbered 130/200, with the artist’s blind stamp, on 250 gsm Somerset Satin wove paper, with full margins sheet 70 x 50cm, unframed £300 - 500

Lot 1274 Dolk (Norwegian, b.1980) ZOOICIDE Screenprint in colours, 2007, signed, dated and numbered 31/250, with the artist’s blind stamp, on 300gsm Conqueror Connoisseur Soft White wove paper, the full sheet sheet 66.5 x 50cm, unframed £300 - 500

1272

1273

1274

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1275

1276 Lot 1275 Shepard Fairey (American, b.1970) BLACK SABBATH Screenprint in colours, 2005, signed, dated and inscribed ‘A/P’, an artist’s proof aside from the edition of 200, on wove paper with full margins sheet 61 x 46cm, unframed £150 - 250

Lot 1276 Montana Forbes HEELS; BLACK CAT; CHERRY PICKING Three screenprints in colours, each signed, titled and numbered from the edition of 20 in black ink, on thick wove paper, with full margins largest sheet 91 x 61cm, unframed (3) £300 - 500

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Lot 1277 Nancy Fouts (American/British, b.1945) OWL WITH BUTTERFLY C-type print in colours, 2012, signed and numbered 7/100 in pencil, on photographic paper, the full sheet sheet 60 x 91cm, unframed £200 - 300

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY

1278 Lot 1278 D*Face (British) GOING EVERYWHERE FAST Mixed media stencil print in colours, 2014, signed and numbered 2/10 on certificate of authenticity, published by Prints on Wood, California, on birch wood panel overall 69 x 112 x 2cm £4,000 - 6,000

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1279 Lot 1279 D*Face (British) STREET IMPROVEMENTS I, II & V Three screenprints in colours, 2008, all signed and numbered 94/150 in pencil, published by Jealous Gallery, London, each on wove paper, with full margins each image 79 x 40cm, framed (3) £300 - 500 Lot 1280 D*Face (British) STATUE OF LIBERTY Screenprint in colours, 2008, signed and inscribed ‘archive 2’ in pencil, a proof aside from the edition of 30, with The Blek Rat Press blind stamp, on wove paper, with full margins sheet 75.5 x 93.5cm, unframed £200 - 300

1280

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Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY Lot 1281 *Tracey Emin (British, b.1963) MORE MARGATE - MORE PAST Lithograph, 2006, signed, titled, dated and numbered 41/50 in pencil, from the portfolio ‘In the Darkest Hour There will be Light’, works from Damien Hirst’s ‘Murder Me’ collection, published by Serpentine Gallery, London and Other Criteria, on wove paper, with full margins sheet 29.7 x 42cm, framed £400 - 600

Lot 1282 Tracey Emin (British, b.1963) MY FAVOURITE LITTLE BIRD Offset lithograph printed in colours, 2015, signed in silver metallic pen, from the unnumbered edition of 500, published by Emin international, on glossy wove paper, the full sheet printed to the edges sheet 70 x 50cm, framed £600 - 800

1281

Lot 1283 Tracey Emin (British, b.1963) BUT YEA Offset lithograph printed in colours, 2015, signed in silver pen, from the edition of 500 published by Emin International, on glossy wove paper, the full sheet printed to the edges sheet 70 x 50cm, framed £600 - 800

Lot 1284 Tracey Emin (British, b.1963) THE KISS WAS BEAUTIFUL Offset lithograph printed in colours, 2015, signed in silver pen, from the edition of 500 published by Emin International, on glossy wove paper, the full sheet printed to the edges sheet 70 x 50cm, framed £600 - 800

1282

1283

1284

1285

Lot 1285 Tracey Emin (British, b.1963) YOU LOVED ME LIKE A DISTANT STAR Offset lithograph printed in colours, 2015, signed in silver pen, from the edition of 500 published by Emin International, on glossy wove paper, the full sheet printed to the edges sheet 70 x 50cm, framed £600 - 800

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1287

1288 Lot 1286 Tracey Emin (British, b.1963) TINY GOLDEN HEARTS Etching, 2010, signed, dated and numbered 73/100 in pencil, on wove paper, the full sheet sheet 42 x 39cm, framed £500 - 700

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1289

Lot 1287 Tracey Emin (British, b.1963) HRH Etching, 2012, an etching of the ‘The Queen’ to mark her Diamond Jubilee, signed, dated and numbered 65/200 in pencil, on wove paper, the full sheet sheet 44 x 34cm, framed £500 - 700

Lot 1288 Tracey Emin (British, b.1963) SEE HOW THEY GROW Etching, 2010, signed, titled, dated and numbered 46/100 in pencil, on wove paper, the full sheet sheet 25 x 20cm, framed £400 - 600

Lot 1289 Tracey Emin (British, b.1963) THE KISS Etching, 2011, from the ‘Royal Wedding Will and Kate’, first seen on the front page of The Independent’s Royal Wedding commemorative issue on 30 April 2011, signed, dated and numbered 622/1000 in pencil, on wove paper, the full sheet sheet 34 x 31cm, framed £400 - 600

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY Lot 1290 Tracey Emin (British, b.1963) SPACE MONKEY Etching, 2009, signed, titled, dated and numbered 196/300, on wove paper, with full margins sheet 42 x 58.5cm, unframed £1,000 - 1,500

1290 Lot 1291 Marc Quinn (British, b.1964) PORTRAITS OF LANDSCAPES 06 Pigment print in colours, 2007, signed, dated and numbered 15/59 in pencil verso, published by the Paragon Press, London, on 330gsm Somerset velvet enhanced paper, the full sheet printed to the edges sheet 99 x 74.5cm, unframed £800 - 1,200

1291

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1292

1293

1294 Lot 1292 Adrian George (British, b.1944) HENRY Etching printed in colours, 1980, signed and numbered 78/150 in pencil, on wove paper, with full margins plate 35 x 50cm, framed £100 - 150

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Lot 1293 David Hockney (British, b.1937) THE SEXTON DISQUISED AS A GHOST STOOD STILL AS STONE (TOKYO 87) Etching and aquatint, 1969, from ‘The Boy Who Left Home to Learn Fear’ for ‘The Brothers Grimm Fairy Tales’, signed in pencil, from an edition of 100, on wove paper, with full margins image 31 x 29.5cm, framed £600 - 800

Lot 1294 David Hockney (British, b.1937) COLD WATER ABOUT TO HIT THE PRINCE (Tokyo 94) Etching and aquatint, 1969, from ‘The Boy Who Left Home to Learn Fear’ for ‘The Brothers Grimm Fairy Tales’, from an edition of 400, on wove paper, with full margins image 37.5 x 27cm, framed £200 - 300 Lot 1295 Spare lot Lot 1296 David Hockney (British, b.1937) INSIDE THE CASTLE (Tokyo 93) Etching and aquatint, 1969, from ‘The Boy Who Left Home to Learn Fear’ for ‘The Brothers Grimm Fairy Tales’, from an edition of 400, on wove paper, with full margins image 25.5 x 26cm, framed £200 - 300

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY Lot 1297 David Hockney (British, b.1937) THE SEXTON DISGUISED AS A GHOST (Tokyo 86) Etching and aquatint, 1969, from ‘The Boy Who Left Home to Learn Fear’ for ‘The Brothers Grimm Fairy Tales’, from an edition of 400, on wove paper, with full margins image 26.5 x 13cm, framed £200 - 300

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1300

Lot 1298 David Hockney (British, b.1937) THE CARPENTER’S BENCH, A KNIFE AND FIRE (Tokyo 90) Etching and aquatint, 1969, from ‘The Boy Who Left Home to Learn Fear’ for ‘The Brothers Grimm Fairy Tales’, from an edition of 400, on wove paper, with full margins image 25.5 x 24.5cm, framed £200 - 300

1298

Lot 1299 David Hockney (British, b.1937) THE LATHE AND FIRE (TOKYO 92) Etching and aquatint, 1969, from ‘The Boy Who Left Home to Learn Fear’ for ‘The Brothers Grimm Fairy Tales’, from an edition of 400, on wove paper, with full margins image 25.5 x 24.5cm, framed £200 - 300

1299 Lot 1300 David Hockney (British, b.1937) THE BLACK CAT LEAPING (TOKYO 91) Etching and aquatint, 1969, from ‘The Boy Who Left Home to Learn Fear’ for ‘The Brothers Grimm Fairy Tales’, from an edition of 400, on wove paper, with full margins image 23 x 26.5cm, framed £200 - 300

1301 Lot 1301 David Hockney (British, b.1937) THE CLOCK TOWER AND THE CLOCK (Tokyo 76) Etching and aquatint, 1969, from ‘Fundevogel’ for ‘The Brothers Grimm Fairy Tales’, signed in pencil, from an edition of 400, on wove paper, with full margins image 28 x 12.5cm, framed £200 - 300

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CONTEMPORARY 1232-1454 Lot 1302 David Hockney (British, b.1937) THE BEGINNING (SAC 55) Etching, 1966, from ‘Illustrations for Fourteen Poems from C P Cavafy’, the edition was 500, published by Editions Alecto, London, on wove paper, with full margins sheet 46.5 x 33cm, mounted £300 - 500

Lot 1303 David Hockney (British, b.1937) ONE NIGHT (SAC 55) Etching, 1966, from ‘Illustrations for Fourteen Poems from C P Cavafy’, the edition was 500, published by Editions Alecto, London, on wove paper, with full margins sheet 46.5 x 33cm, mounted £300 - 500 Lot 1304 David Hockney (British, b.1937) TO REMAIN (SAC 55) Etching, 1966, from ‘Illustrations for Fourteen Poems from C P Cavafy’, the edition was 500, published by Editions Alecto, London, on wove paper, with full margins sheet 46.5 x 33cm, mounted £300 - 500

1302

1303

1304

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Lot 1305 David Hockney (British, b.1937) HE ENQUIRED AFTER THE QUALITY (SAC 55) Etching, 1966, from ‘Illustrations for Fourteen Poems from C P Cavafy’, the edition was 500, published by Editions Alecto, London, on wove paper, with full margins sheet 46.5 x 33cm, mounted £300 - 500

1305

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY

1306 Lot 1306 David Hockney (British, b.1937) GREGORY (SAC 169) Etching with soft-ground etching printed in colours, 1974, signed, dated and inscribed ‘A.P XIII’ in pencil, an artist’s proof, the edition was 75, printed and published by Petersburg Press, London, on Inveresk mould-made paper, with full margins plate 68.5 x 54.5cm, framed £4,000 - 6,000 Exhibited: T he Walker Gallery, Liverpool.

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CONTEMPORARY 1232-1454 Lot 1307 David Hockney (British, b.1937) A BOUNCE FOR BRADFORD The handmade print in colours executed on an office photocopier, 1987, limited edition of unknown size, published by Bradford & District Newspapers, designed by the artist for Bradford’s ‘Bounce Back’ campaign, on thin wove, the full sheet sheet 42 x 60cm, framed £400 - 600

1307 Lot 1308 David Hockney (British, b.1937) THE PRINCESS SEARCHING (Tokyo 71) Etching with aquatint, 1969, from ‘The Little Sea Hare’ for ‘Six Fairy Tales from The Brothers Grimm’, the edition was 400, on wove paper, with full margins image 26.5 x 17.5cm, framed £200 - 300

Lot 1309 David Hockney (British, b.1937) CORPSES ON FIRE (Tokyo 88) Etching with aquatint, 1969, from ‘The Boy Who Left Home To Learn Fear’ for ‘Six Fairy Tales from The Brothers Grimm’, the edition was 400, on wove paper, with full margins image 26.5 x 24.5cm, framed £200 - 300

1308

1309

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1232-1454 CONTEMPORARY

1310

1311

1312 Lot 1310 David Hockney (British, b.1937) A ROOM FULL OF STRAW (TOKYO 101) Etching with aquatint, 1969, from ‘Rumpelstilzchen’ for ‘Six Fairy Tales from The Brothers Grimm’, the edition was 400, on wove paper, with full margins image 25 x 22cm, framed £200 - 300

Lot 1311 David Hockney (British, b.1937) PLEADING FOR THE CHILD (Tokyo 103) Etching with aquatint, 1969, from ‘Rumpelstilzchen’ for ‘Six Fairy Tales from The Brothers Grimm’, the edition was 400, on wove paper, with full margins image 26.5 x 25cm, framed £200 - 300

1313 Lot 1312 David Hockney (British, b.1937) THE OLDER RAPUNZEL (Tokyo 81) Etching with aquatint, 1969, from ‘Rumpelstilzchen’ for ‘Six Fairy Tales from The Brothers Grimm’, the edition was 400, on wove paper, with full margins image 26.5 x 17.5cm, framed £200 - 300

Lot 1313 *David Hockney (British, b.1937) THE PRINCESS IN HER TOWER (T.68) Etching with aquatint, 1969, from the unsigned edition of 400, from the story ‘The Little Sea Hare’, for the book ‘Six Fairy Tales from the Brothers Grimm’, on wove paper, with full margins overall 42.5 x 29.5cm, framed £200 - 300

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CONTEMPORARY 1232-1454 Lot 1314 After David Hockney (British, b.1937) MY MOTHER (BRIDLINGTON) Offset lithographic poster printed in colours, 1988, from the Tate Retrospective, signed in black pen, printed by Waterman Press Ltd., Kent, published by The Tate, London, on wove paper, the full sheet sheet 76.5 x 50.5cm, unframed £300 - 500 Lot 1315 Spare lot

Lot 1316 After David Hockney (British, b.1937) THE NINETEENTH NEW YORK FILM FESTIVAL Offset lithographic poster printed in colours, 1981, signed and dedicated ‘for Paul’ in black crayon, on wove paper, with full margins sheet 99 x 68cm, unframed £300 - 500 Lot 1317 After David Hockney (British, b.1937) THE ARTIST’S EYE - LOOKING AT PICTURES ON A SCREEN Offset lithographic poster printed in colours, 1981, signed in black pen, designed by Gordon House, printed by Rapier Press, Derbyshire, published by The National Gallery, London, on wove paper, the full sheet sheet 76 x 51cm, unframed £400 - 600

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1316

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1317 Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY Lot 1318 After David Hockney (British, b.1937) HOCKNEYS PROGRESS (THE ARTIST’S MOTHER) Offset lithographic poster printed in colours, 1997, signed and inscribed ‘for Paul, David’ in black crayon, printed by the Petersburg Press, London, published

by Graves’s Art Gallery, Sheffield, on wove paper, the full sheet sheet 80 x 57cm, unframed £200 - 300 Lot 1319 After David Hockney (British, b.1937) AN EXHIBITION OF POSERS

BY DAVID HOCKNEY (BRADFORD ART GALLERIES & MUSEUMS) Offset lithographic poster printed in colours, 1986, signed in black ink, on smooth wove paper, with full sheet printed to the edges sheet 59 x 41.5cm, unframed £200 - 300

1318

1319

Lot 1320 After David Hockney (British, b.1937) TRISTAN UND ISOLDE ROBERT WAGNER Offset lithographic poster printed in colours, 1997, signed and inscribed ‘for Paul, love David’ in gold pen, published by The LA Opera, Los Angeles, on wove paper, the full sheet sheet 56 x 35.5cm, unframed £200 - 300 Lot 1321 After David Hockney (British, b.1937) THE THREEPENNY OPERA Offset lithographic poster printed in colours, 1972, for the opera at Prince of Wales Theatre, printed by A E King & Jackson Ltd., together with another theatre poster for the Nottingham Playhouse Production of LULU, each on wove paper, the full sheets sheet 51 x 32cm, unframed (2) £100 - 150

1320

1321

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1322

1323

Lot 1322 Antony Gormley (British, b.1950) ROOM Giclée print in colours, 2008, signed and numbered 84/150 in pencil, published by Oak Tree Fine Press, Fyfield, on Hahnemule wove paper, with full margins sheet 28 x 21.5cm, unframed £600 - 800

90

Lot 1323 Antony Gormley (British, b.1950) BODY Giclée print in colours, 2014, signed, titled, dated and numbered 102/250 on the reserve, on wove paper, with full margins sheet 28 x 21.5cm, unframed £600 - 800

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY Lot 1324 Gilbert and George (British, b.1943 and b.1942) NEW HORNY PICTURES Offset lithographic poster printed in colours, 2001, for their exhibition at The White Cube, London, signed by both artists in gold pen, on wove paper, with full margins image 57.5 x 40.7cm, framed £100 - 150

1324 Lot 1325 Damien Hirst (British, b.1965) BOOGIE-WOOGIE Offset lithograph in colours, 2000, serving as the dust jacket for the novel of the same name by Danny Moynihan, signed by the artist in brown black ink, published

by Duck Editions, London, the full sheet sheet 21 x 33cm, framed £100 - 150

1325

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1326 Lot 1326 Damien Hirst (British, b.1965) OPIUM Lambda inkjet printed in colours, 2000, signed in black felt-tip pen, numbered 144/500 verso, published by Eyestorm, London, on glossy wove paper, the full sheet printed close to the edges sheet 48.4 x 43.4cm, framed ÂŁ3,500 - 4,500

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1232-1454 CONTEMPORARY

1327 Lot 1327 Damien Hirst (British, b.1965) DARK BLACK UTOPIA Inkjet with glaze and foil block printed in colours, 2012, signed and numbered 8/55 in black ink, Published by Paul Stolper & Other Criteria, London on Hahnemühle photo rag ultra smooth 305gsm paper, with full margins sheet 86.5 x 71cm, unframed £6,000 - 8,000

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CONTEMPORARY 1232-1454 Lot 1328 Damien Hirst (British, b.1965) FOR THE LOVE OF GOD Screenprint in colours, 2009, signed and numbered 702/1000 in white crayon, printed at Coriander Studios, London, published by Other Criteria, London, the full sheet printed to the edges sheet 32.5 x 24cm, framed £1,000 - 1,500

1328 Lot 1329 After Damian Hirst (British, b.1965) ROMANCE IN THE AGE OF UNCERTAINTY Two offset lithographic posters printed in colours, 2003, each signed in black marker pen, published by White Cube, London, on smooth wove paper, the full sheet printed to the edges sheet 84 x 59.5cm, unframed (2) £600 - 800

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1232-1454 CONTEMPORARY Lot 1330 Gary Hume (British, b.1962) ONE THOUSAND WINDOWS Acrylic on paper, 2013, signed, titled and numbered 470/1000 on reverse, published by Tate, London image 37 x 31.5cm, framed £300 - 500

1330 Lot 1331 Mark Herald (British, b.1974) THRUSHES AND CRABAPPLES Lithograph printed in colours, 2010, signed, dated and inscribed PP 1/2 in white pencil, printed at The Curwen Press, London, together with ‘Parasol’, Lionel Bulmer, and ‘Christchurch, Oxford’, Joe Winkleman, all on wove paper image 25 x 68.5cm, framed (3) £150 - 200

1331

Lot 1332 Maya Hayuk (American, b.1969) CHEM TRAILS NYC Giclée print in colours, 2014, signed, titled, dated and numbered 39/100 in pencil, on Somerset satin heritage wove paper, with full margins sheet 35.5 x 61cm, unframed £100 - 150

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1333 Lot 1333 Allen Jones (British, b.1937) GRENADA Etching, 1987, signed and numbered 35/48 in pencil, published by The Royal College of Art, London, on wove paper, with full margins image 31 x 31cm, framed £250 - 350

1334 Lot 1334 Allen Jones (British, b.1937) GENDER POLITICS Lithograph printed in colours, 2000, signed, dated and numbered 90/100, on thick wove paper, the full sheet printed close to the edges sheet 65 x 50cm, unframed £300 - 500

Lot 1335 Paul Insect (British, b.1971) THE KID (YELLOW) Screenprint in colours, 2006, signed and numbered 38/150 in pencil, published by Pictures On Walls, London, with their blind stamp, on wove paper with full margins sheet 70 x 50cm, unframed £200 - 300

Lot 1336 Paul Insect (British, b.1971) COW’S HEAD Screenprint in colours, signed and numbered 47/50, published by Pictures On Walls, London, with their blind stamp, on wove paper, the full sheet sheet 76.5 x 57.5cm, unframed £250 - 350

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1336 Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY

1337

1338

Lot 1337 Pure Evil (British, b.1968) ‘ROGER VADIM’S NIGHTMARE’ DEPICTING BRIGITTE BARDOT Screenprint in colours, 2015, signed and numbered 50/100 in pencil, on wove paper, the full sheet image 83 x 68cm, framed £150 - 200

Lot 1338 Pure Evil (British, b.1968) TEMPLE OF BROKEN DREAMS Screenprint in black, 2015, signed in black pen, from the edition of 500 printed in four different colour versions, on one side of a flattened cardboard box overall 53 x 46cm, framed £100 - 150

Lot 1339 Andy Lovell (British, b.1964) PEBBLE BEACH Screenprint in colours, signed, titled and numbered 4/75, printed

by The Curwen Press, London, together with ‘Under The Copper Beach’, Robert Scott Simon, and ‘On the Way Up’, Gareth Parry, all on wove paper, the full sheets the largest image 37 x 52cm, framed (2) mounted (1) £150 - 200

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1340 1342

1341 Lot 1340 Gerald Laing (British, 1936-2011) CT STROKERS (INGRAM & HALLIWELL 19) Screenprint in colours, 1968, signed, titled, dated and numbered 138/150 in pencil, printed and published by the artist with his blind stamp, on wove paper, with full margins sheet 58.5 x 89cm, unframed £400 - 600

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Lot 1341 Gerald Laing (British, 1936-2011) THIRD SKYDIVER (INGRAM & HALLIWELL 13) Screenprint in colours, 1968, signed, titled, dated and numbered 45/75 in pencil, printed and published by the artist, with his blind stamp, on wove paper, with full margins sheet 89 x 58.5cm, unframed £400 - 600

Lot 1342 Gerald Laing (British, 1936-2011) CHEUELERE ASSIGNE (INGRAM & HALLIWELL 30) Screenprint in colours with die-cut Mylar, 1968, signed, titled, dated and numbered 55/75 in pencil, printed and published by the artist with his blind stamp, on wove paper, the full sheet sheet 58.5 x 73.5cm, unframed £400 - 600

Lot 1343 Gerald Laing (British, 1936-2011) DECELERATION II (INGRAM & HALLIWELL 21) Screenprint in colours, 1968, signed, titled, dated and numbered 148/150 in pencil, printed and published by the artist with his blindstamp, on wove paper, with full margins sheet 89 x 58.5cm, unframed £400 - 600

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY

1344 Lot 1344 Joe Tilson (British, b.1928) SKY MANTRA Etching with aquatint printed in colours with collage element, 1979, signed, dated and numbered 68/75 in pencil, on wove paper, with full margins plate 88.9 x 80.8cm, framed £300 - 500

1345

Lot 1345 Joe Tilson (British, b.1928) LIKNON Etching and Lithograph printed in colours, 1987, from ‘The Artist’s Choice Portfolio’, signed, dated and numbered 35/48 in pencil, printed and published by The Royal College of Art, London, on wove paper, the full sheet sheet 30.5 x 30.5cm, framed £250 - 350

Lot 1346 Michael Kirkman (British, b.1986) STILL FISH Linocut printed in colours, signed, titled and numbered 11/24, on wove paper, with full margins plate 32 x 45.5cm, framed £100 - 150

1346

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1347

1348 Lot 1347 Eduardo Paolozzi (British, 1924-2005) FOR LEONARDO Engraving, 1987, from ‘The Artist’s Choice Portfolio’, signed and numbered 35/48 in pencil, printed and published by The Royal College of Art, London, on wove paper, the full sheet sheet 30 x 30cm, framed £200 - 300

Lot 1348 Eduardo Paolozzi (British, 1924-2005) LES CHANTS MALDOROR, DUCASSE Etching, 1992, signed and numbered 44/50 in pencil, on BFK rives wove paper, with full margins plate 34.5 x 50.5cm, unframed £400 - 600

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Lot 1349 Eduardo Paolozzi (British, 1924-2005) WHO IS AFRAID OF SUGAR PINK AND LIME GREEN Screenprint in colours, 1971, signed, dated and numbered 81/100 in pencil, from the ‘14 Big Prints’ portfolio, printed by Advanced Graphics, London, published by Bernard Jacobson, London, on wove paper, with full margins image 144 x 104cm, framed £500 - 700

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY

Lot 1350 Eduardo Paolozzi (British, 1924-2005) MOONSTRIPS EMPIRE NEWS VOLUME 1 The complete portfolio of 100 screenprints in colours, 1967, eight signed and numbered 88/500 in pencil, with justification and text, printed by Kelpra Studios, London, published by Editions Alecto, London, each sheet lose, on wove paper, within original Formed Arcylic box fabricated

by Herault Studios overall 40.2 x 27.5 x 5cm £2,500 - 3,500

1350 boxed 1350 part

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CONTEMPORARY 1232-1454 Lot 1351 Bruce McLean (British, b.1944) LOBSTER FACTOR 10 DAYS 1-14 Screenprint in colours, 1988-89, signed, titled and numbered 14/75 in pencil, on wove paper, with full margins sheet 118.9 x 91.4cm, framed £400 - 600

1351 Lot 1352 Bruce McLean (British, b.1944) UNTITLED Four screenprints on stove enamel panel, 1991, each signed and numbered 2/10 verso each 50.5 x 50.0 x 5cm (4) £600 - 800

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1232-1454 CONTEMPORARY

1353

1354

Lot 1353 Bruce McLean (British, b.1944) WHITE MAN, GREY MAN AND RED LINO Screenprint in colours, 1985, signed and numbered 82/100 in pencil, on wove paper, the full sheet printed to the edges sheet 80 x 100cm, unframed £400 - 600

Lot 1354 Bruce McLean (British, b.1944) PIPE DREAM (YELLOW BACKGROUND) (C.43) Screenprint in colours, 1984, signed, dated and numbered 20/30 in pencil, printed at Coriander Studio, London, published by Bernhard Jacobson Gallery, London, on Arches wove paper, the full sheet sheet 100 x 89.5cm £300 - 500

Lot 1355 Bruce McLean (British, b.1944) THE 2ND INTERNATIONAL ART FAIR (C.61) Screenprint in colours, 1984, signed, dated and numbered 67/150 in pencil, printed at Coriander Studio, London, published by Bernhard Jacobson Gallery, London, on wove paper, with full margins sheet 100 x 89.5cm £200 - 300

1355

Lot 1356 Josie Mccoy (British) SUZIE Digital print in colours, 2005, signed, titled and numbered 1/45 in pencil, published by Eyestorm, London, on thick wove paper, with full margins sheet 57 x 55.5cm, unframed £150 - 200

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CONTEMPORARY 1232-1454 Lot 1357 Antony Micallef (British, b.1975) HAPPY FUCKED UP NUCLEAR GIRL Lithograph printed in colours, 2005, signed and inscribed ‘P/P’ in pencil, aside from the edition of 95, published by Eyestorm gallery, London, on wove paper, the full sheet image 80 x 60cm, framed £300 - 500

1357

1358

Lot 1358 Antony Micallef (British, 1975) SHIBUYA CROSSING lithograph, 2005, signed and numbered 83/95 in pencil, published by Curwen Press, Chilford, on wove paper, with full margins sheet 59 x 54cm, unframed £250 - 350

Lot 1359 Antony Micallef (British, b.1975) GIRL TOKYO Lithograph, 2005, signed and numbered 91/95 in pencil, published by Eyestorm, London, on wove paper, the full sheet printed to the edges sheet 100 x 73cm, unframed £250 - 350

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Lot 1360 Antony Micallef (British, b.1975) MY WALK IN HARAJUKU Lithograph printed in colours, 2005, signed and numbered 77/95 in pencil, on wove paper, the full sheet printed to the edges, sheet 101 x 74cm, unframed £500 - 700

Lot 1361 Antony Micallef (British, b.1975) NO ONE UNDERSTANDS ME Lithograph printed in colours, 2005, signed and numbered 78/95 in pencil, printed by Curwen Studio, London, on wove paper, the full sheet sheet 55 x 41.5cm, unframed £300 - 500

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY

1362

1363

1364 Lot 1362 Mackenzie Thorpe (British, b.1956) THE GAME Screenprint in colours, signed, titled and numbered 54/395, published by The Chase Group LLC. USA, on wove paper, with full margins sheet 71.5 x 58.5cm, unframed £300 - 500

1365 Lot 1363 Laure Prouvost (French, b.1978) IDEALLY THE BLACK OF THIS PRINT WOULD BE A BREATH-TAKING IMAGE Copperplate photo etching and embossing, 2014, signed and numbered 30/40 in pencil on the reserve, on 300gsm Somerset velvet white wove paper, with full margins sheet 32.3 x 40cm, unframed £700 - 900

Lot 1364 Lucas Price (British, b.1975) TELEPATHIC HEIGHTS Screenprint in colours, 2011, signed ‘Cyclops’ and inscribed in pencil, the edition was 95, published by The Black Rat Press, with their blind stamp, on thick wove paper, with full margins sheet 97 x 71.5cm £100 - 150

Lot 1365 Sara Pope (British) LIPS 1 Giclée print in colours, 2010, signed and numbered 51/100 in pencil, printed and published

by Jealous Gallery, London, with their blind stamp, on wove paper, the full sheet image 28 x 23cm, framed £200 - 300

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CONTEMPORARY 1232-1454 Lot 1366 Lucie Bennett (British, b.1972) AIR FORCE BLUE Screenprint in colours, 2005, signed, titled and inscribed A/P in pencil, an artist’s proof aside from the edition of 95, on wove paper, with full margins image 94 x 61cm, framed £350 - 450

Lot 1367 Lucie Bennett (British, b.1972) GREEN FELT TIP GIRL Screenprint in colours, 2005, signed, titled and numbered 81/95 in pencil, on wove paper, with full margins sheet 100 x 66cm, unframed £300 - 500

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Lot 1368 Lucie Bennett (British, b.1972) ROSE - COLOURED SHOES Screenprint in colours, 2005, signed, titled and numbered 1/95 in pencil, on Somerset 410gsm wove paper, with full margins sheet 112 x 76cm, unframed £400 - 600

1368 Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY

1369

1370

1372 Lot 1369 Panic PEACE AND WAR Screenprint with varnish, signed and inscribed ‘A/P X’ in pencil, printed by Goldmark Atelier, England, on 300gsm Somerset satin paper, with their blind stamp, with full margins image 36 x 36cm, unframed £150 - 200 Lot 1370 Enoc Perez (Puerto Rican, b.1967) HOTEL LA CONCHA Etching printed in colours, 2005, signed, dated and inscribed AP 4/6, an artist’s proof aside from the edition of 30, published by Grimm Fine Art Editions, Amsterdam. On Somerset wove paper, with full margins sheet 55 x 71cm, unframed £1,000 - 1,500

1371 Lot 1371 Enoc Perez (Puerto Rican, b.1967) NORMANDIE Etching in black, 2005, signed, titled, dated and numbered 29/30 in pencil, published by Grimm Fine Art Editions, Amsterdam, with their blind stamp, on wove paper, the full sheet sheet 75 x 56cm, framed £800 - 1,200

Lot 1372 Enoc Perez (Puerto Rican, b.1967) UNTITLED (CALIFORNIA) Etching and aquatint printed in colours, 2008, from Suite, signed, dated and numbered 12/20 in pencil, published by Grimm Fine Art Editions, Amsterdam, with their blind stamp, on wove paper, the full sheet sheet 52.7 x 36cm, framed £500 - 700

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1373 Lot 1373 Banksy (British, b.1974) HAPPY CHOPPERS Screenprint in colours, 2003, numbered 480/750, published by Pictures on Walls, London, on wove paper, with full margins, image 67.2 x 47.3cm, framed £3,000 - 5,000 This work is accompanied by a certificate of authenticity from Pest Control.

1374 Lot 1374 Banksy (British, b.1974) TURF WAR Screenprint in colours, 2003, numbered from the edition of 750 in pencil, printed and published by Pictures on Walls, London, the full sheet sheet 48.2 x 34.7cm, framed £2,000 - 3,000

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1232-1454 CONTEMPORARY

1375 Lot 1375 Banksy (British, b.1974) PULP FICTION Screenprint in colours, 2004, numbered 308/600 in pencil, published by Pictures on Walls, London, on wove paper, with full margins sheet 50 x 70cm, framed £7,000 - 9,000 This work is accompanied by a certificate of authenticity from Pest Control.

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CONTEMPORARY 1232-1454 Lot 1376 Banksy (British, b.1974) SAVE OR DELETE Offset lithograph printed in colours, 2002, originally commissioned

by Greenpeace to highlight the problems of global deforestation, on wove paper, the full sheet image 39.5 x 56.5cm, framed £700 - 900 Includes a set of eight original stickers and the original stencil (stencil not by Banksy) which accompanied the prints.

1376 Lot 1377 Banksy (British, b.1974) MONKEY SIGN - DO NOTHING YOU’LL LIVE LONGER (BLACK) Resin, 2016, from the edition of 600, produced by Medicom Toy, Tokyo, with the original box statue 36 x 20 x 18cm box 47 x 29 x 25cm £1,500 - 2,000

1377 Lot 1378 Banksy (British, b.1974) MONKEY SIGN - DO NOTHING YOU’LL LIVE LONGER (WHITE) Resin, 2016, from the edition of 600, produced by Medicom Toy, Tokyo, with the original box statue 36 x 20 x 18cm box 47 x 29 x 25cm £1,500 - 2,000

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1232-1454 CONTEMPORARY

1379 Lot 1379 Banksy (British, b.1974) FLOWER BOMBER polypropylene, 2016, published by Medicom Toy/Sync, Tokyo, with the original box statue 39 x 35 x 15cm box 47 x 29 x 25cm £1,000 - 1,500 Lot 1380 After Banksy (British, 1974) LOVE IN THE AIR Screenprint in colours, with the rubber stamp of the West Country Prince on the reverse, on wove paper, with full margins sheet 50 x 70cm, framed £300 - 500

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1381 Lot 1381 After Banksy (British, b.1974) DI-FACED TENNER offset lithograph printed in colours, 2004, printed by Pictures On Walls, London, the full sheet printed to the edges sheet 7.6 x 14.3cm, unframed £800 - 1,200

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1383

Lot 1382 After Banksy (British, b.1974) THE CANS FESTIVAL LONDON POSTER Lithograph printed in colours, 2008, for The Cans Festival in London, hosted by the artist who invited graffiti artists from around the world to paint their own artwork, on wove paper, the full sheet printed to the edges sheet 69 x 48cm, framed £200 - 300 Lot 1383 After Banksy (British, b.1974) KATE MOSS Screenprint in colours, with the rubber stamp of the West Country Prince on the reverse, on wove paper, with full margins image 53 x 53cm, framed £300 - 500 Lot 1384 After Banksy (British, b.1974) BARCODE Screenprint in colours, with the rubber stamp of the West Country Prince on the reverse, on wove paper, with full margins sheet 48.5 x 69.5cm, framed £300 - 500

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1232-1454 CONTEMPORARY

1385

1386

Lot 1385 Claes Oldenburg (American, b.1929) N.Y.C. PRETZEL Screenprint in colours, 1994, artist’s name, title and date stamped on reverse, signed in black pen, printed by Brand X Editions, New York, published by I.C. Editions & David Platzker, New York, on laser cut cardboard, the full sheet sheet 17 x 18cm, framed £150 - 200

Lot 1386 Gavin Turk (British, b.1967) FRESH WINDOW Inkjet print in colours on canvas, 2001, signed, titled, dated and numbered 20/100 in pencil, on the wooden stretcher overall 81 x 81cm, unframed £300 - 500

Lot 1387 James Rosenquist (American, 1933-2017) MY MIND IS A GLASS OF WATER Lithograph printed in colours, 1972, a proof aside from the edition of 125, published by Brooke Alexander, Inc., New York, on wove paper, with full margins sheet 76 x 57cm, unframed £400 - 600

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CONTEMPORARY 1232-1454 Lot 1388 James Rosenquist (American, 1933-2017) WHIPPED BUTTER FOR EUGEN RUCHIN (FROM 11 POP ARTISTS II) (G.11) Screenprint in colours, 1965, signed and numbered XXIV in pencil, aside from the edition of 200, printed by Knickerbocker Machine And Foundry Inc., New York, published by Original Editions, New York, on wove paper, the full sheet printed to the edges sheet 61 x 75.5cm, unframed £800 - 1,200

Lot 1389 James Rosenquist (American, 1933-2017) FOR LOVE (FROM POP ARTISTS VOL III) (G.13) Screenprint in colours, 1965, signed and numbered XXIV in pencil, aside from the edition of 200, published by Original Editions, New York, on wove paper, the full sheet sheet 90 x 67cm, unframed £1,200 - 1,800 Lot 1390 Jo Niemeyer (German, b.1946) UNTITLED Screenprint in colours, signed and numbered 126/250 in pencil, on wove paper, with full margins image 41.5 x 41cm, framed £250 - 350 Lot 1391 Jo Niemeyer (German, b.1946) UNTITLED Screenprint in colours, signed and numbered 68/250, in pencil, on wove paper, with full margins image 41.5 x 41cm, framed £250 - 350

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1391 Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY

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1393

Lot 1392 Dieter Roth (German/Swiss, 1930-1998) DUET (D.182) Etching with drypoint, 1972, signed, dated and numbered 14/30 in pencil, published by Petersburg Press, London, on wove paper, with full margins plate 70.5 x 64cm £500 - 700

Lot 1393 Dieter Roth (German/Swiss, 1930-1998) CONTAINER (D. 276) Etching printed in red, 1972, from the ‘Containers’ portfolio, signed, titled, numbered XI/XIV and inscribed ‘Artist’s Copy’ in pencil, published by Petersburg Press, London, on wove paper, the full sheet image 29 x 25cm, framed £200 - 300

Lot 1394 After Joseph Beuys (German, 1921-1986) MAIFEST IM KUNSTVEREIN HANNOVER Offset lithographic poster printed in colours, 1973, signed in red pen, designed for a discussion with Joseph Beuys in the Kunstverein Hannover, Germany, on smooth wove paper, the full sheet sheet 81 x 59.5cm, unframed £200 - 300

1394

Lot 1395 After Richard Serra (American, b.1939) TEKENINGEN Offset lithographic poster printed in colours, 1990, signed in black marker pen, designed for the exhibition at Bonnefanten Museum, Maastricht, Netherlands, together with two Turner Prize posters, 1992, signed by Grenville Davey and David Tremlett respectively, each on smooth wove paper, the full sheets printed to the edges largest sheet 57 x 84cm, unframed £150 - 200

1395

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CONTEMPORARY 1232-1454 Lot 1396 Gerd Winner (German, b.1936) TITLE PAGE Screenprint in colours, 1970, from the ‘London Transport’ suite, signed and numbered 42/100 in pen, printed by Kelpa Studio Limited, London, on glossy wove paper, with full margins sheet 104 x 79cm, framed £150 - 200

Lot 1397 Gerd Winner (German, b.1936) TUBE TRAIN Screenprint in colours, 1970, signed and numbered 42/100 in black ink, from the ‘London Transport’ series, on glossy wove paper, the full sheet sheet 104 x 79cm, unframed £150 - 200

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Lot 1398 Gerd Winner (German, b.1936) WEST EMBANKMENT WAREHOUSE Screenprint in colours, 1975, signed and numbered 21/50 in pencil, on wove paper, with full margins sheet 104 x 78cm, framed £200 - 300

Lot 1399 Gerd Winner (German, b.1936) D & C TRUCKING Screenprint in colours, 1975, signed and inscribed ‘A.P’ in pencil, an artist’ proof aside from the edition of 50, on wove paper, with full margins image 69 x 74cm, framed £200 - 300

Lot 1400 Gerd Winner (German, b.1936) NEW YORK WALL Screenprint in colours, 1978, signed in pencil, from the edition of 75, printed

by Kelpra Studio, London, on wove paper, with full margins sheet 99.5 x 76.5cm, unframed £200 - 300

1400 Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY

1401 Lot 1401 Richard Estes (American, b.1932) 4 ½ % INTEREST (A.116) Screenprint in colours, 1979, signed and inscribed ‘ARTIST’S PROOF NO 4’ in pencil, aside from the edition of 100, printed by Editions Domberger, Stuttgart, published by the Parasol Press, New York, on Fabriano Cottone paper, with full margins sheet 70 x 50cm, unframed £1,500 - 2,000

1402 Lot 1402 Richard Estes (American, b.1932) CLOCK FULL O’NUTS, 57TH STREET Screenprint in colours, 1979, signed and numbered 47/100 in pencil, printed by Editions Domberger, Stuttgart, published by the Parasol Press, New York, on Fabriano Cottone paper, with full margins image 50.5 x 33.5cm, mounted £1,500 - 2,000

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CONTEMPORARY 1232-1454 Lot 1403 After Keith Haring (American, 1958-1990) NEW YORK IS BOOK COUNTRY Screenprint in colours, 1985, signed and dated ‘85’ in black felt tip pen, on wove paper, the full sheet sheet 64.6 x 50cm, unframed £300 - 500

1403 Lot 1404 After Keith Haring (American, 1958-1990) ABSOLUT VODKA Offset lithograph printed in colours, 1986, signed and dated ‘87’ in black felt tip pen, on smooth wove paper with essential horizontal and vertical folds as issued, the full sheet sheet 54 x 38cm, unframed £200 - 300

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1232-1454 CONTEMPORARY

1405 Lot 1405 After Keith Haring (American, 1958-1990) LES BALLET DE MONTE CARLO Offset lithograph printed in colours, 1989, signed and dated in black felt tip pen, on smooth wove paper, with full margins sheet 39.5 x 29.5cm, unframed £200 - 300

1406 Lot 1406 After Keith Haring (American, 1958-1990) CLUB DV8-SAN FRANCISCO Screenprint in colours, 1987, signed and dated ‘89’ in black felt tip pen, on wove paper, the sheet printed close to the edges sheet 55.6 x 46cm, unframed £300 - 500

Lot 1407 After Keith Haring (American, 1958-1990) IGNORANCE = FEAR Offset lithograph printed in colours, 1989, signed, dated ‘89’ and inscribed ‘for Tim’ in black felt tip pen, on smooth wove paper, the sheet printed to the edges, left and right side of sheet possibly trimmed sheet 61.2 x 97cm, unframed £400 - 600

1407

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CONTEMPORARY 1232-1454 Lot 1408 Andy Warhol (American, 1928-1987) TOMATO-BEEF NOODLE O’S, FROM CAMPBELL’S SOUP II (F.&S. II.61) Screenprint in colours, 1969, signed in ball-point pen and stamped-numbered 18/250 on the reserve, published by Factory Additions, New York, with margins, upper or lower margin presumably trimmed image 81 x 47.4cm, unframed £7,000 - 9,000

1408 Lot 1409 Andy Warhol (American, 1928-1987) DOSSIER NO 2357 - THE THIRTEEN MOST WANTED MEN Screenprint, 1967, the uncut sheet of the exhibition catalogue, published by Ileana Sonnabend Galleries, Paris, on wove paper, the sheet printed close to the edges sheet 69 x 98.5cm, unframed £1,000 - 1,500

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1232-1454 CONTEMPORARY

1410 Lot 1410 Andy Warhol (American, 1928-1987) SPACE FRUITS (CANTALOUPES I) (F.& S.II.201) Screenprint in colours, 1979, signed and numbered 68/150 in black ink, published by Grippi/Zivian Inc., New York, with the copyright ink stamp on the reverse, on Lenox Museum Board and Strathmore Bristol paper, the full sheet sheet 76 x 101.5cm, framed £10,000 - 15,000

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1412

Lot 1411 After Andy Warhol (American, 1928-1987) LEVIS 501 JEANS Offset lithographic poster printed in colours, 1984, signed in black marker pen, on smooth wove paper, with full margins sheet 90 x 58cm, unframed £400 - 600

Lot 1412 After Andy Warhol (American, 1928-1987) REIGNING QUEENS Four offset lithographic posters printed in colours, 1986, each signed in black marker pen, designed for Art Expo Denmark, each on smooth wove paper, the full sheets printed to the edges each sheet 82 x 60cm, unframed (4) £1,200 - 1,800

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Lot 1413 After Andy Warhol (1928-1987) MARILYN MONROE (SUNDAY B. MORNING) The set of ten screenprints in colours, each with the Sunday B Morning rubber stamp verso, on stiff wove paper, the full sheets printed to the edges each sheet 91.5 x 91.5cm, unframed (10) £800 - 1,200

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY Lot 1414 Pietro Psaier (Sri Lankan, 1936-2004) THE SOAP OPERA SERIES USA Mixed media printed in colours, 1978, signed and dated in black pen, with Studio Psaier Proof seal and provenance verso, published by Factory Additions Inc., New York, on fruitwood, the full sheet sheet 42.5 x 31cm, framed £100 - 150

1414 Lot 1415 After Roy Lichtenstein (American, 1923-1997) BLONDE WAITING Offset lithographic poster printed in colours, 1995, signed in black marker pen, for the exhibition at Deichtorhallen Hamburg, Germany, on smooth wove paper, the full sheet sheet 83.5 x 59cm, unframed £400 - 600

1415

Lot 1416 After Cy Twombly (American, 1928-2011) UNTITLED Offset lithograph printed in colours, 1986, signed in black felt tip pen, on wove paper, the full sheet printed to the edges sheet 75.5 x 56cm, unframed £300 - 500

1416

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CONTEMPORARY 1232-1454

As an artist, Russell Young has long been captivated by the contradiction of the myth and reality of the ‘American Dream’. Celebrated for his transformations of cultural icons through the process of silk screen printing, his finished works depict the jaded reality of glamorous excess of 21st-century America.

1417 Lot 1417 Russell Young (British, b.1959) MARILYN GLAMOUR (PINK & WHITE) Screenprint with acrylic, enamel and diamond dust on linen, 2010, signed with a Peace sign, titled and dated on the reverse 94 x 73.5cm, framed (not glazed) £7,000 - 9,000

124

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY

Marilyn Monroe is generally regarded as Young’s most iconic and in demand subject. His early diamond dust works on linen normally were created in a series of 10 (plus 2 to 3 proofs). Diamond dust is a glittering material that when applied to paper and ink in the silkscreen printing process creates a textured and incandescent finish.

1418 Lot 1418 Russell Young (British, b.1959) MARILYN GODDESS (BLACK & WHITE) Screenprint with acrylic, enamel and diamond dust on linen, 2009, signed, titled, dated and inscribed ‘My Crash with Eyeliner, BX2009’ on the reverse 86.3 x 66cm, framed (not glazed) £5,000 - 7,000

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CONTEMPORARY 1232-1454

1420

1421

1419 Lot 1419 Susan Derges (British, b.1955) RIVER TAW SERIES Three ilfochrome photograms, 1997, all on wove paper, the full sheets each image 76 x 27cm, framed (3) £800 - 1,200

126

Lot 1420 Susan Derges (British, b.1955) FRUITBODY NO.34 Dye destruction photogram printed in colours, 2000, signed and numbered 30/100 in pencil, on wove paper, the full sheet image 42.5 x 33cm, framed £300 - 500

Lot 1421 Susan Derges (British, b.1955) FRUITBODY NO.37 Dye destruction photogram printed in colours, 2000, signed, and numbered 9/100 in pencil, on wove paper, the full sheet image 42.5 x 33cm, framed £300 - 500

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY

1422 Lot 1422 Susan Derges (British, b.1955) THE OBSERVER AND THE OBSERVED Five gelatin-silver prints, 1992, all on wove paper, the full sheets each image 14 x 11.5cm, framed (5) £1,200 - 1,800

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CONTEMPORARY 1232-1454 Lot 1423 Helmut Newton (Australian/German, 1920-2004) SUMO The complete book with original metal stand designed by Phillipe Starck, 1999, signed in blue crayon, and stamp numbered 00394 from the edition of 10000 on the title page, published by Taschen, Cologne, with the plastic dust jacket overall 70.8 x 51.1 x 7.6cm £3,500 - 4,500

1423 Lot 1424 William Klein (American, b.1928) BARBARA, OVER GADGETED, DOES LIPS, PARIS 1956; BARBARA + COFFEE FILTER, PARIS 1956 Two Iris prints, 2001, both signed and titled in black pen, from the editions of 125, published by Eyestorm, London, both on wove paper, the full sheets each image 33.8 x 26.8cm, framed (2) £300 - 500

1424

128

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY

1425 Lot 1425 Enrique Metinides (Mexican, b.1934) MEXICO CITY, APRIL 29, 1979 Inkjet colour print, 1979/2015, signed and numbered 11/15 verso, accompanied by a Certificate of Authenticity from the artist’s studio, on Hahnemuhle Photo Rag Baryta 315g paper image 35.5 x 52cm, framed £3,000 - 5,000 At the age of ten, Enrique Metinides was given a brownie box camera by his father. The Brownie, launched in 1900, was a very basic cardboard box camera with a simple meniscus lens that took 2 1/4-inch square pictures on 117 roll film. Taking to the streets of the San Cosme neighbourhood of Mexico City where he lived, he began following grisly crime scenes: car crashes, street stabbings, shootings, suicides and murders.

Back then it was still possible for a photographer to approach the scene of an accident or crime. Metinides photographed his first dead body and published his first photograph when he was only twelve years old.

This work here, along with its certificate of authenticity, captured a tragic scene by Metinides; that of Adela Legarreta Rivas, a Mexican journalist. Rivas had visited a beauty parlour where she had her hair and nails done in preparation for a press conference later that day. On her way home, she was hit and killed by a white Datsun on Avenida Chapultepec.

During his fifty-year career as a photojournalist, Metinides never once left Mexico. He has won numerous awards and his work has been exhibited internationally, including the Museum of Modern Art in New York and the Photographers’ Gallery in London.

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CONTEMPORARY 1232-1454

1426 Lot 1426 Richard Hamilton (British, 1922-2011) KENT STATE Screenprint in colours, 1970, signed and numbered 3853/5000 in pencil, printed by Dietz Offizin, published

by Dorethea Leonhart, Munich, on Schoeller Durex paper, with full margins sheet 73 x 102cm, unframed £250 - 300

1427 Lot 1427 Cornelia Parker (British, b.1956) STOLEN THUNDER lll (RED SPOT) Digital pigment print in colours, 2015, number 93/100, on 300gsm Somerset Photo Satin paper, the full sheet sheet 85.4 x 84.3cm, framed £600 - 800

Lot 1428 Georgina Starr (British, b.1968) YOU STOLE MY LOOK! Screen print in colours, 1997, signed in pencil verso, the edition was 75, published by Paragon Press, London, on wove paper, the full sheet printed to the edges sheet 88 x 77.5cm, framed £200 - 300

Lot 1429 Matt Small (British, b.1975) CHARLOTTE C-Type print, 2015, signed, titled, dated and numbered 12/53 in black ink, published by Oliver Clatworthy, London, with their blind stamp, on archival resin coated colour paper, with full margins sheet 50 x 50cm, mounted £100 - 150

1428 130

1429 Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY Lot 1430 Stik (British) STANDING FIGURE (BLUE) Offset lithograph printed in colours, 2015, signed in black ink, on wove paper folded twice (as issued), with full margins; accompanied with the book ‘STIK’, first edition, signed and doodled by the artist in black ink sheet 76 x 24cm, unframed book 26.7 x 22.2 x 2.8cm £500 - 700 The first edition of the book included this print (unsigned), but this lot is one of a few signed in person

by STIK on the book’s release at the Strand Bookstore in New York City.

Lot 1431 Stik (British) STANDING FIGURE (YELLOW) Offset lithograph printed in colours, 2015, signed in gold ink, on wove paper folded twice (as issued), with full margins; accompanied with the book ‘STIK’, first edition, signed and doodled by the artist in gold ink sheet 76 x 24cm, unframed book 26.7 x 22.2 x 2.8cm £500 - 700 The first edition of the book included this print (unsigned), but this lot is one of a few signed in person

by STIK on the book’s release at the Strand Bookstore in New York City.

Lot 1432 James Welling (American, b.1951) 21, 1A, 30, 31 Four silver gelatin prints, 1999, from the editions of 100, published by Eyestorm Media Limited, London, on wove paper, the full sheets images 27 x 21cm, framed (4) £1,000 - 1,200

1430

1431

Lot 1433 Yuko Shiraishi (Japanese, b.1956) UNTITLED (RED STRIPE) Lithograph printed in colours, 1989, signed, dated and numbered 130, on wove paper with full margins sheet 61.2 x 72cm, unframed £200 - 300

1433

1432

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CONTEMPORARY 1232-1454 Lot 1434 Jamie Reid (British, b.1947) GOD SAVE THE QUEEN SWASTIKA EYEBALLS Screenprint in black, limited edition print designed by Jamie Reid for Aquarium, signed, titled and numbered 63/750 in pencil, on beige wove paper, the full sheet image 61 x 43cm, framed £250 - 350 Lot 1435 Jamie Reid (British, b.1947) MORE LOVE/FF Screenprint in colours, signed, titled and numbered 18/200 in pencil, on wove paper, the full sheet image 67.5 x 57.5cm, framed £150 - 200

1434

1435

Lot 1437 Blek le Rat (French, b.1952) JESUS Screenprint in colours, 2008, signed and inscribed ‘archive 2’ in pencil, a proof aside from the edition of 75, with The Blek Rat Press, blind stamp, on wove paper, with full margins sheet 88.5 x 73.5cm, unframed £250 - 350

1436

1438

1437

132

Lot 1436 Blek le Rat (French, b.1952) DIANA AND THE ANGEL Screenprint in colours, 2008, signed and inscribed ‘archive 2’ in pencil, a proof aside from the edition of 100, with The Blek Rat Press blind stamp, on wove paper, with full margins sheet 87 x 96cm, unframed £400 - 600

1439

Lot 1438 Blek le Rat (French, b.1952) DAVID WITH KALASHNIKOFF Screenprint in colours, 2007, signed and inscribed 52/200 in pencil, with The Blek Rat Press blind stamp, on wove paper, with full margins sheet 71.3 x 52cm, unframed £300 - 500 Lot 1439 Blek le Rat (French, b.1952) HIS MASTER’S VOICELESS (GREEN) Screenprint in colours, 2008, signed and inscribed ‘archive 2’ in pencil, a proof aside from the edition of 20, with The Blek Rat Press blind stamp, on wove paper, with full margins sheet 74 x 72.5cm, unframed £250 - 350

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY Lot 1440 Swoon (American, b.1977) BOY (STONG) Screenprint in colours, 2007, signed and numbered 122/150, published by The Black Rat Press, on wove paper, the full sheet printed to the edges sheet 109.5 x 31cm, unframed £100 - 150

Lot 1441 Nick Walker (British, b.1969) MONA LISA Screenprint in colours, 2006, signed and numbered 45/125 in pencil, on Somerset wove paper, with full margins sheet 74.5 x 55.5cm, unframed £500 - 700

Lot 1442 Nick Walker (British, b.1936) THE MORNING AFTER (HOLLYWOOD) Screenprint in colours, 2008, signed and inscribed ‘archive 2’ in pencil, a proof aside from the edition of 150, with The Blek Rat Press blind stamp, on wove paper, with full margins sheet 73 x 79cm, unframed £300 - 500

1440

1441

Lot 1443 Nick Walker (British, b.1936) THE MORNING AFTER (EMPIRE STATE) Screenprint in colours, 2009, from the edition of 175, on wove paper, with full margins sheet 110 x 90cm, unframed £200 - 300

1442

1443

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CONTEMPORARY 1232-1454 Lot 1444 Various Artists CENTENAIRE DE LA STATUE DE LA LIBERTÉ The complete portfolio, 1986, comprising six lithographs printed in colours by Michel Dubre, Michel Lecoste, Hugh de Saint-Morland, Eric Schlumberger, Eric Gaudin and Katia Schmitt, each signed and numbered 81/ 250 in pencil, on Arches paper, with title-page, text and justification, printed by Mourlot, Paris, with their blindstamp, loose as issued in the original blue linen portfolio, with title embossed in gilt on the uppers overall 77.5 x 55.5cm £250 - 350

1444 Lot 1445 Ai Wei Wei (Chinese, b.1957) SERPENTINE GALLERY PAVILION 2012 Screenprint, 2012, in collaboration with Herzog & de Meuron, signed and numbered 47/200 in pencil, published by The Serpentine Gallery, London, on wove paper, the full sheet sheet 84 x 84cm, framed £800 - 1,200

1445

134

Each lot is subject to Buyer’s Premium at 26.4% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 138-139

1232-1454 CONTEMPORARY Lot 1446 Zao Wou-Ki (Chinese/French, 1921-2013) UNTITLED (AGERUP 169) Lithograph printed in colours, 1967, signed, dated and numbered 61/95 in pencil, published by Gérald Cramer, Geneva, on BFK Rives paper, with full margins plate 47 x 42cm, framed £1,000 - 1,500

Lot 1447 Zao Wou-Ki (Chinese/French, 1920-2013) DEUX COLOMBES Silk textile printed in colours, 1955, numbered 206/300, published by Ascher, New York, the full sheet sheet 75 x 85cm, unframed £1,000 - 1,500

Lot 1448 Zao Wou-Ki (Chinese/French, 1920-2013) UNTITLED (AGERUP 239) Screenprint in colours, 1973, signed and inscribed EA. in pencil, an artist’s proof aside from the edition of 250, printed and published by Carl van der Voort Gallery, Ibiza, on wove paper, the full sheet printed to the edges sheet 13.8 x 14.3cm, unframed £150 - 200

1448

1446

1447

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CONTEMPORARY 1232-1454

1449 Lot 1449 Yayoi Kusama (Japanese, b.1929) TULIPE (I) (Kusama 290) Screenprint in colours, 2000, signed, titled, dated and numbered 7/60 in pencil, on wove paper, with full margins image 45.5 x 38cm, framed ÂŁ7,000 - 9,000

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1232-1454 CONTEMPORARY

1450

1452

Lot 1450 Yayoi Kusama (Japanese, b.1929) PUMPKIN Painted cast resin multiple, 2016, stamped on the base, published by Benesse Holdings, Japan, housed in the original box overall 10 x 8 x 8cm £500 - 700 Lot 1451 Yayoi Kusama (Japanese, b.1929) PUMPKINS Two painted cast resin multiples, 2016, each stamped on the base, published by Benesse Holdings, Japan, housed in the original box each overall 10 x 8 x 8cm (2) £1,000 - 1,500

1451

1453

Lot 1452 Takashi Murakami (Japanese, b.1962) GENOME NO. 10^7X2^122 Offset lithograph printed in colours, 2010, signed and numbered 48/300 in silver felt-tip pen, co-published by the artist and Kaikai Kiki Co. Ltd., Tokyo, on smooth wove paper, the full sheet printed to the edges sheet 87 x 68cm, unframed £500 - 700

1454

Lot 1453 Takashi Murakami (Japanese, b.1962) AND THEN AND THEN AND THEN AND THEN AND THEN (YELLOW) Offset lithograph printed in colours, 1999, signed and numbered 242/300 in black felt-tip pen, co-published by the artist and Kaikai Kiki Co. Ltd., Tokyo, on smooth wove paper, the full sheet printed to the edges sheet 68 x 68cm, unframed £500 - 700

Lot 1454 Takashi Murakami (Japanese, b.1962) DON’T RULE MY DREAMS. MY DREAMS RULE ME. Offset lithograph printed in colours, 2011, signed and numbered 19/300 in silver felt-tip pen, published by Kaikai Kiki Co. Ltd., Tokyo, on wove paper, the full sheet printed to the edges sheet 66.5 x 56.5cm, mounted £500 - 800

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INDEX OF ARTISTS A *Abrahams, Ivor 1003 *Ackroyd , Norman 1004 Agam, Yaacov 1141-1144 *Antes, Horst 1145 *Ardizzone, Edward 1000-1002 *Arman, After 1232 *Ayers, Gillian 1005 B *Baars, Ingrid 1235 *Bacon, Francis 1247, 1248 Bak, Bronislaw M 1151 *Banksy 1373-1379 *Banksy, After 1380-1384 Baskin, Leonard 1152 *Bennett, Lucie 1366-1368 *Beuys, After Joseph 1394 *Blake, Peter 1238-1246 *Blow, Sandra 1006 *Braque, Georges 1146, 1147 Brodzky, Horace Asher 1148-1150 *Brunsdon, John 1007 C Calder, Alexander 1233 *Caulfield, Patrick 1257-1262 *Chadwick, Lynn 1009 *Chagall, Marc 1153-1165 *Chagall, After Marc 1166-1168 *Clarke, Graham 1008 Coburn, Alvin Langdon 11341140 *Cook, Beryl 1011, 1012 *Cook, Christopher 1253 Cottingham, Robert 1263 *Coulter, Liz 1013 *Cox, Stephen 1010 D *D*Face 1278, 1279, 1280 *Dali, Salvador 1173-1179 *Dali, After Salvador 1180, 1181 *Daniels, Harvey 1014 *de Chirico, Giorgio 1169 *Deller, Jeremy 1268 *Delvaux, Paul 1170 *Denning, Guy 1266, 1267 *Derges, Susan 1419-1422 Dine, Jim 1236 *Dolk 1272-1274 *Donwood, Stanley 1269-1271 *Dorazio, Piero 1182-1185 *Dubuffet, Jean 1171 *Dufy, Raoul 1172 E *Emin, Tracey *Ernst, Max Estes, Richard

1281-1290 1186 1401, 1402

F Fairey, Shepard *Fedden, Mary *Fini, Leonor *Flanagan, Barry Forbes, Montana Fouts, Nancy *Frink, Elisabeth *Frost, Anthony

1275 1016 1187 1021-1023 1276 1277 1017-1020 1015

G *George, Adrian 1292 *Gilbert and George 1324 Gill, Eric 1027-1037 *Gormley, Antony 1322, 1323 *Grant, Alistair 1025 *Gross, Anthony 1026 H Hamaguchi, Yozo 1191 *Hamilton, Richard 1426 Haring, After Keith 1403-1407 Hasegawa, Shoichi 1188-1190 Hayuk, Maya 1332 *Hearld, Mark 1331 *Herman, Josef 1050 *Hincks, Jo 1049 *Hirst, Damien 1325-1328 *Hirst, After Damian 1329 *Hockney, David 1293, 1294, 1296-1313 *Hockney, After David 1314, 1316-1321 Holland, Tom 1192 *Hoyland, John 1038-1043 *Hughes, Patrick 1044-1047 *Hume, Gary 1330 *Huxley, Paul 1048 I *Insect, Paul *Irvin, Albert

1335, 1336 1051

J *Jaques, Norman *Jaray, Tess *Jones, Allen *Jones, Barbara *Jones, David

1055 1056 1333, 1334 1052 1053, 1054

K Kandinsky, Wassily 1195-1197 *Kiff, Ken 1057 *Kirkman, Michael 1346 Kitaj, R B 1237 Klee, Paul 1194 Klein, William 1424 *Kokoschka, Oskar 1193 Kusama, Yayoi 1449-1451

L *La Dell, Edwin 1058, 1059 *Laing, Gerald 1340-1343 *Larusdottir, Karolina 1198 *le Parc, Julio 1217, 1218 *le Rat, Blek 1436-1439 Lichtenstein, After Roy 1415 *Lloyd, Reginald James 1079 *Lovell, Andy 1339 *Lowry, After L S 1060-1078 M Mason, Andre 1199 *Matisse, Henri 1206-1209 *Mccoy, Josie 1356 *McLean, Bruce 1351-1355 Metinides, Enrique 1425 *Micallef, Antony 1357-1361 *Miró, Joan 1200-1205 *Monro, Nicholas 1080 *Moore, Henry 1081-1086 *Moore, After Henry 1087 Murakami, Takashi 1452-1454 N *Nash, John 1092 *Neiland, Brendan 1091 *Newcomb, Tessa 1088-1090 Newton, Helmut 1423 *Niemeyer, Jo 1390, 1391 O *O’Connor, John Oldenburg, Claes

P *Palmer, Garrick 1112 Panic 1369 *Paolozzi, Eduardo 1347-1350 *Parker, Cornelia 1427 *Pasmore, Victor 1094 Perez, Enoc 1370-1372 *Picasso, Pablo 1210-1213 *Picasso, After Pablo 1215 *Piper, John 1095-1111 Pissarro, Lucien 1216 *Pope, Sara 1365 *Price, Lucas 1364 *Procktor, Patrick 1113, 1114 *Prouvost, Laure 1363 Psaier, Pietro 1414 *Pure Evil 1337, 1338 Q Qinnuayuak, Lucy *Quinn, Marc

1219 1291

R *Raverat, Gwen 1116 *Read, Alison 1115 *Rego, Paula 1249-1252 *Reid, Jamie 1434, 1435 Renoir, Pierre-Auguste 1221 Rosenquist, James 1387-1389 Roth, Dieter 1392, 1393 *Rouault, Georges 1220

Lots marked with a ‘*’ may attract the Artist’s Resale royalty charge at the rate of 4% of the hammer price.

This royalty, where applicable, will be charged to the purchaser.

138

1093 1385

S *Scott, William Serra, After Richard Shiraishi, Yuko *Simonds-Gooding, Maria *Slater, Richard *Small, Matt *Spear, Ruskin *Starr, Georgina *Stik 1430, *Suff, David *Sutherland, *Graham *Sutton, Philip 1255, Swoon

1120 1395 1433 1222 1118 1429 1119 1428 1431 1254 1117 1256 1440

T *Tanner, Robin 1125 *Tavener (, Robert 1124 *Teh-Chun, Chu 1223 The Connor Brothers 1264, 1265 *Thornton, Valerie 1126 *Thorpe, Mackenzie 1362 *Tillyer, William 1122 *Tilson, Joe 1344, 1345 *Tindle, David 1127 *Tinguely, Jean 1224 *Tobiasse, Theo 1225 *Trevelyan, Julian 1128-1130 *Turk, Gavin 1386 *Turnbull, William 1123 Twombly, After Cy 1416 V Various Artists 1121, 1133, 1444 *Vasarely, Victor 1229, 1230 *Villon, Jacques 1226 *Vostell, Wolf 1231 W *Walker, Nick 1441-1443 Warhol, Andy 1408-1410 Warhol, After Andy 1411-1413 Wei Wei, Ai 1445 *Weight, Carel 1131 Welling, James 1432 *Williams, Kyffin 1132 *Winner, Gerd 1396-1400 *Wiszniewski, Adrian 1234 *Wou-Ki, Zao 1446-1448 Y *Young, Russell

1417, 1418

Z *Zadkine, Ossip

1227, 1228

GLOSSARY OF PICTURE CATALOGUING TERMS A work catalogued with the forename(s) and surname of a recognised destination of an artist is or is probably a work by the artist, eg. David Cox. Nevertheless, intending buyers are reminded that while a full designation is our highest category or authenticity, no unqualified statement as to the authorship is made or intended. A full cataloguing does not necessarily imply a full warranty.

Attributed to David Cox in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Bears/with signature, inscription, date in our opinion the signature/inscription/date are not by the hand of the named artist.

The addition of a question mark (?) after any of the above Circle of David Cox cataloguing terms indicates in our opinion a work from the period of the artist and showing his an element of doubt. influence.

A work catalogued as ‘School’ accompanied by the name of Follower of David Cox a place or country and a date means that in our opinion the in our opinion a work executed in the style of David Cox work was executed at that time and in the location, eg. South Netherlands School, circa 1750.

After David Cox in our opinion a copy of any date after a work by the artist All references to signatures, inscriptions and dates refer to the present state of the work, ie. as at the time of inspection for the Signed/inscribed/dated purpose of cataloguing. in our opinion the work has been signed/inscribed/dated by the artist Condition reports are not included in the descriptions.

ARTIST’S RESALE RIGHT (ARR) What is Artist’s Resale Right?

Following a European Directive in 2006, the Artist’s Resale Right entitles creators of original works of art to a royalty each time their work is resold, with the involvement of an auction house, for 1,000 Euros or more.

This right covers sales of work by living artists and also the beneficiaries and heirs of artists deceased within the last 70 years of the sale.

How are resale royalties calculated?

The artist’s royalty depends on the hammer price (sale price without any VAT or Buyer’s Premium). The higher the sale price of the artwork, the lower the overall royalty rate.

The royalty is worked out according to a sliding scale from 4% to 0.25%.

Hammer Price

Royalty

From 0 to €50,000

4%

From €50,000.01 to €200,000

3%

From €200,000.01 to €350,000

1%

From €350,000.01 to €500,000

0.5%

Exceeding €500,000

0.25%

What is the qualifying threshold?

An artwork must sell for more than €1,000 to qualify for a royalty. The law defines the price threshold in Euros and, because the exchange rate between the two currencies changes daily, the equivalent in Pounds Sterling must be worked out according to the exchange rate on the date the artwork was sold.

What nationality must an artist be to qualify?

The Artist’s Resale Right applies to the sale of artworks in the European Economic Area (EEA). The following countries are in the EEA: Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovak Republic, Slovenia, Spain, Sweden, United Kingdom.

Artists who are nationals of these countries are therefore generally eligible to receive resale royalties. The nationality criteria only applies to the artist and not to the beneficiaries or heirs.

Are all sales of artwork covered?

The Artist’s Resale Right does not apply to all sales of artworks. A royalty is only due if the following conditions are met:  the artwork is a copyright protected work of graphic or plastic art;  it is sold for more than €1000;  it is sold in the secondary market with the involvement of an art market professional (e.g. auction house);  and it is sold in the UK or another country in the European Economic Area (EEA).

This royalty, where applicable, will be charged to the purchaser. It is exempt of VAT.

www.sworder.co.uk 139

ASIAN ART TUESDAY 7 NOVEMBER AT 10AM

A rhinoceros horn carving, 19th century, 78cm overall, on a hardwood stand £10,000-15,000

Enquiries Yexue Li | yexueli@sworder.co.uk | 01279 817778

www.sworder.co.uk Sworders Fine Art Auctioneers | Cambridge Road | Stansted Mountfitchet | Essex CM24 8GE | 01279 817778 | E auctions@sworder.co.uk

JEWELLERY, WATCHES AND SILVER TUESDAY 21 NOVEMBER AT 10AM

An American gold and enamel abstract ring, c.1970,

by J Rossi

JEWELLERY AND WATCHES: Catriona Smith | jewellery@sworder.co.uk SILVER: Claire Grindey | clairegrindey@sworder.co.uk

www.sworder.co.uk Sworders Fine Art Auctioneers | Cambridge Road | Stansted Mountfitchet | Essex CM24 8GE | 01279 817778 | E auctions@sworder.co.uk

THE WINTER COUNTRY HOUSE SALE INCLUDING INDIAN WORKS OF ART AND FURNITURE

TUESDAY 5 DECEMBER AT 10AM

Ascribed to Govardhan SHAH JAHAN IN THE TIME OF YOUTH India, Mughal, c.1630-1640 £10,000-15,000

Enquiries Guy Schooling | guyschooling@sworder.co.uk | 01279 817778

www.sworder.co.uk Sworders Fine Art Auctioneers | Cambridge Road | Stansted Mountfitchet | Essex CM24 8GE | 01279 817778 | E auctions@sworder.co.uk

O U T O F T H E O R D I N A RY FEBRUARY 2018 F U RT H E R E N T R I E S A R E I N V I T E D

A large 1960s stag beetle with internal parts £500 - 800 A 1920s oil painting of mushrooms £800 - 1200 A 1960s pub sign £500 - 800 A 1950s erotic pewter chess set (complete) £800 - 1200

For more information contact: Mark Wilkinson markwilkinson@sworder.co.uk 01279 817778

www.sworder.co.uk

If you are unable to attend the sale we are ABSENTEE happy to execute bids BID on your FORM behalf. This ABSENTEE BID FORM

DATE OF AUCTION: Decorative Art and Design – 29 & 30 July 2014

service is free and confidential.

NAME:

Indicate your limit for each If• you are unable to attend the lot sale we are happy to If unable to we If you you are are unable to attend attend the sale weisare are execute bids on your behalf. the This sale service free and happy to execute on •happy Your bids will bebids executed as behalf. cheaplyThis as to execute bids on your your behalf.

This confi dential. service is confidential. reserves andand other bids allow service is free free and confidential.

• Indicate your limit for each lot • Indicate limit for A buyer’syour premium of each 20% lot + VAT is payable Indicate limit for each •• Your bidsyour will be executed as lot cheaply as reserves on each successful bid and other bids allow •• Your bids will be executed as Your bids will be executed as cheaply cheaply as as reserves and other bids allow All purchases mustof be22% paid collected reserves and other bids allow •• A buyer’s premium +for VATand is payable on by 5pm on the bid Friday following the auction. each successful •• A buyer’s 20% + payable If are premium unable toof collect this is time please A you buyer’s premium of 20% by + VAT VAT is payable on each successful bid • All must be forauction and collected contact Barnett at the room so on purchases each Frank successful bidpaid by 5pm on thearrangements Friday following that storage canthe beauction. made.

•• IfAll purchases must be collected are unable to collect byfor thisand time please Allyou purchases must be paid paid for and collected by 5pm on Friday auction.

Frank Barnett atfollowing the auction • contact If successfully purchase a lot,the orroom lots,so we byyou 5pm on the the Friday following the auction.

If are to by this time that storage arrangements can made. will forward an invoice within 3 working If you you are unable unable to collect collect by be this time please please contact Barnett the auction room days.

WeFrank recommend that telephone contact Frank Barnett at at theyou auction room so so Ifthat youstorage successfully purchase acan lot, be or lots, we arrangements the to check the of thatauction storageroom arrangements can success be made. made. will forward an invoice shortly after the sale your bids on the day following the auction email or within 3purchase working days by post. We •• by If If you you successfully successfully purchase aa lot, lot, or or lots, lots, we we recommend that you check the 3 success of your will forward an invoice within working • Where we receive morewithin than one bid of the will forward an invoice 3 working bids after the sale on our website. days. recommend that telephone same value, the one received will take days. We We recommend that you youfirst telephone the room to the success of precedence the auction auction roommore to check check • Where we receive thanthe onesuccess bid of of your bids on day following the auction yoursame bidsvalue, on the thethe day following the one received the firstauction will take • Where appropriate, your bids will be rounded •• precedence.

Where we receive more than one the down nearest amount Whereto wethe receive more than consistent one bid bid of of with the same value, the received first take • Where appropriate, your bids will bewill rounded the Auctioneer’s bidding increments same value, the one one received first will take precedence down to the nearest amount consistent with the precedence bidding increments.

• Auctioneer’s Bids placed by telephone will be accepted at •• Where appropriate, your bids rounded your risk and must be confirmed Where appropriate, your bids will willinbe bewriting rounded • Please note our post is not delivered until down to or by fax down to the the nearest nearest amount amount consistent consistent with with midday, therefore postal bids need to reach us the the Auctioneer’s Auctioneer’s bidding bidding increments increments the day • on Please notepreceeding our post isthe notsale. delivered until •• Bids placed by telephone will be accepted at midday, therefore postal bids need to reach Bids placed by telephone willterms be accepted at • We draw attention to our full and your must be us onrisk theand day preceeding the salein your risk and must be confirmed confirmed in writing writing conditions on our website. or or by by fax fax

TITLE: INITIALS: DATE Years of Printmaking (1517-2017) DATE OF OF AUCTION: AUCTION: 500 Modern and Contemporary Prints Sale CLIENT NO. DATE OF Decorative Art DATE OF AUCTION: AUCTION: Decorative Art and and Design Design –– 29 29 & & 30 30 July July 2014 2014 Stansted.

24 1May 2017, 10am Wednesday November 2017, 10am ADDRESS: NAME: NAME: TITLE: TITLE:

INITIALS: INITIALS:

ADDRESS: ADDRESS: POSTCODE:

TEL (DAYTIME)

LOT POSTCODE: POSTCODE:

BRIEF DESCRIPTION TEL TEL (DAYTIME) (DAYTIME)

LOT LOT

BRIEF BRIEF DESCRIPTION DESCRIPTION

CLIENT CLIENT NO. NO.

£LIMIT

(ex. VAT & premium)

£LIMIT £LIMIT

(ex. VAT & premium) (ex. VAT & premium)

•• Please Please note note our our post post is is not not delivered delivered until until midday, midday, therefore therefore postal postal bids bids need need to to reach reach us us on on the the day day preceeding preceeding the the sale sale

FOR OFFICE USE ONLY Received Date: Time: FOR FOR OFFICE OFFICE USE USE ONLY ONLY By: Received Received Date: Date: Entered Time: Time: Date: By: By: Time: By: Entered Entered Bid No. Date: Date: Time: Time: Forward to: By: By: SWORDERS FINE ART AUCTIONEERS, Bid CAMBRIDGE ROAD, STANSTED MOUNTFITCHET, Bid No. No. ESSEX CM24 8GE TEL: 01279 817778 FAX: 01279 817779 Forward www.sworder.co.uk Forward to: to: SWORDERS SWORDERS FINE FINE ART ART AUCTIONEERS, AUCTIONEERS, CAMBRIDGE ROAD, CAMBRIDGE ROAD, STANSTED STANSTED MOUNTFITCHET, MOUNTFITCHET, ESSEX ESSEX CM24 CM24 8GE 8GE TEL: 01279 817778 FAX: 01279 TEL: 01279 817778 FAX: 01279 817779 817779 www.sworder.co.uk www.sworder.co.uk

Please bid on my behalf for the above mentioned lots up to the limits shown, without legal obligation to Sworders, its staff or agents, or without prejudice to Sworders standard Terms and Conditions printed in this catalogue.

Please Please bid bid on on my my behalf behalf for for the the above above mentioned mentioned lots lots up up to to the the limits limits shown, shown, without without legal legal obligation to Sworders, its staff or agents, or without prejudice to Sworders standard obligation to Sworders, its staff or agents, or without prejudice to Sworders standard Terms Terms and and Signed: printed in this catalogue.

Conditions Conditions printed in this catalogue.

Date: Signed: Signed: Date: Date:

INFORMATION FOR BUYERS Introduction The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.

Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale.

Methods of Payment Lots must be paid for before they are collected. For those attending the auction we ask that lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our web site, including online payment upon receipt of your invoice, and these should be paid by 5pm on the Friday following the sale. We accept cash to an upper limit of 15,000 euros equivalent. Usually any cheques will need to be cleared before you can take the goods away.

Payments by credit card are subject to a charge of 2% plus VAT. Collection and storage All lots should be paid for and collected by 5pm on the Friday following the sale. Commission bidders should check the success of their bids and arrange payment and collection within this time. Please note what the Terms of Sale say about collection and storage. Items not removed by 5pm on Friday may be removed at the purchaser’s expense and a storage charge of £1 per day may be charged.

Dispatch We are rarely able to pack and dispatch purchases. A choice of shippers is detailed on our web site.

Agency As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

Estimates Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive.

b. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory.

Bidding Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

Commission bidding You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving commission bids online via our website, though please contact us about leaving bids by telephone or fax/email. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute commission bids received after this time.

Telephone Bidding If you are unable to come to the auction it may be possible to bid on the telephone for higher value lots. Please note that this service is for lots with an estimate of £500 or more. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason.

Online Bidding Any lots purchased via a live online bidding service will be subject to an additional commission charge on the hammer price payable by the bidder, in accordance with the rates specified by the online service. These charges are 3% plus VAT and will be payable to us on top of the Hammer Price and our buyers commission.

IMPORTANT NOTICES

Buyer’s Premium The Terms of Sale oblige you to pay a buyer’s premium at 22% on the hammer price of each lot purchased, except for our Fine Wine and Port auctions when it is 15%. In addition, VAT is charged on these premiums (see below).

Removal of lots ALL lots are to be removed from the premises by 5.00pm at the latest on the Friday following each sale. Sworders retain the right to remove lots remaining after this time into safe storage, for which a charge will be made.

VAT Items in our catalogue may be marked with a dagger † or double dagger ‡, which indicates that VAT is payable by the buyer on the hammer price and the buyer’s premium at either the standard rate (currently 20%) or a reduced rate (currently 5%), depending upon the legal requirements relating to that lot.

Electrical Goods All electrical goods offered in this sale have either been tested and certified safe or unsafe by an appropriately qualified electrician. All electrical goods certified safe mst be re-commissioned by an appropriately qualified electrician and we recommend those certified safe are similarly re-commissioned.

Lots which do not have either of the above symbols have no VAT payable on the hammer price.

This is because such lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the premium is not recoverable as input tax.

Inspection of goods by the buyer As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them.

However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods.

You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.

Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling.

Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

Condition Reports We may be able to assist buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate.

You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

Electrical goods These are sold as “antiques” only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. Items are marked with this sign §.

Export of goods If you intend to export goods you must find out: a. whether an export licence is needed; and

TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request.

Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale.

Please note that these Terms of Sale relate to auctions held at our premises only. We have separate terms for online only auctions.

1. Definitions and interpretation To make these Terms of Sale easier to read, we have given the following words a specific meaning: In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer.

Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

“Auctioneer”

2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will

means GES & Sons Ltd trading as Sworders Fine Art Auctioneers, a company registered in England and Wales with registration number 6858916 and whose registered office is located at Cambridge Road, Stansted Mountfitchet, Essex CM24 8GE or its authorised auctioneer,

as appropriate; “Bidder”

means a person who places a bid for Goods at our auction;

“Buyer”

means the person who makes the highest bid for the Goods accepted by the Auctioneer;

“Commission”

means the commission that we charge you on the sale of the Goods as set out in Clause 5 below;

“Consumer”

means an individual acting for purposes which are wholly or mainly outside that individual’s trade, business, craft or profession;

“Consumer Contracts Regulations” means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013; “Deliberate Forgery”

means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

4. The purchase price As Buyer, you will pay: a. the Hammer Price; b. a premium of 22% plus VAT of the Hammer Price or 15% plus VAT for our Fine Wine and Port Auction; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

5 VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information.

5.2 We will charge VAT at the current rate at the date of the auction.

6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.

6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

7. Payment 7.1 Immediately following your successful bid on a Lot you will:

“FCA”

means the Financial Conduct Authority;

“Goods”

means the goods that you consign to us for sale at our auction;

“Hammer Price”

means the level of the highest bid for the Goods accepted by the Auctioneer by the fall of the hammer;

“Premium”

means the premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale;

“Price”

means the total of the Hammer Price, Premium and any applicable VAT;

7.1.2 pay to us the Total Amount Due in any way that we agree to accept payment. Note there is an upper limit of 15,000 euros equivalent for payments in cash.

“Proceeds”

means the Price less the Commission, the Premium, any expenses incurred to your account and any applicable VAT;

7.2 If you owe us any money, we may use any payment made by you to repay these debts.

“Reserve”

means the minimum price at which the Goods may be sold;

“Seller”

means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable);

“Terms of Consignment”

means these terms of consignment;

8. Title and collection of purchases 8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.

“Terms of Sale”

means the terms of sale for bidders or buyers at our auctions;

“Trader”

means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf (such as an agent and/or the Auctioneer);

“VAT”

means any value added tax or equivalent sales tax; and

“Website”

means our website available at www.sworders.co.uk.

2. Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and

8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 5pm on the Friday following the auction.

8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal and storage charges in relation to that Lot. 8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.

be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

8.5 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot.

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price.

9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it..

If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller;

for any failure by you or your consultants to properly inspect a Lot. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

a. to us, by sending the notice to the following email address: auctions@sworder.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient).

15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due;

13. Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within 30 days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

17. General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or

9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any non-compliance by you with these Terms of Sale.

13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due;

10. Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

11. Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

11.3 Please note that many of the Lots that you may bid on at our auction are second-hand.

13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

14. Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

14.4.3 any liability which cannot be excluded by law.

11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

15.2.1 by delivering it by hand;

12. Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible

15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

15.2 Any notice referred in Clause 15.1 may be given:

15.2.2 by first class pre-paid post or Recorded Delivery; or 15.2.3 by email, provided that receipt of the email is acknowledged by the recipient.

15.3 Notices must be sent: 41.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email:

16. Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website.

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

17.4 Each of the clauses of these Terms of Sale operates separately.

If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

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