Sworders Autumn Country House 12 September

The Autumn Country House Sale Tuesday 12 September 2017 at 10am

20TH CENTURY DECORATIVE ART AND DESIGN TUESDAY 10 OCTOBER AT 10AM

A Raymor pottery bull,

by Antonia Bagni, 29cm long

Enquiries John Black | johnblack@sworder.co.uk | 01279 817778

www.sworder.co.uk Sworders Fine Art Auctioneers | Cambridge Road | Stansted Mountfitchet | Essex CM24 8GE | 01279 817778 | E auctions@sworder.co.uk

THE AUTUMN COUNTRY HOUSE SALE at the Stansted Mountfitchet Auction Rooms Tuesday 12 September 2017 at 10am ORDER OF SALE Lots 1 - 13

English and Continental Ceramics and Glass

Lots 17 - 49

A Single Owner Collection of Antique Cutlery

Lots 54 - 124

Works of Art

Lots 128 - 227 Prints, Miniatures and Watercolours Lots 230 - 285 Oil Paintings

10 minute break

Lots 290 - 297 Clocks and Barometers Lots 298 - 325 Oak and Country Furniture Lots 326 - 426 Other Furniture

VIEWING TIMES Friday 8 September By appointment Sunday 10 September 10am - 1pm Monday 11 September 9am - 5pm Tuesday 12 September From 9am

ONLINE BIDDING via www.sworder.co.uk FURTHER INFORMATION: 01279 817778 auctions@sworder.co.uk

To obtain more images and condition reports for lots in this catalogue, please visit our website www.sworder.co.uk

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5 Lot 1 A pair of Bow spill vases, c.1765, of flaming form with applied fruit and flowers, the handles modelled as masks beneath scrolled canopies, damaged, 16.5cm (2) £250 - 350 (plus 26.4% BP)

ENGLISH AND CONTINENTAL CERAMICS AND GLASS 1-13

Lot 2 A pair of Staffordshire pearlware figures, c.1780-1800, probably by the Wood family, Neptune wearing a crown and robes, his right foot on a dolphin, and Venus, also standing beside a dolphin, 22 and 22.5cm high (2) £150 - 250 (plus 26.4% BP)

Lot 3 A pair of Staffordshire pearlware figures, early 19th century, depicting Anthony and Cleopatra, he wearing a cuirass, she a purple-lined gown with an asp entwined around her arm awaiting to bite her breast, 31 and 29cm long (2) £200 - 400 (plus 26.4% BP) Lot 4 An English porcelain oval plaque, 19th century, depicting a butterfly, fruiting grapes and a peach, on a marble shelf, 25 x 31.5cm, gilt framed £500 - 700 (plus 26.4% BP)

Lot 5 A Royal Worcester tea set for two, dated 1937, painted with pink flowers, by H Everett, on a light blue ground, comprising: teapot, 11cm high, two cups and saucers, a sucrier and a plate, printed marks, painted pattern number 2979 (9) £300 - 500 (plus 26.4% BP) Lot 6 A pair of oval porcelain panels, 19th century, painted with semi-naked women, inscribed with titles in pencil verso: ‘Egyptian fruit seller’ ‘Egyptian(?)carrier’, 22 x 16cm (2) £400 - 600 (plus 26.4% BP)

1-13 ENGLISH AND CONTINENTAL CERAMICS AND GLASS Lot 7 A porcelain plaque, after Murillo, ‘Boys eating fruit (Grape and Melon Eaters)’, signed ‘Heyn’, 33 x 25.5cm, in a gilt frame £500 - 700 (plus 26.4% BP) Although this plaque bears no factory mark, several stamped KPM plaques are recorded signed ‘Heyn’ or ‘E Heyn’.

Lot 8 A pair of Sèvres-style vases, each with two handles, pink ground, and painted with panels of fruit-gathering and a gardener offering a flower to a lady, the reverse with flower panels, painted blue intertwined ‘L’s over ‘C’s, 22cm high (2) £300 - 400 (plus 26.4% BP)

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Lot 9 A Sèvres pâte-sur-pâte vase, 1880, of uptapering form on a buff ground, with putti and a fairy holding a garland of flowers, gilt foot and rim, printed ‘S80’ in green and red factory mark, 21cm high £800 - 1,200 (plus 26.4% BP) Lot 10 A Meissen figure group, late 19th century, a woman emblematic of ‘Sight’ from a series of ‘The Senses’, modelled seated at a dressing table studying a looking glass, crossed swords and impressed ‘36’, losses, 15cm high £300 - 500 (plus 26.4% BP) Lot 11 A Meissen group, c.1875-80, of three children playing amongst ruins, after the original by Michel Victor Acier and Johann Carl Schönheit, raised on an oval naturalistic base, with blue crossed swords mark, inscribed ‘G32’, stamped ‘57’ and numbered ‘10’ in red, 27cm high £300 - 500 (plus 26.4% BP) Lot 12 A Persian pottery wine bottle, late 19th century, painted with scrolling foliage and coloured bands, 29.5cm high £200 - 400 (plus 26.4% BP)

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Lot 13 A glass liqueur set, probably St. Louis, late 19th century, each piece faceted, gilt and with enamelled floral sprays, the set comprising: four sizes of glass, 8 to 11.2cm, a pair of decanters, one lacking a stopper, and three ewers, one lacking a stopper (qty.) £200 - 300 (plus 26.4% BP) Lots 14-16 Spare lots

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Lots 17 to 49 A Single Owner Collection of Antique Cutlery Bill Brown is a renowned collector of antique cutlery, something he has done for more than sixty years.

Bill grew up as the second of nine children in Greenwich, and remained in London through the war years as he needed to work. After the war, he trained at Camberwell School of Art as a graphic designer. He worked in London for Harrison & Sons as a designer of postage stamps and it was during this time that he purchased his first items of cutlery, a Dutch knife and fork travelling set of c.1720. This purchase set off, what can only be described as, an obsession, not only to collect cutlery, but to discover everything there is to know about the subject.

For over forty years, he was a well known and popular figure on his stall at the famous Portobello Market. At the turn of this century he decided to compile an important and large collection of British cutlery which was taken on tour. It is now housed at Sheffield Museum as ‘The Bill Brown Collection’.

He has had many hobbies over the years. As a young man he was a very keen road racer (cycling), and a keen birdwatcher, which probably started to assist his art work. His biggest hobby is probably growing bonsai trees and he is still the President of Bonsai Kai. He has won many medals for his bonsai including some at the Chelsea Flower Show.

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19 Lot 17 Five ancient bronze and iron knives, four small blades, and three further items (12) £600 - 800 (plus 26.4% BP)

Lot 19 Fourteen small knives, 16th, 17th and 18th century, longest 20cm (14) £500 - 700 (plus 26.4% BP)

Lot 18 Fourteen small knives, 16th, 17th and 18th century, longest 18.5cm (14) £600 - 800 (plus 26.4% BP)

Lot 20 Thirteen knives and a blade, 17th and 18th century, with wood, ivory and brass handles, longest 22.5cm (14) £600 - 800 (plus 26.4% BP)

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17-49 A SINGLE OWNER COLLECTION OF ANTIQUE CUTLERY

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Lot 21 Twenty early knives and part knives, 16th and 17th century, with wood, ivory and brass handles, longest 26cm (20) £600 - 800 (plus 26.4% BP)

Lot 23 Twenty early knives and part knives, 16th, 17th and 18th century, longest 22.5cm (20) £600 - 800 (plus 26.4% BP) Lot 24 Twenty early metal knife or fork handles, 16th, 17th and 18th century, figures and animals, with bronze, silverplate and silver, possibly, handles, longest 9.5cm (20) £800 - 1,200 (plus 26.4% BP)

Lot 22 Twenty early knives, 16th and 17th century, some earlier, longest 20cm (20) £600 - 800 (plus 26.4% BP)

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Lot 25 Twenty-six knives and forks, 16th, 17th and 18th century, with horn, ivory, composition, antler and other handles, longest 25cm (26) £800 - 1,200 (plus 26.4% BP) Lot 26 Five early cutlery items, 16th and 17th(?) century, each with a carved stained ivory(?) handle, comprising an embracing couple, lion, mother with two children, lady with fan, figure with fish’s head, longest 21cm (5) £600 - 800 (plus 26.4% BP)

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A SINGLE OWNER COLLECTION OF ANTIQUE CUTLERY 17-49

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Lot 27 Early cutlery, 16th(?), 17th and 18th century, comprising: four folding forks and three folding knives, the first, a pair with tortoiseshell handles in a leather case, knife 24cm open, the second, an iron example, the blade folding into a leg with foot, 20.5cm long, the third, a three-prong fork with brass and iron handle, 14.5cm long, the fourth, a three-prong fork, brass, iron, green composition(?) with white metal decoration (8) £500 - 700 (plus 26.4% BP)

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Lot 28 Ten early forks, 16th, 17th and 18th century, iron, brass, copper, horn, ivory and wood, longest 26cm (10) £300 - 500 (plus 26.4% BP)

Lot 31 Eight carved ivory figural cutlery handles, early 17th century, five with two-pronged forks, one a knife, longest 22cm (8) £600 - 800 (plus 26.4% BP)

Lot 29 Six early spoons, bronze, silver, iron, including a Roman child’s spoon, and a bronze fork, possibly Roman/Byzantine(?), longest 19cm (6) £400 - 600 (plus 26.4% BP)

Lot 32 Eight cutlery sets in cases, 17th and 18th century, some incomplete and matched, and six empty cases, three of shagreen, one carved ivory, two leather (14) £400 - 600 (plus 26.4% BP)

Lot 30 Three items of cutlery, early 17th century, each with a carved ivory handle, longest 26cm (3) £600 - 800 (plus 26.4% BP)

Lot 33 Fourteen two-pronged forks, 17th century and later, silver, horn, silver plate and composition handles, longest 33.5cm (14) £400 - 600 (plus 26.4% BP)

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 116-117

17-49 A SINGLE OWNER COLLECTION OF ANTIQUE CUTLERY Lot 34 Two carved ivory knife handles, 17th century, each composed of an embracing lion and unicorn, 9.5 and 11.5cm high, a leather case containing a knife and fork, the ivory handles carved as a male and female with carrying basket, knife stamped ‘How’, knife 22.5cm long, and a small fork, with carved ivory bird handle, 14cm long (6) £500 - 700 (plus 26.4% BP)

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Lot 35 Four folding spoons, 19th century, one Continental silver, two with wooden handles, together with three shagreen spoon cases (7) £200 - 400 (plus 26.4% BP)

Lot 36 Ten knives and forks, 17th century and later, with ivory handles, inlaid with wirework, coloured dots, flowers etc., longest 21cm (10) £400 - 600 (plus 26.4% BP)

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Lot 37 Three travelling cutlery sets, comprising: an hinged barrel case, partially fitted with silver beaker, knife, fork and spoon, and turned ivory cruet, a domed leather case, fitted silver-plated beaker, knife, fork and spoon and wooden cruet, the third, later leathered, with Continental folding spoon inscribed ‘Karlsbad’, knife handle with four screw-in ends: two knives, a fork and a spike, incomplete (3) £300 - 500 (plus 26.4% BP)

Lot 38 Four travelling cutlery sets, each in a leather case containing folding cutlery, three with turned cruets, tallest 14.5cm, incomplete and matched (4) £400 - 600 (plus 26.4% BP)

Lot 39 A multiple blade penknife, including a whistle, hacksaw, scissors, corkscrew, 18 implements (the spoon and fork detachable) £200 - 300 (plus 26.4% BP)

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A SINGLE OWNER COLLECTION OF ANTIQUE CUTLERY 17-49 Lot 40 A Georgian shagreen cutlery case, shaped as a fish, now containing six early carved ivory figural cutlery handles, case 32cm high, longest handle 9cm £600 - 800 (plus 26.4% BP)

Lot 41 A Georgian decorated leather cutlery case, now with six agate-handled knives, case 29cm tall knives 22cm £300 - 500 (plus 26.4% BP)

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Lot 42 A Georgian decorated leather cutlery case, now with a set of six agate-handled knives, case 31.5cm high knives 23.5cm £400 - 600 (plus 26.4% BP)

Lot 43 A tiny Georgian folding knife and fork, with tortoiseshell handles and dot inlay, in half a leather case, knife 10.5cm, and a knife and fork, with silver mounts, blade stamped ‘How’ (4) £200 - 400 (plus 26.4% BP)

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Lot 45 Fourteen various toasting and other forks, including Georgian and Victorian steel, brass and iron, longest 58cm (14) £400 - 600 (plus 26.4% BP)

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BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 116-117

17-49 A SINGLE OWNER COLLECTION OF ANTIQUE CUTLERY Lot 46 Four mahogany knife boxes, 19th century, each with a serpentine front, three with grilles, tallest 34cm (4) £400 - 600 (plus 26.4% BP)

Lot 47 Eight shagreen knife boxes, 18th and 19th century, all with original grilles (8) £600 - 800 (plus 26.4% BP)

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Lot 48 A George III mahogany knife box, with painted decoration, including a vase of flowers, swags, musical instruments etc., with green velvet-lined grille, 34cm high, and two others (3) £300 - 500 (plus 26.4% BP)

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50 Lot 49 A pair of large Victorian carving implements, both with stag horn handles, 66cm long, a massive carving knife, with silver mounts, Sheffield 1835, 68cm, a pair of knives, with carved ivory dogs’ heads, and another knife (6) £400 - 600 (plus 26.4% BP)

Lot 50 A rare Continental silver campaign set, 18th century, comprising a spoon and fork, each with screw handles, both monogrammed ‘LW’, a folding two tine steel fork and a folding combination spoon and marrow scoop, various marks, in an hinged shagreen case, 12.5cm high (5) £800 - 1,200 (plus 26.4% BP) Lots 51-53 Spare lots

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56 57 Lot 54 A wakizashi, late 19th century, unsigned, the shobu blade with undulating hamon, the bound handle enclosing two gilt metal menuki and ray skin underneath, the scabbard with a red and black lacquer finish and complete with silk cord, 50.5cm overall £350 - 450 (plus 26.4% BP)

WORKS OF ART 54-124

Lot 55 A pair of Continental figural brass candlesticks, possibly Dutch late 16th/early 17th century, each modelled as a man and a woman holding a candle sconce, with extraction holes, raised on dished base, 21.5cm high (2) £500 - 700 (plus 26.4% BP)

Lot 56 An Italian bronze inkwell, 19th century, cast as a cauldron with ram’s head masks and garlands, on paw feet, the cover surmounted with a cherub holding a laurel crown, 21.5cm high £100 - 200 (plus 26.4% BP) Lot 57 A museum replica painted plaster panel, 19th century, depicting the Pietà in low relief after Tilman Riemenschneider, 27.5 x 20.5cm £100 - 150 (plus 26.4% BP)

54-124 WORKS OF ART Lot 58 A Leica M3 35mm camera, no. 964958, c.1954-67, with a 50mm Summicron lens, a viewfinder and ranger finder, three further lenses, three lens hoods, a light meter and a 21mm viewfinder, with a leather case (qty.) £200 - 300 (plus 26.4% BP) Lot 59 A silver model of Great Britain II,

by Barrowclift Silvercraft, 1973, with a plaque ‘Great Britain II Iaunched May 21st 1973 by HRH Princess Anne, Fastest Yacht in the 1973-4 Round the World Race Presented to John Wright by Jack Hayward and Chay Blyth with Grateful Thanks’, 36.5cm wide 38.5cm high together with two books, ‘The Impossible Voyage’ and ‘Theirs is the Glory’, both signed by Chay Blyth, a letter, written from the Great Britain II at Latitude 34’ 09’ South, Longitude 14’ 10’ East on the first leg from Portsmouth to Cape Town on 20th October 1973, a framed photograph of Great Britain II, signed by Chay Blyth, and a further card and photograph (7) £1,200 - 1,800 (plus 26.4% BP)

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John Wright helped with the preparation and the planning of the designs for the Great Britain II from his company, R Wright and Son Marine Engineers in Derbyshire.

Lot 60 A half ship model, for ‘a 70 foot cruising yacht, of aluminium construction with shell plating’, inscribed for Chay Blyth CBE BEM, designed by Ian L Anderson MRHA, naval architect, Dartmouth, Devon, and further blueprint plans for a 65ft 10in ketch, for Chay Blyth, by Alan P Gurney, naval architect, New York (qty.) £300 - 500 (plus 26.4% BP)

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WORKS OF ART 54-124

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Lot 61 A WMF spelter figure group of George Slaying the Dragon, on circular marble plinth base, signature to base, 37cm high £200 - 300 (plus 26.4% BP)

Lot 63 A marble carving of a girl, dated 1872, seated and reading from a musical score, signed to the base ‘G Bazzoni F 1872 Milano’, 63cm high £300 - 500 (plus 26.4% BP)

Lot 62 A jasper elephant, carved by Gerd Dreher (b.1939) and retailed by Asprey, signed with a monogram on the base of one foot, in a brown display box with fold-out front, elephant 10.5cm £1,000 - 1,500 (plus 26.4% BP)

Lot 64 Antiquities, a collection of five faience Egyptian ushabtis, 11.5 to 8.5cm high, two further flat ushabtis, 7.7cm high, a green glazed amulet of the naked dwarf god, Pataikos, 4cm, a Near Eastern terracotta oil lamp, 10cm, and a further lamp(?), 4cm (10) £250 - 350 (plus 26.4% BP)

Originally purchased in June 1980.

Literature: See ‘The Gem Carvings of Gerd Dreher: A Fabergé Legacy’ at the Museum of Natural Science, Texas 2004.

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54-124 WORKS OF ART

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Lot 65 A George III ivory tea caddy, of octagonal form, the panelled lid with a scrolling silver handle, the front inset with a silver plaque, opening to reveal two divisions within, 13.5cm wide £700 - 900 (plus 26.4% BP) Lot 66 A French cloisonné dish, in a gilt bronze frame, 24cm wide 14cm deep £200 - 300 (plus 26.4% BP) Lot 67 A painted porcelain plaque ‘L’Aurora’ late 19th century, after the original by Guido Reni in the Casino, Rome, 9 x 18cm, in a Florentine gilt frame £200 - 300 (plus 26.4% BP) Lot 68 A Victorian figural bronze lamp, signed ‘Moreau Mathu’ and raised on a triform stand, 78cm high £300 - 500 (plus 26.4% BP) Lot 69 A pair of gilt bronze tazzas, late 19th century, each cast with classical scenes raised on marble plinths, 18cm high (2) £300 - 500 (plus 26.4% BP)

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Lot 70 An Edwardian wooden pond yacht, the hatch inscribed in gilt ‘Meteor II Sailing Master Ken Johnson’, on a wooden stand, 133cm long 175cm high £250 - 350 (plus 26.4% BP)

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WORKS OF ART 54-124

71 Lot 71 A brass telescope on stand, early 19th century, by Gilbert & Co., the 2in tube with rack-and-pinion focusing on a folding tripod base, the original box bears a paper label ‘Made by Gilbert & Co., 148 Leadenhall Street, London’, together with a further printed label, the microscope signed, tube 43in £200 - 300 (plus 26.4% BP) Lot 72 A brass telescope,

by Harris of London, on a mahogany stand, 3in diameter lens barrel 98cm long £500 - 700 (plus 26.4% BP)

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72 Lot 73 A reproduction toleware centrepiece, the bowl on a carved giltwood base, 44cm long, together with a pair of toleware-style oval planters, 32cm long (5) £100 - 200 (plus 26.4% BP) Lot 74 A crocodile skin travelling case, with faux tortoiseshell-mounted brushes, etc., silver-mounted glass bottles, London 1919, a jewellery box, a manicure set and sewing case, a wallet and a folding blotter, case with canvas cover, 50.5cm wide £100 - 200 (plus 26.4% BP)

Lot 75 A Victorian cast iron heraldic doorstop, in the form of a seated greyhound and shield, with painted decoration, 44cm high £200 - 300 (plus 26.4% BP) Lot 76 Fourteen gilt bronze furniture handles, early 19th century, each modelled as swans’ heads, on pierced scrolled leaf designs, some inscribed ‘L’, 11.2cm wide 8cm high (14) £200 - 400 (plus 26.4% BP)

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BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 116-117

54-124 WORKS OF ART

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Lot 77 A pottery ‘Pure Butter’ shop counter display tray, white-glazed with black lettering, of rounded rectangular form, 33cm wide 28cm deep £150 - 250 (plus 26.4% BP) Lot 78 An Art Nouveau table lamp, with cast gilt metal mounts, a rock crystal style cut glass column and base and a silver collar, London, 1901, 56cm high £200 - 400 (plus 26.4% BP)

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Lot 79 A Japanese photograph album, early 20th century, the covers with lacquerwork scenes of a weaver at work with ivory mounts, a flowering branch and bird to the reverse, within a ‘bamboo’ surround, containing forty-five photographs of Hong Kong and other Chinese cities and views, including two single and three double fold-out photographs, mostly 22.5cm x 27.2cm £400 - 600 (plus 26.4% BP)

Lot 80 A plaster bust, modelled as a cardinal in his robes, now painted green, 79.5cm high £250 - 350 (plus 26.4% BP)

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WORKS OF ART 54-124

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82 Lot 81 A pair of appliqué pictures, early 19th century, each in the form of a caged parrot, the coloured paper birds behind gilt-lined glass with faux leather borders, 39cm high (2) £200 - 400 (plus 26.4% BP)

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Lot 82 A Middle Eastern brass tazza, 19th century, the circular removable top, embossed and engraved, on a double ring column and a raised pedestal foot, 27cm high £200 - 300 (plus 26.4% BP)

Lot 83 A Steiff lion on wheels, with a button to the left ear, with a growler, not working, worn, 44cm long 34cm high £600 - 800 (plus 26.4% BP) Lot 84 A French bronze desk thermometer, late 19th century, modelled as a cherub seated on the base of a herm, 20cm high £250 - 350 (plus 26.4% BP) Lot 85 A pair of parcel-gilt candlesticks, with reeded columns and cast gilt triform bases, converted into table lamps complete with shades, 41cm high excluding shades (2) £300 - 500 (plus 26.4% BP)

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BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 116-117

54-124 WORKS OF ART

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86 Lot 86 A collection of twenty-five hardstone carved eggs, largest 8.5cm high, in a mahogany box, 43.5cm wide (26) £250 - 350 (plus 26.4% BP) Lot 87 A Fijian ula (throwing club), with bulbous lobed head and strung grip, split to head between lobes, 45cm long £200 - 300 (plus 26.4% BP) Lot 88 A pair of unusual wooden tribal seats, modelled as vultures with a bamboo and woven border, 67cm high (2) £400 - 600 (plus 26.4% BP)

Lot 89 A heavy rootwood club, with a tapering shaft, with additional studs or nails, 67cm long £150 - 180 (plus 26.4% BP)

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Lot 90 A tapa cloth South Sea Islands, early 20th century(?), 143 x 160cm, together with a bow with three part arrows, the arrows with painted decoration (7) £150 - 250 (plus 26.4% BP) Collected by the vendor’s father, who was on a ship.

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WORKS OF ART 54-124

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Lot 91 After Giovannide Martino (Italian 1870-1935), a boy holding a crab with his left hand and laughing, bronze with a green patina, signed Martino, 118cm high £2,000 - 3,000 (plus 26.4% BP)

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Lot 92 A bust of a lady in a hat, bronze, on a marble plinth, indistinctly signed 36cm high £300 - 500 (plus 26.4% BP) Lot 93 A bronze figure emblematic of Summer, signed ‘Sèvres’, late 19th century, raised on a grey marble plinth, 31.5cm £400 - 600 (plus 26.4% BP) Lot 94 A bronze Japanese samurai, late 19th century, depicted drawing back his bow and arrow, signed ‘Hidemasa’, 36.5cm high, on a scrolled stand £2,200 - 3,000 (plus 26.4% BP)

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54-124 WORKS OF ART

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Lot 95 A large Brussels tapestry fragment, 17th century, depicting Belshazzar receiving the vessels from the temple in Jerusalem from a servant, shortly before the apparition of the ‘Writing on the Wall’ (Daniel 5:1-7), later mounted on a linen ground, 132cm wide 174cm high £200 - 300 (plus 26.4% BP)

Lot 96 A silk and embroidered banner, probably late 18th/early 19th century, depicting Saint Giles holding his staff and a bible with a deer at his feet, with an embroidered banner above held by angels reading ‘His lot is among the Saints’, another banner below ‘Saint Giles Patron’, with tasselled edges, 78cm wide 138cm high £250 - 350 (plus 26.4% BP)

Lot 97 An Aubusson panel, depicting a heron and frog below a fruit garland and bearded mask, 59cm wide 77cm high £200 - 300 (plus 26.4% BP)

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WORKS OF ART 54-124

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Lot 98 A gannet (Sula bassana), on a pseudo rocky base, by John Burton, Great Yarmouth, paper label to base, 53cm high £150 - 200 (plus 26.4% BP)

Lot 101 A marsh harrier (Circus aeruginosus), a female perched on a fence post, below a modern dome, 76cm high £480 - 550 (plus 26.4% BP)

Lot 99 A tawny owl (Strix aluco), Victorian, perched on a log in a glazed case by F Askew & Sons, Duke Street, London, 49cm high £150 - 200 (plus 26.4% BP)

Lot 102 A peregrine falcon (Falco peregrinus), a Victorian specimen now mounted beneath a modern oval dome, 49cm high £250 - 300 (plus 26.4% BP)

Lot 100 Five greater spotted woodpeckers (Dendrocopus major), c.1877, mounted in a glass-fronted case by H T Shopland, Torquay, 47.5cm high £240 - 280 (plus 26.4% BP)

Lot 103 A pair of Northern flickers (Colaptes auratus), a pair of late 19th century North American birds, mounted beneath a modern oval dome, 47cm high £180 - 220 (plus 26.4% BP)

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54-124 WORKS OF ART Lot 104 A barn owl (Tyto alba), a modern bird perched on a fence post below a circular dome, 45cm high £250 - 300 (plus 26.4% BP) Lot 105 A kookaburra (Dacelo novaeguineae), a modern bird mounted beneath an oval dome, 44cm high £350 - 400 (plus 26.4% BP) Lot 106 A white cockatoo (Cacatua alba), a modern bird below a squared oval glass dome, 54cm high £350 - 400 (plus 26.4% BP)

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Lot 107 A large dome of Australian birds,

by Lewis Hutton, Bristol, a yellow tail black cockatoo (Calyptorhynchus funereus), a king parrot (Alisterus scapularis), a green figbird (Sphecotheres viridis), an Australian water rail (genus unknown), paper label to the base, 68cm high £450 - 550 (plus 26.4% BP)

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Lot 108 A large sea trout, mounted in an oak and glazed bow-fronted case by W A Macleay & Son, Inverness, with a gilt plaque inscribed ‘H Palethorpe, Sog River, Iceland, 1913. Weight 8lb 8oz’, 108cm wide 25cm deep 53cm high £500 - 600 (plus 26.4% BP) Lot 109 A pair of Scops owls (Otus scops), Victorian birds mounted in a modern glass-fronted case, 56cm high £150 - 200 (plus 26.4% BP)

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Lot 110 An oil lamp, with etched cranberry grille shade, Duplex No. 2 burner and cut glass reservoir, on a silver-plated triform pan base, 25cm high £400 - 600 (plus 26.4% BP)

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Lot 111 An oil lamp, with etched, blue-tinted, fluted grille shade, with Hinks’ Duplex burner and cut glass reservoir on a Corinthian column, 81cm high £600 - 800 (plus 26.4% BP)

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Lot 112 An oil lamp, with etched, moulded and tinted cranberry shade and cut glass reservoir, on a Corinthian column and square mask base with four feet, 79cm high £450 - 550 (plus 26.4% BP)

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Lot 113 An oil lamp, with etched, tinted cranberry, grille shade, Gardner Duplex burner and cut glass reservoir, on a silver Corinthian column,

by J… C… E, Sheffield 1907, 72cm high £400 - 600 (plus 26.4% BP)

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 116-117

54-124 WORKS OF ART

114

Lot 114 An oil lamp,

by Goldsmiths’ and Silversmiths’ Co., early 20th century, with etched and moulded shade, Messenger’s No. 2 burner and silver Corinthian column, London 1910, 79cm high £850 - 950 (plus 26.4% BP)

115

Lot 115 An oil lamp, with etched, green tinted, grille shade, Rowatt & Sons burner and cut glass reservoir, on silver-plated Corinthian column and stepped square base, 85cm high £450 - 550 (plus 26.4% BP)

116

Lot 116 An oil lamp, with etched green shade, Patent burner and cut glass reservoir, on a silver-plated Corinthian column, 87cm high £350 - 450 (plus 26.4% BP)

117

Lot 117 An oil lamp, with etched red and pink shade, Wright & Butler burner, faceted cranberry glass reservoir, on a silver-plated Corinthian column, 77cm high £200 - 300 (plus 26.4% BP)

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WORKS OF ART 54-124

118

Lot 118 A pair of oil lamps, with etched green tinted shades, Messenger’s No. 2 burners and cut glass reservoirs, on silver-plated Corinthian columns, 86cm high (2) £450 - 550 (plus 26.4% BP)

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119

Lot 119 An oil lamp, with etched, moulded and yellow-tinted grille shade, on a silver-plated Corinthian column, 98cm high £400 - 500 (plus 26.4% BP)

120

Lot 120 An oil lamp, with a spiral grille cranberry shade, Messenger’s burner and cut glass reservoir, on a silver-plated Corinthian column, 92cm high £350 - 450 (plus 26.4% BP)

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 116-117

54-124 WORKS OF ART

Lot 121 An oil lamp, with etched pink shade and cranberry glass reservoir, on an Aesthetic brass column, 72cm high, and another oil lamp, with etched blue shade, faceted blue glass reservoir, on brass and black ‘Veritas’ pottery base, 61cm high (2) £250 - 350 (plus 26.4% BP)

Lot 122 An oil lamp, with etched pink shade, mottled pink glass font on brass Ionic column, 79cm high £250 - 300 (plus 26.4% BP)

121

122

Lot 123 An oil lamp, with etched pink shade, faceted glass reservoir on a silver-plated Corinthian column, 95cm high £250 - 350 (plus 26.4% BP)

Lot 124 An oil lamp, with vaseline grille shape, marbled glass reservoir on a silver-plated Corinthian column, 82cm high £200 - 250 (plus 26.4% BP)

Lots 125-127 Spare lots

123

124

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128

Lot 128 After Albrecht Dürer THE CIRCUMCISION OF CHRIST FROM THE LIFE OF THE VIRGIN (Bartsch 86; Meder 198) Woodcut, trimmed to margin 29.4 x 21cm £400 - 600 (plus 26.4% BP)

130 (part lot)

Lot 129 French School ‘THE SHEPHERD’S CALENDAR’ The set of twelve woodcuts, originally published by Nicholas Le Rouge, c.1495 each 15 x 12cm, mounted in two frames (12) £200 - 300 (plus 26.4% BP)

PRINTS, MINIATURES AND WATERCOLOURS 128-227

129

Lot 130 After William Hogarth ‘INDUSTRY AND IDLENESS’ The set of twelve engravings, originally published in 1747 ten 26.5 x 34.5cm in five frames, and two 27 x 40cm framed separately (12) £200 - 300 (plus 26.4% BP)

128-227 PRINTS, MINIATURES AND WATERCOLOURS

131

Lot 131 Thomas Daniell (1749-1840) and William Daniell RA (1769-1837) ‘PART OF CHERINGHEE, CALCUTTA’; ‘VIEW ON THE CHITPORE ROAD, CALCUTTA’ Two hand-coloured aquatints from ‘Oriental Scenery: Twenty-four views in Hindoostan’, published by Thomas Daniell in 1798 image 42 x 59cm (2) £800 - 1,200 (plus 26.4% BP)

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PRINTS, MINIATURES AND WATERCOLOURS 128-227

132

Lot 132 William Ward, after James Ward RA (1769-1859) ‘OUTSIDE OF A COUNTRY ALEHOUSE’ Coloured mezzotint, published in 1797 by William Ward plate mark 48 x 59cm £200 - 300 (plus 26.4% BP)

Lot 133 Charles Mottram (1806-1876), after John William Hill ‘NEW YORK’ Hand-coloured engraving, originally published by F & G W Smith, New York, 1855 81 x 129cm £300 - 500 (plus 26.4% BP)

133

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128-227 PRINTS, MINIATURES AND WATERCOLOURS

LOTS 134 TO 148 A single owner collection of fine miniatures

134

136 Lot 134 Circle of Christian Richter (Swedish, 1638-1732) PORTRAIT OF A LADY, BUST LENGTH, IN A BLUE DRESS Miniature on ivory, oval 37 x 29mm £200 - 300 (plus 26.4% BP) Lot 135 Follower of John Smart PORTRAIT OF A GENTLEMAN, BUST LENGTH, IN A RED COAT Miniature on ivory 36 x 30mm; and another, PORTRAIT OF A GENTLEMAN, BUST LENGTH, IN A RED COAT Miniature on ivory 24 x 30mm (2) £300 - 500 (plus 26.4% BP) Lot 136 Circle of Jeremiah Meyer (1735-1789) PORTRAIT OF A LADY, BUST LENGTH, IN A WHITE BONNET AND BLACK SHAWL Miniature on ivory 43 x 36mm £250 - 350 (plus 26.4% BP)

135

137

138

Lot 137 English School, late 18th century PORTRAIT OF A YOUNG GENTLEMAN, BUST LENGTH, IN A GREEN COAT Miniature on ivory 50 x 38mm £250 - 300 (plus 26.4% BP) Lot 138 Attributed to John Barry (fl.1784-1827) PORTRAIT OF A LADY, BUST LENGTH, IN A BLUE DRESS WITH WHITE COLLAR Miniature on ivory, oval 44 x 35mm, in a gilt-metal frame with a border of plaited hair £250 - 350 (plus 26.4% BP) Lot 139 French School, late 18th century PORTRAIT OF A LADY, HALF-LENGTH, IN A LILAC DRESS AND WHITE SHAWL Miniature on ivory, circular 58mm diameter, in an engine turned gilt-metal frame set with paste stones £220 - 280 (plus 26.4% BP)

139

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PRINTS, MINIATURES AND WATERCOLOURS 128-227

141

140 Lot 140 English School, c.1830 PORTRAIT OF A LADY, HALF-LENGTH, IN A BLACK DRESS AND WHITE BONNET Miniature on ivory 53 x 41mm, in a gilt-metal frame, the reverse with a silhouette head £100 - 200 (plus 26.4% BP)

Lot 141 English School, 1829 PORTRAIT OF COLONEL WILLIAM SKENE, EAST INDIA COMPANY SERVICE, HALF-LENGTH, IN UNIFORM Inscribed and dated on a piece of writing paper verso, miniature on ivory 104 x 96mm; and another, English School, early 19th century PORTRAIT OF A YOUNG OFFICER, BUST LENGTH IN PROFILE, IN UNIFORM 53 x 44mm (2) £200 - 300 (plus 26.4% BP) Lot 142 Attributed to Anne Mee (1770-1851) PORTRAIT OF A LADY, SAID TO BE LADY BYRON, HALF-LENGTH, IN A BLUE DRESS, HER RIGHT ARM RESTING ON A PEDESTAL Miniature on ivory 98 x 80mm £300 - 500 (plus 26.4% BP) Lot 143 Attributed to Nathaniel Plimer (1757-1822) PORTRAIT OF MR BALDWIN, BUST LENGTH, IN A BLACK COAT AND BLUE AND WHITE STRIPED WAISTCOAT Inscribed on label verso, miniature on ivory, oval 65 x 53mm £200 - 300 (plus 26.4% BP)

142

143

Lot 144 English School, early 19th century PORTRAIT OF A GENTLEMAN, BUST LENGTH, IN A BLACK COAT AND YELLOW WAISTCOAT Miniature on ivory, oval 50 x 36mm; another, English School, late 18th century PORTRAIT OF AN ELDERLY GENTLEMAN, BUST LENGTH, IN A BLACK COAT Signed with initials GH and dated 179(?), miniature on ivory, oval 57 x 46mm; and another, English School, early 19th century PORTRAIT OF A YOUNG GENTLEMAN, BUST LENGTH, IN A BLUE COAT Miniature on ivory, oval 70 x 60mm (3) £400 - 600 (plus 26.4% BP)

144

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128-227 PRINTS, MINIATURES AND WATERCOLOURS

146 145

147 Lot 145 Circle of Andrew Plimer (1763-1837) PORTRAIT OF A LADY, BUST LENGTH, IN A BURGUNDY DRESS Miniature on ivory, oval 75 x 61mm £300 - 400 (plus 26.4% BP) Lot 146 Circle of Andrew Robertson (1777-1845) PORTRAIT OF A YOUNG LADY, BUST LENGTH, IN A GREEN DRESS AND FUR STOLE Miniature on ivory 70 x 50mm; and another, English School, c.1830 PORTRAIT OF A LADY, BUST LENGTH, IN A WHITE DRESS, PINK WRAP AND WHITE BONNET Indistinctly inscribed on label verso, miniature on ivory, oval 70 x 57mm (2) £200 - 300 (plus 26.4% BP) Lot 147 English School, early 19th century PORTRAIT OF A YOUNG GENTLEMAN, HALF-LENGTH, IN A BROWN COAT AND YELLOW WAISTCOAT Miniature on ivory, oval 70 x 55mm; another, English School, early 19th century PORTRAIT OF A YOUNG GENTLEMAN, BUST LENGTH, IN A BLUE COAT AND CREAM WAISTCOAT Miniature on ivory 75 x 60mm; and another, Attributed to Edward Foster (19th century) PORTRAIT OF A GENTLEMAN, BUST LENGTH, IN PROFILE, IN A RED COAT Watercolour and bodycolour on paper, oval 80 x 63mm (3) £400 - 600 (plus 26.4% BP)

148

Lot 148 English School, c.1900 PORTRAIT OF A NURSE, THREE-QUARTER LENGTH SEATED, IN UNIFORM Miniature on ivory, oval 112 x 82mm; and another, A L Andrews (early 20th century) PORTRAIT OF A GENTLEMAN, BUST LENGTH IN PROFILE Signed, watercolour on card, oval 76 x 52mm (2) £100 - 150 (plus 26.4% BP)

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PRINTS, MINIATURES AND WATERCOLOURS 128-227 Lot 149 Andrew Robertson (1777-1845) PORTRAIT OF MAJOR GENERAL THE HON. SIR ARTHUR WELLESLEY KCB (LATER 1ST DUKE OF WELLINGTON), BUST LENGTH IN A BROWN COAT Miniature on ivory 70 x 53mm, in a gilt-metal frame, engraved with the sitter’s and artist’s names and dated 1807, now contained in a blue leather and gilt-decorated fitted case by D J Lavender £1,500 - 2,000 (plus 26.4% BP) Lot 150 Attributed to Sir William Charles Ross RA (1794-1860) PORTRAIT OF A YOUNG GENTLEMAN, HALF-LENGTH SEATED, IN A BLACK COAT, CHEQUERED WAISTCOAT AND BLUE AND BLACK STOCK Miniature on ivory 114 x 88mm; and another, English School, c.1840 PORTRAIT OF A LADY, BUST LENGTH, IN A WHITE LACE CHEMISE Miniature on ivory 90 x 70mm (2) £600 - 800 (plus 26.4% BP) Lot 151 Cope & Cutler PORTRAIT OF JOHN HARRISON ESQ., BUST LENGTH IN PROFILE, IN A BLACK COAT AND YELLOW WAISTCOAT Inscribed and dated 1818 on old label verso, watercolour heightened with white on card 78 x 64mm; and a pair silhouette portraits,

by Hervé of JOHN HARRISON AND HIS WIFE, BUST LENGTH Watercolour heightened with white on card, oval 70 x 60mm (3) £100 - 150 (plus 26.4% BP) John Harrison is believed to have been one of the founders of the Art Union.

149

The concept of art unions originated in Switzerland around 1800, subsequently spreading around Europe and to Australia, New Zealand and the United States. In Britain there were some thirty unions by 1850, in the cities of London, Liverpool, Edinburgh and Manchester amongst others. The institutions existed to promote and give greater access to works of art by distributing these to members via a lottery process. Later, in order to increase the number of works available, the unions began to commission their own prints, bronzes, medals and porcelain statuary, and this led to criticism that the art market was being flooded by inferior pieces. By the early 1900s, the unions had fallen out of favour, with the Art Union of London being wound up in 1912.

Lot 152 Circle of Henry Andrews (1794-1868) A HAWKING PARTY Oil on metal(?), oval 100 x 130mm, in an ornate brass frame £100 - 150 (plus 26.4% BP)

150

Lots 153-154 Spare lots

151

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152

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 116-117

128-227 PRINTS, MINIATURES AND WATERCOLOURS

LOTS 155 TO 194 A single owner collection of watercolours Lot 155 Peter La Cave (1769-1811) A RIVER LANDSCAPE WITH TWO ANGLERS, A HORSE AND CART ON A PATH Pen and ink and watercolour 18.5 x 24.5cm £200 - 300 (plus 26.4% BP)

155 Lot 156 Frederick Napoleon Shepherd (1819-1878) CHELSEA SUSPENSION BRIDGE Signed l.l., inscribed verso ‘Chelsea Suspension Bridge Pont de Chelsea’, pen and ink and sepia washes 11.2 x 16.5cm £150 - 250 (plus 26.4% BP)

156 Lot 157 *Edward H Thompson (1879-1949) CONISTON FROM WATERHEAD HOTEL Signed l.l., watercolour 24 x 34cm £200 - 300 (plus 26.4% BP)

157 Lot 158 Edward Tucker (c.1830-1909) FISHING BOATS OFF THE COAST IN A SQUALL Signed l.l., watercolour and bodycolour 25 x 50cm £200 - 300 (plus 26.4% BP)

158

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PRINTS, MINIATURES AND WATERCOLOURS 128-227 Lot 159 John Preston Neale (1780-1847) BOATS AND FIGURES ON A RIVERBANK, YORK MINSTER BEYOND Signed and dated 1811 l.r., pencil, pen and ink, watercolour 15.2 x 22.8cm £200 - 300 (plus 26.4% BP)

159 Lot 160 George Barret Jnr. (1767-1842) A RIVER LANDSCAPE WITH ELEGANT FIGURES DISEMBARKING FROM A BOAT NEAR CLASSICAL RUINS Signed and dated 1831 l.l, watercolour and bodycolour 26 x 21cm £300 - 500 (plus 26.4% BP)

160 Lot 161 Attributed to John Henry Campbell (Irish, 1757-1828) TRAVELLERS ON A TRACK BESIDE A CASTLE RUIN Watercolour 18.5 x 27cm £150 - 200 (plus 26.4% BP)

161

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128-227 PRINTS, MINIATURES AND WATERCOLOURS

162 Lot 162 Charles Tomkins (1757-1823) A LANDSCAPE WITH A FIGURE AND CATTLE BY A POND AND FARMHOUSE; THE CROWN INN, WITH A LANDLORD SERVING TRAVELLERS A pair, both signed and dated 1782 l.r., pen and ink and watercolour, oval 18.5 x 23cm (2) £400 - 600 (plus 26.4% BP)

Lot 163 Robert Cleveley (1747-1809) ON THE THAMES BY THE DUKE OF BUCCLEUCH’S GROUND Pencil and watercolour 12.4 x 19.5cm £300 - 500 (plus 26.4% BP)

163

Provenance: T aken from an album of the artist’s work, 1967.

Lot 164 Samuel Howitt (1756-1822) A SPORTSMAN WITH HIS DOGS IN A WOODED LANDSCAPE Bodycolour 19 x 25cm £300 - 400 (plus 26.4% BP)

164

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PRINTS, MINIATURES AND WATERCOLOURS 128-227 Lot 165 Job Bulman (mid-18th century) A RIVER LANDSCAPE WITH TRAVELLERS BESIDE A STONE BRIDGE, A FIGURE IN A BOAT IN THE FOREGROUND Pen and ink and watercolour 21.5 x 29cm £200 - 300 (plus 26.4% BP) Provenance: Tolly Cobbold.

Lot 166 Paul Sandby RA (1725-1809) AN EXTENSIVE MOUNTAIN LANDSCAPE WITH FIGURES BY A RIVER Pen and ink and watercolour 37 x 53cm £2,000 - 3,000 (plus 26.4% BP)

165

166

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128-227 PRINTS, MINIATURES AND WATERCOLOURS Lot 167 Joseph Powell PNWS (1780-1834) A COTTAGE NEAR ITCHEN FERRY, HAMPSHIRE Signed, and dated 1798 l.r., watercolour 16 x 25.5cm £200 - 300 (plus 26.4% BP)

167 Lot 168 John ‘Warwick’ Smith (1749-1831) THE TEMPLE OF CLITUMNUS IN THE VALE OF SPOLETO Watercolour 16 x 24cm £250 - 350 (plus 26.4% BP)

168 Lot 169 William Capon (1757-1827) BILLINGSGATE AND THE GUN TAVERN Pencil and watercolour 18 x 16.5cm £300 - 400 (plus 26.4% BP)

169 Lot 170 William Payne (1760-1830) MEN NETTING ON THE DERWENT, NEAR MATLOCK, WITH RUINS OF A CASTLE Pen and ink and watercolour 32 x 42cm £150 - 250 (plus 26.4% BP)

170

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PRINTS, MINIATURES AND WATERCOLOURS 128-227 Lot 171 Gideon Yates (1790-1840) THE NEW BRIDGE OVER THE RIVER LUNE, LANCASTER Signed with initials and inscribed verso, pen and ink and watercolour 17.5 x 24cm £150 - 250 (plus 26.4% BP)

171 Lot 172 Circle of Paul Sandby RA (1731-1809) A LANDSCAPE WITH A PLOUGH TEAM IN THE FOREGROUND, A COUNTRY HOUSE ON A HILL IN THE DISTANCE Watercolour 24 x 34.5cm £200 - 300 (plus 26.4% BP)

172 Lot 173 Gideon Yates (1790-1837) LANCASTER FROM THE STONE QUARRIES Signed and dated 1811 l.r., pen and ink and watercolour 17.5 x 24.5cm £150 - 250 (plus 26.4% BP)

173 Lot 174 George Barret Jnr. (1767-1842) A RIVER LANDSCAPE WITH CATTLE ON A TOWPATH Watercolour heightened with white 11 x 16.5cm £150 - 200 (plus 26.4% BP)

174

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128-227 PRINTS, MINIATURES AND WATERCOLOURS

175 Lot 175 Anthony Devis (1729-1817) A MOTHER WITH HER CHILDREN AND DOG ON A HILLOCK; CHILDREN IN A MEADOW WITH A DOG Two, signed with initials and dated 1771 (apparently), pen and ink and watercolour 8 x 9cm and 8 x 11.5cm, framed as one (2) £150 - 250 (plus 26.4% BP) Lot 176 John Cleveley Jnr. (1747-1786) DUTCH BOATS AT ANCHOR Pen and ink and watercolour 13.5 x 17.5cm £300 - 500 (plus 26.4% BP) Lot 177 Samuel Owen (1768-1857) ROWING BOATS BY THE SHORE Signed l.r., watercolour; UNLOADING VESSELS Indistinctly signed l.r., watercolour A pair, each 11.5 x 9cm, framed as one (2) £250 - 350 (plus 26.4% BP)

176

177

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PRINTS, MINIATURES AND WATERCOLOURS 128-227 Lot 178 Samuel Atkins (fl.1787-1808) A FRIGATE AT ANCHOR WITH FIGURES IN A ROWING BOAT Signed l.r., pen and ink and watercolour 11.5 x 16.5cm £250 - 350 (plus 26.4% BP)

178 Lot 179 Samuel Atkins (fl.1787-1808) A FISHING BOAT AND OTHER SHIPPING IN HEAVY SEAS OFF A JETTY Signed l.l., pen and ink and watercolour 16 x 22.5cm £300 - 500 (plus 26.4% BP)

179 Lot 180 Samuel Hieronymus Grimm (1733-1794) ‘EAST END OF TEWKESBURY ABBY’ (sic) Inscribed l.c., pen and ink and grey washes 13 x 19cm £200 - 300 (plus 26.4% BP)

180

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128-227 PRINTS, MINIATURES AND WATERCOLOURS Lot 181 Peter La Cave (fl.1769-1810) FISHERMEN REPAIRING NETS BY A COTTAGE Pen and ink and grey and blue washes 15 x 21.5cm £100 - 150 (plus 26.4% BP)

181 Lot 182 Paul Sandby Munn (1773-1845) VALE OF LLANBERIS Inscribed and dated 1802, pen and ink and grey and blue washes 15 x 24cm £100 - 150 (plus 26.4% BP) Provenance: R E S Willison.

182 Lot 183 J…Bluck (fl.1791-1819) A VIEW OF BECKFORD, GLOUCESTERSHIRE, WITH FIGURES IN THE FOREGROUND Signed and inscribed verso, watercolour over pencil 16.5 x 23cm £200 - 300 (plus 26.4% BP)

183 Lot 184 George Chambers OWS (1803-1840) A CUTTER IN A BREEZE AND OTHER VESSELS OFF A HEADLAND Inscribed on card verso ‘For original water colour sketches by my late father George Chambers of Whitby, George Chambers, Feb 1870, London’, watercolour 15 x 23cm £200 - 300 (plus 26.4% BP) Provenance: T he artist’s son, George Chambers Jnr.

184

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PRINTS, MINIATURES AND WATERCOLOURS 128-227 Lot 185 William Payne (1744-1833) VIEW ON THE COAST NR MT. EDGECOMBE Signed l.c., signed and inscribed verso, pen and ink and watercolour 14.5 x 21cm £300 - 500 (plus 26.4% BP)

185 Lot 186 Samuel Atkins (fl.1787-1808) A BRITISH MAN-OF-WAR AND OTHER SHIPPING OFF THE COAST AT DUSK Signed l.c., pen and ink and watercolour, oval 18 x 24cm £250 - 350 (plus 26.4% BP)

186 Lot 187 John Varley OWS (1778-1842) A DISTANT VIEW OF BAMBURGH CASTLE WITH FIGURES ON A BEACH IN THE FOREGROUND Watercolour 13 x 18cm £500 - 800 (plus 26.4% BP)

187

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128-227 PRINTS, MINIATURES AND WATERCOLOURS

188 Lot 188 …Montallo (Italian, 19th/20th century) VIEWS IN THE BAY OF NAPLES A pair, one signed, gouache 26 x 43cm (2) £200 - 300 (plus 26.4% BP)

Lot 189 William Collingswood-Smith OWS (1815-1887) A LANDSCAPE WITH A CHURCH Watercolour and bodycolour 18 x 25cm £150 - 200 (plus 26.4% BP)

189 Lot 190 Bernard Lens III (1682-1740) A VIEW OF THE CITY OF GLOUCESTER, FROM THE WEST SHOWING WESTGATE Pen and ink and watercolour 20.5 x 31.5cm £300 - 500 (plus 26.4% BP) Provenance: I olo Williams.

190

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PRINTS, MINIATURES AND WATERCOLOURS 128-227 Lot 191 William Payne (1760-1830) A RIVER LANDSCAPE WITH WOMEN COLLECTING WATER NEAR A BRIDGE AND WATERFALL Signed l.l., watercolour 15 x 19cm £300 - 500 (plus 26.4% BP)

Lot 192 *Victor Coverley Price (1901-1988) LISBON FROM THE TAGUS, PORTUGAL Signed l.r., watercolour 27 x 38cm £100 - 150 (plus 26.4% BP)

191

Lot 193 Henry Alken Snr. (1785-1851) A HORSEMAN ASKING FOR DIRECTIONS ON A MOOR Pencil and watercolour 28 x 38.5cm £250 - 350 (plus 26.4% BP)

Lot 194 The Rev. William Thomas Bree TWO COUNTRYMEN BY A FORTIFIED MANOR HOUSE Pen and ink and watercolour 24 x 32cm £200 - 300 (plus 26.4% BP)

192

193

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194

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128-227 PRINTS, MINIATURES AND WATERCOLOURS

195

196

Lot 195 E…W…, after Major Denham ‘LANCER OF THE SULTAN OF BEGHARMI’ Signed with initials and inscribed, watercolour 23 x 17cm £100 - 200 (plus 26.4% BP)

Lot 196 Attributed to Maria Cosway (1759-1838), after Sir Peter Paul Rubens PORTRAIT STUDY OF ISABELLA DE BOURBON Red, black and white chalks 21 x 17cm £200 - 300 (plus 26.4% BP)

Lot 197 James Holmes (1777-1860) PORTRAIT OF HENRY AND FRANK PARKER, FULL LENGTH, IN AN INTERIOR, ONE STANDING HOLDING A BOOK, THE OTHER SEATED WITH A SKETCHBOOK, A DOG BY THEIR SIDE Signed and inscribed l.r., watercolour 38 x 30cm £250 - 350 (plus 26.4% BP)

197

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PRINTS, MINIATURES AND WATERCOLOURS 128-227

198 Lot 198 Kong Wein (19th century) THE STEAMSHIP ‘MONSORRI’ AT SEA Signed and inscribed ‘Calcutta’ l.l., gouache 43 x 53cm £300 - 500 (plus 26.4% BP)

Lot 199 Jean Jacques Alban de Lesgallery (French, 1808-1889) A COASTAL SCENE, POSSIBLY COLONIAL, WITH NUMEROUS FIGURES ON THE SHORE AND OTHERS IN BOATS Signed and dated 1847 l.l., gouache 28 x 44cm £800 - 1,200 (plus 26.4% BP)

199

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128-227 PRINTS, MINIATURES AND WATERCOLOURS

200

Lot 200 David Woodlock (1842-1929), after Frederic, Lord Leighton ‘THE CAPTIVE ANDROMACHE’ Watercolour 35 x 75cm £200 - 300 (plus 26.4% BP)

Lot 202 David Woodlock (1842-1929) ‘THE LOWER DOORWAY, ANNE HATHAWAY’S COTTAGE’ Signed l.l., watercolour and bodycolour 31 x 22cm £250 - 350 (plus 26.4% BP)

Lot 201 David Woodlock (1842-1929) ‘BEAUTY AND THE BEAST’ Signed twice l.l., watercolour 24 x 16.5cm £250 - 350 (plus 26.4% BP)

Lot 203 David Woodlock (1842-1929) ‘WHEN WOODS ARE GREEN’ Signed l.l., watercolour and bodycolour 50 x 35.5cm £300 - 500 (plus 26.4% BP)

201

202

203

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PRINTS, MINIATURES AND WATERCOLOURS 128-227 Lot 204 Follower of Sir Edwin Landseer A WOLFHOUND LYING DOWN Watercolour 9.5 x 16cm £100 - 150 (plus 26.4% BP) Lot 205 Frederick William Scarborough (1860-1939) ‘THE PIER HEAD, ANSTRUTHER, FIFE’; ‘SUNSET OFF PITTENWEEN, FIFE’ A pair, both signed l.r., watercolour heightened with white 24 x 34cm (2) £800 - 1,200 (plus 26.4% BP)

204

205

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128-227 PRINTS, MINIATURES AND WATERCOLOURS Lot 206 Thomas Colman Dibdin (1810-1893) ‘AT BANSTEAD, SURREY’ Signed, inscribed with title and dated 1858 l.r. pen and ink, watercolour and bodycolour 35 x 51cm £150 - 250 (plus 26.4% BP)

206 Lot 207 Francis Joseph (Wiggs) Kinnaird (1875-1915) FRAMLINGHAM CHURCH, SUFFOLK Signed l.r. and inscribed with title l.l., watercolour 29 x 47cm £200 - 300 (plus 26.4% BP)

207 Lot 208 Jules Lessore (French, 1849-1892) SHIPPING ON THE MEDWAY AT ROCHESTER Signed l.r., watercolour 70 x 50cm £400 - 600 (plus 26.4% BP)

208

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PRINTS, MINIATURES AND WATERCOLOURS 128-227

209 Lot 209 Arthur Rackham (1867-1939) ‘THE PEASANT - THE OLD WOMAN ROCKING POLLY’S BABY TO SLEEP’ Signed l.r., inscribed under mount, grey washes with traces of crayon 25 x 15.5cm £300 - 500 (plus 26.4% BP)

211 Lot 210 Edmund Gill (1820-1894) ‘KYNANCE COVE, LOOKING TOWARDS THE LIZARD, CORNWALL’ Signed, inscribed with title and dated Oct 1880 l.r., ‘No 33’ l.l., watercolour 26 x 35cm £150 - 200 (plus 26.4% BP)

Lot 211 R…Fabbri (Italian, 19th/20th century) THE COURTYARD, BARGELLO, FLORENCE Signed l.r., watercolour 79 x 55 cm £200 - 300 (plus 26.4% BP)

210

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128-227 PRINTS, MINIATURES AND WATERCOLOURS

212 Lot 212 Charles James Basebe (1818-1880) PORTRAIT OF A GIRL, THREE-QUARTER LENGTH SEATED, IN A BLUE DRESS AND HOLDING A BOOK Signed and dated 1840 l.l, watercolour and bodycolour 26 x 21cm; and another by the same hand, PORTRAIT OF THE SAME SITTER, THREE-QUARTER LENGTH SEATED, IN A WHITE DRESS, A BOOK ON A TABLE BESIDE HER Signed and dated 1847 c.r., watercolour and bodycolour 21 x 17cm (2) £300 - 500 (plus 26.4% BP)

Lot 213 Giuseppe Signorini (Italian, 1857-1932) THE PROPOSITION Signed and inscribed ‘Paris’ l.r., watercolour 40 x 28cm £1,200 - 1,800 (plus 26.4% BP)

213

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214

Lot 214 Tristram Ellis (1844-1922) CONSTANTINOPLE Signed with initials l.l., watercolour 17 x 37cm £300 - 500 (plus 26.4% BP)

Lot 215 Thomas Hampson Jones (1846-1916) HAYMAKERS AT REST, ST OSWALD’S CHURCH, BIDSTON, CHESHIRE IN THE DISTANCE Signed and dated 1886 l.l., watercolour 36 x 72cm £300 - 500 (plus 26.4% BP)

215

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128-227 PRINTS, MINIATURES AND WATERCOLOURS

216 Lot 216 Sir Edwin John Poynter PRA, RWS (1826-1919) STUDY OF A DRAPED FIGURE; STUDY OF CLASPING HANDS Two, black and white chalk on red paper 32 x 22cm and 38.5 x 26.5cm (2) £800 - 1,200 (plus 26.4% BP)

Lot 217 Sir Edwin John Poynter PRA RWS (1826-1919) STUDY OF A DRAPED FIGURE Black and white chalks on buff paper 32 x 22cm £500 - 800 (plus 26.4% BP)

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PRINTS, MINIATURES AND WATERCOLOURS 128-227 Lot 218 English School, 19th century STILL LIFE OF FLOWERS IN A CHINESE PORCELAIN VASE Watercolour and bodycolour 45 x 36cm £200 - 300 (plus 26.4% BP)

218 Lot 219 Thomas Pyne (1843-1935) FIGURES IN A FIELD, DEDHAM CHURCH IN THE DISTANCE Signed and dated 1896 l.r., watercolour 21 x 34cm £150 - 200 (plus 26.4% BP)

219 Lot 220 Giuseppe Ballesio (Italian, 19th/20th century) A GAME OF DOMINOES Signed and inscribed ‘Tivoli, Roma’, watercolour heightened with white 37 x 54cm £400 - 600 (plus 26.4% BP)

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128-227 PRINTS, MINIATURES AND WATERCOLOURS Lot 221 *Wilfred Gabriel de Glehn RA (1870-1951) STUDIES OF A FEMALE NUDE Red chalk, with artist’s stamp verso 39.5 x 56.5cm, unframed £200 - 300 (plus 26.4% BP)

221 Lot 222 *Georges Manzana Pissarro (French, 1871-1961) A SLEEPING CAT With estate stamp l.r., pastel 23 x 32cm £800 - 1,200 (plus 26.4% BP)

222 Lot 223 *Jenny Matthews (20th century) IRISES AND SCABIOUS Signed and dated 1986 l.l., watercolour 78 x 70cm £100 - 150 (plus 26.4% BP)

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Lot 224 Augustus Osbourne Lamplough (1877-1930) ‘ON THE BANKS OF THE NILE’; ‘A STREET IN CAIRO’; ‘A STREET IN BULAK’ Three, all signed and inscribed, watercolours 35 x 25cm (3) £800 - 1,200 (plus 26.4% BP)

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226 Lot 225 William Percy French (Irish, 1854-1920) MARSHLAND, EARLY MORNING Signed and dated 1904 l.l., watercolour 23 x 33.5cm £500 - 700 (plus 26.4% BP) Lot 226 *Alan Brassington (b.1959) POLO PLAYERS Signed and dated ‘91 l.l., watercolour 45 x 50cm £300 - 400 (plus 26.4% BP)

Lot 227 Charles Edward Dixon (1872-1934) ‘ROUNDING THE MARK BOAT’; ‘NEWG’ - WINNING - STUDIES OF POWER BOAT RACING Signed and inscribed, pen and ink heightened with white 46 x 34cm £300 - 500 (plus 26.4% BP) The second painting is of Marion Barbara, known as ‘Betty’, Carstairs (1900-1993) winning the Duke of York’s International Gold Trophy in 1926.

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Lots 228-229 Spare lots

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Lot 230 Pieter Wouwerman (Dutch, 1623-1682) A HAWKING PARTY Oil on panel 36.5 x 45.5cm £3,000 - 5,000 (plus 26.4% BP)

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Lot 231 Follower of Ercole Graziani (Italian, 1688-1765) MADONNA AND CHILD Oil on canvas, oval 119 x 85cm £1,000 - 1,500 (plus 26.4% BP)

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232 Lot 232 Attributed to Thomas Whitcombe (1763-1824) AN EAST INDIAMAN OFF THE COAST Oil on canvas 56 x 86cm £800 - 1,200 (plus 26.4% BP)

Lot 233 After Bonifazio de Pitati, called Bonifazio Veronese THE RICH MAN AND LAZARUS Oil on canvas 34 x 73cm £600 - 800 (plus 26.4% BP)

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234 Lot 234 Circle of Adriaen Hanneman (Dutch, 1603-1671) PORTRAIT OF ALGERNON SIDNEY (1622-1683), HALF-LENGTH, IN A GREEN COAT Oil on panel 38 x 30cm £2,000 - 3,000 (plus 26.4% BP) Algernon Sidney was the 2nd son of the Earl of Leicester. In childhood, he was educated at home in Penshurst, Kent and also travelled abroad with his father. He saw military service in Ireland and, having declared for the Parliamentary side, received grievous wounds at Marston Moor.

A long and varied political career followed and he was an active and diligent member of parliament, taking a particular interest in foreign affairs. In January 1649, in his absence and against his wishes, he was appointed as one of the commissioners at the trial of Charles I. He was opposed to the execution of the king and played no part in the proceedings, retiring to Penshurst until the sentence was passed.

When the restoration of Charles II took place, Sidney was on a diplomatic mission in Sweden, where he remained in exile, more than once trying to arrange an invasion of England. Several attempts were made to assassinate him, but he finally returned to England in 1677, where he again tried to stand for parliament. Suspected of being involved in the Rye House Plot, he was convicted of high treason and executed on 7 December 1683.

His important work, ‘Discourses Concerning Government’, was published posthumously in 1698, in which he opposes the Divine Right of Kings and suggests ideas on the rights of citizens to abolish a corrupt government. It has been suggested that its theories were the starting point of the American Revolution.

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OIL PAINTINGS 230-285 Lot 235 Roman School, 17th century PORTRAIT OF CARDINAL ALDOBRANDINI, BUST LENGTH Oil on panel 63 x 47cm £1,000 - 1,500 (plus 26.4% BP)

235 Lot 236 Circle of Jonathan Richardson (1665-1745) PORTRAIT OF A LADY, HALF-LENGTH, IN A WHITE DRESS Oil on canvas, painted oval 76 x 63cm, in an 18th century carved giltwood frame £800 - 1,200 (plus 26.4% BP)

236

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237 Lot 237 P…de Lazlo (late 19th century) PORTRAITS OF A NEAPOLITAN GIRL AND BOY A pair, both signed and dated 1880 u.l., oil on canvas 19 x 24cm (2) £300 - 500 (plus 26.4% BP)

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Lot 238 H…M…Plews (late 19th century) STUDY OF A WOMAN, HEAD AND SHOULDERS, WITH A GOLD HEADSCARF Signed with monogram l.l., inscribed verso, oil on canvas 51 x 41cm £300 - 400 (plus 26.4% BP)

Lot 239 Arthur Hacker RA (1858-1919) PORTRAIT OF A VEILED WOMAN Signed l.l., oil on canvas 92 x 71cm £600 - 800 (plus 26.4% BP)

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240 Lot 240 Ludwig Streitenfeld (Austrian, 1849-1930) PORTRAIT OF A BOY, HALF-LENGTH Signed and dated 1870 l.l., oil on canvas 39 x 33 cm £600 - 800 (plus 26.4% BP)

241 Lot 241 *Nils Ivan Thord Lindhé (Swedish, 1875-1954) PORTRAIT OF EILEEN LOUISE YOUNGHUSBAND, AGED SIX, FULL LENGTH, SEATED IN A GILT ARMCHAIR Signed and dated 1911 u.l., inscribed u.r., oil on canvas 128 x 102cm £600 - 800 (plus 26.4% BP)

242 Lot 242 *Vincent Galloway (1894-1977) PORTRAIT OF A WOMAN, BUST LENGTH, IN A GREEN DRESS AND FUR COAT Signed l.l., oil on canvas 61 x 51cm £200 - 300 (plus 26.4% BP)

Lot 243 George Dawe RA (1781-1829) CYMBELINE, KING OF THE SOUTH-EAST OF ENGLAND Signed with monogram(?), oil on canvas 204 x 106cm £15,000-20,000 (plus 26.4% BP) The painting is to be included in the forthcoming catalogue raisonné of the artist’s work by Galina Andreeva of the State Tretyakov Gallery in Moscow.

Dawe was christened George after his godfather, the artist George Morland, and was trained as an engraver by his father Philip, who had worked with Hogarth. Accomplished as he was in this discipline, his ambition was to paint and this led him to enrol in 1794 as a student at the Royal Academy of Arts. He became an associate member in 1809 and an Academician in 1814.

He established a reputation in his early career for historical subjects, which at this time were still an important measure of an artist’s abilities, but his desire both for financial success and for recognition in high society drove him increasingly to portrait painting. The Duke of Kent was prominent among his royal patrons, and took him on a tour of Europe where he was commissioned to paint portraits of numerous military and diplomatic staff, among them the Duke of Wellington. His work came to the attention of Tsar Alexander of Russia, which resulted in the commissioning of over 300 military portraits following the successful campaign against Napoleon. Dawe was in St Petersburg from 1822 to 1828, in which year he became First Portrait Painter of the Imperial Court. Although he enjoyed considerable renown in England during his lifetime, his work remains better-known in Russia and his reputation there more enduring.

He was a conscientious student at the Academy, where he supplemented life drawing classes by attending lectures in anatomy. His knowledge of the classics was limited, presumably because his general education had been curtailed, but one of his early subject pictures, ‘Achilles frantic for the loss of Patroclus’, was awarded the gold medal. Two others were exhibited at the Royal Academy, ‘Naomi and her Daughters’ in 1804 and ‘Andromache imploring Ulysses to spare the life of her son’ in 1810; the majority of his subsequent Academy exhibits, until 1818, were portraits. An 1851 publication, ‘Library of the Fine Arts’, records a picture, ‘Cymbeline’ in the following terms: ‘The next historical work he undertook (after Naomi) was from a scene in Cymbeline, which he submitted to the British Institution in 1809, and for which he received their highest premium of two hundred guineas’. This almost certainly refers to the painting now in the collection of the Tate, alternatively titled ‘Imogen found in the cave of Belarius’, but it is reasonable to conclude that our painting was produced at around the same time in view of the popularity of Shakespearean subjects and the subsequent direction that Dawe’s work took. Also in 1809, a premium of £50 was awarded to Dawe by the British Institution for a Scene from Cymbeline, which was possibly for this picture rather than the Tate composition.

In 1819 he arrived in Saint Petersburg, ‘where he commenced his great and laborious undertaking of the grand National Military Gallery. Nine years were devoted to the completion of this wonderful undertaking, which he at length accomplished with almost unexampled industry and perseverance’.

At the time of Dawe’s funeral, Sir Thomas Lawrence, President of the Royal Academy, said of his fellow artist, ‘Dawe had done much for English art, he had established its fame over the whole north of Europe, and connected it with a work which would not soon be forgotten’.

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OIL PAINTINGS 230-285 Lot 244 Achille Solari (Italian, 1835-1884) THE BAY OF NAPLES WITH FISHERMEN Signed l.r., also signed and inscribed verso, oil on panel 10.5cm x 19cm £200 - 300 (plus 26.4% BP) Lot 245 Gian Gianni (Italian, b.1837) A VIEW OF VALLETTA HARBOUR, MALTA Signed and dated 1875 l.r., oil on card 13 x 33cm £400 - 600 (plus 26.4% BP)

244

245 Lot 246 Sidney Pike (1853-1923) EARLY SPRING Signed and dated ‘81 l.l., oil on canvas 32 x 51cm £200 - 300 (plus 26.4% BP)

246

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230-285 OIL PAINTINGS Lot 247 William Etty RA (1787-1849) A SEATED NUDE IN A WOODED LANDSCAPE Oil on panel 67 x 50cm £2,000 - 4,000 (plus 26.4% BP)

247 Lot 248 Adolphe le Comte (Dutch, 1850-1921) A DELFT LANDSCAPE WITH A HOUSE BESIDE A RIVER Signed l.r., oil on panel 22 x 32cm £350 - 400 (plus 26.4% BP)

248 www.sworder.co.uk 69

OIL PAINTINGS 230-285 Lot 249 Follower of George Clare A STILL LIFE OF A BASKET OF FRUIT AND FLOWERS Oil on canvas 58 x 68cm £200 - 300 (plus 26.4% BP)

249 Lot 250 Follower of Willem van de Velde the Younger, 18th century A SHIPPING SCENE Oil on canvas 51 x 63cm £700 - 900 (plus 26.4% BP)

250 Lot 251 William H Hopkins (1853-1892) HARROWING Signed and dated 1858 l.r., oil on canvas 41 x 69cm £1,000 - 1,500 (plus 26.4% BP)

251

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230-285 OIL PAINTINGS Lot 252 English School, late 19th century THE SAILING BARGE ‘SURREY’ AND OTHER SHIPPING OFF THE COAST Oil on canvas 46 x 61cm £150 - 250 (plus 26.4% BP)

252 Lot 253 English School, early 19th century PORTRAIT OF A GREYHOUND IN AN OPEN LANDSCAPE, TWO OTHERS CHASING A HARE BEYOND Inscribed ‘Captain Johnson’, oil on board 28 x 35cm £150 - 250 (plus 26.4% BP)

Lot 254 J…A…Ashton (late 19th century) A FRIESIAN COW; A BULL A pair, both signed and dated 1878 l.r., oil on board 16 x 26cm (2) £200 - 300 (plus 26.4% BP)

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255 Lot 255 William Collins RA (1788-1847) ‘THE STRAY KITTEN’ Signed and dated 1838, oil on board 73 x 62cm £2,000 - 3,000 (plus 26.4% BP) Exhibited: International Exhibition, 1862.

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256

Lot 256 Frederick Waters Watts (1800-1862) A RIVER LANDSCAPE WITH FIGURES AND A HORSE AND CART Oil on canvas 54 x 71cm £800 - 1,200 (plus 26.4% BP)

257

Lot 257 *John Bonny (1874-1948) HEAVY HORSES, WHITE HART LANE Signed l.r., oil on board 51 x 61cm £300 - 400 (plus 26.4% BP)

Lot 258 William Frederick Witherington RA (1785-1865) THE HOMESTEAD Signed l.r., signed and inscribed on label verso, oil on canvas 61 x 51cm £600 - 800 (plus 26.4% BP)

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OIL PAINTINGS 230-285 Lot 259 R…D…Cockburn (mid-19th century) A HUNTING SCENE Signed on stretcher, oil on canvas 41 x 55cm £200 - 300 (plus 26.4% BP)

Lot 260 Anton Edvard Kieldrup (Danish, 1826-1869) A WOODED LANDSCAPE WITH FIGURES ON A PATH NEAR A LAKE Signed with monogram and dated 1867 l.r., oil on canvas 87 x 118cm £1,000 - 1,500 (plus 26.4% BP)

259

Lot 261 Attributed to Benjamin Barker of Bath (1776-1838) A WOODED LANDSCAPE WITH FIGURES AND CATTLE BY A LAKE Oil on canvas 38 x 56cm £200 - 300 (plus 26.4% BP)

261

260

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230-285 OIL PAINTINGS Lot 262 Edgar Longstaffe (1852-1933) A HIGHLAND LANDSCAPE WITH CATTLE BY A LOCH Signed with monogram and dated 1892 l.l., oil on canvas 33 x 48cm £200 - 300 (plus 26.4% BP)

262

263 Lot 263 English School, 19th century RELEASED FROM CAPTURE Signed with monogram and dated ‘60 l.r., oil on canvas 49 x 39cm £200 - 300 (plus 26.4% BP)

264 Lot 264 Circle of Jean-Louis-Ernest Meissonier (French, 1815-1891) LEAVING HER BOUDOIR Bears signature, oil on panel 33 x 22cm £300 - 500 (plus 26.4% BP)

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265 Lot 265 William Parrott (1813-1869) THE PONT NEUF AND THE ÎLE DE LA CITÉ, PARIS Signed l.l., oil on panel 29 x 57cm £2,000 - 3,000 (plus 26.4% BP) Lot 266 Garstin Cox (1892-1933) and William Cox SUNDOWN AT KYNANCE Signed W & G Cox l.l., oil on canvas 69 x 114cm £800 - 1,200 (plus 26.4% BP)

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Lot 267 Spare lot Lot 268 William White Warren (1832-1912) A VIEW OF VENICE Signed on backboard, oil on card 16.5 x 34cm £200 - 300 (plus 26.4% BP)

268

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269 Lot 269 …Van-Kopp (?) (19th/20th century) FISHING BOATS AND SHIPPING AT NIGHT Signed l.r., oil on canvas 51 x 102cm £400 - 500 (plus 26.4% BP)

Lot 270 *Robert Simon (French, 1889-1961) A FRENCH VILLAGE STREET Signed l.r., oil on panel 45 x 36cm £300 - 400 (plus 26.4% BP) Provenance: The 14th Earl of Kintore; The Collection of Bernard Lyons CBE.

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Lot 271 *Robert Simon (French, 1889-1961) EGLISE D’ILFRANCHE Signed l.r., oil on panel 27 x 35cm £300 - 400 (plus 26.4% BP) Provenance: The 14th Earl of Kintore; The Collection of Bernard Lyons CBE.

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272 Lot 272 Continental School, 20th century A YACHT ANCHORED OFF THE COAST, WITH A FIREWORK DISPLAY Indistinctly signed l.l., oil on canvas 63 x 91cm £300 - 500 (plus 26.4% BP)

273 Lot 273 *Theodorus (Dorus) van Oorschot (Dutch, 1910-1989) A LANDSCAPE WITH A FIGURE DRIVING HIS FLOCK NEAR COTTAGES Signed l.r., oil on canvas 61 x 91cm £200 - 300 (plus 26.4% BP)

Lot 274 *Jean Kevorkian (French, b.1933) ST MAMMES Signed l.r., signed and inscribed verso, oil on canvas 73 x 92cm £800 - 1,200 (plus 26.4% BP) Provenance: Phillips, Bond St., London, 5 February 2001, Lot 93.

274

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Lot 275 Sir Herbert Hughes-Stanton RA RWS (1870-1937) ‘THE ROAD TO THE MOUNTAINS, CAGNES’ Signed l.l., oil on canvas 42 x 53cm £500 - 700 (plus 26.4% BP) Provenance: T he Leger Galleries, London.

Lot 276 Donal Lindsay Glegg (1911-1994) ISLE OF SKYE Signed l.r., oil on canvas 80 x 59cm £200 - 300 (plus 26.4% BP) Donal Lindsay Glegg worked for British Railways (Scottish Region) and this image was used in a poster, c.1960, titled ‘Isle of Skye - Go North This Year Travel by Rail’.

Lot 277 Walter Vernon (20th century) RACEHORSES WITH JOCKEYS UP A pair, both signed and dated 1911 and 1912, oil on canvas 41 x 56cm, unframed (2) £600 - 800 (plus 26.4% BP)

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OIL PAINTINGS 230-285 Lot 278 Hans Brasen (Danish, 1849-1930) A BOY AND A COW BY THE EDGE OF A RIVER AT SUNSET Signed and dated 1920 l.l., oil on canvas 78 x 89 cm £300 - 500 (plus 26.4% BP)

Lot 279 *Eiler Sorensen (Danish, 1869-1963) ‘THE SEWING LESSON’ Signed and dated 1903 l.r., oil on canvas 50 x 56cm £400 - 600 (plus 26.4% BP)

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Lot 280 *Mark Chester (b.1960) ‘WINTER WOODLAND TAWNY OWLS’ Signed l.r., acrylic 26.5 x 38cm £150 - 250 (plus 26.4% BP)

Lot 281 Arthur Heyer (German, 1872-1931) A WHITE CAT AND A TABBY CAT Oil on canvas laid down on board 28 x 35cm £300 - 400 (plus 26.4% BP)

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230-285 OIL PAINTINGS Lot 282 *Mick Cawston (1959-2006), after Sir Edwin Landseer ‘EOS - PRINCE ALBERT’S GREYHOUND’ Signed, inscribed and dated 1987, oil on canvas 51 x 61cm £500 - 700 (plus 26.4% BP)

Lot 283 *Willem Jacobus Alberts (Dutch, 1912-1952) ‘EVENING GLOW’ Signed l.l., inscribed with title on gallery label verso, oil on canvas 61 x 100cm £300 - 400 (plus 26.4% BP)

Lot 284 *Marcus Ford (1914-1989) A VIEW ON THE THAMES Signed l.l., oil on canvas 34 x 45cm £150 - 250 (plus 26.4% BP)

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Lot 285 *Daniel van der Putten (b.1949) ‘EVERGREENS AT HARLESTONE, NORTHAMPTONSHIRE’ Signed l.l., signed and inscribed with title on label verso, oil on panel 38 x 31cm £200 - 300 (plus 26.4% BP)

Lots 286-289 Spare lots

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291

Lot 290 A George III oak and mahogany crossbanded longcase clock, the square 11.5in brass dial with Roman numerals, on a silvered chapter ring, inscribed ‘Thomas Gaskell Knutsford’, striking the hour, with an eight-day movement with subsidiary seconds and calendar aperture, 199.5cm high £700 - 900 (plus 26.4% BP) Lot 291 A French gilt mantel clock, the dial with enamelled numerals, mounted with a lion to the side, 33.5cm high £200 - 300 (plus 26.4% BP)

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CLOCKS AND BAROMETERS 290-297

Lot 292 A Breveté brass carriage clock, with a single fusee repeat movement, striking the hours and half hours, the circular enamel dial within an engine turned face, three-quarter plated corner columns, retailed by Elkington & Co., 44 & 45 Moorgate Street, London, 16.5cm high £700 - 1,000 (plus 26.4% BP)

Lot 293 An English mantel clock, 19th century, in a walnut architectural case, with double fusee movement, striking on a gong, the backplate inscribed ‘Webster, Queen Victoria St., London, No. 18944’, 35cm high £400 - 600 (plus 26.4% BP) Lot 294 A mahogany and chequer strung stick barometer, the silvered rectangular register engraved ‘John Conti fecit London’, with a broken arch pediment centred with a brass urn, with a visible tube and a turned boxwood inlaid well, 96.5cm high £200 - 300 (plus 26.4% BP) Lot 295 A mahogany barometer, with an angled tube and two silvered registers with a thermometer to the side, 92cm high £300 - 500 (plus 26.4% BP)

290-297 CLOCKS AND BAROMETERS

Lot 296 A mahogany marine barometer, early 19th century, the ivory register inscribed ‘J Newman, 122 Regent Strt., London’, the register behind an hinged cover with a thermometer to the reverse, over a gimbal mount and brass reservoir, 95cm high £600 - 900 (plus 26.4% BP) Lot 297 A Victorian walnut marine barometer, with an arched top over an ivory register, inscribed ‘Warranted Correct, London’, a barometer, gimbal mount and turned brass reservoir, 92cm high £500 - 800 (plus 26.4% BP)

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OAK AND COUNTRY FURNITURE 298-325

Lot 298 A Renaissance oak cabinet, probably Normandy, early 17th century, the overhanging top over two doors portraying Ceres and Flora with dividing female pilasters, the whole front and panelled sides profusely carved, 120cm wide 54cm deep 77.5cm high £800 - 1,200 (plus 26.4% BP)

Lot 299 A pair of carved oak panels, late 16th century, with ‘Romayne’ heads, possibly from Stansted Hall, 48cm high 17cm wide (2) £300 - 500 (plus 26.4% BP)

298-325 OAK AND COUNTRY FURNITURE Lot 300 An oak centre table, 17th century and later, the cleated plank top on turned supports and square stretchers, 113cm wide 66cm deep 70cm high £150 - 250 (plus 26.4% BP) Lot 301 An harlequin set of eight oak chairs, 17th century and later, two sets with fret cut tops, moulded backs, solid or moulded seats and turned supports (8) £600 - 800 (plus 26.4% BP)

Lot 302 An oval oak gateleg table, with spiral turned supports, 127cm wide 170cm open £400 - 600 (plus 26.4% BP) Lot 303 An oak chest of four long drawers, 17th century, each having geometric detailing on bracket feet, 89cm wide 53cm deep 91cm high £300 - 500 (plus 26.4% BP)

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OAK AND COUNTRY FURNITURE 298-325

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Lot 304 An oak dresser, 18th century, with open shelves above two frieze drawers with cupboards below, 147cm wide 45cm deep 85cm high £300 - 500 (plus 26.4% BP) Lot 305 An oak coffer, 17th century, the hinged top with a moulded front, chip carved ends and star stamped details, the interior with a candle box, with a moulded central section, over high fleur-de-lys style feet, 110cm wide 37cm deep 62.5cm high £250 - 350 (plus 26.4% BP)

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Lot 306 A large oak coffer, 17th century, the plank top with original wire hinges over a carved three-panel front, 145cm wide 59cm deep 73cm high £250 - 450 (plus 26.4% BP)

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Lot 307 An oak gateleg table, 17th century and later, the oval, drop-leaf top on bobbin and reel turned legs, top 158 x 135cm maximum 73cm high £1,200 - 1,500 (plus 26.4% BP)

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309

310

311 308 Lot 308 A painted and carved limewood sculpture, depicting John of Nepomuk, probably Bohemian, 17th century, 128cm high £1,500 - 2,500 (plus 26.4% BP)

Lot 309 An oak delft rack, 18th century, 151cm wide 128cm high £150 - 250 (plus 26.4% BP)

St John of Nepomuk is a Bohemian saint who, in the late 14th century, was cast into the VItava River and drowned for refusing to divulge the secrets of the confessional.

He is considered the first martyr of the Seal of the Confessional and is also considered a protector from floods.

A 17th century statue of St John of Nepomuk is on the King Charles bridge in Prague, the site of his martyrdom.

Lot 310 A set of eight oak single dining chairs, the high backs and overstuffed seats on twist turned supports (8) £600 - 1,000 (plus 26.4% BP)

Lot 311 A George III oak dresser base, with two frieze drawers, 157.5cm wide 46.5cm deep 82cm high £400 - 600 (plus 26.4% BP)

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312

315

Lot 314 Five iron and wood candlesticks, 17th century and later, comprising of four spiral examples, longest 21.5cm (5) £200 - 300 (plus 26.4% BP)

313

Lot 312 A James II leather-lined coffer top, dated 1671, with studwork panelled decoration ‘A.c.1671’, 98cm wide 55cm deep £200 - 400 (plus 26.4% BP)

Lot 313 A James II-style oak stool, the caned seat within geometric incised borders on twist turned supports, 130cm wide 45cm deep 43cm high £200 - 400 (plus 26.4% BP)

Lot 315 An oak and painted wall bracket, with later blacksmith repair, 43.5cm £150 - 200 (plus 26.4% BP) Lot 316 An oak side table, 17th century, with a single drawer, raised on turned supports, united with plain stretchers, 93cm wide 61cm deep 70cm high £400 - 600 (plus 26.4% BP)

316 314

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298-325 OAK AND COUNTRY FURNITURE

Lot 317 A George III oak dresser, the boarded three-shelf back with six spice drawers, the lower section with six drawers flanked by cupboards, 183cm wide 51cm deep 205cm high £2,500 - 3,500 (plus 26.4% BP)

317

Lot 318 A Flemish oak cabinet, late 16th century, carved with strapwork panels and fluted pilasters, the upper section centred with a base hung cupboard opening to reveal three further drawers, flanked with two further cupboards, the lower section with a cupboard mounted with Romayne head panels, 132cm wide 62cm deep 169cm high £3,000 - 5,000 (plus 26.4% BP)

318

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319 open

Lot 320 A Spanish walnut refectory table, 18th century, the solid two-panel top over fret cut supports, united with an iron stretcher, 194cm wide 70cm deep 80cm high £1,500 - 2,000 (plus 26.4% BP)

319

Lot 319 A Dutch walnut and oak cabinet on stand, the plain crossbanded cupboard opening to reveal fifteen drawers around a central cupboard, with a further six drawers, mounted with a plaque engraved ‘The Cabinet of the Rev. Ebenezer Erskine, born 1680, died 1754, Parish Minister of Portmoak and Founder of the Secession Church’, raised on a stand with a single drawer, turned supports, bun feet and castors, 96.5cm wide 45.5cm deep 142cm high £2,000 - 3,000 (plus 26.4% BP)

Lot 321 A pine and limed wood carving of the Madonna, probably Naples, 17th century, carved and painted with her hands clasped, standing on cherubs’ heads, all on a central plinth, 30.5cm high £500 - 700 (plus 26.4% BP)

320 321

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298-325 OAK AND COUNTRY FURNITURE Lot 322 A sycamore refectory table, 18th century and later, the three-plank rectangular top, over a plain frieze with a drawer to one end, on square tapering legs joined with an ‘H’ stretcher, 262cm wide 93cm deep 75cm high £1,500 - 2,000 (plus 26.4% BP)

322

323

324 Lot 323 A Flemish oak table, 18th century, raised on fluted supports and bold cup and cover legs, united with a ‘X’ stretcher, 105cm wide 193cm extended 76cm deep 76cm high £600 - 800 (plus 26.4% BP) Lot 324 A pair of carved oak panels, late 16th century, carved as two women, one possibly pregnant, the other handing her a branch, over winged cherubs, bearing date ‘Anno 1592’, possibly from Stansted Hall, 14cm wide 52cm high (2) £300 - 500 (plus 26.4% BP) Lot 325 A carved oak hanging cupboard, 17th century, with panelled sides, iron ‘H’ hinges and carved decoration, 141cm wide 56cm deep 163cm high £500 - 700 (plus 26.4% BP)

325

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Lot 326 A kingwood parquetry panel casket, late 17th century, the hinged top opening to reveal a plain interior, engraved brackets and escutcheon with carrying handles and a pine back, raised on a later two-drawer stand with solid turned supports, united with ebonised stretchers and bun feet, casket 65cm wide 39cm deep 34.5cm high overall 71.5cm wide 47cm deep 90cm high £600 - 800 (plus 26.4% BP)

326

Lot 327 A Victorian mahogany dressing table, the arched swing mirror on three drawers, over three frieze drawers and turned and fluted end supports, 130cm wide £150 - 200 (plus 26.4% BP)

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OTHER FURNITURE

Lot 328 An Italian baroque-style pier table, 20th century, with a serpentine rouge marble top on an ornately carved silvered wooden base, 102cm wide 69cm deep 77cm high £500 - 800 (plus 26.4% BP)

326-426 328

326-426 OTHER FURNITURE Lot 329 A pair French carved furniture mounts, late 19th century, each carved as jesters seated on plinths holding a capital on their heads, 45cm (2) £400 - 600 (plus 26.4% BP) Lot 330 A George II walnut kneehole desk, the strung and crossbanded top over one long drawer and seven short drawers, around a central door, 77cm wide 49cm deep 73cm high £400 - 600 (plus 26.4% BP)

329

331

330

332

Lot 331 An hall table, 19th century, the circular reconstituted marble top of dished form over a gilt baluster stem, on a tripartite base, with each foot surmounted by a sphinx, all on shaped bun feet and recessed castors, 100cm diameter 72cm high £1,500 - 2,000 (plus 26.4% BP) Lot 332 A French gilt bronze furniture mount, probably 18th century, modelled as a winged caryatid, 45cm high on a later oak stand, 60cm overall £400 - 600 (plus 26.4% BP) Lot 333 An unusual pressed painted metal and wrought iron chandelier, 20th century, in the form of a ring of scrolling foliage, 80cm high £300 - 500 (plus 26.4% BP)

333

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334

Lot 334 A George lll mahogany inlaid Pembroke table, with canted corners and a single drawer raised on square tapering legs, with brass caps and castors, 81cm wide 49cm deep 72cm high £200 - 300 (plus 26.4% BP) Lot 335 A George III mahogany kneehole desk, the moulded rectangular top over an arrangement of drawers and a cupboard, raised on bracket feet, 78cm wide 47cm deep 76cm high £200 - 300 (plus 26.4% BP)

336

94

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Lot 336 A Dutch inlaid two-tier display cabinet, 19th century, the upper section with carved cresting rail, over twin glazed panel doors opening to reveal shelves within, the lower section with two floral parquetry inlaid doors opening to reveal shelves, on turned supports, united by a stretcher raised on bun feet, 124cm wide 30cm deep 172cm high £400 - 600 (plus 26.4% BP) Lot 337 A George III mahogany kneehole desk, the moulded top above a frieze drawer, with cupboard below flanked by six drawers, on bracket feet, 77cm wide 50cm deep 77cm high £300 - 500 (plus 26.4% BP)

337

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326-426 OTHER FURNITURE

338

339

Lot 338 A George III mahogany inlaid Pembroke table, 71.5cm wide 48.5cm deep 70.5cm high £200 - 300 (plus 26.4% BP)

341 Lot 339 A Regency painted pine cupboard, with simulated bamboo supports, over a Greek key-type edging and a plain cupboard, 93cm wide 48cm deep 79cm high £300 - 500 (plus 26.4% BP)

340 Lot 340 A George III mahogany corner chair, with turned supports and a cabriole front leg, united with a ‘X’ stretcher £400 - 600 (plus 26.4% BP)

Lot 341 A Regency mahogany and ebony inlaid writing slope, with shaped brass mounts, Bramah locks, and a secret drawer, 51cm wide £150 - 200 (plus 26.4% BP)

Lot 342 A George I giltwood and walnut pier mirror, in the manner of John Belchier, early 18th century, the crest with two eagles over a moulded frame and two plates, the lower plate later, 67cm wide 165cm high £2,000 - 3,000 (plus 26.4% BP)

342

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343 344

346

Lot 343 A George III mahogany and marquetry inlaid dumb waiter, with three graduated tiers, 105cm high £400 - 600 (plus 26.4% BP)

Lot 345 A Benson & Hedges patent brass inlaid mahogany humidor, the rectangular lid with brass stringing and a brass plaque engraved ‘EMG’ opening to reveal a zinc and copper lined interior with a plaque inscribed ‘Benson & Hedges, London, New York, Montreal’, patented 1919, the body also with inset ‘campaign’ style handles, the base with a brass inlaid frieze on four square tapering legs, terminating on brass spade feet, 55cm wide 32cm deep 82cm high £600 - 900 (plus 26.4% BP)

Lot 344 A Tibetan painted cabinet, the front painted with flowers and birds on a red ground, 108cm wide 48cm deep 105cm high £300 - 500 (plus 26.4% BP)

Lot 346 An Edwardian brass club fender, with a buttoned green top, 156cm wide 128cm wide inside 59cm high £250 - 350 (plus 26.4% BP)

345

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326-426 OTHER FURNITURE Lot 347 A pair of lead planters, in the 17th century style, moulded in low relief with figures near a well and filling wine barrels, 30cm wide 30cm deep 33.5cm high (2) £1,000 - 1,500 (plus 26.4% BP)

347

Lot 348 A Victorian walnut music stand, with a double sheet stand, pierced with a harp, on a rise and fall stand, 125cm £200 - 300 (plus 26.4% BP) Lot 349 A set of twelve oak Victorian Gothic single dining chairs, with open fretwork high backs, overstuffed seats and square legs (12) £2,000 - 4,000 (plus 26.4% BP) Lot 350 A George lll mahogany tray top commode, with a top hung cupboard over a converted slide, now inset with leather, 60cm wide 47cm deep 80.5cm high £300 - 500 (plus 26.4% BP)

350 348

349

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351

352

353

Lot 351 A French walnut parquetry and inlaid commode, late 19th century, the rouge marble top over a break front with three long drawers, within gilt metal mounts on square tapering legs, the drawers with an oval panel inlaid with a ribbon-hung basket of flowers within a crossbanded border, the top drawer with geometric parquetry, 81cm wide 45cm deep 85cm high £1,000 - 1,500 (plus 26.4% BP) Lot 352 A gilt overmantel mirror, the top surmounted with an oval porcelain plaque, flanked with cherubs, the oval bevelled glass plate flanked with engraved latticework panels, 77cm wide 108cm high £400 - 600 (plus 26.4% BP)

98

354

Lot 353 A Victorian bronze figural lamp, the woman holding up a flaming torch and adjusting her shoe, signed ‘G Saulo’, with two glass flame shades, 92cm high £300 - 400 (plus 26.4% BP) Lot 354 A narwhal tusk standard lamp, c.1920, decorated with chinoiserie figures, with a tasselled and decorated shade, 181cm high £300 - 500 (plus 26.4% BP)

BP - Buyer’s Premium of 26.4% inclusive of VAT @ 20%. Lots marked * will be subject to an additional fee - please see ARR details on pages 116-117

326-426 OTHER FURNITURE Lot 355 An iron fire basket, the back cast with two figures seated at a table, 69cm wide 40cm deep 103cm high £200 - 400 (plus 26.4% BP)

Lot 356 An Empire-style green onyx pedestal, of tapering form with gilt metal mounts, 107cm high £200 - 400 (plus 26.4% BP)

355

356

Lot 357 A pair of gilt bronze candelabra, late 19th century, each modelled as angels holding aloft a four-branch candelabra, standing on gilt balls and columns on square plinths, 62cm high (2) £1,500 - 2,500 (plus 26.4% BP)

357 Lot 358 A wrought iron and gilt console table, the serpentine-fronted, grey-veined marble top, raised on a scrolled stand with gilt leaves and scrolls, 155cm wide 40cm deep 88cm high £1,500 - 2,500 (plus 26.4% BP)

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359

361 Lot 359 A French oak and walnut serpentine commode, early 18th century, the three long drawers within serpentine-panelled sides, 113cm wide 52cm deep 81cm high £600 - 800 (plus 26.4% BP) Lot 360 A large Edwardian trumeau mirror, the cream-painted surround with applied gilt details, 107cm wide 182cm high £300 - 500 (plus 26.4% BP)

Lot 362 A George III bow-fronted mahogany sideboard, with rosewood and tulipwood banding, inlaid in sycamore with oak leaves and acorns, 136cm wide 63cm deep 89.5cm high £800 - 1,200 (plus 26.4% BP) Lot 363 A William IV mahogany wall bracket, with a gilt metal gallery, 38.5cm wide £100 - 200 (plus 26.4% BP)

Lot 361 A French settee, late 19th century, the frame ornately carved with shells and scrolls and later painted, 146cm wide £400 - 600 (plus 26.4% BP)

360

363

362

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326-426 OTHER FURNITURE Lot 364 A candlestick lamp, with a storm shade, over a green glass stem and gilt metal mounts, partially converted for electricity, 62.5cm high £100 - 200 (plus 26.4% BP)

Lot 365 A pair of George IV mahogany bergère library chairs, with plain backs, scrolled arms over turned supports and raised on brass castors (2) £3,000 - 5,000 (plus 26.4% BP)

364

365

Lot 366 A Victorian brass lamp, the cluster column and stepped octagonal base supported by lion’s mask feet, converted to electricity, column 50cm high £300 - 500 (plus 26.4% BP)

367

366

368

Lot 367 A Regency-style three-light hall lantern, with painted and gilt Gothic arched panels, 70cm high £200 - 400 (plus 26.4% BP)

Lot 368 A Georgian-style wing armchair, upholstered in red leather, with carved mahogany cabriole legs, 84cm wide 90cm deep 122cm high £500 - 700 (plus 26.4% BP)

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OTHER FURNITURE 326-426 Lot 369 An inlaid mahogany foldover card table, on square tapering legs, 96.5cm wide 46.5cm deep 73cm high, together with an ebonised wine table (2) £100 - 150 (plus 26.4% BP) Lot 370 Two table lamps, one with three lights, and a toleware shade, on a brass base, one in the form of a Roman oil lamp, brass and blacked metal, with a green glass shade, 76 and 44cm high (2) £100 - 200 (plus 26.4% BP) Lot 371 A carved and giltwood stool, 20th century in the 18th century style, ornately carved, no seat, 53cm wide £100 - 200 (plus 26.4% BP) Lot 372 A pair of mahogany window seats, with red leather seats, on square legs, 180cm long 48cm high (2) £400 - 600 (plus 26.4% BP)

369

370

371

372

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373

374 Lot 373 A Victorian walnut parlour suite, comprising of twelve single chairs and two upholstered chairs, with carved scrollwork backs, on cabriole legs (14) £400 - 600 (plus 26.4% BP) Lot 374 Four Edwardian pendant lights, with brass mounts and ribbed opaque glass shades, with two glass bowls fitting on to lower part of shade, 41cm high 36cm diameter, and four smaller similar lights, 20cm high (8) £200 - 400 (plus 26.4% BP)

375

Lot 375 A pair of Louis XV-style carved fauteuils, with cream needlework upholstery (2) £700 - 900 (plus 26.4% BP) Lot 376 A French Louis XVI-style parquetry and gilt-metal-mounted occasional table, late 19th century, the single drawer over shaped supports, united by an undertier, 45cm wide 35cm deep 80cm high £300 - 400 (plus 26.4% BP) Lot 377 An ebonised galleried table, the central painted landscape scene probably from the first half of the 19th century, 60cm wide 43cm deep 53cm high £150 - 250 (plus 26.4% BP)

376

377

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378

379

380

Lot 378 A Regency-style mahogany drum table, 19th century and later, the leather inset top over four frieze drawers, raised on reeded supports and brass caps and castors, 107cm diameter £1,000 - 1,500 (plus 26.4% BP)

Lot 380 A giltwood rococo mirror, in the 18th century style, 66cm wide 119cm high £1,000 - 1,500 (plus 26.4% BP)

Lot 379 A George IV mahogany and rosewood crossbanded sofa table, with a single drawer, raised on reeded supports and brass caps and castors, 106.5cm wide 54.5cm deep 72cm high £200 - 300 (plus 26.4% BP)

Lot 381 A contemporary polished steel club fender, 166cm wide 129cm inside width 55cm high £300 - 500 (plus 26.4% BP)

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326-426 OTHER FURNITURE

382

383

Lot 382 A Regency rosewood chiffonier/desk, with two-shelf back, fold-out writing surface and two brass grille doors, 92cm wide 38cm deep 119cm high £500 - 700 (plus 26.4% BP)

Lot 385 A Victorian oak folio stand, with ratcheted supports, raised on brass castors, 76cm wide 120.5cm high £350 - 450 (plus 26.4% BP)

Lot 383 A George ll-style wing back armchair, with green herringbone upholstery, 86cm wide seat 53cm high back 110cm high £200 - 400 (plus 26.4% BP) Lot 384 An Italian painted console table, 20th century, in the late 17th century style, with three drawers, raised on scrolled supports and lion paw feet, 136cm wide 57cm deep 76cm high £500 - 700 (plus 26.4% BP)

384

385

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386

Lot 386 A pair of Duresta sofas, each with two hinged ends, tied with ropes, loose cushions and scatter cushions, on brass front castors, 182cm wide 110cm deep 89cm high (2) £600 - 800 (plus 26.4% BP)

Lot 387 A Napoleon III burr walnut serpentine commode chest of four graduated drawers, each with gilt metal handles on scroll feet with acanthus detail, 95cm wide 52cm deep 86cm high £1,000 - 1,500 (plus 26.4% BP)

Lot 388 An Edwardian ebonised and inlaid pedestal, the white marble top inset into a square outswept section, inlaid with urns and harebell swags, over a square tapering body inlaid with rococo ‘C’ scrolls, foliate drops and bows, 120cm high £300 - 500 (plus 26.4% BP)

387

388

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391 389

Lot 389 A near pair of George III mahogany open bookshelves, the shaped ends with pierced hand holes and with applied brass handles, 72cm wide 31cm deep 81cm high (2) £400 - 600 (plus 26.4% BP)

Lot 390 A Flemish ebony cabinet, 17th century, the hinged rectangular top above a cavetto frieze, two panelled doors and a drawer with ripple moulded borders, the interior with a door within ten ripple moulded drawers, the interior painted with mythological scenes within red tortoiseshell borders, 54.5cm wide 57.5cm deep 30cm high £3,000 - 5,000 (plus 26.4% BP)

Lot 391 A Japanese lacquered cabinet on stand, early 20th century, having two panelled doors enclosing six drawers, over three further drawers and a separate stand, 51cm wide 31cm deep 74cm high £200 - 400 (plus 26.4% BP)

390

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Lot 394 A Regency rosewood lamp table, the rectangular top applied with a découpage border, centred with a still life of flowers, hinged, 47.5cm wide 72.5cm high £300 - 500 (plus 26.4% BP)

392

Lot 392 An oak and leather long stool, with recent leather buttoned seat, raised on a turned frame, united with stretchers, 124cm wide 52cm deep 47cm high £500 - 700 (plus 26.4% BP)

Lot 395 A carved and giltwood mirror, in the rococo manner, 70cm wide 105cm high £400 - 600 (plus 26.4% BP) Lot 396 A Victorian library long arm, 150cm long £150 - 250 (plus 26.4% BP)

Lot 393 A Louis XV-style carved and giltwood wing armchair, on scrolled legs £400 - 600 (plus 26.4% BP)

393

395 396

394

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326-426 OTHER FURNITURE

397 Lot 397 A George III mahogany press cupboard, the two panelled doors enclosing four slides, 96cm wide 54.5cm deep 137cm high £500 - 800 (plus 26.4% BP)

Lot 398 A circular table, late 19th century, with parquetry top, tilting on a baluster column 67cm diameter 72cm high £200 - 300 (plus 26.4% BP) This table bears some similarity to the Seuffert tables from New Zealand.

398 Lot 400 A George III mahogany chest of drawers, of small proportions, having a crossbanded top over a brushing slide, over four long graduated drawers, 81cm wide 49cm deep 74cm high £500 - 800 (plus 26.4% BP)

Lot 399 A Louis XV-style parquetry side table, with a rouge marble top and gilt mounts, 33cm diameter 73cm high £200 - 300 (plus 26.4% BP)

399

400

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OTHER FURNITURE 326-426 Lot 402 A George III pine pelmet or overdoor, with painted chinoiserie decoration below a turned and painted finial, 88cm wide 30.5cm high £200 - 400 (plus 26.4% BP) Lot 403 A Gothic-style painted bookcase, 20th century, with open shelves over drawers and panelled doors, 210cm wide 32cm deep 157cm high £500 - 800 (plus 26.4% BP)

401 Lot 401 A Sheraton Revival satinwood painted side cabinet, with a bow front, centred with a drawer and a cupboard below, flanked with cupboards each side, painted with bands of flowers and panels of figures en grisaille, 114.5cm wide 49cm deep 88.5cm high £800 - 1,200 (plus 26.4% BP)

Lot 404 A giltwood pier mirror, early 18th century, the moulded, arched and gilded frame enclosing two plates, the upper bearing the arms of the Alland family, Co. Waterford, 52cm wide 170cm high £2,000 - 3,000 (plus 26.4% BP)

402

403

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326-426 OTHER FURNITURE

405

407

Lot 405 A George III coopered and brass bound planter, with brass handles, later liner, 60cm wide £300 - 500 (plus 26.4% BP) Lot 406 A mahogany chiffonier, with a pierced brass three-quarter gallery, over a mirror back and gilt metal turned supports, over a plain cupboard enclosing sixteen graduated drawers, 73.5cm wide 36cm deep 118cm high £600 - 900 (plus 26.4% BP) Lot 407 A George III mahogany tripod table, the circular dished top over a birdcage, with a turned column on carved tripod feet, 90.5cm diameter 70cm high £400 - 600 (plus 26.4% BP)

408

406

Lot 408 A George III mahogany drop-leaf table, with a plain edge, raised on cabriole legs with claw and ball feet, 110.5cm wide 129cm open 45.5cm deep 71cm high £150 - 180 (plus 26.4% BP) Lot 409 A George III mahogany table base, lacking top, 140cm diameter 60cm high £200 - 300 (plus 26.4% BP)

409

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OTHER FURNITURE 326-426 Lot 410 A wrought iron garden bench, 152cm wide £200 - 300 (plus 26.4% BP)

Lot 411 A set of twelve Chippendale Revival mahogany dining chairs, the acanthus carved backs above oxblood leather stuff over seats, with studded details, on claw and ball cabriole supports (12) £3,000 - 5,000 (plus 26.4% BP)

410

411 Lot 412 A Victorian mahogany pull-out extending dining table, with three extra leaves on reeded turned supports, 300cm extended 122cm deep 74cm high £500 - 800 (plus 26.4% BP)

Lot 413 An Italian giltwood table lamp, 20th century, surmounted with scrolling, pressed and painted metal flowering foliage, 93cm high £300 - 500 (plus 26.4% BP)

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326-426 OTHER FURNITURE Lot 414 An Anglo-Indian teak cellaret, with carved details, on square tapering supports, 48cm wide 39cm deep 43cm high £200 - 300 (plus 26.4% BP) Lot 415 A George III mahogany chest, with four graduated long drawers, raised on bracket feet, 76cm wide 45cm deep 75.5cm high £200 - 300 (plus 26.4% BP)

415

414

Lot 416 A neoclassical Siena mirror, 18th century, the rectangular mirror plate within a gilt slip surrounded by a blue-green faux marble border, surmounted by a grotteschi mask with fruiting foliate scrolls emanating from its mouth and over the top corners, the lower part of the frame further decorated with scrolls, grotteschi and pierced pedestals, 80cm wide 135cm high £3,000 - 5,000 (plus 26.4% BP) Lot 417 A pair of wall mirrors, 19th century, each oval mirror plate surrounded by a border of faceted stones to the ebonised and gilt frames, 52 x 41cm (2) £200 - 300 (plus 26.4% BP) Lot 418 A walnut inlaid chest, mid 17th century, probably Mallorcan, the fall front with incised and ebonised latticework decoration, with an iron lock, chain and carrying handles, opening to reveal an arrangement of nine drawers, with ivory handles, now on later bun feet, 85cm wide 43cm deep 49cm high £2,000 - 3,000 (plus 26.4% BP)

417

418

416

418 open

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Lot 419 A painted metal and glazed lantern, mounted on a painted ‘grained’ column, lantern 70cm high overall 160cm high £150 - 250 (plus 26.4% BP)

Lot 420 A large black-painted wrought iron ceiling light, 20th century, in the form of a bunch of roses, 107cm high £300 - 500 (plus 26.4% BP) Lot 421 An ormolu bed canopy, of half round shape with scrolled and floral swags and white fabric drapes, 61cm wide £250 - 450 (plus 26.4% BP) Lot 422 A pair of George III pole screens, with gilt shield-shaped panels, inset with paper scrollwork, inset with oval panels, on slender gilt tripod stands, worn, panels 50 x 34cm 145cm high (2) £300 - 500 (plus 26.4% BP) Lot 423 A pair of oak Solomonic column torchères, late 19th century, with carved Corinthian capitals above twisted stems applied with foliage, on square stepped bases, 161.5cm high (2) £300 - 500 (plus 26.4% BP)

419

421

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326-426 OTHER FURNITURE

Lot 424 A George IV oval cellaret, with a carved fan top centred with a pine cone, raised on reeded and turned supports, on brass castors, 67cm wide 50cm deep 63cm high £1,000 - 1,500 (plus 26.4% BP)

Lot 425 A French Empire-style elbow chair, early 20th century, with an arrow and laurel wreath splat, painted and gilded all over, 92cm high £200 - 300 (plus 26.4% BP)

424

Lot 426 A George I walnut bureau cabinet, with later alterations, crossbanded and feather banded throughout, with a moulded cornice over a single shaped mirror, with three drawers with a candlestick over a sloped front, enclosing a fitted interior with a sliding well, secret drawers, further drawers and pigeonholes, over four graduated drawers, 58cm wide 50cm deep 193cm high £1,500 - 2,000 (plus 26.4% BP)

425

426

www.sworder.co.uk 115

INDEX OF ARTISTS A *Alberts, Willem Jacobus Alken Snr., Henry Andrews, Circle of Henry Ashton, J...A...

Atkins, Samuel

F 283 193 152 254 178, 179, 186

B Ballesio, Giuseppe 220 Barker of Bath, Attributed to Benjamin 261 Barret Jnr., George 160, 174 Barry, Attributed to John 138 Basebe, Charles James 212 Bluck, J...

183 *Bonny, John 257 Brasen, Hans 278 *Brassington, Alan 226 Bree, The Rev. William Thomas 194 Bulman, Job 165 C Campbell, Attributed to John Henry 161 Capon, William 169 *Cawston, Mick 282 Chambers, George 184 *Chester, Mark 280 Clare, Follower of George 249 Cleveley Jnr., John 176 Cleveley, Robert 163 Cockburn, R...D...

259 Collingswood-Smith, William 189 Collins, William 255 Continental School 272 Cope & Cutler 151 Cosway, Attributed to Maria, after Sir Peter Paul Rubens 196 Cox, Garstin and William 266 D Daniell, Thomas and William 131 Dawe, George 243 *de Glehn, Wilfred Gabriel 221 de Lazlo, P...

237 de Lesgallery, Jean Jacques Alban 199 de Pitati, After Bonifazio, called Bonifazio Veronese 233 Devis, Anthony 175 Dibdin, Thomas Colman 206 Dixon, Charles Edward 227 Dürer, After Albrecht 128 E E...W… 195 Ellis, Tristram 214 English School 137, 140, 141, 144, 147, 148, 218, 252, 253, 263 Etty, William 247

Fabbri, R...

211

*Ford, Marcus

284

French School

129, 139

French, William Percy

225

G *Galloway, Vincent

242

Gianni, Gian

245

Gill, Edmund

210

Glegg, Donal Lindsay

276

Graziani, Follower of Ercole

231

Grimm, Samuel Hieronymus

180

H Hacker, Arthur

239

Hanneman, Circle of Adriaen

234

Heyer, Arthur

281

Hogarth, After William

130

Holmes, James

197

Hopkins, William H

251

Howitt, Samuel

164

Hughes-Stanton, Sir Herbert

275

J Jones, Thomas Hampson

215

K *Kevorkian, Jean

274

Kieldrup, Anton Edvard

260

Kinnaird, Francis Joseph (Wiggs)

207

L La Cave, Peter

155, 181

Lamplough, Augustus Osbourne

224

Landseer, Follower of Sir Edwin

204

le Comte, Adolphe

248

Lens III, Bernard

190

Lessore, Jules

208

*Lindhé, Nils Ivan Thord

241

Longstaffe, Edgar

262

M *Matthews, Jenny

223

Mee, Attributed to Anne

142

Meissonier, Circle of Jean-Louis-Ernest

264

Meyer, Circle of Jeremiah

136

Montallo, ...

188

157 162 158

V van de Velde the Younger, Follower of Willem 250 *van der Putten, Daniel 285 *van Oorschot, Dorus 273 Van-Kopp, ...

269 Varley, John 187 Vernon, Walter 277

Y Yates, Gideon

O

Lots marked with a ‘*’ may attract the Artist’s Resale royalty charge at the rate of 4% of the hammer price.

This royalty, where applicable, will be charged to the purchaser.

116

T *Thompson, Edward H Tomkins, Charles Tucker, Edward

172 166 205 156 213 270, 271 135 168 244 279 240

177

182

N

Owen, Samuel

S Sandby, Circle of Paul Sandby, Paul Scarborough, Frederick William Shepherd, Frederick Napoleon Signorini, Giuseppe *Simon, Robert Smart, Follower of John Smith, John ‘Warwick’ Solari, Achille *Sorensen, Eiler Streitenfeld, Ludwig

209 236 134 149 146 235 150

159

133

Neale, John Preston

R Rackham, Arthur Richardson, Circle of Jonathan Richter, Circle of Christian Robertson, Andrew Robertson, Circle of Andrew Roman School Ross, Attributed to Sir William Charles

W Ward, William, after James Ward 132 Warren, William White 268 Watts, Frederick Waters 256 Wein, Kong 198 Whitcombe, Attributed to Thomas 232 Witherington, William Frederick 258 Woodlock, David 200, 201, 202, 203 Wouwerman, Pieter 230

Mottram, Charles, After John William Hill Munn, Paul Sandby

P Parrott, William 265 Payne, William 170, 185, 191 Pike, Sidney 246 *Pissarro, Georges Manzana 222 Plews, H...M...

238 Plimer, Attributed to Nathaniel 143 Plimer, Circle of Andrew 145 Powell, Joseph 167 Poynter, Sir Edwin John 216, 217 *Price, Victor Coverley 192 Pyne, Thomas 219

171, 173

GLOSSARY OF PICTURE CATALOGUING TERMS A work catalogued with the forename(s) and surname of a recognised destination of an artist is or is probably a work by the artist, eg. David Cox. Nevertheless, intending buyers are reminded that while a full designation is our highest category or authenticity, no unqualified statement as to the authorship is made or intended. A full cataloguing does not necessarily imply a full warranty.

Attibuted to David Cox in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Bears/with signature, inscription, date in our opinion the signature/inscription/date are not by the hand of the named artist.

The addition of a question mark (?) after any of the above cataloguing terms indicates Circle of David Cox in our opinion a work from the period of the artist and showing his an element of doubt. influence.

A work catalogued as ‘School’ accompanied by the name of a place or country and a date means that in our opinion the Follower of David Cox work was executed at that time and in the location, eg. South in our opinion a work executed in the style of David Cox Netherlands School, circa 1750.

After David Cox All references to signatures, inscriptions and dates refer to the in our opinion a copy of any date after a work by the artist present state of the work, ie. as at the time of inspection for the Signed/inscribed/dated purpose of cataloguing. in our opinion the work has been signed/inscribed/dated by the Condition reports are not included in the descriptions. artist

ARTIST’S RESALE RIGHT (ARR) What is Artist’s Resale Right?

Following a European Directive in 2006, the Artist’s Resale Right entitles creators of original works of art to a royalty each time their work is resold, with the involvement of an auction house, for 1,000 Euros or more.

This right covers sales of work by living artists and also the beneficiaries and heirs of artists deceased within the last 70 years of the sale.

How are resale royalties calculated?

The artist’s royalty depends on the hammer price (sale price without any VAT or Buyer’s Premium). The higher the sale price of the artwork, the lower the overall royalty rate.

The royalty is worked out according to a sliding scale from 4% to 0.25%.

Hammer Price

Royalty

From 0 to €50,000

4%

From €50,000.01 to €200,000

3%

From €200,000.01 to €350,000

1%

From €350,000.01 to €500,000

0.5%

Exceeding €500,000

0.25%

What is the qualifying threshold?

An artwork must sell for more than €1,000 to qualify for a royalty. The law defines the price threshold in Euros and, because the exchange rate between the two currencies changes daily, the equivalent in Pounds Sterling must be worked out according to the exchange rate on the date the artwork was sold.

What nationality must an artist be to qualify?

The Artist’s Resale Right applies to the sale of artworks in the European Economic Area (EEA). The following countries are in the EEA: Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovak Republic, Slovenia, Spain, Sweden, United Kingdom.

Artists who are nationals of these countries are therefore generally eligible to receive resale royalties. The nationality criteria only applies to the artist and not to the beneficiaries or heirs.

Are all sales of artwork covered?

The Artist’s Resale Right does not apply to all sales of artworks. A royalty is only due if the following conditions are met:  the artwork is a copyright protected work of graphic or plastic art;  it is sold for more than €1000;  it is sold in the secondary market with the involvement of an art market professional (e.g. auction house);  and it is sold in the UK or another country in the European Economic Area (EEA).

This royalty, where applicable, will be charged to the purchaser. It is exempt of VAT.

www.sworder.co.uk 117

MODERN AND CONTEMPORARY PRINTS WEDNESDAY 1 NOVEMBER AT 10AM

David Hockney (British, b.1937) GREGORY Etching with soft-ground etching printed in colours, 1974, signed, dated and inscribed ‘A.P XIII’ in pencil, an artist’s proof plate 68.5 x 54.5cm, framed £4,000-6,000

Further entries are invited. Closing date: 15 September Enquiries Shane Xu | shanexu@sworder.co.uk | 01279 817778

www.sworder.co.uk Sworders Fine Art Auctioneers | Cambridge Road | Stansted Mountfitchet | Essex CM24 8GE | 01279 817778 | E auctions@sworder.co.uk

ASIAN ART TUESDAY 7 NOVEMBER AT 10AM

Further entries are invited Closing date: 22 September

A rhinoceros horn carving, 19th century, 78cm overall, on a hardwood stand £10,000-15,000

Enquiries Yexue Li | yexueli@sworder.co.uk | 01279 817778

www.sworder.co.uk Sworders Fine Art Auctioneers | Cambridge Road | Stansted Mountfitchet | Essex CM24 8GE | 01279 817778 | E auctions@sworder.co.uk

MODERN BRITISH AND 20TH CENTURY ART MONDAY 13 NOVEMBER AT 10AM

Further entries are invited Closing date: 29 September

Sir Eduardo Paolozzi RA (1923-2005) SELF PORTRAIT WITH A STRANGE MACHINE Bronze 85cm high £30,000-50,000

Enquiries Amy Scanlon | amyscanlon@sworder.co.uk | 01279 817778

www.sworder.co.uk Sworders Fine Art Auctioneers | Cambridge Road | Stansted Mountfitchet | Essex CM24 8GE | 01279 817778 | E auctions@sworder.co.uk

JEWELLERY, WATCHES AND SILVER TUESDAY 21 NOVEMBER AT 10AM Further entries are invited Closing date for Jewellery and Watches: 22 September Closing date for Silver: 29 September

An American gold and enamel abstract ring, c.1970,

by J Rossi

JEWELLERY AND WATCHES: Catriona Smith | jewellery@sworder.co.uk | 01279 817778 SILVER: Claire Grindey | clairegrindey@sworder.co.uk | 01279 817778

www.sworder.co.uk Sworders Fine Art Auctioneers | Cambridge Road | Stansted Mountfitchet | Essex CM24 8GE | 01279 817778 | E auctions@sworder.co.uk

THE WINTER COUNTRY HOUSE SALE INCLUDING INDIAN WORKS OF ART AND FURNITURE

TUESDAY 5 DECEMBER AT 10AM

Now inviting entries Closing date: 20 October

Ascribed to Govardhan SHAH JAHAN IN THE TIME OF YOUTH India, Mughal, c.1630-1640 £10,000-15,000

Enquiries Guy Schooling | guyschooling@sworder.co.uk | 01279 817778

www.sworder.co.uk Sworders Fine Art Auctioneers | Cambridge Road | Stansted Mountfitchet | Essex CM24 8GE | 01279 817778 | E auctions@sworder.co.uk

O U T O F T H E O R D I N A RY FEBRUARY 2018 F U RT H E R E N T R I E S A R E I N V I T E D

A large 1960s stag beetle with internal parts £500 - 800 A 1920s oil painting of mushrooms £800 - 1200 A 1960s pub sign £500 - 800 A 1950s erotic pewter chess set (complete) £800 - 1200

EST For more information contact: Mark Wilkinson markwilkinson@sworder.co.uk 01279 817778

www.sworder.co.uk

1782

FINE ART AUCTIONEERS

ABSENTEE BID FORM If you are unable to attend the sale we are ABSENTEE happy to execute bids BID on your FORM behalf. This ABSENTEE BID FORM

DATE OF AUCTION: Decorative Art and Design – 29 & 30 July 2014

service is free and confidential.

NAME:

Indicate your limit for each If• you are unable to attend the lot sale we are happy to If unable to we If you you are are unable to attend attend the sale weisare are execute bids on your behalf. the This sale service free and happy to execute on • Your bids will bebids executed as behalf. cheaplyThis as happy to execute bids on your your behalf.

This confi dential. service is confidential. reserves andand other bids allow service is free free and confidential.

• Indicate your limit for each lot • Indicate limit for A buyer’syour premium of each 20% lot + VAT is payable Indicate limit for each •• Your bidsyour will be executed as lot cheaply as reserves on each successful bid and other bids allow •• Your bids will be executed as Your bids will be executed as cheaply cheaply as as reserves and other bids allow All purchases mustof be22% paid collected reserves and other bids allow •• A buyer’s premium +for VATand is payable on by 5pm on the bid Friday following the auction. each successful •• A buyer’s 20% + payable If are premium unable toof collect this is time please A you buyer’s premium of 20% by + VAT VAT is payable on each successful bid • All must be forauction and collected contact Barnett at the room so on purchases each Frank successful bidpaid by 5pm on thearrangements Friday following that storage canthe beauction. made.

•• IfAll purchases must be collected are unable to collect byfor thisand time please Allyou purchases must be paid paid for and collected by 5pm on the Friday following the auction.

Frank Barnett atfollowing the auction • contact If successfully purchase a lot,the orroom lots,so we byyou 5pm on the Friday auction.

If are to by this time that storage arrangements can made. will forward an invoice within 3 working If you you are unable unable to collect collect by be this time please please contact Barnett the auction room days.

WeFrank recommend that telephone contact Frank Barnett at at theyou auction room so so Ifthat youstorage successfully purchase acan lot, be or lots, we arrangements made. the to check the of thatauction storageroom arrangements can success be made. will forward an invoice shortly after the sale your bids on the day following the auction email or within 3purchase working days by post. We •• by If If you you successfully successfully purchase aa lot, lot, or or lots, lots, we we recommend that you check the 3 success of your will forward an invoice within working • Where we receive morewithin than one bid of the will forward an invoice 3 working bids after the sale on our website.telephone days. recommend that same value, the one received will take days. We We recommend that you youfirst telephone the auction room to check the success of precedence the auction roommore to check • Where we receive thanthe onesuccess bid of of your bids on day following the auction yoursame bidsvalue, on the thethe day following the one received the firstauction will take • Where appropriate, your bids will be rounded •• precedence.

Where we receive more than one the down nearest amount Whereto wethe receive more than consistent one bid bid of of with the same value, the received first take • Where appropriate, your bids will bewill rounded the Auctioneer’s bidding increments same value, the one one received first will take precedence down to the nearest amount consistent with the precedence bidding increments.

• Auctioneer’s Bids placed by telephone will be accepted at •• Where appropriate, your bids rounded your risk and must be confirmed Where appropriate, your bids will willinbe bewriting rounded • Please note our post isamount not delivered until with down to the nearest consistent or by fax down to the nearest amount consistent with midday, therefore postal bids need to reach us the the Auctioneer’s Auctioneer’s bidding bidding increments increments the day • on Please notepreceeding our post isthe notsale. delivered until • Bids placed by will be accepted at midday, therefore postal bids need to reach Bidsdraw placed by telephone telephone willterms be accepted at •• We attention to our full and your risk and must be confirmed in writing us on the day preceeding the sale your risk and must be confirmed in writing conditions on our website. or or by by fax fax

TITLE:OF AUCTION: INITIALS: CLIENT NO. DATE AUCTION: The 500 Autumn Years of Country Printmaking (1517-2017) House Sale DATE AUCTION: Decorative Art DATE OF OF12 AUCTION: Decorative Art and and Design Design –– 29 29 & & 30 30 July July 2014 2014 Stansted.

24September May 2017, 10am10am Tuesday 2017, ADDRESS: NAME: NAME: TITLE: TITLE:

INITIALS: INITIALS:

ADDRESS: ADDRESS: POSTCODE:

TEL (DAYTIME)

LOT POSTCODE: POSTCODE:

BRIEF DESCRIPTION TEL TEL (DAYTIME) (DAYTIME)

LOT LOT

BRIEF BRIEF DESCRIPTION DESCRIPTION

CLIENT CLIENT NO. NO.

£LIMIT

(ex. VAT & premium)

£LIMIT £LIMIT

(ex. VAT & premium) (ex. VAT & premium)

•• Please Please note note our our post post is is not not delivered delivered until until midday, midday, therefore therefore postal postal bids bids need need to to reach reach us us on on the the day day preceeding preceeding the the sale sale

FOR OFFICE USE ONLY Received Date: Time: FOR FOR OFFICE OFFICE USE USE ONLY ONLY By: Received Received Date: Date: Entered Time: Time: Date: By: By: Time: By: Entered Entered Bid No. Date: Date: Time: Time: Forward to: By: By: SWORDERS FINE ART AUCTIONEERS, Bid CAMBRIDGE ROAD, STANSTED MOUNTFITCHET, Bid No. No. ESSEX CM24 8GE TEL: 01279 817778 FAX: 01279 817779 Forward www.sworder.co.uk Forward to: to: SWORDERS SWORDERS FINE FINE ART ART AUCTIONEERS, AUCTIONEERS, CAMBRIDGE CAMBRIDGE ROAD, ROAD, STANSTED STANSTED MOUNTFITCHET, MOUNTFITCHET, ESSEX CM24 8GE ESSEX CM24 8GE TEL: TEL: 01279 01279 817778 817778 FAX: FAX: 01279 01279 817779 817779 www.sworder.co.uk www.sworder.co.uk

Please bid on my behalf for the above mentioned lots up to the limits shown, without legal obligation to Sworders, its staff or agents, or without prejudice to Sworders standard Terms and Conditions printed in this catalogue.

Please Please bid bid on on my my behalf behalf for for the the above above mentioned mentioned lots lots up up to to the the limits limits shown, shown, without without legal legal obligation obligation to to Sworders, Sworders, its its staff staff or or agents, agents, or or without without prejudice prejudice to to Sworders Sworders standard standard Terms Terms and and Signed: printed in this catalogue.

Conditions Conditions printed in this catalogue.

Date: Signed: Signed: Date: Date:

INFORMATION FOR BUYERS Introduction The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.

Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale.

Methods of Payment Lots must be paid for before they are collected. For those attending the auction we ask that lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our web site, including online payment upon receipt of your invoice, and these should be paid by 5pm on the Friday following the sale. We accept cash to an upper limit of 15,000 euros equivalent. Usually any cheques will need to be cleared before you can take the goods away.

Payments by credit card are subject to a charge of 2% plus VAT. Collection and storage All lots should be paid for and collected by 5pm on the Friday following the sale. Commission bidders should check the success of their bids and arrange payment and collection within this time. Please note what the Terms of Sale say about collection and storage. Items not removed by 5pm on Friday may be removed at the purchaser’s expense and a storage charge of £1 per day may be charged.

Dispatch We are rarely able to pack and dispatch purchases. A choice of shippers is detailed on our web site.

Agency As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

Estimates Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive.

b. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory.

Bidding Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

Commission bidding You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving commission bids online via our website, though please contact us about leaving bids by telephone or fax/email. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute commission bids received after this time.

Telephone Bidding If you are unable to come to the auction it may be possible to bid on the telephone for higher value lots. Please note that this service is for lots with an estimate of £500 or more. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason.

Online Bidding Any lots purchased via a live online bidding service will be subject to an additional commission charge on the hammer price payable by the bidder, in accordance with the rates specified by the online service. These charges are 3% plus VAT and will be payable to us on top of the Hammer Price and our buyers commission.

IMPORTANT NOTICES

Buyer’s Premium The Terms of Sale oblige you to pay a buyer’s premium at 22% on the hammer price of each lot purchased, except for our Fine Wine and Port auctions when it is 15%. In addition, VAT is charged on these premiums (see below).

Removal of lots ALL lots are to be removed from the premises by 5.00pm at the latest on the Friday following each sale. Sworders retain the right to remove lots remaining after this time into safe storage, for which a charge will be made.

VAT Items in our catalogue may be marked with a dagger † or double dagger ‡, which indicates that VAT is payable by the buyer on the hammer price and the buyer’s premium at either the standard rate (currently 20%) or a reduced rate (currently 5%), depending upon the legal requirements relating to that lot.

Electrical Goods All electrical goods offered in this sale have either been tested and certified safe or unsafe by an appropriately qualified electrician. All electrical goods certified safe mst be re-commissioned by an appropriately qualified electrician and we recommend those certified safe are similarly re-commissioned.

Lots which do not have either of the above symbols have no VAT payable on the hammer price.

This is because such lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the premium is not recoverable as input tax.

Inspection of goods by the buyer As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them.

However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods.

You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.

Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling.

Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

Condition Reports We may be able to assist buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate.

You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

Electrical goods These are sold as “antiques” only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. Items are marked with this sign §.

Export of goods If you intend to export goods you must find out: a. whether an export licence is needed; and

TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request.

Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale.

Please note that these Terms of Sale relate to auctions held at our premises only. We have separate terms for online only auctions.

1. Definitions and interpretation To make these Terms of Sale easier to read, we have given the following words a specific meaning: In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer.

Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

“Auctioneer”

2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will

means GES & Sons Ltd trading as Sworders Fine Art Auctioneers, a company registered in England and Wales with registration number 6858916 and whose registered office is located at Cambridge Road, Stansted Mountfitchet, Essex CM24 8GE or its authorised auctioneer,

as appropriate; “Bidder”

means a person who places a bid for Goods at our auction;

“Buyer”

means the person who makes the highest bid for the Goods accepted by the Auctioneer;

“Commission”

means the commission that we charge you on the sale of the Goods as set out in Clause 5 below;

“Consumer”

means an individual acting for purposes which are wholly or mainly outside that individual’s trade, business, craft or profession;

“Consumer Contracts Regulations” means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013; “Deliberate Forgery”

means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

4. The purchase price As Buyer, you will pay: a. the Hammer Price; b. a premium of 22% plus VAT of the Hammer Price or 15% plus VAT for our Fine Wine and Port Auction; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

5 VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information.

5.2 We will charge VAT at the current rate at the date of the auction.

6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.

6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

7. Payment 7.1 Immediately following your successful bid on a Lot you will:

“FCA”

means the Financial Conduct Authority;

“Goods”

means the goods that you consign to us for sale at our auction;

“Hammer Price”

means the level of the highest bid for the Goods accepted by the Auctioneer by the fall of the hammer;

“Premium”

means the premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale;

“Price”

means the total of the Hammer Price, Premium and any applicable VAT;

7.1.2 pay to us the Total Amount Due in any way that we agree to accept payment. Note there is an upper limit of 15,000 euros equivalent for payments in cash.

“Proceeds”

means the Price less the Commission, the Premium, any expenses incurred to your account and any applicable VAT;

7.2 If you owe us any money, we may use any payment made by you to repay these debts.

“Reserve”

means the minimum price at which the Goods may be sold;

“Seller”

means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable);

“Terms of Consignment”

means these terms of consignment;

8. Title and collection of purchases 8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.

“Terms of Sale”

means the terms of sale for bidders or buyers at our auctions;

“Trader”

means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf (such as an agent and/or the Auctioneer);

“VAT”

means any value added tax or equivalent sales tax; and

“Website”

means our website available at www.sworders.co.uk.

2. Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and

8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 5pm on the Friday following the auction.

8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal and storage charges in relation to that Lot. 8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.

be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

8.5 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot.

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price.

9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it..

If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller;

for any failure by you or your consultants to properly inspect a Lot. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

a. to us, by sending the notice to the following email address: auctions@sworder.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient).

15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due;

13. Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within 30 days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

17. General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or

9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any non-compliance by you with these Terms of Sale.

13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due;

10. Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

11. Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

11.3 Please note that many of the Lots that you may bid on at our auction are second-hand.

13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

14. Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

14.4.3 any liability which cannot be excluded by law.

11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

15.2.1 by delivering it by hand;

12. Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible

15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

15.2 Any notice referred in Clause 15.1 may be given:

15.2.2 by first class pre-paid post or Recorded Delivery; or 15.2.3 by email, provided that receipt of the email is acknowledged by the recipient.

15.3 Notices must be sent: 41.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email:

16. Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website.

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

17.4 Each of the clauses of these Terms of Sale operates separately.

If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

www.sworder.co.uk The Stansted Auction Rooms Cambridge Road Stansted Mountfitchet Essex CM24 8GE Tel 01279 817778 Fax 01279 817779 Email auctions@sworder.co.uk Hertford Office 42 St Andrew Street Hertford SG14 1JA Tel 01992 583508 Fax 01992 586074 Email hertfordoffice@sworder.co.uk Kent Office kentoffice@sworder.co.uk 01732 757675