Lindsay Burns, 25-26 April 2017

LINDSAY BURNS & COMPANY Antiques & Fine Art 25th & 26th April 2017

Lindsay Burns & Company 6 King Street Perth PH2 8JA Telephone: 01738 633888 Fax: 01738 441322 mail@lindsayburns.co.uk www.lindsayburns.co.uk

Antiques AND Fine Art Tuesday 25th & Wednesday 26th April 2017

The Rattray Collection Lots 231-243

The Studio sale of John Murray Thomson RSA RSW PSSA (1885-1974) Lots 347-405 Lot 346

Antiques & Fine Art Sale Two day Auction To include; The Rattray Collection & The Studio sale of John Murray Thomson RSA RSW PSSA (1885-1974)

Day One Lots 1-405 Tuesday 25th April at 10.30am To include; Longcase Clocks, Furniture, Fireside, Mirrors & Rugs, Works of Art, Bronzes & Weapons, Clocks & Barometers, Cartography, The Rattray Collection, Prints, Watercolours & Oil Paintings, The Studio sale of John Murray Thomson RSA RSW PSSA (1885-1974)

Day Two Lots 406-638 Wednesday 26th April at 10.30am To include; Silver & Gold, Champagne & Whisky, Monart Glass, British & European Ceramics, Asian Art to include Chinese, Japanese & Other Asian Works of Art

At 6 King Street, Perth, PH2 8JA Viewing Saturday Sunday Monday

22nd April 2017 23rd April 2017 24th April 2017

9am – 2pm 1pm – 3pm 9am – 5pm

Limited Viewing on the Morning of Sale Illustrated Catalogue £10.00 Buyers Premium 20% plus VAT Enquiries: Email: Website: Live Auction: Telephone: Fax:

Nick Burns mail@lindsayburns.co.uk www.lindsayburns.co.uk www.the-saleroom.com/lindsayburns 01738 633888 01738 441322

Front cover Illustration – Lot 150 (detail) Back cover Illustration – Lot 230 (detail)

Lindsay Burns & Company

CONDITIONS OF SALE 1. The highest bidder shall be the Buyer. If any dispute arises, the Auctioneers shall have absolute discretion to settle it and put up any disputed Lot again. The Auctioneers reserve the right to refuse any bidding.

2. All lots are put up for sale subject to any agreed reserve price imposed by the seller. The Auctioneers and Vendors reserve the right to bid for each Lot and to alter the Lotting as may be considered necessary, and to withdraw any Lot or Lots from the Sale.

3. The full purchase money for each Lot is to be paid at the fall of the hammer. The declaration of the name of the buyer shall be deemed

<<

=

>

? <<

remain in every respect at the absolute risk of the respective buyer or buyers thereof, and shall be removed from the place of sale at the buyerâ&#x20AC;&#x2122;s expense, and taken with all faults and errors of description, the Auctioneers not holding themselves responsible for the correctness of the description, the genuineness or authenticity of, or any fault or defect in any Lot. The Contract of Sale is to be deemed in all cases as made exclusively with the Auctioneers, and the payment is to be made to them alone.

4. No lot or lots shall be removed from the premises on which the sale is held until paid for, nor shall any person be allowed to retract his or her bidding, but must give his or her name and residence on demand. No lot under any circumstances to be removed during the hours of the sale

<< >

Q ?

Q ?

U X

< Y

relaxation whatever can be made to this condition. Should any damage be occasioned by any buyer to any property of any Vendor which is either reserved or unsold, the buyer shall make good the same or pay a sum in damages which may be agreed between the Auctioneers, as representing the vendor, and such buyer, or failing agreement as to said damages, the amount shall be settled by the Auctioneers whose decision <<

< 5. Methods of Payment Cheques â&#x20AC;&#x201C; All cheques must be made payable to Lindsay Burns and Company.

Z

X

<< ?

< Q ?

U X

the cheque to clear before collecting the lots (unless agreed with the auctioneers prior to sale).

Cash - Lindsay Burns & Company accepts cash payments up to ÂŁ5,000.00 Bank transfer - All bank transfers must state the relevant paddle number (found on the top right of your invoice, if you are unsure of this

=<

[ Z

X

the total Lindsay Burns & Company receive must be the amount due in pounds sterling after a currency conversion. All transfers must include anticipated bank charges. Our bank details are available on request.

Credit card and debit card payments -There is no charge for using a debit card and a 1.35% surcharge for using a credit card. Lindsay Burns & Company does not accept card payments over the telephone or internet, only in person on the premises (unless agreed with the auctioneers prior to sale).

6. It is hereby expressly stipulated that all sales be cash transactions at the fall of the hammer. Notwithstanding this a bill statement may be delivered to the buyer at the end of the sale, for the convenience of such buyer, no stamped receipt shall be required by such a buyer. Except at his or her own expense.

7. If any buyer shall fail to comply with the above conditions or any of them, the Auctioneers shall be at liberty to recover in full the amount outstanding for the Lot or Lots bought by such buyer, together with a 5% administrative charge, and all costs, charges and expenses incurred; or to re-sell any Lot or Lots bought by such buyer, either by public or private sale, and the full amount of the purchase money at the present <

X \ X[

<

with all interest, cost, charges and expenses, shall be made good by the defaulter.

8. Neither the Vendor nor the Auctioneers shall be responsible for any loss, damages or injury occasioned to or sustained by any person on the premises, before, during or after the sale howsoever the same may arise.

9. $<< >

U ?

= ] ^

'$*

= X <

to the Selling Price.

10. $<< >

= ] ? _

'$*

<

Selling Price.

11. $<< <

= ] ?

AR indicate that they are subject to Artists Resale Right. This will only apply to items selling for a hammer price of â&#x201A;Ź1000 or greater, converted into the currency of the sale using the European Central Bank reference rate prevailing on the date of sale.

The additional premium will be payable to Lindsay Burns & Company by the buyer to cover our expenses relating to the payment of royalties under the Artists Resale Right Regulations 2006 and The Artists Resale Right (Amendment) Regulations 2011. The Royalty is calculated as a percentage of the Hammer Price and is set out on a sliding scale from 4% to 0.25%, see table below. The maximum Royalty is capped at â&#x201A;Ź12,500 which applies to works sold for â&#x201A;Ź2 million or more.

Hammer price Percentage From â&#x201A;Ź0-â&#x201A;Ź50,000 4% From â&#x201A;Ź50,000.01 to â&#x201A;Ź200,000 3% From â&#x201A;Ź200,000.01 to â&#x201A;Ź350,000 1% From â&#x201A;Ź350,000.01 to 500,000 0.5% Exceeding â&#x201A;Ź500,000 0.25% 12. Buyerâ&#x20AC;&#x2122;s premium is charged at 20% plus VAT at the prevailing rate on the hammer price of all lots sold.

13. Lindsay Burns & Company offers an online bidding service via the-saleroom.com. This service is provided for bidders who cannot attend the sale. Online auctions allow you to listen, bid and watch the sale in real time. To view the catalogue and register for the sale please go to www.the-saleroom.com/lindsayburns . Please note that successful bids made via the-saleroom.com live auction service will be subject to an additional 3% charge plus VAT at the prevailing rate over and above Lindsay Burns & Companyâ&#x20AC;&#x2122;s buyerâ&#x20AC;&#x2122;s premium.

14. Lindsay Burns & Company prepare Condition Reports and state the physical condition of the lots offered for sale. Lindsay Burns & Company do this free of charge and on behalf of our vendors. Should any potential buyer request a Condition report then Lindsay Burns & Company will provide this. Lindsay Burns & Company are not entering into a contract with the potential buyer. Whilst every effort is taken to ensure the accuracy of the Sale Catalogue and such Condition Reports, they and all descriptions given are prepared by us to the best of our knowledge and any dates and descriptions relating to lots are the Opinion of Lindsay Burns and Company. They do not assume responsibility for them in any way. All lots are available for inspection to potential buyers during the viewing period prior to the Auction.

Auctioneer the representative of Lindsay Burns & Company conducting the sale.

Buyer the person to whom a lot is knocked down to by the Auctioneer and will include any bidder or potential buyer.

Buyerâ&#x20AC;&#x2122;s Premium is the sum calculated on the Hammer Price currently 20% +VAT. Condition Report is a report on the physical condition of a lot prepared

by Lindsay Burns & Company for potential buyers, (see 15).

Hammer Price is the price for which the lot is knocked down by the Auctioneer on the day of sale, (not subject to Buyers Premium or VAT).

Lindsay Burns & Company The Auctioneers as referred to as Lindsay Burns & Company.

Lot any item consigned to Lindsay Burns & Company with a view to being sold at auction.

Sale the auction sale at for which a lot is to be offered for sale by Lindsay Burns & Company.

VAT Value Added Tax at the prevailing rate at the day of sale.

Vendor the seller of lots consigned to Lindsay Burns & Company.

Published by Lindsay Burns & Company 15th July 2016

Catalogue produced by

atg

AUCTION TECHNOLOGY GROUP

Lindsay Burns & Company is the trading name of N Burns & C Burns Ltd., a limited company registered in Scotland.

! "#$ '$*

+ :

2

Lindsay Burns & Company

TUESDAY 25TH APRIL LONGCASE CLOCKS

Lot 1

Lot 2

Lot 3

1. A 19th century mahogany longcase clock, Geo. Lumsden, Pittenweem, the enamelled dial with Roman numerals, subsidiary seconds and date dials, the spandrels painted with paddle

<

boats, the arch painted with a three

<<

{X

|

ensign, the twin train movement striking on a bell, within a broken scroll pediment hood supported by barley twist columns, the

Q ] U

{ U X

half barley twist columns above a rectangular panelled base, raised on bracket feet, 212cm high, pendulum and weights present. ÂŁ250-400 \} ~ | ^[

2. A 19th century mahogany longcase clock, D. Lumsden, Anstruther, the enamelled dial with Roman numerals, subsidiary seconds dial and date dial, the = < = ?

emblematic of the seasons, the arch painted with a three

<<

{X

|

ensign, enclosed within a broken scroll pediment surmounted by three hoho bird and ball < ==

X < X ?

columns, the convex trunk door { U X < < X ?

columns above a rectangular base, raised on bracket feet, 223cm high, pendulum, weights and key present. ÂŁ250-400 \} ~ | ^[

3. A 19th century mahogany cased Irish longcase clock, Dublin, makers name indistinct, the circular enamelled dial with Roman numerals and subsidiary seconds dial, the twin train movement striking on a bell, within a plain dome top hood, the rectangular trunk door above a rectangular base raised on a plinth, overall 207cm high, weights and pendulum present. ÂŁ200-300 \} ~ | ^[

3

Lindsay Burns & Company

Lot 4

Lot 5

Lot 6

4. A George III mahogany boxwood and ebony lined longcase clock, J. Claw, Forfar, the enamelled dial with Roman numerals and foliate painted spandrels, the arch decorated with a ruined folly, with subsidiary seconds and date dials, the twin train movement striking on a bell, enclosed within a broken scroll hood supported by cylindrical columns, the rectangular = <<

{ U X

columns, on a rectangular base with bracket feet, 206cm high, pendulum and weights present. ÂŁ150-250 \} ~ | ^[

5. An 18th century oak automata longcase clock, I.P., the brass dial with silvered chapter ring bearing Arabic and Roman numerals, with subsidiary seconds dial and date aperture, the twin train movement striking on a bell, with pierced scroll and foliate cast spandrels, the arch with automata of a three masted galleon within a dome top hood supported by three quarter columns, the arched trunk door on a rectangular base with bracket feet, 214cm high, pendulum, weights and key present. ÂŁ200-300 \} ~ | ^[

6. A 19th century mahogany longcase clock, James Muirhead, 90 Buchanan Street, Glasgow, the silvered circular dial with Roman numerals and subsidiary seconds dial, the twin train movement striking on a later gong, within a rectangular hood with pierced and scroll carved surmount, the panelled rectangular U

{ U X {

columns on a panelled rectangular base and four bun feet, 221cm high, pendulum, weights and key present. ÂŁ200-300 \} ~ | ^[

4

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 7 7. A 19th century mahogany and ebony lined longcase clock, Alexr. Dougal Strathaven, the circular enamelled dial with Roman and Arabic numerals, with subsidiary seconds and date dials, the twin train movement striking on a bell, within a plain dome top hood with urn surmount and fret cut detail, the rectangular trunk

{ U X {

<

with roundel carved capitols, on a rectangular base raised on bracket feet, 222cm high, pendulum, weights and key present. ÂŁ300-500 \} ~ | ^[

Lot 8 8. An 18th century lantern clock in an oak longcase, John Dison, St. Ives, the 5â&#x20AC;? brass dial with a brass chapter ring bearing Roman numerals with pierced brass spandrels, the arch with circular name plate, the verge escapement striking on a bell within an oak case, the hood ? < << < ?

plain rectangular trunk door on a rectangular base, 198cm high. ÂŁ400-600 \} ~ | ^[

Lot 9 9. A 19th century mahogany longcase clock, Danl. Brown, Glasgow, the brass dial with a silvered chapter ring, subsidiary seconds dial and date aperture, the twin train anchor escapement striking on a bell, within a plain hood with dentil frieze supported X {

<

<

U

{ U X {

quarter columns, on a rectangular base and bracket feet, pendulum, weights and key present, 205.5cm high. ÂŁ300-500 \} ~ | ^[

5

Lindsay Burns & Company

FURNITURE

Lot 11 11. A Victorian oak cupboard, the moulded cornice and dentil frieze above a pair of double hinged, arched panelled cupboard doors carved ?

< = <

=

] <Q

Q

=

<

= <<

=

Q

assorted drawers with recessed brass military type handles, 173cm wide x 226cm high x 64cm deep. ÂŁ400-600 \} ~ | ^[ Lot 10 10. A George III oak bureau bookcase, the double domed moulded cornice above a pair of panelled cupboard doors, over a hinged fall front resting on < ==

=

=

holes, small drawers and central cupboard door, around a recessed well, over two short and three long drawers, raised on bracket feet, 97cm wide x 211cm high x 54cm deep. ÂŁ200-400 \} ~ | ^[

12. A George III mahogany chest, the rectangular top with a moulded edge, above two short and three long graduated cockbeaded drawers, raised on bracket feet, 102cm wide x 92cm high x 49cm deep. ÂŁ100-200 \} ~ | ^[ 13. A George III mahogany and satinwood banded wash stand, the hinged rectangular top

=

? = << =

Q

two false frieze drawers, pair of cupboard doors inlaid with urn motifs, over a single drawer raised on tapered square supports with brass cups and castors, 60.5cm wide x 89cm high x 47.5cm deep. ÂŁ150-250 \} ~ | ^[ 14. A George III mahogany and satinwood banded demi lune card table, the hinged top opening to a puce baize lined interior above a single frieze drawer, raised on four tapered square supports with dot and hollow end inlaid motif, 101cm wide x 72cm high x 45.5cm deep. ÂŁ150-250 \} ~ | ^[

6

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 16. An Edwardian satinwood and marquetry inlaid envelope card table, the square top with four

< = { =

=

baize lined interior, above a single frieze drawer, raised on four tapered square supports with spade feet united by an under tier, 60cm square x 75cm high. ÂŁ500-700 \} ~ | ^[ 17. A Chinese dark wood barrel shaped jardiniere stand, Qing Dynasty, the circular top with a mottled red marble insert within a carved border of knots, above a frieze carved and pierced ?

<

{ ?

shaped bracket feet, 36cm diameter x 51cm high. ÂŁ500-800 \} ~ | ^[ 18. A pair of Chinese dark wood occasional tables, the rectangular panelled tops above a pierced scroll carved frieze, raised on square section supports with channelled line detail, 58.5cm wide x 53cm high x 38cm deep. ÂŁ300-500 \} ~ | ^[

Lots 14A & 14B 14A. A late 19th/early 20th century Black Forest carved bear calling card hall stand, carved standing with front paws outstretched, on a concave base. ÂŁ500-800 \} ~ | ^[ 14B. A late 19th/early 20th century Black Forest carved bear hall stand, carved with a bear holding a branch supporting a cub, with stick ring and branch form coat/hat pegs. ÂŁ1500-2000 \} ~ | ^[ 15. A 19th century Italian Sorrento olive wood, walnut and parquetry inlaid snap top occasional table, the circular top with a scalloped edge < ?

< = <

?

well, within a border of eight smaller oval inlaid Q =

{ ?

raised on a tapered spiral column and three foliate carved downswept supports with scroll toes, 75cm diameter x 71cm high. ÂŁ1200-1800 \} ~ | ^[

Lot 19 19. A Louis XV style writing table, the rectangular top with gilt tooled leather insert, above a frieze drawer with slightly inverted breakfront detail, raised on four tapered cabriole supports with pierced foliate cast mounts and sabots, 97.5cm wide x 76cm high x 60cm deep. ÂŁ1500-2000 \} ~ | ^[

7

Lindsay Burns & Company 23. A 19th century rosewood snap top dining table, the hinged circular top raised on a tapered octagonal column, resting on a circular platform base with three paw feet with brass castors, 131cm diameter x 74cm high. ÂŁ400-600 \} ~ | ^[ 24. An oak Arts & Crafts style bureau bookcase, the moulded cornice above a plain frieze centred with a foliate carved tablet, over two astragal glazed cupboard doors with silvered metal strap hinges, above two open recesses, the hinged fall front opening

] << ?

= =

Q

Q

U

<< ? { U

by a foliate carved panelled cupboard door, raised on square shaped feet, 115cm wide x 228cm high x 48cm deep. ÂŁ300-500 \} ~ | ^[

Lot 20 20. A William & Mary walnut chest on stand, the rectangular top with moulded edge above two short

<

?

?

< Â&#x20AC; ? { U X ?

= ?

raised on six bun feet, 104cm wide x 118.5cm high x 52.5cm deep. ÂŁ500-800 \} ~ | ^[

Lot 21 21. A 19th century pine, ebonised and brass altar table in the manner of A. W. N. Pugin, the rectangular planked top with a carved edge of triangular teeth, raised on ebonised cylindrical trestle ends with dot inlaid spandrels, united by a turned brass stretcher with incised line and dot details, raised on pine rectangular ends with blue and clear glass studded detail, 107cm wide x 73cm high x 55cm deep. ÂŁ200-400 \} ~ | ^[ 22. A Victorian amboyna and ebonised occasional table, the circular top raised on an ebonised column ? { < ==

Q <Q

U

?

= < << <<

downswept supports, 46cm diameter x 71cm high. ÂŁ200-300 \} ~ | ^[ 8

Lot 25 25. A 19th century satinwood and ebony lined bonheur de jour, the upper section with open shelf supported on ebonised baluster turned X-shaped ==

Q

= << <<

=

interior of two cupboard doors, four long drawers and two small drawers, above a green leather lined writing

?

<<

= <

<< = < { U X

=

= <

on tapered square section supports with brass cups and castors, united by an under tier, 98cm wide x 134cm high x 39cm deep. ÂŁ2000-3000 \} ~ | ^[ BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 26. A Chinese dark wood octagonal shaped jardiniere stand, late Qing Dynasty, the top with mottled purple marble insert within a foliate carved border, above a pierced and foliate carved frieze, raised on four square section supports with claw and ball feet united by concave stretchers, 39cm diameter x 61cm high. ÂŁ100-200 \} ~ | ^[ 27. A George III mahogany concertina action card table, the shaped rectangular top opening to a green baize lined interior with circular and oval shaped wells, over a plain frieze, raised on cabriole supports terminating in pad feet, 91.5cm wide x 72cm high x 46cm deep. ÂŁ500-700 \} ~ | ^[ 28. A late Victorian rosewood, marquetry inlaid and gilt metal mounted bijouterie table, the hinged rectangular top with bevelled glass panel insert, opening to a velvet lined interior with glazed panel sides, raised on four tapered cabriole supports with foliate cast mounts, 61cm wide x 77cm high x 41.5cm deep. ÂŁ500-700 \} ~ | ^[

Lot 31

29. A George III mahogany tray top commode, the rectangular top with kidney shaped cut out handles, above two rectangular panelled cupboard doors and pull out drawer with a later slide, raised on square chamfered supports, 56cm wide x 74cm high x 46cm deep. ÂŁ300-500 \} ~ | ^[ 30. A Victorian walnut work table, the shaped <

=

=

?

lift out fret work covers and satin lined recess, raised

= X< < <

? { <

on four downswept foliate carved supports with scroll toes and castors, 64cm wide x 71.5cm high x 42cm deep. ÂŁ100-200 \} ~ | ^[ 31. A Charles II style oak chest, the rectangular top with a moulded edge above four long drawers with brass drop handles, raised on bracket feet, 87.5cm wide x 86.5cm high x 57cm deep. ÂŁ200-300 \} ~ | ^[ 32. A quartetto of four Chinese dark wood occasional tables, Qing Dynasty, the square panelled top within simulated bamboo carved border, above foliate carved and pierced frieze, raised on simulated bamboo carved supports united by stretchers, 39cm square x 73cm high. ÂŁ200-400 \} ~ | ^[

Lot 32

9

Lindsay Burns & Company 39. A George III style Irish mahogany silver table, the oval shaped top with a slightly dished edge, above a frieze carved with baskets issuing { ?

X <

<<

on four tapered cylindrical supports with hairy paw feet, 99cm wide x 73.5cm high x 69.5cm deep. ÂŁ700-900 \} ~ | ^[ 40. A Chinese dark wood jardiniere stand, late Qing Dynasty, the shaped octagonal top with a mottled red marble insert above a pierced and foliate carved frieze, raised on four square section supports with claw and ball feet united by concave stretchers, 35cm diameter x 62cm high. ÂŁ100-200 \} ~ | ^[ Lot 33 33. A 19th century teak and brass bound two part secretaire chest, the upper section with two short drawers over a long drawer and shallow long ?

=

?

<

lined writing surface and three sliding covers, with hinged two division stationery rack, the lower section with two long drawers, raised on square pad feet, 98.5cm wide x 100.5cm high x 50cm deep. ÂŁ600-800 \} ~ | ^[

41. A nest of three 19th century rosewood occasional tables, the rectangular tops with burr wood borders, each raised on four tapered cylindrical supports and trestle ends united by a cross stretcher, 39cm wide x 72.5cm high x 28cm deep. ÂŁ700-900 \} ~ | ^[

34. A pair of Victorian style mahogany three tier whatnots, the rectangular tiers with reeded edges, raised on cylindrical supports, on turned feet with brass cups and wheel castors, 100cm wide x 95cm high x 39.5cm deep. ÂŁ300-500 \} ~ | ^[ 35. A Chinese dark wood corner shaped jardiniere stand, Qing Dynasty, the triangular shaped top with a mottled red marble insert above a pierced and foliate carved frieze, raised on foliate carved supports with claw and ball feet united by a shaped under tier, 66cm wide x 81.5cm high x 50cm deep. ÂŁ400-600 \} ~ | ^[ 36. A late 19th century kingwood, marquetry inlaid and gilt metal mounted side table, the rectangular top with a mottled red and white marble insert above three shallow drawers, raised on cabriole supports united by an under tier, 47cm wide x 72cm high x 32cm deep. ÂŁ400-600 \} ~ | ^[ 37. An Edwardian painted satinwood occasional table, the oval shaped top decorated with vignette of

X

?

{ < <

raised on four tapered square supports terminating in brass cups and castors, united by an X-shaped stretcher, 74.5cm wide x 76cm high x 49cm deep. ÂŁ200-300 \} ~ | ^[ 38. A Victorian walnut Country House pedestal desk, the rectangular top with green and gilt tooled leather insert, above three frieze drawers, resting on three drawer pedestals with plinths and castors, 140cm wide x 75cm high x 70cm deep. ÂŁ300-500 \} ~ | ^[ 10

Lot 42 42. A 19th century Regency style rosewood and brass inlaid secretaire chiffonier, the upper section with open shelf and recess over two frieze drawers,

Q

<

?

=

interior of pigeon holes and four small drawers, over a pair of panelled cupboard doors, raised on tapered square supports, 94cm wide x 129.5cm high x 46cm deep. ÂŁ3000-5000 \} ~ | ^[

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 43. A Chinese dark wood jardiniere stand, late Qing Dynasty, the shaped octagonal top with a mottled red marble insert above a pierced and foliate carved frieze, raised on square section supports with claw and ball feet, 42cm diameter x 45.5cm high. ÂŁ150-250 \} ~ | ^[

46. A 19th century mahogany drop leaf occasional table, the rectangular top with twin drop leaves above two small end drawers backed by two false drawers, raised on tapered cylindrical supports with brass cups and castors, 53cm wide x 70cm high. ÂŁ100-200 \} ~ | ^[

44. A pair of late 19th/early 20th century carved and stained wood blackamoor torcheres,

= <

= ==

X <

carved columns, on three scroll and foliate carved supports, 44cm wide x 114cm high x 41cm deep. ÂŁ600-800 \} ~ | ^[

47. A quartetto of four Chinese dark wood occasional tables, late Qing Dynasty, the rectangular tops with burr wood panel inserts and glass liners, above pierced scroll work friezes, raised on square section supports united by stretchers, the largest 46.5cm wide x 69.5cm high x 35cm deep. ÂŁ200-300 \} ~ | ^[ 48. An 18th century and later oak dresser, the upright back with moulded cornice above four open shelves, on a rectangular base with a planked top and moulded edge, above three frieze drawers, raised on baluster turned supports, 187cm wide x 199cm high x 47cm deep. ÂŁ400-600 \} ~ | ^[

Lot 45 45. A George III mahogany tray top commode, the rectangular top with a pierced gallery above a pair of cupboard doors and pull out drawer with white glazed ceramic potty and wooden cover, raised on square section supports, 55.5cm wide x 78cm high x 48cm deep. ÂŁ200-400 \} ~ | ^[

Lot 49 49. A 19th century organic branch wood console table, the rectangular planked top above an entwined frieze, raised on four branch supports with entwined detail, 155cm long x 91cm high x 60cm deep. ÂŁ400-600 \} ~ | ^[

11

Lindsay Burns & Company

Lot 50 50. A Regency rosewood, brass inlaid and gilt wood library table, the rectangular top with a brass line border and foliate inlaid corners, above a frieze centred on each side with a rectangular < { U X

< ?

< ?

raised on rectangular trestle ends with four gilt wood paw feet, united by a turned cross stretcher, 114.5cm wide x 73cm high x 70.5cm deep. ÂŁ2000-3000 \} ~ | ^[ 51. A 19th century Chinoiserie decorated snap top occasional table, the hinged octagonal shaped

=

?

= Q <

a later calamander and brass lined base with four downswept legs terminating in brass paw feet and castors, 58cm wide x 70.5cm high x 43cm deep. ÂŁ600-800 \} ~ | ^[

Lot 55 55. A late 19th century Thuya wood, satinwood and ebony strung serpentine cabinet on stand, the shaped rectangular top above a pair of cupboard

=

?

=

< =

{ U X

<<

drawers above a blind frieze drawer with circular linking motifs, raised on four tapered cabriole supports, 68cm wide x 142.5cm high x 44cm deep. ÂŁ400-600 \} ~ | ^[

52. A near pair of Edwardian mahogany and marquetry inlaid pedestals, the square tops above oval inlaid panels, on tapered square columns

? < = <

U

{ ?

suspended from ribbon tie and foliate swags, on stepped square plinth bases, 36cm square x 109cm high. ÂŁ800-1200 \} ~ | ^[ 53. A Chinese dark wood altar table, the rectangular panelled top above a frieze carved with tripod censer, bats and Chinese characters, raised on four rectangular section supports united by cross stretchers, 153cm long x 100.5cm high x 38cm deep. ÂŁ2000-3000 \} ~ | ^[ 54. A late 19th century kingwood and ormolu mounted etagere, the upper tier on scroll and foliate cast ormolu supports, the base raised on tapered cabriole supports with ormolu mounts and sabots, 81cm wide x 89cm high x 52cm deep. ÂŁ600-800 \} ~ | ^[

12

Lot 56 56. A late 19th century kingwood, marquetry and gilt metal mounted card table, the hinged revolving rectangular top opening to a green baize lined interior, above a frieze inlaid with cornucopia vases issuing { ?

=

< ==

?

foliate cast mounts and sabots, 81cm wide x 75.5cm high x 42cm deep. ÂŁ300-500 \} ~ | ^[ BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 61 Lot 57 57. A George III mahogany childâ&#x20AC;&#x2122;s rocking chair, the back with pierced cut out, on concave rockers, the front with a shaped apron, 62cm high x 47cm deep x 36.5cm wide. ÂŁ50-100 \} ~ | ^[ 58. A Middle Eastern Moorish parquetry and mother of pearl inlaid hexagonal shaped occasional table, with mirhab shaped supports, 47cm diameter x 49.5cm high, together with another parquetry and mother of pearl inlaid octagonal shaped two tier jardiniere stand, raised on eight square section supports, 46.5cm diameter x 71cm high (2). ÂŁ50-100 \} ~ | ^[ 59. A Chinese dark wood jardiniere stand, late Qing Dynasty, the circular top with a mottled red marble insert above a pierced and foliate carved frieze, raised on four foliate carved supports united by an X-shaped stretcher, 31cm diameter x 60cm high. ÂŁ100-200 \} ~ | ^[ 60. A Chinese dark wood jardiniere stand, early 20th century, the rectangular top with a red and white mottled marble insert, above a frieze carved and pierced with scrolling motifs, raised on four square section supports with claw and ball feet united by an under tier, 86cm wide x 83cm high x 47cm deep. ÂŁ200-300 \} ~ | ^[

61. A 19th century oak buffet/serving table,

< = << U Q ? <

X <

= < { U X < Q

supports, the rectangular top with a foliate carved edge, above a fall front panel door carved with

<< ?

U <

on two winged dragon supports united by an under tier, 187cm wide x 144.5cm high x 60cm deep. ÂŁ400-600 \} ~ | ^[

Dynasty, the panelled rectangular top above an open frieze supported by pairs of turned pillars, raised on four square section supports, 95.5cm wide x 89cm high x 51cm deep. ÂŁ400-600 \} ~ | ^[ 63. A late 19th century French mahogany and parquetry inlaid bedside cabinet, the rectangular top with white and grey veined marble insert, above

< Â&#x20AC; ?

?

<< ? { U

at one side by a single cupboard door, raised on four tapered cabriole supports united by a parquetry inlaid under tier, 47cm wide x 76cm high x 37.5cm deep. ÂŁ300-500 \} ~ | ^[

13

Lindsay Burns & Company 68. A 19th century mahogany, rosewood and boxwood lined sofa table, the rounded rectangular top with twin drop leaves, above two frieze drawers backed by two false drawers, raised on cylindrical and concave supports with four downswept legs terminating in brass toes and castors, 135cm wide (open) x 70.5cm high x 67cm deep. ÂŁ700-900 \} ~ | ^[ 69. A Victorian ebonised and burr walnut side table, the rounded rectangular top with a burr walnut veneered panel within an ebonised border of foliate scrolls, the details picked out in gilt, raised on four = X< < ==

? { <

four downswept scroll legs united by a stretcher, resting on white ceramic castors, 97cm wide x 70cm high x 50cm deep. ÂŁ100-200 \} ~ | ^[

Lot 64 64. A late 19th century mahogany and marquetry inlaid kidney shaped occasional table, the shaped

= < ? { ?

< ?

= <

metal gallery above a concave frieze drawer, raised on rectangular section supports tapering to cabriole supports with foliate cast mounts and paw cast supports, united by an under tier, 70cm wide x 74cm high x 37cm deep. ÂŁ700-900 \} ~ | ^[ 65. A late 19th/early 20th century Japanese elm wood rectangular jardiniere, with detachable copper <

X

Q <<

drawers, 69cm wide x 35.5cm high x 39.5cm deep. ÂŁ200-400 \} ~ | ^[ 66. A George III mahogany tea table, the hinged rectangular top with a foliate carved edge above a plain frieze, raised on four square section chamfered supports with channelled line detail, resting on castors, 91cm wide x 76cm high x 44.5cm deep. ÂŁ400-600 \} ~ | ^[ 67. A 19th century rosewood Canterbury, the rectangular top with three divisions, fronted with foliate and scroll carved laurel wreath, above a single frieze drawer, raised on four tapered cylindrical supports with brass cups and castors, 50cm wide x 55cm high x 36cm deep. ÂŁ300-500 \} ~ | ^[

Lot 70 70. A 19th century mahogany sofa, the ochre coloured velvet upholstered back, arms and serpentine seat raised on short scroll and foliate carved supports with ceramic castors, 206cm wide x 103cm high x 75cm deep. ÂŁ200-400 \} ~ | ^[ 71. A George III mahogany chest on chest, the moulded cornice and dentil frieze above three small cockbeaded drawers, over three long drawers, on a

? ?

?

<

U

? <

X {

<

U

feet, 122cm wide x 170.5cm high x 59cm deep. ÂŁ200-400 \} ~ | ^[ 72. A late 19th century Anglo Indian Hoshiarpur ivory inlaid and ebony lined octagonal topped occasional table, on a folding mirhab base, 60.5cm diameter x 60cm high. ÂŁ300-500 \} ~ | ^[ 73. A Chinese altar table, the rectangular top with scroll carved ends, raised on rectangular section supports with pierced and scroll carved panel inserts, 182cm long x 86.5cm high x 41cm deep. ÂŁ600-800 \} ~ | ^[

14

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 74 74. A pair of late 19th century ebonised boulle pier cabinets of neat proportions, the rectangular tops with grey marble inserts, above a foliate cast ormolu frieze over glazed cupboard doors with red

<< ?

U

=

Q <Q

<

=<

? { <

boss detail, 63cm wide x 104cm high x 34cm deep. ÂŁ3000-5000 \} ~ | ^[

Lot 75 75. A 19th century Goncalo Alves snap top breakfast table, the hinged circular top above a plain frieze with beaded lower border, on a baluster turned column with gadroon carved details, resting on a concave platform base with three scroll feet resting on octagonal pads concealing brass castors, 118cm diameter x 73.5cm high. ÂŁ1500-2000 \} ~ | ^[

Lot 76 76. A George III mahogany and ebony lined serpentine commode, the shaped rectangular top with carved edge, above two long cockbeaded drawers with ebony lined detail, gilt metal handles and escutcheons, enclosed by scroll and foliate carved columns above a shaped apron carved with central shell, raised on four scroll carved cabriole supports, 117cm wide x 94cm high x 62cm deep. ÂŁ6000-8000 \} ~ | ^[ 15

Lindsay Burns & Company 77. A 19th century Regency style rosewood and gilt metal mounted side cabinet, the white and grey veined marble top above a plain frieze with a beaded border, over a pair of glazed cupboard doors opening

?

Â&#x201A; < < { U

by cylindrical columns and convex glazed cupboard doors, raised on a plinth base, 230cm wide x 87.5cm high x 46cm deep. ÂŁ700-900 \} ~ | ^[ 78. A Victorian walnut and ebonised card table, the hinged revolving rectangular top opening to a puce baize lined interior, raised on four tapered cylindrical ==

? { <

? ? =

supports, raised on ceramic castors, the stretchers

?

= < + ? ] Â&#x192;

high x 45cm deep. ÂŁ300-500 \} ~ | ^[

Lot 81 81. A 19th century rosewood armchair, the blue velvet upholstered back, arms and serpentine seat raised on tapered cylindrical supports with brass cups and castors. ÂŁ80-120 \} ~ | ^[ 82. A Victorian mahogany wing armchair, the Calico upholstered back, arms and seat with loose { < =

Q

= X< <

supports with brass castors. ÂŁ80-120 \} ~ | ^[

Lot 79 79. A 19th century mahogany hall chair, the shaped back with scroll detail and gadroon carved surmount above a solid seat, on tapered cylindrical supports, 85cm high. ÂŁ50-100 \} ~ | ^[ 80. A George III mahogany chest, the rectangular top with a moulded edge, above two short and two long graduated drawers, raised on bracket feet, 110cm wide x 86cm high x 57cm deep. ÂŁ150-250 \} ~ | ^[

16

Lot 83 83. A 19th century teak and brass bound campaign dressing table, the rectangular top hinged ? ?

{ =

=

?

lidded compartments, lift out tray and rectangular mirror plate, above a false frieze drawer with brass ring handles over a deep drawer, raised on tapered cylindrical supports with spiral reeded detail, united by an X-shaped stretcher centred with a circular platform, raised on brass castors, 78cm wide x 83cm high x 51cm deep. ÂŁ150-250 \} ~ | ^[ BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 85. A 19th century Anglo Indian lacquered chest on stand, the rectangular chest decorated ? = <

< { ?

< ?

scrolling foliate borders, on a base with foliate carved supports and scroll feet, the frieze with anthemion and foliate roundel details united by two pierced cross stretchers, 78.5cm wide x 90cm high x 50cm deep. ÂŁ200-300 \} ~ | ^[ 86. A pair of 19th century walnut, marquetry inlaid and gilt metal mounted pier cabinets, the <

=

Q { ? < Â&#x20AC;

< Â&#x20AC;

=

=

?

Â&#x201A; < <Q { U X U

<

supports, raised on shaped plinth bases with gilt metal foliate cast borders, 82cm wide x 108cm high x 32cm deep. ÂŁ1500-2000 \} ~ | ^[

Lot 84 84. A 19th century teak and brass bound two part campaign secretaire chest, the upper part with

=

?

=

=

< < =

Q <<

drawers, with a green velvet lined writing surface above two small drawers, the lower part with two long drawers, all with recessed brass handles, the sides with drop carry handles, raised on four bun feet, 98cm wide x 102.5cm high x 46.5cm deep. ÂŁ200-400 \} ~ | ^[

87. A Chinese dark wood console table, the rectangular panelled top above a frieze set with six pierced and carved oval shaped panels of birds and blossom, raised on four tapered square section supports, 122cm wide x 76cm high x 56cm deep. ÂŁ100-200 \} ~ | ^[ 88. A Continental Art Nouveau style walnut and marquetry inlaid display cabinet in the style of Emile Galle, the rectangular top with pierced and foliate carved three quarter gallery, above a cupboard door and two open asymmetric shelves supported by a stylised foliate carved stem, raised on organic carved supports, 60.5cm wide x 152cm high x 41cm deep. ÂŁ300-500 \} ~ | ^[ 89. A late 19th century stained beech and gilt metal mounted aesthetic movement display cabinet in the Japanese taste, the upper section with a bevelled glass cupboard door opening to a

Q <Q < <Q { U

by open shelves, on a rectangular base raised on four shaped square section supports with asymmetric shelf, 69.5cm wide x 167cm high x 36cm deep. ÂŁ400-600 \} ~ | ^[

Lot 85

17

Lindsay Burns & Company 93. A 19th century mahogany and brass bound octagonal shaped wine cooler, the hinged top opening to a lead lined interior, raised on four tapered cylindrical supports with brass cups and castors, 68cm wide x 59.5cm high x 47cm deep. ÂŁ1000-1500 \} ~ | ^[ 94. A George III mahogany chest, the rectangular top with a moulded edge above two short and three long graduated cockbeaded drawers, raised on bracket feet, 106cm wide x 90cm high x 52.5cm deep. ÂŁ200-300 \} ~ | ^[ 95. A 19th century rosewood library table, the rectangular top above two frieze drawers, raised on rectangular trestle ends with scroll carved brackets and bun feet with recessed brass castors, 142cm wide x 72cm high x 63cm deep. ÂŁ200-300 \} ~ | ^[ 96. A George III mahogany chest, the rectangular top with a moulded edge above three small cockbeaded drawers over three long graduated cockbeaded drawers, raised on shaped bracket feet, 114cm wide x 98cm high x 53cm deep. ÂŁ200-300 \} ~ | ^[

Lot 90 90. A Victorian kingwood and ormolu mounted jardiniere stand, the rectangular top with a pierced gallery enclosing a detachable Japanned metal liner, the sides decorated with bleu de celeste ground porcelain panels decorated with birds and = X

{ ?

=

<

supports with gilt metal mounts and foliate cast sabots, 61cm wide x 81cm high x 34cm deep. ÂŁ800-1200 \} ~ | ^[ 91. A Chinese dark wood barrel shaped stool, the circular top with burr wood panelled insert within

<

Q

Q ]

supports with scroll carved detail united by a circular under tier with studded border, 34cm diameter x 44cm high. ÂŁ300-500 \} ~ | ^[ 92. A Victorian mahogany and parcel gilt Davenport, <

=

=

interior of divisions and pen tray, the hinged writing slope opening to a plain open interior, raised on = X< < ==

? {

<

carved detail, the sides with panelled cupboard doors opening to a bank of four graduated drawers with recessed brass military type handles, 53cm wide x 78cm high x 55cm deep. ÂŁ400-600 \} ~ | ^[

18

97. A late 19th century walnut and ormolu mounted bureau de dame, the slightly bombe fall

=

?

= <

three small drawers and two sliding recessed wells, above a plain frieze centred with shell and foliate cast mount, raised on four cabriole supports with foliate cast mounts and scroll cast sabots, 72cm wide x 83cm high x 42cm deep. ÂŁ1500-2000 \} ~ | ^[ 98. A late 19th century mahogany, parquetry inlaid and gilt metal mounted writing table, the rounded rectangular top inlaid with parquetry detail, above a long frieze drawer with foliate cast mounts and drop laurel wreath shaped handles, raised on four tapered square supports with foliate cast gilt metal feet, 81cm wide x 72cm high x 54cm deep. ÂŁ600-800 \} ~ | ^[ 99. A 19th century mahogany bird cage snap top tripod table, the hinged circular top with a pie crust edge, raised on a tapered cylindrical column and three downswept supports with shell and foliate carved detail, 66cm diameter x 72cm high. ÂŁ400-600 \} ~ | ^[ 100. An Edwardian mahogany and brass four division newspaper stand, the four division rectangular top revolving on three cylindrical downswept supports united by concave stretchers, 38cm wide x 87cm high. ÂŁ150-250 \} ~ | ^[

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 101. A Chinese dark wood jardiniere stand, Qing Dynasty, the shaped octagonal top with a mottled red marble insert above a pierced and foliate carved frieze, raised on four tapered square section supports with claw and ball feet, 42cm diameter x 45.5cm high. ÂŁ150-250 \} ~ | ^[ 102. A late 19th century satinwood side table, the rectangular top above a bowed central frieze ? { U X ?

<< Â&#x20AC; ?

on tapered square supports with brass cups and castors, 82.5cm wide x 75cm high x 51.5cm deep. ÂŁ800-1200 \} ~ | ^[

106. A George III mahogany lowboy, the rectangular top with a moulded edge above a single cockbeaded frieze drawer with pierced brass escutcheon and drop handle, over a shaped apron, raised on two shell carved cabriole supports with pad feet at the front and a single cabriole leg at the back, 70cm wide x 70cm high x 49cm deep. ÂŁ150-250 \} ~ | ^[

103. A late 19th century French rosewood and marquetry inlaid occasional table, the oval top

?

U

{ ? ?

pierced brass three quarter gallery, above a single frieze drawer, raised on four tapered cabriole supports united by an under tier, 62cm wide x 76.5cm high x 43cm deep. ÂŁ400-600 \} ~ | ^[ 104. A George III mahogany chest, the rectangular top with moulded edge, above two short and three long graduated drawers, on shaped bracket feet, 100cm wide x 92cm high x 49cm deep. ÂŁ150-250 \} ~ | ^[

Lot 107 107. A Charles II oak chest, the rectangular planked top with a moulded edge above four long drawers, raised on bun feet, 98cm wide x 90cm high x 57.5cm deep. ÂŁ150-250 \} ~ | ^[ 108. A George III mahogany and satinwood banded Pembroke table, the oval top with twin drop leaves above a single end drawer, raised on four tapered square supports with brass cups and castors, 75cm wide x 70cm high. ÂŁ150-250 \} ~ | ^[

Lot 105 105. A George III mahogany bird cage snap top occasional table, the circular top with a slightly dished edge, raised on a tapered cylindrical column with three downswept supports, 71cm diameter x 69cm high. ÂŁ150-250 \} ~ | ^[

19

Lindsay Burns & Company 112. A late 19th century French kingwood, marquetry and gilt metal mounted serpentine commode in the Louis XV style, the red and grey veined marble top with a moulded edge above three long drawers, raised on splayed supports with pierced and foliate cast sabots, 70cm wide x 85cm high x 37cm deep. ÂŁ400-600 \} ~ | ^[ 113. A Chinese dark wood jardiniere stand, Qing Dynasty, the square shaped top with a mottled purple marble insert above a pierced and foliate carved frieze, raised on square section supports with claw and ball feet united by an under tier, 43cm square x 83.5cm high. ÂŁ300-500 \} ~ | ^[ 114. A French kingwood and gilt metal mounted Transitional style commode, the green and white veined marble top above two deep drawers, raised on tapered cabriole supports with foliate cast sabots, 64cm wide x 85cm high x 40.5cm deep. ÂŁ600-800 \} ~ | ^[ 115. A pair of Chinese dark wood jardiniere stands, late Qing Dynasty, the panelled circular tops above plain frieze with carved edge, raised on four cylindrical supports with scroll feet, 36.5cm diameter x 51cm high. ÂŁ400-600 \} ~ | ^[

Lot 109 109. A French kingwood, marquetry and gilt metal mounted Transitional style side cabinet, the domed top above an open recess with mirror U

Q

<< ? { U

by cupboard doors inlaid with ribbon tied pendants = = =

{ ?

?

a long frieze drawer, raised on four tapered square ==

? { <

< <

<

cast feet, 78cm wide x 145cm high x 35.5cm deep. ÂŁ2000-3000 \} ~ | ^[

inlaid display cabinet on stand, the upper section with a glazed cupboard door opening to a mirror backed interior with clear glass shelf and purple velvet lined base, raised on a base with plain frieze inlaid with anthemion motifs, raised on tapered square supports united by an under tier and panelled back, 110.5cm wide x 173cm high x 45cm deep. ÂŁ2000-3000 \} ~ | ^[

116. A Chinese dark wood console table, Qing Dynasty, the rectangular panelled top above a frieze carved and pierced with scroll motifs, raised on four square section supports with scroll carved feet, 93cm wide x 85.5cm high x 47cm deep. ÂŁ1000-2000 \} ~ | ^[ 117. A Chinese dark wood gaming table, late 19th/ early 20th century, the square panelled top above a plain frieze set with four blind drawers, raised on square section supports with scroll carved detail and carved feet, with pierced ruyi carved spandrel detail, 87.5cm square x 82cm high. ÂŁ800-1200 \} ~ | ^[ 118. A 19th century French mahogany and satinwood banded Empire style secretaire a abattant, the rectangular top above a single frieze ?

<<

=

interior of open recesses, single cupboard door and four small drawers, above a pair of cupboard doors decorated with oval vignettes of half length busts, enclosed by tapered supports with caryatid capitols, raised on tapered square supports and gilt metal ball feet, 94cm wide x 152cm high x 47cm deep. ÂŁ400-600 \} ~ | ^[

111. A Chinese dark wood jardiniere stand, Qing Dynasty, the square top with mottled red <

Q

Â&#x20AC; Q ? { ?

scrolling foliage, over pierced fret work frieze, raised on square section supports with claw and ball feet united by an under tier, 43cm square x 90cm high. ÂŁ300-500 \} ~ | ^[ 20

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 119 119. A George III mahogany chest, the rectangular top with a moulded edge above two short and three long graduated cockbeaded drawers, raised on bracket feet, 92.5cm wide x 90cm high x 50.5cm deep. ÂŁ200-300 \} ~ | ^[

Lot 122 122. A 19th century mahogany oversized armchair in the Regency style, the upholstered back arms and seat raised on four slightly tapered square section supports with brass castors, 97cm high x 95cm wide. ÂŁ100-200 \} ~ | ^[ 123. A Victorian mahogany square shaped armchair, { < = < U

and seat raised on tapered cylindrical supports with brass castors, 63cm high x 74cm square. ÂŁ50-100 \} ~ | ^[ 124. A Chinese lacquered cupboard, the pair of rectangular panelled cupboard doors decorated with precious objects, opening to a plain interior, raised on short square section supports, 90cm wide x 160cm high x 40cm deep. ÂŁ300-500 \} ~ | ^[

Lot 120 120. A George III mahogany and boxwood lined serpentine chest, the shaped rectangular top above four long graduated cockbeaded drawers with ivory inlaid escutcheons and oval brass drop handles, raised on bracket feet, 113cm wide x 98cm high x 58.5cm deep. ÂŁ500-800 \} ~ | ^[ 121. A 19th century mahogany and boxwood lined dressing table mirror, the oval mirror plate on a =

?

Â&#x20AC; ?

on bracket feet, 46cm wide x 61cm high x 23cm deep. ÂŁ50-100 \} ~ | ^[

125. An Edwardian mahogany and satinwood banded polychrome decorated occasional table,

Q <

= = ?

Q < = <

{ ?

?

{ < <

four tapered square supports united by a concave under tier, 78cm wide x 69cm high x 50cm deep. ÂŁ200-300 \} ~ | ^[ 126. A late 19th century walnut, porcelain and gilt metal mounted occasional table, the circular top centred with a bleu de celeste ground porcelain panel decorated with a central portrait panel of Louis XVI, within a border of six circular portrait panels depicting female busts within gilded scroll borders, the frieze decorated with circular painted porcelain panels,

X< < ==

? { <

united by an under tier with pierced gilt metal gallery, 57cm diameter x 74cm high. ÂŁ600-800 \} ~ | ^[

21

Lindsay Burns & Company 127. A George III style mahogany silver table, the rectangular top raised on four triple cluster columns united by a fret work X-shaped stretcher, 85cm wide x 77cm high x 57cm deep. ÂŁ100-200 \} ~ | ^[ 128. A 19th century mahogany bachelors chest, the rectangular top with a moulded edge above a brush slide and four long graduated cockbeaded drawers, raised on bracket feet, 78cm wide x 82cm high x 50cm deep. ÂŁ400-600 \} ~ | ^[ 129. A 19th century mahogany, satinwood and marquetry inlaid oval tray on stand, the twin handled tray detaching from a base with four simulated carved bamboo supports united by an X-shaped stretcher, 78cm wide x 47cm high x 58cm deep. ÂŁ150-250 \} ~ | ^[ 130. An antique and later walnut display cabinet, the rectangular top and concave frieze above a pair of astragal glazed cupboard doors opening to a lined

?

<Q

with two small drawers over a long drawer, raised on bracket feet, 100cm wide x 197cm high x 42cm deep. ÂŁ400-600 \} ~ | ^[ 131. A 19th century French oak dresser, the upper section with three open plate racks above a <

{ U X =

=

=< U <

?

panelled cupboard doors, raised on shaped bracket feet, 195cm wide x 218cm high x 45.5cm deep. ÂŁ400-600 \} ~ | ^[ 132. A 19th century oak caqueteuse armchair, the rectangular panelled back with rosette carved <

Q

<

{ U X

Q

raised on cylindrical supports united by stretchers. ÂŁ100-200 \} ~ | ^[ 133. A 19th century oak childâ&#x20AC;&#x2122;s high chair, the panelled back carved with lozenge and foliate detail,

Q

<

{ U X

=

on tapered cylindrical and rectangular planked supports united by stretchers, 107.5cm high. ÂŁ50-100 \} ~ | ^[ 134. An 18th century style walnut centre table, the rectangular top with oyster veneered border above a long frieze drawer, raised on four tapered spiral carved supports united by an X-shaped stretcher, raised on bun feet, 107cm wide x 74cm high x 70cm deep. ÂŁ500-700 \} ~ | ^[

22

135. A Chinese dark wood jardiniere stand, late Qing Dynasty, the circular top with mottled red and white marble insert, above a pierced and blossom carved frieze, raised on four concave supports united by an X-shaped stretcher, 28cm diameter x 91cm high. ÂŁ150-250 \} ~ | ^[ 136. A pair of 19th century gilt wood foot stools, the velvet upholstered tops with beadwork decoration, raised on three bracket feet with scroll carved detail, 32cm diameter x 12cm high. ÂŁ100-200 \} ~ | ^[ 137. A Chinese dark wood jardiniere stand, late Qing Dynasty, the circular top with a mottled red and white marble insert above a foliate carved frieze, raised on four square section supports with claw and ball feet, 42cm diameter x 47.5cm high. ÂŁ50-100 \} ~ | ^[ 138. A Chinese dark wood low table, the rectangular top with burr wood panel above a frieze carved and pierced with scroll motifs, raised on four scroll carved concave supports, 93cm wide x 33cm high x 44cm deep. ÂŁ200-300 \} ~ | ^[ 139. A 19th century mahogany and satinwood banded bow front card table, the hinged top opening to a green baize lined interior, raised on four tapered cylindrical supports with reeded detail, 92cm wide x 73cm high x 45.5cm deep. ÂŁ400-600 \} ~ | ^[ 140. A George III style satinwood serpentine chest, the shaped rectangular top with a chequer strung border, above three long graduated cockbeaded drawers over a shaped apron, raised on bracket feet, 124cm wide x 82cm high x 59cm deep. ÂŁ1500-2000 \} ~ | ^[ 141. A George III mahogany drop leaf dining table, the rectangular top with twin drop leaves, raised on four tapered cylindrical supports with pad feet, 91cm wide x 70cm high. ÂŁ100-200 \} ~ | ^[ 142. A Chinese lacquered eight fold screen, Qing Dynasty, decorated with oval panels of pavilions and pine trees in river landscapes, enclosed by rectangular = <

= Q <

Q

with panels of peony, birds and insects, 206.5cm high x 432cm wide. ÂŁ3000-5000 \} ~ | ^[ 143. A Chinese gong and stand, late Qing Dynasty, the stand carved and pierced with bamboo stems suspending a hammered brass gong, 106cm high x 62cm wide. ÂŁ100-200 \} ~ | ^[

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 144

Lot 145

144. A pair of French Transitional style gilt wood fauteuil, with upholstered back and arms and loose cushion seats, raised on tapered cylindrical supports ? { < ÂŁ400-600 \} ~ | ^[

145. A 19th century French kingwood, marquetry and ormolu mounted writing table, the shaped rectangular top with a serpentine edge enclosing a gilt tooled leather writing surface, above two frieze drawers, raised on four tapered cabriole supports with foliate cast mounts and scroll cast sabots, 121.5cm wide x 78cm high x 62cm deep. ÂŁ1500-2500 \} ~ | ^[

Lot 147 146. A 19th century Anglo Indian rosewood snap top dining table, the circular top with egg and dart carved edge above a frieze carved with stylised foliate roundels and foliage, raised on a foliate carved baluster column and four pronged platform base with shaped cylindrical feet, 152cm diameter x 74cm high. ÂŁ500-800 \} ~ | ^[

147. A 19th century Anglo Indian rosewood twin pedestal library table, the rounded rectangular top with leather insert and gadroon carved edge, above a frieze centred on each side with a square shaped { < Q <

?

= <<

game board drawer opposed by a false drawer, raised on tapered cylindrical columns with reeded detail, resting on concave platform bases with paw feet and brass castors, 131cm wide x 73cm high x 87cm deep. ÂŁ3000-5000 \} ~ | ^[ 23

Lindsay Burns & Company 149. A George III mahogany secretaire bookcase of neat proportions, the moulded cornice above a pair of astragal glazed doors opening to a satin lined interior with three adjustable sliding shelves, on a

?

?

=

Q << ?

=

<

Q

a gilt tooled leather writing surface, over three long graduated cockbeaded drawers, raised on splayed bracket feet, 88cm wide x 222cm high x 49cm deep. ÂŁ2000-4000 \} ~ | ^[

Lot 148 148. A pair of 19th century mahogany, parcel gilt and cream painted demi lune console tables in the Neo Classical style, the tops inlaid with conch shell motif and radiating lines, above an arcaded frieze

?

Q

Q < = { <

= X< < ==

? { <

and foliate carved capitols, 128cm wide x 85cm high x 57.5cm deep. ÂŁ4000-6000 \} ~ | ^[

Lot 150

Lot 149

24

150. A Regency rosewood, parcel gilt and gilt metal mounted marble top specimen table, the circular ? <

= < ?

Q

one hundred and forty assorted marble specimens, raised on a tapered cylindrical column with spiral { <

Q

Q

<<

a concave platform base with three gilt metal paw feet and castors, 67cm diameter x 74.5cm high. See detail on front cover. ÂŁ4000-6000 \} ~ | ^[ BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

FIRESIDE ! """ #

the Neo Classical taste, with pierced fret work frieze and tapered square section supports with

= <

? ] :: :

ÂŁ300-500 \} ~ | ^[ 152. An early 20th century brass club fender, with green button down leatherette upholstered seat pads, overall 158cm wide x 53cm deep, inner measurements 147cm wide x 47cm deep. ÂŁ300-500 \} ~ | ^[ 153. An early 20th century brass coal scuttle in the Neo Classical taste, with hinged cover and integral shovel with turned wood handle, raised on a circular stepped base, 49cm high x 32cm wide. ÂŁ150-250 \} ~ | ^[ $ % ' ( ) guard, Q < =

{

enclosing a mesh panel with laurel wreath surmount, raised on four foliate cast feet, 72cm high x 77cm wide. ÂŁ100-200 \} ~ | ^[ 155. A 19th century copper and brass fuel bin, with embossed scroll and foliate detail, with lion mask and drop ring handles, raised on three paw feet, 39cm diameter x 47cm high. ÂŁ50-100 \} ~ | ^[

Lot 158

156. A 19th century brass fender, with pierced fret work frieze, raised on three hairy paw feet, 109.5cm wide x 27cm high. ÂŁ50-100 \} ~ | ^[ 157. A late 19th/early 20th century Country house cast iron and marble radiator cover, the double slabbed marble top above a central pierced panel { U X {

< ?

Q

detail and pierced side panels, 114cm wide x 93cm high x 54cm deep. ÂŁ50-150 \} ~ | ^[

MIRRORS 158. A George III style gilt wood wall mirror, the rectangular mirror plate within a scroll and foliate carved surround, 108cm high x 58cm wide. ÂŁ100-200 \} ~ | ^[ 159. An early 20th century Scottish Glasgow School Arts & Crafts copper mirror, the bevelled <

=< { U X

=

= U

with long trailing plumage on a hammered ground, 51cm x 45cm. ÂŁ200-300 \} ~ | ^[ 160. A 19th century gilt wood wall mirror, the rectangular mirror plate enclosed by spiral carved

<

Â&#x20AC;

?

<< { U

by anthemion detail, 76.5cm wide x 112cm high. ÂŁ200-300 \} ~ | ^[

Lot 159

25

Lindsay Burns & Company

RUGS 163. An antique blue ground prayer mat, the central mirhab shaped panel enclosing four

?

X< { ? ? < =<

127cm x 85cm. ÂŁ50-100 \} ~ | ^[ 164. A Tekke rug, early 20th century, the rectangular green ground containing three rows of ten octagonal shaped guls within multiple guard stripes, 222cm x 110cm. ÂŁ100-200 \} ~ | ^[ 165. A Persian carpet, Kirman, the rectangular

?

< { ?

<<

within a madder border of scrolling foliage and X< { ?

<

?

X< { ?

= < ?

< <

{ < = <

< =<

stripes, 375cm x 282cm. ÂŁ150-250 \} ~ | ^[

Lot 161 161. A 19th century gilt wood pier mirror, the <Q

=< { U X

<

<

with foliate carved capitols, the frieze set with a reverse painted verre eglomise glass panel depicting a twin handled urn and foliate sprays, surmounted X

< < ? < { < Q

135.5cm high x 69.5cm wide. ÂŁ100-200 \} ~ | ^[

Lot 166 166. A late/early 20th century Karabagh rug, Chondoresk,

<

<

with two hexagonal medallions enclosing stylised

< ? < =<

<

{ <

borders, 225cm x 132cm. ÂŁ100-200 \} ~ | ^[ 167. A Tekke bag face, decorated with four rows of

< = <<

?

{ <

111cm x 76cm, together with a Persian prayer mat, 125cm x 88cm. ÂŁ50-100 \} ~ | ^[

Lot 162 162. A 19th century Rococo style gilt wood overmantel, with shell, foliate and scroll carved detail, 157cm high x 154cm wide. ÂŁ400-600 \} ~ | ^[ 26

168. Two Persian rugs, the larger with a central <

?

< Â&#x20AC; = <<

? < =< { <

" ] Â&#x201E;:

together with a madder ground rug with central < <

?

?

< = < Q X X< { ?

bird motifs within repeating stylised foliate borders, 160cm x 115cm. ÂŁ50-100 \} ~ | ^[

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 169. A Tekke rug, 20th century, the madder ground ?

< < <

?

rows of nine octagonal shaped guls, within multiple { <

Â&#x192;: ] " ÂŁ50-100 \} ~ | ^[ 170. Two Kazak type rugs, the larger decorated with three rectangular medallions enclosing stylised plant forms within a border of serrated leaves, 271cm x 116cm, together with another worn example, 260cm x 136cm. ÂŁ50-100 \} ~ | ^[ 171. A 20th century Iranian Persian rug, the blue ground centred with a foliate medallion, within

X< { ?

340cm x 210cm. ÂŁ100-200 \} ~ | ^[

WORKS OF ART, BRONZES & WEAPONS

Lot 173 173. A collection of thirty six Scottish pottery carpet bowls, comprising various colours, sponged decoration, striped decoration and incorporating three assorted jacks. ÂŁ200-300 \} ~ | ^[

Lot 172 172. A late Victorian enamelled ewer and pail, the conical shaped ewer decorated with yellow roses and foliate scrolls, 36.5cm high, the tapered cylindrical pail decorated with colourful summer { ?

{ ? <

Q ?

hinged central circular aperture and swing handle with turned wooden grip, 29cm diameter x 29cm high. ÂŁ100-200 \} ~ | ^[

Lot 174

Lot 175

174. A late 19th century hickory shafted long nose scared neck putter by Tom Morris, stamped â&#x20AC;&#x2DC;T. MORRISâ&#x20AC;&#x2122;, the sole with horn insert, with red leather grip, 90cm long. ÂŁ150-250 \} ~ | ^[ 175. A late 19th century hickory shafted long nose scared neck playclub, with rectangular insert base and horn plate on the sole, the shaft stamped â&#x20AC;&#x2DC;J.C.Fâ&#x20AC;&#x2122;, with later fabric grip, 94cm long. ÂŁ100-200 \} ~ | ^[ 27

Lindsay Burns & Company 176. A pair of Georgian mahogany and chequer banded knife boxes, with oval shaped ivory inlaid escutcheons, 37.5cm high x 23cm wide x 31cm deep.

Provenance: The Rattray Collection ÂŁ250-400 \} ~ | ^[

178. A Liberty & Co. pewter and enamel square easel clock designed by Archibald Knox, the circular dial with Arabic numerals enclosed in a square frame decorated in relief with tendrils and four heart-shaped panels of blue and green enamel, stamped marks â&#x20AC;&#x2DC;ENGLISH PEWTER MADE BY LIBERTY & CO.â&#x20AC;&#x2122; and number â&#x20AC;&#x2DC;0482â&#x20AC;&#x2122;, 10cm diameter. ÂŁ200-300 \} ~ | ^[ 179. A pair of late 19th/early 20th century ormolu mounted green porphyry stone urns and covers, the urns with satyr mask terminals linked by garlands of fruiting vine, the domed covers with acorn shaped < Â&#x192;

ÂŁ600-800 \} ~ | ^[ 180. A pair of late 19th century bronze Chinoiserie candlesticks,

?

<

aloft hexagonal shaped poles supporting candle sconces, on stepped plinth bases with three bracket feet, resting on red marble plinths, 17cm high. ÂŁ80-120 \} ~ | ^[ 181. An early 20th century mahogany and marquetry inlaid rectangular tray, with central inlaid oval patera, 56cm long x 39cm wide. ÂŁ40-80 \} ~ | ^[

Lot 177 177. A rare 19th century tartan ware cigar box, the hinged rectangular cover opening to a foil lined

X

= Q

Â&#x192;

high x 12cm wide x 10.5cm deep.

Provenance: The Rattray Collection ÂŁ80-120 \} ~ | ^[

182. A pair of late 19th century ormolu and white marble urns, with three satyr caryatid supports, on circular plinth bases, the domed tops ? { < :

] Â&#x201E;

ÂŁ100-200 \} ~ | ^[ 183. A late 19th century red boulle desk stand,

<

= X { U X

<

inkwells with gilt metal and boulle work stoppers, raised on four bracket feet, 35.5cm wide x 12cm deep. ÂŁ150-250 \} ~ | ^[

Lot 184 Lot 178

28

184. An early 20th century green stained shagreen and ivory rectangular shaped cigarette box, 15.5cm wide x 5.5cm high x 10.3cm deep. ÂŁ80-120 \} ~ | ^[ BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 186 186. A late Victorian taxidermy terrapin inkwell, the shell with a hinged rectangular cover opening to reveal two opaque white glass ink bottles with brass tops, 15.5cm long x 6cm high x 8.5cm wide.

Notice: Article 10 is not required as the current lot

?

U

Â&#x160;

=

information regarding this lot please contact the main

ÂŁ50-100 \} ~ | ^[ 187. A pair of Cotswold School Art Deco walnut three light candelabra, on circular plinth bases, 16cm high x 21cm wide. ÂŁ50-100 \} ~ | ^[

Lot 185 185. Stamps and Philatelic InterestA comprehensive Victorian and later stamp collection incorporating Penny Blacks, Penny Blues and Penny Reds, comprising named albums; Great Britain and British Empire, Queen Victoria, King Edward the Seventh and King George the Fifth A to G incorporating Penny Blacks, Penny Blues and Penny Reds- Great Britain and British Empire, Queen Victoria, King Edward the Seventh and King George the Fifth H to Z- British Commonwealth George VI A to H- British Commonwealth George VI I to Z- Commonwealth and Foreign Special Issues George VI- The British Commonwealth Queen Elizabeth the Second A to L- The British Commonwealth Queen Elizabeth the Second M to Z- Foreign A to F- Foreign G to J- Foreign L to SForeign S to Y- Great Britain 1952-1997- Coronation of King George VI album- Coronation stamp album 1953- manila envelope of First Day CoversAutographs album, (16). ÂŁ500-700 \} ~ | ^[

188. An Arts & Crafts brass chamber lamp in the manner of WAS Benson, with weighted rotating gimbal and horn switch, stamped â&#x20AC;&#x2DC;F&S26â&#x20AC;&#x2122;, with scroll work handle and three paw feet, 14,5cm high x 11cm diameter. ÂŁ50-100 \} ~ | ^[ 189. An Ancient Egyptian turquoise glazed * 11.5cm long, together with two other <<

< Â&#x20AC;

: : \Â&#x192;[

ÂŁ80-120 \} ~ | ^[

Lot 190 190. A George III tortoiseshell sarcophagus shaped tea caddy, the hinged cover centred with a lacquered

<< <

=

? ?

rectangular shaped lift out covers, raised on four white metal bun feet, 14.5cm high x 15cm wide x 10cm deep. ÂŁ200-300 \} ~ | ^[ 29

Lindsay Burns & Company

Lot 191 191. Robert Burns Interest - A hand written Poem attributed to Robert Burns â&#x20AC;&#x2DC;address to a Mouse On turning up one with the Plough in Nov 1785 by Robert Burnsâ&#x20AC;&#x2122; and a late 18th century Newhall tea bowl and saucer bearing an old paper label inscribed â&#x20AC;&#x2DC;This cup & saucer were used by Robert Burnsâ&#x20AC;&#x2122;, the letter written over three pages approximately 21cm x 11cm each, in an old manila envelope post marked Edinburgh 30 SEP 1960 to â&#x20AC;&#x2DC;Mrs Murray Thomson, 11 Melville Place, Edinburghâ&#x20AC;&#x2122; with hand written note â&#x20AC;&#x2DC;Poetry supposed to be written by Robert Burns To a mouse 1785â&#x20AC;&#x2122;, the tea bowl 8cm diameter x 5cm high, the saucer 13.5cm. ÂŁ150-250 \} ~ | ^[

Lot 194 194. A George III satinwood, burr walnut and rosewood banded marquetry inlaid tea caddy, the rectangular top inlaid with oval patera above sides inlaid with oval burr walnut panels, 11cm high x 12cm wide x 11cm deep. ÂŁ80-120 \} ~ | ^[

192. A late 19th century Pietra Dura paperweight, of rectangular form decorated with inlaid stone specimens of malachite and other coloured stones to depict a bird on branch, 9.5cm x 5.5cm. ÂŁ50-100 \} ~ | ^[

Lot 195

Lot 193 193. A 19th century Inuit wood and hide model of a kayak, 38cm long, together with a hand written note detailing the provenance of the kayak which was given to the original owner in about 1870 by an Arctic traveller called Brown, together with one volume - Eskimo Life by Fridtjof Nansen, second edition, London, Longmans, Green & Co. 1894 (2). ÂŁ100-200 \} ~ | ^[ 30

195. A George III satinwood and marquetry inlaid tea caddy, the hinged rectangular top inlaid with oval patera, opening to a foil lined interior, the front < ?

Q < = < <

{ ?

<

with oval inlaid ivory escutcheon, 12cm high x 11cm wide x 9.5cm deep. ÂŁ80-120 \} ~ | ^[ 196. A George III mahogany and chequer banded knife box, the hinged cover opening to a later lined three division interior, with white metal octagonal shaped escutcheon, 32.5cm high x 20cm wide x 20.5cm deep. ÂŁ50-100 \} ~ | ^[

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 197. A George III mahogany and boxwood lined serpentine knife box, the hinged cover opening

?

Q

Q

the underside of the cover with star inlaid motif, with white metal shield shaped escutcheon, 29cm high x 20cm wide x 16.5cm deep. ÂŁ50-100 \} ~ | ^[ 198. Four 19th century needlework samplers, comprising; alphabet sampler by Jane Blues, May, 14, 1835, 43cm x 24.5cm, a family sampler with

< =<

# $

Andrew Anderson, by Jean Anderson aged 9, 43cm x 21cm, and a pair of samplers completed by sisters Jeisie Wrede and Ann Wrede, 44cm x 20cm, (4). ÂŁ100-200 \} ~ | ^[

Lot 200 200. A vintage National Cash Register, with scroll and foliate cast decoration, 43cm wide x 44.5cm high x 39cm deep. ÂŁ100-200 \} ~ | ^[

Lot 199 199. Two George III needlework samplers and a Victorian sampler, one by â&#x20AC;&#x2DC;Margrate Shaw sewd this sampler Bathgate 1796 12 years of ageâ&#x20AC;&#x2122;, worked in

<

= <= { ?

rabbits, dog and plants, 44cm x 31cm, one by Anne

^^^^^ "Â&#x201E; ?

U

<

=

alphabet and plants, 42cm x 26cm, and Mahala Woods Aged 11 years, Leake, 1841, worked in coloured threads and silk to depict verse, lion, birds and plants in a scrolling foliate border, 46.5cm x 36cm, (3). ÂŁ100-200 \} ~ | ^[

Lot 201 201. W. & A.K. Johnstonâ&#x20AC;&#x2122;s New Century 12â&#x20AC;? terrestrial globe, Edinburgh and London, on gilt metal stand with three paw feet, overall height 56cm. ÂŁ80-120 \} ~ | ^[

31

Lindsay Burns & Company 202. A vintage pine Teacherâ&#x20AC;&#x2122;s Whisky Advertising box, printed in colours to the interior with vignette of boys playing cricket before a Teacherâ&#x20AC;&#x2122;s bottle being used as the stumps, â&#x20AC;&#x2DC;The Right Spiritâ&#x20AC;&#x2122;, â&#x20AC;&#x2DC;Teacherâ&#x20AC;&#x2122;s Whiskyâ&#x20AC;&#x2122;, â&#x20AC;&#x2DC;The Whisky of the Good Old Days- TEACHER- ESTABD. 1830â&#x20AC;&#x2122;, and a vignette of a Teacherâ&#x20AC;&#x2122;s Whisky bottle, 42.5cm wide x 11cm high x 26.5cm. ÂŁ50-100 \} ~ | ^[ 203. A pair of early 19th century bronze quill pots

+ ) + ; ( ( ) on square plinth bases, 9.5cm high. ÂŁ50-100 \} ~ | ^[

205. A 19th century Rhinoceros horn elephant whip, formed in two sections, the handle with a white metal collar inscribed â&#x20AC;&#x2DC;MADE IN ZANZIBAR

BY ALIDINA VISRAMâ&#x20AC;&#x2122;, 70cm long, gross weight 199 grams.

Provenance: The vendorâ&#x20AC;&#x2122;s late fatherâ&#x20AC;&#x2122;s uncle was in Africa in the 1860s where this lot was acquired. It has passed by decent to the current vendor.

Notice: Article 10 is not required as the current lot

?

U

Â&#x160;

=

information regarding this lot please contact the main

ÂŁ800-1200 \} ~ | ^[

Lot 206 Lot 204 204. An 18th century English enamel and gilt metal pink ground Etui in the form of a book, probably Staffordshire, decorated with panels of birds, the sliding cover opening to reveal a lift up

?

? Â&#x20AC;

Q X

square, 8cm high x 4cm. ÂŁ100-200 \} ~ | ^[

206. An early 20th century Austrian cold painted

< + = with brown and white coloured markings, 9cm high x 12.5cm long. ÂŁ50-100 \} ~ | ^[

Lot 205 32

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 213. After Guillaume Coustou, a pair of late 19th (

< + {

36.5cm high x 30cm wide. ÂŁ300-500 \} ~ | ^[

Lot 214 $ % ( < = + hunter, horse and hound, on naturalistic oval plinth base, 48cm wide x 24cm high. ÂŁ500-700 \} ~ | ^[ 215. A pair of late 19th century bronze putti, one modelled standing holding a bird, the other holding a birds nest, 20.5cm high. ÂŁ150-250 \} ~ | ^[

Lot 207 > ! ?) < @

+ dancer, on rectangular marble plinth, signed Omerth and impressed number 4971 in the bronze, 23cm high. ÂŁ700-900 \} ~ | ^[ [ % ( < +

= ; + \ ] on circular plinth base, 30.5cm high. ÂŁ100-200 \} ~ | ^[ % ^ = _ (

`

< + â&#x20AC;&#x2DC;Vâ&#x20AC;&#x2122;la Lâ&#x20AC;&#x2122;Vlaisirâ&#x20AC;&#x2122;, on circular plinth base with applied name plaque, 46.5cm high. ÂŁ400-600 \} ~ | ^[ 210. After Emile Louis Picault, a pair of bronze archers, inscribed on plaques â&#x20AC;&#x2DC;ARCHER 13 SIECLEâ&#x20AC;&#x2122; and â&#x20AC;&#x2DC;ESRHOLIER 14 SIECLEâ&#x20AC;&#x2122;, 36cm high. ÂŁ500-700 \} ~ | ^[ 211. A pair of late 19th century French bronze Sphinx in the Egyptianesque taste, mounted on rectangular white marble plinths, 22cm wide x 17.5cm high x 10cm deep. ÂŁ300-500 \} ~ | ^[ 212. A large pair of decorative early 20th century bronzed spelter knights, 75cm high. ÂŁ400-600 \} ~ | ^[

Lot 216 216. A parliament of six cold painted bronze owls, early 20th century, 4cm high. ÂŁ100-200 \} ~ | ^[ 33

Lindsay Burns & Company 217. An early 19th century percussion cap musket, the 30Âź tapered round barrel with three ram rod <

?

= <

the lock plate engraved with foliate scrolls, the butt with metal cover, full mahogany stock, with chequered carved detail, brass tipped ram rod, overall length 116.5cm. ÂŁ100-200 \} ~ | ^[

CLOCKS & BAROMETERS

Lot 218 [ [ ( ;

(# =

|} ~ LONDON, the 8â&#x20AC;? tapered round barrel with lock plate signed SHARP, with faceted ram rod thimbles, trigger

< U

?

< = <<

position, wrist escutcheon bearing armorial crest, the butt cap with grimacing monster head, full walnut stock with white metal wire shell inlay, overall length 36cm. ÂŁ150-250 \} ~ | ^[

Lot 220 220. An impressive Victorian polished slate presentation mantel clock, â&#x20AC;&#x2DC;Webbâ&#x20AC;&#x2122;s Root Competition 1910â&#x20AC;&#x2122;, presented by E. Webb & Sons, The Kings Seedsman, Wordsley, Stourbridge to Mr Henry Stark for the Best Five Acres of Webbâ&#x20AC;&#x2122;s Swedes Open to The County of Perth, the white enamel and gilt metal dial with Roman numerals and twin train movement striking on a gong, within a shaped architectural case with domed top, bronzed < <

=

= ==< = < :Â&#x201E;

high x 46cm wide. ÂŁ200-300 \} ~ | ^[ 221. A late 19th/early 20th century French gilt metal and champleve enamel mantel clock, the circular dial with Arabic numerals, the twin train movement striking on a gong, with mercury pendulum, in a plain case with four bevelled glass sides, the movement stamped â&#x20AC;&#x2DC;JAPY FRERES MADE IN FRANCE 9274 4 11â&#x20AC;&#x2122;, 27.5cm high x 17cm wide x 13.5cm deep. ÂŁ400-600 \} ~ | ^[

Lot 219 % =

+ % ( ;

(# =

HAWKES MOSELEY & CO., LONDON, with 9Âźâ&#x20AC;? octagonal sighted barrel, the lock plates signed HAWKES MOSELEY & CO, with faceted ram rod thimble and stirrup ram rods, the engraved trigger

? = ==< = < ?

Q

octagonal shaped wrist escutcheons, full walnut stock with chequered rounded butt, overall length 38.5cm.

Hawkes Moseley & Co. are recorded as hatters, cap and helmet makers, sword cutlers and gun makers at 22 Piccadilly between 1810-20. ÂŁ600-800 \} ~ | ^[

34

222. A 19th century rosewood cased novelty castle clock, Payne, London, the square shaped dial with Roman numerals on an engine turned ground, inscribed indistinctly â&#x20AC;&#x2DC;PAYNE, LONDONâ&#x20AC;&#x2122;, the twin train fusee movement striking on a gong, within a square turreted case with glass panel top, simulated portcullis doors with steps below a Gothic tracery window with green glass insert, one side set with a Gothic arched doorway, the front set with a simulated portcullis, 25cm high x 12.5cm wide x 13cm deep. ÂŁ800-1200 \} ~ | ^[

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 223. A late 19th century gilt metal and porcelain mounted clock garniture in the Egyptianesque style, the red ground porcelain dial with Arabic <

? Â&#x2039; X=

snakes, within an architectural case with pharaoh

<

{ U X =

<

? ? <

= <

= ]

supports, the twin train movement striking on a bell, with a pair of companion urns en-suite, the clock 35cm high x 29cm wide x 13cm deep, the urns 24cm high. ÂŁ400-600 \} ~ | ^[

Lot 225

Lot 224 224. A late 19th century French ormolu and white marble mantel clock, the 4Âźâ&#x20AC;? white enamel < ? $ <

{ < < <

the twin train movement striking on a bell, the back plate stamped â&#x20AC;&#x2DC;JAPY FRERESâ&#x20AC;&#x2122;, within a rectangular case cast with foliate details surmounted X

{ ? <

{ U X

on a breakfront base raised on six bun feet with { <

] Â&#x192;" ? ] : =

ÂŁ800-1200 \} ~ | ^[ 225. A 19th century mahogany cased mantel clock, Bryson, Edinburgh, the 7â&#x20AC;? silvered dial with Roman numerals, the single train fusee movement striking on a bell, within a plain case of architectural form, 36cm high x 29.5cm wide x 18cm deep. ÂŁ150-250 \} ~ | ^[ 226. A Regency ormolu mantel clock, the white enamel dial with Roman numerals and twin train movement striking on a bell, within a twin handled urn shaped case with nine wheat sheaf surmounts, on a tapered cylindrical column and octagonal platform base with applied anthemion decoration, raised on four bun feet, 41cm high. ÂŁ300-500 \} ~ | ^[ Lot 226 35

Lindsay Burns & Company

Lot 229 Lot 227 227. A 19th century rosewood and mother of pearl

) ` | + 115cm high. £200-300 \} ~ | ^[

CARTOGRAPHY

229. A collection of four antique hand coloured maps, to include; Jansson J. Scotia Regnum, 39.5cm x 51cm, Jansson J., Hondius, Scotiae pars Septentrio Nalis, 39cm x 50.5cm, Fifae pars Occidentalis- The West Part of Fife, 47cm x 59cm, and Blaeu J. Lorn, Wt the Yles and Provinces bordering there-upon 48cm x 60cm, (4). £200-300 \} ~ | ^[

Lot 230

Lot 228 228. Thomson, John, The Atlas of Scotland, containing Maps of each County, Printed for John Thomson & Co. Edinburgh; Baldwin & Cradock, London; and John Cumming Dublin, Edinburgh 1832, with Dedication to The Right Honourable, The Earl of Hopetoun, folio, with book plate inscribed â&#x20AC;&#x2DC;William Henry Hillâ&#x20AC;&#x2122;. £500-1000 \} ~ | ^[ 36

230. Cellarius, Andreas (c.1596-1665) SOLIS CIRCA ORBEM TERRARUM SPIRALIS REVOLUTIO â&#x20AC;&#x2DC;The spiral path of the sun around the earthâ&#x20AC;&#x2122; hand coloured engraving of a celestial map 51.5cm x 58cm. See detail on back cover. £300-500 \} ~ | ^[

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

The Rattray Collection

THE RATTRAY COLLECTION Charles Rattray was a Tobacconist and Blender of Fine Tobaccos situated at 160 High

*

=

=

+ : < +" Â?

Perth, Charles Rattray blended and retailed tobacco for a worldwide customer, with former Prime Minister, Harold Wilson, as one of the famous names on a long list of customers.

In house blends included some interesting and often humorous names such as â&#x20AC;&#x2DC;Rattrayâ&#x20AC;&#x2122;s Brown Clunee Tobaccoâ&#x20AC;&#x2122; (see lot 232), â&#x20AC;&#x2DC;Rattrayâ&#x20AC;&#x2122;s Professional Mixture Mediumâ&#x20AC;&#x2122; (see lot 233), â&#x20AC;&#x2DC;Rattrayâ&#x20AC;&#x2122;s Accountants Mixtureâ&#x20AC;&#x2122; (see lot 234) and most notable â&#x20AC;&#x2DC;Rattrayâ&#x20AC;&#x2122;s Hal Oâ&#x20AC;&#x2122; The Wynd A Pure Virginian Tobacco of a Most Unusual Share of Strengthâ&#x20AC;&#x2122; (see lot 235).

Stated in an advertisement within a Centenary Edition Perthshire Advertiser of 12th August 1929; â&#x20AC;&#x153;We pride ourselves on the Completeness and Perfection of our goods and Premises and take a personal pleasure in showing those interested over our Blending Rooms, Sale Saloons, and Unique Collection of Original Tobacco Signs and Dutch Delf Tobacco Jarsâ&#x20AC;?. * =

] =<

<

*

\ <

Â&#x192;[

Dutch Delft tobacco jars (see lots 237, 238, 239 and 240).

37

The Rattray Collection 233. Three 19th century stoneware tobacco jars and covers, one decorated with worn hand painted vignette above a later painted number 7, inscribed on paper label â&#x20AC;&#x2DC;RATTRAYâ&#x20AC;&#x2122;S 7 RESERVE MEDIUMâ&#x20AC;&#x2122;, another with worn vignette above later decorated P, inscribed on reverse â&#x20AC;&#x2DC;RATTRAYâ&#x20AC;&#x2122;S PROFESSIONAL MIXTURE MEDIUMâ&#x20AC;&#x2122; and another with worn hand painted vignette above later painted R.B.M. RATTRAYâ&#x20AC;&#x2122;S BLACK MALLORY TOBAC BLENDED BY CHARLES RATTRAY AT PERTH SCOTLAND, all with Japanned metal covers, 27.5cm high.

Provenance: The Rattray Collection ÂŁ100-200 \} ~ | ^[ Lot 231 231. Five 19th century stoneware tobacco jars, to include a pair of jars and one brass cover inscribed â&#x20AC;&#x153;PROFâ&#x20AC;? mixture and MORTON, with relief moulded Q

U

= =

taking snuff, 28cm high, a Vitreous stoneware tobacco jar by J. Bourne, with hand painted vignette â&#x20AC;&#x2DC;SIR DAVID BAIRD MIXTUREâ&#x20AC;&#x2122;, 22.5cm high, a Port Dundas pottery stoneware three pint waisted cylindrical jar, 17.5cm high and a stoneware snuff jar ? <

Q << ? <

taking snuff, with hand painted details and fruiting vine borders, 19.5cm high.

Provenance: The Rattray Collection ÂŁ100-200 \} ~ | ^[

234. Three 19th century stoneware tobacco jars, one with hand painted vignette â&#x20AC;&#x2DC;VIOLET STRASBOURGâ&#x20AC;&#x2122; above later painted â&#x20AC;&#x2DC;CAV.â&#x20AC;&#x2122;, another with worn hand painted vignette above later decorated â&#x20AC;&#x2DC;Aâ&#x20AC;&#x2122;, inscribed on paper label â&#x20AC;&#x2DC;RATTRAYâ&#x20AC;&#x2122;S ACCOUNTANTS MIXTURE FULLâ&#x20AC;&#x2122; and another with a worn hand painted vignette above a later painted â&#x20AC;&#x2DC;Jâ&#x20AC;&#x2122;, inscribed on reverse label â&#x20AC;&#x2DC;RATTRAYâ&#x20AC;&#x2122;S CHALKS MIXTUREâ&#x20AC;&#x2122;, all with Japanned metal lids, 27.5cm high.

Provenance: The Rattray Collection ÂŁ100-200 \} ~ | ^[

232. Three 19th century stoneware tobacco jars, one with hand painted vignette â&#x20AC;&#x2DC;ST. VINCENTSâ&#x20AC;&#x2122;, above later painted B.C., reverse inscribed on paper label â&#x20AC;&#x2DC;RATTRAYâ&#x20AC;&#x2122;S BROWN CLUNEE TOBACCOâ&#x20AC;&#x2122;, another with worn painted vignette above later painted R.R.R. inscribed on paper label â&#x20AC;&#x2DC;RATTRAYâ&#x20AC;&#x2122;S RED RAPPAREE TOBAC BLENDED

BY CHARLES RATTRAY AT PERTH SCOTLANDâ&#x20AC;&#x2122; and another un-decorated jar inscribed on paper label â&#x20AC;&#x2DC;RATTRAYâ&#x20AC;&#x2122;S BLACK VIRGINIA TOBACCOâ&#x20AC;&#x2122;, all with Japanned metal covers, 27.7cm high.

Provenance: The Rattray Collection ÂŁ100-200 \} ~ | ^[

An original printed advertising placard 38

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

The Rattray Collection

Lot 235 (details)

Lot 235 235. Three 19th century stoneware tobacco jars and covers, one with hand painted vignette inscribed â&#x20AC;&#x2DC;RUDLMANS MIXTUREâ&#x20AC;&#x2122; above later painted number 3, inscribed on paper label â&#x20AC;&#x2DC;RATTRAYâ&#x20AC;&#x2122;S 3 NOGGINS FULLâ&#x20AC;&#x2122;, another with worn hand painted vignette above later painted â&#x20AC;&#x2DC;O.G.â&#x20AC;&#x2122;, inscribed on paper label â&#x20AC;&#x2DC;RATTRAYâ&#x20AC;&#x2122;S OLD GOWRIE TOBACCOâ&#x20AC;&#x2122; and another with worn hand painted vignette above later painted â&#x20AC;&#x2DC;H.O.T.W.â&#x20AC;&#x2122;, inscribed on label â&#x20AC;&#x2DC;RATTRAYâ&#x20AC;&#x2122;S HAL Oâ&#x20AC;&#x2122;THE WYND A PURE VIRGINIAN TOBACCO OF A MOST UNUSUAL SHARE OF STRENGTHâ&#x20AC;&#x2122;, all with Japanned metal covers, 27.5cm high.

Provenance: The Rattray Collection £100-200 \} ~ | ^[ 236. Three 19th century stoneware tobacco jars and covers, one inscribed on hand painted vignette â&#x20AC;&#x2DC;RED SPANISHâ&#x20AC;&#x2122; above later painted â&#x20AC;&#x2DC;H.T.â&#x20AC;&#x2122;, inscribed on paper label â&#x20AC;&#x2DC;RATTRAYâ&#x20AC;&#x2122;S HIGHLAND TARGE CHARLES RATTRAY PERTH SCOTLANDâ&#x20AC;&#x2122;, another with hand painted vignette â&#x20AC;&#x2DC;HARDHAMS NUMBER 37â&#x20AC;&#x2122;, inscribed on paper label â&#x20AC;&#x2DC;RATTRAYâ&#x20AC;&#x2122;S DARK FRAGRANT TOBACCOâ&#x20AC;&#x2122; and jar with worn hand painted vignette, 27.5cm high.

Provenance: The Rattray Collection £100-200 \} ~ | ^[

Lot 237 237. An 18th/19th century Dutch East India company blue and white Delft pottery tobacco jar,

?

Â&#x201A;

: { U X

an Indian smoking a pipe, with three masted clippers sailing in the distance to one side, barrels and a box bearing â&#x20AC;&#x2DC;VOCâ&#x20AC;&#x2122; monogram, blue printed BP mark, 23.5cm high.

Provenance: The Rattray Collection £300-500 \} ~ | ^[

39

The Rattray Collection 239. An 18th century Dutch Delft blue and white pottery tobacco jar, inscribed â&#x20AC;&#x2DC;HAVANAâ&#x20AC;&#x2122;, decorated with merchant and Indian smoking pipe on a harbour wall loaded with barrels of tobacco, three masted < ==

?

{ <

border, triple blue painted triangular mark, 27.5cm high.

Provenance: The Rattray Collection ÂŁ300-500 \} ~ | ^[

Lot 238

Lot 240 240. An 18th century blue and white Delft tobacco jar, inscribed â&#x20AC;&#x2DC;TABAKS-FABRIEK DE OOST ZEEâ&#x20AC;&#x2122; above a vignette with a loaded harbour quay wall, with a barrel inscribed â&#x20AC;&#x2DC;N.18â&#x20AC;&#x2122;, clipper in the bay ?

{ <

?

<<

foliate pendant, blue painted three triangular mark, 29.5cm high.

Provenance: The Rattray Collection ÂŁ300-500 \} ~ | ^[

Lot 239

241. A 19th century carved and ebonised wood

(( @

+ Â&#x201A; " #

snuff, modelled with tobacco leaf skirt, 51cm high.

Provenance: The Rattray Collection ÂŁ300-500 \} ~ | ^[

238. An 18th/19th century Dutch East India company blue and white Delft pottery tobacco jar, decorated with a jar and cover inscribed â&#x20AC;&#x2DC;TONCAâ&#x20AC;&#x2122;, { U X

Z

U

= = ?

masted clippers, the other side with various barrels and a box bearing â&#x20AC;&#x2DC;VOCâ&#x20AC;&#x2122; monogram, blue painted BP mark, 26.5cm high.

Provenance: The Rattray Collection ÂŁ300-500 \} ~ | ^[ 40

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

The Rattray Collection

Lot 241

Lot 242

Lot 243

242. A 19th century carved and painted wood tobacco @

+ ) + } #

snuff, 63cm high.

Provenance: The Rattray Collection ÂŁ400-600 \} ~ | ^[ 243. A late 18th century/early 19th century carved and = =

(( @

+ }

modelled standing holding a basket hilted sword in his right hand, with feather plumed cap, on ebonised octagonal plinth base, 60cm high.

This lot can be seen in situ on the mantelpiece in â&#x20AC;&#x2DC;The Sales Salonâ&#x20AC;&#x2122; at 160 High Street Perth, in an early 20th century sepia photograph.

Provenance: The Rattray Collection ÂŁ600-800 \} ~ | ^[

A page from â&#x20AC;&#x2DC;Rattrayâ&#x20AC;&#x2122;s Booklet on Tobacco Blending, A Disquisition for the Connoisseurâ&#x20AC;&#x2122;

41

Lindsay Burns & Company

PRINTS

246. William Lionel Wyllie RA (1851-1931) The Battle of Trafalgar three etchings, each signed in pencil lower left 21cm x 42.5cm, 20cm x 40cm and 20.5cm x 40cm together with two printed panels ‘The Story of Trafalgar’ and a ‘Chronology of the Battle of Trafalgar’ Provenance: The Rattray Collection £400-600 \} ~ | ^[

244. AR George William Lennox Paterson ARE (1915-1986) three woodcuts Little Owl and Bindweed signed and numbered 7/100 lower right and titled lower left Hen Harrier signed and numbered 7/100 lower right and titled lower left !

=

{ ? signed and numbered 10/100 lower right and titled lower left each 21cm x 16cm £80-120 \} ~ | ^[

247. William Walcot RA (1874-1943) Temple of Jupiter etching, signed lower right 14cm x 19cm Provenance: The Rattray Collection £50-100 \} ~ | ^[

245. William Lionel Wyllie RA (1851-1931) Glencoe etching, signed in pencil lower left 26.5cm x 36cm Provenance: The Rattray Collection £50-100 \} ~ | ^[

248. William Walcot RA (1874-1943) Temple of Minerva etching, signed in pencil lower right 27cm x 30cm Provenance: The Rattray Collection £80-120 \} ~ | ^[

Lot 246 Lot 249 42

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 249. William Walcot RA (1874-1943) Regent Street and Piazza San Marco two etchings, signed in pencil lower right 10.5cm x 13.5cm and 11.5cm x 13.5cm Provenance: The Rattray Collection ÂŁ80-120 \} ~ | ^[

Lot 250 250. After Norman Wilkinson Caledonian Clyde Tourist Steamers â&#x20AC;&#x153;Duchess of Argyllâ&#x20AC;? lithographic print McCorquodale & Co. Limited 37.5cm x 70.5cm ÂŁ50-100 \} ~ | ^[

WATERCOLOURS 251. AR Henry Raeburn Dobson RCanA (1901-1985) The Harbour, St. Monans watercolour, signed lower left 36cm x 51cm Provenance: The Rattray Collection ÂŁ200-400 \} ~ | ^[

Lot 252 252. AR John Maclauchlan Milne RSA (1886-1957) Figures and cottage watercolour, signed lower right 24.5cm x 17cm Provenance: The Rattray Collection ÂŁ400-600 \} ~ | ^[

253. James Garden Laing RSW (1852-1915) Beach scene at low tide with

cart watercolour, signed lower right 38cm x 58cm Provenance: The Rattray Collection ÂŁ300-500 \} ~ | ^[

Lot 253

AR will be subject to an additional fee - please see Artists Resale Right information on page 2

43

Lindsay Burns & Company

Lot 256

Lot 254 254. Augustus Osborne Lamplough ARA RWS (1877-1930) â&#x20AC;&#x2DC;On the upper Nileâ&#x20AC;&#x2122; and â&#x20AC;&#x2DC;Early Morn. nr. Kougâ&#x20AC;&#x2122;, a pair watercolours, both signed lower left and both inscribed lower right 52cm x 24cm £500-1000 \} ~ | ^[ 255. Lucius Rossi (Italian 1846-1913) A room in Sir Peter Teazleâ&#x20AC;&#x2122;s House watercolour, signed lower right 10.5cm x 18.5cm £300-500 \} ~ | ^[

256. John Frederick Herring Senior (1795-1865) A young Bay watercolour, signed lower right and inscribed on label verso 35cm x 48cm £400-600 \} ~ | ^[ 257. G. Nelson (19th century) â&#x20AC;&#x2DC;Alpine valleyâ&#x20AC;&#x2122; and â&#x20AC;&#x2DC;Street sceneâ&#x20AC;&#x2122; watercolours, signed lower right 41.5cm x 70.5cm £300-500 \} ~ | ^[ [ ^ } )

! Â&#x192;; [% Â&#x201E; % Â&#x2020; â&#x20AC;&#x2DC;River scene with Silver Birchesâ&#x20AC;&#x2122;, and â&#x20AC;&#x2DC;Highland landscape with Bothy and riverâ&#x20AC;&#x2122;, a matched pair watercolours, signed lower left and lower right respectively 31cm x 46.5cm and 33.5cm x 49cm £200-400 \} ~ | ^[ 259. AR James McBey LLD (1883-1959) Sidlaw Hills watercolour, signed lower centre and dated 24 May 1929 inscribed on Alex. Reid & Lefevre, St. Jamesâ&#x20AC;&#x2122;s, S.W.1 25.5cm x 41.5cm £100-200 \} ~ | ^[ 260. Claire Harrigan RSW October gouache, acrylic, oil pastel, signed lower left and dated on label verso 1990 32.5cm x 23.5cm £100-200 \} ~ | ^[

44

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 261 261. AR William Armour RSA RSW (1903-1979) Blaven from Ord Skye pastels, signed lower right 31.5cm x 57cm ÂŁ100-200 \} ~ | ^[

Lot 263 263. James Kay RSA RSW (1858-1942) Canal with barges watercolour, signed lower right 24.5cm x 34.5cm ÂŁ300-500 \} ~ | ^[

Lot 264

Lot 262 262. James Kay RSA RSW (1858-1942) Gros Horloge, Rouen watercolour, signed lower right 58.5cm x 48.5cm ÂŁ1000-2000 \} ~ | ^[

264. Robert Hope RSA (1869-1936) St. Monans Church watercolour, signed lower left 24cm x 34cm ÂŁ200-300 \} ~ | ^[ 265. James Paterson PRSW RSA RWS (1854-1932) In the Hermitage of Braid watercolour, signed lower left and inscribed on label verso 37cm x 26cm ÂŁ100-200 \} ~ | ^[

AR will be subject to an additional fee - please see Artists Resale Right information on page 2

45

Lindsay Burns & Company 268. AR Ralph Steadman (b.1936) A famous grouse in full autumnal plumage watercolour, ink and acrylic, signed and dated ‘93 lower left 58cm x 81.5cm £200-300 \} ~ | ^[ 269. AR John Sanderson Sanderson-Wells RI (1872-1955) Quay side, unloading the catch watercolour, signed lower right and inscribed *

X ^^^^^^ < ? < 12cm x 19cm £50-100 \} ~ | ^[ 270. Charles Gustav Louis Phillips (1683-1944) Balnabroich- The farm courtyard with horses watering, mother, child and poultry watercolour, signed lower right inscribed lower left 25cm x 35cm £200-300 \} ~ | ^[ Lot 266 266. AR David Alison RSA RP (1882-1955) Self portrait sketch pencil, signed lower right and dated 1934 15.5cm x 12.5cm £50-100 \} ~ | ^[

271. Five early 19th century Portraits of Nobility pencil and bodycolour Graham of Claverhouse, Viscount Dundee, Napier of Merchiston Charles 1st The Regent Murray Duncan Forbes all approximately 28cm x 21cm £100-200 \} ~ | ^[ 272. Early 20th century Scottish School Half length portrait of a lady pencil and charcoal, indistinctly signed and dated 1917 lower left 44cm x 34cm £80-120 \} ~ | ^[ 273. E. Cook Brodick Beach, Isle of Arran watercolour, signed lower left 22cm x 34cm £100-200 \} ~ | ^[

Lot 267 267. Edwin John Alexander RSA RSW RWS (1870-1926) three drawings Wild Pig charcoal, signed with initials and annotated upper left 12.5cm x 16cm Curlew pencil, signed with initials upper right and annotated lower left 10cm x 11.5cm Peewit pencil, signed with initials lower left and annotated upper left 9cm x 10cm £100-200 \} ~ | ^[ 46

274. Charles Rowbotham (1823-1875) Figures on coastal path watercolour, signed lower left 12cm x 19cm £100-200 \} ~ | ^[ 275. Tom Campbell (1865-1943) Coastal landscape with steamers in the bay watercolour, signed lower left 25.5cm x 35.5cm £100-200 \} ~ | ^[ 276. John L. Dixon (Exh.1927-30) Portrait of a lady watercolour, signed lower left and dated 1937 57.5cm x 42cm £100-200 \} ~ | ^[ BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 279 277. David Martin (20th century) Herring Fishers, Loch Fyne watercolour, signed lower left and inscribed lower right 25.5cm x 36cm ÂŁ50-100 \} ~ | ^[ 278. James Hall Cranstoun (1821-1907) Mill stream watercolour, signed lower right 35cm x 31cm ÂŁ50-100 \} ~ | ^[ 279. James Watterston Herald (1859-1914) Fashionable ladies, London pastel, signed lower right 34cm x 28cm ÂŁ1500-2000 \} ~ | ^[

OIL PAINTINGS 280. John Pratt (early 20th century) No. 2, The cup that cheers oil on canvas, signed lower right, inscribed with initials and date 1907 verso, inscribed on paper label verso 51cm x 35cm ÂŁ50-100 \} ~ | ^[ 281. Joseph Milne (1857-1911) Harbour scene oil on canvas, signed lower right 24cm x 34cm ÂŁ150-250 \} ~ | ^[ 282. James Herbert Snell (1861-1935) Summer river landscape oil on canvas, signed lower left 34cm x 24cm ÂŁ50-100 \} ~ | ^[

AR will be subject to an additional fee - please see Artists Resale Right information on page 2

47

Lindsay Burns & Company 283. James Hall Cranstoun (1821-1907) River Tay from Carnie Pier oil on canvas, signed with initials lower left 29cm x 39cm £50-100 \} ~ | ^[

289. William Bradley Lamond RBA (1857-1924) Sunset with children by a stream oil on canvas, signed lower left 24cm x 34.5cm £100-200 \} ~ | ^[

284. Attributed to James Stuart Park (1862-1933) Still life with pink and yellow roses oil on canvas, oval, signed and dated 1911 lower right 29cm x 38cm £200-300 \} ~ | ^[

290. J. Burras (Exh. 1882) Looking on from the old stone bridge and a companion, a pair oils on canvas, signed and dated 1876 lower right 29cm x 39cm £200-400 \} ~ | ^[

285. AR James Torrington Bell (1898-1970) Autumn with river in spate oil on canvas, signed lower right 49cm x 59cm £50-100 \} ~ | ^[

291. 19th century British School After the hunt oil on canvas 30.5cm x 20.5cm £100-200 \} ~ | ^[ 292. Walter McAdam RSW (1866-1935) Tranquil Autumn, Loch Eilt, Inverness Shire oil on canvas, signed lower left 58.5cm x 89cm £300-500 \} ~ | ^[

Lot 286 286. James Stuart Park (1862-1933) Still life with yellow begonias oil on canvas, signed twice 39cm x 39cm £400-600 \} ~ | ^[ 287. Joseph Milne (1857-1911) Summer landscape with cattle grazing oil on canvas, signed lower right 24cm x 34cm £150-250 \} ~ | ^[ Lot 293 288. Garden Grant Smith RSW (1860-1913) Venice oil on canvas board 36cm x 26cm £150-250 \} ~ | ^[

48

293. 19th century British School The pink bow, a portrait of a lady sitting in a Regency armchair oil on canvas 41.5cm x 32.5cm £100-200 \} ~ | ^[

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 294 294. Tom McEwan RSW (1846-1914) A Quiet Hour oil on canvas, signed lower right and inscribed verso 90.5cm x 59.5cm ÂŁ400-600 \} ~ | ^[

Lot 295 295. W. Barry (19th century) Autumnal river scene with bridge and mountains oil on canvas, signed and dated 1898 lower left 125cm x 74.5cm ÂŁ1000-1500 \} ~ | ^[

AR will be subject to an additional fee - please see Artists Resale Right information on page 2

49

Lindsay Burns & Company 300. Joshua Anderson Hague (British 1850-1916) Still life with mixed blooms oil on canvas, signed lower right 50.5cm x 38cm ÂŁ300-500 \} ~ | ^[ 301. AR Henry Scott (1911-2005) Great Britain II oil on canvas, signed lower right 59cm x 90cm ÂŁ2000-3000 \} ~ | ^[

Lot 296 % ! |

Â&#x201E;` Â&#x192;; % Â&#x201E; % Â&#x2021;Â&#x2020; Havoc, portrait of a race horse oil on canvas, signed and dated 1907 lower right and titled lower left 38.5cm x 48.5cm ÂŁ100-200 \} ~ | ^[

302. Ferdinand Sigmund Lachenwitz (German 1820-1868) Poachers oil on canvas, signed lower right 32cm x 44.5cm ÂŁ200-300 \} ~ | ^[ Â&#x2021; Â&#x2021; @ Â&#x201A; ! Â&#x192;; % $Â&#x201E; % %Â&#x2020; Harbour scene, France, 1936, with Market scene verso oil on board, signed, inscribed and dated 1936 lower left 38.5cm x 48cm ÂŁ100-200 \} ~ | ^[

Lot 297 297. Follower of George Morland (1763-1804) Cattle and sheep grazing oil on canvas 48cm x 57cm ÂŁ700-1000 \} ~ | ^[ 298. R. Devane (20th century) | X =< X {

=

oil on canvas, signed lower right 53cm x 87.5cm ÂŁ100-200 \} ~ | ^[ 299. AR Robert Russell MacNee GI (1880-1952) Late Autumn oil on canvas, signed lower right and inscribed lower left 29.5cm x 44.5cm ÂŁ400-600 \} ~ | ^[ 50

Lot 304 304. Franz von Defregger (Austrian 1835-1921) Interior scene with zither player and attendants oil on panel, signed and dated 1875 lower right 37cm x 28.5cm ÂŁ400-600 \} ~ | ^[

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 305

305. Cesar De Cock (Belgian 1823-1904) Â&#x2022;

< < = ? < = U { ?

X

waters edge oil on canvas, signed and dated 1872 lower right 42cm x 62.5cm ÂŁ3000-5000 \} ~ | ^[

307. 19th century Spanish School Monasterio El Escorial, Nr Madrid oil on canvas, indistinctly signed and dated 1881 lower right 69.5cm x 90cm ÂŁ300-500 \} ~ | ^[

306. R. Pratt (late 19th century) Still life with Mallard, onions and basket oil on canvas, signed lower right 45cm x 55cm ÂŁ100-200 \} ~ | ^[

308. John Blair (1850-1934) Broty Castle (Broughty Ferry Castle) oil on panel, signed with initials and dated 1911 lower left 10cm x 28cm ÂŁ80-120 \} ~ | ^[

AR will be subject to an additional fee - please see Artists Resale Right information on page 2

51

Lindsay Burns & Company

Lot 311 Lot 309 309. AR Pierre De Clausade (French 1910-1976) The River Loire, France oil on canvas, signed lower left, inscribed on label verso 44cm x 53cm £400-600 \} ~ | ^[ 310. Annie Young (early 20th century) Summer landscape with sea loch oil on canvas, signed lower right 24cm x 34.5cm £80-120 \} ~ | ^[

311. J. Fox (19th century) Paddle steamer at Greenock Princes Pier oil on canvas, signed lower left and inscribed verso with date 1885 43cm x 55.5cm £100-200 \} ~ | ^[ 311A. David Prophet Ramsay (1888-1944) Rialto, Venice oil on board, signed lower left 14cm x 20cm £100-200 \} ~ | ^[ 311B. David Prophet Ramsay (1888-1944) Santa Maria Della Salute, Venice oil on board, signed lower left 14cm x 20cm £100-200 \} ~ | ^[

Lot 312 52

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 312. 19th century British School A pair of portraits of Robert Airey (b.1781-d.1861) and Jane Anne Airey (b.1804-d.1857) oils on canvas laid on board 55.5cm x 45.5cm ÂŁ200-400 \} ~ | ^[

313. Robert L. Alexander RSA RSW (1840-1923) Portrait of a dog oil on canvas, signed with initials lower left and dated 1920 33cm x 28cm ÂŁ200-300 \} ~ | ^[ 314. Great War Interest- T.B. Garvie (early 20th century) Portrait of Captain Kearsley M. Drummond, 6th Battalion Northumberland Fusiliers oil on canvas, signed and dated 1918 lower right and inscribed verso 92cm x 61.5cm ÂŁ100-200 \} ~ | ^[ 315. WBB (19th century) Half length portrait of George 6th Visc. Galway oil on panel, signed with initials lower right 38.5cm x 29.5cm ÂŁ100-200 \} ~ | ^[ 316. AR Frances Mabel Hollams (1877-1963) Bay mare and chestnut foal oil on panel, signed and dated 1929 43cm x 55.5cm ÂŁ600-800 \} ~ | ^[

Lot 313

Lot 316

AR will be subject to an additional fee - please see Artists Resale Right information on page 2

53

Lindsay Burns & Company

Lot 317

Lot 318

317. 18th century French School Still life with mixed blooms and birds nest oil on canvas 74cm x 61.5cm ÂŁ800-1200 \} ~ | ^[

321. 18th century Italian School Â&#x2013;

{ U

oil on board 28cm x 38.5cm ÂŁ100-200 \} ~ | ^[

318. Circle of Simon Pietersz Verelst (1644-1721)

* < =

==

{ ? oil on canvas 64cm x 45.5cm ÂŁ1000-1500 \} ~ | ^[

322. Follower of George Morland (1763-1804) Huntsman arriving at Tavern with dogs, horse, attendant and shoe mender oil on panel, signed upper left 35cm x 55cm ÂŁ200-300 \} ~ | ^[

319. AR Mardi Barrie RSW (1931-2004) Still Water, Summer Dusk acrylic, inscribed on label verso 44cm x 54cm ÂŁ200-400 \} ~ | ^[ 320. 18th/19th century Dutch School Fishing boats and pier with approaching storm oil on canvas 31.5cm x 40.5cm ÂŁ100-200 \} ~ | ^[

54

323. B.C. 19th/early 20th century Scottish School Bust length portrait of Henry David Somervell, younger of Sorn oil on canvas, signed with initials lower B.C. 49cm x 36.5cm ÂŁ100-200 \} ~ | ^[ 324. James Docharty RSA (1829-1878) Autumnal landscape with distant view oil on canvas, inscribed on label verso 39cm x 59.5cm ÂŁ100-200 \} ~ | ^[

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 325 325. Early 20th century Scottish School Portrait of a dachshund oil on canvas 44cm x 59.5cm ÂŁ100-200 \} ~ | ^[

Lot 325A 325A. AR William Lee Hankey RWS RI ROI RE (1869-1952) Market Granada oil on canvas, signed lower right 62cm x 75cm ÂŁ1500-2000 \} ~ | ^[

326. Circle of Giovanni Battista Piazzetta (18th century Italian School) Zampogna player oil on canvas 69.5cm x 53cm ÂŁ1000-2000 \} ~ | ^[

Lot 326

AR will be subject to an additional fee - please see Artists Resale Right information on page 2

55

Lindsay Burns & Company

Lot 330 330. AR William Watt Milne (1869-1949) Going to Church oil on canvas board, signed lower right 29.5cm x 37cm Provenance: The Rattray Collection ÂŁ300-500 \} ~ | ^[

Lot 327 327. T. Ross (early 20th century Scottish School) Portrait of Charles Rattray Yr. oil on canvas, signed lower right and inscribed verso 151cm x 89cm Provenance: The Rattray Collection ÂŁ200-400 \} ~ | ^[ 328. AR Eugene Dekkert (German 1865-1956) Back Street, East Fife Village oil on canvas board laid on panel, signed lower right 27.5cm x 33.5cm Provenance: The Rattray Collection ÂŁ300-500 \} ~ | ^[ Â&#x2021; % { | }

= Â&#x192;; [[ Â&#x201E; [% Â&#x2020; Reverie oil on board, signed lower left 28.5cm x 19cm Provenance: The Rattray Collection ÂŁ80-120 \} ~ | ^[

56

331. Joseph Milne (1857-1911) Fishing of the harbour wall, East Fife oil on board, signed lower right 13cm x 22cm Provenance: The Rattray Collection ÂŁ100-200 \} ~ | ^[ 332. AR Alfred Fontville de Breanski (1877-1957) Near Aberfeldy, Perthshire oil on canvas, signed lower right ÂŁ800-1200 \} ~ | ^[ 333. Joseph Milne (1857-1911) Milk maid and cattle in a summer pasture oil on canvas, signed lower right 24.5cm x 34.5cm Provenance: The Rattray Collection ÂŁ400-600 \} ~ | ^[ 334. Joseph Milne (1857-1911) * X ?

= < X oil on board, signed lower left 22cm x 29cm Provenance: The Rattray Collection ÂŁ300-500 \} ~ | ^[

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 332

Lot 336 Lot 335 335. AR Alexander Stuart Hill (1888-1948) {

$ < oil on board, signed lower right 44.5cm x 59.5cm Provenance: The Rattray Collection £300-500 \} ~ | ^[

336. AR Alexander Stuart Hill (1888-1948) Â&#x201C; U $ < oil on board, signed lower right 44cm x 64.5cm Provenance: The Rattray Collection £300-500 \} ~ | ^[ 337. George R. Fathers ARCA Dunkeld oil on canvas board, signed lower right 24.5cm x 34.5cm Provenance: The Rattray Collection £80-120 \} ~ | ^[

AR will be subject to an additional fee - please see Artists Resale Right information on page 2

57

Lindsay Burns & Company

Lot 338 338. AR Henry Raeburn Dobson RCanA (1901-1985) Meditations, No1. oil on canvas, signed lower left, inscribed on label verso ‘Property of Chas. Rattray Esq. Perth’ 34cm x 44cm Provenance: The Rattray Collection £300-500 \} ~ | ^[

Lot 340 340. AR Henry Raeburn Dobson RCanA (1901-1985) King of the Castle oil on canvas, signed and dated ‘27 lower right and inscribed on remains of original paper label verso 49.5cm x 59.5cm Provenance: The Rattray Collection £400-600 \} ~ | ^[ 341. Louise Ellen Perman (1854-1921) Still life with mixed blooms oil on panel, signed lower left 53.5cm x 44.5cm Provenance: The Rattray Collection £600-800 \} ~ | ^[ 342. Henry John Dobson RSW RCanA (1858-1928) Reading to Grannie oil on canvas, signed lower right and inscribed on label verso with date 1914 44.5cm x 34.5cm Provenance: The Rattray Collection £400-600 \} ~ | ^[

Lot 339 339. Louise Ellen Perman (1854-1921) Pink roses oil on canvas, signed lower right 33.5cm x 44.5cm Provenance: The Rattray Collection £600-800 \} ~ | ^[

58

343. Louise Ellen Perman (1854-1921) Still life with pink and white Carnations oil on canvas, signed lower right 49cm x 39cm Provenance: The Rattray Collection £600-800 \} ~ | ^[

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 344 344. Louise Ellen Perman (1854-1921) Still life with red and white Carnations oil on board, signed lower left 33.5cm x 44cm Purchased: Sothebyâ&#x20AC;&#x2122;s 30-8-93 lot 1140 Provenance: The Rattray Collection ÂŁ600-800 \} ~ | ^[ Lot 342

Lot 345 345. AR William Miller Frazer RSA (1864-1961) At Lochranza, Arran oil on canvas, signed lower left 34.5cm x 44.5cm Provenance: The Rattray Collection ÂŁ400-600 \} ~ | ^[

Lot 343

AR will be subject to an additional fee - please see Artists Resale Right information on page 2

59

Lindsay Burns & Company

Lot 346 346. Robert Gemmell Hutchison RSA RBA ROI RSW (1855-1936) Noah’s Ark oil on canvas, signed lower left 30cm x 25cm Illustrated on inside back cover £6000-9000 \} ~ | ^[

60

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

The Studio Sale of John Murray Thomson RSA RSW PSSA

THE STUDIO SALE OF JOHN MURRAY THOMSON RSA RSW PSSA (1885-1974)

the late artistâ&#x20AC;&#x2122;s deceased son.

Born in Crieff, Perthshire, 1885, John Murray Thomson was known as a painter of animals and birds in both oil and watercolour. Educated at the local Morrissonâ&#x20AC;&#x2122;s Academy, he went on to Edinburgh School of Art where he received a Carnegie Travelling Scholarship in the RSA Life Classes. This enabled him to travel to Paris where he undertook further studies at the Academie Julian. Whilst abroad he ?

U

Â&#x20AC;

{

< <X

his favourite subject; birds and animals in their natural settings. He was appointed as a member of staff at Edinburgh College of Art where he taught animal drawing and painting for eleven years. Author and illustrator of â&#x20AC;&#x2DC;Animals We Knowâ&#x20AC;&#x2122;, he died in Edinburgh in 1974. He had many interests outside of Art including collecting and identifying Scottish Provincial silver.

Exhibited RSA (100+) RSW (73) RA (5) GI (50+) L (13).

Represented in Aberdeen Art Gallery, Paisley Art Gallery, Perth Art Gallery, Edinburgh City Collection.

The Studio Sale represents a broad range of the Â&#x201D; ?

U

<

=<

watercolours to sketches, drawings and a rare etching.

These works are complemented by the context in which they were unearthed, surrounded by palettes, easels, brushes, palette knives and paint boxes, RSA presentation scrolls in Japanned metal cases, attache cases and related ephemera including the name plaque from his Studio door.

Offered for sale across 59 lots, there are 55 lots relating to John Murray Thomson including some of the Scottish Provincial silver that he was passionate about collecting (see lots 448 through to 453) and 4 lots relating to his wife, Ellen M. Murray Thomson.

61

The Studio Sale of John Murray Thomson RSA RSW PSSA

Lot 348

Lot 347 347. Collection of artists accessories belonging to John Murray Thomson RSA RSW PSSA (1885-1974), to include basket containing assorted brushes and kid leather glove, two oval shaped palettes, rectangular palette, folding rectangular palette, Japanned metal brush container bearing label â&#x20AC;&#x2DC;John B. Smith 117 Hampstead Road London N.W.â&#x20AC;&#x2122;, together with various other assorted Japanned metal containers, assorted palette knives, Japanned metal rectangular paint box â&#x20AC;&#x2DC;Reeves Viridian Artists Watercoloursâ&#x20AC;&#x2122;, another â&#x20AC;&#x2DC;Windsor & Newton Patent Spring Boxâ&#x20AC;&#x2122;, paint set, mahogany travelling rectangular portable combination easel and paint box, small rectangular copper plate, brass studio door name plaque inscribed â&#x20AC;&#x2DC;J. Murray Thomson Studioâ&#x20AC;&#x2122; and a Windsor & Newton of London easel. ÂŁ100-200 \} ~ | ^[

62

348. Royal Scottish Society of Painters and Watercolours scroll â&#x20AC;&#x2DC;To J. Murray Thomson Esquire, given at our Royal Palace of Buckingham on the fourteenth day of November 1924â&#x20AC;&#x2122;, signed George RI, a Japanned metal scroll tin containing scroll The Royal Scottish Academy of Painting, Sculpture and Architecture, inscribed to John Murray *

Â&#x2039;

X

Â&#x2014; +Â&#x192;+ Â&#x2019; <X

elected and associateâ&#x20AC;&#x2122;, signed George RI Scobie president, together with another Japanned metal scroll case and cover containing scroll The Royal Scottish Academy Painting, Sculpture and Architecture John Murray Thomson Academician, signed Elizabeth R, W. McTaggart secretary (3). ÂŁ50-100 \} ~ | ^[

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

The Studio Sale of John Murray Thomson RSA RSW PSSA

Lot 349 349. John Murray Thomson RSA RSW PSSA (1885-1974) interest, an envelope typed to the artist â&#x20AC;&#x2DC;J. Murray Thomson Esq. ARSA, 11 Melville Place, Edinburghâ&#x20AC;&#x2122; three postmarked 13.12.49, with two ink portraits of terriers on the reverse, a letter to Iain Murray Thomson Esquire, 214 Broughty Ferry Road, Dundee and a letter of sympathy to Iain containing photographs of a terrier - Corrie, watercolour of the dogâ&#x20AC;&#x2122;s head and note â&#x20AC;&#x2DC;Here lies Corrie the best friend and companion I ever hadâ&#x20AC;&#x2122;, with a lock of hair attached to the envelope. ÂŁ30-60 \} ~ | ^[

Lot 351 351. One volume â&#x20AC;&#x2DC;Animals We Knowâ&#x20AC;&#x2122;, written and illustrated by E.M. and J. Murray Thomson, London, T.C. and E.C. Jack, Ltd, together with paper bundle in brown paper inscribed â&#x20AC;&#x2DC;Rough outline of stories published in Animals We Know parcelled up June 13th 1931â&#x20AC;&#x2122;, together with another envelope of assorted writings. ÂŁ30-60 \} ~ | ^[

Lot 352 Lot 350 350. A collection of items relating to John Murray Thomson RSA RSW PSSA (1885-1974), to include scrap album, brown leather covered sketch book bearing initials JMT, one volume - Two Forsyte Interludesâ&#x20AC;&#x2122; inscribed J. Murray Thomson, cut out drawing of a pigeon, vintage volume â&#x20AC;&#x2DC;The Scottish Fieldâ&#x20AC;&#x2122; March 1924, three photographs mounted with notes Jed and a black and white photograph of a dog. ÂŁ30-60 \} ~ | ^[

352. Brown leather attache case with blue luggage label inscribed â&#x20AC;&#x2DC;J. Murray Thomson, 7 Randolph Place, Edinburghâ&#x20AC;&#x2122;, together with another brown leather attache case, wicker picnic hamper, two marbled card folios, two paper wrappings inscribed on Aitken Dott & Son labels â&#x20AC;&#x2DC;J. Murray Thomson Esquire, 11 Melville Placeâ&#x20AC;&#x2122;. ÂŁ30-60 \} ~ | ^[

AR will be subject to an additional fee - please see Artists Resale Right information on page 2

63

The Studio Sale of John Murray Thomson RSA RSW PSSA 353. AR John Murray Thomson RSA RSW PSSA (1885-1974) Self portrait oil on canvas 46cm x 35cm together with a portrait of the artists son oil on canvas 41cm x 33cm a sepia portrait photograph of the artist by Drummond Young & Watson, Edinburgh, a framed print of the artist after a painting by David Alison, in green painted frame, and three drawings of the artist by his wife E.M. Murray Thomson, John sketching 24cm x 17cm John having forty winks 21.5cm x 17cm and bust portrait signed with initials and dated 11.1.39 38cm x 28cm £100-200 \} ~ | ^[

Lot 353 354. AR John Murray Thomson RSA RSW PSSA (1885-1974) Sow etching, signed lower right 7cm x 10cm together with a pencil sketch depicting various sow studies 29cm x 23cm £30-60 \} ~ | ^[

Lot 354 64

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

The Studio Sale of John Murray Thomson RSA RSW PSSA

Lot 355 355. AR A collection of approximately twenty seven sketch books by John Murray Thomson RSA RSW PSSA (1885-1974). £100-200 \} ~ | ^[

Lot 357

Lot 356 356. AR John Murray Thomson RSA RSW PSSA (1885-1974) W For Wolf, Visit The Zoo By Tram Car Nos.1.12.25 49.5cm x 27.5cm together with three pencil and watercolour sketches for the above work contained in marbled card folio. £50-100 \} ~ | ^[

357. AR John Murray Thomson RSA RSW PSSA (1885-1974) Three Penguins watercolour 15.5cm x 23.5cm together with watercolour of a salmon 25.5cm x 79cm and larger watercolour of a salmon 50cm x 110cm £50-100 \} ~ | ^[

AR will be subject to an additional fee - please see Artists Resale Right information on page 2

65

The Studio Sale of John Murray Thomson RSA RSW PSSA

Lot 358 358. AR John Murray Thomson RSA RSW PSSA (1885-1974) Ninette, tethered donkey with saddle oil on panel 20.5cm x 29cm and Provencal Donkey oil on panel 27cm x 35cm both signed lower left £50-100 \} ~ | ^[

Lot 360 360. AR John Murray Thomson RSA RSW PSSA (1885-1974) Caracal oil on board, signed lower left 24.5cm x 33.5cm and Cheviot Orphans oil on canvas board, signed lower left 24.5cm x 34.5cm £50-100 \} ~ | ^[ 361. AR John Murray Thomson RSA RSW PSSA (1885-1974) Summer sunset with hay stooks oil on board, signed lower left 20cm x 30cm and another

Q

< oil on board, signed lower right 19.5cm x 28.5cm £50-100 \} ~ | ^[

Lot 359 359. AR John Murray Thomson RSA RSW PSSA (1885-1974) Burgundy Cow oil on panel, signed lower left 26cm x 34cm and Two cattle grazing oil on panel, signed lower right 23.5cm x 33.5cm £50-100 \} ~ | ^[

66

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

The Studio Sale of John Murray Thomson RSA RSW PSSA

Lot 365 Lot 362 362. AR John Murray Thomson RSA RSW PSSA (1885-1974) Cockerel oil on panel, signed lower left 22.5cm x 30cm £50-100 \} ~ | ^[

365. AR John Murray Thomson RSA RSW PSSA (1885-1974) My black and tan doe rabbit watercolour, signed upper right 14cm x 22.5cm and Portrait of a kit oil on board, signed lower right with initials 19cm x 27cm £50-100 \} ~ | ^[ 366. AR John Murray Thomson RSA RSW PSSA (1885-1974) Border Lambing Shed oil on panel, signed lower left 27cm x 35cm and Summer meadow with cattle grazing oil on canvas board, signed lower right 24cm x 34cm £50-100 \} ~ | ^[

Lot 363 363. AR John Murray Thomson RSA RSW PSSA (1885-1974) Burgundy Byre-End, calf and goat oil on panel, signed lower left 26.5cm x 35cm £50-100 \} ~ | ^[ 364. AR John Murray Thomson RSA RSW PSSA (1885-1974) Portrait of a black and tan dogs head oil on canvas board, in ebonised frame 9cm x 9.5cm £50-100 \} ~ | ^[

AR will be subject to an additional fee - please see Artists Resale Right information on page 2

67

The Studio Sale of John Murray Thomson RSA RSW PSSA

Lot 367 367. AR John Murray Thomson RSA RSW PSSA (1885-1974) Portrait of a foal oil on panel 22.5cm x 32cm together with Two Clydesdales grazing oil on panel 24cm x 33cm and Pair of Clydesdales walking oil on panel 24cm x 34cm £50-100 \} ~ | ^[

Lot 368 368. AR John Murray Thomson RSA RSW PSSA (1885-1974) Portrait of a spaniel oil on board, signed lower right 33.5cm x 26cm and Portrait of a beagle oil on panel, signed lower right 22.5cm x 18.5cm £50-100 \} ~ | ^[

369. AR John Murray Thomson RSA RSW PSSA (1885-1974) Elkhound oil on board, signed lower left 24cm x 33.5cm together with two pencil sketches of the same subject both 35cm x 25cm £50-100 \} ~ | ^[

Lot 369 68

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

The Studio Sale of John Murray Thomson RSA RSW PSSA

Lot 370 370. AR John Murray Thomson RSA RSW PSSA (1885-1974) Collie puppy oil on panel, signed lower right 26.5cm x 35cm and Terrier reclining oil on board, signed lower left 24cm x 33.5cm ÂŁ50-100 \} ~ | ^[

371. AR John Murray Thomson RSA RSW PSSA (1885-1974) Cairn terrier oil on panel, signed lower left 28.5cm x 24cm and Portrait of a terrier - Nick oil on board, inscribed on label verso â&#x20AC;&#x2DC;Nick born March 1906, died March 1917â&#x20AC;&#x2122; 24cm x 18.5cm together with an unframed portrait of a Cairn terrier oil on panel, signed lower right 31cm x 25cm and a framed portrait of a Cairn terrier oil on panel, signed lower left 29cm x 22.5cm ÂŁ50-100 \} ~ | ^[

Lot 372 372. AR John Murray Thomson RSA RSW PSSA (1885-1974) Portrait of a horses head oil on canvas board, signed with initials lower left 22cm x 17cm ÂŁ50-100 \} ~ | ^[ Lot 371

AR will be subject to an additional fee - please see Artists Resale Right information on page 2

69

The Studio Sale of John Murray Thomson RSA RSW PSSA 373. AR John Murray Thomson RSA RSW PSSA (1885-1974) Beagle IV oil on board, signed lower left 34cm x 24.5cm £50-100 \} ~ | ^[ 374. AR John Murray Thomson RSA RSW PSSA (1885-1974) Portrait of a beagle oil on board, signed lower left 35.5cm x 25cm £50-100 \} ~ | ^[ 375. AR John Murray Thomson RSA RSW PSSA (1885-1974) Two framed sketch pictures one mounted with twenty two pencil drawings, the other with seventeen pencil drawings of various animals the former 74cm x 99.5cm, the latter 69cm x 93.5cm £100-200 \} ~ | ^[

Lot 373

376. AR John Murray Thomson RSA RSW PSSA (1885-1974) Five assorted pencil sketches cattle the largest 23cm x 36cm £50-100 \} ~ | ^[

Lot 374

70

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

The Studio Sale of John Murray Thomson RSA RSW PSSA

Lot 378 378. AR John Murray Thomson RSA RSW PSSA (1885-1974) Crofters Kye watercolour, signed lower left 34.5cm x 50cm and Full sketch Galloway watercolour, signed lower left 25cm x 34cm £100-200 \} ~ | ^[

Lot 377 377. AR John Murray Thomson RSA RSW PSSA (1885-1974) Calves grazing in a summer pasture oil on board, signed lower left and Sheep grazing in a summer upland Glen oil on board, signed lower right, a pair 45cm x 61cm £150-250 \} ~ | ^[

379. AR John Murray Thomson RSA RSW PSSA (1885-1974) Six assorted horse watercolours chalk drawings and pencil sketch the largest 24cm x 34cm £50-100 \} ~ | ^[

Lot 380 380. AR John Murray Thomson RSA RSW PSSA (1885-1974) Four horse pictures watercolours the largest 32.5cm x 48cm £100-200 \} ~ | ^[

AR will be subject to an additional fee - please see Artists Resale Right information on page 2

71

The Studio Sale of John Murray Thomson RSA RSW PSSA

Lot 382 381. AR John Murray Thomson RSA RSW PSSA (1885-1974) Mares and foals grazing in a summer pasture and another, a pair oils on canvas, signed lower left 49cm x 74.5cm £200-400 \} ~ | ^[ 382. AR John Murray Thomson RSA RSW PSSA (1885-1974) Five horses grazing on upland meadow oil on canvas, signed lower left 49cm x 75cm £150-250 \} ~ | ^[ 383. AR John Murray Thomson RSA RSW PSSA (1885-1974) Winter sunset and another, a pair the former oil on board, signed lower left, 45cm x 60cm the latter oil on canvas, signed lower right, 45cm x 60cm £100-200 \} ~ | ^[

Lot 384 384. AR John Murray Thomson RSA RSW PSSA (1885-1974) The Pup - terrier watercolour, signed with initials lower right, inscribed on label verso 32cm x 38cm and Beagle watercolour, signed lower right, inscribed on label verso 30cm x 36cm and two other dog watercolours £100-200 \} ~ | ^[ 385. AR John Murray Thomson RSA RSW PSSA (1885-1974) Stags in a misty Highland Glen oil on canvas, signed lower right 49cm x 74cm £150-250 \} ~ | ^[

72

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

The Studio Sale of John Murray Thomson RSA RSW PSSA

Lot 386 386. AR John Murray Thomson RSA RSW PSSA (1885-1974) Sketch in Bruges watercolour, signed lower right and inscribed â&#x20AC;&#x2DC;Bruges June 1914â&#x20AC;&#x2122; 24cm x 34cm together with eight other assorted landscape pictures and an oil of a woodland scene £100-200 \} ~ | ^[

Lot 388 388. AR John Murray Thomson RSA RSW PSSA (1885-1974) Speckled duck watercolour 34.5cm x 50cm and Mallard Hen watercolour 19.5cm x 30cm £80-120 \} ~ | ^[

Lot 387 387. AR John Murray Thomson RSA RSW PSSA (1885-1974) Â&#x2013;

{ U oil on canvas board, signed lower left 24cm x 34cm and Pair of goats watercolour, signed lower right 36cm x 54cm £80-120 \} ~ | ^[

Lot 389 389. AR John Murray Thomson RSA RSW PSSA (1885-1974) Three ducks by the rivers edge oil on canvas board, signed lower left 44.5cm x 59.5cm £150-250 \} ~ | ^[

AR will be subject to an additional fee - please see Artists Resale Right information on page 2

73

The Studio Sale of John Murray Thomson RSA RSW PSSA

Lot 390 390. AR John Murray Thomson RSA RSW PSSA (1885-1974) | << U watercolour, signed lower left 33cm x 25.5cm together with eight other assorted bird pictures to include Young Jackie watercolour, signed lower left 30cm x 20cm Goldcrest Courtship no.7 watercolour, signed lower left 31cm x 20cm Goldcrest Sketches watercolour, signed lower right 24cm x 34cm £100-200 \} ~ | ^[

74

Lot 391 391. AR John Murray Thomson RSA RSW PSSA (1885-1974) The white dove watercolour, signed lower right 25cm x 30cm and Nesting collared dove watercolour, signed lower left 25cm x 37.5cm £80-120 \} ~ | ^[

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

The Studio Sale of John Murray Thomson RSA RSW PSSA

Lot 392 392. AR John Murray Thomson RSA RSW PSSA (1885-1974) Folio containing large collection of assorted watercolours, sketches dogs £100-200 \} ~ | ^[

Lot 394 394. AR John Murray Thomson RSA RSW PSSA (1885-1974) Folio containing large collection of watercolours, sketches mixed animals £100-200 \} ~ | ^[

Lot 393 393. AR John Murray Thomson RSA RSW PSSA (1885-1974) Folio containing large collection of watercolours, sketches birds £100-200 \} ~ | ^[

Lot 395 395. AR John Murray Thomson RSA RSW PSSA (1885-1974) Folio containing large collection of watercolours, sketches

£100-200 \} ~ | ^[

AR will be subject to an additional fee - please see Artists Resale Right information on page 2

75

The Studio Sale of John Murray Thomson RSA RSW PSSA

Lot 396 396. AR John Murray Thomson RSA RSW PSSA (1885-1974) Folio containing large collection of watercolours, sketches cattle £100-200 \} ~ | ^[

Lot 398 398. AR John Murray Thomson RSA RSW PSSA (1885-1974) Folio containing large collection of watercolours, sketches landscapes £100-200 \} ~ | ^[

Lot 397 397. AR John Murray Thomson RSA RSW PSSA (1885-1974) Folio containing large collection of watercolours, sketches { ?

£100-200 \} ~ | ^[

76

Lot 399 399. AR John Murray Thomson RSA RSW PSSA (1885-1974) Folio containing large collection of watercolours, sketches horses £100-200 \} ~ | ^[

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

The Studio Sale of John Murray Thomson RSA RSW PSSA $ Â&#x2021; ~ { { \ ) Â&#x192;; % Â&#x201E; %> Â&#x2020; Â&#x201C; { ? oil on canvas board, signed with initials lower right 59cm x 49.5cm together with nineteen other assorted works in various mediums by the same artist.

Note: wife of John Murray Thomson RSA RSW PSSA (1885-1974) £100-200 \} ~ | ^[

Lot 400 400. AR John Murray Thomson RSA RSW PSSA (1885-1974) Folio containing large collection of watercolours, sketches ducks £100-200 \} ~ | ^[

$ $ ~ { { \ ) Â&#x192;; % Â&#x201E; %> Â&#x2020; The green handled knife oil on canvas board, signed with initials lower right 54cm x 37cm Note: wife of John Murray Thomson RSA RSW PSSA (1885-1974) £80-120 \} ~ | ^[

Lot 405

Lot 401 401. Large card folio containing assorted coloured prints of reproduced works by John Murray Thomson. £30-60 \} ~ | ^[

$ ~ { { \ ) Â&#x192;; % Â&#x201E; %> Â&#x2020; Portrait of Miggy oil on canvas, signed with initials lower right 39cm x 28cm together with three black and white photographic prints of the picture Note: wife of John Murray Thomson RSA RSW PSSA (1885-1974) £80-120 \} ~ | ^[

$ ~ { { \ ) Â&#x192;; % Â&#x201E; %> Â&#x2020; Folio of assorted sketches, drawings Note: wife of John Murray Thomson RSA RSW PSSA (1885-1974) £50-100 \} ~ | ^[

AR will be subject to an additional fee - please see Artists Resale Right information on page 2

77

Lindsay Burns & Company

WEDNESDAY 26TH APRIL SILVER & GOLD

Lot 408

Lot 406 406. A George II silver loving cup, London, 1735, with later embossed foliate and scroll decoration, on a stepped circular foot, no evidence of a makers mark, 15cm diameter x 18.5cm high, 22.8 troy ozs. £300-500 \} ~ | ^[

408. A George III silver three piece tea set, London, 1797, makers mark of IM, comprising; oval teapot, teapot stand, and oval sugar basket with swing handle, all with bright cut decoration and shield shaped cartouche bearing Crest, together with a later Chester silver cream jug made to match the set, gross weight 31.4 troy ozs.

Provenance: The Rattray Collection £250-400 \} ~ | ^[

Lot 409

Lot 407 407. An Edwardian silver salver, London, 1901, makers mark of GH, with beaded and shell cast rim, raised on four scroll feet, 34cm diameter, 33 troy ozs.

Provenance: The Rattray Collection £250-400 \} ~ | ^[

78

409. Great War Interest - A George V silver presentation box of Royal Scots Fusiliers interest, Birmingham, 1916, makers mark of A&J Zimmerman, the hinged cover with engraved Regimental Crest and inscribed ‘PRESENTED TO LIEUT. COL. JAS. M.McCOSH BY THE OFFICERS OF THE 4TH (RESERVE) BATTALION - ROYAL SCOTS FUSILIERS - 31ST AUGUST 1916’, with twenty four facsimile signatures of the members of the Battalion, 20.5cm wide x 7cm high x 16.5cm deep, gross weight 48.4 troy ozs. £150-250 \} ~ | ^[

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 410

Lot 411

410. A George V silver twin handled footed bowl, London 1912. makers mark AR, the rim chased with acanthus leaves, with two scroll handles with foliate terminals, on an acanthus chased column and circular domed foot, inscribed inside the foot ‘Manoah Rhodes & Sons Ltd. Bradford’, engraved with initials, 23.5cm wide x 18cm high, 35.3 troy ozs, with circular ebonised stand and retailers box and cover for Fattorini & Sons Ltd. Jewelers and Silversmiths, 2, Tyrrel Street, Bradford. £300-500 \} ~ | ^[

411. A George V silver Argyll, < +

makers mark of RM over EH for Martin Hall & Co. Ltd., with hinged cover, woven wicker handle and beaded borders, 13.5cm high, 15.9 troy ozs. £100-200 \} ~ | ^[

412. A George V silver four piece tea and coffee set, < +

makers marks of Walker & Hall, comprising; a teapot, coffee pot, twin handled sugar bowl and cream jug, with embossed decoration of scrolls and foliage, raised on four foliate cast supports, teapot 20cm high, coffee pot 25cm high, gross weight 83.3 troy ozs. £700-900 \} ~ | ^[

Lot 412 79

Lindsay Burns & Company 417. A William IV silver scissors case, Birmingham, 1834, Taylor & Perry, with bright cut decoration, enclosing a pair of unmarked scissors with twin dolphin and ring handles, overall 11cm long. ÂŁ40-80 \} ~ | ^[ 418. A George III silver wine label inscribed â&#x20AC;&#x2DC;MADEIRAâ&#x20AC;&#x2122;, London, 1804, John Robins, together with a silver BRANDY label and two plated SHERRY labels, (4). ÂŁ40-80 \} ~ | ^[ 419. An Arts & Crafts silver twin handled bon-bon dish, Birmingham, 1926, makers mark of A. E. Jones, ?

= ?

the rim, retailers mark of Ogdens of Harrogate, 16cm wide x 7cm high, 6.1 troy ozs. ÂŁ50-100 \} ~ | ^[

Lot 413 413. An unusual silver mounted shagreen magazine rack formed from the cover of an Arts & Crafts desk blotter, later mounted on to a silvered wood Art Deco magazine rack of Percy Wyndham interest, the silver mounts London 1895, makers mark of Child & Child, with applied silver presentation plaque inscribed â&#x20AC;&#x2DC;Charles Bourke on his marriage from Percy Wyndham 1986â&#x20AC;&#x2122;, 23cm high x 30.5cm wide x 18cm deep.

Percy Wyndham (1835-1911) was a British soldier, Conservative politician, art collector and intellectual.

He lived at Clouds House, East Knoyle, Wiltshire. It was designed by Arts & Crafts architect Philip Webb for Percy Wyndham in 1886. Clouds was Webbâ&#x20AC;&#x2122;s grandest design, it became a centre of social activity for the intellectual group known as â&#x20AC;&#x2DC;The Soulsâ&#x20AC;&#x2122; and was frequented by artists such as Edward BurneJones. Wyndham commissioned the famous painting of his daughters, The Wyndham Sisters-Lady Elcho, Mrs Adeane and Mrs Tennant, by John Singer Sargent in 1899. ÂŁ200-300 \} ~ | ^[ 414. A late 19th/early 20th century Indian white metal photograph frame of large size, the border

?

<< { ?

foliage, the top with gilt metal crest, the bottom with gilt metal monogram, with oak strut support, 34cm high x 27cm wide, inner measurements of frame 29cm x 19cm. ÂŁ100-200 \} ~ | ^[ 415. A cased set of six Tasmanian Arts & Crafts sterling silver teaspoons, circa 1900, hammered bowls and pierced scroll terminals, stamped marks STG. SILVER, 12cm long. ÂŁ50-100 \} ~ | ^[ 416. A George III Scottish silver wine funnel, Edinburgh, circa 1790, maker P&?, engraved with initials, strainer no longer present, 11.5cm high. ÂŁ40-80 \} ~ | ^[

80

420. An American Sterling silver Art Nouveau twin handled sugar basin and cream jug, New York, circa 1900, Stretzer & Co., applied in low relief with strawberries, raspberries and foliage, cream jug 12cm high, 8.4 troy ozs, (2). ÂŁ50-100 \} ~ | ^[ 421. An Art Nouveau silver tray, < + Â&#x201E;

makers mark of Walker & Hall, 31cm x 21.5cm, 12.1 troy ozs. ÂŁ80-120 \} ~ | ^[ 422. A Swedish Art Deco silver mounted glass decanter and stopper, Stockholm, 1936, B.H. Edlunds, decorated with black enamel and etched stylised motifs, 26.5cm high. ÂŁ50-100 \} ~ | ^[ 423. An Art Nouveau silver and enamel pendant and sterling silver chain, Birmingham, 1909, C. Vale & Co., the pendant with pierced heart motif highlighted in blue and green enamel, 3.4cm x 2.3cm. ÂŁ50-100 \} ~ | ^[ 424. A Scottish silver kilt pin by William Robb of Ballater, Edinburgh, 1922, W.R, BLTR, set with a facet cut citrine within open Celtic knotwork, 11.5cm long. ÂŁ40-80 \} ~ | ^[ 425. An Art Nouveau silver belt buckle with â&#x20AC;&#x2DC;Puritan Maidâ&#x20AC;&#x2122; design by Kate Harris, London, 1899, William Hutton & Sons, stamped number 2059, formed in three sections, 6cm x 12cm. ÂŁ150-250 \} ~ | ^[ 426. An Art Deco silver and black enamel card case, import marks for London, 1931, Mappin & Webb, the cover with geometric chevron band, 7.5cm x 6cm. ÂŁ50-100 \} ~ | ^[ 427. An Edwardian silver mounted â&#x20AC;&#x2DC;rock crystalâ&#x20AC;&#x2122; rose bowl, London, 1910, William Comyns, 14cm high x 18cm wide. ÂŁ80-120 \} ~ | ^[

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 428 428. A George V silver three piece tea set, < + U U

Â&#x2122;|

= Â&#x161;

teapot, twin handled sugar bowl and cream jug, of rounded rectangular form with beaded rims and bun feet, teapot 13.5cm high x 29cm long, gross weight 38.2 troy ozs. ÂŁ300-500 \} ~ | ^[

Lot 429 429. A George V silver hot water pot, London, 1910, makers mark of B&S, the beaded rim with shell and scroll cast details, the lower part with gadrooned decoration, 21.5cm high, gross weight 26.6 troy ozs. ÂŁ200-300 \} ~ | ^[

Lot 430 $Â&#x2021; \ % ( @

# + art, probably Chinese, comprising; rickshaw group, 8cm high x 10cm long, three masted galleon on sledge supports, 12.5cm high x 19cm long, and an oval shaped box and cover, 9cm wide x 4cm high x 7.5cm deep, gross weight 7.4 troy ozs, unmarked, (3). ÂŁ100-200 \} ~ | ^[

Lot 431 431. A pair of late 19th century electroplated three light candelabra, the foliate cast scroll arms supporting urn shaped nozzles with detachable drip =

<

? {

==

from the foliate cast column and shaped square base, 51.5cm high x 41cm wide. ÂŁ100-200 \} ~ | ^[

81

Lindsay Burns & Company

Lot 434 434. A Victorian silver Bachelors teapot, London, 1883, makers mark of CSH for Charles Stuart Harris, oval shaped with bright cut decoration, 10cm high x 22cm wide, 11.4 troy ozs. ÂŁ80-120 \} ~ | ^[

Lot 432 432. A late Victorian silver hot water pot, Edinburgh, 1899, makers mark of H&I for Hamilton & Inches, the tapered cylindrical body raised on three pad feet, 21cm high, 14.3 troy ozs. ÂŁ100-200 \} ~ | ^[ Lot 435 435. A George IV silver Bachelors teapot, London, 1829, makers mark of Edward, Edward Junior, John & William Barnard, of circular form with part gadrooned decoration and beaded rim, 9.5cm high x 23cm long, 14.1 troy ozs. ÂŁ100-200 \} ~ | ^[

Lot 433 433. A George III silver teapot, Edinburgh, 1784, makers mark of PR probably that of Patrick Robertson, oval shaped with bright cut decoration, the hinged cover with a stylised pineapple shaped < :

] + <

: "

X

Â&#x20AC;

ÂŁ150-250 \} ~ | ^[ 82

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 438 438. A Victorian silver snuff box, Birmingham, 1843, makers mark of N.M for Nathaniel Mills, bearing presentation inscription ‘TO EX PROVOST & MRS FREW. DINGWALL ON THE OCCASION OF THEIR GOLDEN WEDDING BY SIR HECTOR & LADY MUNRO OF FOULIS AUGUST 8TH 1876 - AUGUST 8TH 1926’, 7.5cm x 5cm x 1.5cm, 2.9 troy ozs. £50-100 \} ~ | ^[ Lot 436 436. A George III silver sweetmeat basket, London, 1792, makers mark of GC probably that of George Cowles, with pierced swing handle and sides, the cartouche engraved with initials, enclosing a Bristol blue glass liner, 10.5cm high with handle raised, silver weight 2.9 troy ozs. £50-100 \} ~ | ^[

439. Five George II Scottish Silver Provincial table spoons, Dundee, makers mark IS for John Steven, Hanoverian pattern, engraved with initials ‘R.S’, 11.8 troy ozs. £100-200 \} ~ | ^[

437. A George III silver sugar bowl, Edinburgh, 1784, makers mark of PR probably that of Patrick Robertson, oval shaped with swing handle and bright cut decoration, together with another similar, 17.5cm high with handle raised, together with another similar but smaller example with the same set of hallmarks, lacking the makers mark but presumed to be the same, 14.5cm high, 13 troy ozs, (2). £100-200 \} ~ | ^[

Lot 440 440. A set of six George II Scottish silver table spoons, Edinburgh, 1733, makers mark WA for William Aytoun, Assay Master Archibald Ure, Hanoverian rat tail pattern, engraved with Crests, 13.3 troy ozs. £150-250 \} ~ | ^[ 441. A composite set of six George III silver table forks, three London, 1780, makers mark possibly that of GS, three London, 1784, maker mark probably that of GS, Old English pattern engraved with initials, 12.7 troy ozs. £100-200 \} ~ | ^[ 83

Lindsay Burns & Company 442. A set of six George III silver table forks, London, 1815, makers mark T.B, Old English pattern engraved with the initial ‘M’, 11.5 troy ozs. £100-200 \} ~ | ^[

449. A George III Scottish Provincial silver dessert spoon, Edward Livingston, Dundee, Old English pointed end, numbered 1 and bearing Crest, 19cm long, 1.1 troy ozs. £30-60 \} ~ | ^[

443. Six George III silver table spoons, Edinburgh, 1767, makers mark of IW probably that of James Welsh, Hanoverian pattern, numbered 1/2/3/7/9/12, with engraved initial ‘G’, 12.9 toy ozs. £100-200 \} ~ | ^[

450. An early 19th century Scottish Provincial silver ladle, Peter Lambert, Montrose, Old English pattern engraved with the initial ‘F’, 16cm long, 0.9 troy ozs. £30-60 \} ~ | ^[

444. A composite set of seven George III silver dessert spoons, some London 1777, various makers, Old English rat tail pattern, 8.8 troy ozs. £70-100 \} ~ | ^[ 445. A pair of silver seal top spoons bearing Georgian marks, London, 1759?, the bowls with Victorian decoration, probably reworked Georgian spoons in the Victorian period, 3.7 troy ozs. £40-80 \} ~ | ^[

451. Three early 19th century Scottish Provincial silver teaspoons, Edward Livingston, Dundee, Old English with bright cut feather edges, 14cm long, 1.4 troy ozs. £30-60 \} ~ | ^[ 452. Four George III Scottish Provincial silver teaspoons, Charles Fowler, Elgin, Old English pattern engraved with initials, JG over A, 13.5cm long, 1.9 troy ozs. £30-60 \} ~ | ^[ 453. A George III silver sifting ladle, Edinburgh, 1805, makers mark of WPC engraved with initial ‘B’ together with four Georgian silver pointed end teaspoons makers mark of Alexander Zeigler, engraved with initials ‘ML’, 1.9 troy ozs, (5). £30-60 \} ~ | ^[ 454. A pair of George V silver candlesticks, London, 1910, makers mark of TB&S, of Georgian design with detachable octagonal shaped drip pans, on octagonal plinth bases, loaded, 12cm high, gross weight 28.3 troy ozs. £100-200 \} ~ | ^[

Lot 446 446. A George III Irish silver serving spoon, Dublin, 1789, makers mark JO for John Osborne, Old English pointed end pattern, engraved with initials G over T.S, 24cm long, 2.1 troy ozs. £40-80 \} ~ | ^[ 447. A George V silver combination ruler/ page turner/magnifying glass, London, 1920, makers mark of SC&Co., 19.5cm long, together with a William IV silver combination scoop/knife, Edinburgh, 1832, makers mark of JMc., inscribed from ‘R.P.Jan. 1833’, 15cm long, 2.3 troys ozs, (2). £40-80 \} ~ | ^[ 448. Three early 19th century Scottish Provincial silver dessert spoons, Charles Jamieson, Inverness, Old English, 17.5cm long, 3.2 troy ozs. £40-80 \} ~ | ^[ 84

Lot 455 $ ! " !

@

presentation key, Birmingham, 1911, makers mark of Elkington & Co., with presentation inscription ‘To Mrs. Hyslop, Bank House, New Cumnock on the Opening of the Golf Pavilion 27th May 1914, 13cm long, 1.3 troy ozs. £50-100 \} ~ | ^[

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 461 456. An Edwardian electroplated and silver mounted shield shaped trophy, The Vord Challenge Shield presented to The Westminster and St Georgeâ&#x20AC;&#x2122;s Cycling Club by Messers T.W.-C.J & T.W. Ward Junior for 100 Miles Championshipâ&#x20AC;&#x2122;, centred with

Q < < =< = <

=

racing bikes, within a border of nine small silver shield shaped plaques with winners names, details and dates, with strut support, 40cm high x 37cm wide. ÂŁ50-100 \} ~ | ^[

458. An 18ct gold Eterna open faced pocket watch, the champagne coloured dial with Arabic numerals and subsidiary seconds dial, number 2474627, stamped marks, 4.5cm diameter, gross weight 45 grams, boxed. ÂŁ400-600 \} ~ | ^[ 459. An 18ct gold Albert chain, stamped marks, 25.5cm long, 30.4 grams. ÂŁ600-800 \} ~ | ^[

457. A late Victorian ivory and silver mounted deerâ&#x20AC;&#x2122;s hoof page turner, Birmingham, 1899, makers mark of H&T probably that of Hilliard & Thomason, 54cm long. ÂŁ50-100 \} ~ | ^[

Lot 460 $

@ ) ) model of peacock, late 19th/early 20th century, the feathers set with emeralds, the wings set with rubies, the neck and head with blue and green enamelled details, with ruby inlaid eyes, 6.5cm high x 11.5cm long. ÂŁ500-800 \} ~ | ^[ 461. A Rolex Datejust Oyster Perpetual Chronometer in stainless steel with Jubilee bracelet, with original box. ÂŁ1000-1500 \} ~ | ^[ Lot 458 85

Lindsay Burns & Company

CHAMPAGNE & WHISKY

Lot 462

Lot 466 86

Lot 463

Lot 471 BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 462. Two bottles of Vinatge Champagne- Moet et Chandon, Cuvee Dom Perignon, Vintage 1969, (2). ÂŁ250-400 \} ~ | ^[

MONART GLASS

463. Two boxed bottles of Scottish single malt Whisky, The Macallan 10 years old, 40% vol., 700ml., and Talisker, aged 10 years, 45.8% vol., 70cl., (2). ÂŁ50-100 \} ~ | ^[ 464. Two bottles of Isle of Jura single malt Whisky aged 10 years, 70cl., 40% vol., one boxed (2). ÂŁ30-60 \} ~ | ^[ 465. Two boxed bottles of Highland Park single malt Scotch Whisky aged 12 years, 40%vol., 70cl., (2). ÂŁ30-60 \} ~ | ^[ 466. One bottle of Glenmorangie single Highland malt Whisky Natural Cask Strength, year cask %% ( # Â&#x160; %

[' ' $ strength: 60 proof, size: 70cl., bottled by: M. Wilson, bottle no: 159,. ÂŁ80-120 \} ~ | ^[ 467. Two boxed bottles of The Dalmore single Highland malt Scotch Whisky, Tay Dram Season 2011, 70cl., 40%, and Dee Dram Limited Edition, 70cl., 40%, (2). ÂŁ70-100 \} ~ | ^[ 468. Two boxed bottles of Glenmorangie single Highland malt Scotch Whisky 10 years old, The Scottish Writers Series, Robert Louis Stevenson and Sir Walter Scott, 70cl., 40% Vol., (2). ÂŁ80-120 \} ~ | ^[ 469. Two boxed bottles of single Highland malt Scotch Whisky, Limited Edition Benromach, Glenlivet, 1898-1998, Special Centenary Bottling, 70cl., 43% vol., bottle no: 2171 of 3500, and Glenmorangie Millennium Malt, aged 12 years, 70cl., 40% vol., (2). ÂŁ80-120 \} ~ | ^[

Lot 472 472. An early Monart stoneware vase, shape B, mottled purple and pink glass with surface textured decoration and opaque white glass interior, 19.5cm high. ÂŁ600-800 \} ~ | ^[ 473. A Monart glass vase, shape A, mottled clear, orange and yellow glass with three typical purple coloured whorls and silver mica inclusions, 16cm high. ÂŁ200-300 \} ~ | ^[

470. Two boxed bottles of Glenmorangie single Highland malt Scotch Whisky, Warehouse 3 Reserve, 1 litre, 40% vol., and Cellar 13, First Fill Cask, 1 litre, 43% vol. (2). ÂŁ100-200 \} ~ | ^[ 471. One bottle of The Macallan Anniversary single Highland Malt Whisky 25 years old, Distilled 1964, Bottled 1989, 43%, 75cl., in original wooden box. ÂŁ1500-2000 \} ~ | ^[

87

Lindsay Burns & Company 476. A Monart glass vase, shape UA, mottled black and green with gold inclusions, bearing original paper label V. UA. 162, 29.5cm high. £100-200 \} ~ | ^[ 477. A Monart glass vase, shape MF, mottled purple and blue glass with a band of typical whorls and gold inclusions, bearing original paper label MF.VII, 20cm high. £100-200 \} ~ | ^[ 478. A Monart glass vase, shape MF, mottled greens and purple glass with a band of typical whorls and gold inclusions, 20cm high. £100-200 \} ~ | ^[

Lot 474 474. A Monart glass jar and cover, shape WH, mottled green, purple and clear glass with typical whorls and gold inclusions, bearing remains of original paper label ‘Monart Glass’, 18cm high. £200-300 \} ~ | ^[ Lot 479 479. A Monart glass powder bowl and cover, shape IB, mottled green and blue glass, bearing original paper label VII. IB. 165., 13cm diameter x 10cm high. £150-250 \} ~ | ^[ 480. A Monart glass bowl, shape UB, mottled green and yellow glass with typical decoration of whorls, bearing original paper label UB.VI, 24.5cm diameter x 5.5cm high. £50-100 \} ~ | ^[ 481. A pair of Monart conical shaped bowls, shape MB, and a Monart cendrier, shape ZH, the conical shaped bowls mottled blue and green, 10cm diameter x 5.5cm high, the cendrier 10cm diameter, (3). £50-100 \} ~ | ^[ 482. A Monart glass vase, shape HF, mottled blue and pink with three typical purple whorls with gold inclusions, 18cm high. £100-200 \} ~ | ^[ Lot 475 475. A Monart glass vase, shape JB, mottled purple glass with three typical whorls and gold aventurine inclusions, bearing original paper label, 17cm high.

Provenance - Parkington Collection, Christies Lot 377. £200-300 \} ~ | ^[ 88

483. A Ysart glass thistle shaped vase, mottled purple and blue glass with typical whorls and gold inclusions, 15.5cm high £50-100 \} ~ | ^[

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

BRITISH & EUROPEAN CERAMICS 486. A 19th century stone china Japan pattern octagonal shaped sauce tureen and cover, 18cm wide x 14cm high. ÂŁ40-80 \} ~ | ^[ 487. A late 19th century Majolica pottery twin handled jardiniere, the tapered cylindrical bowl with mask and scroll form handles, raised on four hoof feet and green platform base, impressed numbers 1009, 28cm diameter x 43.5cm high. ÂŁ300-500 \} ~ | ^[ $[[ = (

= modelled ? { ?

=

?

marks â&#x20AC;&#x2DC;N235â&#x20AC;&#x2122;, 39cm high. ÂŁ100-200 \} ~ | ^[ 489. A Mintons Majolica pottery game pie dish and cover, the cover moulded in relief with pear and mallard duck, the twin handled tureen base of basket weave form with entwined oak leaves, impressed marks, 34cm wide x 18cm high. ÂŁ150-250 \} ~ | ^[

Lot 484 484. A Monart glass vase shape GI, mottled green, black, orange and yellow with three typical pulled up lines and gold aventurine inclusions, 30cm high. ÂŁ150-250 \} ~ | ^[

Lot 490 490. A 19th century Wedgwood pottery Botanical pattern part dinner set, = Â&#x161;

plates, six soup plates, six side plates, twin handled soup tureen and cover, twin handled sauce tureen and two covers, oval tureen and cover, large oval ashet, smaller oval ashet, pair of oval ashets and two further smaller graduated oval ashets, all with transfer printed and hand coloured decoration, impressed marks â&#x20AC;&#x2DC;WEDGWOODâ&#x20AC;&#x2122; and hand painted numbers â&#x20AC;&#x2DC;A1602â&#x20AC;&#x2122;, dinner plates 25cm diameter. ÂŁ400-600 \} ~ | ^[

Lot 485 485. An early Monart ware Paisley Shawl pattern blue ground vase, shape C, mottled blue and white glass with original early Monart ware paper label inscribed â&#x20AC;&#x2DC;IV.C.55â&#x20AC;&#x2122;, 14.5cm high. ÂŁ400-600 \} ~ | ^[ 89

Lindsay Burns & Company 493. Three pieces of hand painted studio pottery { { \ ) Â&#x192;; % Â&#x201E; %> Â&#x2020; to include; a circular dressing table box and cover with blue, black and yellow swirled lines, signed with initials EMT, 8cm diameter x 5cm high, a small jug

?

Â&#x20AC;

Q U ?

?

lined borders, signed EMT, 10.5cm high and a larger jug decorated with brambles and foliage, signed EMT, 13cm high.

Note: wife of John Murray Thomson RSA RSW PSSA (1885-1974) ÂŁ50-100 \} ~ | ^[

Lot 491 491. A Wedgwood fairyland lustre bowl designed

by Daisy Makeig-Jones, pattern number Z4968, gold printed marks, 20cm diameter x 8.5cm high. ÂŁ400-600 \} ~ | ^[

Lot 494 494. A MacIntyre Moorcroft pottery twin handled bowl, decorated in the Eighteenth Century pattern, brown printed marks, signed in green, 13.4cm diameter x 13.9cm high (height to top of handle). ÂŁ200-300 \} ~ | ^[

Lot 492 492. Four pieces of Zoo pottery, decorated by William Myles Johnston (1893-1974), to include;

<< ?

?<

?

U U {

inscribed â&#x20AC;&#x2DC;ZOOâ&#x20AC;&#x2122; and bearing monogram, 30.5cm diameter, a large jug decorated with a frieze of three Thomsonâ&#x20AC;&#x2122;s gazelles within black line borders, inscribed â&#x20AC;&#x2DC;ZOOâ&#x20AC;&#x2122;, bearing monogram, 15cm high, a small jug decorated with two fawns, inscribed â&#x20AC;&#x2DC;ZOOâ&#x20AC;&#x2122;, bearing monogram, 9cm high and a quaich decorated with two fawns, inscribed â&#x20AC;&#x2DC;ZOOâ&#x20AC;&#x2122;, bearing monogram, 15cm wide x 6cm high (4). ÂŁ100-200 \} ~ | ^[

90

495. A set of six early 19th century English cobalt blue ground ornithological dessert/fruit plates, decorated with pairs of Cockerels, pairs of Turkeys, pairs of Pheasants and other pairs of exotic birds, within richly gilded borders, 21.5cm diameter. ÂŁ100-200 \} ~ | ^[ 496. A 19th century glass cream jug, engraved with initials MR entwined within rose bud and thistle garland, above a wrythen section on a knopped stem and circular foot, with applied loop handle, 13.5cm high, together with a Continental enamelled glass Q

? { ?

ÂŁ50-100 \} ~ | ^[ $%> ~

; ) @ decorated with $

< =

impressed marks, 22cm high. ÂŁ80-120 \} ~ | ^[

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 502. A matched pair of Royal Worcester hand painted vases, dated 1909 and 1913, the earlier vase decorated with pink and yellow roses, the details picked out in gilt, the later vase decorated with white and pink rose buds, the details picked out in gilt, green and puce printed marks, shape no. H306, 10cm high. ÂŁ200-400 \} ~ | ^[ 503. A Royal Worcester pot pourri jar and cover, dated 1912, the ivory ground decorated with scattered foliate sprays, the details picked out in gilt, the cover pierced, puce printed marks no. 1286, 19cm high. ÂŁ50-100 \} ~ | ^[ 504. A Royal Worcester candle snuffer, Old Woman, 8.5cm high. ÂŁ40-80 \} ~ | ^[ =

+ % ( ~ Â&#x201A; ( groups, <<

< X =

puce printed marks, 16cm high. ÂŁ200-300 \} ~ | ^[

Lot 498 498. A rare Royal Doulton Sung Flambe vase by Charles Noke, decorated with a potter throwing a jar, printed and painted marks â&#x20AC;&#x2DC;No855â&#x20AC;&#x2122;, impressed marks, 27.5cm high. ÂŁ600-800 \} ~ | ^[ 499. A pair of Royal Worcester twin handled bottle vases decorated by JAS. Stinton, dated 1903, both decorated with cock pheasant on heathery moorland ?

= U {

= U

shape number 995, the neck and scroll handles with gilded details, 14.5cm high. ÂŁ500-700 \} ~ | ^[ 500. An 18th century Worcester cobalt blue ground plate, circa 1770, decorated with two colourful birds in a richly gilded border on a cobalt blue ground, blue square fret mark, 19cm diameter. ÂŁ100-200 \} ~ | ^[ ~ Â&#x201A; ( ; (# Â&#x2039; % >

Q X

?

{ <

sprays, puce printed marks no. 1094, 13.5cm high. ÂŁ50-100 \} ~ | ^[

Lot 506 506. A Royal Worcester cabinet plated decorated

by T. Lockyer, dated, 1929, painted with cherries, pears and raspberries on a mossy ground, within a gilded line rim, signed, puce printed marks, 22.5cm diameter. ÂŁ100-200 \} ~ | ^[ > { = ( )

<< ? < <

<

{ <

encrusted bowl, blue crossed swords mark, impressed number 141 and incised number 1872, red painted number 17, 11.5cm high x 17cm wide.

Provenance: The Rattray Collection ÂŁ100-200 \} ~ | ^[

91

Lindsay Burns & Company 514. A pair of Dresden porcelain reticulated square shaped cabinet plates, decorated with court couples within pierced foliate borders, 25cm square. ÂŁ150-250 \} ~ | ^[ 515. Two Vienna porcelain cobalt blue ground cabinet plates, one decorated with a girl sitting

<

{ ?

Â&#x2019;$ ! Â&#x201D;

25.5cm diameter, the other decorated with Diana and cupid after Kauffman, 23.5cm diameter. ÂŁ150-250 \} ~ | ^[

= (

=

<< ?

X

<

{ < <

on oval plinth base with gilded decoration, 11.5cm high x 10cm wide. ÂŁ50-100 \} ~ | ^[ 517. A Meissen porcelain cup, decorated with a named view â&#x20AC;&#x2DC;Dresdenâ&#x20AC;&#x2122;, blue crossed swords mark, 9cm high x 8cm diameter. ÂŁ40-80 \} ~ | ^[

Lot 508 [ =

+ { = (

<

<<

=

supporting a watering can and leaning on a spade, the <

<

U

{ ?

hand, a trowel in her left, blue crossed swords mark, <

? =

+

<

? =

incised C68., 19cm high.

Provenance: The Rattray Collection ÂŁ250-400 \} ~ | ^[

518. A pair of Dresden porcelain miniature twin handled urns,

?

{ <

swags, 10cm high. ÂŁ80-120 \} ~ | ^[ 519. A late 19th/early 20th century Bisque = (

= modelled with two boys either side of a grape hod, 16cm high x 16.5cm wide. ÂŁ50-100 \} ~ | ^[ ~ Â&#x152; = ( Â? @ group, modelled with a maiden looking into a pool, applied triangle mark and impressed number 598, 25.5cm high x 29cm wide. ÂŁ100-200 \} ~ | ^[

509. A 19th century Delft pottery charger,

?

U

{ ? ?

panelled diaper and foliate border, with yellow line rim, 35cm diameter. ÂŁ80-120 \} ~ | ^[

= ( ; (

table mirror, the oval bevelled mirror plate within a { <

==

X ?

= ?

carved wood strut support, 24cm high x 19cm wide. ÂŁ50-100 \} ~ | ^[

510. Two 19th century Delft pottery plates, one decorated with foliate spray within feathered border, Â&#x192;

?

X< { ?

within a scattered foliate spray border, 23cm diameter (2). ÂŁ40-80 \} ~ | ^[

522. A Dresden porcelain jewellery casket,

? = <

?

ground borders, the details picked out in gilt, 18cm wide x 10cm high x 12.5cm deep. ÂŁ50-100 \} ~ | ^[

511. A Samson porcelain famille rose style armorial charger, 32cm diameter. ÂŁ50-100 (+24% | ^[ 512. A gilt metal mounted Delft pottery jar, converted to table lamp, the tapered cylindrical body

? = <

<

Â&#x2039;< Â&#x20AC;

Q

by landscape panels with pavilions and trees, overall 44cm high. ÂŁ100-200 \} ~ | ^[ 513. Five Sevres Chateau De F. Bleau Empire style fruit plates, decorated with gilded stars and border of scrolling foliage entwined with birds of prey, hare, boar, hounds and ducks, printed marks, 24cm diameter. ÂŁ300-500 \} ~ | ^[

92

523. A Vienna porcelain pink ground charger, decorated with a hand painted scene of cupid, male and attendant female, signed Goz, within a richly gilded border on a turquoise blue ground, shield shaped mark, 35.5cm diameter. ÂŁ500-700 \} ~ | ^[ $ =

+ ~ Â&#x152; = (

=

<

<<

<

<

<

U

==< <

marks, impressed numbers 2065 and 2066, 34cm high. ÂŁ100-200 \} ~ | ^[

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

ASIAN ART - CHINESE PORCELAIN & WORKS OF ART 527. A Chinese porcelain yellow ground vase, Qing Dynasty,

? <

{ ?

a cracked ice ground within diaper, dragon and ruyi borders, 42cm high. ÂŁ150-250 \} ~ | ^[

Lot 525 525. A KPM porcelain plaque, decorated with a portrait of Ruth, signed R. Dittrich, in gilt wood frame, the plaque 32cm x 19cm, overall size 42cm x 29.5cm. ÂŁ1000-1500 \} ~ | ^[ 526. An early 20th century Vienna porcelain Art Â? @ = + =

# orange printed marks, painted number 1243, 45cm high. ÂŁ100-200 \} ~ | ^[

Lot 528 528. A Chinese porcelain blanc de chine shrine, Qing Dynasty, centred with Guanyin on lotus throne surrounded by attendants under a canopy, with incised rectangular tablet, 40cm high x 27cm wide x 15cm deep. ÂŁ400-600 \} ~ | ^[

93

Lindsay Burns & Company

Lot 532

Lot 528A 528A. A Chinese porcelain blue and white censer, dark wood cover and stand, Qing Dynasty bearing Daoguang seal mark, decorated with a band of archaic motifs under and Greek key, foliate scroll and ruyi border, raised on three dragon mask supports, the pierced wood cover carved with ruyi, the carved

=

?

<< { ?

Q <<

33.5cm high x 23cm wide, the porcelain element 26cm high x 23cm wide x 18.5cm diameter at the rim. ÂŁ800-1200 \} ~ | ^[ 529. A Chinese porcelain blue and white octagonal shaped meat plate of small size, Qing Dynasty,

? = Q <

=

river landscape, within diaper and foliate borders, 24.5cm x 16cm. ÂŁ50-100 \} ~ | ^[ 530. A Chinese porcelain famille rose Canton charger, Qing Dynasty, decorated with panels of

Q X = <

{ ?

and insects, 34cm diameter. ÂŁ150-250 \} ~ | ^[

532. A Chinese porcelain famille rose charger for the Islamic market, Qing Dynasty, the central <

<

?

=

X

= <

? { ?

< Â&#x192;

diameter. ÂŁ250-400 \} ~ | ^[ 533. A Chinese porcelain blue and white plate, Qing Dynasty, decorated with rock work issuing bamboo and three birds within a diaper border and

? <<

< { < = X

22.5cm diameter. ÂŁ40-80 \} ~ | ^[ 534. A Chinese porcelain famille rose blue ground charger, late Qing Dynasty, the central circular panel

?

{

= X ?

= <<

{ ?

<

<<

ground, 41cm diameter. ÂŁ300-500 \} ~ | ^[ 535. Four Chinese porcelain blue and white side plates, Qing Dynasty, decorated in the Fitzhugh pattern, 19.5cm diameter. ÂŁ100-200 \} ~ | ^[ 536. A pair of Chinese porcelain celadon ground famille rose plates, Qing Dynasty, decorated ? = X {

ÂŁ50-100 \} ~ | ^[

531. A Chinese porcelain famille rose Canton charger, Qing Dynasty, decorated with panels of

Q X = <

{ ?

and insects, 34cm diameter. ÂŁ150-250 \} ~ | ^[

94

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 537. A Chinese porcelain famille rose plate, Qing Dynasty, the central roundel decorated ?

Â&#x201A;

{ ?

<

surrounded by eight further jardinieres issuing peony and chrysanthemum, 22.5cm diameter. ÂŁ50-100 \} ~ | ^[

547. A pair of Chinese porcelain famille rose green ground plates, Qing Dynasty, decorated with central Shou characters surrounded by bats and lotus scroll, with four fan shaped panels enclosing

{ ?

:

ÂŁ100-200 \} ~ | ^[

538. A Chinese porcelain famille rose plate, Qing Dynasty, decorated with prunus blossom branch within blue and purple enamelled borders, 23.5cm diameter. ÂŁ50-100 \} ~ | ^[

548. A Chinese porcelain famille rose plate,

?

X < Q {

= X

25cm diameter, together with three Chinese blue and white octagonal shaped soup plates, 22cm diameter, a Japanese Imari dish, 24.5cm diameter and a Chamberlains Worcester Imari decorated dinner plate, 25.5cm diameter. ÂŁ40-80 \} ~ | ^[

539. A Chinese famille rose porcelain plate, Qing Dynasty, decorated with peony spray in diaper and peony decorated border, 23cm diameter. ÂŁ50-100 \} ~ | ^[ 540. A pair of Chinese porcelain famille rose Canton plates, Qing Dynasty, decorated with panels

= <

{ ?

< :

diameter. ÂŁ40-80 \} ~ | ^[ 541. A Chinese porcelain blue and white oval shaped meat plate, Qing Dynasty, decorated in the Fitzhugh pattern, 28.5cm wide x 21.5cm. ÂŁ80-120 \} ~ | ^[ 542. A Chinese porcelain blue and white oval shaped meat plate, Qing Dynasty, decorated with scattered foliate sprays within diaper and foliate borders, 30cm x 24cm. ÂŁ100-200 \} ~ | ^[ 543. A Chinese porcelain blue and white oval shaped meat plate strainer, pierced and decorated with pavilions, trees and sampan in a river landscape, 32.5cm wide x 25cm. ÂŁ50-100 \} ~ | ^[ 544. A pair of Chinese Imari porcelain plates, Qing Dynasty, decorated with urns issuing peony and

{ ? ?

<

:

together with another Chinese porcelain Imari plate

? <

=

{ <

22.5cm diameter (3). ÂŁ40-80 \} ~ | ^[ 545. A Chinese porcelain ormolu mounted famille verte jar, Qing Dynasty, converted to a table lamp, 43cm high. ÂŁ200-300 \} ~ | ^[ 546. A pair of Chinese porcelain Imari plates, Qing Dynasty, decorated with a ribbon tied spray of peony and foliage within diaper and foliate spray borders, 22.5cm diameter. ÂŁ100-200 \} ~ | ^[

549. A Chinese porcelain famille rose dish, late Qing Dynasty, decorated with peony, birds and { Â&#x192; :

ÂŁ40-80 \} ~ | ^[ 550. A pair of Chinese porcelain blue and white octagonal shaped plates, Qing Dynasty, decorated with precious objects within diaper and foliate borders, the details picked out in famille rose and green coloured enamels, 23cm diameter. ÂŁ70-100 \} ~ | ^[ 551. Four pieces of Chinese blue and white porcelain, Qing Dynasty, to include; a circular plate decorated with scattered foliate sprays, 23.5cm diameter, an octagonal shaped plate decorated with pavilions, pine trees and sampan in river landscape, 22.5cm diameter, a blue and white soup plate decorated with fenced garden, pine tree and ducks in a foliate spray border, 22.5cm diameter and a blue and white soup plate decorated with a fenced garden of pine trees, deer and bird, within a diaper and foliate spray border, 23cm diameter. ÂŁ50-100 \} ~ | ^[ 552. A Chinese porcelain blue and white dish, Qing Dynasty, the central roundel decorated with bamboo and rock work issuing peony, within a border of scattered foliate sprays, 27.5cm diameter. ÂŁ50-100 \} ~ | ^[ 553. A Chinese famille rose porcelain plate, Qing Dynasty, decorated with a scroll shaped panel <

? <<

?

peonies, 23cm diameter. ÂŁ50-100 \} ~ | ^[ 554. A Chinese porcelain Imari plate, Qing Dynasty, decorated with stag pulling cart in a fenced garden of tree peony, within a diaper and foliate panelled border, 25cm diameter. ÂŁ80-120 \} ~ | ^[ 555. A Chinese porcelain famille rose charger, Qianlong seal mark but later, decorated with eight

?

<

Â&#x192;Â&#x201E;

diameter. ÂŁ50-100 \} ~ | ^[

95

Lindsay Burns & Company 556. A Chinese porcelain famille rose charger, decorated with mothers and children in a fenced garden of prunus blossom within a foliate panelled border, 30.5cm diameter. ÂŁ40-80 \} ~ | ^[ 557. A pair of Chinese porcelain crackle glazed vases, Qing Dynasty, decorated with green, blue and orange coloured enamels, with a frieze of warriors in a landscape of pavilions, trees and mountains, incised marks, 43.5cm high. ÂŁ300-500 \} ~ | ^[

Lot 560 560. A Chinese porcelain blue and white tea canister and cover, four character Kangxi mark but later, the cylindrical body decorated with panels of peony and birds within ruyi and formal borders, 25.5cm high. ÂŁ400-600 \} ~ | ^[

Lot 558 558. A pair of Chinese porcelain famille rose Canton jars and covers, Qing Dynasty, decorated ? = <

= <

U ?

U

{ ?

{

U

?

single chilong, the domed covers with shi shi and ball < :

ÂŁ600-800 \} ~ | ^[ 559. A Chinese famille verte porcelain vase, Qing Dynasty, decorated with rock work, peony, birds and blossom within formal and diaper borders, 60.5cm high. ÂŁ300-500 \} ~ | ^[

561. A set of four Chinese blue and white porcelain plates, Qing Dynasty, decorated with pavilions,

=

< = ?

a scattered border of foliate sprays, 23cm diameter. ÂŁ100-200 \} ~ | ^[ 562. A Chinese porcelain famille rose octagonal shaped plate, Qing Dynasty,

?

and sampan in river landscape with tree peony, within a diaper and foliate spray border, 22cm diameter. ÂŁ40-80 \} ~ | ^[ 563. A Chinese famille rose porcelain plate, Qing Dynasty,

?

Q

?

diaper and foliate spray border, 22.5cm diameter. ÂŁ50-100 \} ~ | ^[ 564. A Chinese porcelain blue and white plate, decorated with peony, lotus and tree within a diaper

{ < = < Â&#x192;

ÂŁ40-80 \} ~ | ^[

96

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 565. A Chinese porcelain blue and white dish, Qing Dynasty,

? = Q <

sampans in river landscape, within diaper and foliate borders, 29cm diameter. ÂŁ100-200 \} ~ | ^[ 566. Two Chinese porcelain Imari plates, Qing Dynasty, one decorated with rock work issuing peony, within a diaper and foliate spray border, 22.5cm diameter, the other decorated with central roundel enclosing chrysanthemum within a foliate panelled border, 22.5cm diameter. ÂŁ100-200 \} ~ | ^[ 567. A Chinese porcelain blue and white dish, Qing Dynasty,

?

= Q <

and pine trees, within a border of bamboo and foliage, 27cm diameter. ÂŁ50-100 \} ~ | ^[ 568. Two Chinese blue and white porcelain plates, Qing Dynasty, one decorated with a pair of

X

{ ?

within a diaper border, 24cm diameter, together with another decorated with two dragons amidst cloud scrolls within a lotus scroll border, 24.5cm diameter. ÂŁ50-100 \} ~ | ^[ 569. A Chinese porcelain blue and white vase, Qing Dynasty, decorated with oval shaped panels of altar tables supporting precious objects, on a cracked ice ground decorated with prunus blossom, 30cm high. ÂŁ50-100 \} ~ | ^[ 570. A Chinese porcelain blue and white plate, Qing Dynasty, decorated with birds perching in peony and bamboo, within a diaper and foliate spray border, 22.5cm diameter. ÂŁ40-80 \} ~ | ^[ 571. A Chinese porcelain famille rose Canton bowl, Qing Dynasty, the scalloped rim enclosing a < = <

ÂŁ50-100 \} ~ | ^[ 572. A pair of Chinese porcelain famille rose plates, Qing Dynasty,

?

<

?

< = <<

25cm diameter. ÂŁ100-200 \} ~ | ^[

Lot 573 573. A pair of Chinese porcelain famille rose Canton vases, Qing Dynasty, decorated with panels

= X

the necks decorated with pairs of shi shi and ball terminals, the shoulders set with pairs of chilong, 46.5cm high. ÂŁ500-700 \} ~ | ^[ 574. A pair of Chinese porcelain famille rose crackle glazed jars, Qing Dynasty, decorated with ?

?

23cm high. ÂŁ300-500 \} ~ | ^[ 575. A Chinese porcelain powder blue ground jar, Qing Dynasty, decorated with gilded panels

<

<<

:

ÂŁ200-300 \} ~ | ^[ 576. A Chinese porcelain blue and white crackle glazed sleeve vase, Qing Dynasty, decorated ? =

= X

{ ? ?

burnished borders, incised marks, 29.5cm high. ÂŁ100-200 \} ~ | ^[ 577. A Chinese porcelain blue and white jardiniere, decorated with four shaped panels enclosing precious objects, on a lotus scroll ground within ruyi and formal borders, 36cm diameter x 30.5cm high. ÂŁ400-600 \} ~ | ^[

97

Lindsay Burns & Company 578. A pair of Chinese porcelain crackle glazed vases, Qing Dynasty, decorated with green, blue, aubergine and ochre coloured enamels with twin handled urns, censers and script, under a burnished border of ruyi motifs, the neck with prunus blossom terminals, incised marks, 34.5cm high. ÂŁ300-500 \} ~ | ^[ 579. A pair of Chinese porcelain famille rose Canton vases, Qing Dynasty, decorated with peony, rock work, birds and insects, the shoulders with four shi shi mask and ring terminals, 44.5cm high. ÂŁ300-500 \} ~ | ^[

589. A Chinese porcelain blue and white oval shaped dish, Qing Dynasty, decorated with pavilions, pine trees and sampans in a river landscape, within foliate and diaper borders, 29.5cm wide x 23cm. ÂŁ100-200 \} ~ | ^[ 590. A Chinese porcelain famille rose vase, Qianlong seal mark but later, decorated with warriors and scholars within apple green ground lotus scroll borders, 32.5cm high. ÂŁ300-500 \} ~ | ^[

580. A Chinese porcelain blue and white jar and cover, six character Kangxi mark but later, decorated with prunus blossom on a cracked ice ground, 28.5cm high. ÂŁ150-250 \} ~ | ^[ 581. A pair of Chinese porcelain blue and white crackle glazed sleeve vases, decorated with rock work, peony and pairs of birds within burnished borders, incised marks, 25cm high. ÂŁ150-250 \} ~ | ^[ 582. A Chinese porcelain blue and white crackle glazed jar, Qing Dynasty, decorated with peacocks

{ ? = <

?

burnished borders, 26cm high. ÂŁ50-100 \} ~ | ^[ 583. A Chinese famille verte Rouleau vase, decorated with three roundels of stylised birds suspended by ribbon tied pendants, under a broad border of chrysanthemum and foliage, 44.5cm high. ÂŁ200-300 \} ~ | ^[ 584. A Chinese porcelain blue and white crackle glazed jar, Qing Dynasty, decorated with pair of dragons, peony and chrysanthemum within burnished borders, incised marks, 41cm high. ÂŁ200-300 \} ~ | ^[ 585. A Chinese porcelain celadon glazed jardiniere, the tapered cylindrical body decorated in shallow relief with a band of stylised foliate motifs, 29.5cm diameter x 19cm high. ÂŁ100-200 \} ~ | ^[ 586. A Chinese porcelain famille rose plate, Qing Dynasty,

?

U ?

within a diaper foliate border, 23cm diameter. ÂŁ40-80 \} ~ | ^[ 587. A Chinese porcelain robinâ&#x20AC;&#x2122;s egg glazed miniature vase, 8cm high. ÂŁ50-100 \} ~ | ^[ 588. A Chinese porcelain bottle vase, decorated in relief with pair of entwined dragons contesting a { = < : :

ÂŁ100-200 \} ~ | ^[

98

Lot 591 591. A Chinese porcelain sang-de-boeuf glazed bottle vase, Qing Dynasty, 47.5cm high. ÂŁ400-600 \} ~ | ^[ 592. A pair of Chinese green monochrome glazed porcelain vases, with elephant mask terminals, 28.5cm high. ÂŁ600-800 \} ~ | ^[ 593. A Chinese porcelain famille rose Canton vase, Qing Dynasty,

? = <

within Greek key borders on a ground decorated with scattered foliate sprays and precious objects, the neck with shi shi and ball terminals, the shoulders set with pairs of chilong, 34cm high. ÂŁ150-250 \} ~ | ^[

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 594. A Chinese porcelain yellow ground Gu vase,

?

= <

?

X

formal borders, bearing six character mark, 47.5cm high. ÂŁ200-300 \} ~ | ^[

Lot 595 595. Three Chinese porcelain blue and white oval shaped meat plates, Qing Dynasty, decorated with pairs of long tailed birds in gardens of peony within diaper and foliate borders, 30cm wide x 21cm (3). ÂŁ150-250 \} ~ | ^[

Lot 597 597. A Chinese porcelain green ground jar and cover, Wang Bin Rong, Qing Dynasty, decorated in relief with egret and lotus, square relief seal mark, 14cm high, together with a Chinese famille rose trumpet shaped vase, Qing Dynasty, decorated with rock work, peony, ruyi fungus and a pair of cockerels, 24.5cm high (2). ÂŁ100-200 \} ~ | ^[ 598. Two Chinese porcelain famille rose plates, Qing Dynasty, one decorated with rock work issuing peony, together with lotus, 23cm diameter, together with another plate decorated with ribbon tied spray of = X

{ ? ?

peony sprays, 23cm diameter (2). ÂŁ50-100 \} ~ | ^[

Lot 596 596. A pair of Chinese porcelain blue and white salts, Qing Dynasty, decorated in the Fitzhugh pattern, 10cm wide x 4cm high x 8cm deep. ÂŁ80-120 \} ~ | ^[

99

Lindsay Burns & Company 599. A large pair of Chinese porcelain famille rose Canton vases, Qing Dynasty, decorated with panels of warriors and

of peony, fruit and birds, the necks with pairs of shi shi and ball terminals, together with a pair of turned wooden stands, overall height 63.5cm high. ÂŁ600-800 \} ~ | ^[

Lot 599

Lot 600 600. A group of three Chinese porcelain famille rose wares, Qing Dynasty, comprising; a teapot and cover decorated with oval shaped panels <

=

{ ? :

high x 22.5cm, a plate decorated with spray of = X

{ ? Â&#x192;

<<

lobbed oval shaped vase decorated with a fenced garden of rockwork issuing peony, 16.5cm high, (3). ÂŁ80-120 \} ~ | ^[

100

Lot 601 601. A pair of Chinese porcelain Wucai jars, circa 1900, decorated with panels of Kylin within peony scroll borders, 17.5cm high. ÂŁ150-250 \} ~ | ^[ BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 602 602. A Chinese pale celadon jade double gourd and bat carving, Qing Dynasty, 5.5cm x 3.5cm. ÂŁ200-400 \} ~ | ^[ 603. A Chinese cloisonne and bronze hexagonal shaped jardiniere, the scalloped rim above six shaped rectangular panels decorated with stylised { ?

] "

ÂŁ50-100 \} ~ | ^[ $ ( @ @

+ !

Qing Dynasty, carved standing holding lotus in left hand, on a lotus shaped plinth and oval base, 14cm high. ÂŁ150-250 \} ~ | ^[

= depicting mother and daughter, on carved

?

=<

] + : ?

ÂŁ200-300 \} ~ | ^[

< = +

+ ( with red and green painted details, incised marks, 24.5cm high x 15.5cm wide. ÂŁ300-500 \} ~ | ^[

Lot 606

101

Lindsay Burns & Company

Lot 609 609. A Chinese Plique-A-Jour hexagonal shaped bowl, decorated with panels of peony and foliage picked out in green, pink, blue and yellow coloured enamels, 18cm diameter x 8.5cm high. ÂŁ300-500 \} ~ | ^[

Lot 607 607. A Chinese ancestor portrait, Qing Dynasty, ink and colour on paper, laid on canvas, 125cm x 63.5cm. ÂŁ500-1000 \} ~ | ^[ 608. A Chinese ivory brush pot, Qing Dynasty, Q

= ?

= Q <

=

trees above a pierced and carved foot rim, 8cm diameter x 12cm high. ÂŁ400-600 \} ~ | ^[

Lot 610 610. A Chinese gilt bronze censer in the form of a Kylin, Qing Dynasty, the cover formed as the Kylinâ&#x20AC;&#x2122;s head with open roaring mouth, on a base with the Kylin holding a ball in itâ&#x20AC;&#x2122;s front legs, 11cm high x 8cm wide x 11cm deep. ÂŁ100-200 \} ~ | ^[

102

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 611 611. Five Chinese watercolours on pith paper mounted in one frame, Qing Dynasty, each 14cm x 9.5cm, overall size 25.5cm x 63cm. ÂŁ80-120 \} ~ | ^[ 612. A pair of Chinese pottery roof tiles modelled in the form of warriors on shi shi, mounted in wood and velvet lined case, overall size 49cm x 96cm. ÂŁ100-200 \} ~ | ^[

Lot 615 615. Two Chinese watercolours on pith paper, Qing Dynasty, = Â&#x203A; < : ] Â&#x201E;

ÂŁ50-100 \} ~ | ^[

ASIAN ART - JAPANESE CERAMICS & WORKS OF ART 616. A Japanese porcelain Imari charger, decorated with a central roundel enclosing foliate spray within a panelled border, 30.5cm diameter. ÂŁ40-80 \} ~ | ^[

Lot 613 613. A Chinese gilt bronze censer, Qing Dynasty, the rim with two raised handles, raised on three pronged supports, with circular double dragon and six

< U

<

Q ?

stand, 16cm diameter x overall height including stand to top of handle 16cm high. ÂŁ200-300 \} ~ | ^[

617. A Japanese Imari bowl, early 20th century,

? = <

{ ?

?

] +

high. ÂŁ40-80 \} ~ | ^[ 618. A set of three Japanese Imari plates, decorated ? = <

{ ?

:

together with a small Imari dish, 16cm diameter and a Chinese famille rose decorated plate, 25cm diameter. ÂŁ40-80 \} ~ | ^[

614. A Chinese blue ground cloisonne plate, Qing Dynasty, decorated with a central roundel of four red capped manchurian cranes within a border of

< = X

{ "

ÂŁ150-250 \} ~ | ^[ 103

Lindsay Burns & Company 619. A Japanese Imari plate, of lobbed circular

? { ?

< :

diameter, together with a pair of Japanese Imari saucer dishes, 14cm diameter, a Japanese Kakiemon style saucer dish decorated with pomegranate spray

<

= X { U

<

<

:

diameter and a Chinese porcelain plate decorated with

<

Q

\:[

ÂŁ40-80 \} ~ | ^[ 620. A Japanese Satsuma pottery bullet shaped vase, Meiji period,

? = <

divided by panels of peony and foliage, 30cm high. ÂŁ80-120 \} ~ | ^[ 621. A Pair of Japanese blue and white porcelain chargers, early 20th century, printed with dragons and birds, 30.5cm diameter. ÂŁ50-100 \} ~ | ^[ 622. A Japanese Imari charger, early 20th century, decorated with samurai warrior and bijin, 31cm diameter. ÂŁ40-80 \} ~ | ^[ 623. A late 19th/early 20th century Japanese porcelain charger, decorated with pine trees and carp, 35cm diameter. ÂŁ40-80 \} ~ | ^[ 624. A Japanese blue and white porcelain Arita dish,

?

{ ?

?

panelled border, 21.5cm diameter. ÂŁ40-80 \} ~ | ^[ 625. A Japanese porcelain Imari dish, early 20th century, of lobbed circular form decorated with a radiating pattern of stylised leaves, 25cm diameter. ÂŁ40-80 \} ~ | ^[ 626. A late 19th/early 20th century Japanese Imari charger, centred with a circular roundel enclosing { ?

< ?

= <<

+

diameter. ÂŁ50-100 \} ~ | ^[ 627. A Japanese Imari porcelain charger, early 20th century, the central roundel decorated with peony within a border of quail and stylised motifs, 28cm diameter. ÂŁ50-100 \} ~ | ^[ 628. A Japanese porcelain blue and white charger, early 20th century, decorated with prunus blossom, 31cm diameter. ÂŁ40-80 \} ~ | ^[

631. A late 19th/early 20th century Japanese Imari charger, of lobbed circular form, the centre decorated with a stylised chrysanthemum shaped panel within

<<

<

{ ? Â&#x192;Â&#x201E;

diameter. ÂŁ40-80 \} ~ | ^[ 632. A Japanese Imari bowl, Edo period, the exterior decorated with four shaped panels enclosing peony and chrysanthemum, the interior decorated with { ?

{X :

] Â&#x192;

ÂŁ200-400 \} ~ | ^[ 633. A late 19th/early 20th century Japanese Imari vase, decorated with two rectangular panels enclosing birds and foliage, 31.5cm high. ÂŁ50-100 \} ~ | ^[ 634. A late 19th/early 20th century Japanese porcelain cloisonne charger, decorated with urn and fan on a diaper ground, 35.5cm diameter. ÂŁ80-120 \} ~ | ^[ 635. A late 19th/early 20th century Japanese Kutani charger, decorated with a circular = <

Q

= <

with Manchurian cranes, 33cm diameter. ÂŁ100-200 \} ~ | ^[ 636. A pair of early 20th century Japanese Imari chargers, decorated with central circular shaped panels enclosing peony, within a panelled border, 27.5cm diameter. ÂŁ40-80 \} ~ | ^[ 637. A late 19th/early 20th century Japanese Kutani charger, decorated with a square shaped panel enclosing samurai warriors over a rectangular panel

?

<

ground, 36cm diameter. ÂŁ200-300 \} ~ | ^[ 638. A late 19th/early 20th century Japanese porcelain bowl, decorated with a basket issuing peony and blossom, the exterior decorated with U

{ ?

Q X

=

precious objects, 24.5cm diameter x 10.5cm high. ÂŁ40-80 \} ~ | ^[ 639. A pair of late 19th/early 20th century Japanese Satsuma pottery vases, decorated with = <

Q X = <

X<

and foliate motifs, 25cm high. ÂŁ100-200 \} ~ | ^[

629. A Japanese Imari oval shaped dish, decorated ? { ?

< : : ? ] : :

ÂŁ40-80 \} ~ | ^[ 630. A Japanese Fukagawa porcelain bowl, the

? = X

{ ? ?

a gilded border at the rim, 21.5cm diameter x 6.5cm high. ÂŁ50-100 \} ~ | ^[

104

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 640

Lot 646

640. A pair of Japanese Imari vases, Edo period, decorated with urns issuing peony and

{ ? ? = <<

Â&#x192; :

ÂŁ400-600 \} ~ | ^[

$ ^ = | ) =

+ Guanyin, Meiji period, decorated with blue, red and green enamels, the details picked out in gilt, 29.5cm high. ÂŁ400-600 \} ~ | ^[

641. A pair of Japanese Hirado porcelain vases,

? = X {X

{ <

Â&#x2014;

Q

{ <

<

ÂŁ300-500 \} ~ | ^[

647. A pair of Japanese Satsuma pottery vases, Meiji period, decorated with blossom, trees and { " :

ÂŁ100-200 \} ~ | ^[

642. A pair of late 19th/early 20th century Japanese Imari jars and covers, decorated with rectangular panels of twin handled urns issuing { ?

<

Q

27.5cm high. ÂŁ100-200 \} ~ | ^[ 643. A Japanese Imari jardiniere, decorated with three panels of baskets issuing peony, 22.5cm diameter x 17cm high. ÂŁ40-80 \} ~ | ^[ 644. A late 19th/early 20th century Japanese pottery Satsuma vase, decorated with panels of

<X <

Â&#x192;: :

ÂŁ150-250 \} ~ | ^[ 645. A miniature Japanese Satsuma hexagonal shaped koro and cover, Meiji period, decorated with ?

{

=

feet, the cover with pierced detail, signed, 4.5cm high x 6cm wide. ÂŁ50-100 \} ~ | ^[

648. A Japanese Satsuma pottery blue ground hexagonal shaped bowl, Meiji period, the interior

?

= Q <

<

landscape, the exterior decorated with a procession

<

=

pavilions, within richly gilded borders, signed, 14cm diameter x 6cm high. ÂŁ300-500 \} ~ | ^[ 649. A Japanese Satsuma pottery gourd shaped vase, Meiji period, decorated with rectangular panels <

{ ?

< = Q ?

on a ground decorated with coloured enamels and richly gilded borders, impressed marks, 12cm high. ÂŁ100-200 \} ~ | ^[ 650. A Japanese Imari bowl, Meiji period, of lobbed form, the interior decorated with a circular panel enclosing a prunus blossom, the exterior with = <<

{ ?

=

21cm diameter x 9.5cm high. ÂŁ100-200 \} ~ | ^[ 651. A 19th century Japanese ormolu mounted Imari vase,

? { ?

<

enclosed by foliate cast mounts, 30.5cm high. ÂŁ200-300 \} ~ | ^[

105

Lindsay Burns & Company

Lot 652 652. A Japanese Satsuma pottery blue ground vase, Meiji period, decorated in shallow relief with panels of samurai warriors within richly gilded borders, 30cm high. ÂŁ400-600 \} ~ | ^[ 653. A late 19th/early 20th century Japanese Imari porcelain jardiniere, decorated with rectangular panels enclosing fenced gardens of { ?

<

Q X

oval shaped panels of twin handled urns issuing = X

{ ? Â&#x192;

] :

ÂŁ200-300 \} ~ | ^[ 654. A late 19th/early 20th century Japanese porcelain gourd shaped vase, decorated with two dragon roundels, the upper section with pavilions and trees in a river landscape, six character mark, 40cm high. ÂŁ80-120 \} ~ | ^[

Lot 656 656. A Japanese Satsuma pottery vase, attributed to Ryozan, Meiji period, the cylindrical body decorated with an eagle perching in a pine tree and a panel of bijin and children, within richly gilt and enamelled borders, signed, 21.5cm high. ÂŁ500-700 \} ~ | ^[ 657. A Japanese Satsuma pottery bowl, Meiji period, the interior decorated with a circular panel enclosing bijin, within a panelled border of wisteria, peony and objects on a richly gilded ground with fans and Mons, the exterior decorated ?

X< { ? :

] : :

ÂŁ200-300 \} ~ | ^[ 658. A Japanese blue and white Arita porcelain jar and cover, Edo period, decorated with rock work, peony and foliage within scroll borders, 33.5cm high. ÂŁ700-900 \} ~ | ^[

655. A pair of Japanese Satsuma pottery blue ground hexagonal shaped vases, Meiji period,

? = <

? <

signed, 42.5cm high. ÂŁ100-200 \} ~ | ^[

106

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 659 % ^ = | ) = @ attributed to Kinkozan, Meiji period, decorated with a rectangular panel of two bijin in a garden of peony, on a ground of wisteria and fan shaped panels ? <X <

<< { <

signed, 10.5cm high. ÂŁ600-800 \} ~ | ^[

Lot 660 660. A Japanese Satsuma bottle vase, Meiji period, decorated with panels of bijin and children within <X < =

{ < Â&#x2014;

19cm high. ÂŁ300-500 \} ~ | ^[ 661. A Japanese Satsuma pottery footed dish, attributed to Yabu Meizan, Meiji period, decorated ? =

= Q <

decorated with scattered foliate sprays, signed, 14.8cm diameter x 3.5cm high. ÂŁ50-100 \} ~ | ^[ 662. A Japanese cloisonne charger, Meiji period,

? << { ? Â&#x192;Â&#x201E;

ÂŁ100-200 \} ~ | ^[ 663. A Japanese cloisonne charger, Meiji period,

?

<

{X Â&#x192;+ :

diameter. ÂŁ50-100 \} ~ | ^[

107

Lindsay Burns & Company

Lot 664 664. A Japanese ivory okimono of a crab, ) ( { Â&#x2039; =

15.5cm high. ÂŁ400-600 \} ~ | ^[

Lot 665 665. A Japanese ivory tusk vase and cover, Meiji period, the vase carved in relief with a bull elephant

Q

Q Q

<< ? <

with two tigers and centred with a carved monkey <

<< =

on a carved wooden plinth, signed, 38cm high. ÂŁ2000-3000 \} ~ | ^[ 666. A Japanese ivory okimono of a scholar, Meiji period, modelled standing wearing long robes, on a wooden plinth base, 14.5cm high. ÂŁ400-600 \} ~ | ^[ 667. A Japanese sectional ivory okimono of a farmer, Meiji period, 32.5cm high. ÂŁ400-600 \} ~ | ^[

108

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 669. A Japanese sectional ivory okimono of a woodsman, Meiji period, 16.5cm high. ÂŁ100-200 \} ~ | ^[ 670. A Japanese sectional ivory okimono of an elderly farm worker, Meiji period, 15.5cm high. ÂŁ80-120 \} ~ | ^[ 671. A Japanese bronze vase, cast with a band of Greek key motif above six leaf shaped panels enclosing scroll work, 32.5cm diameter x 26cm high. ÂŁ100-200 \} ~ | ^[ 672. A pair of late 19th century Japanese bronze twin handled urns, cast in shallow relief with long tailed birds, raised on three stylised supports and circular plinth bases, 37.5cm high. ÂŁ80-120 \} ~ | ^[ 673. A large Japanese black lacquered Zushi, Edo period, the pair of doors opening to a carved and = ?

X

under a canopy carved with scrolls and lacquered with cloud scrolls, 52cm high x 47.5cm wide x 28.5cm deep. ÂŁ800-1200 \} ~ | ^[

Lot 668 668. A Japanese ivory Shibayama decorated cylindrical shaped box and cover, Meiji period, decorated in mother of pearl, horn and stained ivory with a cock pheasant standing before foliate spray to

? ? << ? {X

wisteria, the cover with open peony bud shaped <

= < < < " :

diameter x 11.5cm high. ÂŁ800-1200 \} ~ | ^[

>$ ^ = < + )

warrior, Meiji period, converted to a lamp, on rectangular plinth base, overall 50cm high x 23.5cm wide. ÂŁ600-800 \} ~ | ^[ 675. A Japanese ivory okimono of a farm worker cutting an over sized gourd, Meiji period, signed on red lacquer seal, 7.5cm high x 10.5cm long. ÂŁ400-600 \} ~ | ^[

Lot 673 109

Lindsay Burns & Company 676. A Japanese ivory okimono of a samurai warrior with parrot on bird stand, Meiji period, signed, 18cm high. ÂŁ150-250 \} ~ | ^[ 677. A Japanese ivory okimono of mother and child, Meiji period, signed, 18cm high. ÂŁ400-600 \} ~ | ^[ 678. A Japanese ivory okimono of Daikoku, Meiji period, 25cm high. ÂŁ200-300 \} ~ | ^[

Lot 682 682. A 19th century Mughal ebonised and mother of pearl inlaid rectangular box and cover, the cover decorated on the top with a fenced garden and pavilion, the sides decorated with rectangular mother of pearl panels decorated with boulders, 13cm wide x 4.5cm high x 8.5cm deep. ÂŁ100-200 \} ~ | ^[ Lot 679 679. A Japanese Komai style combination cigarette case/compact on chain, the covers decorated with

< =

Â&#x2014;

Â&#x160; Â&#x201A;

Q ?

=

? ?

<

=

Q

<<

{ U

cigarette holder, signed, 9cm x 6.5cm, together with a Komai style cigarette case, the covers decorated with seascape, buildings and distant view of Mount Fuji, 8.5cm x 8cm (2). ÂŁ100-200 \} ~ | ^[

OTHER ASIAN WORKS OF ART 680. A 19th century Anglo Indian calamander, ivory, tortoiseshell and parquetry inlaid work box, of shaped rectangular form, the hinged cover

=

? < =

with thread spools and small drawers, the front section with two lift out trays each with multiple lidded compartments, 41.5cm wide x 15cm high x 29cm deep. ÂŁ300-500 \} ~ | ^[ 681. An Ottoman style brass candlestick, the cylindrical nozzle above a hexagonal drip pan, on a tapered heptagonal stem and domed hexagonal base with circular foot, 23cm high. ÂŁ50-100 \} ~ | ^[

Lot 683 683. A 19th century Indian Thangka, watercolour on cloth, 114cm x 95cm. ÂŁ500-1000 \} ~ | ^[ END OF SALE

110

BP* - Buyerâ&#x20AC;&#x2122;s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

We are currently inviting suitable entries for our forthcoming Antiques and Fine Art Sale to be held in Summer 2017. The sale will include Furniture, Longcase Clocks, Rugs, Works of Art, Clocks, Prints, Watercolours, Oil Paintings, Silver & Jewellery, Asian Art, European Ceramics & Glass.

If you would like to discuss selling in this sale or for more information please contact Nick Burns. nick.burns@lindsayburns.co.uk

111

Lindsay Burns & Company Auctioneers and Valuers 6 King Street Perth PH2 8JA Telephone: 01738 633888 Fax: 01738 441322 Email: mail@lindsayburns.co.uk Website: www.lindsayburns.co.uk

Absentee Bid Form Sale Title

Sale Date

Billing Name Address

Tel (Home)

Town/City

Tel (Work)

County

Tel (Mobile)

Postcode

Fax

Email I authorise Lindsay Burns & Company to bid on my behalf up to the maximum prices as indicated, not including buyers premium. I agree that I am bound by the Terms & Conditions of Sale of Lindsay Burns & Company.

Signed Lot No

Date Brief Description

Bid Limit

Conditions of Absentee Bidding Please note if you wish to register for bidding at this sale, leave absentee bids or reserve telephone lines, subject to availability, we must have full details by 4pm on Monday 24th April 2017.

Lindsay Burns & Company execute Absentee Bids as a courtesy service to clients. Whilst every care is taken in processing and executing Absentee Bids, Lindsay Burns & Company, their employees and appointed agents accept no liability in respect of errors made in the processing and/or execution of Absentee Bids or failure to execute any Absentee Bid.

All successful bids are subject to a 20% buyersâ&#x20AC;&#x2122; premium plus VAT on the hammer price of each Lot .

Buyers intending to clear purchases without delay are advised to make arrangements for payment before the sale, giving satisfactory bank or other references. Failure to do so may mean collection will be delayed until cheques have cleared. <

$ | Â&#x160;

> X | Â&#x2122;

= X

<

Â&#x201E; Â&#x201E;Â&#x201E;

< Q < Z

Q

?

<

Q

?

Q

? << = Q < Your attention is drawn to the terms and conditions of business of Lindsay Burns & Company. Š 2007 Lindsay Burns & Company All rights reserved

The Rattray Collection Lots 231-243

The Studio sale of John Murray Thomson RSA RSW PSSA (1885-1974) Lots 347-405 Lot 346

LINDSAY BURNS & COMPANY Antiques & Fine Art 25th & 26th April 2017

Lindsay Burns & Company 6 King Street Perth PH2 8JA Telephone: 01738 633888 Fax: 01738 441322 mail@lindsayburns.co.uk www.lindsayburns.co.uk

Antiques AND Fine Art Tuesday 25th & Wednesday 26th April 2017