Ronald K Brown Program

RONALD K BROWN/ EVIDENCE Sept 12 2025 | Winspear Opera House

Photo by Christopher George. Courtesy of the Kennedy Center.

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IT’S TIME TO BE IN THE ROOM AGAIN. To feel that collective breath, the shared silence, the spontaneous applause that erupts when something extraordinary happens onstage. Thank you for being here tonight— thank you for choosing to show up, to engage, and to be part of something live.

Creating moments of awe—like the one you’re about to experience tonight—is what makes the TITAS/DANCE UNBOUND season so unique. It’s international. It’s deeply curated. It’s intentionally designed to connect across cultures, communities, and generations.

These artists speak through movement. And while it can be hard to put into words, what they create is undeniable when you’re in the room. Diverse. Global. Powerful.

Surprising. Moving. That’s the magic of TITAS. Again, nothing replaces the live experience.

We’re proud to contribute to the international profile of Dallas. We celebrate our adventurous, curious, and passionate audiences. And we recognize the immense value that cultural exchange and the arts bring to our communities. This is the heart of TITAS—it’s how we help shape and elevate the cultural landscape of North Texas.

And every season, new audience members tell us the same thing:

"I’m overwhelmed—I had no idea. This was not what I expected."

That reaction? It never gets old. It’s Golden.

After more than four decades of presenting groundbreaking dance, we know the power of what happens when world-class artists meet open-hearted audiences.

And the 2025/26 season will not disappoint.

Ten extraordinary companies from the U.S., Spain, Canada, Taiwan, and France— including three making their Texas or U.S. debut right here in Dallas. Breathtaking artistry, thrilling athleticism, unforgettable performances. This is a season you won’t want to miss.

So thank you.

Thank you for being part of another remarkable year. Thank you for saying yes to live performance. Thank you for supporting TITAS/DANCE UNBOUND and the AT&T Performing Arts Center.

What we do together truly makes a difference.

Charles Santos, Executive Director/Artistic Director TITAS/DANCE UNBOUND

Friday | September 12 2025 | Winspear Opera House

Photo by Julietta Cervantes. Courtesy of Ronald K Brown/Evidence.

Friday | September 12 2025 | Winspear Opera House

TITAS/DANCE UNBOUND In association with AT&T Performing Arts Center Presents

RONALD K BROWN/EVIDENCE ARTISTIC DIRECTOR

ASSOCIATE ARTISTIC DIRECTOR

RONALD K. BROWN

ARCELL CABUAG

DANCERS DEMETRIUS BURNS AUSTIN WARREN COATS SHAYLA ALAYRE CALDWELL AALIYAH FISHER MICAH ISAIAH SAMIYAH LYNNICE SPIRIT PRIESTER AMINA LYDIA VARGAS MALCOLM MILES YOUNG

INTERIM MANAGING DIRECTOR

COMPANY MANAGER

JANE PENN

KRISTINA VARSHAVSKAYA

TECHNICAL DIRECTOR RESIDENT LIGHTING DESIGNER

REHEARSAL DIRECTOR DEMETRIUS BURNS

TSUBASA KAMEI

PROGRAM UPSIDE DOWN (1998)

Choreography: Ronald K. Brown

Lighting Re-Creation: Tsubasa Kamei

Music: Oumou Sangaré, Fela Anikulapo Kuti

Costume Design: Omotayo Wunmi Olaiya

Original Lighting Design: Brenda Gray Upside Down is an excerpt from the evening-length work Destiny. The full evening work was created in collaboration with Rokiya Kone of the Ivory Coast and her company Jeune Ballet d’Afrique Noire, and premiered at Aaron Davis Hall in June 1998. The development and creation of Destiny received support from Africa Exchange, the Rockefeller Multi-Arts Projects and Production Fund, the Aaron Davis Hall Fund for New Work, and Evidence/ Circle of Friends. Support for the re-creation of Upside Down costumes made possible

by Peg Alston and Willis Burton, Judy Byrd-Blaylock, Dwayne Ashley, Darrell and Carmen Gay, Bruce Gordon and Tawana Tibbs, Joanne E. Hill, Bernard H. Jackson and Joyce Mullins-Jackson, Terry McMillan, and W. Omar Karriem.

Music Kun Fe Ko written and performed by Oumou Sangaré, publishing and master rights administered by BMG; MAW Expensive A Tribute to Fela, composed by Fela Anikulapo Kuti, remixed by Master at Work and Wunmi Olaiya, administered by MAW Records and BMG. Used by permission.

— INTERMISSION —

OPEN DOOR

(2015 - Company Premiere 2023) Choreography: Ronald K. Brown

Costume Design: Keiko Voltaire

Associate Choreographer:

Original Lighting Design: Al Crawford

Arcell Cabuag

Lighting Re-creation: Tsubasa Kamei

Music: La Puerta by Luis Demetrio;

Picadillo by Tito Puente: All of the Americas the 2nd movement of Afro Latin Jazz Suite by Arturo O’Farrill; Vaca Frita by Arturo O’Farrill

Open Door was originally choreographed for the Alvin Ailey American Dance Theater in 2015. The creation of Open Door was supported by commissioning funds from New York City Center. Generous support was provided by The Jaharis Family Foundation, Tracy Elise Poole, and The Kansas City Friends of Alvin Ailey - Sara & Bill Morgan New Works Endowment Fund.

La Puerta used by permission of Peer International Corporation o/b/o Editorial Mexicana de Musica Internacional S.A.; Picadillo used by permission of Peer International Corporation; All of the Americas, Latin Jazz Suite and Vaca Frita used by permission of Arturo O’Farrill and MADACAZ MUSIC. All songs are recorded by Arturo O’Farrill and The Afro-Latin Jazz Orchestra, used by arrangement with ZOHO Music LLC

— INTERMISSION —

GRACE

(1999 / 2003)* Choreography: Ronald K. Brown Music*: Duke Ellington, Roy Davis, Jr., Fela Anikulapo Kuti Original Lighting for Alvin Ailey American Dance Theater: William H. Grant

Original Lighting for EVIDENCE: Brenda Gray Lighting Re-creation: Tsubasa Kamei Costume Design: Omotayo Wunmi Olaiya

Originally choreographed for the Alvin Ailey American Dance Theater in 1999, Grace became a part of the EVIDENCE repertory in 2003. Grace weaves the story of a Goddess’ journey to Earth to spread grace among humans, ultimately welcoming them to heaven.

The dance journey weaves the story of a Woman/God coming down to earth, with angels as aides, to round up those who are behaving as if they don’t understand God’s Grace. *Come Sunday - composed by Edward Kennedy Ellington, recorded by Jimmy McPhail – 1966; Published by G. Schirmer Inc, from the Album Concert of Sacred Music released by RCA Victor. Come Sunday composed by Edward Kennedy Ellington, recorded by Jennifer Holliday – 1985; Published by G Schirmer Inc, from the Album Say You Love Me released

by Geffen Records. Gabriel composed by Roy Davis Jr. and Peven Everett – 1996; Published by Shelly Bay and released

by Large Records. Bless It written by Paul Johnson – 1997; Published by Roy Davis Jr. Music and released by Undaground Therapy Muzik. Rock Shock written by Roy Davis Jr. – 1998; Published by Roy Davis Jr. Music and released by Undaground Therapy Muzik. Shakara composed and performed by Fela Kuti – 1972. Published by BMG Sapphire Songs and released

by Partisan Record.

The use of cameras, camcorders, tape recorders and cell phones is strictly forbidden during the performance.

ABOUT THE COMPANY Founded by Ronald K. Brown in 1985 and based in Brooklyn, New York, EVIDENCE, A DANCE COMPANY, integrates African dance with contemporary choreography, music, and spoken word. Through its work, the company provides a unique view of human struggles, tragedies, and triumphs. Brown uses movement as a way to reinforce the importance of community in African-American culture and to acquaint audiences with the beauty of African dance forms and rhythms.

EVIDENCE tours to 30 communities in the United States annually, and has traveled to Cuba, Brazil, England, France, Greece, Hungary, Hawaii, Ireland, Holland,Mexico, Columbia, South Africa, Nigeria, Senegal, and the United Kingdom to perform and teach. EVIDENCE is a dance company in demand, not only for the work presented on stage, but also for the company's dance workshops, community classes, and master classes provided for dancers of all ages and levels of dance experience. Annually, the company reaches an audience of more than 30,000. EVIDENCE works in partnership with the Bedford Stuyvesant Restoration Corporation, The Billie Holiday Theatre, and The Joyce Theater.

EVIDENCE would like to thank administrative and technical staff of Winspear Opera House for their hard work and support!

Photo by J Boogie Love. Courtesy of Ronald K Brown/Evidence.

TITAS/DANCE UNBOUND Next Production:

France’s BALLET PRELJOCAJ Oct. 31 . Nov 01 2025 Moody Performance Hall

To support TITAS/DANCE UNBOUND Please Scan, and Thank You.

TITAS.ORG ATTPAC.ORG/TITAS

WHO'S WHO IN THE COMPANY RONALD K. BROWN (Founder/Artistic Director) raised in Brooklyn, NY, founded EVIDENCE, A Dance Company in 1985. He has worked with Mary Anthony Dance Theater, Jennifer Muller/ The Works, as well as other choreographers and artists. Brown has set works on Alvin Ailey American Dance Theater, Ailey II, Cleo Parker Robinson Dance Ensemble, Dayton Contemporary Dance Company, Jennifer Muller/The Works, Jeune Ballet d’Afrique Noire, Ko-Thi Dance Company, Philadanco, Muntu Dance Theater of Chicago, Ballet Hispánico, TU Dance, and Malpaso Dance Company. He has collaborated with such artists as composer/designer Omotayo Wunmi Olaiya, the late writer Craig G. Harris, director Ernie McClintock’s Jazz Actors Theater, choreographers Patricia Hoffbauer and Rokiya Kone, composers Robert Een, Oliver Lake, Bernadette Speech, David Simons, and Don Meissner, and musicians Jason Moran, Arturo O'Farrill and Meshell Ndegeocello.

Brown is the recipient of the 2020 Jacob’s Pillow Dance Award. His other awards and recognitions include the AUDELCO Award for his choreography in Regina Taylor’s award-winning play Crowns, two Black Theater Alliance Awards, and a Fred & Adele Astaire Award for Outstanding Choreography in the Tony Award winning Broadway and national touring production of The Gershwin’s Porgy and Bess, adapted by Suzan Lori Parks, arranged by Diedre Murray, and directed by Diane Paulus.

Brown was named Def Dance Jam Workshop 2000 Mentor of the Year and has received a Doris Duke Artist Award, New York City Center Fellowship, Joyce Theater Artist Residency Center Fellowship, Scripps/ADF Award, John Simon Guggenheim Memorial Fellowship, National Endowment for the Arts Choreographers Fellowship, New York Foundation for the Arts Fellowship, United States Artists Fellowship, a New York Dance and Performance “Bessie” Award, Dance Magazine Award, and The Ailey Apex Award. Ronald K. Brown was a Creative Administration Research artist at NCCAkron and along with Arcell Cabuag is a 2024 Dance Teacher Magazine Awardee of Distinction recipient.

Brown is Co-Artistic Director of the Restoration Dance Youth Ensemble and a member of Stage Directors & Choreographers Society.

ARCELL CABUAG (Associate Artistic Director/Dancer) is a first-generation Filipino-American from San Jose, CA. He moved to New York City in 1996 to attend the Alvin Ailey American Dance Center, where he was introduced to Ronald K. Brown. Soon after, he joined EVIDENCE, A Dance Company as its first apprentice, became a company member one year later, and has served as its Associate Artistic Director since 2004. He is thrilled to be the newly appointed Billie Holiday Theatre’s Youth Arts Academy Director of Education. Performance credits include: dancing with Camille A. Brown, Mekeda Thomas, Rock the House for Paramount Pictures; The Shoji Tabuchi Show (Branson, MO); the Richard Rodgers Centennial Production of The King and I; and dance festivals worldwide. Arcell taught classes and performed with EVIDENCE throughout Africa as a US Ambassador with Dance Motion USA and throughout Japan for the D.I.P JIKEI COM International Center.

TV Credits include: Law & Order: SVU Choreographed episode and Codorniu Cava commercial with PILOBOLUS shot in Barcelona and aired on Spanish television. He has assisted Mr. Brown in creating repertory on Philadanco Dance Company; MUNTU Drum and Dance Company; TU Dance; Ballet Hispánico; Alvin Ailey American Dance Theater; Cuba’s Malpaso Dance Company and served as associate choreographer for the Tony Award winning Broadway and national touring productions of The Gershwins’ Porgy and Bess. Mr. Cabuag is proud to serve the dance community as a long standing educator and advocate nationally and abroad. Education, advocacy, and teaching EVIDENCE repertory work include: Professor of Dance at Long Island University (Brooklyn Campus); a guest instructor at NYU TISCH; University of Massachusetts; Peridance Certificate Program, The Ailey Fordham BFA and Certificate Programs; University of Washington, University of the Arts, Marymount Manhattan College, Ohio State, Princeton University, Boston Conservatory among others. Arcell received a 2004 New York Dance and Performance “Bessie” Award, an Abundance Dance Award as a Leader of the Path Honoree and along with Ronald K. Brown is a 2024 Dance Teacher Magazine Awardee of Distinction recipient.

DEMETRIUS BURNS (Rehearsal Director/Dancer) was born in Anniston, AL, and grew up in Boston, MA. He received his MFA in dance from Hollins University and his BFA with an emphasis in Choreography from Boston Conservatory where he performed repertoire by Karole Armitage, Mark Morris, Darrel Moultrie, and many more as well as choreographed Urinetown on the musical theatre department. He spent several summers at the Earl Mosley Institute of the Arts as a student, intern, and instructor. He attended the Bates Dance Festival, and Sidra Bell Modules.

Demetrius also attended Jacob’s Pillow Social dance program with the American Dance Guild Scholarship under the direction of Camille A. Brown and Moncell

Durden and returned the following summer for the Improvisation Traditions and Innovation program under the direction of Jawole Willa Jo Zollar. He is a recipient of the EVIDENCE Dance Workshop Series Beth Young Scholarship.

Demetrius became a company member of EVIDENCE in 2016 and is now the Rehearsal Director.

AUSTIN WARREN COATS (Dancer) is an interdisciplinary artist with a Magna Cum Laude bachelor’s degree in Dance Studies from Kent State University and a Master of Fine Arts degree from New York University's Tisch School of the Arts.

Originally from Reynoldsburg, OH, he has had the honor to work with artists such as Silvana Cardell, Angela Luem, Catherine Meredith, Jess Pretty, and Jamal White. He has attended summer intensives at The Joffrey Ballet School, Ruth Page Center of the Performing Arts, and Ronald K. Brown / EVIDENCE on scholarship. Austin has many interests in the arts including fine art, dance, and fashion design. He is a published illustrator in college publications and illustrates for various dancers’ projects. His life goal is to become a choreographer and artistic director. Austin became a company member of EVIDENCE in 2021.

SHAYLA ALAYRE CALDWELL (Guest Artist) is a third generation native of New Haven, Connecticut. She began dancing at a very young age with mother and dance teacher, Shari Caldwell. She became heavily influenced by traditional West African dance after being introduced to Guinean culture by her parents and dance mentor, Aly “Tatchol” Camara.

She was further introduced to various styles of dance and a plethora of choreographers and performing artists while attending Educational Center for the Arts and Earl Mosley Institute of the Arts in CT. She was accepted into the B.F.A. program at Virginia Commonwealth University in Richmond, Virginia in 2007. After studying briefly at the institution she landed a dream position as a performing artist in Ronald K. Brown/ Evidence, A Dance Company. She was promoted to rehearsal director and proudly served in the company for twelve years. A few highlights of her dance career include representing the USA at the International Festival of Ballet held in Cali, Colombia, performing at the infamous Joyce Theater, Delacorte Theater in Central Park, The Kennedy Center in Washington D.C. and being featured in The New York Times courtesy of Ronald K. Brown/ Evidence, A Dance Company. She has taught and assisted dance classes at various theaters, performing arts schools and universities as community outreach and fitness awareness. She was elated to become an adjunct dance professor at New York University’s Tisch School of the Arts with a focus in hip hop, modern contemporary and West African inspired styles from 2021-2023. She was thrilled to have been a part of the ensemble in the Broadway revival of The Wiz.

AALIYAH FISHER (Dancer) is a Jamaican American performer and creator, born and raised in New York, and currently based between Philadelphia and New York City. She began her professional training with Eleone Dance Unlimited, a Philadelphia-based pre-professional company, before continuing at the American Musical and Dramatic Academy (AMDA) in New York City, where she earned a Professional Dance Conservatory Certificate in 2021. Aaliyah furthered her education at AMDA’s Los Angeles campus in pursuit of a BFA in Dance. In 2022, she returned to Philadelphia to join Philadanco’s second company under the direction of Donald T. Lunsford II. During her time there, she trained with acclaimed artists such as Kim Bears-Bailey, Deborah Manning, Tracy Vogt, Milton Myers, Bernard Gaddis, and Christopher Huggins. Simultaneously, she enrolled in the BFA in Dance program at the University of the Arts. Following the university’s closure in 2024, Aaliyah completed her degree at Bennington College, and graduated in May 2025 under the direction of Donna Faye Burchfield. After graduating, she began her first season with Ronald K Brown’s/EVIDENCE, A Dance Company.

Now, Aaliyah continues to evolve her commitment to performing by training and thinking critically about how her access to the world of dance will impact the masses in a proactive way.

MICAH ISAIAH (Dancer) originally from Goldsboro, North Carolina, began his dance training at a young age and later received a scholarship to attend the American Dance Festival in 2015. His journey as an artist has taken him from his roots in North Carolina to Dallas, Texas, where he danced with Ingredients Dance Company and was a company member of Dallas Black Dance Theatre. Over the years, Micah has had the privilege of performing works by renowned choreographers such as Matthew Rushing, Jae Man Joo, Darion and Madison, and Baba Chuck Davis.

His diverse performance experience also includes collaborating with Grammywinning gospel artist Jonathan McReynolds and rapper SevnDeep, as well as appearing in industrials and commercials across the U.S. In addition to performing, Micah is passionate about creating and has choreographed works in Texas, North Carolina, and Florida.

SAMIYAH LYNNICE (Dancer) holds a BFA in Dance Performance from The Hartt School and is a graduate of New World School of the Arts Dance Program in Miami.

She spent seven years with the Cleo Parker Robinson Dance Ensemble in Colorado, where she was nominated for the Princess Grace Award. Her notable performances include premiering Micaela Taylor's Resist at the 2019 American

Dance Festival, premiering Cleo Parker Robinson's Standing on the Shoulders at Vail International Dance Festival in 2021, and performing as Firebird. She is the Repertoire holder to Winifred R. Harris’s work, Associate Artistic Director of Cleo Parker Robinson Dance Ensemble. She has also performed with Anita Baker on The Songstress Tour and has appeared in television and film. Additional training includes: the Academy of Ballet Arts, Dance Theater of Harlem, Alvin Ailey, Martha Graham, and DunDu Dole Urban African Ballet. Ms. Lynnice is excited to begin her first season with Evidence, A Dance Company.

SPIRIT PRIESTER (Dancer) is a Queens native and a recent graduate of the Conservatory of Dance at SUNY Purchase. She began her dance training at Innervisions Theater Arts Center in Jamaica, Queens, and later attended esteemed New York City programs including MOVE|NYC| and Fiorello H. LaGuardia High School of Music & Art and Performing Arts. During her time at SUNY Purchase, Spirit had the privilege of performing works by renowned choreographers such as Norbert De La Cruz III, Andrea Miller, Kevin Wynn and many more. In May 2025, she was honored with the Kyle Abraham Rising Dancer Award. Spirit is thrilled to join EVIDENCE/Ronald K. Brown: A Dance Company, for her first season as a company member and looks forward to this exciting new chapter in her journey.

AMINA LYDIA VARGAS (Dancer) was born in Washington DC, Amina Lydia Vargas began her dance training with Assane Konte at Kankouran West African Dance Company, then attended The Washington School of Ballet @ THEARC, and in 2017 graduated from the Duke Ellington School of the Arts where she studied under Charles Augins, Sandra FortuneGreen, and Katherine Smith. Amina is an alumna of The Ailey School, which she attended for 4 years on an Artistic Merit Scholarship in the Ailey/Fordham BFA and Scholarship programs. In 2022, Amina began working with renowned artist and choreographer Hope Boykin as a Dancer and Rehearsal Director with HopeBoykinDance. Since working with Hope, Amina has performed in the 50th anniversary concert of Leonard Bernstein’s MASS, in a new dance theater work States of Hope, and worked with Grammy Award winners Renee Fleming and Will Liverman as a performer and movement coach at Carnegie Hall.

Amina is an alumna of the Jacob’s Pillow 2024 Musical Theatre Performance Ensemble and has performed works by Kevin Iega Jeff, Sekou McMiller, Christopher Huggins, Lyrik Cruz, and Luis Salgado. In 2025, she is dancing in her first season with Ronald K. Brown’s EVIDENCE, A Dance Company.

MALCOLM MILES YOUNG (Dancer) is a multi-hyphenate artist and vessel born and raised in New Jersey. He graduated in 2021 with a BFA in Dance and a minor in Business of Entertainment, Media, and Technology from New York University. During his studies, Malcolm has worked with and performed works by several renowned choreographers including Bill T. Jones, Ray Mercer, Shamel Pitts, Al Blackstone, and has performed with the cast of Disney’s Broadway musical Newsies, choreographed by Christopher Gatelli. His work was selected as a 2021 Palm Springs International Dance Festival award winner and has been featured in Dance Magazine and Men’s Health Magazine. Malcolm has served as the Spring 2021 Chief Philanthropy Officer Intern at American Ballet Theatre, an artistic intern at Move(NYC), and has served as rehearsal director for multiple choreographers/ companies. Performance credits include a Broadway debut in Disney’s The Lion King, the Macy’s Thanksgiving Day Parade, the Jennifer Hudson Show, and was last seen across the country as Randy Jackson in the 1st National Tour of MJ the Musical. Malcolm is ecstatic to be making his introduction into the concert dance field with Ronald K. Brown/EVIDENCE, A Dance Company.

TSUBASA KAMEI (Technical Director / Resident Lighting Designer) has toured with EVIDENCE to more than 65 venues globally and internationally. Credits include: Scene and lighting for Mercy (World Premiere), lighting for Four Corners; Dancing Spirit (Company Premiere); New Conversations: Iron Meets Water (World Premiere), Percussion Bitter Sweet: Tender Warriors (Company Premiere), Serving Nia (Company Premier) for Ronald K. Brown/EVIDENCE. He has also designed The Call (Alvin Ailey American Dance Theater) and Where The Light Shines Through (TU Dance), all choreographed by Ronald K. Brown.

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Friday | September 12 2025 | Winspear Opera House

Photo by Rose Eichenbaum. Courtesy of Ronald K Brown/Evidence.

TITAS/DANCE UNBOUND SUPPORTERS Donations received July 2023 – September 2024

PLATINUM $20,000 and up Allyn Media American Airlines City of Dallas, Office of Arts and Culture Dallas Tourism Public Improvement District Program Fichtenbaum Charitable Trust, Bank of America, N.A., Co-Trustee Read and Steven~ Gendler Ann and Fred~ Margolin The Eugene McDermott Foundation DeMetris Sampson~ Sheraton Dallas Hotel Texas Commission on the Arts TACA (The Community Arts Alliance) Donna Wilhelm Family Fund GOLD $10,000-$19,999 Leland Burk and Thomas Feulmer Lee A. Cobb~ and Lucilo A. Peña Crow Museum of Asian Art of the University of Texas at Dallas Carol A. Crowe Claire Dewar~ Empire Baking Co/Meaders and Robert Ozarow Michael Ginsberg and Lorri Michel/ Sterlizia Foundation Mona and Bill~ Graue Gayle and Jim Halperin Madeline Jobst and Ralph Randall Ambassador Ron Kirk and Matrice~ Ellis-Kirk National Endowment for the Arts Deedie Rose Cindy and George Santos Greg Swalwell and Terry Connor Nan White

SILVER $5,000-$9,999 Audrey and Joel~ Bines L. A. Bond Mary Ann and Greg Borden-Neary Delia and Michael~ Crossley Lauren Embrey/Embrey Family Foundation Wanda Gierhart Fearing~ and Dean Fearing Rebecca and Barron Fletcher, III Forty Five Ten Hall Arts Hotel & Residences Denise Huddle Tracey Nash Huntley and David Huntley Jewish Federation of Greater Dallas KERA Courtney and Andrew Marcus Madeline and Jim McClure Karen and Eli Mercado/Bank of Texas Susan and Bill Montgomery Harry S. Moss Foundation New England Foundation for the Arts Lynn and Hisashi Nikaidoh Jacqueline Porter/Park Cities Dance Nancy Cain Robertson and Sanford Robertson Roberto Powers Eugene Sepulveda and Steven Tomlinson Jacqueline and William Stavi-Raines Kate and Brian Walker BRONZE $2,000-$4,999 Association of Performing Arts Professionals Cultural Exchange Fund Barbara and William Benac Sue~ and Ted Benn Booker T. Washington HSPVA Diane and Harold Brierley Kitty and Keith Carter Lenore and Kevin Diamond

Meghan Downey Ford Reynolds Fund of the Southwest Community Foundation Deborah Deitsch-Perez and Steven Goldfine Kathy and Graham Greene Linda and Scott Greer Gail Griswold~ and Bill Brice, Jr. Zoé de Ropp Hart and Todd Hart Patty and Tom Hussey Rusty and John Jaggers Rodger Kobes~ and Michael Keller Lola~ and Todd Lott Jill and Brent Magnuson Gail and Guillermo Marmol Dana Nearburg Mary and Sean O’Brien Jay Oppenheimer Joseph Patti Mary and Robert Potter Joan and Paul Ridley Lisa Simmons Saundra Steinberg~ and Matthew Wilner Arlene Switzer Steinfield~ and David Steinfield Stacey and Michael Titens/Holland & Knight Charitable Foundation Judith and Danny Tobey Alexine and Warren Tranquada Sunghun and H Keith Wallace Lily~ and Jeff Weiss Sophie and Eric Zuckerman PRODUCER’S CIRCLE $1,000-$1,999 Gene Danser and Cordell Adams Steve Atkinson and Ted Kincaid Deborah Bennett John R. Blanton, Jr. and Deborah Handler Kimberly and Jose Bowen Julia Buckelew Anne and O. Paul Corley, Jr. Lisa Dawson and Tom Maurstad Karen and Clay Deniger Julie and Bob England Bess and Ted Enloe Veletta Forsythe Lill and John C. Lill David Glover and Jorge Martinez

Marge and Larry Goodman Steve Habgood and Mark Sadlek Carol Hall Linda and Steve Ivy Susan and Paul Jarzemsky Niketa Kumar and Samuel Kaminsky Charles Kent and Brian Tapia Lisa and Peter Kraus Donna M. Kun Francis Luttmer and Jose Gomez Patricia Meadows Marilyn K. Mueller Diana and Geoff Newton Sally Pian and Ira Silverman Bob Rodgers and Bill Villanueva Sheri and Andrew Rosen Genie and Gary Short Ann Simmons and Cara Moore Bliss and Pelham Smith Suzanne and Jamie Smith/ Social Impact Architects Nancy Whitenack DIRECTOR’S CIRCLE $500-$999 Sari Bahl Giving Fund Mike Birrer Kitty and Keith Carter Lauren Corr Leslie Ann Crozier Kathleen Delsanter Helen and Jerome Frank Kim Fredenburg Sarah Hansen Maria Hasbany L. Keith Hughes Denise Roberts Hurlin and Nathan Hurlin Louise W. Kahn Endowment Fund of the Dallas Foundation Garfield Lemonius Jane Margolin and Ryan Horn Lynn McBee Doug Mitchell and Ed Calcote Susan Paul and Jim Kipp Jill Perrin Cindy and Howard Rachofsky Charles Santos and Rick Bond

CHOREOGRAPHER’S CIRCLE $250-$499 Dolores and Larry Barzune James Bolton Sherri and Thomas Cook Rita Garza Scott Kehn Heather and John Knapowski Bonnie Kudlicki and Jeff Davis Janet Mockovciak Deborah and Jim Nugent Anita and Mark Ryan James Thomas Roslyn Dawson Thompson and Rex Thompson Ronald Whitehead Renae Williams Niles COMPOSER’S CIRCLE $100-$249 Tina Aguilar Carlos Barroso and Kay Colbert Sarah Blettner Alexandra Boone Laura Bowers Lisa Calhoun Jan Callender Nancy Calomiris Patricia and James Chatt Kay Colbert and Carlos Barroso Nina Cortell and Bob Fine, M.D. James Cowen Carol L. Croy Joan Davidow and Stuart Glass Michele DeSalme and Frederick Toulmin Robert Dodd Amy Donham April Ellis Laura Estrada John Frazier and Tom De Arman Barbara and Stowe Gardner Leah Gardner Jenny Givens Laurie Goetz Storrow Gordon Andrew Harper and Joseph James

Chris Heinbaugh Becki Howard Maureen Kroeger Kelley Lindquist Leslie Lopez-Rutledge Kathy and Randy Luster Barbara Lynn Alex Malone Julie and Anthony Matt Kathryn McBride Joshua Miller Paula Miller Don Monroe Regina Montoya and Paul Coggins Lynn and Mark Oristano Salvatore Olimpio Susan Perez Cheryl and Scott Pike V. Diane Pitts Marianne Pohle Cheryl Pollman Kendall and Chris Purpura Desmond Richardson Sally Schreiber Kristin Shelley Molly Steele Dorit and Michael Suffness Lenore Sullivan and Barry Henry Frederick W. Toulmin Mary Sue and Bart Wade Marilyn and Larry Waisanen Maureen and John Wangermann Deb Weatherwax Sarah and John Wechsler Michael Wilson Carol Windham Christy Wolverton ARTIST’S CIRCLE Up to $99 Anonymous Lindsay Abernethy Kathryn and Roy Anderson Anne and Larry Angelilli Tequita Azantilow Christa Barlow Manuel Beckles

Juliana Black Shimon Braff Rachel Brittenham Suzanna Brown Sophie Burton Paul Cadwalladerf David Casto Holly Castora Sarah and Christopher Cauble Jessica Chiles Gail Cronauer David Chong Chip Clint Jordan Conway Nina Cortell Annie Costello Thierry Couturier Gail Cronauer Michael Crouch Jacqueline Czitrom Desiree DeLullo Rhonda Duncan Leslie and Wicky el-Effendi Kathryn Eller Anita Fielder Andrea Fields Melissa Fleming Jill Flynn Donna Forehand Kevin Foresman Nancy Franks Jacqueline Garcia Samuel Gatzert Bobby Gibbs and Mallory Fosdick Debra Gibert Wayne Gilbert Elizabeth Gillaspy and Randy Clements Marisol Guerra Michael Gwaltney Robert Hale John Hall Patricia Halpern Will Handy Tracy Hargis Wendy Helker John Hendricks Alejandro Hernandez

Blake Hestir Pamela R. Hill Diane Hines Shonda Hodge Jan Holeywell-Smith Demaceo Howard Timothy Hurst Nancy and Solomon Israel Laura Jacobus Patrick and Taylor Johnson Maryanne Jouvenal Nakizito Kazigo Kellie King Sheilon King Kristina Kirkenaer-Hart Anthony Ludlow Lorn MacDougal Patricia Magadini Jeannine Mahoney Jessica and Dylan Malek Nancy W. Marcus Leticia McCray Maranatha McLean Rohan Mishra Robert Moore Charles Nearburg Gernelle Nelson Natalie Newman Donna Nickels Chiedozie Okafor Kimberlie Page Claudia and Servando Palomeque David Papson-Adams Emmanuel Parker Chris Patterson Larry Pease Shawanna Phillips Karen Pilgrim-King Iris and Michael Podolsky Odealya Price Christopher Progler Cinde Rawn Clarence Rice David Rodriquez Jane Scholz Alexandra Schwartz Jodee Sedalnick

Kathleen Sharp Michael Simone Sada Sorrell Nancy Spence Michelle Spezio Ferm Jay Stamper Camille Stearns Miller Elizabeth Stewardson Mary Suhm Lela Thompson Veronica Towe Stormi Truesdell Martha Turner

Douglas Unger Herbert Unger Ana Villanueva Sadie Wallace Timothy Ward James W. Woodall * in Memoriam ~ denotes TITAS/DANCE UNBOUND Board of Trustee

Photo by Steven Pisano. Courtesy of Ronald K Brown/Evidence.

Friday | September 12 2025 | Winspear Opera House

BOARD OF TRUSTEES Lee Cobb, President Mary Ann Borden-Neary Michael Crossley Claire Dewar Matrice Ellis Kirk Wanda Gierhart Fearing Steven Gendler Bill Graue Rodger Kobes

Garfield Lemonius Noelle LeVeaux Lola Lott Venetia Patout Tracy Preston DeMetris Sampson Charles Santos Arlene Switzer Steinfield

Estela Tejeda-Moreno Michael Titens Chandana Weerasekara Krista Weinstein Lily Cabatu Weiss

Penny Atkiss William Benac Jeanne Marie Clossey Lauren Embrey Bess Enloe

Rebecca Enloe Fletcher Kathryn D. Greene Carol Hall Gayle Ziaks Halperin Sally Hansen

Zoé deRopp Hart Alan Lerner Charlene Marsh Lynn Nikaidoh Deedie Rose

CHARLES SANTOS

TITAS/DANCE UNBOUND CO-FOUNDERS

TITAS/DANCE UNBOUND

HONORARY BOARD Mr. Tom Adams (TITAS Co-Founder)

Executive Director Artistic Director JOHN FRAZIER Director of Operations JESSICA MALEK Director of Development/ Education STEVE HAMILTON Accountant

Tom Adams and Gene Leggett

700 North Pearl Street, Suite 1800 Dallas TX 75201 214.978.2855 Box Office 214.880.0202 titas.org attpac.org/titas

Friday | September 12 2025 | Winspear Opera House

THE ALL-NEW

GX

I T G I V E S OFF A LOT OF M A I N C H A R A C T E R E N E R G Y.

The Dallas–Fort Worth Lexus dealers are proud to be the Official Vehicle Sponsors of the AT&T Performing Arts Center and its resident companies. Through this dynamic partnership, Lexus is committed to supporting the Center and its Dallas Arts District neighbors in establishing Dallas as one of the world’s premier destinations to experience the performing and visual arts.

SEWELL LEXUS Dallas

Fort Worth

PARK PLACE LEXUS Grapevine

Prototype shown. Off-roading is inherently dangerous. Abusive use may result in bodily harm or vehicle damage. ©2024 Lexus, a Division of Toyota Motor Sales, U.S.A., Inc.

Plano

RONALD K BROWN/EVIDENCE SEPTEMBER 12 2025 WINSPEAR OPERA HOUSE

BALLET PRELJOCAJ (FRANCE) OCT 31 . NOV 01 2025 MOODY PERFORMANCE HALL

ANNE PLAMONDON DANSE

COMPLEXIONS CONTEMPORARY BALLET APRIL 04 2026 WINSPEAR OPERA HOUSE

COMPAGNIE MARIE CHOUINARD (CANADA)

MAY 01 . 02 2026 MOODY PERFORMANCE HALL

(CANADA) (US DEBUT)

NOVEMBER 07 . 08 2025 MOODY PERFORMANCE HALL

HUNG DANCE

GALLIM (TEXAS DEBUT) MAY 29 . 30 2026 MOODY PERFORMANCE HALL

(TAIWAN) (DEBUT)

MOMIX

DECEMBER 13 2025 WINSPEAR OPERA HOUSE

JUNE 06 2026 WINSPEAR OPERA HOUSE

FLAMENCO VIVO CARLOTA SANTANA

COMMAND PERFORMANCE + TITAS/DANCE UNBOUND GALA

(USA/SPAIN) (DALLAS DEBUT)

FEBRUARY 06 . 07 2026 MOODY PERFORMANCE HALL

BODYTRAFFIC MARCH 20 . 21 2026 MOODY PERFORMANCE HALL

APRIL 18 2026 WINSPEAR OPERA HOUSE

KINKY BOOTS (SUBSCRIBER BONUS) APRIL 23-25 2026 WINSPEAR OPERA HOUSE

SEASON SUBSCRIPTIONS NOW AVAILABLE ATTPAC.ORG/TITAS TITAS.ORG