2025 Music of the African Diaspora Festival: AMP Academy Recitals

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AMP ACADEMY RECITALS

FEBRUARY 1-2, 2025

AMP CENTER FOR PERFORMANCE & EDUCATION

Atlanta Music Project Board of Directors

Philip M. Juravel, CPA, Chair

Jennifer Dorian, Vice Chair

Byron Gibbs, Treasurer

Racheal Woods, Secretary

Sarah Griesenauer Barros, Ben Cherian, Anne Cross, Deva Hirsch, Valerie L. Holmes, James F. Lock III, Aaron C. Mitchell, Ceasar C. Mitchell Jr., Aisha Moody, Shawn Pacely, Andy D. Pittman, Dantes Rameau, John Sparrow

Atlanta Music Project Staff

Aisha Moody, Co-Founder & Chief Program Officer

Amber Taylor, Associate Director of AMP Academy

Breanna Johnson, Director of Choral Programs

Cruz Duhart, Operations Associate

Dantes Rameau, Co-Founder & Chief Executive Officer

Dennis Freeman, Van Driver

D’Laney Bowry, Development & Grants Associate

Durand Bailey, Senior Director of Operations

Dr. Emily Boone, Music Career Advisor

Isaiah Cuffey, Preparatory School Program Manager

Jack W. Wagner, Director of Grants

José L. Morales, Marketing & Graphic Design Associate

Lauren Jones, Program Operations Associate

Lauren Spence, Executive Assistant to the Chief Executive Officer

Liesl McWhorter, Youth Orchestras Program Manager

Lydia Falcon, After-School Programs Associate

Michael Crawford, Facilities Manager

Miriam Huppert, Director of College & Career Services

Ron Pace, Finance Manager

history of the african diaspora

The history of the African Diaspora and its profound influence on the world’s music is a captivating narrative that spans centuries and continents. Originating in the vibrant and diverse musical traditions of Africa, the journey begins with rhythms and melodies that would later transcend geographical boundaries.

The brutal era of the transatlantic slave trade witnessed the forced displacement of millions, yet within the harsh conditions of enslavement, African captives preserved their cultural identity through music. Spirituals and work songs emerged, laying the groundwork for the rich tapestry of musical expressions that would follow.

In the Caribbean and South America, the rhythmic beats of the Diaspora became intrinsic to the development of musical genres such as reggae, salsa, and samba. Enslaved Africans played a pivotal role, infusing their cultural heritage into the music of these regions. The fusion of African rhythms with indigenous and European influences in Latin America gave birth to unique genres like Afro-Cuban jazz and bossa nova, reflecting a harmonious blending of diverse musical elements.

In North America, the African Diaspora played a pivotal role in shaping iconic musical genres. The soulful strains of blues, the improvisational spirit of jazz, and the uplifting sounds of gospel music were all born out of the African American experience. The struggles for civil rights and the urban experience found expression in the revolutionary rise of hip-hop and rap, marking a cultural turning point that resonates globally.

In the contemporary era, the influence of the African Diaspora on music remains vibrant. Artists continue to blend traditions, pushing the boundaries of genres and embracing innovation. The global fusion of styles reflects the interconnectedness of cultures, showcasing the enduring impact of the diaspora on the ever-evolving world of music.

Celebrating the diversity and unity forged through this musical journey is essential. The African Diaspora’s legacy is not merely a historical artifact but a living, breathing force that shapes the cultural landscape. As we immerse ourselves in the melodies and rhythms born from the diaspora, we honor resilient and creative people whose contributions echo through the corridors of time.

The history of the African Diaspora and music is a testament to the power of cultural exchange, the strength of the human spirit, and the ability of music to bridge gaps and unite hearts across the globe.

Atlanta Music Project INSTITUTIONAL DONORS

Funding provided in part by the Fulton County Board of Commissioners under the guidance of the Department of Community Development.

Major funding for this organization is provided by the Fulton County Board of Commissioners.

This program is supported in part by the City of Atlanta Mayor’s Office of Cultural Affairs.

AMP ACADEMY RECITAL I

Dr. Byul Nim “Bea” La & Tony Castillo, Collaborative Pianists

Ray Ransom, Bass Corey Raymond, Drums

RECITAL I PROGRAM

Freddie Freeloader......................................................................... Miles Davis

Erica Peterson, trumpet Studio of Douglas Escobar

Nobody Knows de Trouble I’ve Seen.........................African-American Spiritual arr. Lawrence Brown

David Walton, cello Studio of Yuliya Kim

This Little Light of Mine...........................................African-American Spiritual arr. Tim Curd

Syrus Paul, bassoon Studio of Kevin Roach

A Song......................................................................Music by Julius P. Williams

Text by Paul Lawrence Dunbar

Joseph Banks, oboe Studio of Natalie Beckenbaugh

Deep River...............................................................African-American Spiritual arr. Tim Curd

Jonah Banks, bassoon Studio of Kevin Roach

“Nobody Knows de Trouble I’ve Seen”......................African-American Spiritual arr. Harry Thacker Burleigh

Bailey Edwards, mezzo-soprano

Studio of José Montañez

Michael, Row the Boat Ashore.................................African-American Spiritual arr. John Higgins

Terry Dent, double bass Studio of Kevin Smith

Rabbit Foot................................................................................

Florence Price arr. Zach Miller

Autumn Inman, violin

Studio of Andrzej Zabinski

Marimba Etude...........................................................................Raynor Carroll I. Andante

Maasai Jarrett, marimba Studio of Dominic Ryder

Dr. Byul Nim

AMP ACADEMY RECITAL I

“Bea” La & Tony Castillo, Collaborative Pianists

Ray Ransom, Bass Corey Raymond, Drums

“My Lord, What a Mornin’”........................................Music by Julius P. Williams arr. Harry Thacker Burleigh

Justice Banks, tenor

Studio of Ethan Godfrey

Dutchess of Devonshire’s Reel.................................................Ignatius Sancho

ed. Rachel Barton Pine

Preston Walton, cello

Studio of Yuliya Kim

“I Know the Lord’s Laid His Hands on Me”................African-American Spiritual arr. Lena J. McLin

Araeia Collins, mezzo-soprano

Studio of Laura English Robinson

Ev’ry Time I Feel The Spirit.......................................African-American Spiritual arr. David E. Robinson III

Mahogany Williams, cello

Studio of Ismail Akbar

“Song to the Dark Virgin”.............................................Music by Florence Price

Text by Langston Hughes

Maya Winfrey, mezzo-soprano

Studio of Laura English Robinson

“Weepin’ Mary”.......................................................African-American Spiritual arr. Harry Thacker Burleigh

Connor Sample, tenor

Studio of José Montañez

“Just the Two of Us” ..................Ralph MacDonald, William Salter, Bill Withers

Joshua Banks, baritone

Studio of Pamela Dillard

Paragon Rag .................................................................................Scott Joplin trans. Paul Zukofsky

Marlee Carter, violin

Studio of Kerren Berz

AMP ACADEMY RECITAL II

Jack W. Wagner & Tony Castillo, Collaborative Pianists

Ray Ransom, Bass

RECITAL II PROGRAM

Corey Raymond, Drums

The Entertainer..............................................................................Scott Joplin arr. Rachel Barton Pine

Foster Wilson, violin

Studio of Kerren Berz

Viola Sonata......................................................................................Kevin Day I. Lento

Joshua Croom, viola

Studio of Meghan Yost

Incantation and Dance..........................................................William Grant Still

Nehemiah Preston, oboe

Studio of Natalie Beckenbaugh

What a Wonderful World..........................................................Louis Armstrong arr. Hall Johnson

Zaki Walker, trumpet

Studio of Douglas Escobar

“Steal Away”...........................................................African-American Spiritual arr. Harry Thacker Burleigh

Jessica Leggins, mezzo-soprano

Studio of José Montañez

Grande Polka des Chasseur à Pied de la Louisiane..................Basile Jean Barès arr. Rachel Barton Pine, Matthew Hagle

Shani Gingrich, violin

Studio of Dr. Lana Teko

“Like A Star”......................................................................

Corrinne Bailey Rae

Ildikó Binecz, mezzo-soprano

Studio of Ethan Godfrey

The American Girl ....................................................................Francis Johnson arr. Katy Ambrose

Preston Harris, french horn

Studio of Dilon Bryan

“Plenty Good Room”................................................African-American Spiritual arr. Edward Boatner

Naomi Croom, mezzo-soprano

Studio of Laura English Robinson

AMP ACADEMY RECITAL II

Jack W. Wagner & Tony Castillo, Collaborative Pianists Ray Ransom, Bass Corey Raymond, Drums

“One Love”......................................................................................Bob Marley

Aya Walker, mezzo-soprano

Studio of Ethan Godfrey

“Girl on Fire”...Alicia Keys, Salaam Remi, Jeff Bhasker, Nicki Minaj, Billy Squier

Nalivia Preston, mezzo-soprano

Studio of Ethan Godfrey

Lift Every Voice and Sing.............................................John Rosamond Johnson

Naomi Lloyd, flute

Studio of Teresa Feliciano

“Stan’nin in de Need of Prayer”...............................African-American Spiritual arr. Hall Johnson

Joi Leggins, mezzo-soprano

Studio of Pamela Dillard

“Chere, Mo Lemmé Toi”.........................................................Camille Nickerson

Makayla Platt, mezzo-soprano

Studio of Ibukun Babalola

Chocolate Drops, A Cake Walk..................................................Will Marion Cook

Elena Alejandro, violin

Studio of Kerren Berz

arr. Rachel Barton Pine

“Autumn Nocturne”.................................................Josef Myrow, Kim Gannon

Destiny Sutton, alto

Studio of Keeyen Martin

Nobody Knows the Trouble I See .............................African-American Spiritual arr. David E. Robinson III

Priya Gingrich, cello

Studio of Ismail Akbar

Bayou Home..........................................................................William Grant Still arr. Alexa Still

Shanae Cousley, bassoon

Studio of Dantes Rameau

AMP ACADEMY RECITAL III

Joy Kim & Tony Castillo, Collaborative Pianists

RECITAL III PROGRAM

Ray Ransom, Bass

Corey Raymond, Drums

“Fever”...............................................................John Davenport, Eddie Cooley

Nailah Ruffin, soprano

Studio of Keeyen Martin

Deep River.............................................................. African-American Spiritual arr. K.L. Phillips

Malia White, violin

Studio of Julie Saxton

Rigoroso.....................................................................................Raynor Carroll

Dave Anderson, timpani

Studio of Dominic Ryder

“Ride on, King Jesus!”.............................................African-American Spiritual arr. Harry Thacker Burleigh

Thais El-Amin, soprano

Studio of Ibukun Babalola

Just So In The North.................................................................Ignatius Sancho arr. Rachel Barton Pine, Jason Moy

Nzingha Dunston, violin

Studio of Julie Saxton

“A Song” ..................................................................Music by Julius P. Williams

Text by Paul Lawrence Dunbar

Jayla Jacobs, mezzo-soprano

Studio of Ibukun Babalola

“This Little Light of Mine”.......................................African-American Spiritual

Kiyomi Jones, soprano

Studio of Pamela Dillard

Cancion de Cuna Del Niño Negro..................................Amadeo Roldán y Gardes arr. Rachel Barton Pine

Ethan Waithe, violin

Studio of Kerren Berz

“Lovely Day”......................................................Bill Withers, Skip Scarborough

Isabella Jackson, mezzo-soprano

Studio of Ethan Godfrey

AMP ACADEMY RECITAL III

Joy Kim & Tony Castillo, Collaborative Pianists

Ray Ransom, Bass Corey Raymond, Drums

“Genius Child”..............................................................Music by Robert Owens

Text by Langston Hughes

Alexander Beaty, baritone

Studio of Ibukun Babalola

“This Little Light of Mine”.......................................African-American Spiritual arr. Christopher Ruck

Emerie Forogo, soprano

Studio of Laura English-Robinson

“The Greatest Love of All”.....................................Linda Creed, Michael Masser

Lauren Hunter, soprano

Studio of Ethan Godfrey

Sonatine.........................................................................................Ulysses Kay

Kree Willingham, viola

Studio of Meghan Yost

“Let Us Break Bread Together” ...............................African-American Spiritual arr. Gordon Meyers

Somer Lindsay, soprano

Studio of Keeyen Martin

O Holy Lord..............................................................African-American Spiritual arr. Florence Price

trans. Nicholas Doyle, Lana Teko

Nicholas Doyle, viola

Studio of Dr. Lana Teko

“Lullaby of Birdland”...............................George Shearing, George David Weiss

Bailey Mines, soprano

Studio of Keeyen Martin

Dry Bones.................................................................................Margaret Bonds

arr. Zach Miller & Hillary Herndon

Asha White, violin

Studio of Andrzej Zabinski

Steal Away..............................................................African-American Spiritual

arr. Harry Thacker Burleigh arr. Kevin Smith

Yusef Henry, double bass

Studio of Kevin Smith

AMP ACADEMY RECITAL IV

Annie Cook & Tony Castillo, Collaborative Pianists

RECITAL IV PROGRAM

Ray Ransom, Bass

Corey Raymond, Drums

“Oh, What a Beautiful City”......................................African-American Spiritual arr. Edward Boatner

Da’Janel Chatmon, soprano

Studio of Laura English Robinson

Sonata III.......................................Joseph Bologne, Chevalier de Saint Georges I. Allegro

Ta’Kari Tatum, violin

Studio of Julie Saxton

Deep River...............................................................African-American Spiritual arr. Harry Thacker Burleigh trans. Andrew Warwick

Samuel Leyimu, clarinet

Studio of Andrew Warwick

The Boy with the Axle in His Hands............Thomas Greene “Blind Tom” Wiggins arr. Rachel Barton Pine

Bena-Nsilu Tiya, cello

Studio of Yuliya Kim

“In A Sentimental Mood”....................Duke Ellington, Irving Mills, Manny Kurtz

Tyaire Charles, tenor

Studio of Keeyen Martin

Steal Away...............................................................African-American Spiritual arr. Harry Thacker Burleigh trans. Kevin Smith

Lourdess Culpatrick, double bass

Studio of Kevin Smith

“Deep River”...........................................................African-American Spiritual arr. Harry Thacker Burleigh

Royal Joseph, baritone

Studio of José Montañez

Kumbaya.................................................................African-American Spiritual arr. Tim Curd

Manzo Tiya, cello

Studio of Giancarlo Ortiz

“I Want Jesus to Walk with Me”...............................African-American Spiritual arr. Edward Boatner

Nadia Nu’man, mezzo-soprano

Studio of José Montañez

AMP ACADEMY RECITAL IV

Annie Cook & Tony Castillo, Collaborative Pianists

Ray Ransom, Bass

Corey Raymond, Drums

Water in the Moonlight..............................Thomas Greene “Blind Tom” Wiggins arr. Jorge Variego

Raelan Robinson, viola

Studio of Meghan Yost

Le Vieux Garçon.......................................................................Ignatius Sancho

arr. Rachel Barton Pine, Jason Moy

Elrico Ezzard, cello

Studio of Yuliya Kim

Scherzo......................................................................................Raynor Carroll

Raina Mcleod, timpani

Studio of Dominic Ryder

“Unforgettable”...............................................................................Irving Gord

Amaya Paylor, mezzo-soprano

Studio of Keeyen Martin

Balada .............................................................Francisca “Chiquinha” Gonzaga arr. Rachel Barton Pine

Ethan Ezzard, violin

Studio of Andrzej Zabinski

Minuet.....................................................................................Ignatius Sancho

I. Tempo di menuetto arr. Zach Miller

Sian Shropshire-Taylor, viola

Studio of Josiah Coe

Rêverie Champêtre......................................................................Edmond Dedé

Chase Matthews, flute

Studio of Keeyen Martin

Sometimes I Feel Like a Motherless Child................African-American Spiritual arr. Florence B. Price

Camille Childers, alto

Studio of José Montañez

Sonata I.........................................Joseph Bologne, Chevalier de Saint Georges I. Allegro

Jackson Betts, violin

Studio of Kerren Berz

AMP ACADEMY RECITAL IV

Annie Cook & Tony Castillo, Collaborative Pianists

RECITAL IV PROGRAM

Ray Ransom, Bass

Corey Raymond, Drums

I’m Going to Sing......................................................African-American Spiritual arr. Stan Pethel

Joel Patrick, trombone Studio of Ed Nicholson

“The Willow Song”........................................Music by Samuel Coleridge-Taylor

Words by William Shakespeare

Neilah Bell, soprano Studio of Ibukun Babalola

AMP’s 2025 GMEA All-state accolades

The Georgia Music Educators Association (GMEA) hosts a yearly All-State Festival for musicians throughout the State of Georgia. This festival is composed of young musicians who succesfully passed both rounds of the All-State audition process. It should be known that this process is competitive and requires a high level of musicianship and skill. For Returning AMP Academy Students, this opportunity is prioritized because we believe it contributes to our students’ development and musical growth. It is our belief that students who successfully pass and participate in GMEA’s All State Festival are likely to be well prepared to audition for colleges and summer festivals both locally and internationally.

Since August 1st, AMP Academy student’s have worked alongside AMP Faculty through clinics, mock auditions, and weekly private lessons to prepare for GMEA All-State Festival. We are beyond proud and thrilled to see our AMP students participate in All-State this year and look forward to look forward to working with AMP Faculty and families collaborating with Faculty and Families to empower our students to succeed.

ALL-STATE ENSEMBLES:

GMEA 11/12 String Orchestra

Marlee Carter, violin (11th chair), Grade 11, Studio of Kerren Berz

GMEA 11/12 Full Orchestra

Priya Gingrich, cello (fourth chair), Grade 11, Studio of Ismail Akbar

GMEA All-State Concert Band I

Shanae Cousley, bassoon (fourth chair), Grade 9, Studio of Dantes Rameau

GMEA Middle School Tenor Bass Chorus

Joshua Banks, baritone, Grade 8, Studio of Pamela Dillard

GMEA 11/12 Mixed All-State Chorus

Tyaire Charles, tenor, Grade 12, Studio of Keeyen Martin

Neilah Bell, soprano, Grade 12, Studio of Ibukun Babalola

DISTRICT HONOR ENSEMBLES:

District Middle School Honor Band

Preston Harris, french horn, Grade 7, Studio of Dilon Bryan

Dave Anderson, percussion, Grade 7, Studio of Dominic Ryder

District High School Honor Band

Nehemiah Preston, oboe (1st chair), Grade 9, Studio of Natalie Beckenbaugh

Samuel Leyimu, clarinet, Grade 9, Studio of Andrew Warwick

Shanae Cousley, bassoon, Grade 9, Studio of Dantes Rameau

Don’t miss out on our 15th anniversary edition of the Music of the African Diaspora Festival merch!

Click below to check out all of our AMP merch. There’s something for everyone!

PURCHASE AMP MERCH HERE

the atlanta music project mission and history

Founded in 2010, the Atlanta Music Project (AMP) provides world-class music training and performance opportunities supporting youth growth and development. Operating in under-resourced communities, AMP’s mission is to empower youth to realize their possibilities through music.

AMP serves over 1,000 young musicians annually through band, orchestra, and choir programs, private lessons, and the annual month-long AMP Summer Series. The AMP Senior Youth Orchestras and Choirs perform and compete both nationally and internationally. Additionally, AMP houses a college and career program, supporting AMP high school students and alumni. Since 2021, AMP has awarded $395,000 in college scholarships to its alumni.

AMP music ensembles perform more than 60 concerts annually, performing in venues all across Atlanta, from community centers to the Mercedes-Benz Stadium. AMP music ensembles have performed alongside international stars such as cellist Sterling Elliott, rapper Lecrae, operatic baritone Edward Parks, R&B singer Monica, The Piano Guys, the Harlem Quartet, electric violinist Lindsey Stirling, pianist Terrence Wilson, and the Imani Winds. AMP musicians can be seen performing with rapper T.I. on NPR’s Tiny Desk concert series.

AMP’s young musicians have successfully auditioned for Georgia All-State ensembles, and performed with the Atlanta Opera, the Atlanta Ballet, and the Fox Theatre. AMP ensembles have concertized as far away as Los Angeles, Aspen, Mexico, Canada, and New Zealand. The AMP Senior Youth Choir was crowned winner of the Youth Choirs category at the Open Competition of the 2024 World Choirs Games.

AMP is the recipient of several prestigious awards: 2015 Local Community Service Award (Spelman College), 2016 Neighborhood Builder (Bank of America), 2016 & 2017 Top 50 Youth Arts Program (USA President’s Committee on the Arts & Humanities), 2018 MLK Jr. Community Service Award (Emory University), 2019 Luminary Award for Arts Education (ArtsATL), and 2021 Infusion Award (Lewis Prize for Music).

AMP’s existence is a direct result of the 2009 TED Prize, which was awarded to Dr. Jose Antonio Abreu, founder of Venezuela’s El Sistema. AMP’s co-founders were members of the Sistema Fellows Program at the New England Conservatory in Boston. AMP is a member of “El Sistema USA,” the National Alliance of El Sistema Inspired Programs.

AMP’s current major funders include the Chestnut Family Foundation, Mailchimp, the Abraham J. & Phyllis Katz Foundation, the Harland Charitable Foundation, the Arthur M. Blank Foundation, The Rich’s Foundation, the Sartain Lanier Foundation, the Luluma Foundation, Mayor’s Office of Cultural Affairs, Fulton County Arts Council, Georgia Council for the Arts, Georgia Department of Education, Bloomberg Philanthropies, Delta Community Credit Union, the Next Generation Fund, and the Community Foundation for Greater Atlanta.

In 2024, AMP became the recipient of five Steinway pianos and was awarded the prestigious honor of being a Steinway Select School, making AMP one of eight schools in the country with this distinction.

AMP’s partners and collaborators include the City of Atlanta Department of Parks and Recreation, Atlanta Public Schools, Clayton State University, and the Chestnut Family Foundation.

AMP is a member of “El Sistema USA,” the National Alliance of El Sistema Inspired Programs.

For more information visit http://www.atlantamusicproject.org

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EMPOWERING YOUTH TO REALIZE THEIR POSSIBILITIES THROUGH MUSIC

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